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Die mit Spannung herbeigesehnte 2. Staffel der Gen-Z Dramaserie „Euphoria“ kehrt zurück. Dabei wurde nicht nur auf weitere Abenteuer der ProtagonistInnen Rue und Jules gewartet, sondern auch auf neue Songs. Bereits der Soundtrack der ersten Staffel wurde mit einem EMMY ausgezeichnet und beweist, wie akkurat der Soundtrack die Emotionalität der Serie verkörpert. Insgesamt 15 Songs finden sich auf dem Soundtrack der 2. Staffel. Darunter 2 Songs, bei denen Schauspielerin Zendaya selbst als InterpetIn auftritt, sowie die
Single-Auskopplungen der KünstlerInnen Tove Lo „How Long“ und Lana Del Rey „Watercolor Eyes“. Der Soundtrack ist sowohl auf CD, wie auch als farbige (Translucent Orange) Vinyl erhältlich.

On-U Sound announce latest volume in the Pay It All Back series with unreleased Lee “Scratch” Perry track, plus 40th anniversary live concerts

On-U Sound is proud to present the latest volume in the much-loved and collectable series of On-U Sound label samplers, packed with exclusives, alternate mixes and previews of upcoming releases. Includes unreleased tracks from Lee “Scratch” Perry, Tackhead, African Head Charge, Mark Stewart, Creation Rebel, Andy Fairley and more.

The first music to be shared from the album is an unreleased track with the late, great Lee “Scratch” Perry - “Many Names Of God” is an outtake from the sessions that produced the Rainford and Heavy Rain albums and also features vocals from Nightmares On Wax collaborator LSK aka Leigh Kenny.

The release of the new compilation also coincides with a very special concert taking place at the Forum in London, originally scheduled for 2020 but delayed because of the pandemic. Celebrating 40 years of the On-U Sound label, it brings together musicians and artists from at least four different continents for a unique evening with Horace Andy, Tackhead, African Head Charge, Creation Rebel and most of the other musicians featured on the album.

Label boss Adrian Sherwood comments: “As usual with the Pay It All Back series, the intention is to promote our upcoming releases and productions. Also on offer are previously unreleased gems, versions of tracks exclusive to this release and more from artists that we’re keen to promote. Sadly in the last year we have lost so many music giants from amongst us, including Lee “Scratch” Perry, George Oban and John Sharpe. Lee Perry laughed at death. It was to him just a part of life and another beginning...I trust Lee. I’m very proud of this album, it goes out to all On-U Crew, our missing and irreplaceable friends.”

Please note that the Rita Morar and Mark Stewart tracks are vinyl only, are not currently available digitally, and therefore are not accessible via the download card.

- Spec: Limited edition transparent blue vinyl in 3mm colour printed sleeve with printed inner , full sleevenotes, fold-out 24” x 12” Pay It All Back concert poster and download card

Bonus tracks accessible via DL card:
1. Tackhead ft. MAD 45 - I Don’t Wanna Work A Fake Job
2. Sherwood & Pinch - Excessive Drinking
3. Ital Horns - Metropolis
4. LSK - Money Masters
5. Andy Fairley - Deranged Man

With the project XV | 1 Affin leaves 15 years of its existence behind and looks expectantly and full of optimism into the future.

The A side starts with MTRL's (co-founder of the Munich IO label), "Spice Fields" who celebrates his Affin debut here with a delicate, driving track. Another premiere is the first collaboration between Cauê and Joachim Spieth, who celebrate here with "Alpha", an atmospheric multi-modulated piece of club music.

The B side starts with an old acquaintance, Reggy Van Oers, who makes a massive reappearance with "niffA" after a few years of abstinence. Svarog closes the first episode of our 15th anniversary with the pushing "Psalm". All tracks were mastered at the Berlin-based Artefacts Mastering Studio. Markus Guentner, a label artist from the early days, is responsible for the graphic design and also did a logo redesign.

10x12inch bundle + book

What is going on here then? Well, digging through the ever shrinking tunnels in the cave system that is our warehouse we come across many forgotten ore and metal deposits that silently beg to be unearthed. Since we are not the beroerdste, we reckon it's about time to put some of these on offer to you, the unsuspecting consumer. And we have hit the jackpot in this case! For a limited time only (and as long as stock lasts) we offer 10 (yes TEN) records from the vast Creme Organization back catalogue + a copy of the glorious Godspill Artwork Book for just 50 (yes FIFTY) Smackeroonies! Which titles you will get will be a surprise, so take a chance take a chance boys & girls and all shades inbetween, cause here's a breath of fresh air in these times of inflation and global uncertainty! Love, the management.

