Search:lamina

Lamina is the moniker of multi-disciplinary French artist Clarice Calvo-Pinsolle. 'Olas Curativas' is Calvo-Pinsolle's first vinyl release. Taking influence from the natural world, works of hydrofeminism, and experiences with hypnotism, Calvo-Pinsolle prolifically performs and records her own refreshing take on ambient music alongside working as an established installation artist. She has previously released two full-length albums on Orila Records & Complex Holidays, as well as a joint LP with Kitchen Cynics, and a collaboration project with Bear Bones Lay Low under the moniker XAXI. Her discography is fleshed out by various contributions to compilations, including the opening track 'Soupire' on Twin System's 'Tendrils Lurched Purple In The Slush' tape series. Radio play of Laminas music includes Graham Dunning / NTS, Emil Mirzoev/ Kiosk Radio, Laura de Diaz / CAMPO BASE, xYsse / Radio Vacarme, Melina Despretz / Kiosk Radio, Chris Penty Alvarez / Noods Radio, Leoni Leoni / Radio Alhara, Laura Connant / Ola Radio, Bravo Tounky / Rootradio. Performances of material from 'Olas Curativas' include shows at Cafe Oto / London, Cosmos / Lisboa, TV Control Center / Athens, Iklektic / London, Braille Satellite / Lithuania, Slug Gallery / Leipzig, Spazio X / Treviso, Krut Festival / Ghent, Schiev Festival / Brussels, Woodblocks Festival / Brussels.


'Olas Curativas' was developed and written in 2022, with these pieces first heard as live jams at shows mainly around Brussels and Portugal, before being honed into this mesmeric full-length LP. Calvo-Pinsolle's effective use of manipulated field recordings and tape loops provide a backdrop for harmony that leans towards the mystical, brimming with melodies equal parts haunting and enchanting. Alongside harvesting a sound library over the past several years, Calvo-Pinsolle has developed an approach to composition using field recordings that informs both her musical and sculptural work. These recordings are transformed much like the ceramics seen in the record artwork; shaped, chiseled, and transformed. These ceramics were crafted and painted by Calvo-Pinsolle herself, and hints at this bridge between her two disciplines of music and sculpture. Although an expansive realm, throughout Calvo-Pinsolle's output there are consistent moods and qualities that are absolutely distinctive to this artist's creative worldview, and of which 'Olas Curativas' is a perfect encapsulation.

Water ripples all around, and echoing sounds stretch out into a shady sub aquatic habitat. Its dark corners slowly burst into view as cresting noises reveal fresh caverns teeming with liquid life. This is Sueños acuáticos, the latest sonic exploration from Lamina, a musical project by French artist, Clarice Calvo-Pinsolle. Built from years of carefully gathered field recordings, the album constructs immersive, detailed soundscapes where watery environments, caves, and forests intertwine with digital manipulations.

Rooted in the myth of the ‘Lamina’, a creature from Basque folklore, the project blends this oral tradition with technology to build a geological myth. The Lamina’s world—a nocturnal ecosystem of water and stone—serves as the foundation for the album’s sound design. Lamina reshapes these natural recordings into something new: stretching, pitching, and layering them to build intricate sound environments that feel simultaneously organic and synthetic. “I transform these sounds much like I would sculpt in ceramics,” explains Calvo-Pinsolle, “by adding, removing material, and imagining landscapes.

Drawing from hydrofeminist and posthuman ideas, particularly those in Astrida Neimanis’ Bodies of Water, the album treats sound like water—shifting, flowing, connecting, and buoying life. Tracks flow into one another without clear boundaries, much like the natural currents they represent. The result is a continuous listening experience, inviting deep focus on texture above melody.

Lamina is exploring the potential of the field recording as a compositional tool. Natural sounds, like trickling water or wind through trees, are processed out of recognition—or cliché. A sense of weightless immersion takes hold as Lamins’a music unfolds, and listeners float freely and choose their own adventure in the Lamina’s home. Less a set of songs than its own evolving environment, Sueños acuáticos (‘Aquatic Dreams’ in English) is a meticulously constructed work in which we can freely float.

Long before Lina Seybold became a geologist, the singer and guitarist was already writing songs and making a name for herself far beyond the city limits of Munich with her Steve Albini-trained (and produced) quartet candelilla, before the band dispersed into new projects. During her studies, she met Moritz Gamperl and the two realised that what they learned in rock research could also play a role in rock music. Thus, the material history of the planet became both a source of existential reflections for the two and the impetus for a highly accomplished and often graceful sound, which has been expressed in the band pirx together with drummer Sascha Saygin since 2019: Technically sovereign, obstinate songs that - with Seybold now on bass and vocals - create subtle dramaturgies, cinematic aesthetics, far-reaching arcs of tension.

