Search:maur

Styles
All
Maur vs Dave Spoon - At Night

Maurvs.Dave Spoon

At Night

12inchTOOL1304
Toolroom Records
23.01.2025

Starting life as the most asked about ‘ID’ in Maur’s DJ sets during the Summer, to now finally being released on Toolroom, this stone-cold classic from 2006 gets an update from Maur. Maintaining much of the original vibe but adding their trademark big room melodic twist with bundles of energy. Already causing a huge stir at club level with Gorgon City, Danny Howard, Adam Beyer and Nicky Romero all providing early support. On the flip is the 2006 original in all its glory.

In Stock

On Stock and ready to ship

Mahatmos - Aurora Spectralis

Mahatmos

Aurora Spectralis

12inchSPRND01
Superonda
08.05.2026

Superonda’s debut release, Aurora Spectralis, introduces the latest project from Mahatmos, a duo emerging from long-established practices in electronic music, sound design and composition for moving images. Released on 12” vinyl and digitally, the EP unfolds across four tracks of electronic ambient music shaped by atmosphere, con1nuity and restrained propulsion. Ambient textures open a broad emotional and spa1al field, while slow, insistent rhythms provide steady forward motion.
Superonda has created a space for Mahatmos to sharpen their focus on sound as material. Modular synthesis, analogue instruments and live processes techniques are balanced with precision and restraint, resulting in music that moves between progressive and hypnotic forms, informed as much by underground club culture as by cinematic composition.
Mahatmos is a Rome-based duo with complementary and deep-rooted practices. Gianluca Meloni brings a long-standing presence in techno and experimental music scene, with international releases and performances (as Laertes and as part of Modern Heads). Maurizio Loffredo contributes an extensive background in composition, production and sound engineering across popular music and film, with a refined sensitivity to timbre, structure and sonic narrative.
Superonda is a Rome-based label founded by artists engaged in deep sonic research and advanced technical exploration. Operating as an open platform, it connects collaborators working across recording, synthesis and composition, approaching music as a process-driven practice rather than a fixed genre. Each release stands as a distinct exploration, linked by shared sensibilities rather than formal constraints.
The physical edition of Aurora Spectralis is conceived as an extension of the work itself. Alongside a standard black vinyl pressing, a limited run of color and marbled copies has been produced, each one unique. Variability and tactility are embraced as part of the object’s identity, reinforcing the record as something to be experienced gradually, over time.

In Stock

On Stock and ready to ship

Yassine - Modern Pop from Mauritania 1984-1989 (LP)

After Maghreb K7 Club – Synth Raï, Chaoui & Staïfi (1985-1997) and Maghreb K7 Club Disco Singles Volume 1, 2, and 3, Sofa Records and Les Disques Bongo Joe team up again for a new project exploring funky, synth-driven tape music from the Maghreb.

This compilation brings together eight songs —delivering a Saharan pop sound melted with reggae, dub, new-wave and funk — by Yassine (Ahl) Nana, the iconic figure of Mauritanian pop music in the 1980s and 1990s. Yassine and his band recorded songs between Nouakchott, Paris, and Rabat, resulting in only a pair of rare cassette tapes. This music was definitively part of the vibrant wave of African sounds sweeping across the continent at the time, from Abidjan to Oran and Kinshasa.

This compilation features previously unreleased recordings, along with liner notes, interviews, and exclusive iconography.

pre-order now15.05.2026

expected to be published on 15.05.2026

Maryam Saleh - Syrr LP

Maryam Saleh

Syrr LP

12inchSIMSARA005
Simsara Music
15.05.2026
  • 1: Mawdoo’ Tani
  • 2: El Faqd
  • 3: El Fetra
  • 4: Nafas
  • 5: Ma’na
  • 6: Wanas
  • 7: Alb
  • 8: Khayal
  • 9: Nedaa

Simsara Records is proud to announce Syrr, the new album by Egyptian artist Maryam Saleh, arriving 27 March 2026. A mythic and introspective work, Syrr transforms memory, loss, and lived experience into a shifting world of sound, voice, and embodied emotion. Written and composed by Saleh, the album traces a three-part journey—Origin & Image, Vessel, and Intuition & Echo—in which the self is fractured, questioned, reassembled, and ultimately expanded. Blending raw expression with subtle dramatics, Saleh crafts an immersive sonic autobiography rooted in intuition, embodiment, and human becoming.
Co-produced by Maryam Saleh, Maurice Louca, and Kamilya Jubran—who also perform keys, oud and backing vocals throughout—the album’s songs are set to or inspired by existing Egyptian and Arabic song forms (including mawwal, lullaby, madih, muwashshah, taqtuqa and more). The project underwent a rigorous three-year journey of songwriting and composition by Saleh with Kamilya Jubran as mentor before recording.
“Syrr” is mixed by Mokhtar El Sayeh and mastered by Heba Kadry, with artwork by Pauline Gouablin (photography), Omar Mostafa (image editing, treatment and inserts design), and Maged El Sokkary (typography and illustration). Lyrics translation by Nariman Youssef. Produced by Simsara Music with support from the Arab Fund for Arts and Culture (AFAC).

pre-order now15.05.2026

expected to be published on 15.05.2026

THE TRUE UNDERGROUND SOUND OF ROME - THE TRUE UNDERGROUND SOUND OF ROME

Double 12" release

The Story — From the Streets of Rome to the Male Productions Label
In the early 1990s, Rome lived in a kind of suspended moment. The city was still tied to its historic clubs, yet in the outskirts—inside abandoned warehouses, quarries along the coastline, and the wooded parks north of the capital—something new was beginning to stir. A nocturnal, constantly shifting movement fuelled by a hunger for freedom and a sonic curiosity that reached far beyond the mainstream.

Moving through this ferment was Francesco “Chicco” Furlotti. First an organizer of unconventional parties and underground nights, he soon became one of the driving forces behind Rome’s itinerant rave scene. Furlotti sensed that a wave of change was about to sweep across the city. It wasn’t just about parties: it was the rise of a culture, a new way of thinking about music, community, and belonging.

It was within those nights—later held with official permits, properly built sound systems, and an ever-growing crowd—that Furlotti recognized the existence of a distinctly Roman sound, and the need to capture it, preserve it, and give it tangible form.
So, in 1991, he decided to take a bolder step: to found an independent record label—small, determined, and far removed from the commercial logic that dominated at the time.
That was the birth of Male Productions.

Male was not a label like any other: it was a workshop, a gathering point, a creative hub where DJs, producers, friends, and wanderers converged. Within that environment, an artistic core took shape—Stefano Di Carlo, Leo Young, and Mauro Tannino, along with other collaborators orbiting around Furlotti. From their synergy emerged a project whose very name declared its mission:

The True Underground Sound of Rome.

