Buscar:you am i

COLLECTING ORDERS FOR 2026 REPRESS

Night falls, the lights dim, and the Extrasensorial Catalog presents its third chapter—an eclectic VA built for late hour mind-bending moments on the dancefloor.

On the A side, we open with Dani Labb and his explosive contribution "Rin Raje", a raw, hypnotic roller designed to twist minds and bodies alike. Saturated grooves, razor-sharp percussion and just the right amount of darkness make this an undeniable peak-time must.

A2 features the Italian craftsman Niki IL B with "Monte Moggio", a mystical excursion into deep, textured terrain. This track feels like wandering through fog-covered hills at dawn—delicate, groovy, and haunting in the best possible way.

Flip to the B side, and Ludovic wastes no time with "Vitesse, Argent, Sexe (5am Mix)", a late-night anthem soaked in tension and sweat. Pulsating basslines and seductive rhythms carry you into a euphoric state where the rules no longer apply.

Closing things off is Kebab Traume with "Mindlock", a cerebral journey that merges dreamy pads, off-kilter drumwork and warped melodies—like stepping into a lucid dream you never want to wake up from. An ideal closer for those deep after-hours rituals.

The master of ambient soundscapes, intertwining authentic old school breakbeats with his inimitable style returns with a fresh album of choice cuts for the Spatial crew. A1 - Form of Defraction Opening the LP in his gloriously unique style, Aural Imbalance sets the tone with a powerfully ambient intro of padwork and delicately filtered breaks before dense, analogue old school breakbeats roar to life sending the track skyward. The sublime 808 bassline simmers beneath an ever-evolving soundscape of twinkling melodies and strings, the very essence of serenity captured in just under 7 minutes of audio bliss. A2 - Discreet Function Enveloping the listener with a warm blanket of silky ambience, Discreet Function soon jolts to life with a crunchy breakbeat that counteracts yet compliments the pads and myriad of delicious micro melodies so well, you wonder how it’s possible to take such extremes and mix them down so expertly that our ears accept it as one. After a relatively brief breakdown the track rolls out before the breaks are snatched away at the death - capping off a quite unique composition. B1 - Softlight Light cymbals and delicate textures introduce us to Softlight, a track which sees Aural Imbalance guiding the listener through the clouds to a haven of gentle serenity where your troubles simply fade away, punctuated by a stunningly programmed and memorable Hot Pants break pattern, timid classic basslines and an overall plethora of sun-baked energy - perfect for the headphones and the record box - as always. B2 - Airwave Immensely old school vibes are immediately present in Airwave, with analogue breaks and succinct female vocal samples that mingle with echoing melodies and synthwork to create a beautifully flowing and unique slice of atmospheric gold. Additional breaks are fused into the mix as the track progresses, elevating the piece to the heights we have come to expect from Aural Imbalance, yet never cease to amaze. C1 - Speed of Light Gentle cymbals and filtered breaks open Speed of Light, before a crisp barrage of amen goodness descends and dominates proceedings - just as a good amen should! Programmed to perfection with an immensely danceable rolling pattern, the amens lead us through a sea of washing synths and delicate melodies, intertwining and frolicking in the mix, completing a charming and memorable piece. C2 - Fading Star Playful strings and a luscious 808 bassline play with sumptuous padwork in the intro to Fading Star, a track which sees Aural Imbalance capture the essence of 90’s jungle and it’s symbiotic relationship with atmospheric drum & bass perfectly. Developing throughout with an array of unassuming effects and a quietly moving vibe, Fading Star is the perfect addition to sets spanning the entire history of this music. D1 - Drifting Under Bright Skies Aural Imbalance resurrects the excellent break last featured on Spatial in his sublime track Surface Area, this time chopped and sliced to a different vibe, with kickdrums at the forefront and that fantastically crunchy snare deployed more sparingly. Shimmering padwork and light melodies dance across the mix throughout to leave us with a refreshingly unique and memorable track you won’t be able to get enough of. D2 - Violet Completing this fine LP of old school ambient breakbeat mastery, Aural Imbalance deploys Violet to see us out - a climactic-feeling romp that opens with quiet intent before launching the listener through cheery melodic tones and bustling soundscapes, sprinkled liberally with airy pads and fluttering micro melodies that zip and whoosh around thick analogue breakbeats. A fitting end to a thoroughly enjoyable album. Words by Chris Hayes (Spatial / Red Mist) credits

With his distinctive touch for melody and texture, "Thunder EP" opens a portal to a new world, both vibrant and underground. Split into two parts, the A-side burns with a groovy house and breakbeat energy, while the B-side shines with deep, progressive and electronic soundscapes.

With its powerful vocals reminiscent of Bicep and a melody that brings a breath of fresh air, the opening track of the EP "Thunder" has all the makings of a future anthem. It perfectly sets the tone with its raw breakbeat energy and rolling textures

Right after, the A2 "You've Got The Feeling" offers a subtle blend of softness and groove. True to Houseum’s deep and sunny DNA, the track revolves around an effective classic piano house hook and a captivating soul vocal that instantly sticks in your head.

Closing the A-side, "Space Jam" shifts into more atmospheric territories with floating vocals and airy synth pads, moving the dancefloor toward a deeper, more mental vibe.

On the flip side, the hypnotic bassline of the B1 "Bullet Train" sets the pace immediately. The track nods to 90s progressive house through its structure while offering distinctive deep tech and dub techno sounds.

Finally, "Haag" wraps up the record with a subtle blend of IDM, ambient, and dub techno, a sound aesthetic that might remind a certain In Limbo EP released on Houseum's sub-label, Ellipse Records. It acts as the perfect closing track, inviting the listener to wind down and float away after the intensity of the previous tracks.