With Lamina, the trio now presents an excellent debut album, recorded by Martin M. Hermann, which shoots out of the earth with explosive force as hot lava, only to flow into the valley in glowing beauty the next moment, changing the earth's surface, telling of elemental forces - until it finally evaporates the water in the sea and lays a comatose fog over all existence. Or in other words: pirx make creation music, in all directions of time!

LTM presents a limited double vinyl gatefold edition (500 copies only) of B9, the definitive collection of cold wave and minimal electronica from Belgium, recorded between 1979 and 1983.
Originally released on Sandwich Records in May 1981, B9 featured 10 exclusive tracks by luminaries such as Digital Dance, Polyphonic Size, Kid Montana, Pseudo Code and Prothese, the latter the first recording project by Daniel Bressanutti of Front 242. Now digitally remastered, with 10 additional tracks on the second disc, this new deluxe vinyl edition also features Front 242, The Names, Marine, Siglo XX, The Neon Judgement, Berntholer, Allez Allez, Isolation Ward and more.
Cover op-art by Victor Vasarely. Design by Benoît Hennebert, based on a poster for The First Belgian Rhythm Box Contest (1981). Liner notes by James Nice. The existing CD version of B9 is also still available (LTMCD 2486) 

Genesis' Foxtrot is the band's fourth studio album, released in 1972. Regarded as one of the seminal albums of the progressive rock genre, it marked a significant milestone in Genesis' discography.

AllMusic's Stephen Thomas Erlewine says Foxtrot is where where Genesis began to pull all of its varied inspirations into a cohesive sound. The startling thing about the opening "Watcher of the Skies" is that it's the first time that Genesis attacked like a rock band, playing with a visceral power, he writes, giving the album a 5-star review.

"There's might and majesty here, and it, along with 'Get 'Em Out by Friday,' is the truest sign that Genesis has grown muscle without abandoning the whimsy. Certainly, they've rarely sounded as fantastical or odd as they do on the epic 22-minute closer "Supper's Ready," a nearly side-long suite that remains one of the group's signature moments. It ebbs, flows, teases, and taunts, see-sawing between coiled instrumental attacks and delicate pastoral fairy tales. If Peter Gabriel remained a rather inscrutable lyricist, his gift for imagery is abundant, as there are passages throughout the album that are hauntingly evocative in their precious prose." — AllMusic

This is the rare art-rock album that excels at both the art and the rock, and it's rightly celebrated for its enduring impact on the progressive rock genre, making it an essential listen for Genesis fans.

Analogue Productions has given Foxtrot the deserving full reissue treatment: Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering and cut at 45 RPM. Pressed on 180-gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.

Gravity Pleasure's inaugural release is a rippling compilation of womxn, trans, and non-binary artists and
collaborators that invites listeners into an aqueous paraworld of fluid resistance and sonic kinship. Across 21 tracks from the likes of Yetsuby, Flora Yin Wong, Felisha Ledesma, Ursula Sereghy, tibslc, and more, Water Bodies spans a post-genre miasma of ethereal mermaid music, cathartic flows, and glistening sibilants. Inspired by a poetic prompt from Lou Croff Blake, each track is an exquisite message in a bottle of deep diving emotionality. Pulling from a wide range of musical perspectives – field recording, lovesick ballads, shimmering downtempo, post-party comedown, and percolating ambient – the compilation contains multitudes yet maintains deep sentimental coherence. Like a wave crashing in slow motion, each artist sonifies possible ways of being, insisting on the porous, the interdependent, and the deep and unruly. Water Bodies reminds us that home is a body made of water, to which we all belong.


Credits Curated by Ashlynn White & Madelyn Byrd
Artwork by Dre Roelandt
Layout by Madelyn Byrd Mastered by Estle
Distributed by Rubadub
Published by Gravity Pleasure ❊ GP01 ❊ 2025

Logistics makes a highly anticipated return after a three-year hiatus, with a whopping 24-track album.

Released across four 12 inch records, housed in spined sleeves, and presented in a premium two-piece lift-off box with scratch resistant matt laminate, matt varnish, and with fully printed packaging throughout. It is a beautiful presentation of this new LP from a Hospital Records legend.

Dropping almost out of the blue, the current reception from fans, artists & industry heads off the back of the 'ambush' announcement has been incredible. The album campaign is illusive, but rewarding to fans who have been waiting so long for brand new music from Logistics, they've now got 24 brand new tracks to get stuck into!

Sunday in the Park with George presents the music from the original 1984 Broadway production of Stephen Sondheim and James Lapine’s acclaimed musical. Recorded shortly after the show’s premiere, the album features the original cast performing Sondheim’s layered score, inspired by Georges Seurat’s painting "A Sunday Afternoon on the Island of La Grande Jatte".

The cast of the musical is led by Mandy Patinkin and Bernadette Peters, whose performances tell a story about art, love, and artistic legacy across two time periods. The recording includes notable songs such as “Sunday,” “Finishing the Hat,” and “Move On.” Winner of the Pulitzer Prize for Drama, Sunday in the Park with George is widely regarded as one of Sondheim’s most distinctive works. Produced by Thomas Z. Shepard, the recording won the 1984 Grammy Award for Best Cast Show Album.

