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Falter is the 5th full-length album from New Zealand-based composer/-multi-instrumentalist Micah Templeton-Wolfe, working under the moniker Stray Theories.

Templeton-Wolfe has consistently woven together the cinematic sweep of ambient music, the refined structures of neoclassical composition, and the emotional cresting arcs of post-rock. With Falter, those intersections are more deeply blurred, yet more boldly explored.

Transparent Red Vinyl.

The title Falter evokes wavering, hesitation, uncertainty of intent and yet the album stands in sharp contrast to that concept: Templeton-Wolfe’s performance here is marked by a quiet but unmistakable confidence.
From the first notes, the listener is immersed in an atmosphere in which the music feels like a cinematic means of passage, a journey toward redemption. Optimism is present, but ever cloaked in doubt; moments of
contemplative solace sit side-by-side with streaks of melancholia. One senses something looming within the sound-world of Falter. As though the heart itself can tell something is coming.

In this respect, Falter may well rank as the most affecting release in Templeton-Wolfe’s canon to date. While his earlier work had always balanced delicate textures and evocative atmosphere, here he pushes into a more expansive emotional terrain. Only the hopeful refrain “Lifelines” brings the album fully into brighter territory , hinting that redemption is possible, that the journey through doubt is not endless.

THE OPRHIC HYMNS is an ode to the mystical. A celebration of the languid. An exploration of the id. A journey into self. The project was written, performed, and produced by Ryan Grieve and Tom Kuntz over the course of a year in a secluded location, with a few visits from notable guest contributors such as Alex Kassian and Logan Hone to sprinkle in a little of their magic. Kuntz (aka Pinchy Don) is the Pinchy in PINCHY AND FRIENDS. Grieve is the man behind HOLE IN THE SKY RECORDS and projects such as Heart People, Canyons, and Absolute Unity. This is their first release as THE ORPHIC HYMNS.

TLC’s iconic album Fanmail is now available on a 2LP vinyl. Featuring chart-topping hits like “No Scrubs” and “Unpretty,” this reissue delivers the full original tracklist across two beautifully pressed records.

Siriusmo is back! His fourth album, "Buletten & Blumen", will be released in November 2025 – a collection of musical delicacies. Freshly prepared, spicy, and greasy, but as always with a flower on top. The Berlin-based producer, whose real name is Moritz Friedrich, remains true to himself and his distinctive style – between funk, hip-hop, electronica, soundtrack vibes, and genre playfulness. As usual, Siriusmo wanders through musical styles, embracing them, missing them spectacularly – or simply inventing them. A subtle "Berliner Allerlei". The artist himself says of his working method on the album: "I'm a whole band. Nobody masters their instrument, but everyone pretends to – always with the fear that the others will notice." The album begins with the tongue-in-cheek opener "That Could Function As A Song", an ironic exploration of the artist's own creative process. With "Buletten & Blumen," Siriusmo delivers not simple fare, but a multifaceted menu.

Guests: Mr. Oizo, Erobique, Dana (& Claire Waldorff) An album that oscillates between irony, melancholy, and absurdity.

Tracklist:
A1. That Could Funktion As A Song
A2. Hongkong House feat. Liu's Family
A3. Watch Me Fall
A4. Ok So

B1. Baum
B2. The Syntheziser Has Been Drinking
B3. Liquit feat. Mr. Oizo
B4. In Der Klemme

C1. Koko
C2. Langsame Runde
C3. Der Uhrturm
C4. Meissner Schwerter

D1. Dummdidumm
D2. Every Tree Needs A Friend
D3. Lehm feat. Erobique & Dana
D4. Irgendwohin

Sie bevorzugen Ihren Lo-Fi-Dreamgaze so, wie Sie Ihre Partner bevorzugen: geboren in den 90er Jahren und mit ihrer College-Freundin in einem Schlafzimmer in einem Vorort zusammenlebend. Hier erstmals zusammengestellt: Shoulds Debütalbum ,Feed Like Fishes" aus dem Jahr 1998 plus 10 Bonus-Tracks aus dieser Zeit, zum ersten Mal auf Vinyl erhältlich. Es klingt, als würde man den Kopf aus dem Autofenster hängen, während man drei Stunden nach der Ausgangssperre an einem Schultag mit hoher Geschwindigkeit eine Landstraße entlangfährt. Bitte schalten Sie die Scheinwerfer aus.

