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Tekanan is the full-length debut of Melbourne-based Indonesian-Australian drummer and sound artist, Rama Parwata. A thorough exploration of rhythmic capabilities and percussive improvisation under ever-shifting timbral and stylistic environments, Tekanan is Parwata’s examination and documentation of his vast musical influences in electro-acoustic improvisation, Indonesian gamelan music, free jazz, electronic music, R&B, and noise music, whilst still maintaining an entirely unique non-idiomatic musical voice. Tekanan sees Parwata experimenting with not only the drum kit, but additionally implementing no-input mixing boards, musique-concréte sampling techniques, junk percussion, electric guitar, and computer music production to create a relentlessly metamorphosing soundscape that abruptly, yet seamlessly oscillates between ethereal ambiances to turbulent barrages of rhythm and noise through five unique movements.



Aptly named after the Indonesian word for pressure and stress, Tekanan was composed by Parwata with the intent of it being a listening experience which would pressure the listener to have no clear indication of the direction of the music and where it will ultimately settle, leading the listener on a sinuous, yet intriguing aural journey. This title additionally applies to the pressure of the challenging nature of the music, in a performative sense, which pushed Parwata to his physical and mental limits to perform and compose.



“As cliche or banal this might sound, I tried to make a record that was purposely made to be hard to put into a box. I didn’t want to make a “drumming” record or a noise record or anything of the type, but a record that just contained "good” music (or what I constitute as being good). Many aspects of my musical life were injected into this release: gamelan music (the first music I was exposed to), noise, hip-hop, free-improvisation, Xenakis, jazz, electronic music. Ultimately this record is a homage to those musical influences.” - Rama Parwata

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An active figure in Australia’s experimental music and art scenes, Parwata has worked with the likes of Marco Fusinato, Robin Fox, and Robbie Avenaim, and choreographers Stephanie Lake, Juliet Burnett, and Melanie Lane. He is also a member of seminal long-running Melbourne Doom Metal band, Whitehorse.


As of 2019, Parwata has been a co-curator and committee member of Melbourne’s legendary concert series, Make It Up Club, which has been presenting weekly avant-garde improvised performances since 1998.

Marillion’s 2001 Studio Album ‘Anoraknophobia’ Now Available On Kscope
“A collection full of grace and tenacity, thoughtful and thought provoking and
not without moments of real clarity and beauty” - Classic Rock Magazine
Marillion formed in 1979 and have sold over 15 million albums worldwide.
Rightly regarded as legends of progressive rock, the band have also continued
to evolve and have been keen to embrace the possibilities of the internet, using
innovative ways to interact with listeners resulting in an incredibly loyal legion
of fans around the world.
‘Anoraknophobia’ is claimed by Marillion to have been the first crowdfunded
album in the music industry, completely financed by the fans, allowing the
band to record free from any record company pressures. The album is one of
their most absorbing records to date and finds the band departing their neoprogressive rock past in favour of elements of rap, groove, trip hop, blues, jazz
and dub elements to create a more contemporary sound.
Now issued on Kscope, this is a chance to revisit a band in truly inspired form
with a record far ahead of its time.

From Jagjaguar: “Somewhere along the way, I got the idea
that Richard Youngs’s ‘Sapphie’ was all about a dead dog.
“I don’t know if someone insinuated this idea in front of me
or if I psychologically tethered the title to the tenderly
printed dog paw on its cover. Either way, I’ve gone over a
decade thinking this remarkable, windswept album of torch
songs was about a dearly departed pet.
“And yet, as we approached a reissue of this Jagjaguwar
classic and a new, reimagined version by artists Hypnotic
Brass Ensemble, Moses Sumney, Sharon Van Etten, and
Perfume Genius, Richard Youngs was straightforward and
unsentimental about its meanings. ‘The lyrics are not
about anything in particular,’ Youngs wrote.
“The paw prints on the cover are, in fact, that of a friend’s
dog (‘The first dog I ever loved,’ Richard said), but there is
no devastating loss at its center.
“And so, I want to tell Richard how this album has become
a centering album for a great many of us, a transcendent
and meditative piece of art.
“‘What does ‘the mindfulness drill’ have to do with it?’
Richard asks me dryly in a note.
“It’s about being relentlessly present, Richard. It’s how
when we listen to your album, we feel like a lonely traveler
in a foreign country. How everything has a newness to it
and there’s no one to share it with but the you inside of
you. And that fine, fine line is where ‘Sapphie’ lives,
Richard. Thank you for this, Richard.”
A reimagining of Richard Youngs’ ‘Sapphie’ with
instrumentals from Hypnotic Brass Ensemble and vocal
contributions from Moses Sumney, Perfume Genius and
Sharon Van Etten.
Available on Opaque Black & White Explosion vinyl.

