Suche:cheetah

Aphex Twin aka Richard D. James meldet sich mit der fantastischen "Cheetah EP" zurück, auf der er mit deepem und melodischem Techno und Acid im Früh-90er-Style überrascht. Benannt ist die EP nach dem Synthesizer Cheetah MS800, eines der am schwierigsten zu programmierenden Instrumente der Welt, mit dem Richard die meisten dieser Tracks aufnahm. Das Artwork ist ebenfalls im 90er-Retro-Style gehalten.

The lads come with an unreal E.P with support from everyone across the scene. Proper Jungle and hardcore, get them on blast! Proud to have them on N4

Looking back, Jimmy Edgar has a lot to be proud of. Over the course of the last decade-and-a- half, the Detroit native has proven both a celebrated favorite and consistent fixture of dance music in its multitudinous forms. Looking over the arc of his lengthy and diverse discography, both under his own name as well as pseudonymously, it’s hard not to see him as one of the most innovative producers and skilled sound designers to emerge this millennium, an artist whose legacy has touched untold numbers of home listeners and dance floor revellers alike. His upcoming album, CHEETAH BEND, achieves its ethos with the aid of some well- placed vocal guests. On "GET UP," a tough love motivational set to springy synth flourishes and bass rattling, Edgar links w/ fellow Detroiter Danny Brown who does irreparable microphone damage. FOR FANS OF: Flying Lotus, TNGHT, Danny Brown, Vince Staples, Schoolboy Q

The four tracks and the interlude represent the personality of Louis Dauvergne: original, a bit
messy, but always with the idea to find the new era of jazz-fusion. The drums and the funky
spirit tracks, create a solid EP. This record is a tribute to GTA Vice City.

I know that people love to read the stories related to the background of each release on Future Retro London & how they came together, but I'll be honest, I have no recollection at all about how this release came into existence????

Sorry that I can't give much insight on anything to do with this release, I imagine that DJ Sofa pitched me the idea to get remixes done of our collab from her FR011 release and one thing led to another...

Rather than try and piece together the process of what happened to make this release into a thing, I'll just skip to the big ups. Thanks to Soeneido, Cheetah & Janaway for their remix work, to DJ Sofa for the idea (I think?) for this release and for her work on the original and to my memory for failing me in this moment where I was hoping it would come through for me.

At the start of the 1980’s X-Plode’s dad had a second-hand colour TV business in Bolton, Lancashire where he would buy, sell, repair and trade TVs. He would come back home with all kinds of things he had traded for a TV but the most memorable, to a 10 year old kid at that time, were the keyboards. He use to watch his dad play songs from the 1960’s on these keyboards and when his dad had gone out, Lee X-Plode would sneak on them and start messing about, experimenting with the drum programs and fiddling with the buttons, trying out ideas. He had to move fast though because these keyboards didn’t stay in the house for long as his dad would trade them again for something else; one time that was an old analogue echo chamber, which Lee also messed about with when his dad was out. That echo chamber was a revelation to Lee and opened up the possibilities of what was possible with sound. So by the time Lee was 16, he decided he wanted his own keyboard and started saving. When his 17th birthday came around he had saved up £200 and visited his local Argos where he bought himself a Yamaha PSS 680, an FM synthesizer with memory banks and a basic drum machine incorporated. ‘It was shit quality like, but I didn’t mind. I just wanted it for the programmable drum machine, the synth and the memory banks that came with it” Lee recalls. The year was 1987 and by this time in Lee’s life he was into reggae and hip hop, the latter he first embraced in 1983 by the way of breakdancing and listening to electro, so all he wanted to do when he got his gear was make reggae and electro sounding beats. Recalling his youth and the fun he had with the echo chamber, the next edition to his home set up was to acquire one of those, which he did via a mate of his. But by the time he got his minimal set up sorted in 1988, his musical tastes had changed. House music had landed here in UK and this was Lee’s new passion, so from that point on wards he started experimenting, trying to nail a decent house groove. ‘I wanted 808 sounds, but I didn’t know what one was!’ Lee explains.