Cristi Cons returns to Amphia with Out of Cycle Part 2, expanding the narrative beyond fixed frameworks.

Cristi Cons continues his exploration of fluid musical identity with Out of Cycle Part 2, released via Amphia, the label which he co-founded and runs alongside Vlad Caia.

Conceived as a continuation of Out of Cycle Part 1 released back in 2021, the new installment deepens the concept of operating outside predefined structures, both in form and in sonic direction. Rather than adhering to a single aesthetic, the album reflects a wide spectrum of influences, capturing an evolving artistic language shaped by intuition, experimentation, and long-term musical curiosity.

The title Out of Cycle acts as both a statement and a method: stepping outside familiar loops, resisting categorization, and allowing the music to exist beyond rigid expectations. This philosophy extends into the production itself, where subtle variations in structure, tone, and pacing reveal a process driven less by formula and more by exploration.

Across the album, rhythmic frameworks shift between hypnotic, club-oriented patterns and more introspective passages, while textures unfold with a focus on depth, movement, and spatial detail. Each track functions as part of a broader continuum, yet maintains its own identity, highlighting a deliberate departure from cyclical repetition in favor of a more open-ended approach.

Released on vinyl and digital formats, Out of Cycle Part 2 marks another chapter in Cristi Cons’ ongoing dialogue between club functionality and deeper listening contexts. While rooted in stereo composition, the project also opens the possibility for further reinterpretation, reflecting an interest in how the same material can evolve across different listening environments.

With this record, Cristi Cons continues to trace a distinct artistic trajectory, one that prioritizes depth, individuality, and an ongoing expansion of his musical language as it evolves beyond established forms.

Dedicated to my dear friend Laurentiu Gavrila (Funk-e).

Collecting Orders For 2025 Repress

Backing it up can mean so many things. According to the urban dictionary, it means to carry on drinking the next day in spite of a rather large one the night before. According to Apple, it means to take your I-phone and attach it to an I-pad or Apple Mac - and copy the information to the cloud. Or the device. But in music.....what we mean is basically this....."Damn......that was a big hit......how the hell are they going to emulate that success on the next one."And it's hard for so many reasons. Was it luck Timing That one in a million sample With all the pressure, soon the artist can start second guessing themselves........and that's when backing it up becomes a real problem.But not for our boy PURPLE DISCO MACHINE. If BODY FUNK, his last outing on CLUB SWEAT, wasn't one of THE biggest songs of last year, from Ibiza to Miami and back again.....played by every single DJ under the sun, from BLACK MADONNA to JAMIE JONES to your mama......then I'm not sitting at my lap top writing this shpeel....which I'm very sure I am. AND I'm going to back myself (see what I did there) - and say that DISHED (MALE STRIPPER) is the best way to back up a hit ever. With another hit. Doesn't sound the same....doesn't worry about what the last one did...just does what it does.....which to be honest - is GO OFF!!!! It builds and builds and builds and......In the same way that BODY FUNK masterly made the sum of 2 disco songs bigger than their parts had ever been, this time PDM takes some Italo Disco from MAN TO MAN MEET MAN PARRISH's MALE STRIPPER and mashes it with the aptly named ELLIS D's DISHAPELLA to create a 12/10. Back it up PDM - you are a legend!!!!

2024 Repress

Earl's back on his own imprint MELANGE. This time around, he has the U.K's finest - Mr Kaidi Tatham - on Flute and Guitar duties. Side B includes 2 versions of title track 'Higher. Take ya pick!!

Artwork by frequent collaborator and good friend, Ral Duke. Ral has been behind artwork for the likes of Griselda Records( Westside Gunn, Conway, Benny the Butcher), Alchemist, Ghostface Killah, among a whole heap of others. Keep a look out for some weighty merchandise to accompany the release. We got some goodness coming your way.

But rest assured - it's still the same excellent band from Ruda ?l?ska, only this time instead of a forest full of ghosts or a land of fairy tale creatures like a Fruwajacy Przestepca the duo of producers takes us on an interstellar journey!

The artists' third album, just titled KOSMOBOTANIKA, is an over forty-minute work skillfully composed from a multitude of various samples, and genre-wise presenting the sounds of deep house, trip-hop, breakbeat, ambient and even jazz. This is electronic music with a very cinematic, visual and imaginative character, something at which ETNOBOTANIKA has undoubtedly achieved mastery confirmed by their first two very well-received albums. This cinematic style (electronic concept album?) is reminiscent of the classic albums of the genre's progenitors from the UK like The Orb (first releases) or The KLF (the iconic "Chillout" album), but also the French Motorbass.

The Silesian duo does it their own way, of course, with a local twist. Thus, in the cosmic journey our guides will be in-sampled familiar voices from Polish television, cinema, radio and dusty vinyls (yes - samples from Mr. Kleks in Space had to be on the album, of course :) ).
There is no shortage of atmosphere-building instrumental fragments here, but also quite song-like tracks with catchy melodies and vocals. Fans of the band will certainly be satisfied.

What is there to say - ETNOBOTANIKA has created another classic, which simply must be on the shelf :) Trust them and let yourself be taken on a cosmic journey - satisfaction guaranteed!

