Suche:c ya

Re issue of Romanthony's 'The House Of God' on Black Male from 1995.
Re mastered for 2014 from original DAT's and released in original artwork. Re issued in conjunction with the rights holders.

The productions of producer Bunny'Striker'Lee were so extensive in the early to mid 1970's that labels were created just to handle his ever expanding output...
Three labels that came about during this time when Dub was King,were Jackpot,Justice and Attack.
Here we look at the Jackpot label and have compiled a collection of some of its finest dub cuts..
Jackpot records was formed in the early 70's as a subsidiary of Trojan Records to handle the Hitmaker from Jamaica Bunny'Striker'Lee
We have gathered here what we think are some of the best dubcuts from this label and era..
Hope you enjoy the set......

collecting orders for repress be fast to grab your copy!

Stephan Laubner a.k.a. STL with 3 new tracks for Perlon.Following his latest fantastic releases on his own imprint "Something-Records", we are more
than happy to get "Lost In Brown Eyes".

2025 Repress

Produced and Mixed by Orlando Voorn at Studio LeRoy.
Engineered by Mikel LeRoy 1991

Songs about the unity of Sudan, peace between Muslims and Christians and the fate of war orphans, backed by grooves equally taking influence from Arabic sounds, American funk as well as neighboring Ethiopia.

Kamal Keila was among the first artist we met in Sudan during our two trips to Khartoum and Omdurman last year. He is one of the key figures of the Sudanese jazz scene that was a vital part of the musical culture in Sudan from the mid 1960s until the islamist revolution in the late 1980s. When we meet Kamal he luckily presented us with two mold covered studio reels.
Each tape included five tracks. One with English lyrics and another with Arabic ones. Musically you can hear the influence of neighboring Ethiopia much more than on other Sudanese recordings of the time, as well as references to Fela and American funk and soul. His lyrics, at least when he sings in English which gave him more freedom from censorship, are very political. A brave statement in the political climate of Sudan of the last decades, preaching for the unity of Sudan, peace between Muslims and Christians and singing the blues about the fate of war orphans called "Shmasha".
A note inside one of the boxes specified the track titles, durations and the fact that the sessions were recorded on the 12th of august 1992. Both sessions stand as a hearable testament how Kamal Keila stuck to a sound aesthetic from decades ago, while incorporating current events into his lyrics.
Kamal Keila's album is the first in a series of releases covering the Sudanese jazz scene on Habibi Funk. Be on the lookout for albums by The Scorpions and Sharhabeel coming soon.

2LP + Download Code + 8 Page Booklet

A new full-length from THE ORB following last year's acclaimed album MOONBUILDING 2703 AD.

An expertly crafted ambient experience from two pioneers at the height of their creativity

180g standard vinyl version comes with download code of the full album

Being pioneers with a new album created in no more than 6 months, THE ORB are bound to be exposed to fan expectations running high, while quizzical questions about little fluffy clouds and the good old times take over. It's especially jarring as the duo of accomplished soundsmiths Alex Paterson and Thomas Fehlmann has become known for its genre-bending curiosity and surprising sonic detours, exploring experimental soundscapes as well as club-friendly beats.



The funny thing is, though, that whatever the context, you know a track from THE ORB when you hear it. Case in point: COW / CHILL OUT, WORLD!, their latest full-length offering - a masterful ambient album that branches out in many directions, but unmistakably sounds like THE ORB in either ear (and probably to your third ear, too).



"The idea was simply to make an ambient album", Dr Paterson explains, "we didn't look back and study earlier recordings, but wanted a more spontaneous approach, a focus on THE ORB today, our vibe in 2016."



In contrast to their much-acclaimed previous full-length MOONBUILDING 2703 AD (KOMPAKT 330 CD 124) - which took years to prepare and finetune -, the new album was produced over the course of only five sessions in six months, directly following the like-minded ALPINE EP (KOMPAKT 339): "it got so spontaneous that a track like 9 ELMS OVER RIVER ENO (CHANNEL 9) consisted only of material collected at North Carolina's Moogfest in May - second-hand records from local stores, field recordings, live samples from gigs that we liked, and of course an excursion to the Eno River, which actually exists. This geographic intimacy and the spontaneity are among the top reasons why we love this album so much."


Herr Fehlmann sees the duo's relentless gigging schedule as a formative influence on the new album: "the countless performances we've played in the last years - probably up to 300 - have brought us closer as a musical unit. The spice of our concerts is improvisation - a fertile process that we've brought to the studio, where we operate with very simple rules of engagement (in this case "ambient") and go wherever the flow takes us." It's an approach that one might expect from traditional acoustic instrumentation, not necessarily an electronic set-up, but for THE ORB it works wonders: "we're quite happy and also a little bit proud that we've reached this level of unscripted levity with purely electronic means. We're finessing ourselves, sort of, always looking for the next sonic surprise that leaves us rubbing our eyes about how the heck we got there."


Once more, THE ORB's trademark playfulness is on full display on COW / CHILL OUT, WORLD!, and it doesn't limit itself to the multi-layered sampling and psychedelic sound composites that the duo has become known for - you'll find it in the album title as well. The simple invitation (or order) to chill out (relax Calm the eff down) is converted into an acronym - and the cow that you might expect to find on a Pink Floyd cover or with iconic UK chill-out/dance pranksters The KLF. It's not so much an obscure trope coming full circle as a perfect example for THE ORB's multitimbral approach to sound and meaning - a compelling, immersive journey to diverse places and impressions.