a1 FISH FOURTEEN
a2 SARAH MISSING
a3 ASIDE
a4 SPANGLE
a5 IT STILL WOULD
a6 LULLEN
b1 MEMDRIVE
b2 ITS PULL IS SLIGHT
b3 INST2
b4 IN NINE
b5 BOTH EYES OPEN
c1 THINGS ARE THE SAME (IN NINE)
c2 FADED
c3 THIS HOUSE I'M LIVING IN
c4 MYSELF
c5 SINGE
d1 FEED LIKE FISHES
d2 OCEAN WARM
d3 SOOTHED (RERECORDED)
d4 MERGER
d5 THESE DAYS

Uscita solo su cassetta e digitale nel 2020, "Edit Sucks" inserita da Christian Zingales nel Trax di Blow Up magazine in quel momento.

Viene ora stampata su vinile con l'aggiunta di un nuovo mix dello stesso Raoh, supervisionato dal Dj Andrea Daniel per il lancio della

sua etichetta Corpo Sottile Records. Master di Marco Antonio Spaventi.



Released only on cassette and digital in 2020, "Edit Sucks" featured by Christian Zingales in Blow Up magazine's Trax at the time.

It's now released on vinyl with the addition of a new mix by Raoh himself, supervised by DJ Andrea Daniel for the launch of his

Corpo Sottile Records label. Master by Marco Antonio Spaventi.

Grace & Raffaella is the first collaborative release by ML and Vittoria Totale. Over nine tracks, the album strikes a deceptively minimalist tone, taking in a ton of musical as well as literary references. An elegy on a journey back to the present, with all the hushed intensity of an informed fever dream, Grace & Raffaella has a magic-realist feel. Its vocal parts serve as loopy self-fulfilling prophecies. Cut off from the sun, the gorge grows darker. Using an electroacoustic sense of spacing, as well as abstracted current-day club influences, with scraps of background noise fading in and out, this album's use and treatment of a snippet-like narrative is its core aesthetic. A digital gleam drenches the spoken bits into instances of subtle surrealism. Like a kitchen sink drama stripped of all deadweight. We are on the edge of relinquishing all control here. Rip up your diary and let go of the language of the old ones. Grace & Raffaella is a seductive slice of modern hyper-pop that defines its own intentions over and over again.

NYC's Sweater on Polo follows up his acclaimed L.I.E.S. 12 inch from 2023 with debut full length double LP, "Almighty Grand Essence" This is pure to form 1985-1988 Chicago House worship, and while many have attempted to recreate this sound, most fail to deliver with correct reverence. Names like Saunders, Mixx, Virgo Four, undoubtedly appear in this conversation with Sweater on Polo taking cues and transforming the vintage sound into re-imagined dancefloor classics. Raw but clean, psychedelic but functional...this nine track record can move the crowd in all the right ways, with the lush deepness of "The Creation" to the nu-wave-house hybrid of "Proto Wave" or BMX beat track closer Psychotic Seance, its rare to find a young producer tapping into the vaults in such a focused, effective manner. Highly recommended to house heads worldwide.

Roto makes his PILLZ debut with Lose Yourself, a high-voltage statement from one of Spain’s fastest-rising names. Across four razor-sharp cuts, the EP reflects a shared vision between artist and label: music with deliberate intent—sometimes hypnotic, sometimes fast and direct, and at moments pared down to pure introspection. Lose Yourself carries that spirit throughout, built to lock the floor under peak-time pressure while opening space for release in the glow of sunrise. Already echoing through the underground, it’s primed to soundtrack the circuit.

With this release, Roto steps forward as one of the new voices shaping tomorrow’s dance floor, balancing mystery, pace, and stripped-back tension.

For the tenth release on Rhythm Control Barcelona, we present something truly special: the debut of Not A Headliner presents José. This marks a new step in the journey of the Spanish artist, recognized in recent years as one of the leading figures of the national underground techno scene, who now introduces his alter ego to reconnect with his house roots.