Aitcher Clark steps out from his work as one half of LOFN (Veyl, 2021) with a first solo long-player that draws a sharp line between the club and the cinema.
The 6-track LP moves with intent across ambient space, industrial techno frameworks, and restrained neoclassical harmony. It favors patience over peaks, detail over spectacle, and a narrative arc that rewards a
start-to-finish listen.
The campaign begins September 19th with the lead single “Improperly Planned Experience”, an industrialleaning cut driven by a relentless drum pattern and an eerie, immersive atmosphere. Stark and physical, it sets the tone for the album with its focus on tension, texture, and shadow rather than melody. On the same day, Clark will debut a new live and visual show at Lunchmeat Festival in Prague in collaboration with visual artist OXOO, translating the record into an immersive set where sound design and reactive visuals lock to the micro-gestures that run through the album. The performance is built around custom stems, live resampling, and dynamic lighting cues that mirror the music’s push and pull.
Across the LP, Clark threads field-recorded texture with precision drum programming and layered harmonies, avoiding predictable drops in favor of pressure that accumulates over time. The palette is cool and tactile: detuned pads, clipped low-end, and percussive details at the edge of audibility. Moments of clarity, strings, voice-like synths, negative space, arrive as structural markers rather than ornaments.
For Veyl, the album sits comfortably within a catalog that values forward motion and atmosphere, while opening a more composition-driven lane. For listeners who followed LOFN’s 2021 release, this solo debut widens the frame: less collaborative call-and-response, more solitary architecture, with the same focus on tension and timbre. The live show with OXOO extends that idea beyond the record, using visual rhythm and color to render the music’s internal logic in real time.

On "The Afrodub Experience," Umberto Echo takes us on a ride across four continents, exploring 50 years of Afro-Caribbean music history with numerous collaborators.

The inspiration is the Afrobeat of the 1970s, which he discovered through original musicians from Fela Kuti's "Africa 70" band in the Berlin project "Afrobeat Academy" which he began to fuse with dub and reggae.
Mitwirkende
wird veröffentlicht am 17. Oktober 2025

Recorded by Umberto Echo and the musicians in Berlin, Hamburg, Munich, New York, Melbourne,
Kingston Jamaica & São Paulo between 2008 and 2024

Mixed by Umberto Echo & Silvan Strauss, November 2024 at Apollo Studio Berlin
assisted by DJ Tobi Neumann & Robin Ludyga

Produced by Umberto Echo, co-produced by Silvan Strauss

Mastered by Umberto Echo

Artwork by aDUBta

Umberto Echo published by KKBB Publishing/Edition Dubvibes


Drums: Silvan Strauss, Giuseppe Coppola
Drum Programming: Silvan Strauss, Gengis Don, Umberto Echo
Bass: Daniel Stritzke, Oghene Kologbo, Patrick Frankowski, Giorgi Kiknadze
Percussion: Samuel Wootton, Nicholas Ado-Nettey, Umberto Echo, Djakali Kone, Giuseppe Coppola
Guitars: Umberto Echo, Mandjau Fati, Ferdinand Kirner, Oghene Kologbo, Giovanni Agostini
Cora: Sebastian Cuevas, Djakali Kone
Saxes: Ben Abarbanel-Wolff, Florian Riedl, Giovanni Pecorini, I Sax
Trumpets: Benny Brown, Philip Sindy, Sebastian Kölbl
Trombone: Roman Sladek
Keys: Barney McAll, Lionel Wharton, Markus Kuczewski, Umberto Echo, Silvan Strauss, Milo Winter
Vocals: Lenna Bahule, Gengis Don, Vimbai „Vee“ Mukarati, Mark Wonder, Tydal Kamau
Backing Vocals: Runtendo Machiridza, Tariro neGitare, Erica Nevell

Originally released in 1968, James Taylor is the debut studio album by American singer-songwriter James Taylor. This UK edition reissue by Endless Happiness brings back the album's rich blend of folk and rock influences, showcasing Taylor's introspective songwriting and soothing vocals. The album includes notable tracks such as "Carolina in My Mind" and "Something in the Way She Moves," which have become staples in Taylor's repertoire.

Recorded in 1970 with a host of young blues and rock musicians, Blue Memphis is recognized as one of the best dates released by fellow blues artists in that era. On this album, the famous American blues pianist, singer, and composer Memphis Slim (John Peter Chatman) is backed by several British musicians, including Chris Spedding, John Paul Jones, Duster Bennett, and Peter Green.

Next up in our Cuban Classics series, one of the jewels of record label Areito’s extensive and sought-after catalogue. Ricardo Eddy Martinez’s Expreso Ritmico from 1978 is a prized album fusing funk, disco, and orchestrated influences with Afro-Cuban percussion, Latin breaks, and lush vocal harmonies.

Whilst maintaining its distinctive Cuban identity, Expreso Ritmico is one of the more American / Western-influenced Cuban titles of the time drawing inspiration from jazz funk, disco, and library music. The album was directed, written, and orchestrated by keyboardist and drummer Ricardo Eddy Martinez, who was also the mastermind behind the orchestration of the Los Reyes 73 album (that was recently reissued by Mr Bongo). Martinez would later go on to work with international musicians and singers such as Gloria Estefan, José Feliciano, Chick Corea, and many more, whilst also working as a sound engineer in the US.

Produced by Adolfo Pichardo, who worked on much of Areito’s output, Expreso Ritmico is packed with gold. The opening title track carries a loose, breezy Latin-disco-funk vibe that breaks into a brilliant Afro-Cuban workout. ‘Que La Tristeza Se Fue’ was expertly sampled and looped by Jazzanova on their 2008 song ‘Look What You Are Doing To Me, featuring Phonte from the hip hop group Little Brother. Elsewhere, ‘Tambo Iya’ has an Afro-funk, Soul Makossa-esque groove, while tracks such as ‘Te Quedas’, ‘Mi Conga Es La Que Es’ and ‘La 132’ run with a heavy pulsating Latin-funk sound. Head to the sultry psych funk of ‘Este Tumbao’ for a spacey journey that blends and morphs through genres.