Each track title is a conceptual work in its own right, playing with multiple references, some of which remain highly personal and mysterious. But the greatest feat of THE ORB's latest outing might just be how all this semantic doodling never gets in the way of the actual listening, at all times directly relating the artists' sonic vitality and cheerful nosiness. Chill out world! and treat yourself to an outstanding new ambient experience from THE ORB.

Repress! It's safe to say that hip-hop has never seen an album like Ol’ Dirty Bastard's 1995 solo debut Return to the 36 Chambers. The brief glimpses of ODB's unhinged genius provided by Wu-Tang Clan's landmark Enter the Wu-Tang album two years earlier were begging to be expanded on to a larger canvas, and, with RZA guiding production, the album promised to give Dirty the creative license to make one of the most bizarre, entertaining and original LPs in hip-hop history. With his raspy, drunken flow and dark sense of humor, Dirty fearlessly attacks from all angles, throwing himself fearlessly into punchy rhyme attacks (“Damage,” with GZA), drugged-out party jams (the monster singles “Brooklyn Zoo” and “Shimmy Shimmy Ya”) and bizarre, grimly hilarious fantasies of sex and violence (“Don't U Know” and the R&B-tinged “Sweet Sugar Pie”). Backed by RZA's appropriately gritty, dissonant beats and appearances from the Clan, Return became an instant hit, selling over 1 million copies and earning a Grammy Award nomination for Best Rap Album in 1996. The album stands as a high water mark in the Wu-Tang Clan's collective creative output and was selected as one of the Best 100 Rap Albums by The Source magazine in 1998. In honoring the legacy of one of hip-hop's most innovative releases, Get On Down is proud to present this incredible and unique special edition of Ol’ Dirty Bastard's Return to the 36 Chambers as a double LP which contains the complete original album, remastered for optimal sound quality.

Warehouse Find!

repress !

“Tubby did three original dub albums, ‘Dub From The Roots’. ‘The Roots of Dub’ and the third is ‘Brass Rockers’ with Tommy McCook ‘pon the flying cymbals. Where he mixed it with the horn going in and out in a dub way and one named ‘Shalom Dub’ you can call Tubby’s too because he mixed the versions as they were off forty fives’’
Bunny ‘Striker‘ Lee

King Tubby and Producer Bunny ‘Striker’ Lee are intertwined in the birth of Dub Music. After discovering a mistake that made a ‘serious joke’ ( more of which later...) they went on to release the first pressings of this new musical genre namely ‘Dub Music’. Tubby’s vast knowledge of electronics and Bunny’s vast catalogue of rhythms would lay the foundations of what today is taken as a standard... the Remix / Version cuts to an existing vocal tune.

Osbourne ‘King Tubby’ Ruddock was born in Kingston, Jamaica on 28th January 1941 and grew up in the High Holborn Street area of downtown Kingston. He studied electronics at Kingston’s National Technical College and also on two correspondence courses from the U.S.A... When he had qualified Tubby began repairing radios and other electrical appliances in a shack in the back yard of his mother’s home. His work in the early days included winding transformers and building amplifiers for Kingston’s Sound Systems. Tubby built his first Sound System in 1957 playing jazz and Rhythm & Blues at local weddings and birthday parties. His reputation as a man who knew and understood both electronics and music grew steadily and as the sixties drew to a close. Tubby purchased his own basic two track equipment. He installed this alongside his dub cutting machine, a home made mixing console and his impressive collection of Jazz albums in the back bedroom of his home at 18 Dromilly Avenue which he christened his music room.

Tubby and Striker were at Treasure Isle Studio’s one day while Ruddy from Spanish Town was working with the engineer Byron Smith....

“Tubby and myself was talking when Ruddy was cutting some dub but Smithy (engineer) made a mistake through we were talking and forgot to put in the voice. It was two track recording in those days. Ruddy said ‘No Man! Make it stay! and so they cut the rhythm. When I went over to Ruddy’s that Saturday night a dance was in progress and when they played the vocal to the tune... then he said we’re going to play ‘Part Two’. They never called it ‘Version’..and then he played the rhythm track. The song was a catchy song and everybody started to sing along and the deejay started to toast so everything went down well. On Monday morning I went up and I said ‘Tubbs the mistake we made was a serious joke.It mash up Spanish Town! The people went wild. So you have to start to do that now ‘cause when the man put on the ‘Part Two’ everyone start singing this song. It played about twenty times. I said you try Tubbs!’...Well the next Saturday night now when Tubby strung up down the farm U Roy said he’s going to play ‘Part Two’ but Tubby did it different now. He started with the voice then dropped it out and let the rhythm run and then he brought in the voice in the middle and from there Tubby started to get really popular.’’
Bunny ‘Striker’ Lee

Dynamic Sounds upgraded to sixteen track recording in 1972 and Tubby purchased, again with the help of a deal brokered by Bunny Lee. The old four track equipment and the MCI console from their Studio B. The four tracks now gave him far wider scope to work with and he began to create a new musical form where the bass and drum parts were brought up while the faders allowed Tubby to ease the vocal and rhythm in and out of the mix. It was only a matter of time before Tubby’s dub plate experiments began to make it on to vinyl and the first ever long playing King Tubby releases would feature a collection of his mixes to a selection of Strikers rhythms. So please sit back and enjoy this historic set of sounds. Lovingly restored and with a few extra gems added to the CD Editions. These releases were the first to carry the name of King Tubby and the first to credit the great musicians that contributed so much to the rhythms that made these albums possible.