Around late 1990 or early 1991, Lee started to improve upon his set up, purchasing an Atari STE, a Cheetah MS6 , a 6 voice polyphonic/multi-timbre analogue rack mounted synth that linked up to his Yamaha – “It wasn’t a great bit of kit, I kept getting electric shocks from it. Eventually it just blew up!” Lee had acquired a cracked copy of Cubase on floppy disk from his local computer game shop but struggled with it. “It was so complicated to understand and took me ages to get used to it. I was stoned a lot back then and I just couldn’t concentrate on anything for long” Lee laughs, continuing “I also picked up a 4 channel sampler/sequencer which plugged into the side of the Atari and that’s when I first started sampling, I think this would have been late 1991. I had the Simon Harris ‘Breaks, Beats and Scratches’ vinyl that he put out on Music for Life which were a godsend back then. I was also sampling a lot from cassette tapes, especially reggae. I would also record the Stu Allan show on Key 103FM, one of the main stations broadcasting out of Manchester. He would do a 3 hour show with hip hop and house, and then hardcore house came along. Eventually he dropped the hip hop altogether and it was just house and hardcore. I recorded the shows onto cassette most weeks and started to learn more about how house and hardcore was put together by listening to those shows.”

repressed !

The Italians Antonio De Oto (A-TWEED) and Valerio Ebert (OLTREFUTURO) are the names beyond Echinopsis EP, the next release on Haus Of Beats. Three tracks with slow yet heavy tribal rhythms, dark, acid and hypnotic. Two deluxe remixes complete the EP, one by the master of rare rhythms, Toulouse Low Trax, working his usual magic, the second by the label associate Odøn, upping the tempo with a fiery electro take.

Glasgow’s infamous basement dwelling, La Cheetah, make good on their promise to bring you transmissions from the city and it’s surroundings by tapping Burroughs for the 5th outing on the clubs in-house imprint.

Never ones to rush things, the aptly named ’Strungout’ was first passed to Outer Zone over 4 years ago, alongside ‘NREM’ and the EPs names sake ‘The Whole Damn Drift’.

The tracks have seen multiple phases and iterations since, with the process baring 3 emotive tracks that rubber stamp the evidence of Burroughs lifelong dedication to his craft.

Die "collapse Ep" Ist Aphex Twins Erste Neue Arbeit Seit Der "cheetah Ep" Aus 2016. Das Klangbild Aus Hyper-editierter Electronica, Durchsetzt Mit Seinem Typischen Acid-sound, Spuren Von Footwork Und Schwerem Bassbrummen Zeigt Den Zwilling Von Seiner Modernsten Seite Seit Seinem Meisterwerk "syro" (oder Vielleicht Auch Seit "druqs"). Parallel Mit Der Offiziellen Ankündigung Erschien Auch Ein Atemberaubender Videoclip Seines Langjährigen Kollaborateurs Weirdcore Zum Opener "t69 Collapse". Die Collapse Ep" Erscheint Als Cd, Standard-12" Und Limited Edition 12" Im Deluxe-packaging.

Durch das 1966 auf Impulse! Records veröffentlichte Album “Spellbinder” wurde der ungarische Jazzgitarrist Gábor Szabó einem breiteren amerikanischen Publikum bekannt. Auf dem Album bot er eine originelle
Mischung aus modalem Jazz, osteuropäischen Folkeinflüssen und Popklängen, die er selbst als “Pop-Jazz”
bezeichnete.

Atmosphärische Instrumentals für den Post-Hardcore-Aussteiger. Tristezas Y2K-Album für Tiger Style kehrt ein Vierteljahrhundert später zurück auf den Konsummarkt. Aufgenommen in Chicago - der Post-Rock-Hauptstadt der Welt - verwebt "Dream Signals In Full Circles" schimmernde kontrapunktierte Gitarren, mathlete präzise Perkussion, Synthesizer-Glasur und dramatische Streicher zu einem Trance-induzierenden klanglichen Bildschirmschoner.

Atmosphärische Instrumentals für den Post-Hardcore-Aussteiger. Tristezas Y2K-Album für Tiger Style kehrt ein Vierteljahrhundert später zurück auf den Konsummarkt. Aufgenommen in Chicago - der Post-Rock-Hauptstadt der Welt - verwebt "Dream Signals In Full Circles" schimmernde kontrapunktierte Gitarren, mathlete präzise Perkussion, Synthesizer-Glasur und dramatische Streicher zu einem Trance-induzierenden klanglichen Bildschirmschoner.