The soundtrack of Sunday in the Park with George is available as a limited edition on blue vinyl and includes a 4-page booklet. The 2LP is packaged in a deluxe sleeve with linen laminate finish.

Definition of spin doctor: a spokesperson employed to give a favorable interpretation of events to the media, especially on behalf of a political party. Spin Doctors weren't part of a political party but spread the word about romance.

The band was formed in New York City, best known for their early 1990s hits "Two Princes" and "Little Miss Can't Be Wrong". Those 2 songs were hits all over the world, and are still big hits in the streaming era. Pocket Full of Kryptonite is the first studio album (and second release) by the Spin Doctors, and originally released in August 1991.

The album was a top 10 hit in many countries, including the UK, Denmark, Germany, Norway and Sweden. It was the band's bestselling album and was certified 5x Platinum in the US. Not to be confused with the 3 Doors Down song 'Kryptonite' from 2000, the Superman theme was all over the Spin Doctors' album, with the title, a song called "Jimmy Olsen's Blues" and the album cover showing a phone booth (referring to Clark Kent frequently ducking into a nearby phone booth to change into his Superman attire).

This pressing of Pocket Full of Kryptonite is a limited 35th anniversary edition of 4,000 individually numbered copies on green vinyl. The jacket has a deluxe leather-texture laminate finish.

Golden Earring were together between 1961 and 2021, and their last and best known line-up included two founding members George Kooymans (vocals and guitar) and Rinus Gerritsen (bass, keyboard) along with Barry Hay (vocals, guitar, flute and saxophone) a member since 1968 and Cesar Zuiderwijk (drums) a member since 1970.

They had over 40 hits and released 30 albums, many achieving either gold or platinum status in their home country, The Netherlands. They are best known for their 1973 hit single "Radar Love" and their 1982 single "Twilight Zone".

Around 1992, the unplugged sessions on MTV were a trend; almost every rock band or artist was doing them. Bass player Rinus Gerritsen suggested to record an acoustic album themselves. The record company wasn't very enthusiastic at first so with a small budget the band recorded the album live in an intimate cafe in Amsterdam. The Naked Truth turned out to be the Golden Earring's best selling album.

The Naked Truth is available as a limited edition of 2000 individually numbered copies on purple vinyl. The 2LP is packaged in a deluxe sleeve with linen laminate finish and includes an insert.

Back to Titanic is the second soundtrack album released for the ultimate classic film Titanic. Composer James Horner created a new suite of light and dark music to represent "the soul” of his original score. The inspiration used in composing the original soundtrack formed the basis for the new pieces Horner developed for this album. It features a piano solo performed by James Horner in “The Portrait” and newly recorded suites by the London Symphony Orchestra and the Choristers of King's College.

The first highlight is the opening 19-minute suite, "Titanic Suite", which captures the essence of the film. The other major suite is the final track, titled “Epilogue - The Deep and Timeless Sea”. James Horner returns to the main Titanic theme in a subtle way, honoring the losses of the disaster.

The soundtrack of Back to Titanic is available as a limited edition of 1500 individually numbered copies on violet vinyl. The records are packaged in a deluxe sleeve finished with linen laminate and includes a 4-page booklet with liner notes by director James Cameron.

Art Blakey is one of the inventors of the modern bebop style of drumming. Known as a powerful musician and a vital groover his brand of bluesy, funky hard bop was and continues to be profoundly influential on mainstream jazz. For more than 30 years, his band Art Blakey & The Jazz Messengers included many young musicians who went on to become prominent names in jazz.

Released in the late fifties, A Night In Tunisia is a jazz milestone and prime example of Blakey's exceptional rhythmic prowess. This album is not all about drumming though; it leaves much space for great melodical interplay by fellow musicians Sam Dockery on piano, John Griffin and Ferris Benda on saxophone, Bill Hardman on trumpet and Jimmy De Brest on double bass.

A Night In Tunisia is available as a limited edition of 1500 individually numbered copies on orange vinyl, and is packaged in a deluxe sleeve with linen laminate finish.

The small print:
• Due to rights restrictions, this item is only available in the MOV store to European customers.

Sophisticated Boom Boom is the 1984 debut album by the pop group Dead or Alive. As one of the first synth-goth bands they created a new landmark with this record. Pete Burns' outrageous appearances and his dramatic singing style were characteristic for this new band.

Synthpop and dance elements were integrated in their songs. The album contains the band’s first single hit, a cover version of KC & the Sunshine Band's "That's the Way (I Like It)". The music has monotonous grunting and groaning and some decent dance rhythms can be found on this record. The other single hit from the record is "Misty Circles".

Dead or Alive gained success in the mid-1980s and sold over 50 million records worldwide. Founder and vocalist Pete Burns passed away in 2016 and since the band discontinued.