The collective did not simply aim to release music; it sought to tell a story of Rome through sounds that defied categorization: house, techno, ambient, electronic mysticism, psychedelic visions… a unique blend, instantly recognizable, emotional, and experimental. The sessions unfolded using essential yet razor-sharp gear: Roland drum machines, analogue synthesizers, Akai samplers, stripped-down mixers. Few tools, endless imagination.
The first result of this work was the 12” Secret Doctrine, released in 1991 in an extremely limited run—around 500 promotional copies, according to accounts. The record captured something that until then had floated only in the air of Roman raves: enveloping atmospheres, deep rhythms, melodies built to make the mind travel far beyond the dancefloor. A sound that did not imitate what was happening in Detroit, London, or Berlin, but absorbed those influences and re-sculpted them with a distinctly Roman sensibility.
Yet, precisely because it was independent and detached from commercial circuits, Male’s output remained sparse: few EPs, few copies, irregular distribution. Over time, those records became rare artifacts—almost mythical objects within the Italian electronic scene. The legacy of Male Productions seemed destined to survive only in the memories of those early years, in the stories told after raves, and in the private archives of a handful of collectors.
Many years later, thanks to the almost accidental rediscovery of a few original copies of the first two releases issued by Male Productions, it became possible to undertake a meticulous process of recovery and restoration of the audio etched into those grooves, with the aim of preserving as fully as possible the quality and character of that unrepeatable sound.

We are therefore able today to present — at last in a complete and faithful form — the first two mixes created for Male Productions, now released on a double vinyl that brings back into the present the exact moment when it all began: the nomadic nights of the raves, Furlotti’s vision, the creativity of Di Carlo, Young and Tannino, and the sonic identity of a Rome in the midst of transformation.

This is not merely a reissue.
It is a historical document.
A fragment of a culture that changed the city.
The authentic sound of the Roman underground, finally returned to the world.

In Stock

On Stock and ready to ship

Various - Ministry Of Sound - Origins Of House 2x12"

Back in stock !

First three releases in Ministry Of Sound's new 'Origins Of' series of vinyl releases. Taking it right back to where it all began, Ministry of Sound’s Origins series charts a selection of pioneering records responsible for shaping the sound of modern day dance music. It’s hard to imagine a world without House; this 2x LP release explores the origins of the genre from its early beginnings in 1980s Chicago presenting some of the key building blocks of a sound that went on to change the world. Featuring, Frankie Knuckles&Jamie Principle, “Steve” Silk Hurley, Marshall Jefferson, Farley “Jackmaster” Funk, Ron Hardy, RalphiRosardo, Joe Smooth and many more.

pre-order now18.05.2026

expected to be published on 18.05.2026


Last In: 4 months ago
Akio Nagase - African Acid EP

Especial welcomes the return of Akio Nagase, Osaka's own 303 specialist, with a second EP of acid infused world music. After the success of his Asia orientated EP, here his ethno-inspired dance comes to and from Africa, the mother.

With a history of making reggae influenced electronics under the Makedub alias, his development to acid master continues to showcase a skill at fusing samples, effects and found sound in a dub-desk mix that is body moving and catchy at the same time.

With a mission to bring the music of the world closer, Acid Maasai Collecthiv sets the scene with TB 303 weaving around dub heavy bass, crossing the Athi river, seeking spirits to bind. Countries and continents are tribes and with a reopening world, the dance can encompass all; open minds to bring unity.

This is exemplified on the ethereal Morisyen Acid. Sound design, Mauritian samples and creole vibrate perfectly with Akio's acid work and simple but effective "predominately" repetitive beats to uplift like the Tamarind sunrise.

Acid mantra as mind-gateway continues with Serengeti Summer. An heir to Whoktish, this is Not Reggae, the 808 and 303 in harmony; a jam of man, machine and samples to bring today's ethno-blue storytelling through consciousness.

Closing is Jua, interweaving the fabric of life, passing down from generations the primal with the psychedelic beat to communal gathering, Akio presents the music with love and respect.

pre-order now18.05.2026

expected to be published on 18.05.2026


Last In: 3 years ago
Simon Paw - Inner Space

Born from Amsterdam’s intimate dance night, Notturno now steps into a new phase as a record label. Simon Paw unveils the debut release on his new imprint with Inner Space, a deeply personal two-track EP that sets the tone for the label’s sonic identity.
The title track, “Inner Space,” is an introspective and atmospheric journey rich in texture and feeling. With additional keys by Marco Airaghi and expressive flute and saxophone from Maurizio Moscatelli, the track unfolds with haunting elegance and organic warmth.
On the flip, “Eternal Sunshine” reveals a deeper, spiritual side of Simon’s production. Warm grooves carry evolving melodies and delicate piano moments, creating a track suited for immersive dance floors and reflective listening alike

In Stock

On Stock and ready to ship

CEM MO - WHAT REMAINS

For Metro Beirut’s latest release, Cem Mo steps forward with his debut vinyl EP, a record that bridges the roots of Chicago and Detroit house with his own deep and textured approach to groove.

Born in Ankara and having taken piano lessons at an early age, Cem drifted from classical into jazz, re-teaching himself harmony and improvisation before finding his way into production. After moving to Amsterdam in 2016, the city’s community and music scene expanded his horizon, shaping a sound that treats producing like improvising, with curiosity for grain, color, and repetition, where subtle shifts make all the difference. Along the way, Cem has released on Handy Records and Rhythm Section, while his project Nowhere People has appeared on Artisjok Records.

This EP brings together a tight circle of artists who deepen its character. Saxophonist Moritz Schuster, known for his work across electronic music and past work with Cem and Malik Kassim, formerly known as Retromigration, delivers a striking, free-flowing performance charged with raw intensity. On “The Hard Way”, Franco Corica joins Cem for a deep, soulful, jazz-leaning moment that feels both reflective and quietly defiant. Finally, longtime friend Malik pulls up with a dancefloor remix that preserves Cem’s melodic sensibility while adding his own loose, resulting in a circular dialogue between two artists who’ve grown side by side.

Artwork: Shahd Issa

pre-order now05.06.2026

expected to be published on 05.06.2026

MAURO PAWLOWSKI - UNSPECTACULAR TIMES

Mauro Pawlowski's 'Unspectacular Times' is the sound of an artist completely at ease with himself, and with the world, in all its ordinary, unglamorous beauty. Ten songs rooted in everyday observation and emotion, produced by Scorpio Twins (Stephane Misseghers and Bruno Coussée) with a full 24-carat 80s gloss: lush synths and basslines.

Where everything around us seems to demand maximum volume and instant outrage, Pawlowski turns that logic quietly inside out. These are songs about love that sneaks up on you, desire that builds in an art gallery, and a Nobel Prize winner falling off his bike and giving a thumbs up. Small moments, but in Pawlowski's hands, that's where everything worth paying attention to actually lives.

Guest appearances from Brianne Dunne (Daryl Hall & John Oates) and Pol Coussée, a Belgian saxophonist who found his way from London to Toronto and has played alongside Barry White and Isaac Hayes.