DOGMA marks a new beginning for Coloray. As the name suggests, the project explores the endless search for meaning in a world that does not always offer one. Across 11 tracks, the artist reflects on queer romance, grief, youthful hope, and melancholic joy. Emotional, chaotic, and imperfect, DOGMA mirrors both the artist and the messy reality of a life unfolding. Rather than forcing rigid structures, the album embraces looseness and human presence. Live recordings and improvised songwriting take center stage- every lyric was written in the moment, and the tracks remain intentionally raw to preserve their imperfections.

In this way, the album is both personal and political. It calls for belief in keeping humanity alive and for dismantling the societal dogmas that push artists away from the core of their creative identity. DOGMA is an honest journey of self-authorship, unfolding through the sounds of new wave, disco-punk, electro, and ambient music.

Blue Hour is the most recent release from Friday Night Plans, recently signed by Modern Obscure Music. The project marks FNP's shift from their 'pop' roots towards a more experimental and ambient sound. Friday Night Plans is pioneered by singer/songwriter Masumi who has collaborated on this project with acclaimed Japanese producer Ena. Together, they have created a collection of songs that represents the quiet introspection and emotions of the AM hours, using improvisation during the production process to create a cyclical record that is described as 'dreamlike'. Masumi attributes the project to a journey consisting of fragments of memory through each song; a reflection of how nostalgia and recollection connects us to emotions.

Details marks SCHiLLiNG's return after years of research, above all on himself. It brings together the practices that have become essential to him: composition, sampling, sonic patchworks, and a palette that mirrors the full spectrum of his musical identity, from Rock'n'Roll to Trip-Hop and Ambient. Details is rich in small edits, hidden layers, fragile textures, and fragments that reveal themselves slowly. Yet the word carries a deeper meaning: what truly matters is often the smallest element, what doesn't appear clearly at first glance or on first listen, yet quietly holds the core of everything. The detail as the very pulse of one's inner world. Across 14 tracks, the album unfolds as a diverse journey, carefully shaped yet open enough to allow unexpected elements and subtle imperfections to remain part of its flow. The structure is not binding, you can begin from any track and embark on your own path through it. Each piece contributes to a wider arc without overpowering the others. The album includes collaborations with several artists who lent their talent to the project; their names appear in the credits of the physical release. In many ways, they embody the very idea behind the title: individual presences, each bringing their own nuance, forming a whole together. After all, fragments, in their union, shape the larger totality. Details doesn't ask to be consumed in a specific way, fast or slow, close or distant. It simply is what it is

2026 Repress

purple vinyl

Following up from Amadeezy's wildly successful East Side G-Ride earlier this year, Nite Fleit beams onto the International Chrome starship to bring us four tracks of extra-terrestrial electro that will blow your sensor readings. The EP comes on 140g purple vinyl and includes an interstellar team-up with Jensen Interceptor on the track Effe Bee Eye. The Truth is out there...

Australian label sense. debuts its vinyl-only imprint with a limited first release from none other than Romanian-born Alin Crihan.

Alin delivers three stripped-back, dark, atmospheric rollers guaranteed to become instant mood-setters for underground dance floors, while rewarding patient and attentive listeners.

We are then treated to an enchanting, eclectic ambient piece that feels truly cinematic, an absolute must-listen. Close your eyes and let your mind wander…

sense. is a project focused on timeless music over trends, creating a platform that aims to inspire and open the ears of its local audience through carefully curated musical experiences, connecting the Australian party scene with international artists deeply rooted in the minimal genre.

Cause we love vinyl. After the amazing success on the first edition, Jackfruit Traxx returns with the next chapter: Traxx Salad Vol. 2. Four fresh cuts straight for the dancefloor, blending deep grooves, raw house energy and timeless club vibes. Nesi, Dompe and Autuori a versatile journey between late-night moods and peak-time moments. Pure house music, pressed with passion and made to stay in your bag.

The London-based DJ and producer is a legend. We remember all his fantastic releases on various labels and his own label COVE. From his extensive body of work, Grant Dell has delved deep into his archives. I am incredibly proud to be able to present these brilliant four track ep on RHYTHM TRAX RECORDINGS.

‘Far Away’ is a warm, deep house track featuring spaced-out synth chords. Clap grooves and a catchy bassline on ‘Simple Effects’ get us ready for the dancefloor.

Tight percussion, rolling grooves with vocal samples like ‘say what’, ‘do you’ and more inspired combinations of sounds in ‘The Drive’ make for a deeper house, tech house track. ‘Midnight Groove’, a perfectly stylistically consistent track, will make this release unforgettable. (DJ TRACKDIGGER)

As a special bonus, this release includes a photo art piece by the artist Sven Fargo.

Guy From Downstairs brings a deeply human touch to the machinery with the Brighter EP.
It opens with "No Fun," where a dry, stripped-back rhythm plays hard to get, anchored by an emotive, raw vocal that cuts straight through the tension—it is a smirk with actual soul behind it. Just as that mood settles, the title track cracks the window open, letting in an unpretentious, genuine warmth that completely changes the temperature of the room. "Beat Street" picks up the pace, locking into a tough, street-level stride, before the EP bows out with "Untitled," a hazy piece of 7 AM introspection.
This is a record that doesn't just play; it breathes with you.

Rhythm Of Paradise captures the essence of modern Italian piano house with the "Ti Sento EP".
A coherent and refined project that blends radio appeal and club depth, all with a warm, Mediterranean soul and pure Italian House Vibe.

The EP opens with the title track, an emotional summer anthem built on a sensual Italian female vocal. Beautiful piano hook in the real Italo style & warm M1 organ bassline, are the foundation that makes this track a unique narrative experience keeping balance between radio-friendly immediacy and a solid timeless club presence.

