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DJ Support: Luke Una, Justin Robertson, Trevor Fung, Leo Elstob, Bill Brewster , Sean Johnston, Duncan Gray, Nathan Gregory Wilkins and DJ mag Balearic album of the month.

Limited edition double vinyl release of Jezebell’s debut new-Balearic epic, which stylishly weaves the history of eclectic club bombs through 16 tracks of downtempo, electro dub, and acid chug.

After the huge, and now sold out, never to be repressed debut album release, Jezebell come again with their second instalment, delivering their trademark Balearic and chuggy, electro-tinged dancefloor bizness in the form of Jezebellearic Beats Volume 2. You get the vibe of the artwork, the Jez crew have the class. These won’t be around for long. One press only. Buy or Cry.

Französischer Rap - Die komplette Geschichte auf 5 CDs & farbigem Doppel-Vinyl! Frankreichs Hip-Hop hat längst Kultstatus - auch in Deutschland! Von den harten Straßenpoesien der 90er bis zu den modernen Trap-Beats: Diese Sammlung zeigt, warum französischer Rap weltweit gefeiert wird. Mit dabei sind Klassiker wie Suprême NTM - Ma Benz, IAM - Stressés, Mafia K"1 Fry - Pour Ceux, aber auch aktuelle Größen wie Damso, SCH, Ninho, Freeze Corleone, SDM, Kalash, Kaaris, Josman, Jul, Ateyaba und viele mehr. Ob du den Sound von Paris, Marseille oder Brüssel liebst - diese Compilation bringt dir die Vielfalt und Tiefe des französischen Rap direkt nach Hause.

Among the most revered voices in funk, Marva Whitney holds a special place thanks to her fierce energy and unmistakable style on tracks like the classic 'Unwind Yourself,' a long-time favorite for DJs and dance floors alike. Emerging from the dynamic world of the James Brown Revue in the late 1960s--alongside iconic names like Lyn Collins and Vicki Anderson--Marva quickly carved out a name for herself. In 1969, she began recording as a solo artist under James Brown's King label, scoring a Top 20 R&B hit with 'It's My Thing.' While mainstream hits were few, her music resonated deeply with funk lovers and crate diggers around the world. Songs like 'You Got to Have a Job' and the endlessly sampled 'Unwind Yourself' have only grown in stature over the decades. Her album, "It's My Thing", dropped that same year and has since become a touchstone of the genre. Backed by the legendary JB's and produced by James Brown himself--who also contributed to most of the songwriting--the album captures a raw, unapologetic funk sound with a distinctly female voice at the forefront. From the explosive opening of 'It's My Thing'--a bold response to the Isley Brothers' 'It's Your Thing'--Marva channels sheer intensity, backed by a band that doesn't let up. The pace briefly softens with 'If You Love Me,' a soul soaked ballad in the spirit of Otis Redding, before diving back into the rhythmic grit of tracks like 'Unwind Yourself.' Decades later, "It's My Thing" continues to inspire, sampled by producers and treasured by collectors--a powerful snapshot of funk at its most uncompromising. Reissue on 180g vinyl.

The Spice of Life, released in November 1969, stands as Marlena Shaw's second--and final--studio album for Cadet Records, produced and arranged by the renowned Richard Evans and Charles Stepney. From the opening, Shaw's voice--both playful and powerful--cuts through the lush yet tight-knit arrangements, weaving together a vibrant tapestry of soul, proto-funk, jazz, gospel, and blues. The album features two defining classics: her deeply resonant original of 'Woman of the Ghetto' and a signature take on Ashford & Simpson's 'California Soul', both staples in sampling culture (you'll probably find that you're more familiar with Shaw's material than you thought.) Evans and Stepney's arrangements are far from mere support--they're panoramic and inventive. You'll hear kalimba flourishes, psych-tinged guitar accents, and bongo-fueled organ textures that elevate each track, keeping the atmosphere rich but never overwhelming. Moments like the Bacharach-styled 'Looking Through the Eyes of Love' or the dramatic flair of 'Stormy Monday' showcase their widescreen sensibility and Shaw's versatility. Beneath its musical elegance, "The Spice of Life" carries a weighty current of social commentary. Tracks such as 'Woman of the Ghetto' and the succinct, fierce 'Liberation Conversation' bring political and feminist themes into a soulful, expressive framework--adding unexpected depth to the sophisticated sonic palette. This album offers an immersive journey through soul-jazz mastery, one that rewarded listeners with sampling gold for decades to come. Reissue on 180g vinyl.

Celebrate the SpongeBob SquarePants Movie with the iconic movie soundtrack. Dive into the Bikini Bottom with tracks like "Goofy Goober Rock" and "Ocean Man," and songs from Wilco, Ween, and Avril Lavigne transporting you to the whimsical world under the sea. This soundtrack is a must-have addition to any music collection. On Yellow Vinyl

Clocks and Barometers is a collaborative project between veteran Limbo artists Seán Lee (Dive Reflex Service) and Alex Lupo (Lupo). All the source material for this album was recorded in one morning at Lupo's studio in the summer of 2023. They chose twelve one-minute acoustic improvisations and processed them that afternoon through granular eurorack units.

