Buscar:be 2

Rough and ready trippy Techno with a 90's UK lean. Four versatile tracks with the eerie lockdown of 'Bellmarsh', trancey hardgroove 'Dimples' and signature track 'Extendo' to the ravey closer 'Cheese Bin'. Ryan once again serves up the goods for heady dancefloors.

Following on La Bella Di Notte is a repress we are very proud of. Zero Origin, one of Nathanael Heres' monikers, techno music geek, and producer plus headliners behind Urban Sound Of Amsterdam, as well as the owner himself of Upcult Records, a tight but super sharp label from the mid-nineties, born in the backstreets of the Dutch capital. The original record here is "New Life".

Last on the market as Zero Origin, but perhaps the finest on his chest. Three exciting tracks chase each other in a rhythmic crescendo and increasingly hypnotic decorations are ready to set on fire both the main room of bigger clubs and intimate dance floors of a smoky underground party.

Forbidden to sleep.

Emotional Damage EP, is the result of a collaboration between Alyhas & Occibel. Friends and now colleagues, they have decided to work together on a house, funk and electro EP. It's made up of 3 eclectic tracks: House, Funk and Electro-House. For his part, Tiago Walter took up the challenge of remixing the track Emotional Damage, bringing his own deeper touch to the mix, which takes the idea of this eclectic EP even further.

Marina Herlop is often described as a pianist, a lingering remnant of her classical training. But what strikes the listener on Herlop’s breakout track miu is the intricate trickery of her voice, tracing rhythmical clusters around the subtlest of musical beds, in a technique inspired by Carnatic music of Southern India.

miu, the opening track of Herlop’s new studio album Pripyat, was among the first songs that the young Catalan artist made on a computer, after two albums – 2016’s Nanook and 2018’s Babasha – that brought spectral elegance to the sound of piano and voice. This spirit of adventure continues into Pripyat, Herlop’s first full album produced on a computer, and her most intensely emotional work to date.

Listening to Pripyat you can feel the emotional toil and creative endeavour that went into the record. Fans of Nanook and Babasha will recognise the combination of melancholic piano and elegant vocal lines that is found on Pripyat tracks like abans abans. But Pripyat has a far fuller, almost chaotic sound when compared to Herlop’s previous work, with the addition of electronic drums, electric bass lines and a wealth of sublime production effects.

This four track EP features the LA band’s single’s Blame and the EP’s title track Bloodline,

Quickly finding fans in the likes of Elton John, Celeste, Paul Weller, Benji B, and Gilles Peterson, the band should soon find plenty more on a record that could soundtrack a David Lynch epic such is its drama and suspenseful, late-night orchestral ruminations. Capped by Lusk’s voice, a weapon that swoops through the octaves breathlessly, Gabriels have that rare ability to make you re-evaluate music, and what it can do, in a heartbeat.

Whilst Lusk provides the wow factor with that ridiculous larynx, Gabriels are very much a close-knit trio. Producer, keyboardist (and full-time video director) Ryan Hope hails from Sunderland but calls LA home. Fellow producer-composer and violinist Ari Balouzian, a man with endless musical projects on the go at any one time, gives Gabriels’ songs a real ‘feel’ to them.

Sultry, soulful mood music certainly isn’t the band’s modus operandi, with debut track If Love & Hate In A Different Time having originally identified Gabriels as a loose-limbed, soul-stirring funk and gospel-flecked odyssey. But this experimental EP should paint an altogether more rounded idea of where Gabriels are at… !

Oceanvs Orientalis reveals the second single from his forthcoming album on Crosstown Rebels with ‘Heart Pieces’ feat. Idil Mese, accompanied by remixes from Mustafa Ismaeel and Nightmares On Wax.

