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Head Front Panel - Linguistic EP

Head Front Panel doing some rhythm research right here. 4 slabs of fierce repetitive techno rooted in the best traditions, transferring the controlled energy from machines into human bodies causing either uncontrolled spastic or more flowing body movements, depending on the receiving body.

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Last In: 21 months ago
Emerald - Limerence

Over the last decade, Emerald has become a torchbearer of underground UK dance culture on many fronts: a tastemaking selector as host of Rinse FM’s flagship Friday night slot, a DJ who has made her mark everywhere from Glastonbury to Fabric, and a producer with an experimental sound on labels like Unknown To The Unknown. Add in frequent talks at industry panels from ADE to AVA and her award-nominated Afters With Emerald club night and livestream, and you have an artist very much at the vanguard of the underground sound. Now, Emerald adds a new string to her bow in 2025 with the launch of her Precious Stones label.

Opener 'Attraction' kicks off with full-bodied analog goodness. A taut and reverberating synth drills through the drums as steamy vocal sounds, bird calls, big claps and twisty motifs all get the floor jacking. The techno-leaning 'Obsession' features London-based musician and producer Claus Fuss with its high-speed kicks, warped pads and intense hi-hats that all keep the head down and heart rate up before 'Frustration' follows with another frayed, masterfully undercooked production where dirty basslines and sleazy drums come together under strobe-lit rave motifs in irresistibly sweaty fashion. 'Resolution' closes out with a more lithe rhythm that leans on electro and runs through pixelated synth details and corrugated bass to round out a huge statement of intent from Emerald and her all-new Precious Stones label.

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Last In: 12 months ago
Tanzform - Dark Turquoise Corduroy Cap

Tanzform

Dark Turquoise Corduroy Cap

T-ShirtsTANZFORM_CAP_TURQUOISE
Tanzform
24.04.2025

Fresh headwear for your daily moves. The Tanzform Green Velour Cap brings the vibe with a soft 100% cotton velour finish, a classic six-panel design, and a curved brim. Rock the Tanzform logo on the front and adjust the fit with the reverse panel.

Tanzform Yourself:
- Soft, plush 100% cotton velour
- Classic six-panel fit with a curved brim
- Adjustable back for that perfect fit
- Tanzform logo flex on the front

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Last In: 10 months ago
Tanzform - Grey Wash Cap

Tanzform

Grey Wash Cap

T-ShirtsTANZFORM_CAP_GREY
Tanzform
24.04.2025

Rock the streets with some fresh headwear! Designed with Tanzform Logo on the front. Classic six-panel design with a curved brim, breathable eyelets and an adjustable reverse panel.

One size fits all
100% Cotton
Grey Acid Wash

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Derniere entrée: 14 jours
Mixer - OMNITRONIC TRM-402 4-Kanal Rotary-Mixer

Classic rotary mixer with 4 input channels and integrated 3-band frequency isolator for DJs Gain control, 2-way equalizer (Highs/Lows) and phono/line switching per channel Dedicated boost and kill cut Kill cut feature allows DJs to completely remove low, mid and high frequencies for amazing mixing Vintage ALPS potentiometers (Blue Velvet RK27) High-grade components ensure long life and excellent sound quality DJ microphone input with separate level control
Prefader listening to input channels and the master output via adjustable headphones output, with cue mix/split function
12-digit stereo LED level meter and master level control
Booth output with separate level control Dual inputs for DJ microphone and headphones on the top and front panel

Inputs: 8 x line and 4 x phono (RCA L/R)
Outputs: master and booth (XLR/RCA L/R) and record (RCA L/R)

TECHNICAL SPECIFICATIONS
Power supply: 100-240 V AC, 50/60 Hz
Gain:
Line: 20 dB
Phono: 60-75 dB
Mic: 44 dB
Max. output level: 22 dBu
Frequency range:
Line: 20-20000 Hz
Phono: 40-18000 Hz
Mic: 20-20000 Hz
S/R ratio:
Line: 85 dB
Phono: 77 dB
Mic: 80 dB
THD:
Line: <0.03 %
Phono: <0.1 %
Frequency isolator: - to +9 dB
Lows: 20 Hz to 300 Hz
Mids: 300 Hz to 4 kHz
Highs: 4 kHz to 20 kHz
Inputs:
LINE: RCA L/R
PHONO: RCA L/R
DJ microphone: XLR
Outputs:
MASTER: XLR/RCA L/R
BOOTH: XLR/RCA L/R
REC: RCA L/R
Headphones output: 3.5 mm jack and 6.3 mm jack (min. 32 ohms)
Dimensions (W x D x H): 247 x 330 x 107 mm
Weight: 4.05 kg
Power consumption: 7,2 W
Height: 10,7 cm
Depth: 24,7 cm
Width: 33 cm

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Derniere entrée: 63 jours
Various - Sonic Transmutations 8x12"

Various

Sonic Transmutations 8x12"

8x12"-VinylC#+31BOX
Clone
15.12.2023
 
33

Sonic Transmutations is an extended compilation album celebrating over three decades of Clone Records. Marking the 31 years - which is coincidentally the national Dutch telephone code - the 8x12 inch box set draws together veteran talent and emerging iconoclasts, transmitting a frequency rooted the imprint's signature blend of essential dance music while journeying off into territories unknown. In a constant state of unfolding, morphing across phases of matter, Sonic Transmutations purveys an elemental energy that stands in testament to Clone's enduring legacy and explorations of sounds and structures.