From the emotional Ti sento going to the festive, sunny mood of "Mi Piace" on A2, where the energy is amplified by a more driving rhythm and piano melodies that celebrate pure joy. It's the EP's track designed to create a peak of collective euphoria on the dancefloor.

On B, Micheal’s partner in crimes St. David reimagines “Mi Piace” track on a tribal dub journey with an Ibizan soul, where the original vocal is deconstructed into echoes, the bass becomes hypnotic, and the groovy organic percussions keeps the floor moving and shaking. A version for emotive charm of early Italo house, evoking euphoric dancefloors, Calypso beach parties in the style of Palmares or Irma records.

Closing with B2. Ti Voglio and its seductive groove, and a refined afterhours atmosphere. It demonstrates how Italian emotion in house music can also be communicated through the power of few elements that hits your sensitive side. Sax atmosphere and deep dub groove capture the rhythm of the listener for this beautiful closing track.

A complete collection of Timeless Italo House journey for those that knows !

Written and Produced by Michele Lamacchia. Includes remix from St. David
Mixed & Mastered by St. David

After the last four EPs, RPX16035/006 presents his third various artists.
Track A1 is by @twoviartist , after hearing his live performance, we were impressed, and now we're pleased to release his bomb track.
In addition to him, there are our favorite young artists who have already released digital and vinyl releases on the label @giuseppe__angeloro @mathi_____v @audio.alchemy_duo we wanted to represent their style by choosing a track of theirs that we felt represented their style, in light of what we've already released in the past.
Pllus a ambient track from gianluca.pellerano

Looking back more than four years later at Haram, it is easier to see the forest for the trees. At the time, much of the attention fell on how this outsider duo would fare under the bright lights- which was fair, Armand Hammer had never done a single producer record before- and here they were working with a living legend. Now, with a little distance, it’s easier to see how Alchemist stepped out of his comfort zone to meet them where they were, and how all three artists then absconded for parts unknown. The flashbulb energy of “Bring The Stars Out”, asymmetric drone of “Chicharrones”, fugue-bounce of “God’s Feet”, and good luck finding analogues for “Peppertree” or “Stonefruit”. Haram doesn’t sound like anything else in the ALC discography, nor in Armand Hammer’s, for that matter. Haram was a one-shot kill that somehow contained some of the most accessible work ELUCID and billy woods had ever done, as well as some of their most experimental, and it all sounded cohesive.
Needless to say, they didn’t do this alone; KAYANA’s golden voice upps the wattage on “Black Sunlight,” while Fielded’s sultry alto gets chopped and screwed on “Aubergine”. Earl Sweatshirt’s cameo on the sun-soaked “Falling Out the Sky” is already a classic. Curly Castro, Amani, and Quelle Chris all turn up the heat when called upon.
But since we are talking about retrospect here, the thing about Haram isn’t that it still sounds as good as it did when it came out. The amazing thing is that it actually sounds even better than it did then. You don’t have to take our word for it either, run it up one time, with the lights low and something on ice, see if it doesn’t take you somewhere new, again.

"The machine looms—it watches you from within. The finger points, but the face is missing."

The Bristol/Amman connection just got even deeper… following DBL's impressive string of Avon-infused heaters (check the recent scorchers from Nzumbe, Content Provider and 2023's 'Weld'). And we're well informed there's even more of this cross-continental greatness to come…

But first...

Kinlaw & Franco Franco. ATC's original prodigal sons. A two-headed nephilim with an ever-growing tally of near-biblical performances – leaving shook audiences coughing dust for months after. Resurrected for 2025.

Those familiar know their hallowed-dogma – brimming with cyberpunk prophetics, surveillance state paranoia and rusted gothic futurism. Each chilling sermon accompanied by a bespoke blend of crusted sonics, taut future-concrète prangers and only the finest industrial-trappist beats.

Back with renewed precision. 11 hot-kneelers for your mental.

On 'Faith Elsewhere', they lead the congregation into uncharted waters with pop-confessional, 'Pitstop 2024'. There's a fresh revamp of the beloved feudal anthem, 'Crocs on the Plough'. Next, a long-fermented, yet still refreshing, kind of chamber-wave on the album's self-titled track. And there's even a touch of the devotional in the final ethereal reprise… Plus, there are plenty more teachings to be found elsewhere…

The writing's on the wall. Accept no false idols. Now pull up your cushion and kneel at their altar. It might just be their best yet….

"In the holiness of their temples, unsuspecting worshippers were being observed by indiscreet eyes."