The results were bought to Bristol where DRS and Lupo shaped the album over the next year in several recording and mixing sessions at DRS’s home studio.

The name Clocks and Barometers is taken from a mysterious shop of the same name on the east Bristol/South Gloucestershire border which appears to never be

open. The title “Learning Through Investigation” as well as some of the track names refer to both artists’ experience as music educators.

High Roller Records, bone vinyl, ltd 300, 425gsm heavy cardboard cover, lyric sheet, download code Mit »Romantik III« präsentiert das österreichisch-ungarische Duo Bergfried den Nachfolger von »Romantik I« (2022) und »Romantik II« (2023). Die Formation besteht aus Erech von Lothringen, der alle Intrumente bedient, und Sängerin Anna de Savoy. Der Name Erech von Lothringen ist in Underground-Zirkeln nicht gänzlich unbekannt, ist der Wiener doch Urbeber zahlreicher verschiedener Projekte, vorzugsweise aus dem Black-Metal-Bereich, wobei die Interessen des Bandleaders deutlich breitgefächerter liegen. Beim neuen »Romantik III« handelt es sich um ein ausgesprochen eingängiges, sehr melodisches Album, das hier und gar nicht so düster klingt, wie die Songtitel vermuten lassen könnten. Im positiven Sinne grenzt das Material hier und da schon an Pop („Fallen From Grace“), wobei natürlich (fast) immer Melancholie mitschwingt. Auf »Romantik III« wird Erech von Lothringen unterstützt von Schlagzeuger Fabio Alessandrini (bekannt von Annihilator, Bonfire und Enforcer). Des weiteren sind als Gastsängerinnen neben der beeindruckenden Anna de Savoy aktiv: Maria Nesh von Red Eye Temple, Sarah Kitteringham von Smoulder sowie Damna von Elvenking.

Heavyweight Dub album by Alien Trackers, a new project by cosmic trumpet specialist Pablo Volt (STA) and Jahtari space ship mechanic disrupt, landing right in the sweet spot between soulful Black Ark-warmth, digital Firehouse dancehall hitters and Jahtarian Dub psychedelics.

A lazy day at a beach, in a galaxy far, far away... Feel the sand between your tentacles and splash in the emerald acid sea. Snorkel with plasma squids and shock eels. Marvel at the double suns during the magic twilight cycle and bask in their glorious gamma rays. Gaze into the depths of the local Vortex...

Coming on alien-green vinyl, with hand drawn art by David 8000 Farris, additional bass & guitars from Dubsworth, and an all four thumbs up-rating, 'Dubs from Vortex Beach' is landing in your orbit right now!
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Neon green vinyl, limited to 300 copies. REPRESS. Greenferno is the second studio album by the Polish stoner doom band Belzebong. Recorded in early 2015 and the first release to feature second drummer Hexy Dude. Belzebong are a stoner metal band from Kielce, Poland. Since the band's formation in 2008 they currently have three albums under their belt and have toured Europe on multiple occasions. Along with their weed-themed instrumental doom the band is best known for their "Dude" pseudonyms, keeping their faces obscured whether by hair or fog and tongue-in-cheek nature to their music as implicated in many interviews. All of their music to date, barring samples, is instrumental.

"Carmina Burana macht Spaß, denn das Werk hat echte Emotionen. Das sind die beiden markanten Punkte, die in dieser lebhaft charakterisierten Aufführung deutlich werden und viele neue Hörer und Genießer gewinnen dürfte.“ Gramophone Magazine. André Previns bahnbrechende Aufnahme der Carmina Burana mit dem London Symphony Orchestra aus dem Jahr 1974 ist nach wie vor eine der elektrisierendsten Darbietungen von Orffs überschwänglicher Kantate. Vom bedeutungsvollen Eröffnungslied O Fortuna bis zum schwärmerischen Schlusschor bringt Previn die rhythmische Vitalität, die Sinnlichkeit und das theatralische Flair dieser hedonistischen Feier des Lebens und der Liebe zur Geltung. Die Solisten – Sheila Armstrong, Gerald English und vor allem Thomas Allen glänzen mit Klarheit und Charakter, während der London Symphony Chorus und der temperamentvolle Knabenchor der St. Clement Danes Grammar School die Aufführung abrunden. Nun erscheint diese Aufnahme auf Vinyl.

