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O.C. & PF CUTTIN - Opium LP

O.C. & PF CUTTIN

Opium LP

12inchRRC098
RRC Music Co.
13.02.2026
  • Sit Yourself Down
  • Moonshine
  • Beneath The Planet Apes
  • 88:
  • Easy Work
  • Get In Line
  • Higher Learning
  • O.p.m. (Feat. The Real Shakar)
  • Searching

After decades deep in the game, few names carry the same weight as D.I.T.C. veteran O.C. and East New York’s own PF Cuttin, the DJ and producer behind countless underground classics. Long respected for their consistency and craftsmanship, the two finally joined forces for Opium — a nine-track masterclass that channels the essence of true-school hip-hop.

Originally released to remind heads of what the real sound of the streets was, Opium plays like a time capsule from the era of block parties, 40s, and cipher sessions on the corner — where bars mattered and the beats hit hard. PF Cuttin’s rugged, sample-driven production perfectly complements O.C.’s sharp lyricism and timeless flow, delivering a record that bridges nostalgia with enduring relevance.

Reissued in 2025 with the same iconic artwork by Scarful, this edition celebrates a collaboration that captures the raw soul of New York hip-hop — pure, uncut, and eternal.

pre-ordina ora13.02.2026

dovrebbe essere pubblicato su 13.02.2026

Lukas Traxel - One-Eyed Daruma LP

Swiss artist Lukas Traxel releases his powerful debut album One-Eyed Daruma on We Jazz Records, March 10. The trio features Traxel on double bass, Otis Sandsjö on sax and Moritz Baumgärtner on drums. Compact, deep, and organic to the bone, Traxel & co's sound echoes the innovations of rhythmically driven avantgarde jazz while keeping things moving at all times. There's both drive and freedom to this sound.
ONe-Eyed Daruma features eight new compositions by Traxel, who crafted the outline for the album while dealing with the loss of his father. The group came together after an open invitation from the Zurich jazz club Moods to present a new group. The trio of Traxel, Sandsjö and Baumgärtner creates a full, symphonic, and powerful body of sound despite the instrumentation without a harmony instrument. The trio functions as a collective where the boundaries between composition, melody, and accompaniment are in flux, while keeping the common goal of creating new music together in sight at all times. Traxel reports that after playing bass in various groups with guitar and/or piano, he wanted to create a counterpoint of sorts with his new group and specifically go about it with a more sparse setup. As One-Eyed Drama proves, the idea behind the trio dynamic is a strong one and the unit makes use of their extra space in creating evocative, moody, swinging creative jazz with a distinguishable fingerprint of its own.
Lukas Traxel says:

"The process of composing this music while dealing with the loss of a loved one resulted in a writer's block at first. The notes would just not flow out of my pen until I noticed a mysterious-looking figure in the right upper corner of my piano. It was a daruma, an eyeless figure that in the Japanese tradition brings luck and prosperity. According to the myth, the first eye must be drawn onto the figure while expressing a wish. The second eye can be added only if the wish comes true. My daruma is meant to stay one-eyed as my wish, strongly connected and intertwined with my now gone father, is not meant to be fulfilled. The feeling of unfulfillment and imperfection of life serves as a common thread throughout this album, right down to its title. In a similar fashion, a composition remains incomplete until it is interpreted by musicians, and given form as music. That being said, for me playing together with this trio symbolises the upside: the sense of fulfillment in music and life.

Our musical influences include the American composer and singer Caroline Shaw, Swiss pianist Colin Vallon's trio, and composer/singer-songwriter Gabriel Kahane. In addition, I have listened a lot to the trio albums of Jimmy Guiffre and Sonny Rollins. Besides that, my musical heroes like Charlie Haden, John Coltrane, and Keith Jarrett always flow into the music. Another very important influence in the music is the work of American visual artist Agnes Martin, in whose works the imperfection of a multiplicity of repetitions results in a lively big whole in the end. (See "Wild Flower")

Live, the trio takes a lot of freedom in interpreting this music, yet we have a deeper, almost pop-like attitude towards the live performance as an experience. For me it's always important to build a strong narrative with the band while on stage."

One-Eyed Daruma by Lukas Traxel is released on 10 March 2023 by We Jazz Records on LP/CD/digitally. The LP edition is shelved in an inside-out sleeve and pressed on white vinyl. The CD is housed in a cardboard digisleeve with UV lacquer finish.

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Last In: 3 years ago
KAFFKIEZ - WIR

KAFFKIEZ

WIR

12inchEB831
SUPERPOLRECORDS
30.01.2026

Rote splatter Vinyl. Nach über 16 Monaten ohne frische Musik sind KAFFKIEZ zurück und kündigen direkt ein neues Album für den 30.01.2026 an. Noch vor 5 Jahren waren die Shows dieser Band nur von Freunden & Verwandten besucht. Mittlerweile finden die Familientreffen der Rosenheimer Bande in großen Hallen statt und die ansteckende Leichtigkeit der Band verbindet weit über ihre Musik hinaus. Wie die Nachbarsjungs, mit denen man immer noch gerne eine Runde um den Block dreht, stehen KAFFKIEZ für eine durchdringende Befreiung von Alltagslasten und ein Augenzwinkern, das die Sorgen auf morgen vertagt. Die Jungs der Band machen klar, um was es ihnen geht. WIR. Ein Album das Zusammenhalt und Gemeinschaft durch und über die Musik hinaus manifestiert. Eine Einladung an alle Fans von lebenshungrigen Gefühlen, langen Sommerabenden und treibender Leichtigkeit. Wer schon länger Teil der KAFFKIEZ Family ist, wird sich über die gut bekannten und unaufhaltsam nach vorne marschierenden Rhythmen & die schrammelnden Gitarren direkt abgeholt fühlen. Doch der Sound des kommenden & dritten Studioalbums der Band hat an Druck und Kraft gewonnen. Elemente wie Bläser und Synths strecken die Hände in neue Richtungen aus ohne zu vergessen, wo sie herkommen. Ein Familienausflug der Extraklasse.

pre-ordina ora30.01.2026

dovrebbe essere pubblicato su 30.01.2026

Hello Spiral - Hallways (TAPE)

Hello Spiral returns to the same North London block, the same triangulated geometry of balconies and courtyard, but with a shift of orientation. His previous record looked outward from the eighth floor, these four new recordings move inside, into the building’s arteries. Joe explores the hallways of the complex where he has lived and listened for years, using the same tool as before, an iPhone and its voice memo app. The recordings were made in situ, each exactly eleven minutes, captured without ceremony.