Following the 70s-tinged 'Eternal Sunday Drive', his second album on Unday Records 'Unspectacular Times' is Pawlowski's most pop focused to date. His most recent chapter in a career that has taken him from Evil Superstars to dEUS, through theater, dance, film and more alter egos than most artists have albums.

pre-order now19.06.2026

expected to be published on 19.06.2026

Heckspoiler - Live LP

Heckspoiler

Live LP

12inch912008337207
Noise Appeal Records
24.06.2026
  • A1: Wie Früher
  • A2: Profiliga
  • A3: Elektrobike
  • A4: Fresse
  • A5: Ned Wie Du
  • B1: Neid
  • B2: Magen Darm
  • B3: Tokyo Drift
  • B4: Stonerband 2 0
  • B5: Maurice
pre-order now24.06.2026

expected to be published on 24.06.2026

DMITRY DISTANT - THE LONG TRANSITION FROM DEATH TO WISDOM LP

“The Long Transition From Death To Wisdom” marks a new chapter in Dmitry’s evolving sonic world – a contemplative, slow‑burning journey through grief, memory, and the quiet emergence of clarity. Rooted in a brooding fusion of shoegaze, goth, and darkwave, the album drifts through washed out guitars, spectral synths, and poignant vocals – its emotional landscape suspended between sadness and awakening. On vocal duties is Dmitry’s longtime collaborator Valeria Simonova, whose presence deepens the album’s atmosphere. Each track feels like a step forward in the ritual of becoming aware of one’s own existence, moving through silence and ancient memories toward a sense of spiritual renewal.

The album opens with the mysticism and layered metaphors of “Liar,” before descending into the ancient, biblical presence of “Serpent Queen.” Midway, “Zenith” rises with shimmering synths and steady, triumphant percussion, while “Echoes of Yesterday” lingers in celestial melancholy, dissolving the boundary between remembrance and insight. The Bside begins with “The Other Side of Life,” a threshold into a quieter, more reflective space, followed by the meditative, ritual like ambience of “Shrine of Ruins.” Closing track “Cold” offers a final exhale from the fading realm of the past – an acceptance shaped by distance, time, and the erosion of old wounds.

An array of musicians contributed to the recoding of the album: Mathys Dubois (No One Is Innocent, exBlack Strobe), Loïc Maurin (M83), Victor Sologub (Deadушки, Странные Игры), Alexander Titov (Кино, Аквариум), Ben Easton (Deary), and others. The album was mastered at Abbey Road Studios by Miles Showell.

pre-order now26.06.2026

expected to be published on 26.06.2026

CHANEL BEADS - YOUR DAY WILL COME
  • 1: Drums Only
  • 2: Song For The Messenger
  • 3: The Coward Forgets His Nightmare
  • 4: Profane Break
  • 5: Jbl In The Fireplace
  • 6: Tyler Richard
  • 7: Outside Your Life
  • 8: Dust In The Wind
  • 9: Silver Cup
  • 10: Opening In The Gate
  • 11: Spirit Showing
  • 12: Drunk Stupid In The Structure
  • 13: Boss
  • 14: Beaten With Sticks
also available

Pink Vinyl


Zuerst das Wichtigste: Ja, Your Day Will Come an, das zweite Album von Chanel Beads trägt denselben Namen wie sein Debüt aus dem Jahr 2024. Aber es handelt sich um ein völlig neues Werk, nicht um einen zweiten Teil oder eine Neuauflage. Der Titel des neuen Albums ist derselbe wie der des Vorgängers - eine perfekte Zusammenfassung der Zweideutigkeit von Chanel Beads: zu gleichen Teilen ein augenzwinkernder Scherz und eine zutiefst ernste Aussage. Während sich die Songs entwickelten, entdeckte Lavers, dass der Satz eine tiefere Nuance hatte und eine Spannung zwischen Gewissheit und Zweifel hervorrief, die seine Psyche beschäftigte. Wird dein Tag kommen? Wie wird er sein? Wie kannst du dir sicher sein? Während er das Album schrieb, hatten Lavers' Gedanken mehr Raum, um in seinem Kopf herumzuschwirren und sich zu verdrehen, und er fühlte sich oft abgestumpft von einer Welt, die sich absurd grausam anfühlen kann. Die zweite Inkarnation von Your Day Will Come dokumentiert eine klangliche Verschiebung und Weiterentwicklung des Chanel-Beads-Sounds. Dieses Mal ist alles stärker geschichtet, mit mehr eigenständigen Parts und Mitwirkenden. Es entstand in seinem kleinen, spärlich eingerichteten Studio in Brooklyn, wo die Lautsprecher so nah an seinem Gesicht standen, dass er bei jedem Schlag der Bassdrum die Luftwelle spüren konnte. Geiger Zachary Paul tritt präsenter in Erscheinung, während Lavers weiterhin mit der semiotischen Bedeutung von Plug-ins spielt. Auch die ätherische Stimme von Maya McGrory ist erneut auf dem Album zu hören; sie schrieb zudem am majestätischen ,Silver Cup" mit. Die 14 Songs sind ausgearbeiteter und strukturierter - Ergebnis eines kollaborativeren Ansatzes, der Spontaneität und Unvollkommenheit bewusst zulässt. Er folgt der Devise "Wenn es funktioniert, lass es so", nimmt einfach mit dem Mikrofon auf, das gerade zur Hand ist, und baut den Song auf dieser Aufnahme auf. Aus lockeren Treffen ergaben sich Beiträge von Freund*innen wie Tchad Cousins (Urika's Bedroom), Mari Maurice (More Eaze), Anastasia Coope und Bella Litsa. "Dust in the Wind" entstand gemeinsam mit Isaac Eiger von Strange Ranger und Threshold und markiert die erste Co-Autorenschaft außerhalb des Kerntrios aus Lavers, McGrory und Paul. Lavers' fragmentierte Texte sind voller offener Fragen. Er war besonders von der Koexistenz von Nihilismus und Liebe eingenommen und sagte: "Es fühlt sich an, als müsste das eine das andere auslöschen, aber das tut es nicht." Emotionale Sublimierung steht im Mittelpunkt von Chanel Beads, als könne man etwas so fest umklammern, dass es transzendent wird. Your Day Will Come nutzt Traumlogik, um sich mit Liminalität und prekären Erinnerungen auseinanderzusetzen. Es ist geprägt von den Schatten bestimmter Verluste, aber auch davon, wie man sich selbst heimsuchen kann, indem man in alte Gewohnheiten zurückfällt.