"Usufructo (Uso + Disfruto)" is a four-track EP where the spirit of the mid-90s UK sound merges with tech house, acid, and breaks influences, resulting in a solid, characterful record set to delight all lovers of those classic and timeless vibes.

Toscal Records presents its fourth only vinyl release TSCL004.

Italian maestro Jamahr takes the lead with two refined club weapons — Keep Rock Again and Need You — blending deep rhythm, swing, and hypnotic warmth. On the flip, Spanish duo Borch & Joel Hernandez deliver two playful cuts La Discoteca and Bipolar to complete the record’s dance-floor narrative.

Move and dance!

Lis Sarroca marks the tenth release on her Maai Records imprint with her debut vinyl release on the label, “Signals.” The EP spans four tracks, moving seamlessly between refined house and electro energy, tinges of Italo nostalgia and of course all infused with Lis’ signature uplifting touch. Since 2021 Maai has quickly become an essential label for tastemakers, and in parallel, Lis has been steadily carving out her path as an artist making this a milestone release of her journey this far.

Stripped of its branches and reduced to the bare trunk, Evigt Morker 6 stands at the threshold where fire becomes voice and light devours the sky. Across six tracks, the music moves through hushed revelation, listening for a call that cannot be refused. Salvation and damnation burn side by side on the horizon, as everything else is consumed by flame. ''Kapa grenarna. Lat stammen sta ren infor slutet. Nar riket oppnas ska rosten tala i lagor, bara for dig. Lyssna, och se hur ljuset ater himlen tills oandligheten skymtar. Kliv in i den negativa elden dar intet vander sig om och blir till.''

13Monkeys Records have picked four fresh tracks screaming out that Spain is here and Oldskool never died on their second vinyl offering so far. And beware that this one's strictly vinylized and no digital availability. In other words... Oldskool.

Those in charge of opening this vinyl saga are "Fat & Blind" these two artists from Cádiz better known as "Deibeat & Shemma" with their track "Mother F .... Breakbeat" published by the label "Weekend Breaks" in 2000 , a track that became an anthem and continues to resonate at every party, now remastered for this occasion.

Machinery Of Emotions marks Torrent’s debut on Cupula Recordings, yet his bond with the label runs far deeper. A trusted figure in our circle and a selector with a rare sensitivity for mood and movement, Torrent channels his craft into four tracks that blur the line between mechanical precision and human feeling.

From hypnotic rhythms to cinematic synth work, designed for both the floor and the mind.

Pressed on vinyl, Machinery Of Emotions captures the essence of our shared vision where sound speaks as strongly as emotion.

Specific Objects debuts on Life In Patterns with Helios, a powerful 6-track EP shaped by the pressures, ambitions, and contradictions that define creative work in a hyper-competitive society. The record explores the perpetual pursuit of success - an ever-distant horizon that inspires as much as it consumes.

Named after the sun, Helios symbolizes the personal goals we orient ourselves toward: radiant and motivating, yet capable of overwhelming those who chase them too closely. The EP was written during a period of intense reflection on performance culture, "hustle" mentality, and the rat race of late capitalism - an environment amplified by constant comparison on social media.

Helios is both a celebration and critique of ambition - a techno journey through the heat, pressure, and brilliance of striving. It is scheduled to release on February 6, 2026 on both digital and vinyl formats.

Paradise regained.
Vienna based artist and Bare Hands owner Sedvs makes his Unterwegs debut with a fierce four track EP. Following on from his debut LP Paradise Lost on Bare Hands, Sedvs delivers and expands on his unique style across four diverse, on-point techno killers.

Molekul pushes forward with this new compilation showcasing six of today's finest producers, delivering a fresh and cutting-edge release.