Paul Wise aka Placid is the driving force behind ‘We’re Going Deep’ – a thriving online community and record label that’s showing no signs of slowing down as we pop, dip and spin into the spring season. As a label owner, Paul’s mission couldn’t be clearer - releasing new music for heads of all persuasions. Fresh cuts aimed squarely at the dance floor, your front room or even just the headphones. Rather than staying too hung up on the past, he continues to focus on serving up the best in new Acid, Electro, Techno, Deep House alongside scintillating slices of Downtempo music.

Sticking to the trusted format of 4 superlative cuts from equally talented producers, the quality and talent on show does not disappoint on WGD 007. Starting the dance with 303 maestro and label legend Tin Man, A1 “I Said Acid” is a tantalising twist on the classic combination of a Roland TR-707 and SH-101. As a metronomic pulsating kick carves out a squarely hewn path, slow opening filtered lead and hauntingly repetitive “Acid” vocals exert maximal pressure to create a sheer moment of joy. Balanced out by the dreamy atmospherics of A2 “I’ll Meet You On The Dancefloor”. UK Deep House supremo Rai Scott exerts her perfected knowhow: blending organically tinged percussion with profound melodic touches that meander across the borderlines of your consciousness.

On B1 “Necessary Order”, the machine mastery of Sound Synthesis collides in perfect harmony as Keith Farrugia demonstrates his deft turns of the dials that are becoming more in demand. A sprinkle of stargazing soul is woven around light touch acidic tweaks and snappy drums, echoing the twinkling embers of the cosmos. Not to be outdone, Dutch born German bred producer Roger Van Lunteren takes control with the final slice on B2 “Le Dee Trois Trio Prends Trois”. A wince inducing, sawtooth heavy jam that should not be taken lightly. As the saying goes, this one’s only for headstrong.

In late 1961 Spector formed Philles Records with Lester Sill, buying his mentor out the
following year. The slogan was ‘Tomorrow’s sound today’, and Phil Spector proceeded to live
up to that boast. Three-track tape machines were then state of the art, and he perfected the
method of ‘bouncing’ the tracks to get the biggest possible sound. As time went by, his ‘twominute symphonies for the kids’ would be increasingly gilded by his ‘everything but the kitchen
sink’ production including Strings, Percussion and banks of Vocals. Spector gained his
second U.S. chart-topper and his first as a Producer in 1962 with the Gene Pitney penned,
He’s A Rebel. Spector became increasingly obsessed by the production process. ‘My records
are built like a Wagnerian opera. They start simply and end with dynamic force, meaning and
purpose. I dreamed it up.’ He retired from the music business, returning only sporadically to
work with first The Beatles (their Let It Be album, plus solo LPs by George Harrison and John
Lennon), plus a handful of other artists including Dion, Cher and the Ramones.

We have two versions (two different covers) - black vinyl or multicolor, limited, hand nubered (111 copies) vinyl.

Two years after the well-received compilation "Nebula," Himalaya Collective (probably the largest team of beatmakers in Poland) returns with another release. This time the Himalayan section of 24 producers (and some exceptional guests from outside the collective) will take us on a journey into the skies. On "Latawce" (which means "Kites" in English), we will hear 24 tracks with one goal in mind - to allow a maximum two-minute flight. The premiere (not accidentally) will take place on the 1st day of summer.

The sound of each Kite has been colored thanks to the excellent mastering done by Eprom. The album's vinyl version was made in two options and with two different covers. @Eloprzemi is responsible for the design of the classic version, and the cover of the limited surprise vinyl was designed by Gbur. The limited edition is hand-numbered (111 copies), and the surprise is worth emphasizing the different colors of each vinyl! Crazy Action! Great album! The perfect soundtrack for the summer holidays 2022!

Das von Peter Gabriel mitgegründete WOMAD-Musikfestival fand erstmals 1982 in Shepton Mallett, England statt. Zum 40. Jubiläum veröffentlicht Realword Records jetzt eine remasterte Neuausgabe des inzwischen legendären Livemitschnittes mit Künstlern wie Echo & The Bunnymen, Peter Gabriel, Simple Minds, The Beat, The Drummers of Burundi, The Musicians of the Nile u.v.a.

Die Doppel-LP im Gatefold-Sleeve beinhaltet einen Nachdruck des Festivalposters und einen digitalen Downloadcode, die Doppel-CD kommt im Digipak mit ausführlichem Booklet.