pre-order now26.06.2026

expected to be published on 26.06.2026

CHANEL BEADS - YOUR DAY WILL COME

CHANEL BEADS

YOUR DAY WILL COME

12inchJAGLPC1487
JAGJAGUWAR
26.06.2026

Zuerst das Wichtigste: Ja, Your Day Will Come an, das zweite Album von Chanel Beads trägt denselben Namen wie sein Debüt aus dem Jahr 2024. Aber es handelt sich um ein völlig neues Werk, nicht um einen zweiten Teil oder eine Neuauflage. Der Titel des neuen Albums ist derselbe wie der des Vorgängers - eine perfekte Zusammenfassung der Zweideutigkeit von Chanel Beads: zu gleichen Teilen ein augenzwinkernder Scherz und eine zutiefst ernste Aussage. Während sich die Songs entwickelten, entdeckte Lavers, dass der Satz eine tiefere Nuance hatte und eine Spannung zwischen Gewissheit und Zweifel hervorrief, die seine Psyche beschäftigte. Wird dein Tag kommen? Wie wird er sein? Wie kannst du dir sicher sein? Während er das Album schrieb, hatten Lavers' Gedanken mehr Raum, um in seinem Kopf herumzuschwirren und sich zu verdrehen, und er fühlte sich oft abgestumpft von einer Welt, die sich absurd grausam anfühlen kann. Die zweite Inkarnation von Your Day Will Come dokumentiert eine klangliche Verschiebung und Weiterentwicklung des Chanel-Beads-Sounds. Dieses Mal ist alles stärker geschichtet, mit mehr eigenständigen Parts und Mitwirkenden. Es entstand in seinem kleinen, spärlich eingerichteten Studio in Brooklyn, wo die Lautsprecher so nah an seinem Gesicht standen, dass er bei jedem Schlag der Bassdrum die Luftwelle spüren konnte. Geiger Zachary Paul tritt präsenter in Erscheinung, während Lavers weiterhin mit der semiotischen Bedeutung von Plug-ins spielt. Auch die ätherische Stimme von Maya McGrory ist erneut auf dem Album zu hören; sie schrieb zudem am majestätischen ,Silver Cup" mit. Die 14 Songs sind ausgearbeiteter und strukturierter - Ergebnis eines kollaborativeren Ansatzes, der Spontaneität und Unvollkommenheit bewusst zulässt. Er folgt der Devise "Wenn es funktioniert, lass es so", nimmt einfach mit dem Mikrofon auf, das gerade zur Hand ist, und baut den Song auf dieser Aufnahme auf. Aus lockeren Treffen ergaben sich Beiträge von Freund*innen wie Tchad Cousins (Urika's Bedroom), Mari Maurice (More Eaze), Anastasia Coope und Bella Litsa. "Dust in the Wind" entstand gemeinsam mit Isaac Eiger von Strange Ranger und Threshold und markiert die erste Co-Autorenschaft außerhalb des Kerntrios aus Lavers, McGrory und Paul. Lavers' fragmentierte Texte sind voller offener Fragen. Er war besonders von der Koexistenz von Nihilismus und Liebe eingenommen und sagte: "Es fühlt sich an, als müsste das eine das andere auslöschen, aber das tut es nicht." Emotionale Sublimierung steht im Mittelpunkt von Chanel Beads, als könne man etwas so fest umklammern, dass es transzendent wird. Your Day Will Come nutzt Traumlogik, um sich mit Liminalität und prekären Erinnerungen auseinanderzusetzen. Es ist geprägt von den Schatten bestimmter Verluste, aber auch davon, wie man sich selbst heimsuchen kann, indem man in alte Gewohnheiten zurückfällt.

pre-order now26.06.2026

expected to be published on 26.06.2026

ALEXANDER ROBOTNICK - MY LA(TE)ST EP

2026 Repress

Bosconi Records, the Florence-based imprint run by Fabio Della Torre, is back with something truly special. Over the years, the label has built a reputation for pushing house, funk and electro in all their shades, always keeping a strong link between the local scene and international legends. And when it comes to legends, there are few names that shine brighter than Alexander Robotnick.

The Italian electro pioneer – aka Maurizio Dami – has already collaborated with Bosconi on The Hidden Game and Italcimenti Under Construction. Now he returns with My La(te)st EP, a vinyl-only release that pulls five standout cuts from his 2007 CD My La(te)st Album and finally makes them available on wax. All tracks have been remastered for the vinyl format, enhancing their depth and dynamics to deliver the best possible experience on wax.

The EP opens with “Jette Le Masque (Extended Version)”, driven by a pumping bassline and jagged sawtooth synths, with whispered French vocals by Robotnick himself. Stretched out and more DJ-friendly than the original, this version is tailor-made for the dancefloor.
On “We Love The Music” things get fun and funky: vocoder vocals, an electro-funk bounce and that unmistakable Robotnick irony. A killer cut to start a set on the right foot.

Flip the record and you dive into the acidic depths of “I’m Getting Lost In My Brain”. Old-school Chicago vibes, a hypnotic groove and basslines that just don’t quit – a peak-time weapon that feels raw and timeless.
Then comes “A Coffee Shop in Rotterdam”, one of those secret gems: melodic, laid-back and warm, built on a slapping bass and dreamy arpeggios. It has that Riviera house touch from the ’90s, but with Robotnick’s unmistakable twist.

Closing the EP is “Addio” – a track that wears its heart on its sleeve. Romantic, emotional, and driven by a bassline that nods back to Robotnick’s all-time classic Problèmes d’Amour. A perfect goodbye track, the kind that leaves a smile on your face as the lights come on.

This is a must-have for vinyl lovers and Robotnick fans alike – five cuts carefully remastered for the vinyl format, pressed exclusively on wax and ready to work the floor from start to finish. Don’t sleep on it: limited copies, vinyl only.

In Stock

On Stock and ready to ship

Various - A Touch Of Love EP7

Various

A Touch Of Love EP7

12inchBL163V
Big Love
20.03.2026

DJ Support: Louie Vega, Dave Lee, Mousse T, The Brothers Macklovitch, Folamour, Bellaire, Moonboots, DJ Spen, Terry Hunter, Michael Gray, Dr Packer, JKriv, The Shapeshifters, Moplen, Melvo Baptiste, Saucy Lady, Tedd Patterson, John Morales, Maurice Joshua, DJ Minx, DJ Dove and DJ Disciple.

Big Love return with EP 7 in the A Touch Of Love vinyl series. Label head Seamus Haji kicks off proceedings with his popular ‘Disco Dreams’ feat Chicago legend Mike Dunn on vocals given a fresh new lick by Toronto’s jackin’ house master Hatiras. Shawn Christopher‘s 90’s house classic ‘Don’t Lose The Magic’ gets a sublimely soulful update from Chicago’s Emmaculate. On the flip side we have 2 French House veterans with Art Of Tones serving up the Chic inspired disco beauty ‘Hoping For Another Chance’ followed by Yass feat the vocal powerhouse Michelle Weeks on the disco driven gospel stormer ‘Hallelujah’.

In Stock

On Stock and ready to ship

Arodes & Alessio Cristiano / Super Flu / Moeaike / Martim Rola & Mats Westbroek - Unreleased Records Vinyl Sampler

Unreleased Records is the label founded by Arodes, recognized for its afro-house, melodic, and club-oriented sound within the international electronic music landscape. Through a combination of high-quality productions, a strong and carefully developed artist roster, and an expanding live platform, Unreleased Records positions itself as a forward-thinking imprint that bridges underground credibility with international audience reach, and are now, after much demand, debuting on vinyl, with this standout 4 tracker EP with 3 tried and tested club bangers, and 1 unreleased gem.