Back in stock! A collection of super rare and highly danceable masterpieces recorded between 1969 -1981 by four legendary composers from Benin: ANTOINE DOUGBÉ, EL REGO et Ses Commandos, HONORÉ AVOLONTO, GNONNAS PEDRO & His Dadjes Band each one of them with their own distinctive sound. This compilation comes with a 40 page full colour booklet with ultra rare pictures and biographies. Fasten your seat belt and enjoy the mind-blowing sound of Benin.

2024 repress

Staying on the Mediterranean coast for their third release, Music From Memory this time shift their attention to the work of Mallorcan musician Joan Bibiloni. TIP!

Primarily a guitarist, Bibiloni was creating music at an early age, releasing his first single at the tender age of 15. In his twenties he formed Spanish progrock outfits Zebra and Euterpe where he would meet Pepe Milan, the two of them becoming the bluesy folk duo 'Milan & Bibiloni'. Bibiloni himself would later go on to play with a number of luminary musicians such as Larry Coryell, Daevid Allen and John Cage to name but a few.

In 1982 Bibiloni set up his own label Blau in order to highlight the muchoverlooked work of musicians not only on his home island of Mallorca but across the Balearic Islands. In doing so he created a platform not only for
local talent but also for his own music to breathe a new life, much influenced by the landscape and life that surrounds the islands.

Whilst Bibiloni's first solo releases on his Blau imprint have stronger echoes of contemporary Jazz fusion of the time, it is on the album known as 'Una Vida Llarga I Tranquila' where Bibiloni really began to experiment with new sounds
and technologies; fusing tape loops, drum computers and synthesizers.

Taking these more electronic infused works as a departure point for the compilation and drawing on material from across his following five albums, 'El Sur' sets out to highlight Joan Bibiloni's unique ambient fusion and sun-drenched Mediterranean beach boogie.

Warehouse Find!

Habibi Funk: An eclectic mix of music from the Arab world.

'I heard about Seif Abu Bakr and The Scorpions maybe 3-4 years ago. Their album 'Jazz, Jazz Jazz' ended up on my radar because of an eBay auction with the bids eventually rising daily up to a staggering 1000$. The music is a unique combination of incredible horn arrangements powerfully performed, a vigorous drummer contributing a funky backbone and Seif's vocals uniting those elements. The results range from instrumental tracks awaking memories of 1970s crime thriller soundtracks to more Sudanese-rooted tracks, a lot of them modernized versions traditional rhythms of the diverse regions of Sudan and even an excursion into Colgolese Soukouss.
I went for my second trip to Sudan in December 2018 and after doing some research on the first trip my local colleagues Larissa and Yassir had managed to reach Amir, The Scorpions band leader and he was happy to meet. We got together with him in a Cafe right at the Nile in Omdurman. It was a happy occasion for everyone. He told us stories about him meeting Jimmy Cliff and Lewis Armstrong when they visited Sudan and how he and his band mates from The Scorpions played extensively in Kuwait, both in club residencies as well as for television. Amir brought tons of incredible photos illustrating not only the bands history but the vivid cultural live in the many music clubs in Khartoum of the 1970s. During this decade up until 1983 the capital was home to a huge number of clubs, bards and concert halls. This scene started to perish after president Nimeiry's turn away from his socialist policies, that he was widely associated with in the first decade of his rule, towards the implementation of Sharia law in 1983. During the first decade of his rule he had actively supported various artists of the Jazz scene, taking some of them on trips throughout Africa. The 1989 coup of Bashir and his generals then caused the final blow to a once thriving scene. Both of these political events within 6 years lead to significant drawbacks for the Sudanese jazz scene resulting into hardly no gig opportunities left and parties and concerts being critically observed. A number of musicians faced prosecution, most of the time for their political views; some left Sudan for good. Music never completely vanished from public life and even the regime kept selected artists close, but for a majority of those bands affiliated to the jazz scene life and making ends became a lot harder. The Scorpions dissolved as a group around the same time.
The re-release was produced with a clean copy of the vinyl version as a source. The original reel tape of the album stayed with Saif Abu Bakr along with another reel with other recordings that were never released. Unfortunately it was lost when Saif Abu Bakr had to flee to Kuwait temporarily during the second gulf war when Iraq raided Kuwait. Vinyl version comes with extensive booklets with photos, interviews, liner notes. The vinyl version also has a DLL code.

Em Records Japan present a unique slice of late 70s/early 80s recordings from Brenda Ray; post-punk with a reggae influence, slathered with analogue dub and topped with sweet vocals. Ray was originally showcased on Em Records' release, Walatta. These much earlier Merseyside recordings are warm hearted, open, fresh and slyly experimental.

The thirteen tracks - originally released on vinyl and cassette by Ray and her musical friends under the monikers of Naffi/Naffi Sandwich - were recorded in a simple home-made studio. Naffi created a musical world of their own, though comparisons could be made to Young Marble Giants, Marine Girls and The Slits.

D'Ya Hear Me! is a wide-ranging release, with lovely vocal tracks, warm dubs and pleasingly odd instrumentals, all knitted together with a special trans-Atlantic rhythmic sense. Two songs of note to fans of Walatta are "Moonbeams" and "Everyday Just Another Dream", are earlier incarnations of "Starlight" and "Another Dream". Comes with rare photos and liner notes by Brenda Ray.

Repress!