Sophisticated Boom Boom is available as a limited edition of 1000 individually numbered copies on purple vinyl, and comes in a deluxe sleeve with leather laminate finish.

Opsin- the new collaborative alias of longtime friends and producers Keydell and Kincaid - announce their debut LP on wax, Through The Wall, from London-based record label Hypnic Jerks.

Artist Info:

Opsin is the debut project between artists Keydell (Liam Keydell Myers-Cook) and Kincaid (Joe Arthur). The Pair have previously released on the following labels: Well Street Records, Banoffee Pies, Redstone Press & Bliss Print.

Both have extensive work in sound design and collaborated on the soundtrack for Mithridate at London Fashion Week 2024. Kincaid also produced the soundtrack for Alexander Whitley's Anti-Body Ballet.

Release Info:

The album is named after the birthplace of its creation. Sharing files between bedroom walls during COVID-19. Keydell's meticulous Ableton-based resampling of found audio and modular synth racks, and Kincaid's Reaktor-driven synthesis in Logic.

Draws on a wide spectrum of electronic influences the album infuses elements of rave, techno, industrial and ambient sounds, whilst never quite landing in any specific genre.

Second release from London label Hypnic Jerks on 4 sides of 180 gram vinyl, in a gatefold sleeve designed by Jacob Wise and mastered by Rashad Becker.

A followup from their first release - Toumba's debut physical release 'Rosefinch', which saw later releases from Hessle Audio and Nervous Horizon.

2026 Reress

Frame Of Mind is back with another piece of art. Synaptic Voyager delivers 6 amazing classic house and techno tracks. Beautifully produced deep and analogue moods!

50th ANNIVERSARY EDITION
Heavyweight Vinyl 45 RPM Cut / Original glued prints on Thick Cardboard 700 gram / 2 Separated parts hand-glued / Glossy lamination / PVC outer / 30x30 cm insert with interview to Steve Kuhn by Tony Higgins printed on 250 gram Favini Lanilla Yellow / 20 Pages 21 x 30 cm "Real Book" with transcripts of the songs in the "Real Book" style, handwritten by The Maestro Carlo Spanò with main theme, chords and lyrics printed on 120 gram Shiro Eco paper, 100 gram Favini Crush Alghe. Carlo also edited an introduction with technical analysis of the session, which solves some of the little mysteries around this music gem.

Personnel:
Steve Kuhn - Vocals, Piano
Airto Moreira - Percussions
Billy Cobham - Drums
Ron Carter - Bass
Gary McFarland - Arranged by


Notes:
The album features the group playing Gary McFarland arrangements of Kuhn's compositions, accompanied by a string section on several tracks, with Kuhn delivering stream of consciousness lyrics in an unplanned and largely improvised fashion in the studio. However, that wasn't the only surprising aspect to the session. Airto Moreira's appearance was more by chance than design, he having just popped by the studio, again, unplanned. The 'Steve Kuhn' album is all the stronger for these extemporaneous and serendipitous elements and showcases a band at the top of their game; tight and funky yet relaxed and flowing like molten gold, with stabs and washes of keyboard from Kuhn. Splashes of free playing enter the session, but the band never stray too far from a melodic and harmonious centre of gravity. Kuhn's deft keyboard skills provide melodic embroidery to the impressive rhythmic textures and tonal colours of Carter, Cobham and Moreira. As if the music wasn't enough, the album is given extra significance by the fact that, within a few months of the recording, McFarland would die after being mysteriously poisoned by methadone in a New York bar. In a sense, it is a valedictory album from McFarland, channeled by Kuhn and the band.

It's among the hardest of Kuhn's albums to find so this reissue is most welcome. Luxuriate in the glow of Kuhn's Fender Rhodes and the pliant funky bass of Ron Carter; immerse yourself in the percussive interplay of Moreira and Cobham, a pairing that has rarely sounded so good. This is such an exquisite album; you will lose yourself in its delicate power and find yourself coming back to it again and again.

The fifth album from H. Hawkline (Huw Evans), ‘Milk For
Flowers’, is released via Heavenly Recordings.
Following the 2017 album, ‘I Romanticize’, and 2015’s ‘In
The Pink of Condition’, the album was produced and
features musical contributions from long-time collaborator
and celebrated solo artist Cate Le Bon. Artwork is
designed by H. Hawkline.
Recorded at Rockfield Studios in Monmouthshire, the
album features a host of musical collaborators - Davey
Newington (Boy Azooga) on drums, Paul Jones (Group
Listening) on piano, Tim Presley (White Fence, DRINKS,
The Fall) on guitar, Stephen Black (Sweet Baboo) and
Euan Hinshelwood (Younghusband, Cate Le Bon) on sax,
Harry Bohay (Aldous Harding) on pedal steel and John
Parish (PJ Harvey, Aldous Harding) on infrequent bongo.
The record was then engineered by Joe Jones (Aldous
Harding, Parquet Courts) and mixed, after an unlikely and
fortuitous crossing of paths, by the Grammy-nominated
Patrik Berger (Charli XCX, Robyn, Lana Del Rey), and
mastered by Heba Kadry (Deerhunter, Cass McCombs,
Cate Le Bon).
‘Milk For Flowers’ is at once visceral and enlightened, its
soundscapes verdant yet delicately rendered, and with this
latest, most intimate work, H. Hawkline bares his blood,
bones and soul beautifully. And quietly, along with the
entrails and rubble held in ‘Milk For Flowers’’ reliquary,
there hides a small, green kernel of life; hope, perhaps,
that today’s decay might nourish tomorrow’s blooms.
Available on CD and LP with rigid ‘tip-on’ sleeve with antiscratch matt lamination and digital download code.