The hallways feel different. Less private, less scenic, more neutral. They are the connective tissue between hundreds of domestic units, a space of transit rather than rest. The carpet absorbs certain frequencies. The fire doors catch and release pockets of air. The lights hum. Elevators drone in soft cycles of arrival and departure. These are the institutional sounds of shared living, yet once recorded they begin to behave strangely. A kind of internal weather appears.

As with the previous album, Joe remains attentive to what is often overlooked, irrelevant or discarded. The hallways, with their scuffs and signage, their coded access and polite functionalism, provide an unexpectedly rich field. The ambience is not shaped by storms or scaffolding, not by birds or street spill. Instead the material is the building’s own breath, its mechanical rhythms, the low frequency traces of neighbours, the occasional shuffle of footsteps that pass but do not return.

Joe talks about this record as a possible middle chapter in a trilogy. If so, it sits between the exposed openness of the balcony and whatever comes next. A hinge point. These recordings continue Joe’s long practice of defamiliarization, sharpening attention to the unnoticed while withholding narrative. They invite repeated listening, not for revelation, but for the subtle shifts that occur when a familiar space is treated as an instrument.

pre-ordina ora30.01.2026

dovrebbe essere pubblicato su 30.01.2026

JME - Grime MC LP 2x12"

JME

Grime MC LP 2x12"

2x12inchJME056
Boy Better Know
29.01.2026

5 Year Anniversary of Jme's follow up to Integrity; a release like no other.......over half a dozen videos, an exclusive cinema screening tour, which had a physical only release launch featuring various limited formats and much more.....the rules of a 'release' were broken once again.
Features on the album include Skepta, Giggs, Wiley, P Money, Big Zuu, Shakka, President T and Merky Ace whilst production comes from the likes of Preditah, Tre Mission, S-X, Blay Vision, Lewi B, Splurt Diablo, Deeco and of course Jme himself.

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Last In: 4 months ago
PIGS PIGS PIGS PIGS PIGS PIGS PIGS - DEATH HILARIOUS

Das fünfte Album der Newcastler Riffzauberer Pigs Pigs Pigs Pigs Pigs Pigs Pigs (aka PIGSx7) ist geprägt von kalkulierter Aggression und selbstzerfrleichenden Texten. Zu den verblüffenden Boni gehören verspielte Synthesizer-Arbeiten und der Auftritt eines Hip-Hop-Masters. Mit seinem Titel, der Absurdität und Ernsthaftigkeit einander gegenüberstellt, ist dies Death Hilarious. Während Land Of Sleeper von 2023 als immersives Kopfhörer-Erlebnis konzipiert war, strebten Pigs dieses Mal nach etwas direkterem, böseren. ,Wir wollten, dass es ein Schlag ins Gesicht ist", grinst Produzent und Gitarrist Sam Grant. Dieses Ziel kam zum Teil dadurch zustande, dass die Band in den letzten Jahren sooooo viele Gigs gespielt hat. Die Band fühlte sich gut geölt und reif dafür, den Zuhörern zu Hause die Art von Prügel zu verpassen, die ihr Publikum von der Bühne aus erhält. Death Hilarious bietet einige Überraschungen, vor allem der Track 'Glib Tongued', bei dem El-P von Run The Jewels als Gastmusiker mitwirkt. Als Bassist John-Michael Hedley unwissentlich das schrieb, was seine Bandkollegen als ihr Äquivalent zu einer Hip-Hop-Nummer betrachteten, setzten die Pigs ihre Ziele hoch an und sicherten sich einen fulminanten Beitrag von einem der größten Rapper der Welt. Das soll nicht heißen, dass Pigs zum Nu-Metal übergegangen sind. Death Hilarious ist eine abwechslungsreiches, straffes Album, das sich zwischen sabbathianischem Doom, grotesk minimalistischem Noise Rock und zyklischen Post-Metal-Fortissimos bewegt. Auch die Pigs treiben sich selbst weiter an. Unpassende Synthesizer-Soli tauchen dort auf, wo normalerweise Gitarren-Histrionik Platz hätte. Klaviertracks lauern im Mix und verleihen dem Klangstrudeln eine fast unterschwellige Tiefe. Stitches" ist wie Motörhead, die versuchen, Glamrock mit einem beschwipsten Keyboarder zu spielen. Und dann ist da noch das 100-Meilen-Tempo des Cosmic-Thrash-Openers ,Blockage". Verzerrte Licks fliegen aus den Verstärkern von Grant und Lead-Gitarrist Adam Ian Sykes, während die Rhythmusgruppe dahinter brutzelt. Mit all dieser Power, die durch die Adern fließt, wird Death Hilarious mit Leichtigkeit eines der besten Rockalben des Jahres 2025 sein... und das ist kein Witz!

pre-ordina ora23.01.2026

dovrebbe essere pubblicato su 23.01.2026

PREMROCK - DID YOU ENJOY YOUR TIME HERE...?
  • Angel's Share
  • Void Lacquer
  • California Sober
  • Steal Wool
  • Plunder!
  • A Good Man Is Hard To Find
  • Doubt Mountain
  • Flight Risk
  • Potemkin Village Voice
  • Aim's True
  • Love Is A Battlefield Simulation
  • Crueler Walls
  • Camel Cash
  • Fever Dream
  • Receipts
  • Did You Enjoy Your Time Here.?