A producer, live performer and solo act whose productions merge influences spanning Turkish, Kurdish, Armenian and Arabic sonics and beyond, Safak Oz Kutle, aka Oceanvs Orientalis, has crafted a sound that is entirely his own ever since making his debut back in 2014. Following on from his impressive debut appearance on the imprint with ‘Il Lupo’ alongside Italian talent Tooker, revealing the first single from his forthcoming album, the Istanbul-based talent is back on Crosstown Rebels with another gem taken from the project as he reunites with singer-songwriter Idil Mese for the excellent ‘Heart Pieces’ - with remixes from Crosstown and Rebellion regular Mustafa Ismaael, and legendary house talent and Warp favourite Nightmares On Wax.

Slow-blooming and resonant throughout, guided by Mese’s soulful and emotive vocals, vibrant sax melodies and trippy background samples, ‘Heart Pieces’ is a dazzling slice of laid-back, jazz-infused house music full of subtle elements. Remixing the record, Mustafa Ismaeel leans towards late-night hours with a remix drenched in rolling percussion and sweeping leads, while Nightmares On Wax takes the track in two directions - opting for loose drums, hazy tones and chugging grooves across his first take before laying the focus solely on the musical elements with his ‘Club Dub’.

Kerri Chandler’s Kaoz Theory welcomes the return of Dj Steaw in January 2024 with his ‘Get Back To The Fonk’ EP.

Parisian House stalwart Dj Steaw has grown to become a widely respected figure in the field of
raw, underground, classic House over the past decade, racking up releases on many leading
imprints of the genre such as Hot Haus, Meta, Local Talk, Step and Phonogramme as well as his
own Steaward, Rutilance and House Puff. Here though he returns to Kaoz Theory following the
success of his ‘Colour Of Mind’ EP in 2022.

Title-cut ‘Get Back To The Fonk’ opens and sees Dj Steaw lay down a jazzy keys and stab
sequences, a bouncy bass line and heavily swung drums alongside an amalgamation of spoken
word vocals and chants. ‘Don’t Stop’ follows next and shift focus into deeper realms with warm,
fluttering chords, swaying subs and airy strings running atop of a robust rhythm.
‘In My Body’s House’ is up next to open the B-side, embracing a true House feel this time through
the use of organic piano melodies, sax licks and organ lines intertwined with a bumpy bass hook
and dubbed out vocal effects. ‘Grey Matter’ then concludes the original material, focusing on
multilayered dreamy keys, resonant flutters and skippy percussion.

Toolroom provide the hotly anticipated return of renowned Glaswegian artist KC Lights, as he delivers yet another classic record in the making – 'Better Times', featuring the stunning voice of Merseyside-hailing Låpsley. A debut collaboration for the pair, as they drop a sweet cut of Disco infused House that will undoubtedly soundtrack the year. A label favourite in every sense of the word, KC Lights is most-known for his 2020 smash-hit 'Girl', a record you couldn't switch off from throughout that summer, followed up by his classy cut 'Cold Light' the following year with reputable vocalist and songwriter Leo Stannard, who also appeared on his summertime anthem 'Daydreamer'. If there's one thing KC Lights can do time and time again, it's writing infectiously catchy, timeless records that you'll hear almost anywhere you go, from underground clubs to radio stations and beyond. Featuring on the record is critically acclaimed vocalist and songwriter Låpsley, who rose to fame back in 2016 with her debut LP 'The Long Way Home' on the legendary XL Recordings. Of course, you can't forget DJ Koze's massive disco edit of 'Operator', which shot Låpsley through the stratosphere. With a string of huge hits and a voice to match, KC Lights and Låpsley come together on 'Better Times', offering three different mixes for this exclusive vinyl package.