Daniele Baldelli
Considered one of the first DJs in Italy, Daniele Baldelli began his career in 1969 mixing vinyl at the Tana Club in Cattolica (his hometown),
predating the birth of the modern DJ by several years. In the following years, he solidified his talent and technique at histor such as the Tabù Club, Baia degli Angeli, and Cosmic. From 1979 to 1984, Baldelli created his unique and eclectic style, blendi ic clubs ng seemingly distant sounds and musical styles, complementing them with tempo adjustments (bpm) and deliberately extreme equalization,
creating a truly distinctive sound, known as "Afro Disco." Soundscapes and tribal percussion blend with early electronic music experiments, and Baldelli's sets become truly mystical experiences, where, for the first time, the temples are replaced by the dance floor.
The documentary film "A Cosmic Life" has just been released, starring Daniele Baldelli alongside other illustrious guests from the nightclub scene, recounting the history and formation of this movement from the 1970s to the present.
Gaudi
A producer/musician among the most highly regarded on the international dub/electronic scene, over the past 30 years Gaudi, from his
London studio, has contributed significantly to expanding the boundaries of musical genres with high-profile releases and innovative
music production techniques. Recently nominated for a Grammy Award with 'Mass Manipulation', the album he produced for the reggae
band Steel Pulse, and also nominated for a World Music Award with his album 'Dub Qawwali' with Pakistani singer Nusrat Fateh Ali
Khan, Gaudi has collected a series of number 1s on the international charts: Billboard - with the album 'Heavy Rain' by Lee "Scratch"
Perry, 'Vessel of Love' by singer Hollie Cook and with 'Mass Manipulation' by Steel Pulse -, UK Chart n.1 with the album 'Prism' by the
band The Orb (with whom he has collaborated as a producer and keyboardist since 2008), with 'Blue Monday' - by Gaudi himself with
the band Dub Pistols -, UK Dance Chart n.1 with 'Jus Come rmx' produced with DJ Angelino for Cool Jack. He also reached no. 41 the UK charts with the album ‘Midnight Rocker’ by reggae singer Horace Andy (known to the general public for his hits with Massive in
Attack), no. 13 with the album ‘Dubwise 2’ by the band Dreadzone and no. 5 in the Italian charts with the song ‘Lasciala Andare’, written
by him for Irene Grandi. With 19 solo albums and 350 remixes and productions under his belt, Gaudi, with his artistic versatility, has
worked with Groove Armada, UB40, Simple Minds, Brian Ferry, Devo, Big Audio Dynamite, Damian Marley, Seun Kuti, Mad Professor,
Trentemøller, Grandmaster Flash ft KRS-One, Lamb, Don Letts, The Beat, Deep Forest, African Head Charge (in which Gaudi is a keyboardist and dubmaster), Elisa, Scientist, Dub FX, Roedelius, Caparezza, Caravan Palace, EMF, Sizzla, Jovanotti, Sly & Robbie, Piero Pelù, Youth of Killing Joke, and Maxi Priest, to name just a few. Capleton,
Daniele Baldelli & Gaudi
DJ Daniele Baldelli and producer Gaudi first met three years ago at the Jazz Cafe in London. Mutual respect and an innate need to
create new stylistic fusions were the catalysts for Baldelli and Gaudi, leading to a series of subsequent meetings that inevitably culminated in the need to create music together. The project began at Gaudi's Metatron Studio in London using analog equipment and later
moved to Baldelli's studio in Cattolica, where the two organically defined their sound, also inspired by Baldelli's precious record collection. The duo consolidated a powerful compositional symbiosis, and the project, born from a simple initial groove, later transformed
into an entire EP consisting of four original tracks and a highly innovative sound, featuring fusions of psychedelic-funk, tribal-dub,
electronic-disco, and, of course, "Afro-Cosmic"! Daniele Baldelli and Gaudi began their sonic collaboration without setting any stylistic
direction and with the intention of not creating pre-established goals to achieve; it is a project of pure artistic freedom guided by their
compositional instinct and their experience. Constantly active with their evenings and live concerts, Baldelli and Gaudi have performed
individually in many of the best international clubs and festivals.

Otto Taimela returns with his second album for London ambient free divers SWIMS, following 2024's celebrated "Inner Beauty".

"Uncommon & Fragile" departs from Otto's meadowed, ivory-centric introspections, reaching further into binaural sound design, trance pointillism, and groundswells of angular percussion. This is less a club record, more something to soothe post-rave tinnitus on the bus home.

For fans of Lorenzo Senni, Lusine ICL, Huerco S., Shinichi Atobe...

Immersive Patterns has quickly established itself as a label of rare quality, with the first three releases already proving its strong artistic vision and timeless approach. Each record blends hypnotic depth with precision and a clear sense of identity, making the catalog highly sought after among DJs and collectors alike.

For the fourth chapter, Jonas Orbiting returns with a striking four-tracker that adds a raw, Detroit-tinged energy to the label’s repertoire. Mastered by Thomas P. Heckmann at Schnittstelle, the sound is powerful, warm, and exact, while the new full-colour Pantone sleeve designed by Steve O Connell expands the visual language of the series.

Immersive Patterns continues to set its mark: refined, uncompromising, and built for both the floor and the shelf.

Three years after his debut album, London-based Jeigo levels up with a new long player that displays his knack for meaningful melodies and deft rhythms while blurring the lines between ambient, garage and breaks. Inspired by three months on an olive oil farm in rural Italy, there is a beautiful sense of isolation and inward reflection to these sounds, even when the energy ramps up. Sultry, airy vocals and delicate strings weave between organic grooves on the opener, while pitched-up and pained tones bring a futurist twist to the paddy garage beats of 'Echoes.' There is a more warped low end and hints of Burial's ghostly vocal and drum designs on 'Emptiness' while 'Groundwater' is shuffling house suffused with luminous synth work that brings a nostalgic pang. Etum is a masterfully melancholic study that leaves a lasting emotional impact.

A1: Love Yourself - Deepo & Flyworth feat. Morris Revy
Produced, Arranged & Mixed by Deepo & Flyworth
Drum programming by Deepo & Flyworth
Lyrics by Morris Revy
Deepo and Flyworth teamed up again with powerful singer Morris Revy for this spoken word House Track

B1: Disorient Express - Deepo & P. Nicosia
Produced, Arranged & Mixed by Deepo
Drum programming by Deepo
Live percussions by Pietro Nicosia
Afro House banger track created by Italian duo Deepo and Pietro Nicosia with infectious drums, hypnotic Synth, powerful bassline and amazing live Darbouka

B2: We'll Rise Again - Deepo feat. P. Nicosia
Produced, Arranged & Mixed by Deepo
Drum programming by Deepo
Live Percussions by Pietro Nicosia
Deep House track by Deepo ready to burn any Dancefloor with his hypnotic Marimba, drive bassline, powerful synth and live perussions by Pietro Nicosia

Heavyweight groove from ERP — deep electro pressure with Microcentric on the flip, plus a killer Convextion remix. Pure machine soul for late-night heads.