LIMITED 500 ONLY (WORLDWIDE) FIRST PRESS ON CRYSTAL CLEAR VINYL WITH GREEN SMOKE SWIRLS. HOUSED IN GLOSS FINISHED FULL COLOUR SLEEVE WITH POLYLINED INNER BAG. NON-RETURNABLE.
Japanese psych rockers Hibushibire return with album number four ‘Flashback Stonehenge’ and a UK/European tour to coincide.
‘Flashback Stonehenge’ is the bands first studio album as a four piece, with live guest Kohei Katsuma now joining as a full time member on percussion/congas (an absolute must see live) alongside Changchang (Guitar/Vocal), Tetsuji Toyoda (Bass/Vocal) and Aoi Hama (Drums/Vocals).
Like the band's previous three albums, this one continues with the three shorter songs on side one, and one epic long song filling out side two mantra that has served them so well thus far.
Opening track ‘Snow Sniffing Matador’ is already a firm live favourite, with it’s heavy riffage and 70’s rock swagger. Things then cool down with a more laid back ‘In Heaven’, featuring Aoi Hama’s dreamlike vocal whispers, and a fuzzed out take on traditional English folk song ‘The Cuckoo’ with Changchang & Aoi trading verses.
Flip it over, and you have the epic title track, which sees the band take a slightly different approach recalling the likes of Steve Reich, Terry Riley, Faust, CAN, Eno etc over its extraordinary 22 minutes.
The band return for their fourth UK tour in October, and also play their first mainland European dates to coincide.

The Staple Singers were an American gospel, soul, and R&B singing group. They are best known for their 1970s hits "Respect Yourself",
"I'll Take You There", "If You're Ready (Come Go with Me)".

This is the soundtrack for the Bill Cosby/Sidney Poitier film Let's Do It Again.

The main title song reached the top of the Billboard Hot 100 singles chart and spent two non-consecutive weeks
at the top of the Hot Soul Singles chart. All tracks on this album were written by the legendary Curtis Mayfield

Yazmin Lacey returns with Teal Dreams - her soulful, fearless second album, rich with real-life storytelling and sonic flair.

Following the breakout success of her debut album Voice Notes, praised by Billboard, Fader and Pitchfork (who likened her to Erykah Badu and Lauryn Hill), Yazmin’s star continues to rise. Last year saw her headline London’s Village Underground and KOKO, as well as perform with Ezra Collective on Strictly Come Dancing and Radio 1’s Live Lounge, the unforgettable voice behind firm festival favourite “God Gave Me Feet for Dancing.”

With Teal Dreams, she builds on her signature sound blending soul, ska, lover’s rock and indie into a vivid, emotionally sharp record shaped by real life, late-night reflections, and a last-minute trip to Thailand.

Collaborating with some of the best in class Miles James (Lotus), Barney Lister, Matt Maltese and more, Yazmin has expanded and elevated her sound on this album. Teal Dreams is a bold, honest evolution, and proof that Yazmin Lacey is only just getting started.



Classic and timeless, the Teal Dreams 12” black vinyl LP comes housed in a beautifully designed sleeve with a foldout lyric booklet. Artwork shot by Wukda brings the album’s mood to life with bold, striking design from Lauren Harewood.

Teal Dreams eco-friendly digipack CD, featuring an 8-page lyric booklet. Elegant photography by Wukda and striking design by Lauren Harewood complete this elevated package.

The now-classic duet of ‘Peace On Earth / Little Drummer Boy’ with David Bowie from Bing Crosby's 1977 television special, ‘Merrie Olde Christmas’ is back on a brand new, collector's edition, picture disc 12” vinyl.
The picture disc features the iconic image of David Bowie and Bing Crosby at the piano. "Peace on Earth/Little Drummer Boy" is a Christmas song performed by David Bowie and Bing Crosby. Recorded on September 11, 1977 at ATV Elstree Studios near London for Crosby's television special Bing Crosby's Merrie Olde Christmas, the song features Crosby singing the 1941 standard "The Little Drummer Boy" while Bowie sings the counterpoint tune "Peace on Earth", written by the special's musical supervisors Ian Fraser and Larry Grossman, and scriptwriter Buz Kohan, specifically for the collaboration.
The duet was one of Crosby's final recordings before his death in October 1977. Following the special's broadcast during the 1977 holiday season, ‘Peace on Earth/Little Drummer Boy’ went unavailable for many years. It was eventually released as a single by RCA Records in November 1982 and was a commercial success, peaking at number three on the UK Singles Chart. It was Crosby's final popular hit. It became one of the best-selling singles of Bowie's career, with total estimated sales over 400,000 in the UK alone.
The song has since become a Christmas classic in the United States, Canada and United Kingdom and has been referred to by The Washington Post as "one of the most successful duets in Christmas music history“.