Did You Enjoy Your Time Here...? ist das neue Studioalbum von PremRock, einem Künstler von Backwoodz Studioz(vielleicht am besten bekannt als die Hälfte von ShrapKnel; das ernüchternde Yin zu Curly Castros wildem Yang). DYEYTH knüpft da an, wo Prems nachdenkliches Backwoodz-Debütalbum ,Load Bearing Crow's Feet" aus dem Jahr 2021 aufhörte: klar, herzlich und gnadenlos witzig. Das Album wurde von Sebb Bash, Blockhead, YUNGMORPHEUS, Child Actor, Controller 7, ELUCID, Small Professor, Jeff Markey und Fines Double produziert, während Prems langjähriger Kollaborateur Willie Green alles zusammenfügt. Textlich wird Prem von einigen der weltweit besten Künstler unterstützt, darunter Pink Siifu, Billy Woods, Cavalier, Nappy Nina, Illogic, AJ Suede, Mary Esther Carter und natürlich Castro. Jeder Gast holt das Beste aus dem Mix heraus und sorgt für fruchtbare Kollaborationen, die weit über einfache Gastverse hinausgehen. Mit originellen Artworks, die vom Album inspiriert sind, vom Chicagoer Künstler Gabe Karagianis. Die besten Formulierungen sind diejenigen, die mehr als eine Bedeutung haben. Wie beim Betrachten eines abstrakten Gemäldes können Worte für verschiedene Menschen unterschiedliche Bedeutungen haben. Eine Frage oder ein Satz, der entweder zu einer längeren existenziellen Überlegung oder einfach nur zu einem Achselzucken führt. Könnte sich auf das gesamte Leben beziehen, auf 90 Minuten in einer Einrichtung oder auf 5 Jahre in einer romantischen Beziehung. Der kurze, berauschende Rausch einer Designerdroge oder die automatisierte Umfrage am Ende einer Online-Transaktion. Es ist eine einfache, aber heimlich geladene Frage. Nun, hast du es getan?

pre-ordina ora13.01.2026

dovrebbe essere pubblicato su 13.01.2026

Justin Hurwitz - Babylon (OST) LP 2x12"
  • A1: Welcome
  • A2: Manny & Nellie's Theme
  • A3: King Of The Circus
  • A4: Jub Jub
  • A5: Coke Room
  • A6: My Girl's Pussy
  • A7: Miss Idaho
  • A8: Voodoo Mama
  • A9: Gold Coast Rhythm (Wallach Party) (Wallach Party)
  • A10: Ain't Life Grand
  • A11: Babylon
  • B1: Morning
  • B2: Kinescope Cacophony (Melody Track) (Melody Track)
  • B3: Night On Bald Mountain
  • B4: Herman's Hustle
  • B5: Gold Coast Sunset
  • B6: Champagne
  • B7: Wild Child
  • B8: New York
  • B9: See You Back In La
  • C1: Red Devil
  • C2: I Want A Man
  • C3: Orientally Yours
  • C4: Gimme
  • C7: Meet Miss Laroy
  • C8: Call Me Manny
  • C9: Hearst Party
  • C10: Damascus Thump
  • D1: Toad
  • D2: Blockhouse
  • D3: Jack's Party Band
  • D4: Gold Coast Rhythm (Jack's Party) (Jack's Party)
  • D5: Levantete
  • D6: Senor Avocado
  • D7: Heyo
  • D8: Gold Coast Rhythm (Juan Bonilla) (Juan Bonilla)
  • D9: Te Amo Nellie
  • D10: Gold Coast Rhythm (Sidney's Solo) (Sidney's Solo)
  • D11: Manny & Nellie's Theme (Reprise)
  • D12: Epilogue
  • C5: Singin' In The Rain
  • C6: Pharoah John

Babylon, der über zwei Stunden Originalmusik enthält, ist ein originelles Epos, das im Los Angeles der 1920er Jahre spielt, mit Brad Pitt, Margot Robbie und Diego Calva in den Hauptrollen und einem Ensemble mit Jovan Adepo, Li Jun Li und Jean Smart. Der Film ist eine Geschichte von übergroßem Ehrgeiz und unverschämten Exzessen, die den Aufstieg und Fall zahlreicher Charaktere in einer Ära ungezügelter Dekadenz und Verderbtheit im frühen Hollywood nachzeichnet. Der Soundtrack besteht aus 48 Musikstücken von Oscar-Preisträger Justin Hurwitz (La La Land).

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Bill Conti - Karate Kid: 40th Anniversary Original Motion Picture Score LP 2x12"
  • A1: Main Title
  • A2: Fite Nite
  • A3: Bumpy Ride
  • A4: Dan Ducks Out
  • A5: Bonsai Tree
  • A6: Decorate The Gym
  • A7: Miyagi Rattles Bones
  • B1: Miyagi Intercedes
  • B2: On To Miyagi's
  • B3: The Pact
  • B4: Troubled Lovers
  • B5: Japanese Sander
  • B6: Paint The Fence
  • B7: Daniel Sees The Bird
  • C1: Fish And Train
  • C2: Training Hard
  • C3: The Kiss
  • C4: Japanese Hand Clap
  • C5: No Mercy
  • C6: Daniel's Moment Of Truth
  • D1: Fish And Train (Alternate Ending)
  • D2: Miyagi Rattles Bones (Alternate Ending)
  • D3: Fascination
  • D4: Japanese Hand Clap (Opening With Overlay)
  • D7: Daniel's Moment Of Truth (Alternate Take)
  • D5: Japanese Hand Clap (Alternate Opening)
  • D6: No Mercy (Opening With Overlay)

In celebration of the 40th Anniversary of the blockbuster summer film of 1984, SPACELAB9, in conjunction with Columbia Pictures, proudly presents The KARATE KID: 40th Anniversary Original Motion Picture Score Double LP!
Released for the first time ever on vinyl, the collection features the full 20 track score album by legendary composer Bill Conti, plus 7 bonus tracks.
Double LP package features beautiful original cover artwork created exclusively for this album by renowned artist Astor Alexander, plus stills from the original landmark 1984 film and a brief note from composer Bill Conti.