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Derniere entrée: 28 jours
MAGUS - MUSIC FOR MANDRAX LP
  • 1: Through Darkened Glass
  • 2: Very Heavy Greening
  • 3: Wet Skull
  • 4: The Magus
  • 5: Exodus
  • 6: Music for Mandrax
  • 7: Return to Earth
  • 8: The Middle Way

A magus is a wizard…a sorcerer. Magus, the band, is certainly interested in such things (who isn’t), but the name is especially apt due to the band’s approach to alchemy, the blending of rock, gothic, proto metal, and psychedelic styles to create a sound that is, ultimately, unique. Part of that uniqueness comes from the instrumentation. While guitar is often a dominant instrument of the rock oeuvre, the Fender Rhodes generally plays a supportive role. Not so here, where Jessica Weeks’ deft use of the keyboard dovetails with Greg Weeks’ more standard six-string approach. Not standard is the band’s sound. Doomy yet inspirational, dour yet vibrant, the duo’s tunes map sinister realms whose subjects span metaphysical creatures to enigmatic portals. You know, the typical stuff that rubs elbows with a magus.

Formed in late 2024, Magus sprung from a desire by both artists to experiment with darker, heavier sounds. Long enamored of artists like Flower Travelling Band,, Black Sabbath, and Deep Purple, the duo delved deeply into trance like riffs and euphoric solos to create the backbone of what has become their debut album, Music for Mandrax. This thirteenth Language of Stone offering features grounded, metronomic grooves, organic, lugubrious synth lines, and tandem vocals (supplied by both Weekses) that, in total, weave a heavy, trancelike spell sure to entice fans of bands as disparate as Sabbath is to Pink Floyd. Recorded at Weeks’ Hexham Head studio (to analog tape, of course), the band enlisted long-time counterparts Jesse Sparhawk (bass) and Ben McConnell (drums) to round out their sound and lock down the grooves that propel the album.

Mixed by Brian McTear and Amy Morrisey at Miner Street in Philadelphia, the band’s fully realized vision came to fruition, which left only the album art to contemplate. The band, wishing to further the gothic aesthetic of their sound, enlisted fashion designer and artist extraordinaire Hogan McLaughlin (Game of Thrones) to create the starkly beautiful line drawings of the front and back covers. The duo travelled to Salem, MA to complete the package with Courtney Brooke Hall, who shot the moody and evocative photographs that grace the gatefold release’s inner panels.

pré-commande17.04.2026

il devrait être publié sur 17.04.2026

Dj Mixer - Headliner R2 2-Channel Rotary Mixer

R2 2-CHANNEL ROTARY DJ MIXER

Introducing the Headliner R2, a 2-channel rotary DJ mixer that
is perfect for DJ’s looking for precise control and a warm sound,
without breaking the bank. The R2 is packed with features, like an
analog filter and 3-band isolator EQs on each channel, and uses
only high-quality components, including genuine ALPS potentiometers.

Featuring two stereo channels with selectable Line and Phono
RCA inputs, each channel on the Headliner R2 comes equipped
with gain control with a peak LED, a 3-band isolator EQ, a headphone cue selector, a large channel volume control knob, and a
filter activation switch.

The Master channel boasts an analog filter, headphone monitoring,
and output control section. The analog filter features selectable
High Pass / Low Pass Filter modes with Frequency and Resonance
controls, giving you precise control over your sound. Independent
Master and Booth outputs with volume controls, both with balanced
XLR and unbalanced RCA connectors, give you the flexibility to
connect to any sound system.

The Headliner R2 features genuine ALPS potentiometers, and a
sturdy metal enclosure with stained wood side panels for a classic
look that will complement any DJ setup. The modular internal
construction, coupled with the external power supply connected
via locking Mini XLR ensure superior audio performance.
The Headliner R2 is a reliable, high-quality mixer that will give
your DJ performances that classic vibe. Whether you’re spinning
house, techno, or classic funk/soul/disco jams, this fun little mixer
is the perfect addition to your setup.

• Two stereo channels with selectable Line and Phono RCA inputs
• Each channel features Gain control with Peak LED, 3-Band Isolator EQ, Headphones Cue selector with LED, channel
volume control and filter activation switch with LED
• Master channel features analog filter, headphone monitoring and output control section
• Analog filter features selectable High Pass / Low Pass Filter modes with Frequency and Resonance controls
• Genuine ALPS potentiometers
• Headphone Cue control section features volume control, mix control (Cue/Master), and split monitor switch
• High current headphone amplifier with dual 1/4” and 1/8” jacks
• Independent Master and Booth outputs with volume controls, balanced XLR outputs and unbalanced RCA outputs
• Additional Record output with unbalanced RCA jacks
• Dual LED level meters for the Master output
• Microphone input with level control on front panel
• Sturdy metal enclosure with stained wood side panels
• Modular internal construction for superior audio performance
• External split rail power supply connected via locking Mini XLR connector and push-button power switch
• Measurements: 320 x 219 x 106 mm
• Weight: 2.8 kg

