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LODE

(by Memory Remains)
present,
unknown,

but well-known artist,
limited,
Vinyl only.

VINYL ONLY! LIMITED EDITION!

deep dub techno for contemplative explorations

Another secret chapter of Flexi’s sister label “Incognito Trax”, dedicated to mysterious vibes, unexpected remixes and strictly party tracks.

200 copies vinyl only ~ no repress!

5-track vinyl-only release by Basse-cour label boss Decoq, delivering a raw, unapologetic slice of hard techno. Drawing light inspiration from the early '90s rave scene, this EP channels the gritty energy of industrial warehouses and the euphoria of underground dance floors. Thunderous kicks, gritty textures, hypnotic rhythms, haunting synths, and relentless grooves collide in a collection that pays homage to the roots of rave while keeping its sights firmly set on the future: this is a must-have for selectors who thrive on pure, unadulterated energy.
A visceral journey into the heart of techno’s rebellious roots and a pure dance floor ammunition for true heads.


Vinyl- Only Ep in 5 tracce firmato da Decoq, boss e anima dell’etichetta Basse-cour, che offre una cruda e inarrestabile dose di hard techno. Vagamente ispirato alla scena rave dei primi anni '90, questo EP incanala l’energia ruvida dei magazzini industriali e l’euforia delle piste da ballo underground. Casse martellanti, texture grezze, ritmi ipnotici, sintetizzatori inquietanti e groove implacabili si fondono in una raccolta che rende omaggio alle radici del rave, guardando al contempo verso il futuro.
Un must-have per i selector che vivono di energia pura e incontaminata: un viaggio viscerale nel cuore ribelle del techno e una vera arma da dance floor per gli intenditori.

Gangsta rap history makes a comeback for RSD 2025 with the re-release of Tweedy Bird Roc’s 1994 album, 'No Holds Barred.' This album, which was previously only available on CD, is now available for the first time as a LP vinyl after 30 years. It was the second and final project produced by the Compton rapper, who passed away in 2020 at the age of 52. One of his most significant achievements was organising and recording a collaborative album featuring both Bloods and Crips rappers and gang members (Tweedy Bird Roc, an active Crips member), aiming to promote peace between the rival gangs. Limited edition.

The new vinyl release from Andrey Loud represents the quintessence of dancefloor minimalism. Prepare for an immersive journey into deep sonic spaces, where meticulous attention to detail meets vibrant dance energy. Special mention goes to the remix of “Humanity” by Ki.Mi., offering a fresh perspective on the original composition. This release is crafted for true minimalism enthusiasts and vinyl collectors. Each track has been carefully selected to come alive on the label’s signature vinyl.

Mastering by Kashatskikh Studio
Design by Kirill Kashatskikh
Vinyl Only

TELUM IS BACK


After a year wait the label returns with 3 heavy hitters from the unknown that have been creating big energy on dance floors around the world.


Chapter 13 of the TELUM story is one that won’t be forgotten.


As usual, vinyl only with limited copies.

The needle drops, and with it, a fresh chapter in the world of re-edits comes to life. This electrifying

new EP offers four masterfully crafted tracks, each one a gateway into a distinct musical world.



From epic anthems to intimate grooves, these cuts promise to leave a lasting imprint on the dancefloor.



Vinyl-only, limited edition—this is not one to miss.



A1 - Rewind The Drill Step back in time with an epic late 80’s anthem that channels the power and

raw energy of a golden era. With thunderous beats and soaring melodies, "Rewind The Drill" is an

instant classic that bridges past and present with finesse and force.



A2 - Pizzichella An ode to Tokyo’s iconic 90’s Shibuya Kei movement, "Pizzichella" is a vibrant

tribute to a beloved scene. Melding playful nostalgia with modern production, it’s a kaleidoscope of

sound that’s as colorful as the streets of Shibuya themselves. A must-listen for fans of cross-cultural sonic adventures.



B1 - Jara Sevo Immerse yourself in the haunting beauty of "Jara Sevo." With a Balkan-inspired feel, this melodramatic anthem evokes the chill of a winter’s night and the warmth of love’s glow.

Poignant strings and cinematic swells make it a standout moment of emotional resonance.



B2 - Come Vanno i Grøøvöni Closing out the EP is "Come Vanno i Grøøvöni," a sweet, romantic

groovy house cut that’s as gentle as it is infectious. Smooth, soulful, and effortlessly cool, it’s the

sound of a perfect night in motion. With lush pads and subtle swing, it’s the kind of groove that’s

impossible to resist.



Limited Edition, Vinyl Only As always, exclusivity is key. This EP is a one-time pressing, and once

it’s gone, it’s gone for good.



Collectors and DJs, take note: this is a sonic treasure you’ll want in your arsenal.



Stay tuned for release details and grab your copy before it’s too late. Four tracks, four journeys—and one unforgettable record.

Presenting the second vinyl release of Chez Doc, featuring Call Intro, Oter Order, Joshko and its owner Vikk. Black Shiokara refers to a traditional Japanese elaboration of the squid, which is presented only in his own black ink.