Kojaque follows his critically acclaimed cult concept record, ‘Deli Daydreams’, with an
expansive, urgent debut album. In this landmark debut, Kojaque mines both his
emotional interior as an artist, and the external forces of a love triangle barrelling
towards chaos. ‘Town’s Dead’ is a mind-bending, explosive and expansive trip,
documenting a tumultuous love triangle that unfolds across New Year’s Eve in a
place where gentrification poses as much a threat as the violence of street dealers.
Sonically, the record smashes any previous expectations, stretching an aural palate
that leaps from rage to solace, from clattering musical combustions to tender
ruminations. The tremendous scope and scale of ‘Town’s Dead’ demonstrates an
artist utterly untethered to assumptions about what a particular voice or genre should
be, and instead explores radical musical territory. Dark corners of parks, bedrooms,
clubs, streets and psyches are excavated and pouring over the rubble is an artist
who refuses to conform, unafraid of the vulnerabilities that are exposed when the
voice rings true, because there’s just no point in being anything else.
Kojaque is part of a new wave of Irish artists flooding the world with blistering and
sophisticated literature, film and music - ideas and work that emerged from a social
revolution stonewalled by late-stage capitalism. Welcome to that state of mind, where
the path less travelled is the only one worth taking.
On the announcement of his debut album Kojaque has said: “‘Town’s Dead’ comes
from the potential that I see in Dublin and in the people I’m surrounded by day in and
day out. There’s nothing but talent and ambition among young people, I’m constantly
reminded of that through the art and music that I see being made but I think so often
the city grinds you down, it takes your hope and your ambition. I know that it can
change because so many of my friends express the exact same wants, desires and
frustrations with living in Ireland. If so many of us are on the same page then I know
that things can change, there just needs to be some sort of catalyst to kick start that
change and for me that’s always been art and music. Time and time again, amazing
art continues to be made in spite of the struggles and setbacks that are presented
when living here. The title track and the album is a fight against what can sometimes
feel inevitable, it’s a rejection of what people tell you is your destiny as a young
person in the city, Town’s NOT dead it’s just Dormant.”
CD housed in digisleeve containing 12-page lyric and photo booklet.
Black double vinyl housed in 5mm wide spine single sleeve with 12-page lyric and
photo booklet.
“Hints of Odd Future and its offspring... Kojaque is not your average rapper” - i-D
“Dublin’s hip-hop community are making waves right now... an intimate introduction
to the world this bold artist inhabits” - Clash
“Social realist rhymes set to silky hip-hop” - NME
“Likeable and funny” - Trench
“The Dublin MC forcing us to face real life; both the gory and the glory” - Wonderland
“Ireland’s freshest hip-hop hope, Kojaque, serves ‘soft hip hop’ with a side order of
poetry and performance art” - Notion

My Morning Jacket’s ‘Evil Urges’ is now available as a
beautifully coloured 2-LP set, pressed on cream coloured vinyl
with a black blob and housed in a premium gatefold jacket. My
Morning Jacket’s Grammy-nominated ‘Evil Urges’ is the band’s
most ambitious and controversial album to date. On their fifth
studio album, an emboldened My Morning Jacket created a
fiercely uncompromising, highly eclectic and deeply personal
album that catapulted the band into public consciousness and
solidified their place as innovators and titans of indie rock

Rose City Band is the solo project of Ripley Johnson (Wooden Shjips, Moon
Duo).
Stepping out from behind the psychedelic haze that envelops his other
output, Rose City Band’s lean yet richly textured arrangements lay bare the
beauty of his songcraft. On ‘Earth Trip’, Johnson reveals more of himself
than ever before, colouring the project’s country-rock twang with a
melancholic, wistful undertone. It charts a journey of personal growth and
introspection with surprising honesty, from pining for summers spent with
friends to meditations on space, stillness and the splendour of the natural
world.
It continues Rose City Band’s celebration of summer warmth and the great
outdoors, seen from a new vantage point and with newfound appreciation for
the freedom and joy that nature provides.
Through its daring honesty and masteful arrangements, ‘Earth Trip’ cements
Johnson’s place as a singular songwriter of inimitable skill. Its message of
mindfulness and our interconnectedness to the environment expands on a
long country and blues music tradition that draws a symbiotic relationship
between storyteller and the land, capturing the beauty of the natural world
while also emphasising our responsibility in preserving it for future
generations.
‘Earth Trip’ features an incredible line up of guests including drummer John
Jeffrey (Moon Duo), Sanae Yamada (Moon Duo) on piano, Ryan Jewell and
Barry Walker on pedal steel guitar.
Mixed by Cooper Crain (Bitchin’ Bajas, Cave) at Electrical Audio and
mastering by Amy Dragon at Telegraph Mastering.
Deluxe mini gatefold CD package.
Forest green coloured vinyl and black vinyl are available in deluxe LP
packaging, die-cut jacket with 4-colour printing on both the outside and inside
of the jacket. Also with fully artworked heavy-weight cardstock printed inner
sleeve and digital download card.
“Ripley Johnson has been responsible for some of the past decade’s most
mesmeric and beguiling albums.” - The Guardian
“Johnson’s Rose City Band incarnation may be his most dazzling and
uplifting so far... transforms the fuzz-drenched thrust of Johnson’s usual
music into a beatific choogle, a modest but potent means of escape from the
realities of 2020” - MOJO

Rose City Band is the solo project of Ripley Johnson (Wooden Shjips, Moon
Duo).
Stepping out from behind the psychedelic haze that envelops his other
output, Rose City Band’s lean yet richly textured arrangements lay bare the
beauty of his songcraft. On ‘Earth Trip’, Johnson reveals more of himself
than ever before, colouring the project’s country-rock twang with a
melancholic, wistful undertone. It charts a journey of personal growth and
introspection with surprising honesty, from pining for summers spent with
friends to meditations on space, stillness and the splendour of the natural
world.
It continues Rose City Band’s celebration of summer warmth and the great
outdoors, seen from a new vantage point and with newfound appreciation for
the freedom and joy that nature provides.
Through its daring honesty and masteful arrangements, ‘Earth Trip’ cements
Johnson’s place as a singular songwriter of inimitable skill. Its message of
mindfulness and our interconnectedness to the environment expands on a
long country and blues music tradition that draws a symbiotic relationship
between storyteller and the land, capturing the beauty of the natural world
while also emphasising our responsibility in preserving it for future
generations.
‘Earth Trip’ features an incredible line up of guests including drummer John
Jeffrey (Moon Duo), Sanae Yamada (Moon Duo) on piano, Ryan Jewell and
Barry Walker on pedal steel guitar.
Mixed by Cooper Crain (Bitchin’ Bajas, Cave) at Electrical Audio and
mastering by Amy Dragon at Telegraph Mastering.
Deluxe mini gatefold CD package.
Forest green coloured vinyl and black vinyl are available in deluxe LP
packaging, die-cut jacket with 4-colour printing on both the outside and inside
of the jacket. Also with fully artworked heavy-weight cardstock printed inner
sleeve and digital download card.
“Ripley Johnson has been responsible for some of the past decade’s most
mesmeric and beguiling albums.” - The Guardian
“Johnson’s Rose City Band incarnation may be his most dazzling and
uplifting so far... transforms the fuzz-drenched thrust of Johnson’s usual
music into a beatific choogle, a modest but potent means of escape from the
realities of 2020” - MOJO