Microphone Input
Nominal Input Level: -50dBu
Frequency Response: 20Hz – 20kHz (+/- 0.1dB)
THD + N: 100dB
Crosstalk: 100dB
Übersprechen: < -65dB
THD + N: < 0,05%
Kopfhörerausgang
Maximaler Ausgangspegel: 70mA/Kanal in 150Ω
Minimale Lastimpedanz: 32 Ohm/Kanal
Stromversorgung
Typ: Extern mit verriegelbarem Mini-XLR-Stecker
Eingangsspannung: 100-240v ~ 50/60Hz
Ausgangsspannung: +/-15V; 500mA
Spannungsbereich: 32 Ohm/Kanal

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Last In: 21 months ago
ALIEN NOSEJOB - FORCED COMMUNAL EXISTENCE
  • 1: Family Dinner
  • 2: Clear The Clutter
  • 3: Tired
  • 4: Guilt And Blame
  • 5: Caffeine OD
  • 6: Flyblown
  • 7: Sydney Sizzles
  • 8: Over The Bridge
  • 9: Government Flu
  • 10: I Still Call This Punk Scene My Home
  • 11: Bond Clean
  • 12: Explosives In The Headlights
  • 13: Chemical Solution
  • 14: Cabanossi
  • 15: The Scene Expands
  • 16: Opinionated Fuck
  • 17: Nothing Ever Goes Your Way
  • 18: 4 Fatal Collision
  • 19: Circular Motion
  • 20: Beyond The Pale
  • 21: The Executioner
  • 22: West Side Story
  • 23: S-O-S 75
également disponible

Black


Howdy punkè rocke fans, welcome to FORCED COMMUNAL EXISTENCE - the wonderful and frightening world of ALIEN NOSEJOB’s EP’s & singles. Anti Fade and Agitated Records are teaming together to bring you a paint stripping, mind altering, rare collection of EP and compilation tracks recorded in various Australian bedrooms and garages between 2017 and 2022. The sound of goofy obnoxiousness will soon be permeating your bedroom airwaves and perforating your eardrums. Kicking off this long player is an EP that was recorded by Billy from Anti Fade in his childhood bedroom in July 2017. The songs came to fruition while AUSMUTEANTS were on tour in Japan 2016.

There was a lot of ‘WALLABY BEAT’ / ‘MURDER PUNK’ being played in the background while seeing the sites of Mount Fuji and ‘Bar Fuck Yeah’. In between shows Jake was organising the release of DANNY GRAHAM and PLASTIC AND THE EP’S records on the label he co-ran XEROX MUSIC. Both artists played parts in the sound and ethos of the PANEL BEAT EP. The goal was to make the songs sound unapologetically Australian without pretending to be something they’re not. There’s no fake accents or songs about VB and mullets. Instead, there’s songs about every day struggles, like dealing with fickle fashion followers, having too many fucking records, playing PlayStation, resentment and manipulation.

500 copies were pressed and self released, with a photo slipped inside each copy at random. Next is THE DEATH OF THE VINYL BOOM which was self recorded in a shed in November 2017. This is the only Alien Nosejob release (besides this comp, smartarse) to feature a cover - Flyblown by Adelaidean arty weirdo band JACKSON ZUMDISH. The idea behind this EP was to incorporate the simplicity and scrappiness of the late 70’s DIY Australian sound, but give them the complicated structures of prog songs. Scum stats - 500 copies, self released. Several copies were smeared with Jake’s blood and had smashed pieces of vinyl glued to the front cover.

Now we have a cover of the DEAD KENNEDYS. The conspiracy theorist wet dream Government Flu. Recorded September 2020 during lockdown in one-man-band with a tape recorder fashion for a 20 minute unedited ‘live set’ video where all instruments were played one by one, sung and mixed in the space of a couple of hours. The HC45 7” was recorded at the same time as a disco 12” maxi, which I hear were originally meant to come out on the same day. Shit happens I guess? This EP came out in Feb 2020 and sounds somewhere between early GANG GREEN, DIE KREUZEN and the BEASTIE BOYS old bullshit. Self recorded on a 4 track with a broken pinch roller. Lyrically this thing is cynical and choc-a-bloc full of satire and hate. A year later a sequel was recorded the same way, on the same machine.

No fucking disco this time though. Cold Bare Facts is the most recent recording on this comp. Self recorded in Jake‘s bedroom 2022 It has the same mid paced tempo as DYS or SSD when they’re at their slowest (pre-Boston Curse, of course!). Both songs take a stinky shit on the Australian state police. 300 copies. Finishing the record is a cover by THE AINTS. Originally written by ED KUEPPER for THE SAINTS Eternally Yours album, but it sounded too similar to Lost and Found. Originally released on ‘ALTA’ cassette compilation during the lockdown. FORCED COMMUNAL EXISTENCE binds this mouthful of releases into one neat package from June 6th, 2025. Catch the ALIEN NOSEJOB band on tour in Europe & UK from June 13 - July 2nd, 2025.

pré-commande06.06.2025

il devrait être publié sur 06.06.2025

ALIEN NOSEJOB - FORCED COMMUNAL EXISTENCE

Howdy punkè rocke fans, welcome to FORCED COMMUNAL EXISTENCE - the wonderful and frightening world of ALIEN NOSEJOB’s EP’s & singles. Anti Fade and Agitated Records are teaming together to bring you a paint stripping, mind altering, rare collection of EP and compilation tracks recorded in various Australian bedrooms and garages between 2017 and 2022. The sound of goofy obnoxiousness will soon be permeating your bedroom airwaves and perforating your eardrums. Kicking off this long player is an EP that was recorded by Billy from Anti Fade in his childhood bedroom in July 2017. The songs came to fruition while AUSMUTEANTS were on tour in Japan 2016.