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Last In: 5 months ago
YMCK - Family Music

YMCK

Family Music

12inchNOT0092
NOT RECORDS
12.12.2025
  • 1: Fanfare
  • 2: Magical 8Bit Tour
  • 3: Pastel Candy Is The Devil's Whisper
  • 4: Darling
  • 5: Pow*Pow
  • 6: Interlude
  • 7: S!O!C!O!P!O!G!O!G!O! (Ymck Version)
  • 8: Synchronicityside
  • 1: Tetrominon ~From Russia With Blocks~
  • 2: Does John Coltrane Dream Of Carousels?
  • 3: Yellow, Magenta, Cyan And Black (Ymck Theme)
  • 4: Your Quest Is Over

The debut album by the 8-bit music unit YMCK, which caused a sensation when it was released in 2004, is now available on vinyl! This classic album, which laid the foundation for 8-bit music/chiptune, is a collection of pop music that combines retro game sounds with cute whispery vocals and stylish melodies!

pre-ordina ora12.12.2025

dovrebbe essere pubblicato su 12.12.2025

Marshmello - Joytime I (LP)

Marshmello

Joytime I (LP)

12inchMSML16-001RT
Diggers Factory
12.12.2025
  • A1: Know Me
  • A2: Summer
  • A3: Find Me
  • A4: Take It Back
  • A5: Bounce
  • B1: Blocks
  • B2: Show You
  • B3: Want U 2
  • B4: Home
  • B5: Keep It Mello (Feat. Omar Linx)
disponibile anche

Vol.3

Vol.2


Zum ersten Mal überhaupt ist Marshmellos bahnbrechendes Debütalbum „Joytime“ auf Vinyl erhältlich. Diese Jubiläumsausgabe feiert 10 Jahre euphorische Beats und genreübergreifende Energie und würdigt das Album, das der Welt Marshmellos charakteristischen Sound vorgestellt hat.
Von dem boomenden Trap-Track „Know Me“ bis hin zu „Want U 2“ ist „Joytime“ eine Meisterklasse in melodischer Tanzmusik, die es wagt, mutig zu sein. „Joytime“ enthält auch die Debütsingle „Keep It Mello“ mit Omar Linx, eine Crossover-Hymne, die bis heute zu Marshmellos ikonischen Werken zählt.
Feiern Sie das Album, das ein globales Phänomen ausgelöst hat.
„Joytime“ auf Vinyl ist mehr als ein Sammlerstück, es ist ein Stück Elektronik-Musikgeschichte.“

pre-ordina ora12.12.2025

dovrebbe essere pubblicato su 12.12.2025

ADAM GREEN - GEMSTONES

ADAM GREEN

GEMSTONES

12inchRTRADLP194
Rough Trade
12.12.2025
  • Gemstones
  • Down On The Street
  • He's The Brat
  • Over The Sunrise
  • Crackhouse Blues
  • Before My Bedtime
  • Carolina
  • Emily
  • Who's Your Boyfriend
  • Country Road
  • Choke On A Cock
  • Bible Club
  • Chubby Princess
  • Losing On A Tuesday
  • Teddy Boys

Adam Greens Musik ist so untrennbar mit dem Wesen New Yorks verbunden wie das Rumpeln der U-Bahn, der Schmutz der Lower East Side oder der barocke Glanz der Midtown-Blocks, in denen einst die Geisterjäger ihre Runden drehten. Seine Songs spiegeln die Stadt in ihrer zeitlosen Mischung aus Chaos, Energie und Sehnsucht wider. Sie durchdringen die dunklen Geschichten Manhattans ebenso wie die von Gentrifizierung gereinigten Straßen und fangen die widersprüchliche Erfahrung des Großstadtlebens ein - die Gleichzeitigkeit von Nähe und Einsamkeit, Abenteuer und Entfremdung, Gesellschaft und Isolation. Sein 2005 erschienenes Soloalbum Gemstones ist tief in dieser Welt verwurzelt - eine musikalische Antwort auf Bright Lights, Big City. Die rockabilly-getriebenen Rhythmen rütteln wie die L-Train, die Melodien wehen wie ein Windstoß zwischen den Häuserschluchten. Doch auch wer New York nie betreten hat, findet in diesen Stücken den universellen Nerv des Alleinseins inmitten der Menge. Getragen von Greens markanter Baritonstimme entfaltet sich Gemstones als bunte Klangreise: vom drehenden, von einer Wurlitzer angetriebenen Titelsong über das orgelnde Over The Sunrise und das unwiderstehliche Rock"n"Roll-Stück Emily bis hin zur bittersüßen Ballade Losing On A Tuesday. Fantasievolle Bilder, surreale Sprachspiele und charmante Melodien schaffen eine Welt. Doch unter all dem Witz und der Verspieltheit schlägt ein echtes, warmes Herz voller Gefühl. Gemstones ist zugleich berauschend und tröstlich - ein Album, das Leichtigkeit mit Tiefgang verbindet. Nach seiner Veröffentlichung machte es Adam Green vor allem in Deutschland zum Star: Das Publikum erkannte in diesem modernen "Two Cent Opera" die Schönheit kleiner Geschichten und großer Melodien. Zum 20-jährigen Jubiläum erscheint Gemstones nun neu auf Vinyl - ein perfekter Anlass, diesen musikalischen Edelstein erneut funkeln zu lassen.

pre-ordina ora12.12.2025

dovrebbe essere pubblicato su 12.12.2025

Felinto - Festa Punk (7")

Felinto

Festa Punk (7")

7"-VinylBKV057
Bokeh Versions
08.12.2025

Fresh from annihilating EU/UK audiences with his steppas tropicalia on the Bokeh Dekalog tour, Felinto presents a crazed vision of Sao Paulo party punk - industrial scuzz, dub squelch, grinding guitars and riot-ready vocals.