"Empire was originally released on 20th August 1990, and is the band’s most commercially successful album to date, reaching triple platinum status.
It featured the top 10 hit, “Silent Lucidity”, which was nominated for 2 Grammys, and “Jet City Woman”. The follow up to the groundbreaking Operation: Mindcrime, the album was produced by Peter Collins, and recorded in Washington and Vancouver in the spring of 1990. Empire features brilliant and intelligent lyrics and songwriting complimented by incredible musicianship, with the songs ranging from beautiful ballads, strong melodic rockers, and classic heavy fist pumpers. This version, newly remastered at Abbey Road Studios, brings together all the available recordings to narrate the story of this remarkable album. It also contains a DVD which features the accompanying promotional videos and a live performance of the album. The deluxe version features new sleeve notes by noted journalist Alex Milas who spoke with Geoff Tate at length, discussing the making of the album and the concept behind it, and is housed in a 10″ x 10″ box, providing the definitive package."

Killing Joke have long been one of rock's most iconic and influential names, with a string of revered recordings to their name. As with all KJ releases, ‘Pylon’ isn’t designed to accompany a quiet night at home; these 10 remastered original tracks plus 8 extra bonus tracks (produced by the band and Tom Dalgety, whose credits include the hugely successful Royal Blood album) are very much music as ritual – raw, uncompromising and precisely-targeted lyrically. While other bands of a certain vintage may struggle to maintain their edge, Killing Joke are delivering the best and most relevant material of their career. Available on CD and 3LP green vinyl.

There is no single way that London trio Urne describe their sound, it all comes back to one thing: heavy. There are shades of Metallica, Mastodon, Alice In Chains in there, hopping between sludge, tech-metal, doom, hardcore and anything else with a weighty heart.  On their debut full-length, ‘Serpent & Spirit’, this is writ large as the work of one of the finest new bands in the British metal underground.  Featured on Metal Hammer’s ‘ones to watch 2021’ and ex-members of Hang The Bastard. Available on CD Mintpack & 140g 2LP Transparent orange vinyl.

Factory Benelux presents an expanded double vinyl edition of Sex and Death, the 11th studio album by lauded Factory Records ensemble The Durutti Column.

Originally released in 1994 on CD only, the album has now been re-mastered with 5 bonus tracks and appears on vinyl for the VERY FIRST TIME in a coloured vinyl edition limited to 1500 copies.

The vinyl edition is housed in a gatefold sleeve . Disc 1 is pressed in blue vinyl, and disc 2 in silver. A 2xCD edition is also available (FBN 201 CD).

The writing and recording of Sex and Death closed an uncertain period for Vini Reilly and the group following the collapse of Factory Records in 1992. Factory founder Tony Wilson remained in post as manager of the band, but Sex and Death would be their last album with producer Stephen Street, famed for his work with Morrissey, The Smiths and Blur.

Writer and master guitarist Vini Reilly remained philosophical. “People say the Durutti Column is this or that. I don’t care, so long as we make good music. There’s screaming feedback on some tracks, heavy metal guitar, Spanish picking. It’s not just this ethereal trip. Don’t listen to the form, never listen to the form. Listen to the content.”

Stand-out tracks include Anthony (dedicated to Wilson), The Rest of My Life, and Believe In Me. Guest musicians include viola player John Metcalfe, vocalist Ruth-Ann Boyle (later to form hitmakers Olive with Tim Kellett), programmer Martin Jackson (Magazine, Swing Out Sister) and bassist Peter Hook, then on furlough from New Order post-Republic.

All 5 bonus tracks are previously unreleased, having been retrieved from a long-lost DAT tape located in Tony Wilson’s personal archive. All tracks on the album have been newly re-mastered in 2020 by Peter Beckmann and Technology Works.

Transmeridian is the first album from Departure Lounge (ex-Bella Union) in 19 years. It features all four original members plus a guest appearance from legendary REM guitarist, Peter Buck, one of many long-standing admirers of a band that embodied a lost age of reflective, experimental pop music coming to the fore at the turn of the Millennium alongside The Beta Band, Tunng, Boards Of Canada and Gorky’s Zygotic Mynci.

The surprise new album, named after the defunct ‘golden age of aviation’ cargo airline for which singer/guitarist Tim Keegan’s dad was chief pilot, is released on Violette Records (formed by Michael Head (Shack, The Pale Fountains) and Matt Lockett ) on digital and vinyl formats on Fri 26 March 2021.
Originally scooped up by Simon Raymonde’s Bella Union label (labelmates with John Grant’s Czars) following the self-funded release of their debut album Out Of Here (1999), Departure Lounge’s sophomore outing, Too Late To Die Young (2002) was equally acclaimed and was honoured as the first ever Album Of The Week on the emergent BBC 6 Music. The band toured extensively in the UK, Europe and the US, including outings with The Go-Betweens, Morcheeba, Paul Heaton and Robyn Hitchcock, peers whose stylistic contrasts reflect the eclectic nature of Departure Lounge themselves.