Heavyweight Black Vinyl / Original glued prints on Thick Cardboard 700 gram / 2 Separated parts hand-glued / Glossy lamination / PVC outer sleeve / Insert with 10 pages Booklet 30 x 30 cm printed on Gmund Colro Felt Red Purplea d 90 Gram Favini papers with detailed interview between Tony Higgins and Mustafa's family (his sisters and children are all musicians), as well as an insight into the recording of the album with Gregory Bufford, the drummer for the session, lyrics and exclusive pictures.


Colored Vinyl Details:
Heavyweight "A side - B side solid purple + transparent blue" vinyl / Original glued prints on Thick Cardboard 700 gram / 2 Separated parts hand-glued / Glossy lamination / PVC outer sleeve / Insert with 10 pages Booklet 30 x 30 cm printed on Gmund Colro Felt Red Purplea d 90 Gram Favini papers with detailed interview between Tony Higgins and Mustafa's family (his sisters and children are all musicians), as well as an insight into the recording of the album with Gregory Bufford, the drummer for the session, lyrics and exclusive pictures.

Peronnel:
Mustafa Abdul Rahman - Tenor Saxophone, Percussion, Producer
Ahmed Abdullah - Trumpet
Malachi Thompson - Drums
Gregory Bufford - Bass
Richard Radu Williams - Piano
Rafik Abdur Rahim
Tony Smith - Guitar
Larry Banks - Synthesizer
Khalil Abdullah - Congas
Babafumi Akunyon - Percussions
Odell Grier Backing Vocals – Fred Harley, Hilda "Asia" Richbow , Linda Hall

Notes:
In the course of our deep research, we sometimes discover a hidden thread that unites musicians, songwriters, artists, and poets linked by music. Mustafa's 'Polygamy' is no exception. Apart from the music - the main reason we decided to work on this first ever re-press, a jewel at the crossroads between jazz funk, spiritual jazz and proto rap - are the many other things that make Mustafa an intriguing and fascinating character. For starters, he was a childhood friend of the Ayler brothers with whom he played in different formations. He also played with other beloved figures such as Noah Howard and Charles Tyler, on a still unreleased album recorded for Amiri Baraka's Jihad label, and worked with The Legendary Master Brotherhood and Steve Reid. This and much more will be revealed in a detailed interview between Tony Higgins and Mustafa's family (his sisters and children are all musicians), as well as an insight into the recording of the album with Gregory Bufford, the drummer for the session.

“Sainen Hildo” is an album based on Miguel’s original compositions, recomposed and rearranged for accordion and voice by the two composers. Using the natural resonance and harmonics of these two instruments to influence their introspective interactions, resulting in evolving drones and tones and puzzling percussive outbursts. Unusual and at times unsettling, they manage to create a calibrated, deep and complex exploratory universe of ambience and drone where listening becomes a ritual. Highest recommendation for fans of Pauline Oliveros, Eliane Radigue or Phill Niblock.

Garazi Navas (accordion + voice). Original compositions by Miguel A. García. Recomposed and rearranged by Garazi Navas & Miguel A. García. Recorded by Ibon Rg at Azkuna Zentroa (Contemporary Art Centre in Bilbao) in June 2022, as part of the associated artists program. Mixing and mastering by Juan Carlos Blancas. Compiled by Mikel Acosta.

Acrylic painting on heavyweight paper by Maite Mugerza Ronse. Limited edition of 300 black vinyl LP’s housed in a coloured matt laminated cover. Released by Hegoa Diskak.

Dopelganger is the project in collaboration between classically trained accordion player and singer Garazi Navas (Usansolo, Bizkaia-Biscay, 1995) and Miguel A. Garcia (Vitoria-Gasteiz), an artist living in Bilbao with an extensive career in the fields of experimental music and sound art.

Garazi Navas / Classically trained at Musikene School of Music in San Sebastian with a masters in traditional music, Garazi, is a restless accordionist who, despite her young age, has taken part in a multitude of projects in theater, poetry, ballet, art installations and even playing with the Bilbao Symphony Orchestra. Her works are a personal interpretation of the close relationship which she feels exists between cutting-edge and traditional music.

