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Screaming Females had such a clear goal for their new album that it became almost a mantra: they wanted songs that were concise, crisp and melodic. That's exactly what the New Jersey punk trio delivers on Rose Mountain, their sixth LP, released via on Don Giovanni Records. The album is a milestone in a number of ways. Not only does Rose Mountain reflect a new approach to the band's songwriting, the LP marks the first time Screaming Females have worked with an outside producer (Matt Bayles), and comes as the trio celebrates 10 years together. Limited Edition pressing on turquoise vinyl.

A remastered version of the very first Screaming Females album, originally self-recorded and self-released in 2006. Includes such hit singles as “Dinosaurs,” “Baby Jesus” and “Foul Mouth.” An instant classic.

2010 release from the critically acclaimed Punk trio. Last year, Screaming Females toured relentlessly in support of their critically acclaimed third album Power Move. Their hard work landed them spots opening for Dinosaur Jr., Throwing Muses, and Jay Reatard, plus dates touring with Arctic Monkeys and the Dead Weather. The year brought them to a wider mainstream consciousness, gaining attention for their Punk Rock sensibilities and their raucous live shows driven by front woman Marissa Paternoster’s famed guitar heroics. On Castle Talk, the trio proves their abilities as more than just a pint-sized guitar shredder. Castle Talk showcases their growth together as a unit, as a band, with some of their most complex and confident songwriting to date.

Screaming Females bring the sweaty intensity of basement punk to a new level with their third and most scorching full-length, Power Move. Their urgent vocals, gritty guitar solos, and iron- strong rhythms have garnered the attention of Spin Magazine, Maximum Rock n Roll, and everyone in-between. Power Move has a startlingly original sound that incorporates elements of Hendrix-like jazz-fusion, screamed post-punk vocals, electrically charged basslines, and hypnotic melodies. In a nutshell, it’s indie rock with shredding.

Screaming Females’ second sound-defining album, featuring fan favorites like “Starve the Beat,” “Mothership,” and “Boyfriend.” The name of the record is based on something a cop said to the band when he told them to stop practicing because they were being too loud.

Power began as a challenge.

Zachary Fairbrother began Countach to collect the unfinished scraps and fragments from his band GHÖSH, the digital hardcore duo that broke up in 2023. But when Feel The Four, the Philadelphia-based label run by Cristian Adams and Jarrett Dougherty (ex-Screaming Females), asked him for a proper 12”, he saw an opportunity to push the project in an ambitious new direction.

The result is Power - EP, which finds Fairbrother exploring the freedom of longer run-times and varied textures, all while maintaining the post-industrial vision of his previous work. Across 20 minutes, he runs through propulsive acid house, harsh electro, and ‘90s big beat, using 303s and 808s to build an upbeat but haunting record that’s as indebted to the forebearers of those genres as it is to the grim landscapes of Phillip K. Dick and Paul Verhoeven.

After coming up in different bands in the Long Island and Brooklyn DIY scene in the late '00s and early 2010s, the indie rock outfit Freezing Cold came together in 2017 and settled into its current lineup in 2019. Featuring lead vocalist/guitarist Jeff Cunningham, formerly of Bridge And Tunnel, bassist/vocalist Leanne Butkovic, formerly of Never, and Angie Boylan, formerly of Aye Nako and drummer for Sleater-Kinney — Freezing Cold is coming into their own now more than ever as a dynamic trio.

After playing shows in support of Algernon Cadewalder, Radiator Hospital, and Screaming Females over the past year, the band is sharing their strongest, most fully formed work yet with the album Treasure Pool, due out August 1 on Don Giovanni Records. The 10-track record builds upon the group's extensive DIY experience, while finding an equilibrium where each member shines and moves beyond the early punk resonant in their past projects and toward something more mature.

The new release was recorded in 2023 at Asbury Park's Lakehouse Recording Studios, with production from Marissa Paternoster of Screaming Females and Eric Bennett. It follows the band's 2019 debut Glimmer, produced by J. Robbins (Against Me!, Jawbreaker) and released before Butkovic filled out the group, and 2021's Stuck on Hold/Drawn to Scale EP.

Early 1980s NYC-style Post-Punk Mutant Disco out of Philly.

First solo release from Jarrett Dougherty of legendary DIY Punk band Screaming Females.

For fans of: ESG, Liquid Liquid, Tom Tom Club, Dinosaur L.

Featuring Marissa Paternoster of Screaming Females and Brittany Luna of Catbite.

Dust & Disquiet is the band’s fourth full-length album and the follow up to 2012’s stellar Waking Season. Recorded at Q Division Studios in Somerville, Massachusetts, Caspian once again tapped Matt Bayles (Isis, Cursive, Screaming Females, The Sword) to produce and mix. On Dust & Disquiet, Caspian again refuses to be confined by genre. Listeners will find those familiar intricately textured soundscapes that the band has become known for. Caspian released, Waking Season, in 2012 to critical acclaim, with Spin proclaiming it as the “Best Post Rock Album of 2012.” The band followed with the release of Hymn For the Greatest Generation in the fall of 2013, an EP that was to serve as Caspian’s epilogue to Waking Season. Hymn for the Greatest Generation was also well received, finding praise everywhere from Pitchfork to Nylon to Alternative Press.