Countless radio plays on Radio 1 from Danny Howard, Sarah Story, Pete Tong Other notable radio plays – Kiss FM, Toolroom Radio, Sirius XM, Data Transmission Radio, Radio 1 Dance Anthems, Radio 1 Party Anthems, Rinse FM, Select Radio, Tomorrowland Radio

DJ Support from Danny Howard, Annie Mac, Mistajam, Pete Tong, Charlie Hedges, Kraak & Smaak, Maxinne, Todd Terry, Alex Preston, Full Intention, GW Harrison, DJ Rae, Rudimental, Alaia & Gallo, Illyus & Barrientos, Johan S, David Penn, Sam Divine, Riva Starr, Claptone, Nice7, Dario D’Attis, Mousse T, S-Man, Huxley, KC Lights, Friend Within, Dombresky, Gorgon City, Chris

AI-36 comes from Ear to Ear - the debut collaboration between label regular Samuel van Dijk (Multicast Dynamics) and Ukrainian artist Yevgen Chebotarenko. Taken from a series of live recording sessions, the album explores in four parts a markedly darker realm of soundscape music. A cornucopia of abstract morphing scenes and heady synesthesia, the album brims with rich sonic detail and evocative gestures. Deftly blending organic sound textures with an experimental austerity, ‘Live Recordings’ displays potent and accomplished storytelling.

The album opens to a grey overcast vista, a natural landscape that slowly melts into a descending chasmic dysphoria. The mood transitions to a drone-based piece on the B-side, characterised by a more psychologically suspenseful framework and exotic blend of sound design. The atmosphere lightens, yet equally pensive as side C takes on a more elemental form, invoking water and its array of microbial and metabolic ecosystems. Brief cathartic moments in the final section pave the way for deeper wayfaring on the D-side. Stray signals and unknowable artefacts skitter across a vast subaqueous domain, a fathomless womb of potentialities that ebbs into eternity.

The Great Joe Lewandowski Is Back on Skylax After the Explosion of His Previous Ep "Here I Am" Played by Just About Everyone From Arnaud Rebotini to the Hacker, Jennifer Cardini, Boris or Dax J and Acclaimed by the International Press (Ransom Note, Faze Magazine +++). This New 12 Inch Is the Logical Continuation With Always This Subtle Mixture to Find the Perfect Balance Between New Wave, Italo, Rock Completed by the Sepulchral Voice of Stolt and a Deafening Remix of the Brilliant Mufti. a Must...

Cosmological Record begins its journey with Red Shift EP, five original tracks produced by Roberto Manolio, with an experimental touch and abstract-style artwork by the young and talented Luca Maestro. Techno and house imprint for the first chapter, with various nuances ranging from acid to deep house, with a touch of electro and minimal sound,unite to sensual, thoughtful and direct vocals.
Its flow has the aim of channeling whatever kind of energy is emanated in that instant, creating a direct connection with its source of origin, favoring the perception of the key frequencies that fuel our spirit.

"Everything in the universe has a rhythm, everything in the universe dances"

Repress 2024

Servus everybody!

Why "the hell" didn't anyone think of this before? It was so obvious: When the same music goes the same way, the truth always lies on the turntable.

KOMPAKT presents the long-awaited "two-tracker", cold-pressed and remixed. The Voigt brothers meet Helmut Geier and vice versa, or: Kölsch meets Löwenbräu, because we stand by you, star of the south.

So let's welcome the megahit "W.I.R." by Wassermann from 2000 in a brand new DJ Hell remix, and a remix by Voigt & Voigt of DJ Hell's "Anything Anytime" anthem from 2017. Two classics that go down like liquid gold. It comes from the heart.

Ja, Servus mitanand!

Warum ist da eigentlich niemand vorher d’rauf gekommen, es lag doch immer auf der Hand: Wenn gleiche Musik denselben Weg geht, liegt die Wahrheit immer auf dem Plattenteller.

KOMPAKT präsentiert Euch den lang erwarteten Zweiteiler, kalt gepresst und geremixt. Die Voigt-Brüder treffen auf Helmut Geier und vice versa, oder: Kölsch trifft auf Löwenbräu, denn mer stonn zo Dir, Stern des Südens.

Begrüßen wir also den Megahit "W.I.R." von Wassermann aus dem Jahr 2000 im neuen DJ Hell-Remix und den Remix von Voigt & Voigt zu Hells "Anything Anytime"-Hymne aus dem Jahr 2017. Zwei Klassiker, die runtergehen wie flüssiges Gold. Et kütt vun Hätze, oder wie der Bajuware sagt: ’S kimmd vo Herzn.