Blang Records are thrilled to announce another two vinyl album re-releases from Jeffrey Lewis's back catalogue: The debut classic The Last Time I Did Acid I Went Insane (originally Rough Trade 2001) and The critically acclaimed 4th album 12 Crass Songs (originally Rough Trade 2007). The Last Time I Did Acid I Went Insane (VV001LP) : The fragile poetry and lo-fi warmth of JL's home-recorded debut paint vivid scenes of downtown Manhattan life with cracked sincerity, comic book absurdity and charm. This groundbreaking album continues to charm listeners but has completely run out of stock. Press Quotes: "Jeffrey Lewis: `The Last Time I Did Acid I Went Insane' - Best Indie Album of 2002; like his drawings, his music is witty, animated and true." - New York Daily News "Bizarre but brilliant_ slugging it out to be New Rock capital of the universe, Jeffrey Lewis could well be New York's ace in the hole."- Uncut "Modestly brilliant." [Critic's Choice]- The Village Voice "He claws through the bullshit and pretence ingrained in society. [Jeffrey Lewis' work] _should be cherished."- TimeOut London "Jeffrey Lewis isn't simply a singer, but a creative comic mastermind_ brilliant_ a staggering work of_ genius." - (9 stars of 10) Addicted to Sound Blang Records and Jeffrey Lewis have history: before Blang was a label, it started life as a live night at the 12 Bar Club in Denmark Street, hosting many a set of the NY Antifolk artists over on UK shores, including Jeffrey Lewis. Now 20+ years since Jeffrey first played Blang. Native New Yorker Jeffrey Lewis is a comic book writer/artist and a musician. A cult hero birthed from the now infamous antifolk movement that sprung up on Manhattan's Lower East Side in the 90s, Jeffrey has released dozens of albums showcasing his unique blend of bleakly witty observations, scratchy, lo-fi punk and croaky folk/anti-folk, all firmly rooted in a strong DIY sensibility. Jeffrey and his band have toured the world multiple times over, released albums on Rough Trade, Moshi Moshi and Don GIovanni Records, and have been featured by NPR, The History Channel, The NY Times and more.

Born in the sewers of Montreal in 2018, it all started with a simple goal : blending old fashioned death metal and modern hardcore together in a city where technical death metal reigns supreme. It didn't take long for the band to make a name in the underground tho. Fast, old school riffs, pummeling mosh parts mixed with energetic stage presence quickly earned ST attraction, especially in the hardcore scene. Initially formed by tattoo artist Vincent PL on vocals and axeman Philippe Leblanc, ST has now its hardest lineup to date by adding Miguel Lepage (ex- Blind Witness, ex- Obey the Brave) on bass and Émile Savard (Profane Order, ex- Malebranche) on drums, turning the band from another local act into an absolute fucking weapon. The time has come to follow the path of Cryptopsy, Quo Vadis and Despised Icon and show the world that Montreal is still to this day a reckless, unrelenting force of death metal.

Final Effort kommen aus Punkrock City Leipzig und haben mittlerweile über 15 Jahre auf dem Buckel, die sie seit jeher genutzt haben um ihren Sound, der sich irgendwo im Hardcore-Punk-Umfeld bewegt stetig weiterzuentwickeln und weiter zu verfeinern. Mit "Appetite" legt die vierköpfige Formation nun ihr Vinyldebüt vor - ein wundervoll dringliches Album, das mit seinen wütenden Texten und komplexen Songstrukturen packt wie lange nichts mehr. Ihr Sound vermengt Oldschool- und Newschool-Elemente, Screamo-Einflüsse, gibt sich rau und doch melodisch und ist tief durchdrungen von einer hochsympathischen DIY-Attitude. Bands wie die Gallows, Comeback Kid, Hope Conspiracy oder Unsane schießen zwar immer wieder mal vor"s geistige Auge, Final Effort haben sich aber unverhohlen ihre ganz eigene Schublade geschaffen in der mächtige Hooks auf fragile Song-Konstruktionen treffen, die von gemeinschaftlichen Shouts getragen und wüsten Ausbrüchen ein ums andere Mal niedergerissen werden. 10 herrlich energetische und emotionale Tracks mit melancholischem Unterbau, mit hoffnungsschwangerer Aura und verdammt mitreißendem Vibe!

20th Anniversary Reissue. Remastered. Groundbreaking MPB/Downtempo Classic. Originally released in 2005, CéU introduced the world to a bold new voice in Brazilian music. Seamlessly blending samba, MPB, soul, and downtempo grooves, Céu delivered a debut that felt both deeply rooted and strikingly contemporary. With her smoky, understated vocal tone, she evoked echoes of classic bossa nova while pushing into new sonic territory - covering Bob Marley"s "Concrete Jungle" with Afro-Brazilian swing and layering in dub and electronica accents. Hailed for its elegance and quiet innovation, the album hit No. 1 on Billboard"s World and Heatseekers charts, earned a Grammy nomination, and became the highest U.S. chart debut for a Brazilian female artist since Astrud Gilberto. Now celebrating its 20th anniversary, CéU returns remastered for vinyl - a modern Brazilian classic reissued for a new generation of listeners. Includes Classics : "Lenda", "Malemolencia", "Concrete Jungle"... Mastering by Colorsounds Paris.