So far, “Gwele,” “Don’t Mind,” and “Nothing’s Changed” have already been supported by heavyweights of the scene, including, Ante Perry, Black Coffee, Bluckther, Camilo Franco, Carl Bee, Chus & Ceballos (Ceballos), Cincity, Deer Jade, Djuma Soundsystem, Enoo Napa, Facundo Mohrr, Hyenah, Jonathan Kaspar, Joseph Capriati, Mauricio Brigante, Moeaike, Nicolas Masseyeff, Queen Rami, Sasha Carassi, Simone Vitullo, THEMBA, and Xinobi.

In Stock

On Stock and ready to ship

Nala Sinephro - The Smashing Machine OST LP

Nala Sinephro veröffentlicht ihren ersten Original-Soundtrack für Benny Safdies Film "The Smashing Machine", der vor dem offiziellen Kinostart am 3. Oktober bei den 82. Internationalen Filmfestspielen von Venedig (mit 15-minütigen Standing Ovations!) Premiere feierte. Der Film erzählt die Geschichte des legendären Mixed-Martial-Arts- und UFC-Kämpfers Mark Kerr. Die Hauptrollen spielen Dwayne "The Rock" Johnson und die Oscar-nominierte Emily Blunt. Die Filmmusik wurde von Nala Sinephro komponiert, produziert, arrangiert, gemischt und gemastert. Mit dabei sind auch ihre langjährigen Weggefährten James Mollison, Nubya Garcia, Lyle Barton, Dwayne "Wonky Logic" Kilvington, Morgan Simpson, Natcyet Wakili, Mark Mollison und Sheila Maurice-Grey. Außerdem wirkt das Londoner Orchester Orchestrate mit, das bereits 2024 die Streicher für Sinephros hochgelobtes Album "Endlessness" lieferte.

Obwohl Sinephros Musik – meditativ, ätherisch und gewaltig – für eine Wrestlergeschichte paradox erscheinen mag, fand Marks Geschichte bei Sinephro Anklang, der die verborgenen Sanftheiten und Emotionen der Geschichte aufgriff. Die Filmmusik klingt immer noch unverkennbar nach Nala Sinephro – weitläufig mit gleichmäßiger Wärme, wunderschönen Streicherarrangements, leichten Themen, gemächlicher Harfe –, wurde aber intensiviert, um den Themen des Films zu entsprechen: Druck, Verlustangst, Sucht, Schmerz, vulkanische Beziehungen und das Gefühl des Hochgefühls.

In Stock

On Stock and ready to ship

Upwellings / Rothchord / Paul Simmons / Another Channel / Inner Echo - Pura Lempuyang Empat Part 1

Few contemporary labels even come close to the output and influence of Lempuyang in terms of dub techno. Albums, 12"s and EPs come thick and fast and the latest is the first part of the fourth in the Pura Lempuyang series, which offers a glimpse at what they do best. Upwellings begins with Maurizio-style, smoky dub techno before Rothchord ups the drive with a more forceful kick. Paul Simmons's 'Burial (Natty Haffi Dread)' reflects the traditional roots of dub with a more 70s style cut, Another Channel slows to a crawl with an eerily empty arrangement and Inner Echo drives things home with a timeless fusion of molten dub chords and cuddly kicks.

pre-order now13.07.2026

expected to be published on 13.07.2026

Jocelyn / Emmasoul / Chanwill Maconi / Neil Cb / Wade Watts - Pura Lempuyang Empat Part 2

Jocelyn / Emmasoul / Chanwill Maconi / Neil Cb / Wade Watts

Pura Lempuyang Empat Part 2

12inchLPY25.2
Lempuyang
13.07.2026

Few contemporary labels even come close to the output and influence of Lempuyang in terms of dub techno. Albums, 12"s and EPs come thick and fast and the latest is the first part of the fourth in the Pura Lempuyang series, which offers a glimpse at what they do best. Upwellings begins with Maurizio-style, smoky dub techno before Rothchord ups the drive with a more forceful kick. Paul Simmons's 'Burial (Natty Haffi Dread)' reflects the traditional roots of dub with a more 70s style cut, Another Channel slows to a crawl with an eerily empty arrangement and Inner Echo drives things home with a timeless fusion of molten dub chords and cuddly kicks.

pre-order now13.07.2026

expected to be published on 13.07.2026

Weever - L’Âge de la Galère MiniLP

Based in Rennes and founder of the Vives label in 2020, Weever has been exploring the interplay of light and shadow for over 10 years, crafting abstract soundscapes and textured sonic tunnels of unparalleled musical breadth. He elegantly blends industrial and baroque sounds to construct sonic cathedrals. His music is both utterly raw and meticulously crafted.

L’âge de la Galère :

started this EP in 2020. At the time, I had just finished my studies, it was a pretty difficult period and I had made a track, or rather a melody, that I thought was amazing. I held onto it all these years without ever releasing it. 2020 was a tough year overall. The big question was: What am I going to do with my life? Hence the title L’âge de la Galère

The title really started to make sense when I began putting tracks together for Micheal. Around that time, I was reading Those of 1914 by Maurice Genevoix. For those who don’t know it: it’s written as a journal and tells the story of the author and his fellow soldiers in the trenches during World War I.

I’ve always been passionate about the two World Wars, I watch every film, old and new, I listen to the soundtracks, and so on. Same with period films, especially medieval ones. I love drawing inspiration from them.

So naturally, I imagine and create around that. It comes easily because it’s always been my universe. And when I make music, those kinds of images inevitably come out, even subconsciously.

So I created and told an audio story through my 6 tracks.

“It’s 1914. The story of many men who, upon hearing the sound of the bells, are met with the announcement of a war like no other. Most of them are young, some very young, and they are drafted into the French and German armies. They have no military experience, and the first battles are so violent that many won’t make it back. Very few will earn the glory they deserve.

The conditions are appalling, everything is in short supply, and the men are exhausted. Still, they must hold on.
Leaving carelessly from beneath their mothers’ skirts, too few returned. Many were left traumatized, and an entire generation was forever changed.”

In Stock

On Stock and ready to ship

Maurice Mobetta Brown - Betta Days LP

Maurice “Mobetta” Brown has always thrived at the crossroads—between jazz and hip-hop, improvisation and songcraft, trumpet and microphone. With Betta Days, the Grammy-winning trumpeter, composer, and MC sharpens his genre-bending vision into one of his most dynamic statements yet.

The album plays like a conversation between worlds: lush horn arrangements sit beside hard-hitting beats, verses weave seamlessly through melodies, and Brown’s trumpet leads with equal parts fire and finesse. A student of jazz tradition who came up in Chicago’s storied scene, he’s since expanded his reach into hip-hop and soul, collaborating with icons like Aretha Franklin, Santigold, Talib Kweli, and Anderson .Paak. Betta Days captures the spirit of all those influences while standing firmly in Mobetta’s lane.