Repressed, note price increase. Remastered from the original masters and pressed extra loud for DJs. There are very few albums across any genre that stand the test of time better than 93 ‘Til Infinity, the classic debut record from the Hieroglyphics crew’s very own Souls of Mischief. In an era where Gangsta Rap and G-Funk dominated the West Coast Rap scene, Souls broke ground on a completely unique and thoroughly west coast sound. While the Dr. Dre’s and the Snoop Doggs were garnering much of the mainstream attention, Souls were quietly forging a charismatic, critically acclaimed, and cohesively shaped record that when categorized, sounded much closer to A Tribe Called Quest than N.W.A. The sound of their debut is characteristic of the distinct style explored by the collective, including a rhyme scheme based on internal rhyme and beats centered around a live bass and obscure jazz and funk samples. 93 ‘Til Infinity was propelled into success by its title track and lead single, which reached #32 on the Billboard Hot 100. It also featured singles “That’s When Ya Lost” and “Never No More” which also reached the Hot Rap Singles. In 1998, the album was selected as one of The Source’s 100 Best Rap Albums of All Time. Considered by many to be a textbook “slept-on” classic Rap record, 93 ‘Til Infinity has only grown better with age. The album simply defines the Hiero golden age with a sound that would later be fine tuned with strong releases from MCs Del The Funkee Homosapien, Casual and Pep Love. It takes some serious bravado to name your album 93 ‘Til Infinity, but certainly the goal of creating a Hip Hop “classic” must have been on the collective minds of group members A-Plus, Tajai, Opio, and Phesto when recording this landmark moment in Hip Hop history. It’s true, even seventeen years after the album’s initial release many people are still discovering it, and with this re-mastered reissue on double vinyl, fans all over the world will once again discover the brilliance that 93 ‘Til Infinity delivers and will continue to deliver beyond infinity. A1. Let ‘Em Know (Produced by Domino) A2. Live and Let Live (Produced by Domino) A3. That’s When Ya Lost (Produced by Del tha Funkee Homosapien) B1. A Name I Call Myself (Produced by Del tha Funkee Homosapien) B2. Disseshowedo (Produced by Domino and Jay Biz) B3. What a Way to Go Out (Produced by Domino) B4. Never No More (Produced by A-Plus) C1. 93 ‘til Infinity (Produced by A-Plus) C2. Limitations feat. Casual (Produced by Jay Biz) C3. Anything Can Happen (Produced by A-Plus) D1. Make Your Mind Up (Produced by Del tha Funkee Homosapien) D2. Batting Practice (Produced by Casual) D3. Tell Me Who Profits (Produced by Domino) D4. Outro (Produced by Domino)

- 2023 Repress in full artwork sleeve -

Funkadelic have created an enduring legacy, and the power of their impact is visceral in Detroit. Their records not only played with genre, but possessed a diabolical sense of humour that led to music domination by the late 70s with Parliament, Funkadelic, Parlet, Bootsy's Rubber Band and the Brides Of Funkenstein all releasing albums the same year for two years in a row.

The music itself is beyond stereotype, but equally huge is that they were a black band not allowing themselves to be limited by anyone else's notions of who they could be, having a massive impact on the next generation of Detroit music, Detroit Techno.

But more than just Techno, it is a freedom of thinking that extends beyond boxes, so we included all sorts of today's generation of Detroit musicians and producers to show the wide range of music that was Funkadelic and how these ideas are still contemporary, they endure and inspire.

Neuauflage der Vinyl-Edition von "Iron Fist". Motörheads fünftes Studioalbum wurde 1982 veröffentlicht und ist das letzte in ursprünglicher Besetzung, da der Gitarrist "Fast" Eddie Clarke nach der Fertigstellung von "Iron Fist" die Band verlässt. Dieser war mit dem Album nicht zufrieden obwohl - oder vielleicht gerade weil - er dieses erstmalig selber produzierte und der sonst sehr dreckige Sound der Band etwas steriler daher kommt. Dennoch stehen Songs wie "Iron Fist", "Heart of Stone" oder "Speedfreak" den Vorgängern in nichts nach. Ein ähnlich erfolgreiches Album gelang der Band erst wieder in den 90er Jahren.

Available on CD and 180gram heavyweight gatefold LP.
Noura Mint Seymali hails from a Moorish musical dynasty in Mauritania, born into a prominent family of griot and choosing from an early age to embrace the artform that is its lifeblood. Yet traditional pedigree has proven but a stepping-stone for the work Noura and her band have embarked upon in recent years, simultaneously popularizing and reimagining Moorish music on the global stage, taking her family's legacy to new heights as arguably Mauritania's most widely exported musical act of all time.
Arbina is Noura Mint Seymali's second international release. Delving deeper into the wellspring of Moorish roots, as is after all the tried and true way of the griot, the album strengthens her core sound, applying a cohesive aesthetic approach to the reinterpretation of Moorish tradition in contemporary context. The band is heard here in full relief, soaring vocals and guitar at the forefront, the mesmerizing sparkle of the ardine, elemental bass lines and propulsive rhythms swirling together to conjure a 360 degree vibe. Arbina refines a sound that the band has gradually intensified over years of touring, aiming to posit a new genre from Mauritania, distinct unto itself, music of the "Azawan."

Supported by guitarist, husband and fellow griot, Jeiche Ould Chighaly, Seymali's tempestuous voice is answered with electrified counterpoint, his quarter-tone rich guitar phraseology flashing out lightning bolt ideas. Heir to the same music culture as Noura, Jeiche intimates the tidinit's (Moorish lute) leading role under the wedding khaima with the gusto of a rock guitar hero. Bassist Ousmane Touré, who has innovated a singular style of Moorish low-end groove over the course of many years, can be heard on this album with greater force and vigor than ever before. Drummer/producer Matthew Tinari drives the ensemble forward with the agility and precision need to make the beats cut.
Many of the songs on Arbina call out to the divine, asking for grace and protection. "Arbina" is a name for God. The album carries a message about reaching beyond oneself to an infinite spiritual source, while learning to take the finite human actions to necessary to affect reality on earth. The concept of sëbeu, or that which a human can do to take positive action on their destiny, is animated throughout.