Alien Men is a 9 track compilation of abstract Dub & Synth experiments by a range of new artists coming out of Glasgow's Southside.

The idea for the compilation came about during a time of lengthy periods of isolation, where loneliness, insecurity and a willlingness to connect with other like-minded souls was challenging or near impossible. The artwork was subsequently created and the music followed, allowing each producer to tell their own story throughout this period.

The music featured, although hard to pin down to one notion, is Bass/Grime-esq, mutant Dancehall in parts with awkward, Ambient synth moments across this essential Club/Not Club record.

Lo-fi Beats is a fine and elegant new collection made for a cosy trip in music. Relax with a jazzy sound.

Lo-fi Beats is a fine and elegant new collection made for a cosy trip in music. Relax with a jazzy sound.

It's been almost 3 years since the first volume of Dancefloor Detonators enhanced our nocturnal revelries, so it's a welcome treat to see a second volume has now made an appearance.
As with the first release, Volume 2 follows a similar principle, namely to put on vinyl some of the most popular tracks from the label's digital catalogue alongside some exclusive new cuts, appearing here for the first time to keep things 100% fresh. The resultant 5-tracker is nothing short of sublime.
Label regulars Secret Circuit, Sordid Sound System and Bal5000 appear alongside Optimo Music regular Feon and newcomer Wanda Krak.

Just by looking at the line-up of this release you can say ''What a French confiture!'' - and you'll be right! This time Deeppa invite you to dive into the music of the modern French house scene, to touch its soul, its ''douce vie'', full of ''french kisses'' and love.

The third volume of this modern classic, moroccan only compilation, blends peak-time heavy-hitters and more subtle moments. it gathers bergsonist kosh ocb malik jalil and viewtiful joe. OG soundtrack from the motion city, casablanca.

Limited to 100 units

Alien Transistor present Alien Parade Japan, a joyous double-album compilation of groups from Japan’s indie-pop and avant-garde undergrounds, all of which feature brass or woodwind instruments as part of their line-up. Compiled by Markus Acher (Alien Transistor, The Notwist, Hochzeitskapelle) with plenty of support and help from his Spirit Fest bandmate, Saya (also of Tenniscoats), it features some familiar names – Tenniscoats, naturally, but also Zayaendo, Tori Kudo’s Maher Shalal Hash Baz – alongside lesser-known groups like Biobiopatata, Mitamurakandadan?, Kourakuen, sekifu, and Noah Lewis Mahlon’ Taits, amongst many others.

The collection of songs here rests upon a simple question, and an interesting parallel: Why do so many groups from Japan include brass and woodwind, and how closely does this echo the scene that Acher is involved with in Munich? The idea was formulated in Acher’s mind after one of his groups, Hochzeitskapelle, had been invited by Saya to Japan in 2019, to take part in the Alien Parade Japan tour. “Saya and her friends recommended a lot of music to me that I didn’t know of,” Acher recalls, “and I was surprised and excited to find so many Japanese bands who use brass and woodwind instruments.”

This approach was something Acher had been familiar with for a while, thanks to his experiences in Munich: “Until then I thought of the Munich scene, where Hochzeitskapelle come from, as being quite unique in having ex-punk and still-indie musicians form loud acoustic bands with many brass instruments and play a wild mixture of styles.” And indeed, that variety is reflected in the twenty-two songs on Alien Parade Japan, which flits from the pastoral melody of Maher Shalal Hash Baz’s “Crossin The Tama River”, through the tenderness of various sighhorns’s “people have called them flowers”, to the folksy lament of Gratin Carnival’s “Just Watching”.

Alien Parade Japan reaches further afield, too, drawing in some groups, like HOSE, Fuigo, and popo, that feature musicians like Toshihiro Koike, Masafumi Ezaki and Taku Unami, who may be better known for their experimental and improvised releases on labels like ftarri and Erstwhile. It also looks back to material recorded in the 1990s - the swinging slide guitars and sax/tuba duet of Strada’s “Swamp”, from 1998, and Compostela’s energetic, rousing “ghhgh”, from 1990. Both pieces were written by, and feature, saxophonist Kanji Nakao; Compostela’s membership also included late saxophonist Masami Shinoda, who was also part of such storied Japanese groups as Pungo, A-Musik, Orquestra Del Viento, Ché-SHIZU, and the fiery free jazz outfit, Seikatsu Kōjyō Iinkai.