There was a lot of ‘WALLABY BEAT’ / ‘MURDER PUNK’ being played in the background while seeing the sites of Mount Fuji and ‘Bar Fuck Yeah’. In between shows Jake was organising the release of DANNY GRAHAM and PLASTIC AND THE EP’S records on the label he co-ran XEROX MUSIC. Both artists played parts in the sound and ethos of the PANEL BEAT EP. The goal was to make the songs sound unapologetically Australian without pretending to be something they’re not. There’s no fake accents or songs about VB and mullets. Instead, there’s songs about every day struggles, like dealing with fickle fashion followers, having too many fucking records, playing PlayStation, resentment and manipulation.

500 copies were pressed and self released, with a photo slipped inside each copy at random. Next is THE DEATH OF THE VINYL BOOM which was self recorded in a shed in November 2017. This is the only Alien Nosejob release (besides this comp, smartarse) to feature a cover - Flyblown by Adelaidean arty weirdo band JACKSON ZUMDISH. The idea behind this EP was to incorporate the simplicity and scrappiness of the late 70’s DIY Australian sound, but give them the complicated structures of prog songs. Scum stats - 500 copies, self released. Several copies were smeared with Jake’s blood and had smashed pieces of vinyl glued to the front cover.

Now we have a cover of the DEAD KENNEDYS. The conspiracy theorist wet dream Government Flu. Recorded September 2020 during lockdown in one-man-band with a tape recorder fashion for a 20 minute unedited ‘live set’ video where all instruments were played one by one, sung and mixed in the space of a couple of hours. The HC45 7” was recorded at the same time as a disco 12” maxi, which I hear were originally meant to come out on the same day. Shit happens I guess? This EP came out in Feb 2020 and sounds somewhere between early GANG GREEN, DIE KREUZEN and the BEASTIE BOYS old bullshit. Self recorded on a 4 track with a broken pinch roller. Lyrically this thing is cynical and choc-a-bloc full of satire and hate. A year later a sequel was recorded the same way, on the same machine.

No fucking disco this time though. Cold Bare Facts is the most recent recording on this comp. Self recorded in Jake‘s bedroom 2022 It has the same mid paced tempo as DYS or SSD when they’re at their slowest (pre-Boston Curse, of course!). Both songs take a stinky shit on the Australian state police. 300 copies. Finishing the record is a cover by THE AINTS. Originally written by ED KUEPPER for THE SAINTS Eternally Yours album, but it sounded too similar to Lost and Found. Originally released on ‘ALTA’ cassette compilation during the lockdown. FORCED COMMUNAL EXISTENCE binds this mouthful of releases into one neat package from June 6th, 2025. Catch the ALIEN NOSEJOB band on tour in Europe & UK from June 13 - July 2nd, 2025.

pré-commande06.06.2025

il devrait être publié sur 06.06.2025

DJ MIXER - Headliner R4 4-CHANNEL ROTARY

Introducing the Headliner R4, a 4-channel analog rotary mixer
designed to elevate your DJ experience. Continuing the
tradition of precision, warmth, and affordability, the R4 is
packed with enhanced features and top-notch components,
including genuine ALPS potentiometers, ensuring an unparalleled mixing experience.

Crafted with four Line inputs, three Phono inputs, and one
Mic input on four stereo channels. Each channel boasts
essential features like gain control with peak LED, a 3-band
isolator EQ, headphone cue selector, generous channel volume
knob, and a filter activation switch, granting DJs precise control
over their sound.

At the heart of the R4 lies the Master channel, equipped with
an analog filter, headphone monitoring, and a comprehensive output control section.

Seamlessly toggle between High Pass / Low Pass Filter modes
with Frequency and Resonance controls to shape your signature sound.

Featuring independent Master and Booth outputs, both
equipped with volume controls and balanced XLR and
unbalanced RCA connectors, the R4 ensures seamless connectivity across various sound systems. Dual LED level meters for the Master output facilitate precise monitoring and
adjustment of audio levels. Additionally, the mixer boasts a
dedicated Record output with unbalanced RCA jacks, and an
additional microphone input with level control located on the
front panel.

The Headliner R4 stands as a testament to precision and
warmth in the DJ realm. Whether spinning house, techno, or
the timeless funk/soul/disco beats, this versatile mixer elevates
your setup, ensuring your mixes stand out with exceptional
quality and control

• Three stereo channels with selectable Line and Phono RCA inputs and one channel with selectable stereo Line and mono Microphone.
• Each channel features Gain control with Peak LED, 3-Band Isolator EQ, Headphones Cue selector with LED, channel
volume control and filter activation switch with LED.
• Master channel features analog filter, headphone monitoring and output control section.
• Analog filter features selectable High Pass / Low Pass Filter modes with Frequency and Resonance controls.
• Genuine ALPS potentiometers.
• Headphone Cue control section features headphones volume control, headphones mix control (Cue/Master), and split
monitor switch.
• High current headphone amplifier with dual 1/4” and 1/8” jacks.
• Independent Master and Booth outputs with volume controls, balanced XLR outputs and unbalanced RCA outputs.
• Additional Record output with unbalanced RCA jacks.
• Dual LED level meters for the Master output.
• Microphone input with level control on front panel.
• Sturdy metal enclosure with stained wood side panels for a classic look
• Modular internal construction for superior audio performance
• External split rail power supply connected via locking Mini XLR connector.
• Push-button power switch on rear panel

