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collecting orders for repress be fast to grab your copy!

Baby Ford and Zip locked themselves in the studio after january's "Get Perlonized.." party in Berlin and the result is this 12" with 2 very special tracks. The A-side, entitled "The Riverbed" doesn't lack those subtile, humorous details that we already know from productions of this duo.The B-side offers a new, extended version of last years constribution for the "Superlongevity4" compilation entitled "Morning Sir".

collecting orders for repress be fast to grab your copy!

Thomas Melchior and Peter Ford; the glorious dreamteam supply us with a new 12" from SOUL CAPSULE. The duo founded this project back in 1999. The results were released through Trelik and Aspect Music. Besides that you'll find remixes for "Music for Freaks", "Ricardo Villalobos", "Swag","Sven Väth" and "Pantytec". The first appearance on Perlon was the constribution of the song "International Party People" for the labels 4th part of the "Superlongevity" compilation last year. Opener and titletrack "Waiting 4 A Way" marks the essence of a 42 minute session, recorded just lately in Berlin. There will be some sort of limited release in the close future, featuring additional versions of "Waiting 4 A Way". Watch Out! "Beauty And The Beast" on the flipside is one of those timeless compositons, that could also run for about 8 or 9 more hours, guiding us to the inner core.

Different Ways inaugurates the limited series with Astral Body, Italian artist which is back after 25 years of hiatus!

DIWALTD01 features two old gems, Psychasthenia and Rama city, released back in 1994 on Disturbance, one of the most influential Italians labels, run by Ivan Iusco. In addition there will be also N'ra and Otentetecot, two unreleased tracks showcasing Astral Body's sound at its best.

A perfect mix of Techno, House and Trance from the 90's, but still contemporary. You can't miss it!

We are delighted to present to you a very special release. Gregor's anthemic „Quiet Distortion“, the titletrack of his album back in 2016, received a very special peaktime remix treatment by Bart Skils. Gregor and Bart have been friends for a long time, so it was a no-brainer to be excited, when Bart told us he is working on a remix. Barts meteoric rise in recent years, kicked off by his fantastic productions and his pivotal role in the Drumcode artist roster, are only the next step in his constant career and the reward for his hard work as he continues to deliver remarkable work as a producer and DJ as well. His version of Quiet Distortion highlights Gregor's songwriting qualities by featuring the original melodies and pushing them to new levels by adding Barts irresistible trademark drumming and also a dramatic arrangement, guaranteed to set every dancefloor on fire!

Repress.

Two more wizards enter the wizards sleeve , 4 outrageous tracks on 12”vinyl.

Set to be one of the eps of the year supported by the biggest names in the industry, from Ricardo Villalobos, Sonja Moonear, Skream and more !

2026 Repress

Due to high demand, MEU has revisited two of Mr. K’s classics, previously only available as 12-inch extended mixes, and asked the master editor to pare them down to 7-inch size.

A true top-five peak record at the Garage, Thelma Houston’s “I’m Here Again” was “a highlight whenever Larry played it,” Danny Krivit recalls, “and he played it a lot!” Danny’s edit is a homage to Larry and Frankie Knuckles – in particular a similar private edit that Frankie did back in the day and shared with Krivit. “It was on reel to reel and I didn’t copy it correctly and lost it,” Danny remembers. “Reels were problematic! When I tried to get it again from him, unfortunately he had lost it too.” The song (likely an attempt by Motown to capitalize on the previous year’s monster hit “Don’t Leave Me This Way”) is, in its original form, a virtual retake of Thelma Houston’s breakout single, from the subdued, schmaltzy intro to the “oooh BABY!” leading to the chorus. What sets “I’m Here Again” apart though, is the incredible second half of the song. Naturally, it is here that Mr. K’s edit focuses. Over a vicious groove reminiscent of the Originals’ “Down To Love Town” breakdown (Michael Sutton wrote and produced both “Love Town” and “I’m Here Again”) Houston delivers soul-stirring ad libs as the band crackles with electricity behind her, the piano chasing a descending string riff so eagerly. Pure dancefloor peak energy! And the very first time having all these parts on a 7"!