Lyrically, the Moorish griot tradition is complex and associative. Poetry is held in a continuum between author and audience in which a singer may draw on disparate sources, selecting individual lines here or there for musicality to form a lyrical patchwork expressing larger ideas via association. A griot may relate her own thoughts and poetry, sing poetry written for and about her by a third party, and transmit lines from one party addressing another in the course of a single song. With this ever-fluid narrative voice, stories are told.

repressed !

Mancher könnte lästern, für eine Hit Collection von Stevie B. bräuchte man nur eine Single, und zwar eine einseitige, aber das ist ja gar nicht wahr. Zugegeben, weltbekannt wurde er mit - Because I love you' (und noch schräger sangen nur Johnny O. oder Mr. T), aber er hatte auch noch andere Hits. Und die sind alle mit drauf auf dieser feinen Sammler-Vinyl von Stevie B.s Hit Collection!!!!

* 180 gram audiophile vinyl
* Insert
* Limited Edition of 1000 numbered copies on Clear & Solid Yellow mixed coloured vinyl

Dead Serious is the debut studio album of American hip hop duo Das EFX, originally released in 1992. Recording sessions for the album took place at Firehouse Studios in Brooklyn, New York and at Charlie Marotta's North Shore Soundworks studio in Long Island, New York.

Dead Serious caused an immediate sensation upon its release. The album was a certified hit, peaking at 16 on the U.S. Billboard 200 chart, topping the Top R&B/Hip-Hop Albums chart for five weeks. Dead Serious went platinum on the strength of the singles "Mic Checka" and the Top 40 pop hit "They Want EFX", by 1993.

Well-received upon its release, Dead Serious has since been regarded by music writers as a significant and influential album in hip hop. Giving it a 4 out of 5-mic rating, The Source's Matty C compared the duo's lyrical style to that of Busta Rhymes, Treach, and EPMD.

The first release on a new label: Pura Vida Sounds founded by Guts, in conjunction with Heavenly Sweetness. El Tipo Este is a pioneer of Hip Hop in Cuba and Al Quetz, a leading French beat maker.

This canny combo have drawn from the local musical currents, absorbing Afro-Cuban sounds, adding the freedom of jazz, the metronome of hip hop and a healthy bass shake of neighbouring island Jamaica.

For Cubans, El Tipo Este is the pioneer of all things hip-hop. As founding member of Obsesion, one of the nation's most notable hip hop exports. Early champions of his music included Gilles Peterson, who selected a track

to include in his 'Havana Cultura; New Cuba Sounds' compilation. Hot off the heels of this, El Tipo Este was enlisted to assemble the full band of musicians for the Havana Cultura tour. This unit played stages across Europe, USA and

closer to home in Latin America, and in turn this led to collaborations with The Roots and Mos Def For this long player, El Tipo Este he has enlisted beat maker France's Al Quetz to carry his rhymes. Originally known as Quetzal, Al Quetz is a crucial figure in

the world of beat making. A sound scientist whose cut, loop, program, paste compositions has seen him collaborate with the likes of Onra, Guts, La Fine Equipe and Milk Coffee & Sugar.




b1 Regla Sound System
[|] b2 Tu Vera
[] b3 Dicen
[~] c1 Usame
[] c2 Interludio En El 106
[€] c3 Inflowencias
[] d1 Ya No Me Pertenezco
[‚] d2 Revolucion Vivencial
[ƒ] d3 Tierra, Semillas Y Frutas




[{] b1 Regla Sound System
[|] b2 Tu Vera
[}] b3 Dicen
[~] c1 Usame
[] c2 Interludio En El 106
[€] c3 Inflowencias
[] d1 Ya No Me Pertenezco
[‚] d2 Revolucion Vivencial
[ƒ] d3 Tierra, Semillas Y Frutas




[{] b1 Regla Sound System
[|] b2 Tu Vera
[}] b3 Dicen
[~] c1 Usame
[] c2 Interludio En El 106
[€] c3 Inflowencias
[] d1 Ya No Me Pertenezco
[‚] d2 Revolucion Vivencial
[ƒ] d3 Tierra, Semillas Y Frutas

"Incarcerated deejay touts Sikka Rymes as next big thing in dancehall" say the Jamaica Star headlines; referencing Vybz Kartel and Sikka's cousin Shawn Storm, all of Portmore's Gaza Nation dancehall royalty...........

So then we have Love Di People EP: Sikka's first solid gold release after strings of strictly Vevo hits ('Life of the Party', 'Nuh Change') lie between his previous hook up with producer Genesis Hull (on Duppy's 2016 Fresh Clipp'd). Genesis' prods are pure widescreeen sub-tension and speed - now of Mexico City, he carries Sikka's flow into gleaming new future chrome jobs of the dancehall chassie, the madness of 00s dancehall returns for global review. In This Time Of Many Dancehall Think-pieces: Live Long And Grow Strong.

The weight of two year's of Drive demos caused Miro Tape to spontaneously burst into the world on Bokeh last year, we told you it was just a mixtape - Love Di People is the first wax seal on the Bokeh x Duppy Gun relationship, and not the last one of 2019. Founded by Sun Araw and M. Geddes Gengras, Duppy Gun pairs under-cover West Coast producers with Jamaican vocalists like G Sudden, Early One & others from their island HQs in Portmore & Spanish Town.