The record is designed not only for peak time moments, but it varies from House in its pure essence, to Breakbeat, to dreamy Deep-House and Rastafari Vocals. The EP embodies the spirit of unpolished, pure dance music, making it a must-have soundtrack for anyone seeking a record for different moments.

Caleto Records proudly presents the 8th vinyl release ! This time V.A compilation "Caleto Sampler 03" with only Polish producers !! Etat Cru duo (Olszewski and Pawlescu) , Jerry M , Robsessive and SIM.ON
100% made in Poland ! Limited copies !

"Petrol", one of Manu Kenton's most iconic tracks, makes its highly anticipated return in a limited edition that will appeal to both collectors and techno enthusiasts. This special version features not only the original track, but also exclusive remixes that reinterpret the piece from different angles, offering a diverse and exciting sonic palette.

Manu Kenton, staying true to his creative genius, revisits his own track by adding an energetic and catchy vocal, bringing a fresh new dynamic to the already electrifying atmosphere of the original.
The Gregor Size remix is a true powerhouse: dynamic, industrial, and powerful, it transforms "Petrol" into a heavy, punchy piece, with dark textures and irresistible rhythms that leave a lasting impression.
Greg Denbosa, on the other hand, delivers a progressive techno remix, with a dynamic and repetitive beat that builds tension, creating a hypnotic experience perfectly suited for the dancefloor.
Finally, Bestien offers a nervous, straight, and punchy version, ideal for the peak moments of a night. His explosive remix ramps up the intensity on the dancefloors, with raw energy and power that demands attention.

Visually, this vinyl stands out with its "Yolk" effect, a unique blend of white and white with luminous accents, creating a striking and modern design that will enhance any collection.

Français

"Petrol", l'un des morceaux les plus emblématiques de Manu Kenton, fait son grand retour dans une édition limitée qui séduira aussi bien les collectionneurs que les passionnés de techno. Cette version spéciale inclut non seulement la version originale du titre, mais aussi des remixes inédits qui réinterprètent le morceau sous des angles différents, offrant ainsi une palette sonore variée et excitante.

Manu Kenton, fidèle à son génie créatif, revisite son propre morceau en y ajoutant un vocal énergique et entraînant, donnant une nouvelle dynamique à l'atmosphère déjà électrisante de l'original.
Le remix de Gregor Size est un véritable tour de force : très dynamique, industriel et puissant, il transforme "Petrol" en une œuvre lourde et percutante, avec des textures sombres et des rythmes irrésistibles qui marquent les esprits.
Greg Denbosa, quant à lui, propose un remix techno progressif, avec un beat dynamique et répétitif qui crée une tension croissante, offrant une expérience hypnotique et parfaitement calibrée pour les sets dansants.
Enfin, Bestien livre une version nerveuse, droite et percutante, idéale pour les moments intenses d'une soirée. Son remix explosif fait monter l’intensité sur les dancefloors, avec une énergie brute et une puissance qui ne laisse personne indifférent.

Visuellement, ce vinyle se distingue par un effet "Yolk", un mélange unique de blanc et de rouge lumineux, créant un visuel frappant et moderne qui enrichira toute collection.

Joe Smooth’s 1987 house anthem 'Promised Land' is arguably one of the most recognizable records of its time. While touring in Europe with Farley 'Jackmaster' Funk, Joe Smooth noticed the growing popularity of house music across the continent. Inspired by his love for Motown records, he wrote a track that expresses themes of positivity and inclusion, resonating with ravers worldwide. This record is an essential addition for ravers and music lovers alike—it's a significant piece of history now available once again on LP, and also includes the previously unreleased and forgotten gem from '87, 'Inside My Mind', which has now been dug from the vaults and remastered for this new pressing. This version is only available for RSD, on 'dove white' vinyl, in celebration of the title track and house anthem, Promised land.

Black Vinyl Repress

We have a proud introduced 4th vinyl-only release from our original series, featuring Romanian artists Funky Trip with two original cuts and Barac on remix duties. Titled “Alpha EP”, the record delivers a solid dose of inspiring minimal rhythms mastered by Mike Grinser at Manmade Mastering Berlin.


Funky Trip stands out from the Romanian new wave of electronic music producers, exploring an endless universe of distinct sounds and emotions reflected on his releases with Rawax, Nazca, Stamp Records, Artreform and others. On this EP, he invites acclaimed local artist Barac of Moment Records to join in and leave his fingerprint on the title track, laying out a soothing rhythm influenced by psychedelic elements.

Side A opens with the title track, “Alpha”, an immersive minimalistic composition powered by dreamy background atmospheres, swinging drumming patterns, a solid wobbling bassline and mysterious vocals that seamlessly intertwine with tension-building chords and breathing moments. Following, “Dreams” gets a bit more groovy, focusing on the percussion, the punching keyboard stabs and the phased effects that run throughout the track, all while having a subtle touch of melancholy radiating from the piano and complementary layers.

On the flipside, we find Barac‘s reinterpretation of A1 dropping a twisted progressive sound that constantly evolves as wave upon wave of spiralling synths and chugging drums mix in a massive dancefloor tool perfect for peak-time moments at any party.