Hi! We are ready to present another record with a warm and danceable sound, especially for connoisseurs of intellectual dance music. The sound you already love, with famous names on our label. We hope that this copy will find its place not only on the shelf, but also in the bag and will always be relevant at any party. From the southern latitudes - with love!

Get Ready to Groove! Boo Williams Is Back With a Sizzling 4-Track Ep on Phonogramme Records That's Set to Ignite Your Dancefloor With His Tripping House, Spaced Out, and Classy Beats.

From the Mastermind Behind Iconic House Beats, This Ep Is a Sonic Journey You Won't Want to Miss. Williams' Signature Sound Combines Classic Rhythms With Cutting-Edge Innovation, Creating an Irresistible Blend of Nostalgia and Modernity.

Each Track Is a Testament to Boo Williams' Exceptional Talent, Promising a Dynamic Mix of Deep, Soulful, and Electrifying House Music, All With That Tripping House, Spaced Out, and Classy Touch.

So Mark Your Calendar, Because This Ep Is About to Become the Soundtrack to Your Next Dance Party.

One of the most respected British bands in the mid 80's post punk era, Sad Lovers & Giants played highly atmospheric music made of melancholic melodies and epic guitar riffs. Originally recorded for a radio broadcast in Holland in 1983 in front of a very selected audience (10 in all) »Total Sound« represents a great snapshot of SLAG live on stage. Here, the band delivers an outstanding performance based on a fine selection of songs from their first two now classic albums. Recordings caught just before the split.

On the occasion of the release of the book “AtomTM, the noncon- formist virtuoso”, the Valencian labels Fill-Lex Records and In- dustrial Complexx join forces to release “Transitions”, a limited edition of only 200 copies that brings together a select compila- tion of tracks by Lassigue Bendthaus on side A, and the EP The Overcom by AtomTM.

Side A opens with Transitory (Anti-Matter Edit), an alternative version released only on the 1991 CD maxi Automotif, in which the German producer shows a premature ability to generate com- plex rhythmic patterns and futuristic electronic textures. Infor- mation, the second cut on this A-side, was originally released on Biohazard in 1992 and its sound mixes influences from styles such as EBM and electro. Render appears on the album of the same name, released in 1994 and only on CD, and here we can observe the sonic evolution of Lassigue Bendthaus in which he integrates a heavier rhythm.

The B-side of Transitions hosts the two tracks from The Overcom EP, released by AtomTM in digital format in May 2022. Kuro- sawa sounds like a transgressive industrial with a fast cadence. On The Overcom, the EP’s closing track, the rhythmic intensity continues, and even intensifies to the point of focusing much of the track on percussive patterns.

AtomTM, the nonconformist virtuoso is a book that explores the artistic evolution of one of the most multifaceted and ver- satile producers on the international electronic music scene. It offers an insight into the progression and different musical paths that this German artist has taken since the mid-80s to the present day.

GET A LIFE 001" is an exclusive vinyl-only music label specializing in carefully curated edit tracks spanning various genres, including Hip Hop, Pop, House Classics, and Soul.

The debut release, 'GET A LIFE 001,' introduces listeners to a unique blend of House Music with subtle influences from minimal and 90's house beats.

This fresh and innovative edits label, masterminded by the artist Hessa, offers a dynamic and dancefloor-focused experience, featuring deep tracks that invite you to explore their origins.

With 'GET A LIFE 001,' music enthusiasts can immerse themselves in the art of musical transformation and rediscover familiar tunes in a new and exciting light.

So, take a moment to indulge your ears and embark on a sonic journey with this Vinyl-Only Gem.

Fortunea Records finishes off 2023 with another vivid release by Peletronic. The Hazy Jane EP features 3 new original deep house and electro tracks by the winsome Austrian. The record begins with ‚The Highest Chance‘.