Imagine if you could put together a dream line-up of MCs and producers from all four corners of the rap world
That's what artist and illustrator Gangster Doodles set out to do when he put together a stellar collection of tracks by the rappers and talent that inspire his work.

The all-star line-up features everyone from hotly-tipped emerging producers like Eets, Caleb Stone, Maze Mountain and LoVibe next to underground perennials like Onra, Mndsgn and Jon Wayne all the way up to top flight producer Kaytranada and established rap vets like Madlib, Oh No, Blu and Defari.

This second collaboration between All City Records and Gangster Doodles is a jam-packed sonic adventure featuring 27 killer tracks from some of the finest creators out there. Doodles had the idea for a comp two years ago. Hyped after partnering with All City for Knxwledge's "Wraptaypes" project back in 2015, they initially set out to put together an EP but as the tracks kept coming in it exploded into the sprawling double LP of low-slung grooves and bangers from the best in the business.

With everyone on the record being a friend or friend of a friend, the comp just kept growing as GD went to work with the hustle he has learned from penning his post-it sketches day in day out for the last decade.
Word spread fast and soon he was being sent beats from all over, even reaching behind the prison walls of Bergen County Jail, New Jersey and securing a track from former Dipset affiliate Max B.

The last few years have been busy for Marlon "Gangster Doodles" Sassy. He released his acclaimed Gangster Doodles (The Book) alongside an ever-expanding array of prints, original works, apparel and exhibitions across the globe. Topping that off with animation projects, a graphic novel in the works and now, with this LP titled " Gang$ter Music Vol 1", he is about to debut his first ever music compilation.
He says himself: 'Every time a new track came in it was like running down the stairs on Christmas morning to open a present. What started as a slow trickle of work coming in soon turned into a tsunami with some of my heroes like Onra, House Shoes, Blu, Jeremiah Jae joining up with young guns Kojaque, Kean Kavanagh, Dream Panther and others to beef up the record'

'When an email pinged through with a track from brothers Oh No and Madlib it felt like the final gift and Gang$ter Music Vol. 1 was complete.'

Patrick Topping has announced that he will be launching his own record label, TRICK , a home for Patrick to exhibit his versatility as a producer, as well as a platform to showcase the wealth of the emerging talent which he has been pushing in his DJ sets.

Packed with three original tracks from Patrick, the EP-titled 'Watch What Ya Doing ' comes with the launch of his label TRICK and as a much anticipated follow up to the late 2017 Hot Creations smash 'Be Sharp Say Nowt', which continued to dominate throughout 2018. A year which proved another hugely successful one for the UK producer who was called on for the remix duties for Calvin Harris and added Music Radar 's ' Best House Producer/DJ 2018' ' and his third DJ Award for Tech House Artist to his list of accolade that include his DJ Mag ' Best of British ' award and reaching number 11 in Resident Advisor 's 2016 top DJs poll.

This debut release on TRICK showcases a change in sound from the acclaimed artist and an evolution of Patrick 's ever-maturing style. The British DJ displays a new style as a producer, one which has always been a part of his genre-hopping DJ sets, but for the first time as a producer, Patrick delivered an EP packed with darker techno undertones and raw influences.

The imprint's launch follows the British producer's sell-out headline shows at Manchester Academy, two consecutive nights Dublin's District 8, London institution fabric, his very own takeover at The Warehouse Project and as far as Melbourne's huge Shed 14 . Entering a refined and developed chapter of his career, the announcement follows Patrick' s Boxing Day set at Digital, Newcastle , the last ever party in his acclaimed Motion event series, with the UK producer looking to support and nurture emerging talent in future via the launch of ' TRICK.'

Night Drive encourages you to enjoy the ride with your car windows down, and volume & bass at
the highest volume possible. Cruise the back roads during Sunset hours, or through some city
lights, as the album titled track 'Night Drive' gives you a warm & fuzzy funky feeling from head to
toe.
'Moving And Dancing' will surely make you move every limb in your body, and it's set to be a
dance floor jam in 2018 & beyond. This melodic groove & retrofit tempo features Brian Ellis on
guitar & Chini on Vocoder & production, setting the upbeat tone for the remaining tracks off the
album. 'Freak Out' features the iconic Linn Drum, who pulsates a heavy groov & Moog bass line
from start to finish. Crunchy vocoder lines, soft pads from the Oberheim, and Chini's experimental
live drumming at the end is sure to make your body move.
'High Life' brings an arrangement of synthesized vocal pads from the Sought-after Korg DVP-1,
which will make you feel like your head is in the clouds. A four on the floor disco tempo from the
LINN drum, a catchy delayed lead & dry bass line form a psychedelic tinge & feeling. This track sets
itself apart, and hopes to please music lovers everywhere. 'Waiting All Night' features Portugal's
underground Funk front man Sair, while Boy Dude (Adam Chini's brother) lays a funky bass line
over the top from start to finish. 'Wanna Do Ya' is a track strictly for the Break dancers & Poppers.
Layered vintage drum machines, Jonzun Crew sounding vocoder parts, and a dirty bass line, set an
aggressive mood for the second to last track. Chini takes you on a wild ride, while closing this track
out with his heartfelt lead solo. 'Clap Boogie' was meant for the 1970's. Chini drives the tune with a
loose style of live drumming, Stevie Wonder influenced clavinet work, dirty bass lines, Brazilian
instruments, live percussion, and more. Cruise in a low-rider & turn the volume up. This tune sets
the tone for what's to come from Chini's future production & style, and will leave you wanting more.