Artwork by Jose Alvarez


Early support by Gescu, Sepp, Nu Zau, Mihai Pol, Sublee, Charlie, Lumieux, Tania Vulcano, Costin RP, Iuly.B, Crihan, Primãrie, Zenk and more..

Cosmic Tribe Records proudly presents XTRICTLY ELEKTRO, a groundbreaking vinyl series dedicated to the raw energy and precision of Electro. This debut release brings together a stellar lineup of artists, including EC13, 5ZYL, Nachtwald, Spectrums Data Forces, Wicked Wes, and Calagad 13, each delivering their unique sonic signature to craft a dynamic and immersive listening experience.

Merging the razor-sharp precision of contemporary Electro with the timeless essence of its underground roots, this compilation offers a journey through deep basslines, intricate drum programming, and futuristic atmospheres. The result is a collection that not only pays homage to the genre’s pioneers but also pushes it into new, uncharted territories.

Over the last ten years, Brazil’s Millos Kaiser has cultivated a reputation as a top-ranking selector passionate about bringing his home country’s underappreciated music to the world. After starting as a punk and indie musician in Niterói, Rio de Janeiro, he turned his hand to DJing in the late 2000s and relocated to Sāo Paulo. There, he spent the 2010s rocking city squares, warehouse parties and street parties with DJ Trepanado in the Selvagem duo before cofounding the celebrated Selva Discos label in 2017.

Since 2019, Millos’s focus has shifted to his solo DJ career and ventures as an edit maker, reissue compilation curator, audiophile bar co-owner, and now producer. Planet Trip Records has been very good friends with Millos for a long time and is very pleased to present his first original release, the Te Quero Perto (I Want You Close) EP, available in vinyl and digital formats.

Assembled like a DJ-friendly 12” for late 20th-century nightclub specialists, Te Quero Perto kicks off with Millos’ original ‘club mix’ and an accompanying ‘instrumental’ version (digital.only). Driven by an uptempo machine beat straight out of the mid-'80s, rave pianos, 303 acid bass, and an explosive Brazilian pop vocal sung by Juju Bonjour, it’s an absolute belter of a tune and a masterclass in in-period styling.

Elsewhere on the EP, Millos’s European friends Lipelis & Orion Agassi turn in an equally belting Latin Freestyle remix in vocal, dub and instrumental mixes (instrumental is digital only). Rounding things out, fellow Rio de Janeiro producer Paco Cabana throws the tune into a cocktail shaker before pouring a sunkissed, percussion-heavy reimagining for us to sip on. Front to back, it’s an all-killer, no-filler debut from a generational talent.

Second radioactive blast of previously unreleased techno from the 90s and 2000s on the vinyl only label Kilotoni. Peak time acid techno with minimal funkiness on the flip side.

This is the ninth instalment of the vinyl only PIV Limited series, where we focus on the deeper side of house music so we don’t lose touch with the lovely world of the underground.

50th ANNIVERSARY EDITION
Heavyweight Vinyl 45 RPM Cut / Original glued prints on Thick Cardboard 700 gram / 2 Separated parts hand-glued / Glossy lamination / PVC outer / 30x30 cm insert with interview to Steve Kuhn by Tony Higgins printed on 250 gram Favini Lanilla Yellow / 20 Pages 21 x 30 cm "Real Book" with transcripts of the songs in the "Real Book" style, handwritten by The Maestro Carlo Spanò with main theme, chords and lyrics printed on 120 gram Shiro Eco paper, 100 gram Favini Crush Alghe. Carlo also edited an introduction with technical analysis of the session, which solves some of the little mysteries around this music gem.

Personnel:
Steve Kuhn - Vocals, Piano
Airto Moreira - Percussions
Billy Cobham - Drums
Ron Carter - Bass
Gary McFarland - Arranged by


Notes:
The album features the group playing Gary McFarland arrangements of Kuhn's compositions, accompanied by a string section on several tracks, with Kuhn delivering stream of consciousness lyrics in an unplanned and largely improvised fashion in the studio. However, that wasn't the only surprising aspect to the session. Airto Moreira's appearance was more by chance than design, he having just popped by the studio, again, unplanned. The 'Steve Kuhn' album is all the stronger for these extemporaneous and serendipitous elements and showcases a band at the top of their game; tight and funky yet relaxed and flowing like molten gold, with stabs and washes of keyboard from Kuhn. Splashes of free playing enter the session, but the band never stray too far from a melodic and harmonious centre of gravity. Kuhn's deft keyboard skills provide melodic embroidery to the impressive rhythmic textures and tonal colours of Carter, Cobham and Moreira. As if the music wasn't enough, the album is given extra significance by the fact that, within a few months of the recording, McFarland would die after being mysteriously poisoned by methadone in a New York bar. In a sense, it is a valedictory album from McFarland, channeled by Kuhn and the band.

It's among the hardest of Kuhn's albums to find so this reissue is most welcome. Luxuriate in the glow of Kuhn's Fender Rhodes and the pliant funky bass of Ron Carter; immerse yourself in the percussive interplay of Moreira and Cobham, a pairing that has rarely sounded so good. This is such an exquisite album; you will lose yourself in its delicate power and find yourself coming back to it again and again.