Microphone Input
Nominal Input Level: -50dBu
Frequency Response: 20Hz – 20kHz (+/- 0.1dB)
THD + N: 100dB (A-Weighted)
Crosstalk: 100dB
Übersprechen: < -65dB
THD + N: < 0,05%
Kopfhörerausgang
Maximaler Ausgangspegel: 70mA/Kanal in 150Ω
Minimale Lastimpedanz: 32 Ohm/Kanal
Stromversorgung
Typ: Extern mit verriegelbarem Mini-XLR-Stecker
Eingangsspannung: 100-240v ~ 50/60Hz
Ausgangsspannung: +/-15V; 500mA
Spezifikationen:
Abmessungen: 320 x 310 x 106 cm / Gewicht: 3,5 kg

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Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

Last In: 22 months ago
OMNITRONIC Mixer - TRM-422 4-Kanal Rotary-Mixer

4-channel rotary mixer with 3-band frequency isolator and filter section for DJs

OMNITRONIC TRM-422: THE ROTARY MIXER ON A NEW LEVEL
The desired child

Omnitronic's popular TRM series has been expanded: the TRM-422 combines all the proven features of the previous models, but additionally offers functions that numerous fans had wished for. During the development of the mixer, the focus was on the demands and suggestions of the community.

FULL CONTROL
Each of the 4 input channels has 2 line inputs, one of which can become a phono input at the touch of a button. The channels are each equipped with a volume as well as a gain control. In addition to the master isolator (bass, mid & high), the DJ has the option to activate a filter with HPF, BPF, LPF, resonance and sweep controls in each of the 4 input channels.
The master output is available to the DJ in both XLR and RCA versions.

EFFECT WAYS
The use of external effect devices is possible through an FX-In and FX-Out via 6.3 mm jack. The mixer's master insert is also equipped with a send & return (unbalanced) path. This allows additional external effects to be looped into the mixer.


DVS INTEGRATION
The mixer's timecode outputs allow easy integration of a DVS system (Digital Vinyl System) such as Traktor or Serato.

MONITOR SECTION
The booth output of the TRM-422 is provided with one XLR and one RCA connector. The signal of the booth output can be easily adjusted to the conditions in the DJ booth with the help of an EQ (High & Low).


MICROPHONE INPUTS
The TRM-422 offers 2 microphone inputs. The first mic input gives the DJ the ability to modify the mic signal with EQ (high & low).

BACKUP SOURCE
With the help of the AUX input on the front panel, players such as smartphones, tablets or MP3 players can easily be connected via mini-jack (3.5 mm) and thus serve as a backup solution.


ACTIVATABLE CROSSFADER
If you don't want to do without a crossfader during your DJ set, you have the option to assign each of the 4 channels to the integrated crossfader. If the crossfader is not used, it can easily be switched off.

SET RECORDING
The RCA record-out makes it easy to record your own DJ set.

FEATURES
4-channel rotary mixer with 3-band frequency isolator and filter section for DJs

3-band master frequency isolator with vintage ALPS potentiometers (Blue Velvet RK27)
Kill cut feature allows DJs to completely remove low, mid and high frequencies for amazing mixing
Filter section with HPF, BPF, LPF, resonance and sweep control for creative sound shaping
4 stereo input channels with gain control, clip LED, 3-way equalizer and phono/line switching
2 microphone input channels with gain control, 2-way equalizer on air switch
High-grade components ensure long life and excellent sound quality
16-digit stereo LED level meter, switchable between master and booth outputs
Booth output with separate 2-way equalizer and level control
PFL section with 16-digit stereo LED level meter, level control, PFL/master mix control and cue mix/split option
Fully assignable VCA crossfader with adjustable curve
2 effects send/return paths
4 direct outputs for Timecode applications
Inputs: 8 x line and 4 x phono (RCA L/R), 1 x front aux (mini jack)
Outputs: master and booth (XLR/RCA L/R), record (RCA L/R), master insert send/return (RCA L/R), FX in/out (stereo jack)
483 mm rack installation possible with supplied mounting brackets
Desktop console housing