Groups like Compostela help to draw some through-lines to the aesthetics of chindon’ya, a type of Japanese marching band made up of costumed street performers who advertise businesses; the music made by these bands is brash, spirited, and full of energy. Alien Parade Japan weaves all of this together – chindon’ya; jazz; indie-pop; psych-folk; big band – into one beautiful, big tapestry of gorgeous melody, sweetness, and melancholy, with plenty of creative fraying at its edges. “The collection is a very personal view of Japanese bands using brass and woodwind instruments,” Acher concludes: “it’s not a representative anthology, it’s mainly held together by my personal taste, experiences, and friendships.” But it’s also a wonderfully coherent collection of some of the most playful and elated music you’re likely to hear this year. As musician and writer David Grubbs says:

„Now it is confirmed: my favorite genre of music is Alien Parade Japan. Hopefully now people will know what I’m talking about when I gush about the unassailable brilliance of longtime favorites like Maher Shalal Hash Baz, Popo, Mitamurakandadan?, Hose, and Tenniscoats, presented here alongside others whose music I have only begun to search out. Please share in my gratitude and enjoyment of this lovingly assembled collection, one that I welcome into my home as I would a long-anticipated guest.“

The third instalment of the Best OF Various series sees Malta's Melchior Sultana return to Ten Lovers Music with an amazing new track called Spectres. Following that we have a special reprise of Secret Garden by Paul David Gillman Presents Red Earth Design, from England. The main mix of Secret Garden features on Paul's debut album (TLP004) of the same name, we thought this reprise was too good to remain unreleased. On to the AA side and we have two tracks back to back from Italy's ReeKee with his debut release on TLM, Here We Stay and Next To Me showcase his unique sound. We have been a fan for a while so great to have him on board. Finally someone who needs no introduction, from the USA, Detroit's very own Javonntte following up his TLM 7' release last month with this superb track called Satellites and Dreamers.

Wewantsounds is delighted to present the first retrospective on vinyl of Saravah Records, one of the most influential French labels founded in Paris by singer, songwriter and producer Pierre Barouh in 1966. Featuring Brigitte Fontaine, Jacques Higelin, Alfred Panou, and many rare tracks reissued on vinyl for the first time, the set gives a glimpse of the free-form, groovy sound of the label between 1965 and 1976. Supervised by Pierre Barouh's son and Saravah historian, Benjamin Barouh, The 2-LP Gatefold set comes with a 4p insert featuring liner notes (Eng/Fr) by Benjamin plus an exclusive interview of Barouh's partner Fernand Boruso by Jacques Denis telling fascinating anecdotes around the label.

Organic sounds, eclectic compositions and infinite grooves – we’re proud to present our very first label compilation BEATS LIKE SUMMER, Vol. 1. Composed of 17 instrumental tracks that circle HipHop, Jazz, RnB and Soul, this project is a journey through different soundscapes. It unites some of the finest beat makers and instrumentalists from around the world, including Kiefer, K, Le Maestro, DAO, Saltyyyy V, Shuko, agajon and many more. Artwork by GABE and Alex Plesovskich. Creative Direction by Robert Winter.

Limited edition LP release with inside out sleeve, main artwork embossed, sticker on the back!

An album of incredible music inspired by endangered birdsong
This is the third album from The Birdsong Project that challenges ten artists from
a certain region to make an original track using and inspired by the song of a
threatened bird. 100% of the profits from the project go to bird conservation
NGOs working on the ground. Following South America and Mexico, Central
America, & the Caribbean, this album moves to Western Africa. The album mixes
well- known names from the World or traditional music scene like Vieux Farka
Touré, alongside electronic music producers like Buruntuma. This record is also
pressed on the greenest record available via Green Vinyl Records with 100% PVCfree, 100% recycled cardboard and 70% less CO2 emissions.

The Chromophore volume 2 is finally here. Slowly cooked during the past years and well rounded, following the formula of the first one: family members plus a couple of legends. Slow Life reprazent!

...

Superb LP from Helecho Dub featuring Monkey Tool and Marasm. A collection of deviant dub from south Argentina, France, Japan, Belgium, Germany …. Superb international collab with a common aim : Deviant Dub ! Noise or acoustic, roots or electro... nothing is clear here... In this kind of dub grey aera loads of creativity, ideas and futuristic sounds... Not an easy record for sure ! Probably better like that init ?

Now onto its fourth volume, NuNorthern Soul’s annual Summer Selections EP is fast becoming a must-check for fans of slow-motion sunshine sounds, contemporary Balearic beats and sumptuous downtempo grooves.