Pink vinyl & sleeve 40th Anniversary Edition of the 1985 studio album, completely remixed and revamped - as it should have sounded. Expanded with two unreleased tracks left off the original album, plus a bonus album: six previously unheard outtakes and six live versions. Remixed by The Vibrators" Pat Collier (RIP), who has brought the guitar properly up in the mix - Johnny missed the original mixing sessions, now it can be heard as he originally intended. Gatefold sleeve notes by Thunders biographer Nina Antonia with interviews of participants, including Mike Monroe.

This festive vinyl brings together the best of blues and R&B holiday spirit! From Sonny Boy Williamson's soulful "Sonny Boy's Christmas Blues" to Carla Thomas's sweetly nostalgic "Gee Whiz, It's Christmas," each track adds a unique flavour to the season. Detroit's wild Nathaniel Mayer shouts out in "Mr. Santa Claus (Bring Me My Baby)," while Chuck Berry gives us a laid-back "Merry Christmas Baby." The set captures raw teen R&B from the `50s with Cleveland's Hepsters and their catchy "Rock 'n Rollin' with Santa Claus," plus California's Youngsters spinning a cautionary tale with "Christmas in Jail." The classic Penguins bring warmth with "A Christmas Prayer," and Jimmy McCracklin's "You're the One" adds a bluesy, downbeat edge. Closing with the Ronettes' lush "Sleigh Ride," Big Dee Irwin and Little Eva's spirited duet on "The Christmas Song," and Babs Gonzales' jazzy New Year's ode "Watch Them Resolutions," this collection is the ultimate groove for a holiday celebration that lasts right through New Year's. Perfect for any record player, it's a swinging, soulful holiday feast!

180 Gram Vinyl Celebrate the holiday season with this fiery collection of vintage R&B, gospel, and soul, guaranteed to bring the Christmas spirit to life! This vinyl release features a handpicked lineup of legends like Chuck Berry, Sonny Boy Williamson, and Charles Brown, delivering everything from foot-stomping hits to soulful serenades. Highlights include Freddy King's heartfelt "Christmas Tears," Lightnin' Hopkins' gritty "Merry Christmas," Carla Thomas' soulful "All I Want For Christmas Is You," and the lively classic "Run Rudolph Run." With rare holiday gems spanning raw blues, swinging gospel, and smooth soul, this album is the ultimate soundtrack for a cool Yule.

180 Gram, Yellow Vinyl Celebrate the holiday season with this fiery collection of vintage R&B, gospel, and soul, guaranteed to bring the Christmas spirit to life! This vinyl release features a handpicked lineup of legends like Chuck Berry, Sonny Boy Williamson, and Charles Brown, delivering everything from foot-stomping hits to soulful serenades. Highlights include Freddy King's heartfelt "Christmas Tears," Lightnin' Hopkins' gritty "Merry Christmas," Carla Thomas' soulful "All I Want For Christmas Is You," and the lively classic "Run Rudolph Run." With rare holiday gems spanning raw blues, swinging gospel, and smooth soul, this album is the ultimate soundtrack for a cool Yule.

Originally released on Mon 22 August 2005, the Furries’ third and final album to be recorded by Epic Records, Love Kraft is to be reissued on double vinyl, 2CDs, including the 22-track bonus CD, Kiss Me With Apocalypse and digital formats on Fri 24 October 2025 via the Cardiff-based independent label, Strangetown Records. Four previously unheard tracks are drawn from the vaults, including the squidgy ELO-stomp of drummer, Daf Ieuan-led Rock ‘N’ Roll Flu, plus the distorted space-jam of Cae Marw, the band’s deep-bass sketch of Palo Alto and ghostly, percussive morsel of Bedw Arian.

The album followed six previous albums by the band, including their statement debut album, Fuzzy Logic in 1996, melding an attention-demanding mix of literary, narcotic and musical influences. Maintaining a shape that was ill-fitting in the jigsaw of other 90’s guitar bands, their follow-up, UK Top Ten album, Radiator brought the hooky squelch of the bona fide indie dancefloor classic, The International Language of Screaming. The next decade saw the release of the first Top 20-charting, Welsh language album, Mwng (2000), followed by further experimentation and commercial success with Rings Around The World (2001) and Phantom Power (2003).

Love Kraft’s sense of cohesion, collaboration and free-flow of rich harmony has been credited to the five-piece escaping Wales to record in the shimmering heat of Figueres, Catalunya. Bringing famed Beastie Boys producer, Mario Caldato Jr along with them for the ride, the travelling band’s stay in the Catalonian hometown of Salvador Dali included found sounds, boozy petrol stations, gastronomic revelations and, finally, a rich album of strings, synths and opulent vocal harmonies.