TECHNICAL SPECIFICATIONS
Power supply: 100-240 V AC, 50/60 Hz
Power consumption: 24 W
Protection class: Class I
Power connection: Mains input IEC connector (M) mounting version Power supply cord with safety plug (provided)
Frequency range: Microphone 20 - 20000 Hz
Line 20 - 20000 Hz
Phono 40 - 18000 Hz
S/N ratio: >97,2 dB line
>91,7 dB Microphone
THD: Line -68 dB
Control elements: Power switch, source selector, Crossfader, Crossfader selector switch, Crossfade curve switch; Cue mix split function, EQ controls
Status LED: Power, master level meter, clip, CUE
Connections: Input: 4 x line via stereo RCA
Input: 4 x line/phono via stereo RCA
Input: 2 x Microphone via 3-pin XLR
Output: 1 x headphones via 6.3 mm jack socket (stereo) mounting version
Output: 1 x headphones via 3.5 mm jack (stereo) mounting version
Output: 1 x rec. via stereo RCA
Output: 2 x booth via 3-pin XLR
Output: 1 x booth via stereo RCA
Output: 2 x master via 3-pin XLR
Output: 1 x master via stereo RCA
Output: 1 x AUX sends via 6.3 mm jack socket (stereo) mounting version
Output: 1 x AUX returns via 6.3 mm jack socket (stereo) mounting version
Chanals: Input chanel: 4 x stereo with Line-Line/Phono switch via RCA, channel control via Rotary, 3-band tone control EQ, source selector, gain control, CUE switch, FX routing switch, Crossfader selector switch,
Microphon chanal: 2 x mono via XLR, channel control via Rotary dial, ON AIR switch,
Master output: 2 x stereo via XLR, channel control via Rotary
Booth output: 2 x stereo via XLR, channel control via Rotary
Rec. output: 1 x stereo via RCA
Headphones output: 1 x stereo via Plug 6,3mm/3,5mm (Jack), channel control via Rotary dial, Cue mix split function,
Max. level: Output: +18 dBu
Material: Metal
Housing design: Desktop console housing
Dimensions: Width: 41 cm
Depth: 28,5 cm
Height: 10,5 cm
Weight: 5,74 kg

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Last In: 3 years ago
Mixer - ECLER DJ WARM4

Mixer

ECLER DJ WARM4

MixerECLERDJWARM4
ecler
03.06.2024

shipping only to EU Possible !

WARM4 is Ecler's newest rotary analogue mixer, inspired by New York's Paradise Garage, described by François
Kevorkian as the "temple of music" and whose influence has significantly shaped some of today's best clubs.

Designed and manufactured in our Barcelona facilities, WARM4 is a mixer that keeps in mind the classic Ecler mixers structure, with completely redesigned circuitry and mechanics. This goes from the new PCB board that further improves noise level and dynamic range, to the front-plate screw potentiometers, carefully handassembled by our production team.

Keeping alive its innovative spirit since the first A4 mixer in 1971, Ecler introduces a dj tool never included in a mixer before: an analogue subharmonic synthesizer. Inspired by the original device installed in the Paradise Garage booth, we have created our own circuit that allows the subharmonic generator to be tuned to different frequencies so that the dj can adapt it according to the recorded song and the features of the sound system.

In WARM4 you will also find the 4th order Isolator filter already included in WARM2, as well as 4 mixing channels, 3-band full EQ cut per channel and Alps metal shaft high quality potentiometers. Using your favourite external effects module has never been easier.

WARM4 offers you the opportunity to send the PRE/POST fader signal, as well as regulate and pre-listening to the amount of effects return.

WARM4 is specially designed for sound systems capable of reproducing this type of subsonic frequencies, clubs, festivals and events where subwoofers are of vital importance. Bring to your audience an unprecedented experience on the dancefloor and a different way of feeling the music.

Der WARM4 ist Eclers neuester analoger Rotationsmixer, inspiriert von der New Yorker Paradise Garage, die von François Kevorkian als "Tempel der Musik" bezeichnete und dessen Einfluss einige der besten Clubs von heute maßgeblich geprägt hat.

Der WARM4 wurde von ECLER Werk in Barcelona entwickelt und hergestellt und ist ein Mixer, der die klassische Struktur der Ecler-Mixer beibehält.

Ecler-Mixer erinnert, mit völlig neu gestalteten Schaltkreisen und Mechanik. Angefangen bei der neuen Platine, die den die den Rauschpegel und den Dynamikbereich weiter verbessert, bis hin zu den Schraubpotentiometern an der Frontplatte, die von unserem Produktionsteam sorgfältig von Hand montiert werden.

Produktionsteam.
Unter Beibehaltung des Innovationsgeistes, den Ecler seit dem ersten A4-Mischpult im Jahr 1971 an den Tag legt, stellt das Unternehmen ein DJ-Tool vor, das noch nie in einem Mischpult enthalten war.
Eingebaut ist: ein analoger subharmonischer Synthesizer. Inspiriert von dem Originalgerät, das in der Paradise Garage Kabine installiert war, hat ECLER eine eigene Schaltung entwickelt, welche es erlaubt, den Subharmonischen Generator auf verschiedene Frequenzen einzustellen, so dass der DJ ihn je nach dem aufgenommenen Song und den Eigenschaften des Soundsystems anpassen kann.

Im WARM4 finden Sie auch das Isolator-Filter 4. Ordnung, das bereits in WARM2 enthalten ist, sowie 4 Mischkanäle, 3-Band-Full-EQ-Cut pro Kanal und hochwertige Alps-Potentiometer mit Metallschafft. Die Verwendung Ihres bevorzugten externen Effektmodul war noch nie so einfach.

Der WARM4 bietet Ihnen die Möglichkeit, dass PRE/POST-Fadersignal zu senden, sowie sowie die Menge des Effekt-Returns zu regulieren und vor hören zu können.

Der WARM4 wurde speziell für Beschallungsanlagen entwickelt, welche in der Lage sind, diese Art von Unterschallfrequenzen wiederzugeben, für Clubs, Festivals und Veranstaltungen, bei denen Subwoofer von entscheidender Bedeutung sind. Bringen
Sie Ihrem Publikum ein noch nie dagewesenes Erlebnis
auf dem Dancefloor und eine andere Art, die Musik zu spüren.