Summer Selections Four showcases six hand-picked tracks from EPs and albums to be released by NuNorthern Soul in 2022. A genuine ‘cream of the crop’ or ‘best in class’ feel, with NNS label boss and curator Phil Cooper putting together a varied EP piled high with evocative melodies, atmospheric chords, tactile grooves and ear-catching instrumentation.

First to step up to the plate is experienced producer James Bright, whose cut ‘Amber’ offers a bubbly, colourful and analogue-rich stroll through mid-tempo Balearic house territory. The track is one of the highlights of Bright’s forthcoming Totem EP. It’s quickly followed by ‘Nana a Leon’ from Be.Ianuit’s Entre Dos Islas EP, a gorgeous mixture of deep bass, twinkling pianos, sultry synth-strings, sparkling synthesiser arpeggios, echoing machine drums and spoken word vocals from guest performer Marcos de la Fuente.

San Francisco’s Cole Odin offers a snapshot of his forthcoming Songs For Suns EP via ‘Growing’, a slow-motion sunset soundscape built around ethereal chords, chiming melodies and head-nodding drums, while Gold Suite’s ‘The Cowboy’ – taken from the On My Horizon EP – brilliantly joins the dots between jangling Americana, mid-‘80s Balearic reggae and sun-soaked instrumental synth-pop. While brand-new, it could easily be mistaken for the kind of obscure, hard-to-find gem that gets Balearic record collectors so hot under the collar.

Next up is another new signing to NuNorthern Soul, North of the Island, whose debut EP Feeling Free is undoubtedly a highlight of the label’s 2022 release schedule. ‘I Feel’, the track showcased here, adds attractive, sunset-ready musical flourishes to a chugging, delay-laden rhythm track and the kind if squelchy bass-line most often found in proto-house and early ‘80s electro-funk cuts. It’s a spaced-out, mind-altering delight.

Rounding off another sizzling Summer Selections excursion is ‘Smoke & Fly’ from fast-rising twosome Residentes Balearicos, an Ibiza-based Italian duo who impressed many with their 2021 EPs on Balearic Ensemble. Dusty, bass-heavy, drowsy and picturesque, the track is a simply gorgeous chunk of Balearic dub piled high with organic percussion, undulating acid lines and mazy solos. It provides a fittingly triumphant conclusion to another essential sampler EP from NuNorthern Soul.

From Kaytranada to The Souljazz Orchestra or The Bamboos go deep into one of the best sélection of Nu Funk.

SATURATED! the various artist series on vinyl has proven to be the epitome of curation in bass music since its inception.
The whole package is curated such that each track perfectly flows into the next.
Each volume is carefully hand-picked and serves as a snapshot of bass music at that moment,
SATURATE! has earned its spot as the first choice for those seeking fresh sounds from established and emerging artists.
and has been leading the way in all thing's bass heavy, breakbeat, experimental, glitch, hip-hop, psychedelic and trap for years now. They have a track record of propelling artists to the next level. Their roster includes some of the scenes biggest names. These compilations present
A weird, wonky and wonderful journey through the raw attitude of the blistering beat driven electronic music scene.
Get it now!

`Gamblers Blues' Is The Ultimate Was A Dance-Floor Filler When Spun At Southern Northern Venues, The Follow Up To The Recent September Jones Release, B-Side Is One Of Lorraine Chandler's Most Beautiful And Haunting Songs And Deserves Greater Recognition

Austudy Records is proud to present it’s debut release Burning It Up: Australian Reggae (1979-1986). A
compilation surveying the influence of Reggae on Australia’s preoccupation with Rock, Pop and New Wave
between the years of 1979-1986. This selection of 8 obscure tracks originally issued on 7” records represent
some of the earliest examples of Reggae sounds in Australian recorded music.

Saturate Records, a bass music label based in Hamburg, Germany that started in 2010, has come together with Stylust's (formerly Stylust Beats) Sleeveless Records to bring the world Saturated Warriors, a sweltering new compilation album featuring heavy-hitters from all around. Both labels pride themselves on only putting out the freshest music, always catering to the counterculture crowds and only accelerating with the times. Over the years, Saturate and Sleeveless have had releases from some of the current biggest names in the bass-music scene, including Herobust, G Jones, Zeke Beats, Conrank, Shlump, and more. Finding their niche in giving young talent a platform, these labels have become a home for young producers that aren't afraid to experiment.
Now Presenting Saturated Warriors!"

Great compilation of soul tracks that have been sampled by artists such as Massive Attack, Kendrick Lamar, Cypress Hill, and others.



















s D2. Marva Whitney - It's My Thing (You Can't Tell Me Who To Sock It To) [Album Version]