While eventually finding their way to Baha, near to Rio di Janeiro to mix the album Love Kraft’s story began in Wales and Pleasure Foxxx Studios, where the band began to craft the album’s songs. Embracing the landmark of a seventh album, notably coming after the 2004 release of their first ‘best of…’ package, Songbook: The Singles, Vol. 1, Super Furry Animals pooled ideas and affected further democracy in their songwriting, taking a load off traditional lead-writer and front man, Gruff Rhys, and sharing in lead vocal duties (aside from the microphone-averse bassist, Guto Pryce).

Love Kraft was the first Super Furry Animals album recorded to hard disc instead of multi-track tape, and found the band typically explorative and open to happenstance. Zoom’s opening splash into the recording studio’s swimming pool is accompanied by the on-location, pool table samples found elsewhere on the album.

Updated packaging features the original, meticulously built diorama design by long-time collaborator Pete Fowler. Constructed by hand in his studio, complete with bulb-lit illumination, then photographed, the sleeve’s depiction of a monolith-rich desert landscape reflects the sense of other space and time depicted by Love Kraft’s woozy songs. The final sleeve design again comes courtesy of Mark James.

"Dubrovnik Blues" on Vinyl: The Australian Super-Band That Changed Everything! Attention all lovers of raw, unfiltered rock'n'roll! Bang! Records proudly presents the vinyl reissue of "Dubrovnik Blues", the celebrated debut LP from The Dubrovniks - the Australian super-group born straight from the beating heart of the country's punk underground. Formed in Sydney in 1986 (originally as The Adorable Ones), The Dubrovniks brought together true icons of the Aussie scene: James Baker, legendary drummer for Beasts of Bourbon, founding member of Hoodoo Gurus, and a driving force in The Scientists; Roddy Radalj, co-founder of Hoodoo Gurus and veteran of The Scientists; and Boris Sujdovic, who also played with both The Scientists and Beasts of Bourbon. Far from being "just another debut," Dubrovnik Blues was an instant statement of intent - a wild blend of garage rock grit, glam swagger, punk attitude and classic rock'n'roll hooks. Think The Troggs and T. Rex colliding with the spirit of the New York Dolls. Originally released in August 1989 on Timberyard Records, the album went on to earn a nomination for Best Independent Release at the ARIA Awards in 1990. Now, Bang! Records brings this cult gem back to life on vinyl - a must-have for collectors, vintage-sound purists, and anyone ready to relive (or discover) the raw, electric energy of late-80s Australian rock at its finest.

Three lesbian sardines! Shouted by a heckler at a performance by the Dadaist Hugo Ball on stage at the Cabaret Voltaire. Is a perfect title for Nurse With Wound's final appearance at the `Great Monster Dada Show' at the legendary Henie Onstad Kunstsenter in Oslo, 2019. The largest exhibit of dada art and artefacts this century, over 250 artworks by 43 artists including Kurt Schwitters, Jean and Sophie Teuber Arp, Hannah Hoch, John Heartfelt, Tristan Tzara, Max Ernst, Francis Picabia, Raoul Hausmann, Marcel Duchamp, Man Ray. This electric performance captures the band at their most eclectic and playful. Here six tracks feature the classic line up of Steven Stapleton, Andrew Liles and Colin Potter including the toe tapping crowd pleaser `Flea Circus' - a mutant hybrid of Kraftwerk and Aphex Twin and is amongst the best the band have ever recorded. `Broken America' is timely reminder of the dire situation we are all facing with the arrival of Trump's America. The cover features stunning new artwork by acclaimed artist Babs Santini. 500 copies only in NEON GREEN VINYL.

A decade after the release of his debut solo album Atlas, Lisbon-born producer Branko celebrates the anniversary with a special limited red colour vinyl reissue. Released in 2015, Atlas was the result of an ambitious journey across five cities - New York, Sao Paulo, Amsterdam, Cape Town and Lisbon - where Branko collaborated with more than 20 musicians and producers.

Innitial pressing soul out at once, now repress in neon green vinyl colour available! Ride bassist Steve Queralt's debut solo album Swallow is a beautifully brooding nine-track collection that combines the darkly textured soundscapes of early M83 and Sigur Rós with an electronic sheen reminiscent of Boards Of Canada. It also features guest vocals from Sonic Cathedral labelmate Emma Anderson (formerly of Lush and Sing-Sing) and Verity Susman (Electrelane, MEMORIALS).Swallow has been slowly but surely pieced together between Ride albums and tours over the past five years and, perhaps as a result, has a slightly dystopian, Blade Runner feel that reflects the liminal spaces in which it was created. Despite the fact that the majority of the album is instrumental, there is plenty of power and emotion poured into these moody, moonlit soundtracks. When words do appear, an underlying anger and political slant emerges and amplifies the album's dark intensity. This is most notable on the closing track, `Motor Boats', where he overlays words from Julie Sheldon's polemic poem The Same Boat ("We're all in the same boat they say, but I would disagree"). According to Steve, these simple words of rejection "capture the reality of our times perfectly". However, it was the collaborations with the two guest vocalists that tied the whole thing together and paved the way to the finished album. "After a few false starts, I had started to doubt the project altogether. It was going nowhere," says Steve. "Then, out of the darkness, Emma got in touch to tell me that she'd found her voice and could I send her some tracks. A few files back and forth and an afternoon in the studio later and we had `Lonely Town' and `Swiss Air'."In the meantime, Verity from Electrelane had added vocals to the song `Messengers' and transformed the track. Matthew Simms, now her bandmate in MEMORIALS, would go on to mix the finished album."Swallow has turned out so much better than I had hoped," enthuses Steve. "I'd fallen out of love with it so many times I was thinking of calling it Loveless. But then, that wouldn't be the whole story...