For our flip, Danny has reached deep into the earliest foundations of his voluminous collection, and come out with a psychedelic pop classic rearranged for today’s sound systems and setlists. Recorded in the Beatles’ Abbey Road studio at the height of the Summer Of Love, the Zombies’ “Time Of The Season” is firmly linked in pop culture to the late ‘60s and the Vietnam era, breaking big in the summer of 1969. Krivit’s edit highlights the parade of lush sonic textures that ornament the hip composition, from the iconic, exquisitely echoed bass-clap-exhale riff that opens the song to the cascading Hammond organ solos of Rod Argent. “It’s a song from my childhood that really struck a chord,” Danny says. “Over the years I often played a rough edit which always seemed to go over great. The song seemed to get better and better, and age like fine wine.” We agree!

These two songs have both appeared on previous (separate) MEU 12-inches, but are presented here in custom new edits for the 7-inch format.

30 YEARS ANNIVERSARY OFFICIAL 2024 Red VINYL REPRESS

Pure class as always from Gal Costa! The record is her first after the immediate Tropicalia years, and it's a stunning blend of styles that seems to draw heavily from changes going on in the American rock scene at the time. The core of the music is still steeped in Brazilian elements – but there's a lot of influences coming into play on the album, like bluesy rock phrasing, showy nostalgia-heavy arrangements, psychedelic production elements, and some of the baroque orchestrations that would show up on Gal's later albums in the 70s.

This is the very limited marbled vinyl version of the repressed Lords of The Null Lines EP.

Here we have the beautifully remastered Foul Play and Foul Play ft Randall remixes of Lords Of The Null Lines. There is little to say about these definitive classics that has not already been said. You know ‘em, you love ‘em, they are essentials. However, the Danny Styles remixes are perhaps deserving of some explanation. There were created in the early 90s, and were cut, but quickly stopped by Moving Shadow as they were not really official remixes. A few test presses got out, and the result has been these remixes reaching a near mystical status in the passing decades, and the vinyl changing hands on discogs for absurd prices.
So it was with great pleasure that Hyper-On Experience and myself managed to broker a deal with Moving Shadow and Danny Styles to bring these amazing remixes to a legal and official release! It took over 25 years, but they can finally be bought...

"After years of audio exploration and creativity together, Bizarre Trax co-founders B.Love and oliver.r unveil their much-anticipated LOVE.R alias with a dynamite, four-track EP on the ever-vibrant Dias de Campo imprint. This powerhouse pairing has been on the label's radar for a while, and their Dos Cremaet Por Favor EP proves exactly why.

Brimming with intricate textures, playful grooves, and the duo's unmistakable flair for left-field dancefloor energy, each track delivers a heady mix of quirky rhythms and off-kilter beats that define each of their signature sounds. The A-side marks the grand entrance of LOVE.R with two innovative collaborations, while the flip lets each artist shine with a solo cut of their own.

And if that's not enough, you can catch these prolific tastemakers lighting up the decks at this year's festival. See you front left."

Limited singles releases from Ray Keiths seminal "Golden Years Part 2" Box Set!

Limited singles releases from Ray Keiths seminal "Golden Years Part 2" Box Set!

Limited singles releases from Ray Keiths seminal "Golden Years Part 2" Box Set!

Limited singles releases from Ray Keiths seminal "Golden Years Part 2" Box Set!

Limited singles releases from Ray Keiths seminal "Golden Years Part 2" Box Set!

Several years ago, the Disco Records DJ Crew members got their hands on a couple of original 70s obscurities, while these standout records shone brightly in their own right, the team finally decided to put them out as those obscure old records fetch eye-wateringly high prices on the second-hand market. Due to popular request & lovingly mastered to the highest possible standards, they are now available to play and share in very special moments at parties around the world. This will surely be one of the most keenly anticipated disco release of the year. For our first release, we are extremely proud to bring you at last, three very hard to find disco anthems on sides A & B in their glorious full extended versions

This brand new EP from Hyper-On Experience maintains the incredible inventiveness we have come to expect from Hyper-On, but this time, blends it with some of the EZ Rollers style. Each track is the very definition of authentic and innovative old skool and jungle, and this is sure to be a much love classic in years to come!

This is a limited color repress of the enormous anthem, the Shy FX remix of Rsay Keiths "The Chopper". This track was inescapable for years as a dancefloor anthem, and remains one of Ray's most sought after jungle classics...

Don’t let yesterday take up too much of today.

From Harmony: I've wanted to do a collab EP with Kenny (Kid Lib) for sometime, as he's a great producer and friend. Kenny and I wrote "Dressback" together a few years ago, but never finished anymore colabs. Recently, I found it while going through my hard drive, and we both decided it still needed to be released. So each of us wrote an additional track to finish off the EP, giving you a bit of our separate styles alongside our collab.