Since its inception, Klasse Wrecks has always flirted with rap music flavours. Whether it's Luca Lozano's DJ Cabbage alter ego or the raw beats of the Grafiti Tapes series. Both label owners are big rap fans, with one (Mr. Ho) even being an ex-DMC scratch champ. It makes sense then that the last release from KW in 2025 is the heavily Memphis-inspired 'Straight From Hell' EP, brought to you by the two mysterious producers DJ Skelet and Grim Phunk. To use the term 'stripped down' would be an overstatement in regards to this EP, skeletal drums, booming kicks and frantic vocal loops done right make for a simple yet perfect mix. Tape hiss, MPC crunch and catchy loops are all integral to the vibe and music, tracks keep to a punchy 3-4 minutes and are interspersed by dreamy bonus beats just like in the old days.

Aquaregia celebrates its tenth anniversary with '10', a five-track compilation bringing together artists who have each shaped the imprint's sound over the past decade.

The release sees Troma & PERS1, Blazej Malinowski, Teo Drean, Nicola Dal Sacco, and 747 return to the label with new work, each interpreting acid through their own lens. Across the EP, Aquaregia's distinct blend of emotional, hypnotic, and musically rich acid techno is assembled in a nod to the label's foundation.

The record opens with Troma & PERS1's Atomic, a deep and dreamlike cut filled with metallic textures and drifting movement, followed by Blazej Malinowski's Brudnopis, sliding into a low-slung, seductive groove. On the flipside, Teo Drean's Honeymoon Phase injects orchestral euphoria and cinematic tension, while Nicola Dal Sacco channels vintage '90s hypnosis on Papaia. To close, 747's Decades offers a reflective, bittersweet finale - a fitting coda to Aquaregia's first ten years.

Bangkok Impact - alias of Finnish producer Sami Liuski - helped define the early-2000s Italo-disco and electro revival. Missionary On Mars became an underground club hit across Europe with its spacey synths and retro-futuristic vibe, earning cult status among DJs. With Caro and La Musche his reputation for sleek, hypnotic grooves that bridged classic Italo influences with techno energy got cemented. Remastered repress for a new generation.

In the humid static of early-’80s Tel Aviv, Chromosome emerged like a wiretap from the future. Formed in 1981 by provocateur Rami Fortis and sonic instigator Doron “Shultz” Eyal, the group fused punk abrasion, new wave architecture, avant-garde dissonance, and Middle Eastern textures. Joined by David Gervai and Rona Vered, they produced a singular 12" EP on their DIY imprint TOV Production - now a collector’s treasure.
This reissue of the Chromosome EP resurrects a raw, percussive artifact that slips between English, Arabic, and indecipherable phonetics like a busted shortwave signal. Anchored by “Makhtub” and backed with incendiary tracks such as “Show of Terrorism” and “Gazolina,” it is a vital document of Tel Aviv’s underground, mapping out a borderless, feral lineage for Israeli music.

Were FEX the Wildest & Weirdest German New Wave Band in 1984?

Few cult mysteries in modern music have captured the internet's imagination quite like "The Most Mysterious Song on the Internet." Eventually identified as "Subways of Your Mind" by the elusive German band FEX, the track became a viral sensation decades after its creation-and even made its way into a recent Hollywood blockbuster (Black Phone 2).

Now, two more lost FEX recordings have emerged from an old demo cassette: "Dead End" and "Sarah." And they're every bit as electrifying as the legend suggests.

On both songs, guitarist and main songwriter Ture Rückwardt joins forces on lead vocals with his former wife and musical partner Ilona Rückwardt, forming a vocal pairing that channels raw energy and eerie chemistry. What they deliver are two of the most urgent, adrenaline-fueled post-punk artifacts you're likely to hear this year-even if they were recorded more than forty years ago.

Opening with a sharp, melodic guitar solo, "Dead End" bursts forward with uptempo drive-catchy, fierce, and full of momentum. Apparently inspired by Orwell's 1984, its lyrics depict urban desolation-loneliness, homelessness, hopelessness-yet still shimmer with defiance in lines like, "Truth is amazing - hoping is like waiting."

The second track, "Sarah," dives even deeper into darkness. Mixing post-punk intensity with psychedelic textures, Rückwardt tells an imaginary story of a couple lost in drugs and spiraling through a bad trip, only to wake and realize that sobriety offers little comfort-the real world itself can be just as brutal and offers no easy escape.