At its core, Betta Days is about resilience and growth—finding light even in heavy times. The songs carry a message of pushing forward, fuelled by the energy of community and the joy of creation. Whether he’s delivering sharp verses or soaring trumpet lines, Maurice Mobetta Brown reminds listeners that the future is wide open, and that better (or Betta) days are always ahead.

In Stock

On Stock and ready to ship

Bedouin Featuring Marieme - Reason

DJ Support: Sasha, Marco Faraone, Robin M, Just Her, FKA Mash, Paul Van Dyk, Adriatique and CamelPhat

Bedouin joins forces with vocalist Marieme for their latest release ‘Reason’, available now on the duo’s Human By Default label. The track marks part of the imprint’s fifth anniversary celebrations.

‘Reason’ blends Bedouin’s hypnotic grooves and emotive melodies with Marieme’s soulful, evocative voice. Her lyrics explore themes of identity, freedom, and self-perception, resulting in a collaboration that balances movement with emotional depth.

Comprised of Tamer Malki and Rami Abousabe, Bedouin has spent over a decade developing a genre-blending sound rooted in their Middle Eastern heritage and Western upbringing. Their music has appeared on Crosstown Rebels, Big Beat, and more, while their Ibiza residency SAGA—now at Chinios Ibiza—has become a staple of the island since 2017. The duo has also performed at Coachella, Tomorrowland, Kappa Futur, Burning Man, Ushuaïa, and Hï Ibiza.

Marieme, born in Mauritania and raised between Senegal and the US, brings a distinctive storytelling approach through her recent singles ‘Harmony’, ‘Tell Me’, and ‘Havana Nights’. Her work promotes self-love and liberation, expressed with a powerful vocal presence.

In Stock

On Stock and ready to ship

Ben Bondy - XO Salt Llif3

Ben Bondy

XO Salt Llif3

12inch3XL28
3XL Records
15.01.2026

Flanked by a team of collaborators - including Nick León, more eaze, Ultrafog and Kissen - Ben Bondy captures the Kwia-pop zeitgeist on 'XO Salt Lif3', sluicing down dappled emo and downtempo grooves with log drum thwacks, tempered field recordings and sandblasted shoegaze guitars.

Forget what you think you know about Ben Bondy; like Naemi's fuzzy 'Breathless Shorn', ‘XO Salt Lif3’ is a decisive shift away from the ambient world and towards contemporary underground pop. Last year's amapiano-tinted loosie 'Bend' serves as the album's opener and is the best taster, its slick DSP squelches, granulated drones and sub rumbles immediately swapped out for breezy acoustic guitar riffs, tuned log drum hits and Bondy's own Autotuned vocals. When Bondy turns down the temperature a little, letting the orchestral synth arrangements slip into fuller view on 'Halfmoon', a collaboration with Nick León and Aussie producer Lovefear, it's tempered by low slung emo riffs and mumbled sweet nothings.

By the time we hit 'Dreamseed', Bondy's in full swing, offsetting slow breaks and multi-tracked vocal harmonies with full-spectrum shoegaze power chords that cut into the mix like a chainsaw, with crunchy amp crackle foreshadowing the Bark Psychosis-like drop. Bondy hits a cruise when More Eaze helps out on 'There Is A Place'. Maurice's unmistakable pedal steel draws us in, used by Bondy to add an Americana accent to his euphoric fusion of amapiano and indie pop. It's music that'll make perfect sense if you've caught one of Bondy's notorious DJ sets, where you might hear anything from American Football and Jessica Pratt next to Gwen Stefani, Skinny Puppy or Sneaker Pimps. It’s this chaotic, open-hearted approach - which also plays a part in the Shineteac material - that makes 'XO Salt Lif3' so effortlessly enjoyable.

In Stock

On Stock and ready to ship

Various - Endless (Universal Cosmic Sounds) (LP)

Endless – Universal Cosmic Sounds

Endless is a journey through cosmic soundscapes, where jazz-funk, early electronics, and ambient experimentation meet.
Carefully curated by Charles Maurice from his personal collection, this compilation brings together 10 rare recordings from 1969 to 1985, revealing an era of fearless creativity and sonic exploration.

Marking 10 years since Charles Maurice’s first compilation in 2015, Endless also celebrates a milestone — his 13th release in a decade of unearthing rare and beautiful music from forgotten archives.

From Beaver & Krause and their pioneering Moog experiments to the lush electronic symphonies of Jean-Claude Petit, the dreamy synth work of Ector Davis, and the cinematic beauty of Bernard Larquet, each track opens a window into a different musical galaxy.
Highlights include Patrick Marcel’s privately pressed 1985 recording “Bagnols”, an atmospheric fusion of ambient textures and ECM-inspired jazz, and Wlodek Gulgowski’s Scandinavian jazz-funk masterpiece that bridges groove and cosmic elegance.

Unearthed from obscurity, Endless – Universal Cosmic Sounds celebrates a timeless vision of music without boundaries — a rediscovery of the rare, the beautiful, and the endlessly imaginative.

In Stock

On Stock and ready to ship

Dave & Maurissa - London / Detroit LP 2x12"

Dave & Maurissa

London / Detroit LP 2x12"

2x12inchZEDDLP062
Z Records
08.12.2025

During the 35 years of making music, Dave Lee has constantly been searching for new singers and writers to work with. A search that’s ended up with many fantastic collaborations and releases with the likes of Thelma Houston, Taka Boom, Dianne Charlemagne and Seal. More recently this quest led him to Maurissa Rose and the creation of their album ‘London / Detroit’. After hearing Maurissa's voice on a Theo Parrish record Dave reached out to her and after a few long phone conversations and mp3 swaps they both agreed a visit to London would be much more fun than trying to work together remotely. Maurissa made the journey from her home in Detroit to write and record an album with Dave at his studio in March 2022 - as they both feel that creating music together in the same room is always better. The fruits of their labour yielded 11 brand new songs (and 1 cover) tapping into their collective love of Soul, Disco and R&B, with a sprinkle of Soulful House. This album is a special one for Dave Lee as it’s the first time in his career he’s recorded an entire album with same singer on every track.

In the album’s liner notes Dave talks of how Maurissa is a naturally creative person, full of ideas, warm & unpretentious which is reflected in her vocal performances throughout ‘London / Detroit’. Dave’s expertly crafted music is backed up with a deeply passionate yet effortless delivery from the Detroiter, a marker of someone who has honed and perfected their art. When it comes to the music side of this LP, Dave Lee is once again proving he’s still at the top of his game and shows no sign of relenting. Drawing from his encyclopaedic knowledge of all things Soul/Funk/Disco, we are treated to a range of styles, BPMs and influences from 95bpm street soul to more uptempo disco and boogie flavours. Be it the rippling synth voyage opener of ‘You Decide’, taking the Johnnie Taylor classic ‘What About My Love’ into a modern Boogie realm, upping the tempo on the soulful houser ‘I Feel the Sun” or bringing the tempo back down to the bassy acidic chug of ‘You’re Giving Me Life’. Mr Lee is truly adept at creating a modern disco soul sound without the usage of samples.