This second EP from Alex Jungle comes with the standard amount of chaos and confusion, what with it being titled Chapter Three. But once again, Alex drops four demented breakbeat tracks, flexing his muscles with both the old skool and the classic jungle styles, yet keeping his eyes on progression and innovation. The only thing better than having this Chapter Three EP would be having Chapter Two as well.

Alex Jungle returns to Kniteforce after a small break, with some BIG breaks. Chapter Two (there is no Chapter One...yet) sees Alex drop four incredible breakbeat tracks, leaning into the happy vibe but always tough and technical and with a style unique to himself..the only thing better than this Chapter Two Ep would be...Chapter Three....

Back on wax after 13 years, Chris Rea – “Josephine” (MB Edits Repress) is pure Balearic gold — with Chris Coco’s legendary sunset touch and a deep B-side groove from Dalminjo, this is the one DJs have been hunting for.

Repressed at GZ media with the original galvano.
Remastered version, and recut version.
Double pack picture disc with Zeotrope animations.
Packed in a gatefold printed sleeve.

A live set from 2002, of pure Tribe, speedy and banging. Was pressed on CD a few years ago and finally cuted on vinyl.

SUPERB !!

The Beatles played two shows at the Montréal Forum on September 8th 1964, a matinee at 4pm and an evening performance at 8pm and at 6pm they held a press conference for Canadian Broadcasting Corporation from the Forum’s stage. A local newspaper had reported that somebody was going to kill Ringo, so instead of staying the night in Montréal, they flew out straight after the evening show and arrived at Key West at 3.30am where hundreds of fans were awaiting them. After a day off in Miami, the group performed at the Gator Bowl in Jacksonville, Florida the following night.
We have done the best we possibly could with these admittedly lo-fi yet important historical recordings. The source is AM radio and there is considerable distortion on the vocals. The broadcast was faded out halfway through A Hard Day's Night so the last two songs of the show, I Want To Hold Your Hand and Long Tall Sally were not transmitted.

2026 Repress

Mr. G, aka Colin McBean, presents a remastered, 23-track compilation entitled 'OG Retrospective'

'The day I found my original studio masters and got my rights back was the starting point, and then I realised it's 25 years on and it's time to recode, remaster and reevaluate because I've never looked back properly. I've always been like a bat out of hell, never quite thinking I'm good enough or great at what I do, but it's important to celebrate, because there's nota lot of people still here, still doing it after this length of time'.

With new masters provided by Simon at the renowned London mastering house The Exchange London, a direct link to the original mastering done by the late-Nilz (Nilesh Patel) from The Exchange, Mr. G's 'OG Retrospective' marks a reflective period in McBean's life.

'All I've ever done is write and move forward, but more and more, I get the new generation sending me videos of my old tracks and sometimes I don't even recognise them, so finally I thought, 'ok, you're comfortable in your own skin, let's really see how you sounded at the beginning, how you've changed, how have the techniques changed'?

It was quite raw going back over these; some of the memories are riddled with pain and angst - friends dying, where I was in my life at the time, having a heart attack and so on. Having a sound, too, can be a cross to bear. You're only ever competing with yourself, your only game is being better than your last game, so if you dwell on the past too much you can't move forward. Getting to the point where I can look back and feel happy, feels good.

Invariably, what will come from this is 'more', because, with my own label I have endless possibilities and will continue telling my story.'

Mit "Tourist History" veröffentlicht die britisch-irische Indieband Two Door Cinema Club eines der einflussreichsten Debütalben der 2010er Jahre in einer besonderen 15th Anniversary Edition. Das Album, das 2010 erschien, gewann den Choice Music Prize als Irish Album of the Year und markierte den Start einer Weltkarriere, die von Festival-Headliner-Shows bis zu über 1 Milliarde Streams von "What You Know" führte.

Zur Feier des Jubiläums erscheint Tourist History in drei liebevoll gestalteten Formaten - inklusive bisher unveröffentlichter Remixe und Raritäten.

Seit dem Garageprojekt in Bangor haben Alex Trimble, Sam Halliday und Kevin Baird eine beeindruckende Karriere hingelegt - mit Top-10-Alben wie Beacon, Gameshow, False Alarm und Keep On Smiling und ausverkauften Touren weltweit. Diese Jubiläumsausgabe ist ein Muss für Indie-Fans und Sammler - ein Meilenstein moderner Gitarrenmusik.