Neither song makes the slightest concession to commercial trends. Instead, they feel utterly uncompromising-wild, strange, and defiantly timeless. In a world obsessed with polish and playlists, "Dead End" and "Sarah" sound like transmissions from a different planet.

Both tracks were originally recorded as demos in 1984 in the band's rehearsal room, with Hase engineering. The newly restored versions preserve the raw spirit of the original tapes while adding subtle layers to enhance their atmosphere without losing the authentic 1980s sound. FEX hint that the untouched demo versions might surface later, possibly on a second volume of their archival

HAVEN are back with their vinyl operation with a fresh plate of grubby Techno heat from Irish heavyweights Faetch & Sunil Sharpe on the Grotteca EP. Featuring 4 original rippers and a remix from Italian legend DJ Plant Texture of upfront club pressure, the NZ-based label are proud to transmit some of the finest in creeping electronics from across the globe.

The A-side kicks off with 'Bleed In' with its tough drum-work and hypnotising atmospheres eventually descending in to an all-out stomp with one of the filthiest synth-lines in the label's history hitting half-way through. This is followed up with 'Test Breaks' - a broken-beat slammer with a ton of gritty synth design and rear-shaking rhythms. The first side is closed with DJ Plant Texture's remix of 'Bleed In', where driving 909 hits combine with the original synth line for a club-ready weapon ready to get those feet moving.

On the B-side 'Vapornation' keeps the energy rolling with its rolling congas, heavy kick, and eerie atmospheres tailor-made for a concrete basement. Finally, 'Shinplant' closes the record with full-steam-ahead drums and squalid synth rhythms to end yet another plate of dance-floor ammunition from the HAVEN camp.

Sublunar is proud to present Pareidolia IV, the fourth chapter of the saga written by its founder Sciahri.

With this new LP, the journey continues and reaches its most complete sonic expression to date a statement of evolution, depth and identity, featuring a special collaboration with Temudo.

The record opens with "Just 30 Seconds", driven by powerful low-end foundations balanced by warm, enveloping textures that immediately pull the listener in. "Groundbound" follows, deep and immersive, built around a memorable synth and arrangement designed to linger in the mind.

The voyage continues with "2014", a melodic and transportive track that drifts effortlessly into "Silent Embers", where raw power and mysticism merge into a uniquely intense atmosphere.

The second half opens with "Anime", propelled by a massive rumble beneath a delicate groove and finely crafted stabs. "Essenza" dives into darker, hypnotic territory, defining its own distinct mood and tension.
The only collaboration on the LP, "Encontro", sees Sciahri and Temudo blending their respective visions into something truly memorable, where both styles converge naturally and with purpose.

The journey closes with "Offset", a reflective and emotional piece that encapsulates a sense of travel and quiet melancholy a final moment designed to resonate long after the record ends.

Data Music proudly presents Various Artists "Levitate EP" - the label's first-ever vinyl release!

Staying true to the core vision, we've carefully selected four deep and atmospheric drum & bass cuts from the label's key artists and close friends.

"Levitate EP" embodies the diverse identity of Data Music - a perfect soundtrack for home listening, long journeys, and dark, smoky dancefloors alike.

Motem - a Retrospective
Unsung hero of home recording, undercover Trap lord, flag bearer of Canadian Skweee and bass guitar grunge wizard. Two decades of Motem on an album as wild and diverse as his outfits, cherry picked by Coco Bryce.

Sauna Radio presents its first compilation, a sonic snapshot of Stockholm's vibrant underground.
Born from the weekly community radio and event series hosted on a floating sauna in the city center, the compilation brings together local and international artists connected to the project - including Peder Mannerfelt, MOLØ, Abstraxion & Bella Sarris, Staffan Lindberg, Julia Wallin, and more.

Blending hypnotic techno, leftfield house, and introspective electronica, the release captures the raw, emotional, and communal energy of Sauna Radio.

Limited to 100 vinyl copies, Sauna Radio Compilation SR001 will be released on December 12th, 2025 via Biologic Records.

This is the latest release in the East Africa series by the renowned King Shiloh Soundsystem, making their debut at Triple Vision.

On the Talking Bass riddim produced by Roots Mechanics, Black Omolo, Kare, Lavosti, Tiger Simeon & Brada Jahziel feature on vocal duties.
Also included are the horns cut by Brasspect and a dub by Jah Works.