A dazzling composition featuring vocals by M-Jane. Cold engaging pads and simple rhythmic structures are the main elements in this track. In combination with this prose, that can be construed and contextualise for eternity, it absolutely stands out from the mass of modern-day deep house productions. The A-side continues with the title-track. It is a groove-laden, old school house tune that will toss up the audience into new heights with its soulful rhodes, supple bassline and the comprehensive brisk arrangement.

A great tool that definitely will find its way in the recordbags and USBsticks of a house dj. On the B-side Peletronic greets you in his ‚Utopia‘ where impactful electro beats shape the landscape of a prospective scenario. And last but not least a remix of the first track is also included. Slovakian dj and producer Paradiso Rhythm retells M-Jane’s story in a 90s warehouse décor. All in all a warm, deep and beautiful journey to the brim.

For the first EP, the Belgian imprint Sequence, is releasing 3 tracks from one of the Belgium finest electronic music band, Mayaku.

Mastered from the original and unreleased DAT tapes from the early 2000’s, this well configured EP brings you on a sweet journey and gives you a glimpse of what timeless music tastes.

This is a special cassette tape version of the recent album from zake, one of ambient's most prolific artists, alongside From Overseas on his own Past Inside The Present label. As always it is an almost impossibly deep ambient selection that once again finds him exploring fresh and always emotionally moving musical territory. Demain Des L'aube features eight tunes that convey real melancholia and have a gently persuasive sense of movement. Each one is vast in scale and sweeps you up and sinks you into the grainy lo-fi pads, wispy melodies and distant string-based sombreness.

Juic-e, at the time, was an up-and-coming producer, who periodically sent me tracks he’d been working on. Although they somewhat impressed me, they needed a little refinement. After some advice from myself, Juic-e decided he wanted to learn the hands-on approach. I advised him that a sampler would be his best bet. By hook or by crook, he managed to get his hands on one, growing in ability over the months to come. By the time Juic-e had sent me a few different tracks, I felt I couldn’t refuse them any longer, and here they are!

Reissue of the original ethiopian vinyl compilation. 180g vinyl + heavy cardboard cover.
"Ethiopians' deep-seated ethiocentrism, the legacy of a thousand years of history, has contributed in no small way to their music's strong national identity, particularly impervious to any African influences. Latin influences, so pervasive in the great musical centers of West Africa and the Congo, have been similarly rebuffed, despite the brilliant attempts of a musician like Mulatu Astatke. He was the first and for a long time the only Ethiopian to have studied music abroad (England and USA). In the late '60s, he brought back 'ethio-jazz', as well as a passion for Latin rhythms that was not readily shared by the Ethiopian audience. As early as 1966, he released a single and two LPs in the US entitled Afro-Latin Soul (and a third LP, Mulatu of Ethiopia in 1972), with his Ethiopian Quintet composed of American and Latin-American musicians (Worthy Records). That was three years before Fela's first American tour and six years prior to Manu Dibango's key breakthrough with the release of Soul Makossa in the Western 'pre-World music' market. All this goes to show how much the history of the African continent's musical modernity should be reconsidered in light of the Ethiopian adventure, even though this lone spark bore little relation, musically or ideologically to the musical revolutions initiated most notably by Ghanian highlife, South African jazz, Congolese rumba or, much later on, by Fela."

The 80s Italo disco /proto-house classic 'MBO Theme' by the mighty Klein & MBO, repressed! Comes with an heavy (and unheard) South African version on the flip. Huge Tip!
The MBO Theme' (1983) has been a dance floor favorite since decades, created by Mario Boncaldo and Tony Carrasco - the legendary Italian/US duo Klein & MBO. The track got support in NYC and Chicago by greats as Larry Levan, Frankie Knuckles and Ron Hardy.