Googling “paradise house”, the first results to pop up are an endless list of European b&b’s with whitewashed lime façades, all of them promising “…an unmatched travel experience a few steps from the sea”. Next, a little further down, are the institutional websites of a few select semi-luxury retirement homes (no photos shown, but lots of stock images of smiling nurses with reassuring looks). To find the “paradise house” we’re after, we have to scroll even further down. Much further down.

It feels like yesterday, and at the same time it seems like a million years ago. The Eighties had just ended, and it was still unclear what to expect from the Nineties. Mobile phones that were not the size of a briefcase and did not cost as much as a car? A frightening economic crisis? The guitar-rock revival?! Certainly, the best place to observe that moment of transition was the dancefloor. Truly epochal transformations were happening there. From America, within a short distance one from the other, two revolutionary new musical styles had arrived: the first one sounded a bit like an “on a budget” version of the best Seventies disco-music – Philly sound made with a set of piano-bar keyboards! – the other was even more sparse, futuristic and extraterrestrial. It was a music with a quite distinct “physical” component, which at the same time, to be fully grasped, seemed to call for the knotty theories of certain French post-modern philosophers: Gilles Deleuze, Félix Guattari, Paul Virilio... Both those genres – we would learn shortly after – were born in the black communities of Chicago and Detroit, although listening to those vinyl 12” (often wrapped in generic white covers, and with little indication in the label) you could not easily guess whether behind them there was a black boy from somewhere in the Usa, or a girl from Berlin, or a pale kid from a Cornish coastal town.

Quickly, similar sounds began to show up from all corners of Europe. A thousand variations of the same intuition: leaner, less lean, happier, slightly less intoxicated, more broken, slower, faster, much faster... Boom! From the dancefloors – the London ones at least, whose chronicles we eagerly read every month in the pages of The Face and i-D – came tales of a new generation of clubbers who had completely stopped “dressing up” to go dancing; of hot tempered hooligans bursting into tears and hugging everyone under the strobe lights as the notes of Strings of Life rose up through the fumes of dry ice (certain “smiling” pills were also involved, sure). At this point, however, we must move on to Switzerland.

In Switzerland, in the quiet and diligent town of Lugano, between the 1980s and 1990s there was a club called “Morandi”. Its hot night was on Wednesdays, when the audience also came from Milan, Como, Varese and Zurich. Legend goes that, one night, none less than Prince and Sheila E were spotted hiding among the sofas, on a day-off of the Italian dates of the Nude Tour… The Wednesday resident and superstar was an Italian dj with an exotic name: Don Carlos. The soundtrack he devised was a mixture of Chicago, Detroit, the most progressive R&B and certain forgotten classics of old disco music: practically, what the Paradise Garage in New York might have sounded like had it not closed in 1987. In between, Don Carlos also managed to squeeze in some tracks he had worked on in his studio on Lago Maggiore. One in particular: a track that was rather slow compared to the BPM in fashion at the time, but which was a perfect bridge between house and R&B. The title was Alone: Don Carlos would explain years later that it had to be intended both in the English meaning of “by itself” and like the Italian word meaning “halo”. That wasn’t the only double entendre about the song, anyway. Its own very deep nature was, indeed, double. On the one hand, Alone was built around an angelic keyboard pattern and a romantic piano riff that took you straight to heaven; on the other, it showcased enough electronic squelches (plus a sax part that sounded like it had been dissolved by acid rain) to pigeonhole the tune into the “junk modernity” section, aka the hallmark of all the most innovative sounds of the time: music that sounded like it was hand-crafted from the scraps of glittering overground pop.

No one knows who was the first to call it “paradise house”, nor when it happened. Alternative definitions on the same topic one happened to hear included “ambient house”, “dream house”, “Mediterranean progressive”… but of course none were as good (and alluring) as “paradise house”. What is certain is that such inclination for sounds that were in equal measure angelic and neurotic, romantic and unaffective, quickly became the trademark of the second generation of Italian house. Music that seemed shyly equidistant from all the rhythmic and electronic revolutions that had happened up to that moment (“Music perfectly adept at going nowhere slowly” as noted by English journalist Craig McLean in a legendary field report for Blah Blah Blah magazine). Music that to a inattentive ear might have sounded as anonymous as a snapshot of a random group of passers-by at 10AM in the centre of any major city, but perfectly described the (slow) awakening in the real world after the universal love binge of the so-called Second Summer of Love.

For a brief but unforgettable season, in Italy “paradise house” was the official soundtrack of interminable weekends spent inside the car, darting from one club to another, cutting the peninsula from North to centre, from East to West coast in pursuit of the latest after-hours disco, trading kilometres per hour with beats per minute: practically, a new New Year’s Eve every Friday and Saturday night. This too was no small transformation, as well as a shock for an adult Italy that was encountering for the first time – thanks to its sons and daughters – the wild side of industrial modernity. The clubbers of the so-called “fuoriorario” scene were the balls gone mad in the pinball machine most feared by newspapers, magazines and TV pundits. What they did each and every weekend, apart from going crazy to the sound of the current white labels, was linking distant geographical points and non-places (thank you Marc Augé!) – old dance halls, farmhouses and business centres – transformed for one night into house music heaven. As Marco D’Eramo wrote in his 1995 essay on Chicago, Il maiale e il grattacielo: “Four-wheeled capitalism distorts our age-old image of the city, it allows the suburbs to be connected to each other, whereas before they were connected only by the centre (…) It makes possible a metropolitan area without a metropolis, without a city centre, without downtown. The periphery is no longer a periphery of any centre, but is self-centred”.