WRWTFWW Records is proud to announce a super limited vinyl release of Christine Aufderhaar and City of Prague Philharmonic Orchestra's original soundtrack for the critically acclaimed, multiple award-winning 2022 animated-documentary film Aurora's Sunrise. The release comes as a 45rpm double LP in a heavyweight sleeve with inside out print.
Aurora's Sunrise is directed by Inna Sahakyan, and tells the extraordinary true story of Aurora Mardiganian, a survivor of the Armenian genocide who later became an actress in the United States. The film combines animated storytelling, archival footage, interviews, and rediscovered scenes from the 1919 silent film, and one of Hollywood's first blockbusters, Auction of Souls, in which Aurora starred. Aurora's Sunrise was Armenia's official submission for the 95th Academy Awards for best international feature film. It has won over 20 international prizes.
The composer, Christine Aufderhaar, is an accomplished German composer based in Berlin and Los Angeles, with over 20 years of experience and more than 50 films to her name. Her background spans classical, jazz, film scoring, and contemporary orchestral work, and she has been the recipient of numerous awards for her work.
The soundtrack performed by the City of Prague Philharmonic Orchestra is deeply emotional, blending intimate melodies and majestic orchestral work, and weaving together themes of memory, survival, loss, and hope. A perfect fit for collectors of film scores, contemporary classical music, and limited vinyl releases.

Big Big Train, die preisgekrönte Progressive-Rock-Band, veröffentlicht ihr 16. Studioalbum. "Woodcut" ist ein Meilenstein für die internationale Gruppe, deren Mitglieder aus England, Schottland, Italien, den USA, Schweden und Norwegen stammen, da es ihr erstes Konzeptalbum in voller Länge ist. "Die Geschichte spielt nicht in einem bestimmten Zeitrahmen, sondern handelt von einem Künstler, der mit dem Leben zu kämpfen hat", beginnt Gründungsmitglied Gregory Spawton. "Er macht einen Spaziergang, findet dieses Stück Kernholz und schafft etwas, das er als schön und anders empfindet. Vielleicht ist es ein Traum oder vielleicht ist es das echte Leben, aber er findet sich in dieser Narnia-artigen Holzschnittwelt wieder."
"Woodcut" ist ein eher bandorientiertes Werk, zu dem alle sieben Mitglieder einen beeindruckenden Beitrag leisten, wobei Frontmann Alberto Bravin die Federführung als Produzent übernommen hat: "Dieses Mal ist es eine Art neues Statement für die Band. 'Woodcut' ist für uns ein großer Schritt nach vorne", kommentiert er. Mit 16 Titeln und einer Spielzeit von 66 Minuten wirkt "Woodcut" episch, ohne sich zu sehr in die Länge zu ziehen.
Das Album ziert ein auffälliges Cover-Design des in Dorset ansässigen Künstlers Robin Mackenzie - natürlich ein schwarz-weißer Holzschnitt, der von einem Holzschnitt abgeleitet ist, den die Band speziell für das Album bei ihm in Auftrag gegeben hat. Erhältlich als limitierte CD + Blu-ray-Edition, einschließlich ausführlicher Liner Notes sowie Dolby Atmos- und 5.1-Surround-Sound-Mischungen von Shawn Dealey von Sweetwater Studios, wird das Album auch als atemberaubende Gatefold-180g-2LP mit speziellem geprägten Cover, Standard-CD-Jewelcase und digital in Stereo- und Dolby Atmos-Versionen erhältlich sein.

Following the reissue of The Pocket of Fever, Ambient Sans presents the second chapter in Masahiro Sugaya’s visionary work for the avant-garde performing arts company Pappa TARAHUMARA.

Founded by Hiroshi Koike in 1982, Pappa TARAHUMARA blended dance, theater, music, and visual art into abstract, immersive stage worlds. Sugaya’s compositions became the sonic counterpart to this radical aesthetic—minimal yet deeply evocative, combining electronics, ambient textures, and delicate melodic gestures into a sound language both intimate and expansive.