Calling a halt in late 2002, citing family and geographical reasons (drummer Lindsay lives in Nashville, where their second album Jetlag Dreams (2001) was recorded), the four members remained firm friends and occasional collaborators, before reuniting in late 2019 for shows at The Green Door Store, Brighton and The Lexington, London, ostensibly to support the digital reissues of their first three cult-classic albums. With no plans other than to make some new music, the next day they set off for Middle Farm Studios, Devon.
Tim Keegan (vocals/guitar), Chris Anderson (lead guitars/keyboards/bass), Lindsay Jamieson(drums/keyboards) and Jake Kyle (bass/guitar/drums) channelled their evident joy at being back together into a complete 13-track album, largely conceived and recorded in just one 24-hour session in the company of studio owner and co-producer, Peter Miles. Ranging from soulful Americana to piano and mellotron-fuelled melancholia via pastoral musings on the nature of post-youth and eerie Spaghetti Western-tinged instrumentals, the next leg on the Departure Lounge journey is a multi-mood expression of pure artistic freedom.
The ‘leak’ of instrumental track Al Aire Libre (remixed by Parisian groovemeister Kid Loco) in October 2020 gave little away as to what fans could expect from a new Departure Lounge record, the track going gracefully everywhere and nowhere on a whistled Latino breeze. First single proper, Mercury In Retrograde, covered in the twinkling lights of a music box Casio CZ101 melody, turned the clock back - this was an old live favourite that never got past the studio door. Unfinished business brought to a happy conclusion, the single returned Keegan’s honest and distinctive lyrical voice back to British music at just the time listeners needed it.
It was an emotional thread, rather than one musical style, which gave the first three Departure Lounge albums their coherence. The songs told the story of the band. Transmeridian has the same sense of deeply connected musical energy. The purring, campfire acoustica of Timber and So Long bear no obvious resemblance to the ethereal, end-of-the-evening, piano-led interlude Paging Marco Polo, whilst the quasi-glam stomp of Mr Friendly would normally have no business sharing space with the strange, spacey Gurnard Pines (named after an abandoned holiday camp on the Isle Of Wight). Yet the journey’s ebb and flow, accelerations and pauses make for compelling, grown-up listening. Australia, showcasing the chiming Rickenbacker 12-string of Athens, GA’s finest guitar slinger, leaves no doubt that Departure Lounge’s pop sensibilities also remain solidly intact.
These four friends from different musical backgrounds came together originally with the stated aim of ‘creating music to soothe the troubled soul’. Citing their love of (and placing on record their debt to) influences including Robert Wyatt, Nick Drake, Talk Talk, Lou Reed, Arvo Pärt and Cocteau Twins, the band’s diversity of taste is reflected in the music they create.
Transmeridian is only the second full-length LP released by Violette Records, formed by Michael Head (Shack, The Pale Fountains) and Matt Lockett as a platform for Head’s work and developing into a respected independent label as well as multi-disciplinary event organiser, drawing in outsiders working in music, literature, art and design. The label continues to host live events whenever possible and recently initiated an ELP (halfway between and EP and an LP) vinyl series, putting out acclaimed releases by The Pistachio Kid and Studio Electrophonique.

In the beginning, there was just a box of tapes and “Fate’s Gentle Hand.”

It was the autumn of 2010, and an anonymous figure known only as the Head Technician, an employee of Pye Corner Audio Transcription Services (“Magnetically aligning ferrous particles since 1970”), found himself at an auction in the village of Coldred, pop. 110. He was on the hunt for tobacco pipes when he chanced across a trio of boxes listed in the auction catalog, which described their contents only as “archived magnetic recordings.” The sole bidder, he won the lot, and upon receipt of his purchase took possession of an unspecified number of mouldering cassettes and ¼" reel-to-reel tapes. The collection contained no identifying information save for a single phrase scrawled on each box: “Black Mill Sessions.” And so, armed with razors, eyedroppers, and a bevy of solid-state circuitry, the Head Technician sat down at his machines and got to work.

Whether anyone believed it or not, this was the framing device surrounding Pye Corner Audio’s Black Mill Tapes Volume I: Avant Shards, which took the mysterious tactics of artists like Boards of Canada and Burial and raised them exponentially. Much like the narrator of a 19th century novel, the anonymous Head Technician purported merely to be the messenger of secondhand sounds. These were not compositions, we were told; they were tape transfers—“transcriptions” of an unknown author, slathered

Soul Jazz Records new 'Two Synths, A Guitar (and) A Drum Machine' is a new collection of current D-I-Y post-punk bands shaped by the mutant sounds of no wave, punk funk and New York Noise bands from the late 70s and early 80s that collided with the world of underground dance music found at the Paradise Garage, Mudd Club in New York City (ESG, Arthur Russell, Bush Tetras, Talking Heads, Suicide, Liquid Liquid). Other influences cited here include Manchester and Sheffield's industrial post-punk sounds of the 1980s (Joy Division, Cabaret Voltaire, Gang of Four) as well as the 1970s German electronic experimentalism of Cluster, Neu!, Harmonia and Can. Featured artists from around the globe include Los Angeles D-I-Y band Automatic, New Fries from Toronto, artist/music collaborators Toresch from Germany, Susumu Makai from Japan/UK, VexRuffin from the Philippines/California and Madmadmad, Gramme, Tom of England and other UK groups. That all the bands featured here manage to make distinctive contemporary music out of these 80s roots is testament to the wide range of other musics that are seamlessly absorbed into a modern melting pot of sound - hip-hop, the electronic European avant-garde, rave culture, and more.