The rare version on the flip is created by a South-African band called Warrior. Rush Hour explain how they came across the track: We bumped into this version on a South African record digging trip. It took us a few months to realize the scarcity of this version. Ian Osrin, a well respected engineer in South-Africa who was involved in many 80ties and 90ties Bubblegum, Kwaito and South African disco records, explained us about music distribution in South Africa during apartheid. Because the country was culturally banned at the time, a lot of releases weren't imported or exported. Even when a track was huge, like The Klein & MBO Theme'. So South African musicians would create their own versions which were sold locally.

We got in contact with Tony Carrasco from Klein & MBO. He also hadn't heard Warrior's version before, but he liked it as much as we do!'

Peaky Beats returns to the UK after his debut world tour with CATDUBS002 on a very limited vinyl run. Tried and tested all around the world this is a record not to miss out on!!! Taking influence from his Arabic and Indian roots, the a side brings the very anticipated 'Cats In Calcutta' featuring the infamous Nooran sisters. and the b side 'The Cat' comes in with a rhythmic wobbly steppa packing that raw MPC2000XL X SH101 punch.

Future Romance unveils their exclusive vinyl release series called „Collector“, featuring the labels most wanted and most sucessful tracks. This collector's release is a sonic journey through the realms of melodic house & techno, featuring four captivating tracks by different distinct artists. Each composition has already garnered widespread acclaim and massive DJ support from across the globe. "Collector" is a testament to Future Romance's commitment to delivering unparalleled musical experiences on the beloved vinyl medium. Part I gives us wonderful tracks by Einmusik & Solee, Several Definitions, Gai Barone and Emiliano Demarco & Maxi Vega.

Marino Scarabelli, the creator of unforgettable progressions in “Are You Loving” and “Love In A Summer Night”, so characteristic and unique that can still give us goosebumps, sat down in the studio again and composed another italo banger. Traditionally, he was joined by Stefano Brignoli, who wrote the lyrics and lent his voice, and that’s how we witnessed the creation of new bomb by Some Bizarre.

But this is not the end of the sensation, because Linda Jo Rizzo joined the band as a guest and you will hear her in female vocal parts, as befits real, indigenous Italo disco. The whole thing was produced by A.P. Mono in collaboration with Marino Scarabelli. For dessert, a very nice remix by Electro Potato.

New album of the Swiss/Lebanese experimental duo (Raed Yassin & Paed Conca). Praed is a band whose musical oeuvre can be described as a mixture of Arabic popular music, free jazz, and electronics.


Since then, the band has frequented numerous international music festivals and toured intensively world-wide, spanning Japan, Europe and Canada.

Through these endeavors, the band has created a large global network with other renowned musicians as musical collaborators.

Under meters of concrete in central Cairo, a relentless buzz rebels and forms a melody. A tired man tunes his machines to catch a snatch of it, and accidentally creates a playground where these abandoned sounds can flourish. They develop a sense of humor and an acid tongue. A few children with bent ears find their way to an alley with an entrance to the playground. They would later describe what they heard as a delicious hybrid: one part cream, one part bubble gum. So, bend your ears and maybe you'll hear it too.

Limited translucent yellow vinyl LP

'Afro-cuban : that term which sets the world on fire, from rumba to boléro, mambo to cha-cha- cha, before salsa, that 70's spicy sauce, took over from the others. But to speak truly, since the mists of times (of slavery), both Africa and Cuba aim to vamp that umbilical cord. The most recent example, CubAfrica, a record born from the reunion of a master from Africa and this very living institution from Cuba, during a show around Albi (in the south of France) where they were both headlining in spring 1996. Manu Dibango's sax melted perfectly with the rural music of Eliadès Ochoa and his Cuarteto Patria, here's the beginning of an idea.

The release is the first studio collaboration from longtime friends Sam Cumming (Italiks) and Ben Dudding (Deep Fried Dub), with the former providing the rhythm and vocals, and the latter on mixing and melodica duties.

With introspective lyrics born in the depths of a Fiordland forest, Crown considers the challenge of facing your inner demons and dealing with insecurity, ably assisted by the healing power of music. The result is a heavy roots cut that will soothe your soul while rattling your ribcage.