London and Detroit might be two very different cities on opposite sides of the Atlantic but this album is proof that creative synergy knows no distance.

Out everywhere on Feb 28th on Gatefold Vinyl, CD and Digital/Streaming.

In Stock

On Stock and ready to ship

pdqb - 8 1/2 Bit Replays (LP)

The neon "pdqb Arcade" sign in Port Astra flickered with the same chaotic energy it had decades ago. Six men, now with more gray hair and worries than they once had, stood at the entrance. They were the "Lucky Six," reunited after years of scattered lives and separate paths.

"I can't believe this place is still here" said Noise, who had flown in from Tokyo. "It hasn't changed 8 bits, haha". CEM, now a father of 3340 synthesizers from Bari, replied with a grin. "We have. Look at Galaxian, he's unrecognizable!"

Each of them held a single, precious coin. Their plan, born of a wave of nostalgia and the understanding that they couldn't stay forever, was simple: one coin, one game, one last chance to be a legend. Each man would choose the game that meant the most to him and play the round of his life…

At the end, pdqb, the arcade owner, came up to the guys. "Don't be sad", he said. "Even if it was your last credit, there's always one more somewhere in some game". He then walked through the arcade and played four different machines that just happened to have an extra credit on them. "See?", he said.

Synaptic Cliffs proudly presents pdqb together with six black belt gamers (PRZ, Noise&Noise, Galaxian, CEM3340, Dark Vektor, Mesak), each a legend in their own right. They don't just replay pdqb's 8 1/2 Bit album; they become it. Together, they embark on a journey through legendary worlds, creating a place filled with soundscapes and challenges that blur the line between music and game. They move with the rhythm of the music and face the challenges within, weaving their own stories into the fabric of the iconic work.

In Stock

On Stock and ready to ship

M.S.B. - Most Significant Beat

Sunny Crypt reaches double digits on their release catalogue with a fully remastered new edition of the now sought after debut EP from Most Significant Beat. M.S.B. is an electronic music project active since the early 90s, formed by Maurizio Martinucci and Saverio Evangelista; their first record - originally released by Marco Passarani’s Nature Records in 1994 - is a masterclass in hypnotic patterns, pulsating rhythms and mind-bending leftfield techno. While “Heart Thinks Wide” and “A Flux To Follow” on A side give more breath to lushy textures and classy, dreamy pads, B side
reflects more carefully another aspect of the duo’s background with a rawer, electro leaning, percussion driven sound palette; in fact, both Martinucci and Evangelista have deep roots in the industrial and experimental music scenes. Martinucci has been a member of Clock DVA since 2010, while also working on a wide array of projects including The Anti Group and his solo Pragma alias. Evangelista, on the other hand, has been a core member of the cult industrial outfit Esplendor Geométrico since 1990.

In Stock

On Stock and ready to ship

MAURICE POTO DOUDONGO - THE LOST ALBUM

Unearthed from the Crammed Discs vaults after nearly four decades (Originally recorded in 1987), a hidden gem finally sees the light. Maurice Poto Doudongo’s The Lost Album arrives on vinyl for the first time—limited to 500 copies, with printed inner sleeve featuring release notes and photographs.

Back in the hazy margins of late-’80s Brussels, where boundary-blurring sounds were seeping through the cracks of pop music, a young autodidact named Maurice Poto Doudongo was crafting music that didn’t quite belong to any scene. Born in Kinshasa and growing up in Belgium, Maurice was a sonic nomad—raised on Franco, Miriam Makeba, and Tabu Ley Rochereau, transfixed by James Brown and Prince, and shaped by the fertile collision between African music and experimental electronics occurring all around him.

Leaving school at 16 to concentrate on music full-time, he began recording on borrowed 4-tracks, using cardboard boxes for percussion, and absorbing whatever sounds the airwaves served him: “Music has no frontier,” he says. “You take what you like. Prince, Fela, Papa Wemba—there is no contradiction. It’s all part of the sound.”

The result? A record that’s equal parts analog drum machine funk, homegrown Afro-pop futurism, and new wave R&B-informed synth poetry. Marc Hollander, founder of Crammed Discs, met Maurice through his friend and associate, musician/producer Vincent Kenis and quickly recognized the spark. The two began working in earnest, preparing tracks intended for a full-length release that, for reasons lost to time and memory, never materialized—until now.

Marc remembers: “The album was never completely finished. “Bolingo” was the only track that came out on a Crammed compilation at that time… and the rest sat on the shelf for decades until we started opening the Crammed vaults.”

Maurice recalls the session as being, “like an unstoppable current”. Listening now, the Lost Album feels both of its time and well beyond it. While tracks like “Momo” sound not a million miles away from the slinky and sophisticated Balearic pop ambience of Wally Badarou’s Echoes album, "Passport Train" shakes itself loose of any genre boundaries, veering into free-form Afro-electronica and tough electronic rhythm. Others pulse with a sweet and soulful groove that suggests dance floors dreamed of but never reached.

In decades hence, Maurice never left music, and the music never left him. Now working mainly as an arranger, he describes his job as being like that of a musical psychologist: “Someone comes to me with their sound, and before anything I have to understand their mind and heart,” he explains. That same intuitive fluency can be heard across this entire album—music that listens before it speaks, that absorbs before it asserts.

This reissue is more than a remastering. It’s a second breath. Sourced from cassette roughs and 24-track demos, carefully restored with Maurice’s blessing, and released as a complete album on vinyl for the very first time, The Lost Album isn’t lost anymore.

It just took nearly 40 years to find its way to you. - Editions de Lux

In Stock

On Stock and ready to ship

Various - Zbroyi Compilation - ONE

VARIOUS ZBROYI COMPILATION ONE, opens with Orlesko’s break mix—offering a fleeting glimpse into the untamed world we are all part of. The journey deepens with a hypnotic remix by Polish underground heavyweight Gathaspar, pulling us further into its immersive pulse. The B-side shifts the atmosphere. Here, Montreal-based Maurice Giovannini delivers a crisp, clean cut that locks the dancefloor. Closing the release is a beautiful, introspective segment from Mexico’s experimental deep-sound explorer Never Alone In A Dark Room, wrapping the compilation in emotive nuance.

Thanks to the artists and everyone involved in bringing this series to life.

In Stock

On Stock and ready to ship

David Delgado - EZ PC EP

David Delgado

EZ PC EP

exclYKW003
YKW
17.10.2025

After countless hours in the studio, we are proud to present EZ PC, a sonic journey infused with elements of funk, jazz and abstract soundscapes.
The record features the legendary Samuel Appapoulay, whose versatile musicianship adds depth and character throughout the project. This release also marks one of the first projects to showcase the collaboration between David and the Mauritian-born pianist.