Das Debütalbum der Alt-Pop-Größe AJR, Living Room, ist eine lebendige Sammlung von Indie-PopHymnen, die ihre charakteristische Mischung aus eingängigen Melodien und eingängigen Texten zur Schau
stellen – und jetzt ist es zum ersten Mal auf Vinyl und zum ersten Mal seit seiner Erstveröffentlichung im
Jahrzehnt auf CD erhältlich. Das Album enthält den Multi-Platin-Hit „I’m Ready“, der über 200 Millionen
Mal gestreamt wurde, und fängt den DIY-Geist der Band ein – das Album wurde komplett in ihrem eigenen
Wohnzimmer geschrieben und produziert, daher der Titel. Diese besondere Veröffentlichung bietet Fans
die Gelegenheit, ein besonderes Stück AJR-Geschichte zu besitzen und vom erneuten Interesse an ihrer
Diskografie zu profitieren, während sie weiterhin die Charts dominieren und Arenen weltweit ausverkaufen.

„Forever (Legendary Edition)“ ist eine neu interpretierte Version des Albums „Forever“ aus dem Jahr 2024,
die einen neuen, bisher unveröffentlichten Titel namens „Red, White and Jersey“ enthalten wird. Alle
zuvor veröffentlichten Songs des Albums werden mit Beiträgen von Künstlern wie Robbie Williams, Bruce
Springsteen, James Bay, Lainey Wilson und anderen veröffentlicht.
Das Album ”Forever (Legendary Edition)” ist auf Vinyl und CD erhältlich!

Das Debütalbum des Jazz-Multiinstrumentalisten Yusef Lateef, Jazz Mood, wurde ursprünglich 1957 auf
dem Label Savoy aus New Jersey veröffentlicht. Das Album enthält fünf Originalkompositionen von Lateef
und wurde von Curtis Fuller (Posaune), Hugh Lawson (Klavier), Ernie Farrow (Bass) und Louis Hayes
(Schlagzeug) eingespielt. Diese Neuauflage des Albums erscheint als Teil der Original Jazz Classics Series
auf 180-Gramm-Vinyl, gepresst bei RTI, mit vollständig analogem Mastering von den Originalbändern bei
Cohearent Audio und einem Stoughton Tip-On-Cover.

Zur Feier des 50-jährigen Jubiläums wird das legendäre, ursprünglich 1975 veröffentlichte Album „Captain
Fantastic And The Brown Dirt Cowboy“ von Elton John in verschiedenen Formaten erhältlich sein. Darunter
als 2LP, 2CD und 1LP.
Das Besondere „Live at Midsummer Music, Wembley Stadium 1975“ erscheint zum ersten Mal auf Colour
Vinyl.
Die 2LP + 2CD enthalten das Originalalbum, bisher unveröffentlichte Demos und Aufnahmen von Captain
Fantastic Live aus dem Jahr 2005. Die Booklets enthalten ein neu zusammengestelltes Sammelalbum,
Sleeve Notes und Eltons bisher unveröffentlichte Tagebucheinträge aus dem Jahr 1974.

What began as a nostalgic nod to Camden Market’s bootleg culture has become the next chapter of in the Running Back Mastermix series. At once deeply personal and openly communal, it shows how a lifetime of production can be condensed into 90 minutes without losing its edge — proof that the mixtape, even in 2025, still has stories left to tell.
What followed was a patient excavation. Old DATs were pulled out of storage, forgotten files surfaced from hard drives, and new material was written to sit alongside them.
Together, these fragments revealed a body of work stretching back more than 25 years — tracks that moved across the spectrum of house and techno but shared a common thread of character and atmosphere.
In May of this year, the archive finally found its form. Recorded live on three decks using Serato, the resulting mix brings together 24 tracks: unreleased material from the past and brand new productions, all stitched together into a continuous narrative. It’s equal parts retrospective and statement of intent — less a museum piece than a living document.
Here the vinyl edition features a curated selection of 11 tracks from the mix.