Music From Alejo marks his first original stage score for the company: a work where repetition and silence intertwine with shimmering synthesizers and dreamlike motifs, conjuring atmospheres that feel suspended between reality and reverie. More structured than The Pocket of Fever yet equally poetic, the album reveals Sugaya’s gift for translating movement into sound, balancing modern composition with subtle echoes of Japanese tradition.

Reissued for the first time on vinyl, Music From Alejo includes a printed insert featuring an exclusive interview with the artist, alongside photographs from our visit to his home in Japan. Essential listening for anyone drawn to the ambient minimalism of Hiroshi Yoshimura, Midori Takada, or Brian Eno—reimagined here through the lens of Tokyo’s experimental scene of the 1980s.

Remixes by Blazej Malinowski, Claudio PRC, RCHTR & Invalid Request and a revisit by Re:Axis himself.
As the Derailed Records x Planet Rhythm vinyl saga continues, a new force materializes: the remix EP of Re:Axis's Ancient Ways. Reverent yet fearless, it transforms the original into something darker, deeper, and undeniably compelling.
Wrapped in a soft silver glow, this vinyl edition mirrors the legacy of its marbled-gold predecessor. The contrast is intentional, the pairing essential. Don't miss the chance to complete the set.




d B2 Back To The Now Revisited

2026 Repress

Do you know what time it is It's debut o'clock. Emitting his first material for Pampa, it's &ME - craftsman of all things deep and sturdy, at the same time connoisseur of emotive touch and virtuoso of sure instincts, one of the scene's central characters for a good amount of years now and one of the main figures of Berlin's Keinemusik-crew. The man has been hitting the bulls eye of public perception several times in the past, meeting everything it takes to get a crowd going with an intent on the detail when it comes to his arrangements and sound. These new two cuts seem nothing less than the essence of his abilities.

There is "In Your Eyes", the name lending A side to this EP, showcasing a rather pensive mood. It's just a few bars for the compound of kickdrum, tuned hi-hat tambourine and shimmering background noise until the first chords of an improvised piano-piece are tenderly laid upon the beat. Add a synth-motive coming back and forth and you'll have the main ingredients to this - in every sense of the word - floor-moving tune. Accordingly, the arrangement won't aim for an all too obvious sensationalism and rather opts for a flowing and intertwining call and response of its elements, ultimately resulting in a staggering impact anyway.
In comparison, "As Above So Below" on the flipside is adding a fair amount of emphasis. It unfolds in a dry and dense sounding beat-architecture that's suspense-packed with shaker sounds and subtextual field recordings. Most certainly, a slip-proof ground for this tune's centre-piece, a scale-riding synthbass sparking an almost anthemic trigger for floor-ecstasy. While details like subtle reverberating tapping and sparkling ambient textures sound like recorded deep down in a dripstone cave, the overall energetic layout pushes relentlessly to the heights of peaktime-grandeur. There you have it: "As Above So Below" - this tune works on every level.

GETTOBLASTER coming extra hot and funky on this 9 track double LP, their first full length on wax. The signature jacking-techy-bounce gets an extra level of spice from guest producers and vocalists like DJ DAN, DJ DEEON, DJ FUNK (RIP), JOHNNY FIASCO, MAD VILLA, and more.

Phonica AM welcomes long-time friend of the shop Voigtmann, appearing under his A Thousand Futures alias with a release that feels perfectly at home on the imprint. Known for precision engineering and playful groove work, he delivers a 12″ that’s subtle, characterful and built for repeat play.

Across four tracks, Voigtmann moves between sleek, futuristic club moods with ease: from the ghostly, cosmic drive of “Leftfoot Lover” and the acid-flecked momentum of “Outer Edge,” through to the jacking electro-funk tension of “No Room For Squares.” The record closes on “Sunshine Capital,” a warm, chord-led cut that still carries his trademark grit - a deeper moment without losing focus.

Curated by Phonica’s Luther Vine, the AM series champions the stranger, more late-night corners of the dancefloor, and this release fits the ethos with style. Touching lightly on progressive house, tech house and electro-leaning minimal, the record avoids strict genre lines and instead prioritises feeling: trippy, functional and made for DJs.