“Paradise house” perfectly understood all of this and turned it into a sort of cyber-blues that didn’t even need words, and unexpectedly brought back a drop of melancholic (post?)-humanity within a world that by then – as we would wholly realise in the decades to come – was fully inhuman and heartless. A world where we were all alone, and surrounded by a sinister yellowish halo, like a neon at the end of its life cycle. But, for one night at least, happy."

Limited, Vinyl Only, Mastered by DJ Steaw, Mixdown by Matt Flores.
Made in Europe

Forgotten Paradise is a new vinyl series from Western Lore, focussed on exploring the full breakbeat hardcore &
Jungle Tekno tempo range through a collection of 12” singles & EPs

After an under the radar, vinyl only bootleg 12” kicked off the series in 2024 (and flew out so rapidly on Bandcamp, none of the ltd run of copies made it to retail), FP2 sees Dead Man’s Chest & Thugwidow roll out two gully slices of 140bpm(ish) hardcore heaven, with a naughty 160 jungle edit thrown in for measure.

Breaks, vocals, bleeps, pads, pianos, mentasms and a hefty measure of bass, all thrown in the mix and weaved together in Dead Man’s Chest & Thugwidow’s signature waved out styles.

The legendary album „Lento Violento...E Altre Stori“ by Gigi D‘Agostino is now available in an exclusive 4LP edition—a must-have for vinyl enthusiasts and electronic music fans! Originally released in 2007, this groundbreaking album is a milestone in electronic music history, introducing Gigi D’Agostino as the pioneer of the unique „Lento Violento“ style—a fusion of melodic, slow-paced techno beats with powerful, aggressive rhythms.

This special 4LP edition not only preserves the diverse and dynamic tracklist of the original release but also enhances the experience with the unparalleled depth of vinyl sound. A true masterpiece, this album solidifies Gigi D‘Agostino‘s legacy as a visionary and innovator in electronic music. Secure your copy of this exceptional 4LP set and immerse yourself in the signature Lento Violento sound like never before!

Welcome to Hypnodose, a new vinyl-only project focused on hypnotic minimalist grooves, curated by Vek Neirbo, based in Denver USA.

The first Hypnodose record arrives courtesy of Chicago's Max Jacobson, featuring three deeply hypnotic and groovy original cuts.

Romania's Lizz supplies a chunky rendition of the title track on the B-Side, a groove suited for the peak hours.

2026 Repress After the memorable performance at Mostra festival, the electronic music group Sonic Wave Collective aka SWC, formed by the producers Absis, Cyklos and Spear, release their first vinyl record for Arketip Discs. SWC introduce a new avant-garde voice to the underground scene, weaving a mesmeric narrative that combines textures of introspective and refined techno with a very personal style.

This debut features six cuts that reveal the trio's diversity of influences and sonic sophistication.

Forest on Stasys is a renowned Argentinian artist who not only runs Aura Sonora, and is Co-Founder of Danza Nativa, but has released music on Claudio PRC's 012, Harmony Rec, and Fur:ther Sessions amongst others.

150 copies special limited edition 180 Gr - Only Vinyl

Celebrating 40th anniversary of Yves Deruyter's musical career with this 10 x 12" Vinyl Box Set. Including tracks from F.U.S.E. vs LFO, Tronikhouse, Robert Armani, L.S.G., Edge Of Motion, Plastikman, The Prodigy, Ecstasy Club, and the master himselfYves Deruyter.



Yves Deruyter - 40 Years at the Pinnacle of the Night

Forty years. A rollercoaster of a musical career, meandering through five decades, leaving timeless marks on the collective dancefloor memory. Yves Deruyter is the exception that proves the rule. An icon behind the decks, celebrated far beyond national borders for his legendary sets, impeccable musical choices, and the anthems released under his name. The result of collective effort, where Yves, with his vision and unique touch, consistently left his mark-transforming good tracks into inescapable bombs that still resonate through time.

If you've spent forty years living to the pulse of music, the night is in your DNA. Yves Deruyter, a DJ to the core-the real deal. The man who bent the night to his will, dragging weekend vibes into the workweek like a warrior, a true master behind the turntables who made his people dance. His beats: the oxygen that generations lived on.

Yves sharpened his musical weapons in the early '90s within the iconic afterparty scene of Barocci and The Globe-places that became sanctuaries in Belgium's endless night. Here, die-hard dancefloor warriors, cutting-edge music lovers, and night owls from the four corners of the globe gathered. They willingly followed Yves' masterful mixing and his razor-sharp set construction. Clubs with a more conventional timeframe were the next step, with the iconic Cherrymoon as his home base for years-alongside endless guest DJ spots and global gigs. From there, the underground pulsed through Yves' hands and crates, reaching ever-larger crowds-without ever compromising for commercial or crossover sounds. Yves stayed true to his choices, lifting his audience to euphoric heights like a craftsman, armed with his hits, hidden gems, and freshly unearthed nuggets.