To complete the experience, Tripmastaz delivers a remix that holds its own alongside the original, an absolute masterpiece that lifts the EP to an entirely new level.

Buckle up and enjoy the ride!

In Stock

On Stock and ready to ship

VARIOUS - Mr Disc Obscure tracks vol. 3

Let us introduce to you the third volume of the brand new series
"OBSCURE TRACKS", made of essential, stand-out and rare italo and
electro tracks, remastered and repress on vinyl for the first time ever
offering DJs the chance to get hold of suche as gems previously tucked
away in the Mr. Disc Organization back to catalogue.

In Stock

On Stock and ready to ship

Metal Preyers - Shadow Swamps

Black vinyl LP. Following 2019's acclaimed self-titled debut album, Metal Preyers take the left hand path into a gloomy backwater filled with haunted creatures and fraught with peril. "Shadow Swamps" again finds London-based Jesse Hackett handling the music and Chicago's Mariano Chavez fashioning the album's visual identity, which this time includes a short film and book for a fully immersive experience. "Shadow Swamps" is the soundtrack to a pitch-black fairy tale about a father and daughter as they journey through a swamp avoiding gremlins, red swines and crater creatures. Musically, it pivots between the clattering Czech new wave experimentation of "Valerie and her Week of Wonders" composer Luboš Fišer, or the magical, eccentric lounge of Birmingham's Broadcast, and the grinding industrial grot of Italian pioneer Maurizio Bianchi. This time around, Hackett has roped in production assists from his six year-old-daughter wonder Nyasha hackett who used phone memos to record herself singing - veteran Metal Preyers collaborator Lord Tusk, and Manchester-based painter, DJ and producer Richard Harris, aka Sockethead. The crew inks an unsettling, richly textured sonic landscape, with claws of rhythmic smoke curling around chiming otherworldly xylophone, disembodied fiddle drones echoing over screwed 'n chopped beatbox dirt and half-heard magical vocals buried under clouds of white noise. Track listing: 1 Murking Shadows 2 Ecto Green Code 3 The Preyers Forest 4 Scream Dreamer 5 Red Swines 6 Crate Creature 7 Carpenters Cabin 8 Slime Things Accent 9 Wasp Faced Invasion 10 Metal Mans Revolt 11 On Her Way 12 Gremlin Gurgle 13 Shadow Swamps 14 Escape - The Sunrise

In Stock

On Stock and ready to ship

OSMAR MILITO - NEM PALETO, NEM GRAVATA 1973 LP

Originally issued on the ATCO/Continental label in 1973, Paleto, Nem Gravata (1973)constitutes a hidden gem from Brazil's golden era of samba-jazz.

Osmar Milito, a master of piano and rhythm, blends breezy Bossa Nova with soulful samba and rich MPB textures.

Backed by lush arrangements and a laid-back vibe, this album captures the effortless cool of 1970s Rio.

Featuring standout tracks like Jorge Ben's "Morre o burro, fica o homem" and

"Quem mandou (Pé na tábua)," Milito's work is both sophisticated and deeply groovy.

A must-listen for fans of Marcos Valle, Azymuth, or Arthur Verocai.

In Stock

On Stock and ready to ship

Arnaud Rebotini & Acid Washed - Vision Quest (V)

SKYLAX RECORDS proudly unveils the fourth and final chapter in its epic, conceptual 4-part saga — SKYLAX BLACK 4 – Vision Quest. This secretive series brings together two pillars of French electronic music, ARNAUD REBOTINI and ACID WASHED, in a bold tribute to the essence of rave, electro, and techno. Following the critically acclaimed Winter Sequences and Musical Component, this last installment pushes even deeper into the roots and futures of the underground. On the A-side, Vision Quest opens the EP with a pulsating journey of progressive electronics — cinematic and sleek, evoking the robotic spirituality of Kraftwerk and the expansive textures of early kosmische music. Next, TOI 700-d channels the golden age of acid house with infectious 303 lines and jacking grooves. Think DJ Pierre, Phuture, and Ron Hardy at their most transcendental — raw, euphoric, and timeless. Flip to the B-side and dive into Black Star Liners — a dub techno masterclass in the lineage of Maurizio, Basic Channel, and Chain Reaction. Deep, minimal, and full of ghostly delay, it’s a meditative immersion in pure sound system hypnosis. Closing the EP, Trojan Asteroids fires into classic Metroplex territory — icy, futuristic, and funk-laced. A perfect nod to Cybotron and Model 500, this is hi-tech soul with a razor’s edge. Once again, SKYLAX RECORDS delivers a visionary release — timeless, intelligent, and essential. The final piece of the puzzle is here. The journey ends… or just begins.

pre-order now

This item has not yet been released. You can pre-order the product now.

Arnaud Rebotini & Acid Washed - Enlightenment Theory (E)

SKYLAX RECORDS proudly unveils the final chapter in its monumental 4-part saga — SKYLAX BLACK 4: Enlightenment Theory. This visionary series, bringing together two of France’s most iconic electronic artists — ARNAUD REBOTINI and ACID WASHED — was never just a collection of records. It was a journey through the deepest layers of the underground — a conceptual project where each release was a coded message, each track a fragment of a greater whole. On the A-side, Enlightenment Theory explodes with fierce urgency — an anthem forged in the spirit of Underground Resistance, echoing the soulful intensity of early ’90s Detroit without imitation. It’s bold, emotional, and militantly underground — a future classic cloaked in defiance and elegance. On the B-side: B1. Space Is The Place channels the weightless gravity of dub techno at its purest — all echo chambers and endless delay, a direct line to the Berlin school of Basic Channel, Maurizio, and Deepchord. B2. Beyond Current Biological Constraints closes the chapter in deep space — an electro masterwork evoking Drexciya, full of aquatic melancholy and cybernetic funk. It’s not retro — it’s timeless. With this last installment, the puzzle is complete. The meaning is revealed: R.A.V.E. — four records forming one powerful word. One timeless idea. A tribute to everything this culture stands for: raw energy, emotional truth, sonic innovation, and spiritual depth. This project could only be born on SKYLAX RECORDS — a label that has always stood apart. Uncompromising. Devoted to physical formats. Fiercely loyal to the culture. While others chase trends, SKYLAX continues to chart a different course — one rooted in the sacred codes of house, techno, electro, and beyond. It is no exaggeration to say that SKYLAX is one of the last true purist strongholds of underground music — and this series, with its layered meanings and fearless artistry, is proof. From Redshifts to Blueshifts to Artificial Darwinism then Vision Quest, every chapter has pointed toward this moment. Now, with Enlightenment Theory, the full vision is revealed. RAVE is not just a word — it is the truth. A philosophy. A myth reborn. The circle is complete. The message endures. The legacy lives on.

pre-order now

This item has not yet been released. You can pre-order the product now.

Items per Page:
N/ABPM
Vinyl