Festa Punk is a call to rage, to ritual, to celebration — as forms of resistance against the grim, creeping global fascism. It’s a shout to bend time, to create moments that shake off erased identities and flip the script on a world that treats violence like gospel.

It's also a homage to Brazilian hxc heroes, Os Replicantes, whose classic 'Fest Punk' appeared on the '87 LP Histórias De Sexo E Violência.

pre-ordina ora08.12.2025

dovrebbe essere pubblicato su 08.12.2025

Incantation - Onward To Golgotha Live LP 2x12"
  • 1: Entrantment Of Evil (Cell Block Show)
  • 2: Deliverance Of Horrific Prophecies (Cell Block Show)
  • 3: Unholy Massacre (Cell Block Show)
  • 4: Devoured Death (Cell Block Show)
  • 5: Blasphemous Cremation (Cell Block Show)
  • 6: Profanation (Cell Block Show)
  • 7: Golgotha (Cell Block Show)
  • 8: Devoured Death (Studio 1 Show)
  • 9: Entrantment Of Evil (Studio 1 Show)
  • 10: Bleeding Torment (Necrophagia) (Studio 1 Show)
  • 11: Deliverance Of Horrific Prophecies (Studio 1 Show)
  • 12: Deliverance Of Horrific Prophecies (Flashes Show)
  • 13: Devoured Death (Flashes Show)
  • 14: Rotting Spiritual Embodiment (Flashes Show)
  • 15: Unholy Massacre (Flashes Show)
  • 16: Blasphemous Cremation (Flashes Show)
  • 17: Chistening The Afterbirth (Flashes Show)
  • 18: Profanation (Flashes Show)

INCANTATION presents the Onward to Golgotha deluxe box set, celebrating over 30 years of the band's legendary debut full-length & Death Metal supremacy! The Onward to Golgotha box set features all new expanded liner notes, a live 2LP featuring 3 legendary sets remastered by Dan Swano, and the Deliverance of Horrific Prophecies and Entrantment of Evil EPs! Onward to Golgotha - Live, now newly remastered & available for the first time on physical and streaming formats, is taken from the Onward to Golgotha DVD, originally released in 2006. The live audio features sets from the Onward to Golgotha 1992 Tour at Cell Block in Bensalem, PA on March 29, 1992; from Studio 1 Show in Newark, NJ in 1992 & Flashes Show, recorded in Cleveland, OH on March 28, 1992. Entrantment Of Evil and Deliverance Of Horrific Prophecies 7"s are exclusive to the deluxe Onward to Golgotha box set. All pressed on tri color merge with splatter vinyl and come housed together in a clamshell style hard box featuring silver lamination.

pre-ordina ora05.12.2025

dovrebbe essere pubblicato su 05.12.2025

CRYME - London Boy: The Remixes

CRYME

London Boy: The Remixes

12inchSEVEN7000LTD
Seven
28.11.2025

For SEVEN's first anniversary, we've brought together a roster of talented artists, each with a distinct style, to reimagine CRYME's hit "London Boy" originally released on The Backroom EP in 2024. This 5-track remix EP features a remastered version of the original alongside fresh interpretations by none other than Ghettotech heavyweight MCR-T, Prog House queen Roza Terenzi, modular wizard JakoJako, and Amsterdam's legendary Stef de Haan as a digital bonus. The vinyl will be limited to 500 copies.
With full marketing and PR support around the anniversary SEVEN7000LTD is set to be SEVEN's biggest release of the year.
A1 - CRYME - London Boy (MCR-T Remix)
CRYME's 808-driven electro, ghetto house hybrid "London Boy" gets the MCR-T treatment, spiced up with a dose of Garage. The Berlin-based artist reshaped the bassline into a gritty reese bass and put in the iconic UK hardcore vocal "your name is not down, you not coming in," perfectly amplifying the track's original UK flair.
A2 - CRYME - London Boy (Roza Terenzi Remix)
Roza Terenzi joins the "London Boy" Remix EP with a sleek, modern tech house cut. Flipping the distinct 808 cowbells into heavily processed percussive elements that bounce through the mix while carrying a melodic line. Her remix is packed with her quirky yet precise sound design and kinetic frequencies. The original vocal phrases are creatively chopped up into fragments and reassembled so they become part of the rhythmic backbone.

B1 - CRYME - London Boy (JakoJako Remix)
JakoJako shows off her genre diversity with a steezy Tech House flip of "London Boy." The talented Berlin-based live act lays down a solid drum foundation and a bouncing bassline - no frills, just a steady groove built for the dancefloor. The composition stays laidback, leaving space for a raw synth melody and her reworked, chopped-up vocal layers that add just the right touch of playful silliness to the track.

B2 - CRYME - London Boy (Original Mix)
On the B-side you will find CRYME's remastered original "London Boy", first released in 2024 and featuring ANTICALM, a British rapper, vocalist, and songwriter whose "You Don't Want This" vocal sample takes center stage. Merging 808-driven Electro and Grime with a touch of Ghetto House, the track reimagines a genre-bending battery of block-party energy in the club setting. With its driving rhythm and unmistakable vocal hook, it remains a powerful tool for DJs and a highlight on any dancefloor.

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Ordina ora e ordineremo l'articolo per te presso il nostro fornitore.