PRODUCT OVERVIEW
WARM4 is a professional four channel analogue rotary DJ mixer, designed and manufactured by ECLER in Barcelona.
Featuring 4 phono/line channels, 2 MIC inputs, classic sharp filters and a 4th order Isolator. WARM4 includes an unique feature, an Analogue Subharmonic Synthesizer selectable per channel, specially designed to generate and reinforce ultra-low frequencies.

KEY FEATURES
• 4 Mixing channels.
• 4 PHONO inputs.
• 4 LINE inputs.
• 2 MICRO inputs.
• Master Output on XLR and RCA connectors.
• Booth Output on XLR and RCA connectors.
• Headphone Monitor Output on 6.3mm J ack and 3.5mm
mini-jack.
• 3 band isolator full cut EQ.
• 3 band isolator (300Hz and 4KHz, -∞ /+12dB, 4th order
24dB/oct ).
• Analogue Subharmonic Synthesizer for sub-bass
frequency reinforcement selectable per channel.
• Maximum Output without distortion: 21dBV (23dBu).
• FX Send control and Pre/Post fader selector per channel.
• FX Return control and PFL.
• Alps metal shaft high quality potentiometers.
• Mechanized from a solid block of aluminum knob, without
visible screw. Ecler Unique design.
• Wooden side panels included.

APPLICATIONS
• Night Clubs
• DJ s studios
• Itinerant DJ performances

WARM4
AUDIO PERFORMANCES
Inputs
Number of Inputs LINE 4 Stereo Unbalanced Inputs
PHONO 4 Stereo Unbalanced Inputs
MICRO 2 Mono Balanced Inputs
FX RETURN 1 Stereo Unbalanced Input
Connectors type LINE 1-2-3-4 RCA STEREO
PHONO 1-2-3-4 RCA STEREO
MICRO 3 XLR3-F
MICRO 4 Combo XLR3F-6.3mm TRS BAL
FX RETURN RCA STEREO
Inputs Sensitivity nom/Impedance LINE 0dBV/50kΩ
PHONO -40dBV/50kΩ
MICRO -50dBV/>1kΩ
FX RETURN 0dBV/>6kΩ
Performances
Frequency Response LINE 10Hz÷30kHz -1dB
MICRO 10Hz÷25kHz -1dB
PHONO RIAA ±0.5dB
FX RETURN 10Hz÷50kHz -1dB
THD+N LINE 75dB @ 1kHz
Signal Noise Ratio LINE >105dB
MICRO >90dB
PHONO >100dB
FX RETURN >110dB
Trim control INPUTS 1-2-3-4 ± 15dB
Tone control Inputs 1-2-3-4 BASS +10/-30dB
MID +10/-25dB
TREBLE +10/-30dB
Tone control Isolator BASS +12/-70dB
MID +12/-40dB
TREBLE +12/-70dB
Tone Filter cut frequency at -6dB
(slope 12dB/oct)
BASS
MID
200Hz
200Hz÷6.8kHz
TREBLE 6.8kHz
Isolator cut frequency at -6dB
(slope 24dB/oct)
BASS
MID
300Hz÷4kHz
TREBLE 4kHz
Analogue Subharmonic Synthesizer Input selective filter 50÷120Hz
Harmonics
synthesis
25÷60Hz
Max Output level +12dBV

Number of Outputs HOUSE 1 Stereo Balanced Outputs
1 Stereo Unbalanced Outputs
BOOTH 1 Stereo Balanced Outputs
1 Stereo Unbalanced Outputs
HEADPHONE 2 Stereo Unbalanced Outputs
FX SEND 1 Stereo Unbalanced
REC 1 Stereo Unbalanced
Connectors Type HOUSE XLR3-M STEREO
RCA STEREO
BOOTH XLR3-M STEREO
RCA STEREO
HEADPHONE J ack Stereo 6.3mm
J ack Stereo 3.5mm
FX SEND RCA STEREO
REC RCA STEREO
Outputs Level/Minimum Load HOUSE (BAL) 0dBV/600Ω 1V *(+12dB 4V)
HOUSE (UNBAL) 0dBV/2.2kΩ 1V *(+12dB 4V)
BOOTH (BAL) 0dBV/2.2kΩ 1V *(+12dB 4V)
BOOTH (UNBAL) 0dBV/2.2kΩ 1V *(+12dB 4V)
REC 0dBV/10kΩ
HEADPHONES 200mΩ/200Ω THD 1%
FX SEND 0dBV/2.2kΩ
Max Undistorted Output Level HOUSE (Electr.BAL) 21dBV (23dBu)
BOOTH (Electr.BAL) 21dBV (23dBu)
HOUSE (UNBAL) 21dBV (23dBu)
BOOTH (UNBAL) 21dBV (23dBu)