"Hasabe" is a thoughtfully curated collection of Ethio-groove recordings from one of the overlooked pioneers of 1970s Addis Ababa's vibrant music scene-Ayalew Mesfin and his Black Lion Band. Expect trap drum kits, jazz big-band styled horn sections, funky guitars played through wah wah and fuzz pedals- all seasoned with a unique Ethiopian touch_ For many, the music created in 1970s Ethiopia will sound both familiar and alien: while the trappings of '70s Ethiopian music carry some aspects that those in the West will easily identify with-trap drum kits, jazz big-band styled horn sections, guitars played through wah wah and fuzz pedals-the Ethiopian style of singing, and the modes in which the musicians move, may confound. Perhaps some who have delved into the instrumental Ethio-Jazz of Mulatu Astatke-a well-known Ethiopian musical export, relatively unknown in his homeland-will have a context in which to engage this great compilation of '70s Ethiopian music by Ayalew Mesfin. The music Mesfin created with his Black Lion Band is amongst the funkiest to arise from Addis Ababa; his recording career, captured in nearly two dozen 7" singles and numerous reel-to-reel tapes, shows the strata of the most fertile decade in Ethiopia's 20th century recording industry, when records were pressed constantly by both independent upstarts and corporate behemoths, even if they were only distributed within the confines of the unconquerable East African nation. Ayalew was forced underground by the Derg regime that took control of the country in 1974. Until recently, only four of Ayalew Mesfin's tracks had been reissued, appearing in the well-known "Éthiopiques" series. "Hasabe", a carefully curated collection of his singles, marks the first comprehensive release of this powerful and long-overlooked body of work by an artist whose originality and resistance defined a genre: Ethio-groove. More than four decades later, this album offers the rare opportunity to rediscover a vital and beautiful chapter in global music history. We are now reissuing "Hasabe" once again thanks to a collaboration with Now Again. Pressed on 180g vinyl.

Returning after four years, Los Angeles indie-pop band Massage unveil Coaster, a luminous 10-track album steeped in melodic depth and emotional honesty. Widely recognized for their infectious pop sensibility, the five-piece approach the turbulence of adulthood through shimmering pop songs that capture both nostalgia and growth. Drawing inspiration from The Cure, Big Star, Echo and the Bunnymen, and The Go- Betweens, Massage now transcend their influences, offering a sound that's uniquely their own. Coaster is a testament to the band's evolution-embracing the "inbetween," writing pop songs that linger. What makes compelling is how three musicians take on writing and vocal duties, leading to stylistic shifts between tracks while maintaining a cohesive, signature sound. Across the record, the band's lyricism explores the messiness and resilience of adulthood-resolving to keep moving forward, even when life is uncertain. The recording process mirrored these themes: a willingness to make mistakes, hit reset, and chase down the unique world within each song. This is the soundtrack of five friends navigating life's unpredictability together. Their chemistry and shared history create moments of spontaneous brilliance- whether in the driving interplay between guitars, the pulse of vintage effects, or the heartfelt harmonies threading the album. Coaster is more than a collection of standout pop songs; it documents growth and camaraderie, bridging nostalgia with honest self-reflection and crafting melodies that linger long after the final note.

As a label, we are specialists in musical diversity. With our newest installment of the annual System 108 compilation we present you two parts of hand picked creative output by our friends, residents and dearest guests. Curated by the artist Ira Bespalova, the concept of both parts is simple and deep: the good, the calm, the kind is part 1 and all anti-heroes, filthy electro-armored jams is part 2. All together - another twist of the planet, another beat of our big heart, that became shelter and home home for a whole new tribe. It pumps, it creates, unites and warms up, kicks it real hard, no matter how tough it is. Part 1 is densely populated by our new kids on the block! Isktrit, TURBOSH, BORIS REDWALL, DJ Yesyes, Dominique Mara have been releasing singles, EP's and album during 2023 and became an integral part of the collective. Here you will also find good old friends Maksimovna, Lipelis, Kito Jempere. Very special Siberian inspired trippy workout by RLGN and Sasha Kustov, Luchshiy Drug. And a super special guest appearance starring Magnus Opus and mo?se?. The running order is curated as a narrative, as an album that takes you on a journey. But separately, it all works as singles, DJ tracks and tools. Welcome to Nine Years Of Love!

'HAPPY HOUSE' by St. Petersburg's very own DJ Stonik1917 became an instant underground hit, defining a specific raw and energetic sound within the Russian electronic and hip-hop scene, breaking genre borders and infecting crowds with its vibes and attitude, punchlines and baselines. With 'GoodDayFlopTray' and 'Kurtochka Stonik' having gone viral on social media, the sound of DJ Stonik1917 became a soundtrack for a whole generation of youth. The album's unique blend of hard-hitting beats, delayed vocals and unapologetic DIY ethos captured a moment in time, making it a sought-after title for physical media enthusiasts. The release will be a limited run, featuring the original tracklist spread across a 12-inch vinyl 180 gr. record, complete with original artwork. Poster included.