Clear Vinyl. Holt Eure Spandex raus, der Glam kommt JETZT in Euer Leben. Eine super warme Dusche aus Australien, mit Leuten von CLOWNS und CABLE TIES. Es gibt 11 zuckersüsse PopPunk Perlen, die mit Twin Leads auch den Hardrockfan an den richtigen Stellen abholt. Stellt Euch eine Melange aus The Exploding Hearts, The Shivvers, Thin Lizzy und Judas Priest vor... Und bums: da stehen Leatherman vor Euch. Qualitativ hochwertig hauen die 5 fünf Australier Hit nach Hit raus, der Gesang von Annabel Brown trifft genau den richtigen Ton zwischen rotzig, unschuldig und aggressiv...

For Fans Of The Indie/Americana, Punk ‘N’ Roll, Streetwalkin’ Cheetahs, Fear, Supersuckers, Tom Petty, MC5. Living Between the Lines is the debut solo LP from Frank Meyer. A long time coming, Meyer’s been hinting at it for a while now with Bandcamp exclusive tracks, covers on tribute albums, acoustic solo shows, and his acclaimed collaboration album with Eddie Spaghetti of the Supersuckers. Like the Eddie collab, LBTL is out on Kitten Robot Records. The 11-song album adds touches of blues and soul to Meyer’s expected high-energy rock ‘n’ roll, revealing a more mature voice. He is joined for duets by longtime friend and collaborator Lisa Kekaula of the Bellrays on the title track, Runaways icon Cherie Currie on “Piece of Me” and Spaghetti himself on “Partners In Crime.” An award-winning musician, filmmaker and author, Meyer has a track record that covers rock ‘n’ roll, punk, heavy metal, blues, and country. Known for his work with everyone from Rock ‘n’ Roll Hall of Famers James Williamson (Iggy & the Stooges) and Wayne Kramer (MC5) to legendary punk act FEAR, Meyer has carved out a career full of unlikely collaborations, hard work, searing guitar playing, and ace songwriting skills. “I have rarely seen the public leave so enthusiastic by the pure rock ‘n’ roll download that they had just witnessed. Frank Meyer is an incomparable frontman who lives rock ‘n’ roll 24/7 and always gives his all!” Popular 1 Magazine.

Champaign, Illinois band Hum is re-issuing its four-album catalog on vinyl with exclusive distribution by Polyvinyl Records. The band members oversaw every step of the re-mastering, lacquer cutting, and manufacturing stages while working with original designer Andy Mueller/Ohio Girl in updating the artwork. Each album is offered in a double-LP 180g set in black.

Recorded by Mark Rubel at Pogo Studio, Champaign, IL. Mixed by Brian Malouf at Pacifique, LA.
Licensed from Sony Music and re-mastered by Ryan Smith at Sterling Sound, New York.

DELUXE 8LP BOXSET FROM THEIR ‘CAPITOL YEARS’, WITH STUDIO ALBUM HALF-SPEED MASTERING, LP OF BONUS TRACKS, 60 PAGE BOOK, POSTERS & NUMBERED CERTIFICATE

Currently on the 40 Years Live World Tour and sounding better than ever, W.A.S.P. is one of the most consistent and reliable forces in rock music - unstoppable and unassailable, like a heavy metal juggernaut sent back in time from a long, distant galaxy. Frontman Blackie Lawless is undoubtedly one of rock’s everlasting figures – someone’s whose attitude and vision changed the musical landscape around him, in the process bearing fruit to some of the biggest anthems of their time.

Their first five studio albums (W.A.S.P., The Last Command, Inside the Electric Circus, The Headless Children & The Crimson Idol) contributed enough on their own for W.A.S.P. to be considered one of the greatest rock bands of all-time. Those LPs are all presented in this set, mastered half-speed at Air Studios, London, for a superior, sharper, more direct and engaging sound.

Packaged within a deluxe red leatherette effect double slipcase, The 7 Savage: 1984-1992 is completed on vinyl with two more LPs: 1987’s Live… in the Raw and new compilation Bonus Tracks & B-Sides featuring the controversial breakthrough anthem ‘Animal (F**k Like a Beast)’.

Compiled with the full cooperation of Blackie Lawless, the box set also includes a 60-page book with exclusive and rare pictures from legendary metal photographers (including Ross Halfin, Tony Mottram, David Plastik and Paul Natkin), along with extensive liner notes from Amit Sharma (Kerrang!, Planet Rock). Also included is an exclusive Blackie Lawless poster, plus an individually numbered circular saw shaped certificate.