Miguel A. García / Has performed extensively in Europe, America and Asia, both as a solo artist, improvising and in multiple ensembles. He has collaborated with dozens of artists (Al Karpenter, Jean Luc Guionnet, Sébastien Branche...) in studio and live, and appeared in more than a hundred albums. At the same time, he is organizer and curator of events, being founder of Club Le Larraskito, director of Zarata Fest, and part of the coordination of the cycle Hotsetan at Azkuna Zentroa itself

The latest by New York-based producer Lamin Fofana further refines his cinematic dialect of fractured soundscapes, displaced rhythms, and tectonic unease. Unsettling scores aptly describes itself: grainy, bristling, and bruised, rippling with dread disguised as grandeur. The collection emerged from an extended reworking of his 2016 composition, “A Symbol of the Withdrawn God,” mining deeper into the piece’s “unvoiced fragments, shards, and utterances.” Other tracks were inspired by recent readings on climate emergency and its “specific implications for Black life, from hurricanes in the Caribbean to mudslides in West Africa.”

Fofana has spoken of his music as part of a “legacy of resistance,” spanning the roots of Detroit techno to the outer reaches of contemporary sound art as championed by his labels, Sci-Fi & Fantasy and Black Studies. His work here vividly embodies that spirit, seven hyper-textural transmissions of rumbling lament, shifting sands, and restless innovation, tracing jagged silhouettes of indeterminate futures: “The instability is worldwide.”

We live in the time when rave is the word that is only used when people want to describe a fierce party or to describe colors, styles and some types of electronic music. Basically, the word "Rave" became sort of a metaphor. But back in the days, it was the name for the revolution, no less than that. Warehouse Memories was born to give a direction to that Revolution, this is Rave 001.

King Gizzards 22. Album und geistiger Nachfolger von 'Made In Timeline', 'Laminated Denim' enthält zwei 15-minütige Tracks, darunter den Fan-Favoriten 'Hypertension'. Das Paket enthält eine einzelne Lucky Rainbow-Colored LP aus recyceltem Vinyl in einer geprägten Single-Pocket-Hülle mit Flood Printing. Artwork von Jason Galea.

Die australische Band King Gizzard & The Lizard Wizard hat sich zu Recht den Ruf als eine der produktivsten, abenteuerlichsten und einfallsreichsten Bands aller Zeiten erworben.

Seit 2010 hat die Band 25 Studioalben veröffentlicht, die von ausladendem Jazzrock bis zu Spaghetti-Western-Soundscapes, von halbakustischen kosmischen Balladen bis zu Sci-Fi-Prog, von kaleidoskopischem Garagenrock bis zu Thrash Metal, von Erkundungen mikrotonaler Stimmungen bis zu Krautrock und vielem mehr reichen.

King Gizzards produktiver Charakter hat dazu geführt, dass sie ihre Musik in einem frenetischen Tempo veröffentlichen, und ihr intensiver Wunsch, neue Klänge zu erforschen und neue kreative Wege zu gehen, bedeutet, dass jede ihrer zahlreichen Veröffentlichungen anders klingt als die letzte. Oft erscheinen sie in rascher Folge (so veröffentlichte die Band 2017 fünf Alben und 2022 drei weitere allein im Oktober 2022). King Gizzard haben die traditionellen Regeln der Musikindustrie auf den Kopf gestellt.

- Ltd. Col. LP: (Lucky Rainbow-Colored LP aus recyceltem Vinyl, in einer geprägten Single-Pocket-Hülle mit Flood Printing)

"FEELING FULLY YOURS" PRE-ORDER ONLY EDITION:
Heavyweight Vinyl / Original glued prints on Thick Cardboard 700 gram / 2 Separated parts hand-glued / Glossy lamination / PVC outer sleeve / Bandcamp Limited Edition 30 pages paperback booklet printed on "Favini Tintoretto Bianco" 350 gram cardboard / "Watoji" Japanese hand-bound with black cotton / hand painted cherry red fore-edge / Full interview to Jym Marks by Tony Higgins printed on 90 gram "Fedrigoni Constellation Snow"/ full album lyrics printed on 90 gram "Favini Seaweed Paper"and exclusive full format B&W picture printed on high quality photographic paper, Books front cover printed on 300 gram Moldmade paper.