La Patetik fait un skeud !!
Grosse tribe à l'ancienne, minimal et emballante. Avec ce kick sudiste, bien rondouillard et dansant et des progressions mentalounettes...

ave you ever been trippin' on Brandy? Well here's your chance to get down... deep down. Served by two kings in the industry who wish to remain unnamed.
Dropping the octaves and upping the opiates, the duo slow dance an R'n'B vocal through dewy pads and echoing perx, concocting a late night anthem for the club and the bedroom.

"Guts finest selection from his DJ sets. Some dancefloor classics and some discoveries"

Any DJ set tells you, unconsciously or not, about its author.

Through the record choices and the way they are organized, one can feel the DJ’s state of mind and find out a bit more about the musical deposit discovered that is being shared and dug through by him or her at the moment.
The appetite for diggin’, the quest for a novelty or a forgotten rarity is what makes a DJ set a true organic living matter constantly fueled although not always, unfortunately, respected.
Time stretching. Too many DJ’s made a pact with this diabolical creature. A true digital steamroller that runs over the rhythm to fix the tempo while leaving behind an agonizing drummer whose sole crime was to have been carried away by his energy and having moved forward the BPM. At the end, everything that gave charm and life to the track, its imperfections and the peculiar fact that it makes you dance faster towards its end… all these along with all the lively movements contained within the track are reduced to nothing.

My conception of music and DJ sets is the exact opposite. Since the first volume of Straight From The Decks, my DJ sets have been redesigned, refreshed and improved. However, there was no preexisting plan, they evolved naturally following my new desires.

The famous core of my indispensable musical choices started to morph little by little into something different without losing sight of its center of gravity which remains undoubtedly afro-tropical.
No matter which track, its style and its origin, the quality of the music that is brought to my ears is always my sole and primary concern.
In this selection, you’ll find 7” vinyl records available to everyone sitting proudly next to some rarities found online and acquired through nerve-raking auctions battles. There are indeed exclusive remixes along with titles that until now were only available in their digital formats. Now for the first time they are available here in vinyl format. Obviously, if you have chosen the CD format, that precision doesn’t really matter…
Sixteen titles which have become the heart of my sets throughout this past year.
A heart which in a year will beat to a certainly different drum…
Pura Vida
Gutsto attend the next one..."

“South Africa’s lost jazz history contains many an overlooked classic. But even within that hidden tradition, there are few albums that suffered such an unlucky fate as Spring, the monumental 1968 debut album by pianist Ibrahim Khalil Shihab, formerly Chris Schilder.

Though Shihab was only twenty-two when Spring was recorded, he was already a lynchpin of the Cape Town scene, and the album was to be his first major statement as leader and composer. It is a magnum opus gilded by the presence of the upcoming saxophonist Winston ‘Mankunku’ Ngozi, who was soon to find huge acclaim with the hit album Yakhal’ Inkomo.

Three months of touring southern Africa in 1968 honed the band to the point that this entire album was recorded within the just two hours of allocated studio time. This album was repressed just once before the master tapes were destroyed by an ignorant record company executive. While it has remained out of print since then, the album was ‘kept alive’ as an ‘add-on’ to a 1996 CD of Mankunku’s Yakhal’ Inkomo. As a result, many modern jazz lovers still incorrectly believe these five compositions come from Yakhal’ Inkomo.

With this edition of Spring, Matsuli Music corrects an historic wrong. This edition of Shihab’s stunning debut, produced with the blessing of the man himself, is the first time it has been properly available in over forty years, and the first time it has ever been available outside South Africa. Restored and presented with new liner notes by Valmont Layne, Spring can now be seen for what it is: a peerless masterwork of Cape Jazz, blessed by the presence of the great Mankunku, but truly animated by the subtle vision and original musical spirit of its creator, Ibrahim Khalil Shihab.”


• The monumental 1968 debut album by pianist Ibrahim Khalil Shihab, formerly Chris Schilder.

• Almost lost recording is back on vinyl after more than 50 years.

• Heavyweight 180g vinyl with remastered audio, inner sleeve with photographs and new notes by Valmont Layne

RECORD STORE DAY 2021 TITLE!!!
The Bruisers - Singles collection 1989-1997 - Vinyl re-issue - long out of print now available once again on limited collector's classic black double vinyl!!

Tracks by Holtz, Cignol, Repeat Eater, NullPTR, Plant43 and Obergman. The Time Capsule project, also known as 808 Box, is a project created by Fundamental Records. The six boxes released in recent years include 56 records with over 300 tracks from artists from every corner of the world. Some warehouse copies have surfaced of the 10th Anniversary 808 Box, and these will be available individually. These are new copies in perfect condition, with the original sleeves printed with the images of the classic Roland TR-808.

Tracks by Kind Human Being, CEM3340, Kan3da, Datawave, Foreign Sequence and Dibu-Z. The Time Capsule project, also known as 808 Box, is a project created by Fundamental Records. The six boxes released in recent years include 56 records with over 300 tracks from artists from every corner of the world. Some warehouse copies have surfaced of the 10th Anniversary 808 Box, and these will be available individually. These are new copies in perfect condition, with the original sleeves printed with the images of the classic Roland TR-808.

Tracks by Reedale Rise, The Abstract Eye, LCTR, Moodex, Jonas Bengio and Mr Velcro Fastener. The Time Capsule project, also known as 808 Box, is a project created by Fundamental Records. The six boxes released in recent years include 56 records with over 300 tracks from artists from every corner of the world. Some warehouse copies have surfaced of the 10th Anniversary 808 Box, and these will be available individually. These are new copies in perfect condition, with the original sleeves printed with the images of the classic Roland TR-808.