The 7 Savage: 1984-1992 will be released Friday 27th October 2023 on Madfish and is strictly limited to 2000 copies worldwide.






















































[yb] L.2. Phantoms In The Mirror [04:36] D.3. The Eulogy

ENG On his 13th album Jay-Jay has captured something magical on every track "Rorschach Test" is the newest venture of the Swedish Trip Hop Crooner Jay-Jay Johanson, who's been hailed as one of the most influential artists, and best voices of his generation, kind of legendary pioneer from the late 90's. On his 13th album "Rorschach Test" Jay-Jay has indeed captured something magical on every track. From « Romeo », « Why wait until tomorrow » until « Cheetah ». A strong sign that he's still on top of his game.

LP includes Poster.

When Sacred Bones first began their Mort Garson reissue project in 2019 with a proper reissue of Plantasia, the Garson-naissance began in earnest. Soon after, you could hear Mort Garson and his Moogs bubbling up on TV shows, documentaries, podcasts, hip-hop tracks, or anywhere else, the man a cultural phenomenon once more.

Like a perennial that returns with each new spring, the Mort Garson archives have brought to bear yet another awe-inspiring bloom.

Journey to the Moon and Beyond finds even more new facets to the man's sound. There's the soundtrack to the 1974 blaxploitation film Black Eye (starring Fred Williamson) alongside some newly unearthed music for advertising. Just as regal is "Zoos of the World," where Garson soundtracks the wild, preening, slumbering animals from a 1970 National Geographic special of the same name.

The mind reels at just what project would have yielded a scintillating title like "Western Dragon," but these three selections were found on tapes in the archive with no further information. The crown jewel of the set is no doubt Garson's soundtrack to the live broadcast of the 1969 Apollo 11 moon landing, as first heard on CBS News. That's one small step for man, one giant leap for Moogkind. But for decades, this audio was presumed lost, the only trace of it appearing to be from an old YouTube clip. Thankfully, diligent audio archivist Andy Zax came across a copy of the master tape while going through the massive Rod McKuen archive.

So now we get to hear it in all its glory. Across six minutes, Garson conjures broad fantasias, whirring mooncraft sounds, zero-gravity squelches, and twinkling études. It showcases Mort's many moods: sweet, exploratory, whimsical, a little bit corny, weaving it all together in a glorious whole.

Maybe at the time it scanned as crass and opportunistic for Garson to apply his keyboards to subjects like astrological signs, the occult, hippiedom, houseplants, or the moon landing. But more than most other electronic music pioneers of his ilk, Garson foresaw the integration of such electronics into our daily lives, how they would allow us to engage with the world.

LP includes Poster.

When Sacred Bones first began their Mort Garson reissue project in 2019 with a proper reissue of Plantasia, the Garson-naissance began in earnest. Soon after, you could hear Mort Garson and his Moogs bubbling up on TV shows, documentaries, podcasts, hip-hop tracks, or anywhere else, the man a cultural phenomenon once more.

Like a perennial that returns with each new spring, the Mort Garson archives have brought to bear yet another awe-inspiring bloom.

Journey to the Moon and Beyond finds even more new facets to the man's sound. There's the soundtrack to the 1974 blaxploitation film Black Eye (starring Fred Williamson) alongside some newly unearthed music for advertising. Just as regal is "Zoos of the World," where Garson soundtracks the wild, preening, slumbering animals from a 1970 National Geographic special of the same name.

The mind reels at just what project would have yielded a scintillating title like "Western Dragon," but these three selections were found on tapes in the archive with no further information. The crown jewel of the set is no doubt Garson's soundtrack to the live broadcast of the 1969 Apollo 11 moon landing, as first heard on CBS News. That's one small step for man, one giant leap for Moogkind. But for decades, this audio was presumed lost, the only trace of it appearing to be from an old YouTube clip. Thankfully, diligent audio archivist Andy Zax came across a copy of the master tape while going through the massive Rod McKuen archive.

So now we get to hear it in all its glory. Across six minutes, Garson conjures broad fantasias, whirring mooncraft sounds, zero-gravity squelches, and twinkling études. It showcases Mort's many moods: sweet, exploratory, whimsical, a little bit corny, weaving it all together in a glorious whole.