Released in 1972 as the follow-up to the previous year's classic CTI album with Stanley Turrentine, Now is Astrud Gilberto's tenth studio album and her only recording on Perception, and wow does she make the most of the musicians available to her on this recording. Produced by Astrud herself and with all songs arranged by fellow Brazilian Eumar Deodato, the all-star line-up on Now includes Deodato on acoustic guitar, more Brazilian flavours from Airto Moreira on percussion, label vice-President and production genius Patrick Adams on Bass duties (along with Bob Cranshaw and Ron Carter), Dizzy Gillespie Quintet and Jazzberry Patch band member Mike Longo on keyboards and the mighty Billy Cobham on drums.

Tieum - Archives EP.1: A brand new Gobble Special, 24 years after its last release, the king of french early hardcore delivers a time capsule of hardcore history. Featuring never-before-heard tracks from over two decades!

'Nicolò's Static forays deep into liminal space, where signal decays, rhythm stutters and sub-pressure thrums.
'The four-track EP is the inaugural transmission from Nicolò’s own Exploring Records. Melancholy bleeds through the frequencies, yet the pulse remains restless, insectoid, off- kilter.
'Here we pace darkened corridors of flickering projections and half-remembered futures, setting the direction for what’s next...'

Next up in our Cuban Classics series, one of the jewels of record label Areito’s extensive and sought-after catalogue. Ricardo Eddy Martinez’s Expreso Ritmico from 1978 is a prized album fusing funk, disco, and orchestrated influences with Afro-Cuban percussion, Latin breaks, and lush vocal harmonies.

Whilst maintaining its distinctive Cuban identity, Expreso Ritmico is one of the more American / Western-influenced Cuban titles of the time drawing inspiration from jazz funk, disco, and library music. The album was directed, written, and orchestrated by keyboardist and drummer Ricardo Eddy Martinez, who was also the mastermind behind the orchestration of the Los Reyes 73 album (that was recently reissued by Mr Bongo). Martinez would later go on to work with international musicians and singers such as Gloria Estefan, José Feliciano, Chick Corea, and many more, whilst also working as a sound engineer in the US.

Produced by Adolfo Pichardo, who worked on much of Areito’s output, Expreso Ritmico is packed with gold. The opening title track carries a loose, breezy Latin-disco-funk vibe that breaks into a brilliant Afro-Cuban workout. ‘Que La Tristeza Se Fue’ was expertly sampled and looped by Jazzanova on their 2008 song ‘Look What You Are Doing To Me, featuring Phonte from the hip hop group Little Brother. Elsewhere, ‘Tambo Iya’ has an Afro-funk, Soul Makossa-esque groove, while tracks such as ‘Te Quedas’, ‘Mi Conga Es La Que Es’ and ‘La 132’ run with a heavy pulsating Latin-funk sound. Head to the sultry psych funk of ‘Este Tumbao’ for a spacey journey that blends and morphs through genres.

Unlike the main Magic Wand label, the imprint's offshoot 'Special Editions' series is a little more fluid about what it releases, with some EPs sporting original productions - many of which are admittedly sample-heavy - as well as re-edits. That's the case for this second missive from Matsoaka (real name Matt Lundgren). So, while the EP begins with a genuinely gorgeous and Balearic original cut (the dreamy and slow-motion folk-rock of 'Butterflies', featuring the emotive and harmonic vocals of Butterflies), much of the rest falls into the "Balearic re-arrangement" category. In this camp you'll find the immersive, trip-hop style dreaminess of 'Faith', the mid-80s Yellow Magic Orchestra-style Fairlight-sporting electro of 'Gin Yuzu', and the dollar bin brilliance of 'Sheriff' (a take on a Japanese city-pop cover of a reggae favourite).

MCRV019 – VA – Phase Drift. Passage is a graceful and emotionally nuanced four-track journey through modern deep tech house. Blending reimagined echoes of early 2000s deep sounds with forward-thinking production, the release moves between moods and textures with surgical control and quiet sophistication. It’s an EP that balances warmth and restraint, melancholy and motion — built for selectors who appreciate finely tuned emotional arcs.

A1. Stephano Franca – Arriving opens with a fluid, introspective piece. Gentle and melancholic, it glides with cinematic poise, drawing listeners into a state of suspended reflection.
A2. Dot – Distance Call introduces a percussive, tribal undercurrent — earthy and grounded, yet full of bounce. It energizes the space while maintaining depth and groove.