- Chas's very sad passing in September this year has made this release all the more poignant, as he had been planning
it for a while. Here is how Dave describes the LP:
- 'It had been on Chas's mind for quite some time to showcase our more laid-back numbers. A lot of people had never
heard this side of what we do even though our biggest hit - 'Ain't No Pleasing You' - was a ballad. So when the
opportunity came to put together this compilation, it became a labour of love for Chas. In fact, it was the last release
that he was involved with and wrote sleeve notes for. Enjoy listening to our 'other side''.
- The inner sleeve features many photos and Chas's commentary, and the record is pressed on 180 gram white vinyl.









I B3. Old Dog & Me [new version]

In 1991 Baritone Tiplove released the highly acclaimed 'Young Ladies Drive Me Crazy' 12' on Easy Street
Records introducing the world to the bizarre minds of this fictional duo. The 12' was well received and
followed up by the cassette only LP 'Livin Foul' which has gone on to be a highly sought after rarity and has
even been called the greatest cassette only rap album. In 2017 Diggers With Gratitude released the first of a
planned three part series of unreleased Baritone Tiplove material, recorded across the late 80's and early 90's.
Now, in December 2018, In Effect Recordings and Diggers With Gratitude are proud to announce the second
EP in this series.
Many people know Baritone as the alter ego of the multi-talented Phill Most Chill (aka Soulman) who has been
enjoying somewhat of a resurgence in popularity of late amongst hip-hop vinyl fanatics. Recent collaborations
with DJ Format ('The Foremost') and Paul Nice ('The Fabreeze Brothers') have been widely acclaimed, as
have his numerous guest appearances, and our previous release of vintage material from Phill, 2011's 'All
Cuts Recorded Raw', remains our best selling release to date and is now highly sought after. Suffice it to say
we expect these to sell out quickly, don't say we didn't warn you!

Jabal is the title of the forthcoming release by Kendojubaki and Dj Ali through Berlin based Label 'Live From Earth'. The release is the second instalment of the labels Live From Earth Klub series.

'Jabal' translates to mountain in Arabic. It is also where the two artists roots trace back to in their home country of Lebanon. The listeners receive a glimpse of the socio-political issues surrounding the jabal areas across Lebanon through unique sampling

KendojubakiKendojubaki is the pseudonym of Adam Rajab, an Australian-Lebanese Sound Designer and producer currently based in Melbourne. As the son of Lebanese refugees he spent parts of his childhood working in his parents Middle Eastern supermarket. In times of recreation he and his relative Ali would pretend to be an Arabic wedding band playing the tabla and the mijwiz to imaginary dabke dancers.Hatched from these activities and through years of back-and-forth between e Middle East and Australia, Adam has captured a unique sound-language which amalgamates traditional sounds of the Levant with modular synthesis, drum machines and industrial elements of unrelenting vim. His thematic music dwells on commonly unfair socio-political issues surrounding the east and the west, displacement and identity.

As a Dj Kendojubaki's sets are filled with long Arabic intros, old school hardcore rave tracks and tempos above 140. In his own productions and live sets, kendo recombines his sound design influence into powerful and cathartic riddims, along with thick echoes un-natural like drums.

Dj Ali Dj Ali is the stage name for Ali Chahine, an Australian-Lebanese live hardware act currently based in Melbourne, Australia. In his productions, Ali fuses sounds from his archive of field and foley recordings along with 90's hardcore rave melodies to create an emotive flow of fast techno music.As the son of Lebanese refugees, Ali also shares stories of conflict and socio-political issues through his music and art. In 2018 Ali joined the collaborative label 'Al Gharib' with relative Adam Rajab who is most commonly known as 'Kendojubaki's'. The two are collaborating on a 12' release named 'Jabal' in December, released through Berlin label Live From Earth.

Perhaps one of the most unique and unlikely exponents of the highly collectible genres of ambient electronics, experimental tape-music and PINA (Private Issue New Age), this English-born Jamaican- raised sound designer, artist and existentialist furrowed his own unblinkered path through lesser chartered electronic fields for many moons before eventually teaming up with Bill Laswell (with Material) and Daevid Allen in New York to bring self-taught synthesis to Gong during their most oblique periods.

Creating two impossibly rare self-pressed vinyl LPs of conceptual inner-visionary outer-galactic angular tonal-dronal alien-art soundscapes in the process, the man known under figure shifting guises such as Dennis Wise/Denis Weise/Dr. Wise etc, combined a culture of sound system circuitry and radiophonic trickery adding Tea-pot poetry and sci-fidelity future- folk to his magnetic mesh.

Presented here as the first ever dedicated Wize Music collection this record combines compositions spanning 1979-1984 in both a solo capacity as well as small- group projects featuring members of the Emerald Web band.

Imagine a comic book where a Funkenstein monster called 'Laraaji-Scratch Perry' invaded your record shelf while Komendarek and Holger Czukay kept lookout... Dr. Dennis might be the only one Wise enough to outsmart all of them with his powerful amorphous anaesthetic.

Three dance floor hitters by the Dutch Arp Frique. "Nos Magia" holds collaborations with Nigerian funkster Orlando Julius and Cape-Verdean legend Americo Brito. Surprising new cuts that could easily have been made in the 70ties! Big tip!
Arp Frique is Niels Nieuborg from the city of Rotterdam, who has been actively involved in the Dutch live music scene for years, working with Cape Verdean & Surinamese musicians especially. After all these years, he finally presents his own true musical output.