Maybe at the time it scanned as crass and opportunistic for Garson to apply his keyboards to subjects like astrological signs, the occult, hippiedom, houseplants, or the moon landing. But more than most other electronic music pioneers of his ilk, Garson foresaw the integration of such electronics into our daily lives, how they would allow us to engage with the world.

• A globe spanning (France, Italy, Germany, USA, Belarus, Sweden, Russia, Australia, Canada) covers album of the late great Marc Bolan songs starting with the earliest cover in 1965 • Covering a huge range of genres and styles • A response to the U.S Hit album Angel Headed Hipster which opened up the songs of Bolan to a new American audience by using big names and TV advertising…this concentrates on quality recordings by lesser known artists • Presented in deluxe gatefold sleeve. • Reviews in Record Collector, Vive le rock R2, Shindig, Classic Rock.

Jay-Jay Johanson extends his new single “Labyrinth” to a 8 tracks LP including unreleased tracks & remixes. “Labyrinth” is also the new singe coming from his “Portfolio” best of, dedicated to the second part of his career.

Mondo, in conjunction with WaterTower Music, is proud to present the premiere vinyl pressing of Hans Zimmer’s incredible score to WONDER WOMAN 1984.

Featuring incredible artwork by La Boca and housed in a tri-fold jacket with holo-foil elements, with liner notes by writer and director Patty Jenkins, the vinyl pressing is available on 3x 180 Gram Swirl colored vinyl.

Hans Zimmer’s score to WONDER WOMAN 1984 is quite possibly our favorite piece of superhero film scoring since John Williams’ SUPERMAN: THE MOVIE (1978), and Danny Elfman’s BATMAN (1989). We know that sounds hyperbolic, but even before our test pressings arrived, it was one of our most listened to albums on Spotify of the last 6 months. It’s that good. We can’t wait for you to hear how good it sounds on vinyl, out of big speakers.

Composed by Hans Zimmer
Artwork by La Boca
Manufactured in the Czech Republic

Following the Kota Motomura and Exterior debuts earlier this year, it’s another first from Hobbes Music. Maastricht Research is a brand new project from Scottish artist Jonathan Hunter producing ambient/drone style material. Jonathan was part of the quartet behind the much-loved Slabs Of The Tabernacle parties at Glasgow's now-legendary La Cheetah club back in the late 00s/early 10s. He's also one half of The Three Lives, whose debut EP, Mud & Flame and follow-up Across & Beyond were released recently by Glasgow's Full Dose label.

Written and recorded over a number of years, whilst living in Amsterdam, Glasgow and Dublin, the Maastricht Research vibe is about as horizontal as it gets and is the perfect soundtrack to long, lazy days and balmy eves in the park, by the pool, in the bath etc! There are zero beats. It's proper ambient / drone music and could well have been beamed in from another dimension, planet or century altogether, including field recordings, atmospheric fx, lush and eerie pads, with the occasional snatch of a weird vocal and generally other-worldly sounds.

The record owes a debt to the likes of Manuel Gottsching, Cluster, Susumu Yokota, Detroit Escalator Company, Astral Industries and Alessandro Cortini, among others…

Mastered by Keith 'Radioactive Man' Tenniswood, Idle Animation will now be out at the end of October on extremely limited edition 12" vinyl, with CMYK printed labels, contained in a plain white sleeve with 3mm spine (reverse board for natural finish) including full colour artwork plus titles* printed using a Risograph on 135gsm ‘Context Natural’ A3 paper and finally all packaged in a polyurethane bag. *printed on the ‘Obi flap’ - excess paper folded around the spine.