Last In: 6 months ago
ADAM GREEN - GEMSTONES

ADAM GREEN

GEMSTONES

12inchRTRADLP194C
Rough Trade
28.11.2025

Adam Greens Musik ist so untrennbar mit dem Wesen New Yorks verbunden wie das Rumpeln der U-Bahn, der Schmutz der Lower East Side oder der barocke Glanz der Midtown-Blocks, in denen einst die Geisterjäger ihre Runden drehten. Seine Songs spiegeln die Stadt in ihrer zeitlosen Mischung aus Chaos, Energie und Sehnsucht wider. Sie durchdringen die dunklen Geschichten Manhattans ebenso wie die von Gentrifizierung gereinigten Straßen und fangen die widersprüchliche Erfahrung des Großstadtlebens ein - die Gleichzeitigkeit von Nähe und Einsamkeit, Abenteuer und Entfremdung, Gesellschaft und Isolation. Sein 2005 erschienenes Soloalbum Gemstones ist tief in dieser Welt verwurzelt - eine musikalische Antwort auf Bright Lights, Big City. Die rockabilly-getriebenen Rhythmen rütteln wie die L-Train, die Melodien wehen wie ein Windstoß zwischen den Häuserschluchten. Doch auch wer New York nie betreten hat, findet in diesen Stücken den universellen Nerv des Alleinseins inmitten der Menge. Getragen von Greens markanter Baritonstimme entfaltet sich Gemstones als bunte Klangreise: vom drehenden, von einer Wurlitzer angetriebenen Titelsong über das orgelnde Over The Sunrise und das unwiderstehliche Rock"n"Roll-Stück Emily bis hin zur bittersüßen Ballade Losing On A Tuesday. Fantasievolle Bilder, surreale Sprachspiele und charmante Melodien schaffen eine Welt. Doch unter all dem Witz und der Verspieltheit schlägt ein echtes, warmes Herz voller Gefühl. Gemstones ist zugleich berauschend und tröstlich - ein Album, das Leichtigkeit mit Tiefgang verbindet. Nach seiner Veröffentlichung machte es Adam Green vor allem in Deutschland zum Star: Das Publikum erkannte in diesem modernen "Two Cent Opera" die Schönheit kleiner Geschichten und großer Melodien. Zum 20-jährigen Jubiläum erscheint Gemstones nun neu auf Vinyl - ein perfekter Anlass, diesen musikalischen Edelstein erneut funkeln zu lassen.

pre-ordina ora28.11.2025

dovrebbe essere pubblicato su 28.11.2025

Sophie Agnel - Learning

Sophie Agnel

Learning

12inchROKU045
OTOroku
21.11.2025

“In a concert, I show something with a beginning, a middle and an end. But, there is no end. Of course, there is no end. Because I am the music, and I am still here.” - Sophie Agnel

‘Learning’ - Sophie Agnel’s first solo LP, feels like the dark, physical inversion of her excellent ‘Song’ which came out on Relative Pitch earlier this year. Sinking her unique sound into vinyl for the first time, the LP arrives as Agnel recovers from a brain tumour - a shocking discovery that will require Agnel to start again with the piano. It’s a terrifying prospect, but Agnel has been here before, having reorientated herself almost entirely away from her early classical training over the last 4 decades of her work.

‘When I was young I had very good ears, oriole absolute. Then later I began to make strange sounds with my piano, to do different kinds of music. I was more interested in the sounds than the melody, for example. I remember once I sat down in a shop to try to read the scores of Schubert and there was a light emitting a very strong bzzzzzzz. And I couldn't listen to my oriole internal - I couldn't read the score. I was entirely subjugated by the sound of the light. And I understood that something had changed. Ten years before I could read and not hear the light. Now I understood that my ears were completely different. I was more open to the sounds of life.”

Born in Paris in the 60’s and playing her parents piano as soon as she could stand up, Agnel quickly grew tired of the classical world. What frustrated her was the strange disconnect between the frame of the piano and its keyboard - a weird boundary that seemed to form some hushed code of etiquette. “The first thing I put inside the piano was a plastic goblet. I’d seen a few pianists do it: Fred Van Hove, for example, put rubber balls inside his. But what didn’t appeal to me was that there seemed to be no link between the pianos outside and inside.”If you see Agnel play now, the body of her piano is littered with fish tins, ping pong balls, wooden blocks - not that you’d recognize their sounds. Having absorbed the language of the European avant-garde, Agnel is known for pulling the piano’s interior outside of itself by tipping her handbag into it. But these ‘strange sounds’ don’t just come from Cage - they also share the poetic force of Cecil Taylor and ‘Learning’ demonstrates that Agnel’s work on the piano's keyboard is just as important as what she’s littered on its strings. The record lets loose her ability to unleash a formidable sound mass and then rope it back to one single, clarifying note. With one hand, Agnel plays 88 tuned drums and on the other an enormous guitar - with the LP rotating through oncoming trains, and blues harmonica and feedback. It’s single minded stuff, borne out of a dedication to a wholly personal language of gesture, accumulation and deft reduction. “Maybe when I’m 80 I will not need anything,” Agnel says in a recent film made at her home. “I will do the same but with one note, and one finger. Maybe it's enough.”