Tracks by Cygnus, Alek Stark , Luke Eargoggle, Faceless Mind, Johan Inkinen and Kuldaboli. The Time Capsule project, also known as 808 Box, is a project created by Fundamental Records. The six boxes released in recent years include 56 records with over 300 tracks from artists from every corner of the world. Some warehouse copies have surfaced of the 10th Anniversary 808 Box, and these will be available individually. These are new copies in perfect condition, with the original sleeves printed with the images of the classic Roland TR-808.

Tracks by T-Error, Das Muster, Holtz and Noamm.The Time Capsule project, also known as 808 Box, is a project created by Fundamental Records. The six boxes released in recent years include 56 records with over 300 tracks from artists from every corner of the world. Some warehouse copies have surfaced of the 10th Anniversary 808 Box, and these will be available individually. These are new copies in perfect condition, with the original sleeves printed with the images of the classic Roland TR-808.

Tracks by T-Error, MagikBitum, Digitizer, Kind Human Being, Kitbuilders, DVS NME and Noise and Noise. The Time Capsule project, also known as 808 Box, is a project created by Fundamental Records. The six boxes released in recent years include 56 records with over 300 tracks from artists from every corner of the world. Some warehouse copies have surfaced of the 10th Anniversary 808 Box, and these will be available individually. These are new copies in perfect condition, with the original sleeves printed with the images of the classic Roland TR-808.

Juga-Naut, a multi-talented artist, emcee, producer and chef with an international following. He creates every aspect of his music himself from concept to final product. He has gained major recognition with a prolific plethora of solid self released projects.
'Marble & Granite' is a gargantuan collaboration between Jugz & Jazz T. The sound is two mountains colliding with the classic Hip-Hop ethos and a modern flyness. The core of the track is sculpting beautiful art from the hardest materials, starting from scratch with raw talent, never stopping, constantly honing your craft to create a solid lasting legacy. Available on 7" vinyl with full colour artwork by Jugz and digital!

ntroducing a joint label Buena Gente Recordings (BG-01) and Sheweytrax (shew-33) connection! Side A - BUENA GENTE side featuring new Los Angeles producer, IVAN AM, with two DJ friendly cuts - "Exceed" a straight up tech-funky cut leading to 2nd track "Mourning Rain" perfect for rolling into the mornings. SideB - SHEWEYTRAX side features two by DELICATE INSTRUMENTS - a remastered version of tripped out "High Life" and last cut goes deep with "Turnaway" previously only available digitally. Solid beat focused 12" for the floors! Limited edition vinyl!

• Widely and rightly regarded as one of the best ever soul and funk bands, the now legendary Average White Band tore-up
the rule book and conquered the US, UK & International charts with a series of soul and disco hits between 1974 and 1980.
• AWB’s repertoire has been a source of inspiration and influence for many R&B acts and they are one of the most sampled
bands in history, remaining relevant today, continuing to reach new generations of younger audiences.
• Snoop Dogg, Fatboy Slim, Ice Cube, Puff Daddy, TLC, Rick Ross, will.i.am and Mark Ronson amongst countless others, have
all borrowed sections of their grooves.
• ‘Cover To Cover/Soul To Soul’, is a collection showcasing their take on classic recordings, both Soul and otherwise and
demonstrates why they were totally embraced as an authentic R&B band in the USA.
• ‘Cover To Cover....’ also includes for the first time on vinyl, their 2017 recording of The Isley Brothers ‘Harvest For The
World’, which was produced by and features Chris Jasper.
• Average White Band remain highly influential and this collection, shows why they have remained so powerfully important.





e a5. I Heard It Through The Grapevine [Live – Edit]

[g] b2. I'm Gonna Make You Love Me [Live]

No sooner than the 5th repress of Cornershop’s England Is A Garden has run out of stock, we have a limited edition Silver Jubilee sealed double vinyl gatefold with liner notes and sleevenotes by Rolling Stone’s David Fricke.

Furthermore we have gone under the bonnet of the album to deliver a double platter instrumental version on ‘Lozenge Clear’ vinyl only in order to see and hear more clearly what has become a sports classic. This instrumental version has a new take on the album’s artwork by long term Cornershop sleeve designer Nick Edwards

Cornershop’s ‘England Is A Garden’ - “the latest in a series of albums that have mirrored the exceptional story of the band itself” Rough Trade Shop NY.

It strides in a sunshine glow, to deliver a full listening experience, bringing songs of experience, empire, protest and humour, steeped in the way only Tjinder Singh would come with.

The new album has, at last, sparked off significant interest in the back catalogue of Cornershop, with some titles including ‘Judy Sucks A Lemon’ and ‘Hold On It’s Easy’ now out of stock. A first time on vinyl issue of the ‘Cornershop & The Double-O Groove Of’ album by Cornershop Featuring Bubbley Kaur, featuring the John Peel favourite ‘Topknot’ and BBC 6Music perennial ‘Natch’, is planned for later this year.

Both the ‘England Is A Garden’ Silver Jubilee’ vinyl and the ‘England Is A Garden Instrumentals’ album are available from all good independent record shops.