MISCELLANEOUS
Control Mode Rotary with Alps Blue Velvet Potentiometers and Alps RK09L
potentiometers
Phantom Voltage 18VDC/5mA Max (Default ON)
Input VU-Meter LED 12 segments (-38dBV ÷ +10dBV)
House-Mix-Booth VU-Meter LED 12 segments (-30dBV ÷ +20dBV)
Subharmonic Output VU-Meter LED 3 Segments (-20dBV / 0dBV / +4dBV)
ELECTRICAL
Power Supply Internal
AC Mains Voltage 90-264VAC 47-63Hz
AC Main Connector 15A IEC inlet connector
Rated power consumption 39 VA
PHYSICAL
Operating Temperature -5˚C ÷ 45˚C / 23˚F ÷ 113˚F
Operating Humidity 20 - 90% RH (no condensation)
Storage Temperature -10°C ÷ 50˚C / 14°F ÷ 122˚F
Storage Humidity 1kΩ
FX RETURN: 0 dBV / >6kΩ
LEISTUNG:
—
Frequenzgang:
LINE: 10Hz÷30kHz -1dB
MIKRO: 10Hz÷25kHz -1dB
PHONO: RIAA ±0.5dB
FX RETURN: 10Hz÷50kHz -1dB
THD+N:
LINE: 75dB bei 1kHz
Signal-Rausch-Verhältnis:
LINE: >105dB
MIKRO: >90dB
PHONO: >100dB
FX RETURN: >110dB
Trim-Steuerung / Klangregelung für Eingänge 1-2-3-4:
EINGÄNGE 1-2-3-4: ±15dB
BASS: +10/-30dB
MITTE: +10/-25dB
HÖHEN: +10/-30dB
Trim-Steuerung / Klangregelung für den Isolator:
BASS: +12/-70dB
MITTE: +12/-40dB
HÖHEN: +12/-70dB
Klangfilter Cut-Frequenz bei -6dB (Flankensteilheit 12dB/Okt):
BASS: 200Hz
MITTE: 200Hz÷6.8kHz
HÖHEN: 6.8kHz
Isolator Cut-Frequenz bei -6dB (Flankensteilheit 24dB/Okt):
BASS: 300Hz÷4kHz
MITTE:
HÖHEN: 4kHz
Analoger Subharmonics-Synthesizer:
Selektiver Filter für den Eingang: 50÷120Hz
Harmonics-Synthese: 25÷60Hz
Maximaler Ausgangspegel: +12dBV
AUSGÄNGE:
—
Anzahl der Ausgänge:
HOUSE: 1 Stereo symmetrische Ausgänge / 1 Stereo unsymmetrische Ausgänge
BOOTH: 1 Stereo symmetrische Ausgänge / 1 Stereo unsymmetrische Ausgänge
KOPFHÖRER: 2 Stereo unsymmetrische Ausgänge
FX SEND: 1 Stereo unsymmetrischer Ausgang
REC: 1 Stereo unsymmetrischer Ausgang
Anschlusstypen:
HOUSE: XLR3-M STEREO / RCS STEREO
BOOTH: XLR3-M STEREO / RCS STEREO

KOPFHÖRER: Klinke Stereo 6.3mm / Klinke Stereo 3.5mm
FX SEND: RCS STEREO
REC: RCS STEREO
Ausgangspegel / Minimale Last:
HOUSE (symmetrisch): 0dBV/600Ω 1V *(+12dB 4V)
HOUSE (unsymmetrisch): 0dBV/2.2kΩ 1V *(+12dB 4V)
BOOTH (symmetrisch): 0dBV/2.2kΩ 1V *(+12dB 4V)
BOOTH (unsymmetrisch): 0dBV/2.2kΩ 1V *(+12dB 4V)
REC: 0dBV/10kΩ
KOPFHÖRER: 200mΩ/200Ω THD 1%
FX SEND: 0dBV/2.2kΩ
Maximaler unverzerrter Ausgangspegel:
HOUSE (elektrisch symmetrisch): 21dBV (23dBu)
BOOTH (elektrisch symmetrisch): 21dBV (23dBu)
HOUSE (unsymmetrisch): 21dBV (23dBu)
BOOTH (unsymmetrisch): 21dBV (23dBu)
ELEKTRISCH
Stromversorgung: Intern
AC-Netzspannung: 90-264VAC 47-63Hz
AC-Netzstecker: 15A IEC-Einlassstecker
Nennleistungsaufnahme: 39 VA
SONSTIGES
Steuerungsmodus: Rotary mit Alps Blue Velvet Potentiometern und Alps RK09L
Potentiometern
Phantomspeisung: 18VDC/5mA max (Standardmäßig EIN)
Eingang-VU-Meter: LED 12 Segmente (-38dBV ÷ +10dBV)
House-Mix-Booth VU-Meter: LED 12 Segmente (-30dBV ÷ +20dBV)
Subharmonics Ausgangs-VU-Meter: LED 3 Segmente (-20dBV / 0dBV / +4dBV)
PHYSIKALISCH
Betriebstemperatur: -5˚C ÷ 45˚C
Betriebsfeuchtigkeit: 20 - 90% RH (keine Kondensation)
Lagertemperatur: -10°C ÷ 50˚C
Lagerfeuchtigkeit: <90% RH (keine Kondensation)
Installationsmöglichkeiten: Tisch- oder Rackmontage mit optionalen Zubehörteilen
Im Lieferumfang enthaltenes Zubehör: IEC-Kabel EU
Abmessungen (BxHxT): 34,0 x 8,1 x 37,2 cm
Gewicht: 5,32 kg
Versandabmessungen (BxHxT): 49,5 x 17,5 x 43,5 cm
Versandgewicht: 6,74 kg

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