From the pounding energy of Rave City to the flippy, epic flashes of Calling Earth-tracks that not only captured the spirit of the times but conquered dancefloors worldwide. This isn't just music; it's a time capsule-a connection between generations and a reminder of the energy from a golden era.

With musical partners like Roel Butzen, Frederico Santini, M.I.K.E. Push, and more recently, Insider, Yves forged a sound that etched its place into rave and dance history. From The Rebel to The House of House, parts of Yves' musical taste have become immortal pillars of dance music heritage. In the early rave days, he topped Belgium's DJ rankings year after year, elevating every club he played to the highest echelons of popularity. The same held true for the records where his name appeared like a badge of honor.

From The Globe to the globe itself-it seemed almost written in the stars. Yves, thestar DJ, became one of the instigators of the electronic music storm that put Belgium on the global map-a storm that never subsided. Festivals like Love Parade, Mayday, I Love Techno, Nature One, and Tomorrowland saw Yves as a trusted force, effortlessly commanding crowds and turning dancefloors inside out. Forty years later, that storm still ignites partygoers, vibrates through dancefloors, and keeps entire generations moving.

Even today, Yves still holds a steady residency with Yves Deruyter and Friends at Club Moustache, where his concept always sells out. Here, both fresh talent and seasoned DJs deliver a killer blend of modern electronic dance music and timeless classics, creating an atmosphere that hooks the crowd every single time.

Because partying doesn't need an excuse. But forty years? That deserves the spotlight-not as a mere milestone, but as a showcase of timelessness. Music mutates, reinvents itself for new generations, yet retains the same impact as that very first time. Yves proves that forty is just a number, and relevance isn't about trends-it's about vision, energy, and an unmistakable touch. His sets? Indestructible. His sound? A heartbeat echoing through time.

And Yves? He doesn't live in the past. Today, Yves distills those four decades into a compilation capturing the essence of his career. Belgian beats, interpreted and refined into a sound that powered raves around the world. Ten vinyls featuring not just a fiercely curated selection that contextualizes the magic of his early days, but also new versions of three unbeatable anthems-potent hits designed to turn dancefloors upside down in wonder, without losing a shred of their soul. Yves remains a beacon in the night, a searchlight for that one perfect beat-always relevant, always chasing that magical moment.

Yves Deruyter-a name spoken in the same breath as the greats of the scene. A ten-vinyl compilation is more than a celebration; it's a well-earned trophy. As unique, indestructible, and uncompromising as the man himself.

A two-track offering, available in limited quantities on hand-stamped white-label 7” vinyl. The A-side delivers an open, emotional piece perfect for opening dance floors or setting the tone for mixes, while the B-side brings a fierce, high-energy vibe, ready to deliver under pressure. A versatile addition to any record bag, this release offers exceptional fidelity at 45 RPM, optimized for any sound system.

VINYL ONLY

For their third release Ethos Records invites DimDJ. The well-established Greek artist digs deeper,
matching the label’s previous releases, delivering an unfiltered & raw sounding EP.
This will be sent to the record shops.
The release will be a limited pressing with each record featuring a hand stamped number on the label. Ethos Records is a vinyl only record label based in Athens, GR. It’s aim is to present music from carefully curated artists that are consistent & true to their sound regardless the current trends or hype.

Recut, the elusive DJ and producer whose roots trace back to Southern Italy but whose sound resonates globally, is back with a scorching new release titled "Narcotic Tango". This four-track EP, out on vinyl only, is a deep dive into the raw energy of Acid House and Chicago's underground, delivering an unforgettable experience for both DJs and dancefloors alike.

Opening with "Narcotic Tango", Recut lays down a track with intense rhythmic drive. The throbbing bassline and shimmering hi-hats combine with a tantalizing arpeggio that elevates the track to a hypnotic level. It’s a club banger with an irresistible groove, and once you’ve heard it, you won’t forget it. Next up, "Acid Street" transports listeners into a world of deep, dark synthetic atmospheres. The pounding drum machine and the rumbling analog bassline carry the track forward like an unstoppable force, while the overall vibe conjures a sense of gritty dancefloor energy that never lets up. "Jack On Acid" brings the heat with an unapologetically raw Chicago-inspired sound.

With a deep, looping acid groove and a steady, driving rhythm, it channels the essence of the Windy City’s storied dance music tradition, offering pure, unfiltered Acid House energy. Finally, "Feel The Heat" kicks things into overdrive with its infectious blend of New York house and Latin-infused vibes. This track is all about dancing until the break of dawn, breaking boundaries with its smooth yet aggressive energy and contagious rhythm. Recut’s unmistakable style shines through, blending the wild, experimental spirit of Acid House with the raw, soulful energy of Chicago House. Whether you're a vinyl collector, a club DJ, or simply a lover of pure dancefloor joy, this EP is an essential addition to your collection. A seasoned DJ and producer with a passion for underground sounds, Recut has been carving his name in the electronic music scene for years. With his eclectic mix of influences and cutting-edge production skills, he continues to push boundaries and captivate audiences worldwide.