180g Vinyl

The album features the group playing Gary McFarland arrangements of Kuhn's compositions, accompanied by a string section on several tracks, with Kuhn delivering stream of consciousness lyrics in an unplanned and largely improvised fashion in the studio. However, that wasn't the only surprising aspect to the session. Airto Moreira's appearance was more by chance than design, he having just popped by the studio, again, unplanned. The 'Steve Kuhn' album is all the stronger for these extemporaneous and serendipitous elements and showcases a band at the top of their game; tight and funky yet relaxed and flowing like molten gold, with stabs and washes of keyboard from Kuhn. Splashes of free playing enter the session, but the band never stray too far from a melodic and harmonious centre of gravity. Kuhn's deft keyboard skills provide melodic embroidery to the impressive rhythmic textures and tonal colours of Carter, Cobham and Moreira. As if the music wasn't enough, the album is given extra significance by the fact that, within a few months of the recording, McFarland would die after being mysteriously poisoned by methadone in a New York bar. In a sense, it is a valedictory album from McFarland, channeled by Kuhn and the band. It's among the hardest of Kuhn's albums to find so this reissue is most welcome. Luxuriate in the glow of Kuhn's Fender Rhodes and the pliant funky bass of Ron Carter; immerse yourself in the percussive interplay of Moreira and Cobham, a pairing that has rarely sounded so good. This is such an exquisite album; you will lose yourself in its delicate power and find yourself coming back to it again and again. "It's a beautiful picture, and it helped me to comprehend things, life a bit, you know. And as I'm thinking about it, I hope it does that for whoever listens to it too." - Thundercat, Musician Details: Heavyweight Vinyl 45 RPM Cut / Original glued prints on Thick Cardboard 700 gram / 2 Separated parts hand-glued / Glossy lamination / PVC outer / 30x60 cm insert printed on 300 gram DNS paper with interview to Steve Kuhn by Tony Higgins.

Double LP in matt-laminate gatefold sleeve with silver detail. We mark a decade since we first released COIL's landmark album 'Backwards', with a special 10 year anniversary vinyl reissue. After the ground-breaking release of 1990's "Love's Secret Domain" album, Coil were not dormant; the main project was "Backwards", which was started in 1992, updated considerably between 1993 and 1995, and transferred in 1996 to New Orleans, where it was finished in the magic of the Nothing studios of Trent Reznor (Nine Inch Nails). The album saw the fruition of Jhonn Balance's recent vocal coaching, producing haunting, passionate vocals, while reaching new heights. 23 years after its initiation, these tracks have been beautifully preserved by Danny Hyde and are finally available in highest quality audio. Differing substantially from the later, remixed incarnation, "The New Backwards" (2008), "Backwards" contains the original versions of Coil's much-loved tracks; 'A Cold Cell' and 'Fire Of The Mind', which have appeared on various compilations over the years, and are now presented as originally intended. his album is the essential bridge between "LSD" and the later "Musick To Play In The Dark" series. It is an essential conduit, to understand the journey that was taken. It was to be released... it should have been released... but because of issues with grey men it wasn't. It is now, so enjoy. (Danny Hyde).

The breakthrough album. Enrico Rava's second solo record, recorded in Milan in January 1973 and released on the German BASF label, is nothing less than a cornerstone of Italian jazz-rock - the record that caught Manfred Eicher's attention and opened the doors to ECM. Rava himself has called it his breakthrough, and history proved him right.

The lineup is killer: John Abercrombie on guitar, Bruce Johnson on bass, Chip White on drums. Four musicians operating at the absolute peak of early seventies fusion energy - electric, cosmopolitan, burning with that particular fire that only existed in that brief window when jazz met rock and nobody knew the rules yet. Abercrombie, already on his way to becoming one of the most distinctive voices in electric jazz guitar, delivers some of his most ferocious early work here. White's drumming is relentless, pushing the music forward with an intensity that never lets up.

If Miles' Bitches Brew-era speaks to you, if Ian Carr's Nucleus gets you moving, if you know Sun Ra's Lanquidity and Don Cherry's Relativity Suite by heart - this is essential listening. Rava's vision was already fully formed: South American rhythms, Mediterranean warmth, free jazz ferocity, rock power - all flowing together without borders or categories. By the early seventies, Rava had absorbed everything - the New Thing, the European free scene, the electric revolution coming out of Miles' studio - and forged something entirely his own.

The seven tracks cover serious ground. "Bunny's Pie" introduces the music with an almost cosmic atmosphere of suspense, hovering in that liminal space before it trails off into the up-tempo vibrant frenzy of "Trial N. 5" - Abercrombie and Rava trading swirling solos at full intensity, the rhythm section locked in tight. "Dimenticare Stanca" moves from Rava's expressive balladic intro into pure funk, guitar and trumpet steering over the rhythmic drive with absolute confidence. The title track carries the lyrical feel and cadence of an Incan-Peruvian folksong - that cosmopolitan spirit made audible. "Fluid Connection" rides a funky bass riff into fusion heaven, with standout trumpet and guitar solos that build and release with perfect tension. "Cheerin' Cherry" pays homage to the great Don Cherry - Rava's spiritual mentor and fellow traveler in world music - exploring a North African soundscape that points toward the global jazz to come. Johnson's "Peace" closes the album with a minute and a half of serene, blissful calm - a moment of stillness after the storm.