"Loving it. Beautiful stuff here - all tracks doing it for me" ROLANDO (UR)

"This is great! Will use in on Ambient Flo" AUNTIE FLO

"Really diggin the MaastrichtResearch release" INTERGALACTIC GARY

"Love this, thanks for sending" DOMENIC (Sub Club)

"This sounds fantastic!" NICK CRADDOCK (Gateway To Zen)

"Really liking the sound of the record. Dublin air tugging on his emotive side by the sounds :)" JOHN HECKLE

"Mesmerizing music, something we all need to listen to because of so much chaos and stress in the world...with this, just sit back and zone out for a bit and regain balance...." DAN CURTIN

"This is nice music, thank you for sharing it with me. A3 is the one for me, really nice vibe" ARIO (Astral Industries)

"More emotive and soulful ambience and drone from this red hot label. Maastricht Research have been reviving the Poolside revellers at Pikes morning sessions this summer" DRIBBLER (Pikes, Café del Mar, Ibiza)

Kicks & Hugs, a multi-disciplinary platform established in 2017 to hold space for like-minded creators, now launches its own label showcasing emerging sonic spheres that reach beyond momentary hype and trends alike. Based in Berlin, the foundation of Kicks & Hugs lies at intersectional crossroads of music and art, with their first record establishing a definite attitude towards contemporary artistry. Kicks & Hugs celebrates an immersive spectrum of talent across different mediums and promotes ideas composed of color to challenge a steady current of long exhausted black & white patterns within the realm of electronic music. The debut EP available on black & limited edition colored marble vinyl assorts a kinetic flow of ideas produced by a seemingly divergent roster. Completely ecstatic & exhilarating maze of rhythm by The Lone Flanger, additionally reworked with Varg2TM versus contrasting yet innovative dancefloor mechanics by Bertrand., ending with a hypnotic mix by Dasha Rush, the record is an absorbing material of dynamics that subtly surprise and leave nothing but an ambitious statement for what’s yet to come. KH01 is dedicated to a musical shape-shifter, a paramount figure, ephemeral talent & a dear friend – Andrew Smith. To end in his own words, Keep It Fungki. The Lone Flanger was an audio-visual project from the artist Jasen Loveland also known as Andrew Smith (1980-2021). Dedicated to exploring the intersection of music and visual arts in the expanded dimension, the work of TLF picked up where Loveland’s eponymous acid-based project left off, aspiring for a kind of transcendence that takes the listener beyond the previously known concepts to experiments with the possibility of creating a resonant bridge between frequencies, worlds and dimensions. The work of TLF questions, obfuscates and complexifies notions of rhythm, melody and musical genre… even our ability to rely on our senses for accurate information about the work in question Varg2TM also known as Jonas Rönnberg casts a cryptic shadow from the North over contemporary aesthetics, continuing to create in his largely collaborative and always thrilling approach. Tempering a caustic rhythmic sensibility with a pneumatic palette for high definition synthesis, his unique embrace of risk tests the reliability of the forms he works in as well as the genre borders he surveys. Bertrand.’s work as a producer incorporates a wide spectrum of influences and aims to create beyond the common means of electronic dance music. Bertrand.’s restless nature and desire for technical perfection bleed into his productions of bass-heavy futuristic soundscapes often juxtaposed with playfully intense dancefloor fundamentals. Dasha Rush constructs a rather wide assortment of electronic music and arts projects. She sees the genre as a starting place, not a destination. Rush brings up a mixture of rather rare electronic experimentation more akin to the brief movement of underground music. Credits: Mastering and mastercut by Andreas LUPO Lubich at Loop-O Cover artwork by Fredrik Altinell Graphic Design by Marta Braga Inner label artwork by Tommy Dwane Vocals by Kawala Bravo

Previously unreleased on vinyl, Emanuelle and the White Slave Trade comes from the series of cult exploitation films based on the Emanuelle character. Similar to it peers in sound, full of disco, funk and library-esque
music. Taken from the original tapes and pressed on translucent Orange vinyl. The Orange Crush edition
will be the retail edition limited to 400 copies or less.

"Since first hearing Harald's "Sabor Latino"in 2016 I've been a huge fan of his freeform psychedelic take on electronica.
Roughly a year ago he sent me a shedload of music giving me free reins to pick and rework everything as I pleased. The result is this "album" consisting of 4 handpicked tracks on vinyl + a full album download with 10 more tracks(14 in total) covering more or less all bases from ambient Buchla experiments to banging techno."

Prins Thomas October 2020

+ a full album download with 10 more tracks(14 in total)

1.Nangijala
2.Zweifler
3.Fujisun
4.Ny Dag(Album Version)
5.Cloudwalking
6.Svirvlaren
7.HallOmMig(Album Version)
8.On the Dock
9.Växelvarm
10.Route E18
11.Hall Om Mig
12.Cheetah Haze
13.Ny Dag(Prins Thomas Diskomiks)
14.Time