‘Learning’ arrives in a reverse board sleeve designed by Jereon Wille. Recorded live at Cafe OTO by Billy Steiger on 6th June 2023 and 4th June 2024. Mixed by James Dunn and Benjamin Pagier. Side B edited by Benjamin Pagier. Mastered and cut by Loop-O. Front photograph by Aimé Agnel. Typography and layout by Jeroen Wille.

pre-ordina ora21.11.2025

dovrebbe essere pubblicato su 21.11.2025

Various - NINE YEARS OF LOVE V/A - PART 1 (2x12")

As a label, we are specialists in musical diversity. With our newest installment of the annual System 108 compilation we present you two parts of hand picked creative output by our friends, residents and dearest guests. Curated by the artist Ira Bespalova, the concept of both parts is simple and deep: the good, the calm, the kind is part 1 and all anti-heroes, filthy electro-armored jams is part 2. All together - another twist of the planet, another beat of our big heart, that became shelter and home home for a whole new tribe. It pumps, it creates, unites and warms up, kicks it real hard, no matter how tough it is. Part 1 is densely populated by our new kids on the block! Isktrit, TURBOSH, BORIS REDWALL, DJ Yesyes, Dominique Mara have been releasing singles, EP's and album during 2023 and became an integral part of the collective. Here you will also find good old friends Maksimovna, Lipelis, Kito Jempere. Very special Siberian inspired trippy workout by RLGN and Sasha Kustov, Luchshiy Drug. And a super special guest appearance starring Magnus Opus and mo?se?. The running order is curated as a narrative, as an album that takes you on a journey. But separately, it all works as singles, DJ tracks and tools. Welcome to Nine Years Of Love!

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Last In: 6 months ago
ELODIE - VIEUX SILENCE

Elodie

VIEUX SILENCE

12inchSOMA27
Ideologic Organ
14.11.2025
  • La Vallée Du Sommeil
  • Corridor
  • Vieux Silence
  • La Nuit Voilée
  • Au Point Du Jour
  • Le Temps D'antan
  • Entre Deux Mondes
  • La Saison Blanche

Da ich schon seit Jahren von Andrew Chalks Arbeit mit MIRROR (und auch von seinen Solo-Projekten als FERIAL CONFINE sowie seinen vielen Kollaborationen mit David Jackman, The New Blockaders, Daisuke Suzuki usw.) und Timo van Luijk (als Af Ursin, In Camera, La Poupée Vivante und Kollaborationen mit Kris Vanderstraeten und anderen) fasziniert, war ich natürlich neugierig, von ihrem Duo-Projekt ELODIE zu hören. Das Projekt wurde 2010 gegründet und hat bis heute schon elf wunderschöne Alben rausgebracht. ,Vieux Silence" für Ideologic Organ ist ihre erste Veröffentlichung außerhalb ihres eigenen Plattenlabels Faraway Press & La Scie Dorée. Das ist aber nicht das erste Mal, dass Ideologic Organ und ELODIE zusammenarbeiten. Sie traten im Februar 2012 bei einem von mir kuratierten Abend in London zusammen mit Jessika Kenney und Eyvind Kang auf. Elodies Auftritt war einer der feinfühligsten und gekonntesten, die ich je gesehen habe ... so still, während draußen vor den Fenstern des Cafe Oto in London der Schnee fiel, versank das Publikum spürbar in hochkonzentriertem Zuhören. Die Erinnerung daran ist echt beeindruckend, wenn man bedenkt, wie sparsam die einzelnen Elemente an diesem Abend eingesetzt wurden. ,Vieux Silence" und ELODIE im Allgemeinen regen sofort die visuelle Vorstellungskraft an, vielleicht gefiltert durch alte Aquarelle, Bandkorn, antike Linsen, vergessene Ebenen des Zuhörens und beobachtende Geduld. Auf diesem wunderschönen Album arbeiten Chalk & van Luijk auch mit Klavier, Pedal Steel und Klarinette zusammen (gespielt von Tom James Scott, Daniel Morris und Jean-Noel Rebilly). Jedes Detail wurde sorgfältig durchdacht und Schritt für Schritt koloriert, wie ein impressionistisches Aquarell. - Stephen O'Malley, Les Lilas 2017

pre-ordina ora14.11.2025

dovrebbe essere pubblicato su 14.11.2025

Trevor Jones & Randy Edelman - Last of the Mohicans LP 2x12"

Rare is the soundtrack that as time passes overshadows the film of which it was a part, but that’s what has happened in the years since the 1992 release of The Last of the Mohicans. Not that the film is any slouch; Michael Mann’s epic retelling of James Fenimore Cooper’s frontier tale is a cable TV fixture and more evidence that Daniel Day-Lewis is one of the great actors of our time. But the film’s music has emerged as easily one of the most popular scores of ‘90s cinema, with the “Main Title” in particular having become a part of our popular culture the same way as, say, the signature themes from Titanic, Star Wars, and other blockbusters. What makes it even more extraordinary is that the movie’s score emerged from postproduction turmoil as the work of two different composers, Trevor Jones and Randy Edelman. Jones’ work is more of the traditional orchestral soundtrack ilk, Edelman’s has a more contemporary feel, but somehow it all fits, with the closing credit song “I Will Find You” by Clannad an added bonus. Long a bestselling soundtrack CD, we at Real Gone Music are releasing this revered soundtrack on double LP peach vinyl, inside a gatefold festooned with production stills. Guaranteed to get your blood stirring!

pre-ordina ora07.11.2025

dovrebbe essere pubblicato su 07.11.2025

Sportfreunde Stiller - Burli

Ich roque! Ich zocke! Ich poppe! Ich stocke! Ich blocke! Ich foppe! Ich koche! Ich bin Burli!
Seit nun 20 Jahren wissen Musikinteressierte Menschen, was genau ein Burli ist. Vielleicht kann es nicht
jeder erklären, aber man weiß seitdem, wie er sich anhört.
Es ist unser drittes Studioalbum und wahrscheinlich ist es unsere Lieblingsproduktion, zumindest würde Flo
so antworten. Schon das Äußere versprüht mit der hellblauen, sonnigen Farbwelt und den verschnörkeltverspielten Schriften eine ästhetische Freude, eine visuelle Dynamik, die uns forsche junge Menschen damals
durchs Leben schmetterte. Wir hatten dermaßen Bock auf Musik und schmissen uns kopfüber in den Rausch
der Songs, die wir im Proberaum entstehen ließen. Vor allem „Siehst du das genauso?“ war sehr früh in
der Auswahl. Es bescherte uns Mut und Zuversicht für die Produktion.
Wir durften im sonnigen Spanien unsere Platten aufnehmen, hatten eine Menge Spaß zwischen Studio,
Pool und Meer und knallten sogar noch vor Ort auf die Schnelle Songs wie „Ich Roque“ aufs Band. Sowas
geht, wenn man frei, ungezwungen und vor allem im Namen der Augenzwinkerei durchs Dasein fährt.
Wir freuen uns noch heute, dass sich diese Selbsteinschätzung auszahlte. Auch für die Plattenfirma übrigens.
Also Achtung, jeder braucht jetzt dieses sportfreundliche Meisterwerk auf Vinyl, für anstehende Tourtermine. Denn: „Wir kommen!“

pre-ordina ora07.11.2025

dovrebbe essere pubblicato su 07.11.2025

Victoria Port - Barefoot In The Garden

First Word Records are proud to present the sophomore solo EP from Victoria Port.