SATYA is thrilled to announce the next chapter in its vinyl-only catalog: an evocative EP by São Paulo-based producer Dru. Scheduled for release on March 21, 2025, this record captures the serene yet dynamic energies of Dru's distinctive sound, blending aquatic themes with dubby textures and grooves.

Dru is a producer and DJ with a passion for minimal and microhouse. He has steadily risen through the scene, earning the support of luminaries such as Mihai Pol, Arapu, and Barac. With previous releases on his own labels, Totoyov and Microdots, Dru has honed a sound that is both personal and universal, reflecting his unique journey.

Rooted in the calming beauty of Brazil’s pristine beaches, Dru explains that the EP emerged during a reflective chapter of his life. "I was looking to produce tracks on a more dubby vibe," he shares. "The aquatic and fresh feel of the tracks reflects my connection to the sea and the tranquility I find there." This theme flows through the EP, offering listeners a refreshing escape into soothing yet intricate soundscapes.

The EP comprises two standout originals:

"Lax" captures a serene moment in Dru’s life, characterized by personal harmony and simplicity. The title itself is an 
abbreviation for "Relax," reflecting the calm state of mind during its creation.

"Afterbreak" marks a transitional period post-breakup, yet the track maintains a composed energy, symbolizing growth, 
renewal, and forward momentum. 
Dru draws on a broad spectrum of influences for this EP, from the African-reggae-inspired percussive touches to the intricate dubby aesthetics of Andrey Pushkarev’s Luck of Access label. These elements intertwine with Dru’s Brazilian roots, creating a fusion of global sounds with a personal twist. 
One of the most exciting milestones during the production process was securing remixes from Nicolas Duvoisin and Superlounge, both of whom enthusiastically joined the project early on. With contributions from these respected artists, the EP transcends boundaries, bridging dubby minimalism and deep house groove.

The vinyl-only release marks an exciting new chapter for Dru and SATYA. With its aquatic themes, dubby energy, and heartfelt storytelling, this EP promises to captivate both seasoned collectors and fresh ears alike.

Soul Jazz Records" Studio One Showcase 45 features a roll call of classic Studio One reggae legends including Horace Andy, Cornell Campbell, Bob Marley and The Wailers, Jackie Mittoo, The Heptones, The Skatalites and more - seminal reggae artists who all launched their careers at the legendary Studio One label. The album was previously only ever released as a long-deleted limited-edition seven-inch box set for Record Store Day. This album has now been expanded into a super double-vinyl album edition as well as first time on CD, with both featuring a massive eight bonus tracks of wicked Studio One classics and rarities.

Colored Repress

Vinyl Only, Made by 4 double unknown agents well known ¨

DR MYSTERY marks her debut release with Ono. ‘Far From Home’ is an eight-track album that glides across the dreamscape of another world. DR MYSTERY’s world, set in the future, exploring sounds that excite the mind and body, underpinning an eclectic take on leftfield techno.

DR MYSTERY’s talent to traverse the intersections between dreams and reality through sonics, positions her as an electric producer who is only just at the beginning of her journey. Ono wishes to capture this moment in a way that feels special, they have handmade 300 sleeves for the ‘Far From Home’ vinyl out of old record sleeves and screen-printed the artwork onto them. Therefore each sleeve is bespoke and one of a kind.

Following the impressive launch of Menikmati, we are dedicated to delivering timeless, groove-filled tracks for the dance floor. Homebase continues to offer outstanding tunes, including an exceptional remix by Diego Krause.



pressed on limited colored marbled and vinyl only

We are excited to announce the first reissue of Tony Scott's iconic “Manteca” album originally released in 1973. This 180-gram vinyl audiophile edition captures the essence of a true master of contaminated jazz, allowing listeners to experience Tony Scott's vibrant artistry like never before.
Originally described in the album’s liner notes by Sam Charters, "Manteca" embodies the spirit of the jazz musician’s journey—a testament to durability, warmth, and exuberance. Charters notes, “You have to be durable these days to be a jazz man... a musician like Tony Scott has the kind of personality that it takes to be a jazz man today” — a sentiment that perfectly encapsulates the artist's incredible career.

From the bustling club scene of New York in the 1950s to captivating audiences in Japan, Scott's journey brought him to Sweden in the summer of 1973, where he collaborated with exceptional local musicians. The result was a collection of vibrant, uptempo jazz tracks combined with reflective ballads, showcasing the remarkable versatility and inventiveness of Scott's clarinet, baritone, and even his distinctive scat vocals.

The album opens with the titular track "Manteca," setting an exhilarating tone that endures until the final, almost sinister note of "One For Topsy." Complemented by an all-star lineup, including bassist Sture Nordin, drummer Ed Thigpen and legendary percussionist Sabu Martinez, this session embodies the international spirit of jazz—a genre that transcends boundaries and unites souls.

This audiophile edition has been meticulously remastered to provide an unparalleled listening experience, preserving the authenticity of the original while ensuring superior sound quality. With only a limited amount produced, this vinyl reissue is a must-have for collectors and jazz aficionados alike.
Join us in celebrating the reemergence of Tony Scott's "Manteca," a true landmark in jazz history, and immerse yourself in the dynamic sounds that have inspired generations.