DJ Feedbacks :


Pariah : amazing
Erol Alkan (Phantasy Sound) : Downloading Thanks!
Ben Sims : Now downloading... will check asap!
Luke Slater : Thanks!
Dave Clarke (white noise radio) : Seismic and well crafted, full support
Peverelist (Livity Sound) : Awesome, thanks!
Tensal (Tensal, Falling Ethicss) : great, Gerard always on point, thx
Call Super (Houndstooth) : thxxxx
Confidential Recipe (Rekids Special Projects) : great ep!
DJ Bone (FURTHER) : The Convextion remix is fire.
Monty Luke (Rekids / Black Catalogue) : solid ep
GiGi FM : <3
Jon Hester (Rekids, EDEC, Les Enfants Terribles, L.A.G.) : Fantastic EP across the board, amazing stuff!!
Jako Jako (BPitch Control, Tresor) : Schön!
Dan Beaumont (Chapter 10 / NTS) : Brilliant! love the Convextion mix
Satoshi Tomiie (Abstract Architecture) : Next level production and quality. Hats off
MoMa Ready (RAVE UNIT, HAUS of ALTR, Method 808) : great remix
Josh Wink (Ovum) : Usually good and sensual Electro from E.R.P.
Carista : love the remix of convextion
DVS1 : Thanks!
Inland : Ace! the remix is so lush! Thanks
Laurent Garnier : Ohhh whaouuuu - THIS IS SUPERB Full support
Radio Slave (Rekids) : I'm sold... This is great and I really love all the tracks.
Marcel Dettmann : thx
2562 / A Made Up Sound (Delsin, Clone) : The Convextion version is fire! Thanks :)
Bake (All Caps/Rinse FM) : love! <3
Interstellar Funk (Rush Hour) : Sounds great! Thank you
Efdemin (Dial) : Insanely good ep from the master!
Darko Esser / Tripeo (Balans / Clone) : Always good in my book, fantastic record!
Bailey Ibbs (Metafloor Records / Habits / Dansu Discs) : Make Electro Great Again!!
Nathan Jonson (Hrdvision) : rad!!!!
Uncertain (RSPX, WRKTRX, Suara) : convextion remix for me
Dj Deep (Deeply Rooted) : super nice release!
ROD / Benny Rodrigues : !!!!!
Surgeon (Dynamic Tension Records) : Great work. Love all tracks. Will play Convexion remix in my DJ sets for sure.
Steffi (Dolly) : simply grea!!!!!!
Kr!z (Token Records) : absolutely fantastic, as always
Phase Fatale (Ostgut Ton, BITE, Hospital Productions, Jealous God) : awesome!
Theo Nasa (Rekids) : WICKED!!!
Kosh (Syncrophone) : Lovely release
Subradeon (Subradeon Records) : interesting stuff! thanks for sending. Convextion rmx is my fav!
Gramrcy (Peach Discs/FTD) : Convextion remix is sick
Stephanie Sykes (Vent) : All tracks are sounding Super nice!!! TY!!! especially feeling Four Alone, so beautifully nostalgic. Cant wait to play!
Tal Fussman (Survival Tactics / Innervisions / Cod3QR / Drumpoet / Rekids) : oh yes
Richie Hawtin (M_Nus) : downloaded for r hawtin
Alan Oldham (DJ T-1000) : Super high quality electro, but the Convextion remix is the one I'm more likely to play out. Will support!
Ben UFO (Hessle Audio / Rinse FM) : convextion remix!
Truncate : Dope cuts thanks
Jonas Kopp : Excellent stuff, but this more of the pre-existent material.
The Advent : amazing stuff, digging all the tracks.. 2 - E.R.P - Microsentric my Fav..
Ste Roberts : Absolutely out of order! Anything Gerard touches turns to gold. 10/10
Joris Voorn (Spectrum) : Downloaded, thanx.
Roberto / R.M.K / Fossil Archive (Fossil Archive) : Love this!
Raffaele Attanasio (Axis) : nicee1!!!
DJ Assassin (Recode Records / Cross Section / Connaisseur) : wicked

Jonathan Kaspar returns to These Eyes with his long-awaited Time EP - his third release on the label after six years. Known for his deep, emotive productions, Kaspar takes a bold step forward on this EP, exploring more unconventional, off-kilter sounds while still delivering his signature groove. The release also features a special moment for the artist: “Where Are You”, his very first ambient track, showcasing a new, introspective side of his sound.

Bruce Springsteen's statewide ode Nebraska '82 is given ample extra space with a new expanded edition, as his 1982 acoustic masterwork is cast in renewed light by its use the forthcoming biopic Deliver Me From Nowhere, which documents the conception of the original album. Now with an extra 17 solo outtakes, including demos of 'Born In the USA' , 'Pink Cadillac', and 'Downbound Train', as well as the fabled Electric Nebraska sessions with the E Street Band, the new dubs illuminate the breadth of Springsteen's vision for a reconciled America, where Springsteen found much inspiration in the folk, literature and short stories of the heartland, particularly in those of Flannery O'Connor, childhood and young-adult memories. Notably, it was deemed by PopMatters to beo one of the first every DIY records made by a major artist, and soon sparked a DIY revolution by folk musicians the globe over.