"Nos Magia" is a classic sounding, but unheard Cape Verdean funana song featuring the old skool Americo Brito on vocals. The b-side holds two collaborations with afro-beat protagonist Orlando Julius.....enjoy!!

Wan Chai Records is a Hong Kong based label, specialized in rare Asian records and quality reissues.
For their third release, after a few years of hard diggin and historical researches, they went deeper with HONG KONG SCORE, introspection into the music of the Chinese's Cinema industry. A selection of tracks from Hong-Kong, Singapore, and Taiwan, specially produced for movies and illustrations.
The result is a compilation of 12 totally unknown gems sung mostly in Mandarin and Cantonese, from real deep instrumentals, Hip-Hop breaks, Ethio style crazy drums, to heavy Bass in the Alain Goraguer' style. This is an amazing introduction to 60's and 70's Chinese music, an inspiration for beatmakers, a must have for novices or Asian vintage music lovers.

First time on vinyl
10th Anniversary of the Breaking Bad TV Series
5 x 10' vinyl in 5 different jackets, 1 relating to each season
Each 10' is the same colour, Strictly Limited Edition Albuquerque Crystal Coloured (transparent with a hint of turquoise) Vinyl!
Lift off box-set with Breaking Bad logo on front with special drip-off varnish
Exclusive Breaking Bad Poster & Pollos Hermanos plastic ID badge
Booklet with exclusive pictures and extensive liner notes by Thomas, the musical supervisor of Breaking Bad
One run only of this very exclusive BOX-SET
Individually numbered the manufacturing qty for Worldwide is est 4000 with 800 for the UK - we could get some more
PLEASE ORDER BY 12.00 TUESDAY 25 SEPT TO BE GUARANTEED YOUR QTY
Available worldwide
Weight ESTIMATED 950g
All the essential Breaking Bad songs by Badfinger, Calexico, Far East Movement, America, Fever Ray, Apparat, Whitey, Knife Party, The Peddlers and others
Various dialogies by Walter, Jesse, Skyler, Mike, Gus, Saul and many more
This release will be heavily promoted on social media, including the social media accounts of Breaking Bad (facebook, over 11 million followers!!!).

MOV proudly presents the OST - BREAKING BAD (MUSIC FROM THE ORIGINAL SERIES) 5 x 10' BOX-SET!

A TOP PRIORITY RELEASE with WORLDWIDE RIGHTS!

So far only the score music has been released on vinyl and now finally, for the very very first time, the original soundtrack music is released on vinyl!

Breaking Bad is widely regarded as one of the greatest television series of all time and celebrates its 10th anniversary in 2018.

The legion of fans have been waiting for this to be released for a long time. There will be a huge demand for this exclusive BOX-SET!

This release was never released in any other format (CD, vinyl, digital) before and will only be available on vinyl!

OST - BREAKING BAD (MUSIC FROM THE ORIGINAL SERIES) is presented in a beautiful Lift off box-set with Breaking Bad logo on front with special drip-off varnish. The box-set includes a selection of defining songs, devided in five 10' records on coloured vinyl, each representing a season with accessory artwork. The numbered box-set also includes a booklet, poster and Pollos Hermanos plastic ID Badge. Next to all essential Breaking Bad songs by Badfinger, Calexico, Far East Movement, America, Fever Ray, Apparat, Whitey, Knife Party, The Peddlers and others, the 10' records also include various dialogies by Walter, Jesse, Skyler, Mike, Gus, Saul and many more. The box-set is a ONE-RUN-ONLY and is STRICTLY LIMITED!

Breaking Bad is an American neo-western crime drama television series created and produced by Vince Gilligan. The show originally aired on the AMC network for five seasons, from January 20, 2008 to September 29, 2013. The series tells the story of Walter White (Bryan Cranston), a struggling and depressed high school chemistry teacher diagnosed with lung cancer. Together with his former student Jesse Pinkman (Aaron Paul), White turns to a life of crime by producing and selling crystallized methamphetamine to secure his family's financial future before he dies, while navigating the dangers of the criminal world. The title comes from the Southern colloquialism "breaking bad", meaning to "raise hell" or turn toward crime. Breaking Bad is set and filmed in Albuquerque, New Mexico.

Walter's family consists of his wife Skyler (Anna Gunn) and children, Walter, Jr. (RJ Mitte) and Holly (Elanor Anne Wenrich). The show also features Skyler's sister Marie Schrader (Betsy Brandt), and her husband Hank (Dean Norris), a Drug Enforcement Administration (DEA) agent. Walter hires lawyer Saul Goodman (Bob Odenkirk), who connects him with private investigator and fixer Mike Ehrmantraut (Jonathan Banks) and in turn Mike's employer, drug kingpin Gus Fring (Giancarlo Esposito). The final season introduces the characters Todd Alquist (Jesse Plemons) and Lydia Rodarte-Quayle (Laura Fraser).

Breaking Bad is widely regarded as one of the greatest television series of all time. By the time the series finale aired, it was among the most-watched cable shows on American television. The show received numerous awards, including 16 Primetime Emmy Awards, eight Satellite Awards, two Golden Globe Awards, two Peabody Awards, two Critics' Choice Awards and four Television Critics Association Awards. For his leading performance, Cranston won the Primetime Emmy Award for Outstanding Lead Actor in a Drama Series four times, while Aaron Paul won the Primetime Emmy Award for Outstanding Supporting Actor in a Drama Series three times; Anna Gunn won the Primetime Emmy Award for Outstanding Supporting Actress in a Drama Series twice. In 2013, Breaking Bad entered the Guinness World Records as the most critically acclaimed show of all time.