Clint Mansell and Clint Walsh’s reimagining of Lou
Reed’s 1973 album ‘Berlin’ as a tribute to
Mansell’s late partner Heather who passed away
in 2014. Now available on vinyl.
Pressed on neon pink vinyl and housed in a deluxe
spined sleeve with spot varnish polaroid image.
The record itself comes housed in a double sided
printed inner sleeve with digital download card
included.
Mansell is best known as the former lead singer of
Pop Will Eat Itself and as a composer for films
such as ‘Requiem for a Dream’ and ‘Black Swan’.
Walsh is a multi-instrumentalist and founding
member of Tweaker and is known for his work with
Courtney Love, Gnarls Barkley and many others.
Mansell and Walsh worked previously together on
the score for ‘Black Mirror’ episode ‘San Junipero’.
“The ‘Berlin’ they've made together isn't a copy in
style, however: instead, it conjures up the sounds
of jangly goth-pop, early ‘90s synth, and classic
singer-songwriter balladry.” - The Quietus

‘Several Others’ marks Whispering Sons’ first full-length release
since their 2018 debut ‘Image’, which has notched up over
20,000 sales locally in Belgium as well as tallying up millions of
streams for their dark and unique blend of experimental and
frenetic post-punk.
Similarly, prior to lockdown, their ferocious live shows had also
seen them begin to firmly cement themselves as a must-see
live band, playing alongside the likes of The Murder Capital,
Patti Smith, The Soft Moon and Croatian Amor, as well as
touring across the UK and Europe with Editors in 2019 and
2020.
The new album sees the band distil the ferocious post-punk
aesthetics from which their sound first emerged and pushes
them to the absolute limit. The tracks toy with the delicate
balance between moments of fragility and their capability for
relentless and driving intensity, experimenting at the point in
which no wave, industrial and avant-punk converge.
The anxious and propulsive instrumentation is eerily abstracted,
whilst Fenne Kuppens’ words, sung in a dramatic and utterly
distinctive low register, inject that extra central tension and
darkness.
What the critics said about first single ‘Surface’:
“The first sign that they're fast outstripping the genre-trappings
of their post-punk roots, and an ample showcase for Fenne
Kuppens’ magnetic presence on lead vocals.” - The Quietus
“Bold, dark, and immersive” - CLASH
“A confounding, confusing and continually climaxing song of
dead-ends, narrowing avenues and night-time awareness” - The
Line Of Best Fit

A stunning collaboration, this is Ray Charles' second "true" studio album for Atlantic, after The Great Ray Charles. While he released R&B singles for the pop market during his time with the label, he used his LPs to explore modern jazz. Here he is heard both on piano and alto sax.
The mono version is available on vinyl for the first time since release date with lacquers cut straight from the original master tapes.

Zapp & Roger’s ‘All the Greatest Hits’ is the band's first Greatest Hits compilation, a collection covering their first four albums performed as a band. The album was originally released on Reprise in 1993 and is now available to pre-order on two-colour per LP Violet and Magenta / Orange and Pink 140g coloured vinyl.

‘All the Greatest Hits’ includes signature hits ‘More Bounce To The Ounce’ sampled by The Notorious BIG, and ‘Computer Love’ sampled by ‘2Pac’ as well as ‘Doo Wa Ditty (Blow That Thing),’ ‘So Ruff, so Tuff’ and ‘Be Alright.’







[f] b2. Zapp - Dance Floor (Pt. I) [Single Version]




[k] c2. Roger - Midnight Hour (Pt. I) [Single Version]

Demon Records is proud to present the ultimate reissue of the Yardbirds’ 1966 album Yardbirds, (often known as ‘Roger
the Engineer’.) Recorded by the classic line up of Jeff Beck, Keith Relf, Jim McCarty, Chris Dreja and Paul Samwell-Smith,
the band began exploring new sonic territories, pushing their blues-rock sound into the realms of the avant-garde,
psychedelia and Indian music. Using original tapes, this super deluxe edition features new and definitive remastering by
Phil Kinrade at Alchemy Mastering at AIR, overseen by original album producer Paul Samwell-Smith.
"Remastering this album has been a joy. To hear the tracks sounding just as we heard them all those years ago while we were
recording them - energetic, edgy, and in your face - is an unexpected treat. In 1966, it was a rare and exciting opportunity to be
given a recording studio for 5 days and allowed to experiment. That excitement still shows." – Paul Samwell-Smith
“This is what rock ‘n’ roll beauty is - the true freedom of creative impulse.” – Thurston Moore
“The Yardbirds produced some of the most compelling musical art of the 20th century.” – Wayne Kramer

Documented during peak isolation times in Los Angeles, between December 2020 and January 2021. These pieces were performed as Live AV pieces from 2017-2019, at Coaxial Arts, Zebulon and Desert Daze 2019, but not documented in a release until later. Signal processing and sequencing frameworks built in Max 8 with signals generated from Prophet '08, a broken AW16G, 0-coast, Max, and a MC-909. With the context of the electromagnetic medium, the absence of live performance and moving visuals and the new "spirit" of the pestilent times, "Cutting Them All Off" should barely be represented as reworks of the originally performed pieces. What was once pulsing and blasting out of PA speakers live is now referenced as a distant past document. These pieces (for better or for worse) have been removed and cut-off from their contextual source and can only be presented in their displaced/liberated state. Like a fish out of water gasping for air, or the only drunk survivor of a car crash that was his fault.

Christopher Reid Martin started Rotary ECT in 2016. The project focuses on highly active signal processes on synchronized Audio -> Visual signals, with many signals being constructed to self-generate. Much like a rotary machine's rotation, the process is consistent and signalled when turned on. Much like electroconvulsive therapy, a human need to be there to actively monitor and attend to the process and generation of the signals being emitted.

Christopher currently works for Cycling '74, is a curatorial/programmer at Coaxial Arts Foundation and ⅓ of curators (alongside J.Prey and J. Rivera) behind the ephemeral stream Cathode TV/Cathode Cinema. Christopher continues to show gallery works, both virtual and physical, digital and video works and performs in other numerous events and projects such as Bailouts, CGRSM (with Gabie Strong), Shelter Death, Gate (with Michael Morley) and Via Injection. He has performed and collaborated with artists Joseph Hammer, Bryce Loy (RIP), Tetuzi Akiyama, Christopher Thompson, James Roemer, Andrew Scott, Gabie Strong, Michael Morley, Lev Abramov and many others.