First official vinyl reissue

180g virgin vinyl pressing from Pallas / Germany

350g. cover

Original artwork and liner notes

Recorded in Stockholm in 1973

Dive head first into a parallel universe where the facts of music history have been turned into pliable putty and an alternative world where Rod Temperton never met Quincy Jones, never joined Heatwave and never wrote songs for the greatest pop soul artists of the 70’s and 80’s BUT instead, hung out at a West Berlin commune with a cast of trans-continental musicians playing a hybrid of post-psychedelic rock with overtones of Ghanaian funk and early 80s synth experimentation all the while exploring the mystic tundras of the mind and the celestial palisades of the soul...

This is the parallel universe that the Suffolk based studio dwellers, Pleasurewood inhabit. Let them take you on a journey through some of Temperton’s biggest hits in only a way that Pleasurewood’s genre defying style and studio prowess will allow.

Heatwaves kicks off on vinyl, with a tasty 7” Double A side that is dance floor ready...

It’s an off-kilter affair from side one with ‘Off The Wall’ swirling in a dense fog of phased bass guitar and emerging onto the shore with jutting hips to a groove underpinned by a sweating percussion section and early forms of synthesiser soaring above like crazed Pteranodons.

On the flip side is ‘Boogie Nights’ striding slowly and purposefully into frame with an apocalyptic Bass guitar line riding a solitary cowbell before a synthesiser clarion ushers in the break and the familiar hook with Moog thunder-strikes glowering in the distance.

The 7" includes digital download of the 7-tracks album "Heatwaves".
Limited to 200 copies.

Detroit-born but now based in Thailand, Scott Hess returns to show his enduring Motor City class with Redlight Bangkok Vol. 3, a third instalment of his vinyl-only series on Adeen. This one opens up with 'En Bloom' which is a Miami bass-inspired jam with crisp kicks and icy cold 808s. Rocco Universal's remix is more deep and house-leaning with some magnificent melodies then on the B-side, 'Whitelight' gets more twisted with elastic bass and snappy percussion. 'Untitles' is a cosmic journey with a funky guitar and dreamy chorus and last of all comes the smooth and serene, chord-laced soundscapes and fathom deep grooves of ''Untitles' which is a classy late-night sound.

Boys Noize presents ONES and ZEROS OAZ, a new experimental record label with the mission of breaking open the space of possibilities for techno and beyond. Reflecting new modes of subcultural circulation and integrating music,
objects, and a pluralistic network of artists, OAZ debuts with the 22-track Bo compilation, including two Boys Noize solo tracks, one of them “Bvrning” (Vinyl Only), as well as tracks by Locked Club, Safety Trance & umru, DJ Babatr, Slim Soledad, Schacke, KFR, TINKERHELL, David Löhlein, MarcelDune, and more.

Love Raid is first in a series of cassette-only mixtapes with the cult WFMU show and blog Bodega Pop collecting assorted digs from across New York's bodegas and cell-phone stores. This first edition is focused on leftfield, novelty, and protest 45s from across the Arabic world recorded between 1960 & 1974.

"A series of random discoveries in the mid-1990s led me to abandon American and British pop and focus on non-English-language music, predominantly Arabic, for the next two decades.

Feeding my ears required biking down to Bay Ridge, Brooklyn, or hopping on the subway to Steinway Street in Queens, where I would pop into a handful of the local bodegas and immigrant-run cell-phone stores, some of which offered music from North Africa and the Middle East on cassettes and compact discs.

When CDs spiralled into obsolescence in the mid-2010s, I reluctantly made the switch to vinyl, concentrating on 45s and intentionally filling holes not well represented in the digital era – more artists than not hadn't made the transition from analog in the 1980s. This meant focusing on singles by a lot of artists I'd not heard of, and it quickly became evident just how much of the era – from approximately 1960 to 1974, when 7" records were all but abandoned in Egypt and Lebanon – had been forgotten.

What also became evident was the breadth of popular music issued by even hegemonic titan Sono Cairo. The consensus is that state radio and music publishing ignored traditional folk, shaabi, and other lowbrow pop in favor of the exalted art song we associate with Oum Kalthoum, Abdel Halim Hafez, and Farid al-Atrash.

While this active neglect of the broadest Arabic pop spectrum is mostly true, I accumulated a not inconsequential number of what I can only describe as "novelty" records by mostly one- and two-hit wonders. From catchy gimmicks like the "doktor, ya habibi" of Maha's "Doktor" and the "boom boom boom" of twins Thunai Badr's "Love Raid," to the Monty Python-level silliness of Sayed Mandoline's fake Italian crooning and maniacal laughter in "I Present to You the Mandolin," these were sounds I was genuinely surprised to hear.

Even more remarkable were the songs recorded in English: Karim Shukry's celebratory "Ramadan" and Motyaba & Nada's civil-rights plea "No Black No White" are two of my favorites, and thus included in the present collection.

The tracks compiled here are often as beautiful as they are beguiling, but while the intention was to absolutely put together a solid listen, it was also my hope to slightly expand our understanding of Arabic music of this period beyond not just the usual suspects, but also subjects – and treatment of same."

--Gary Sullivan.