Samurai Music regular Eusebeia was enlisted early as one of the prime technicians to be part of the Mindgames squad. Seb understood the brief implicitly and swiftly came up with the three tunes that make up MINDGAME 2. From the searing rave-tinged bomb - Way Back When to the soaring sample/beat workout perfection of Future Times, Seb nails the vibe while adding his distinctive touches.

‘Threads’ was my 1st album as Om Unit and this 10-year re-mastered anniversary edition comes around at what feels like a similar time for me of experimentation and finding new ways to connect sounds. Something of a full circle of sorts but then again I am marking time with this re-issue at a time where I can look back and feel very proud of the work still sounding so convincing. Now even better thanks to Subvert Central’s Robert Macchiochi!

Reflecting on the past 10 years since this record came out, I can say it’s been an incredibly fruitful journey, with the most striking element of it all being the opportunity to travel and meet so many people from so many different backgrounds with different world views and stories. I found that ‘Threads’ for many was their first insight into my music, and for some people was something of a milestone in their journey of exploring music itself with tracks like ‘The silence’ and ‘Governor’s Bay’ having been mentioned over the years as amongst favourites alongside some of the work released on Cosmic Bridge and Civil

I want to take a moment to give my Love and gratitude to all the featured vocalists. Thanks to Simon Jinadu for his angelic voice on ‘The Silence’, to Charlie Dark MBE for his reflective words on ‘The Road’ and to Alex ‘Bogues’ Rendall aka MC Jabu (of Jabu) for his intense delivery on ‘Patients’ as well as Jneiro Jarel for his self-reflective narration on “just sayin’” All 4 are still outliers in their own field and upstanding creative forces to boot. I feel blessed to have been able to capture them on this project.

Threads was made in a bedroom of 2a Station Rise in Tulse Hill, a flat I shared with journalist and writer Laurent Fintoni, in a space that had such a great sound to it that I’ll always miss that room. I hope that you feel the warmth that I felt then whilst making it. It’s been an adventure since and whilst I’ve moved on from a lot of the tropes intrinsic to the album, it will always remain a body of work that is dear to my heart.


Enjoy!
<3

Breakout artist Gabriele Toma brings his thumping house sounds to Hot Creations with the four-track EP, ‘You See Me’.

Italian DJ/producer Gabriele Toma is shaking up the scene with releases on established labels such as Trick, CUFF, and Hellbent Records, swiftly capturing the attention of industry giants such as The Martinez Brothers, Cloonee and Hot Creations label head Jamie Jones, to name a few. Positioning himself as an exciting newcomer to watch, having previously released his bouncing ‘Lit Bit’ EP on sister label Hottrax, Toma now makes his Hot Creations debut with his knockout four-track EP, ‘You See Me’.

‘You See Me’ opens the release with a low-slung bassline, bustling drum funk, and addictive rap-style vocals that propel the track as a certified bouncer. ‘Move Your Body’ delivers another groove-led house beat with bouncy bass hits and skittering female calls, while ’Muevete’ sets the dance floor ablaze with vibrant bongo beats in true Hot Creations style. To close, ‘Magic Flute’ lives up to its name, with whistling flutes at the core alongside pumping bass to craft an irresistible afterhours workout.

Originally released on the seminal self-titled Nucleus Roots album at the turn of the millennium, Under De Kitchen is finally getting a well-deserved vinyl pressing with new dubs and remixes!

Vocals come courtesy of Manchester's Des Nia Lashimba, accompanied by Moses, Dub Dadda and Maria

Bristol's Sasha Steppa steps up on remix duties with her debut production, elevating the track even further with her trademark high-energy peak-time stepper style

Normandy via Glasgow dubber Stalawa strips everything back for his futuristic interpretation, channeling plenty of Rhythm & Sound inspiration

As usual, Dub Junction isn't doing things by halves, with three separate records being pressed to house all six mixes, all with their own unique two-colour marbled effect.