This audiophile reissue - cut from the original masters, pressed by Pallas in Germany on 180gm vinyl, housed in a thick laminated hand-glued gatefold - does full justice to an album that remains a collector's holy grail.

Don't sleep on this one. Limited Edition.

The Grace EPs by legendary singer-songwriter Jeff Buckley, is a 19-track, five x EP box set, comprising the following EPs: 'Peyote Radio Theatre' July 1994, 'Last Goodbye' January 1995, 'So Real' [June 1995], 'Live From The Bataclan' [October 1995] and 'The Grace EP' [February 1996],

This unique package contains all five twelve inch vinyl records each in their own full colour jacket, a double sided full colour insert with extensive liner notes, all carefully packed in a heavyweight leather laminate textured 15mm-spined outer sleeve.

The five discs that make up the Grace EPs box-set are a collection of live performances, B-sides and studio versions from songs that originally appeared on Buckley's "Grace" album.

Peyote Radio Theatre and So Real were promotional-only releases that weren't commercially available. The others are rare imports: Live from the Bataclan came out in France, The Grace EP in Australia, and Last Goodbye in Japan,

This EP set features "Last Goodbye", "Grace", "So Real" and two amazing live versions of his classic hits "Hallelujah" & "Mojo Pin".

The Grace EPs also features a whopping 12-minute version of Van Morrison's "The Way Young Lovers Do," a medley of "Je N'En Connais Pas la Fin/Hymne A l'Amour," Hank Williams's "Lost Highway," and a 14-minute take on Alex Chilton's "Kanga-Roo."
Finally there is a bonus track added to the The Grace EP; "Tongue," a spooky ambient 11-minute studio instrumental.

Released in 1970 the band's only album, the extraordinary Afreaka!, demonstrates their excellence in playing psychedelic soul, dub- heavy funk, progressive rock, afrojazz and black acid rock. Demon Fuzz these days are amongst the most bootlegged and sampled bands from the early 70s British underground. It was a Billboard "4- STAR" selection in June 1971.

The band's name means "devil's children or bad policemen". They originally played soul, but the music they heard during a trip to Morocco lead to a change in their style to what has been described as a blend of funk, rock, jazz, and African music. Afreaka! is now available as a limited edition of 2000 individually numbered copies on purple translucent coloured vinyl. The sleeve has a nice linen laminate finish

Mute welcomes German synthesizer and producer duo Felsmann + Tiley to the roster with the release of their new album Protomensch. Out February 13, 2026 on limited edition black vinyl packaged in a special gatefold sleeve featuring a mirror foil lamination on the inner panel revealing a ‘self-portrait of the protomensch.’

On Protomensch (German for “proto-human”), Felsmann + Tiley blend shimmering synthwave, pounding trance, and introspective IDM with synth-pop-infused tracks featuring guest vocalists including London’s Pet Deaths and Australian artists The Kite String Tangle, Woodes, and Laius.

This juxtaposition between sentient beings and machines permeates the whole album – right from the duo’s manifesto introducing us the highly intelligent yet irrevocably shortsighted and downright tragic character of Protomensch – the cover artwork featuring turtleneck wearing chimpanzee, futuristic music videos, and stark social media aesthetics to seated, next-level live-shows involving collaboration with dozens of visual artists.

Despite their online ubiquity, sparked in part by their viral reinterpretation of label-mate M83’s “Solitude,” which has been used over 1 million times on TikTok and high-profile syncs on shows including Young Royals (season two), the BAFTA-winning crime thriller Top Boy (season three), and Amazon’s The Better Sister, Felsmann + Tiley have lingered largely on the periphery, their origins cloaked in quiet anonymity, until now. With the release of Protomensch, Felsmann + Tiley present their fully realized artistic vision and step into the spotlight.

Kommt in einer auf 2.500 Exemplare limitierten und nummerierten, farbigen Edition auf rotem 180g-Vinyl -inklusive dem Bonustrack 'Don't hold your breath' und eingefasst ein einer Deluxe-Hülle mit Leder-Laminat-Oberfläche sowie plus Lyric-Insert!

Mit ihrem einzigartigen Stil, der vom Klang der Hammond-Orgel, markanten Gitarrenriffs, Improvisation und treibender Rhythmusarbeit geprägt ist, zählen Deep Purple zu den ersten und einflussreichsten Vertretern des Hard Rock und Heavy Metal. In ihrer bislang 45-jährigen Bandgeschichte schrieben sie zahllose Hits wie "Highway Star", "Child In Time" und "Smoke On The Water". Nun erscheint die Wiederveröffentlichung des Deep Purple-Klassikers "Purpendicular" aus dem Jahr 1996. Die damalige Bandbesetzung bestand aus Jon Lord, Ian Paice, Ian Gillan, Roger Glover und Steve Morse. Inklusive der Hits "Vavoom: Ted The Mechanic", "Sometimes I Feel Like Screaming" und zwei zusätzlicher Bonus Tracks. Ein Muss für alle Deep Purple-Fans!