Pearl River Sound - Selected Works 17-24 is a unique sonic archive of Roberto Semeraro, known as Pearl River Sound, one of the most eclectic experimenters in the Italian electronic scene. This collection compiles years of research and sonic exploration, featuring previously unreleased tracks that have never been pressed on vinyl. Moving fluidly between idm textures, deconstructed techno, glitch, breakbeat rhythms, and ambient incursions, each track represents a moment in Pearl River Sound's artistic journey between 2017 and 2024. This release is part of LOSTINLAYOUT GALLERY's participation in the exhibition at EXP - Palazzo delle Esposizioni in Rome, running from April 26, 2025, as part of the group show "THE ART OF TOMORROW. TODAY #1." The exhibition features works by four urban artists: LUCA FONT, JOYS, STEN & LEX, and V3RBO. Each print is randomly paired with a 10x15 cm postcard insert showcasing an artwork by one of the four visual artists.

Los Angeles polymath Tyler, the Creator turns his past into vivid technicolour here on his latest offering. Narrated by his mother, the album unfolds like a scrapbook of childhood memories and adult reckonings, moving between swagger and nostalgia. Tyler's production - lush with horns, strings and jazz-inflected chords - recalls the warmth of Flower Boy but with the unpredictability of Cherry Bomb. 'Noid' wrestles with fame's paranoia while 'Hey Jane' confronts moral conflict with startling candour. 'Darling, I' and 'Like Him' offer soulful reprieves amid the chaos. Guest spots from Lil Wayne, Santigold and Lola Young expand the palette without distracting from Tyler's emotional centre. Messy but self-aware, this captures an artist still discovering who he is.

Rights: World excluding FR & UK

Packaging: 2 x Gold-On-Clear Splatter Vinyl, 5mm spine sleeve, 2 x printer inner sleeve, marketing sticker

SHORT BIOG & KEY POINTS
" Goldie's 1995 debut Timeless is often described as one of the greatest dance music albums of all time. As one of the founders of Metalheadz, one of the most influential drum and bass labels, Goldie helped shape the sound of a generation, and a genre that has spanned over 3 decades.
" "Listening to Timeless is like taking an adventure. If the limits of music are the limits of society, then Timeless is going to create new worlds. It's a record that travels from darkness to light across electronic oceans, across streetsoul, ambience and jazz."

" London Records celebrate 30 years of Timeless with limited edition vinyl formats, re-imagining the original white sleeve and putting the album on double vinyl for the first time since '96, with new liner notes from Tim Carr. Remastered audio.

Zonate presents its fifth release, The Roots EP, uniting four tracks from three exciting new voices in the scene. The A1 comes from Guzman with Final Point - a grooving electro cut that builds patiently before unleashing a roaring drop in the second half. Bassy Bee follows with Will Not Hurt You - dark and evolving, driven by growling low-ends and self- recorded vocals. The flip side is all Gaston Cabrera. On B1, Persiguiendo Pesadillas is propelled by a defining arp that touches into prog-trance territory. Closing with B2, A La Luz De Las Velas, Cabrera returns to his South American–infused sound - hypnotic, driving techno / prog.

2025 Repress

It was only in 2018 that New York techno mainstay Joey Beltram revealed that he was the man behind 'SW37', a record which had been an underground classic since it first started doing the rounds in 1998. It remains an evergreen favourite almost 30 years on, which is why Damon Wild's Synewave is reissuing it here. The A-side is gloppy, dubby techno with impish percussion darting about the mix and drunken hits bring an off-kilter edge. On the flip, 'SW37B' is stripped back to pure deep techno serenity with deft ambient pads and a sense of unrelenting meditation that locks you in the here and now.

For their first album as Gilla Band (formerly Girl Band), the
foursome have redrawn their own paradigm. ‘Most Normal’ is like
little you’ve heard before, a kaleidoscopic spectrum of noise put in
service of broken pop songs, FX-strafed Avant-punk rollercoaster
rides and passages of futurist dancefloor nihilism.
Lockdown robbed Gilla Band of any opportunity to try the new
material out live, but the pandemic also incinerated any idea of a
deadline for the new album. They were free to tinker at leisure, to
rewrite and restructure and reinvent tracks they’d cut, to, as
drummer Adam Faulkner puts it, “pull things apart and be like,
‘Let’s try this. We could try out every wild idea.’”
The group also fell under the spell of modern hip-hop, “where
there’s really heavy-handed production and they’re messing with
the track the whole time,” says Fox. “That felt like a fun route to go
down, it was a definite influence.”
‘Most Normal’ opens with an absolute industrial-noise banger that
sounds like a manic house party throbbing through the walls of the
next room as a downed jetliner brings death from above. What
follows is unpredictable, leading the listener through a sonic house
of mirrors, where the unexpected awaits around every corner.
The common thread holding ‘Most Normal’’s ambitious Avant-pop
shapes together is frontman Dara Kiely. Throughout, he’s an antic,
antagonistic presence, barking wild, hilarious, unsettling spiels,
babbling about smearing fish with lubricant or dressing up in binliners or having to wear hand-me-down bootcut jeans (“It was a
big, shameful thing, growing up, not being able to afford the look I
wanted and having to wear all my brother’s old clothes,” says
Kiely).
‘Most Normal’, then, is a triumph, the bold work of a group who’ve
taken the time to evolve their ideas, to deconstruct and reconstruct
their music and rebuild it into something new, something
challenging and infinitely rewarding. It’s a headphone masterpiece.
It’s a majestic exploration of the infinite possibilities of noise. It’s a
bold riposte to your parochial beliefs on whatever a pop song can
or should be. It’s the best work these musicians have put to
(mangled) tape.