Svart Records reissue of Morbus Chron’s game-changing atmospheric Death Metal album “Sweven”, together with the remastered ltd ed. EP “Saunter Through The Shroud”. Gatefold sleeve with original Sweven booklet included. Pressed on black vinyl and limited dark green vinyl (400 copies). On “Sweven”, Morbus Chron carved out their very own territory of unorthodox death metal, far beyond their raw and simple initial style, adding many uncanny acoustic parts to create a nightmare world of utter horror. Together with producer Fred Estby (ex- Dismember), the band found a warm, yet haunting sound to go with their vision. The resulting soundscapes spread out like a wasteland of death and terror, sending chills down the hardest of spines. Guitar and drum patterns flow in various directions, building cathedrals of darkness in which tormented vocals echo in agony. The EP ‘A Saunter through the Shroud’, was a revelation upon its release in July 2012, displaying tremendous progression from previous efforts. Instead of playing it safe, sticking to traditional death metal patterns, Morbus Chron had started to transcend the genre to incorporate elements of progressive rock as well as black metal. With patterns oozing of Voivod, Atheist and Darkthrone, as well as Death and Autopsy, Morbus Chron was on their way to something majestic. Possessing unrelenting integrity, the band shunned all trends to go further into the unknown with “Sweven”. Smell the coffin with these two pioneering recordings, available in one lush package for the first time! Morbus Chron’s idiosyncratic legacy has never sounded or looked finer.

Svart Records reissue of Morbus Chron’s game-changing atmospheric Death Metal album “Sweven”, together with the remastered ltd ed. EP “Saunter Through The Shroud”. Gatefold sleeve with original Sweven booklet included. Pressed on black vinyl and limited dark green vinyl (400 copies). On “Sweven”, Morbus Chron carved out their very own territory of unorthodox death metal, far beyond their raw and simple initial style, adding many uncanny acoustic parts to create a nightmare world of utter horror. Together with producer Fred Estby (ex- Dismember), the band found a warm, yet haunting sound to go with their vision. The resulting soundscapes spread out like a wasteland of death and terror, sending chills down the hardest of spines. Guitar and drum patterns flow in various directions, building cathedrals of darkness in which tormented vocals echo in agony. The EP ‘A Saunter through the Shroud’, was a revelation upon its release in July 2012, displaying tremendous progression from previous efforts. Instead of playing it safe, sticking to traditional death metal patterns, Morbus Chron had started to transcend the genre to incorporate elements of progressive rock as well as black metal. With patterns oozing of Voivod, Atheist and Darkthrone, as well as Death and Autopsy, Morbus Chron was on their way to something majestic. Possessing unrelenting integrity, the band shunned all trends to go further into the unknown with “Sweven”. Smell the coffin with these two pioneering recordings, available in one lush package for the first time! Morbus Chron’s idiosyncratic legacy has never sounded or looked finer.

To Carry A Whale' is the new album from renowned songwriter Benjamin Francis Leftwich. An honest, beautiful exploration of human nature, it finds the newly sober Leftwich's otherworldly talent in full focus, like never before. Available in 2 formats: natural colour single vinyl with printed inner, lyric sheet and download code, and CD Digipak.

London-based musician Harriet Zoe Pittard aka Zoee has been described as an artist who writes 'personal pop for people who don't fit in' (Huck Magazine). Previously, Zoee has released singles through Ryan Hemworth's 'Secret Songs' imprint and Vegyn's label Plz Make It Ruins, as well as guesting as a vocalist on tracks with Hot Chip's Joe Goddard and with hyper-pop collective PC Music.Over the past two years Zoee has taken some time to nurture her voice and her sound. Her debut album 'Flaw Flower' is due on June 25th. 'Flaw Flower' is an honest and vulnerable glimpse into Zoee's interior world, a world she creates through marrying her real-life phone notes with imagery taken from modern works of literature such as "The Flowering Corpse" by Djuna Barnes, Sylvia Plath's "A Winter Ship" and Maggie Nelson's "Bluets". Through these 11 new songs, Zoee delves deep into her own emotional life, combining aspects of the everyday with the surreal in order to uncover the beauty found in being flawed. The record nods to the avant pop of the 80s, an era that Zoee has always been drawn to thanks to the expressive and trailblazing music of women including Anne Clark, Joan Armatrading, Cyndi Lauper, Rose McDowall and Anna Domino. The album is characterised by a mix of hi-fi and lo-fi instrumentation. 'The Loft' features a free jazz solo from acclaimed experimental saxophonist Ben Vince alongside stock GarageBand synths. 'Host' combines home demo backing vocals with an elaborate baby grand piano solo. Zoee sources foley sounds from YouTube and pulls from her own domestic field recordings, such as a microwave buzzing in 'Microwave' and a shower running in 'Evening Primrose', often using these sounds as the starting point for the songs. Maintaining intimate bedroom elements whilst developing a more expansive band sound, felt integral to the project, since that's where Zoee's writing process often starts, sat on her bed with her laptop and midi keyboard. Writing for the album began in October 2018 when Zoee started working closely again with friend and long-term musical collaborator Rowan Martin. As the material for the record began to take shape the writing and recording process also evolved with the addition of bassist Kyrone Oak and keys player Laura Norman, as well as contributions from Ben Vince and London pop artist Saint Torrente. "I feel like the songs on this album took me deeper into myself, the sad song that I thought was about a boy is still about that but it's also about loss, about self-determination, about not losing hope, about memory, about domesticity, about detachment, about my dad, about my mum, about change, about feeling incredibly alone, about growing up."