Flipping over, B1. Reenday – Last Call (Nicolas Barnes Remix) brings a refined sense of cold elegance. Dubby and atmospheric, it’s a minimalist piece that evokes distance and stillness — a cool breath in the night.
Closing the release, B2. Jeronimo Watson – On The Prowl is a deep tech gem — emotive, seductive, and sharply detailed. With a slow-burning energy, it brings the record to a confident and composed close.

From Brazilian talent Stephano Franca to Dot and Nicolas Barnes, two of the label’s most precise and consistent producers, and rising standout Reenday, a finalist of the ANTS: NEXT GEN Artist Program 2025, this release represents the current essence of MixCult. It is sealed by the distinct touch of Jeronimo Watson, whose Los Angeles–rooted sound closes the circle with style.

Phase Drift. Passage is not just a collection of tracks — it’s a refined toolkit for navigating emotional shifts and dancefloor narratives, framed by elegance and intention.

Limited Edition.

Repress.


Minimoonstar' on the first record, gets a special underwater treatment by ex-Londoner Shackleton (Skull Disco). On the A-side, we find a special 12"edit of the original, to make it fit on wax. The full-lenght version will be supplied with the CD (PERL69CD), expected sometime later this year. This time the remix gets delivered by Amsterdam based San Proper, who is known for his superb releases on Rush Hour.

Can’t go over it. Can’t go under it. Gotta go through it. And somewhere out there in the Pitch black beyond all darkness lies Peace & Purpose. The horizon you never quite crest until the inevitable end. Breathe deep — this fearful moment is the most alive you’re ever gonna feel. For the last decade, Crack Cloud’s vision has grown ever more expansive, more cinematic. Last go around, they dropped from The Heavens and then performed with their bare backs to an endless darkening desert. Now they’ve crammed all that life into some metallic and strange object called Peace & Purpose. All the terror of living. All the helplessness. All the raw human will. All glued and screwed and locked into this impossible tactile shape of dungeon dub; sour milk vox; Avant-protest music. Music arm wrestling itself to the ground. Far afield of beauty. The discordant symphony of factory farming and grim timber of the meat processing plant. The grinding din of the cogs. And yet, never giving up in spite of all good sense. Even in death, we are a coterie of survivors. Look now: There’s Terry Fox on his one-legged Marathon of Hope across The Great White North while cancer spreads through his lungs. A self-annihilating drive to feel alive. Rage against the dying of the light, they say. Well, how ‘bout it then!??! Peace & Purpose is not in any way some art project meditation on Punk Rock. It is Punk Rock. Terrifying, inspiring, vital, invigorating and most importantly, utterly unexpected. Every goddamn stupid day is a sublime slice of fresh hell. That’s the point. Gotta go through it. Wishing you Peace & Purpose — if only in that last big breath.

Collecting Orders for 2025 repress

...of seminal Mr. Fingers album 'Amnesia', available officially for the first time in 32 years on Larry Heard's own Alleviated Records. This remastered collection of early Mr. Fingers works is an absolute must have.

Side A
Don’t It Drive You Crazy (Break Edit) — The Pointer Sisters
Originally from the 1978 LP Energy, this is prime disco-era Pointer Sisters. The OG cut is beloved for its rolling rhythm section, and this edit zones straight in on the drum passages DJs & beatmakers have quietly relied on for years. Tight, punchy & perfect for looping under blends or quick cut-ins.

Side B1
In My Body’s House (Sample Drum Break Edit) — Gene Chandler
Lifted from Gene Chandler’s 1979 album Get Down, a late-career disco-funk gem. The drums here are the story: steady kick, crisp hats & a pocket that sits comfortably across disco, boogie & hip-hop-adjacent sets. This edit isolates the break for maximum flexibility behind the decks or in the studio.

Side B2
Don’t It Drive You Crazy (Sample Drum Break Edit) — The Pointer Sisters
A second, more surgical take on the same Pointer Sisters groove, focused almost entirely on the drum break itself. Think intros, beat tools & sample-ready loops.

Bottom line
A straight-up DJ weapon from start to finish. Disco breaks, clean edits & zero overthinking.

...Three years ago, we had our first contact with this mysterious being from another galaxy, and since then it has been spreading its AURA and relentless sound to everyone it has encountered. We don't really know where this is all heading, but a strange force pushes us to keep moving forward, spreading the sonic message of ALIEN RAVE in plastic format until it decides otherwise. We have no choice; the expansion continues...