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This latest instalment of ARTHUR BAKER Presents DANCE MASTERS finds the production/ song-writing/ remixing maestro taking the spotlight for a long overdue snapshot of his own classic 12” mixes during a crucial evolution of dance music, club
and pop culture.

“I’ve always felt like I was on a mission to make music from the time I heard Motown, Philly and Sly and the Family Stone. My mission started as a hobby and still feels like one now. You’ve got to keep on pushing and hustling. It can be a drag sometimes but
if you really love what you’re doing, it’s worth the work. I still really love what I do.”

Arthur Baker helped codify the remixer as artist. His genre-fluid approach to projects
has resulted in a joyous myriad of classics that spans many decades. This ’80’s focused DANCE MASTERS collection offers a welcome glimpse at Baker’s illustrious career and many long out-of-print 12” versions and previously unavailable mixes.

This 35-track, six LP expanded edition includes a wide array of selections from the likes of Robbie Nevil’s “C’est La Vie,” Fleetwood Mac’s “Big Love,” Neneh Cherry’s “Buffalo Stance”, Jeffrey Osborne “Soweto”, Freeez “I.O.U”, Rockers Revenge “Walking On Sunshine” and of course the juggernaut “Planet Rock” with Afrika Bambaataa & Soulsonic Force.

Complete with in-depth liner notes by Bill Coleman, track by track notes written by Arthur Baker himself, previously unseen session photos from Arthur’s personal archives and a signed insert.

All tracks remastered by Nick Robbins at Sound Mastering

Mutant präsentiert den OST zur US-Horrorkomödie LISA FRANKENSTEIN (2024). Zelda Williams' Filmdebüt kitschig und bissig und zelebriert auf gewagte Weise eine Vintage-Attitüde, unterlegt mit einer einzigartigen Playlist aus Post-Punk-/Alternative-Highlights (Pixies, Galaxie 500), modernen Coverversionen von Klassikern ("I Can See Cleary Now", "Can't Fight That Feeling") und einem unglaublichen Score von Isabella Summers (Florence & The Machine), die mit inspirierten Synths, Streichern und Keyboards sowohl das Monströse als auch das Wunderbare feiert. Rotes Vinyl mit exklusiven Linernotes von Drehbuchautor und Oscar-Gewinner Diablo Cody.

• Although no longer part of the current Band line-up, Hamish Stuart remains integral to the continuing Average
White Band catalogue reissues, a band that is widely regarded as one of the best ever soul and funk bands.
• For the last 40 years, Hamish Stuart has been an in-demand songwriter, producer and studio/live performer,
working with Paul McCartney, Chaka Khan and Aretha Franklin, being part of the Ringo Starr & His All-Starr Band,
or the occasional meet-up of the 360 Band, which also featured former band mates Steve Ferrone and the lateMalcolm ‘Molly’ Duncan.
• Hamish has also written for Smokey Robinson, George Benson, Diana Ross Jeffrey Osborne and Atlantic Starr,.
• ‘Sooner Or Later’ was his first solo album, released worldwide between 1999 and 2000, so although celebrating
it’s Coming-of-Age, 21 years later, it’s the album’s debut release on vinyl.
• ‘Sooner Or Later’ has been edited and reconfigured by Hamish to give it a tighter sound and includes the single
‘Midnight Rush’, co-writer with Incognito’s Jean-Paul ‘Bluey’ Maunick.
• Other song writing collaborations include ‘It Is What It Is’, with Richard Darbyshire and Frank Musker and ‘I Don’t
Wanna Be A Rock’, with Graham Lyle.