'Barefoot In The Garden' is a 5-track selection merging classic soul with contemporary sounds.

Put together from sessions recorded at the world famous Abbey Road Studios in London, and Victoria's home studio Candle Shop, this project exemplifies her talents as a singer-songwriter, developing upon the building blocks of her debut EP 'Did it Again' and Victoria's work as one half of electronic-soul duo, Anushka (BBE / Tru Thoughts / Brownswood).

On this EP, Victoria is accompanied by a wealth of talented artists in their own right, including frequent collaborators Hemai and JNR Williams, the highly-acclaimed drummer Moses Boyd, and vocalists such as Lea Lea, to name just a few.

The sonic tapestry stitched together on this EP epitomises the quality of British soul music of modern times; a vintage symphonic feel approach with modern-day production techniques, encompassing the Ronson-era of the late great Amy Winehouse, to the pack leaders of nowadays such as SAULT and Jungle. It's a logical progression considering Victoria's lifelong influences of US luminaries like Minnie Riperton, Gladys Knight, Nina Simone and Dionne Warwick.

Her fanbase includes Gilles Peterson (BBC 6 Music / Worldwide FM) who has tipped her as "an exciting emerging new artist whose sound fits alongside current successful acts like Cleo Sol, Lynda Dawn and Yazmin Lacey."


Victoria's previous EP had support from a wide range of tastemakers, including Cerys Matthews, Huey Morgan, Somewhere Soul, Mo Ayoub (Selector Radio), Ronnie Herel (Mi-Soul Radio's "One to Watch"), Tony Minvielle (Jazz FM) and across platforms like Rinse FM, NTS, Soho Radio and Global Soul, whilst her work with Anushka also received airplay from Annie Mac, Jamz Supernova, Huw Stephens and BBC Radio 1.

Victoria says "this EP comes from a place of nostalgia. It's kind of reflective of parts of life up to this moment, culminating in 'Barefoot in the Garden'. I guess it's me starting to understand the things that are truly important to me. How I want to love and be loved, the way I want to spend my time, and just me starting to filter out a lot of the noise. Sonically it's been such a dream to explore elements of old soul and jazz with so many incredible musicians, and to put our own unique spin on the genre."

Already a seasoned live perfomer, additionally to various live appearances solo past & forthcoming including We Out Here, Jazz Cafe, Koko and the London Jazz Festival, Victoria Port is set to be one of the leading lights in the world of British soul music. This EP provides some solid examples as to why.

'Barefoot In The Garden' is due to be released on vinyl and digital, November 7th 2025.

pre-ordina ora07.11.2025

dovrebbe essere pubblicato su 07.11.2025

The Dead 60s - The Dead 60s LP 2x12"
  • A1: Riot Radio
  • A2: A Different Age
  • A3: Train To Nowhere
  • A4: Red Light
  • A5: We Get Low
  • A6: Ghostfaced Killer
  • B1: Loaded Gun
  • B2: Control This
  • B3: Soul Survivor
  • B4: Nationwide
  • B5: Horizontal
  • B6: The Last Resort
  • B7: You're Not The Law
  • C1: Too Much Tv Dub
  • C2: Invader Dub
  • C3: D-60 Fights The Evil Force
  • C4: No Control Dub
  • C5: Tower Block Dub
  • D1: Cns Lazer Attack D-60
  • D2: Police Radio Dub
  • D3: Flight Mission Dub
  • D4: No Good Town Dub
  • D5: Game Over

The Dead 60s seminal self-titled album gets a timely Deluxe edition reissue on Vinyl for its 20th Anniversary, on Deltasonic Records



“Back in the day, punk and dub weren’t just sharing space—they were smashing into each other headfirst. Late '70s Britain was a pressure cooker, and for kids like me, growing up between Brixton’s bass bins and the chaos of King’s Road, that collision was everything. Jamaican sound system culture met punk’s raw spirit in a haze of smoke, sweat, and feedback. It wasn’t about genre—it was about energy. Identity. Defiance. so when The Dead 60s came along, post-Britpop and post-bullshit, it felt like someone had dusted off the blueprint and run it through a battered old tape echo. These weren’t just lads with good taste—they understood the assignment. They took the DNA of two rebel cultures and mutated it into something that could stand tall in the 21st century. Dub-soaked, punk-fuelled, dripping with that Liverpool attitude. I remember first hearing them and thinking—yeah, here we go again. Not in a retro way, but in a real way. Guitars that cut like sirens in the night. Basslines fat and warm, straight out the Channel One playbook. Lyrics that painted the grey corners of Britain like CCTV poetry. It was the sound of youth under pressure. The sound of not fitting in—and not wanting to.

Their debut album dropped in 2005, and it hit like a flare in the dark. “Riot Radio” was a pirate broadcast from the concrete frontlines. “Control This” swaggered with menace and reverb. It was like someone opened a time capsule from the punky-reggae party and rewired it for a new generation.

Now, with this 20th anniversary vinyl reissue—complete with the full dub companion produced by Central Nervous System—we get to hear the bones and blood of it all. The dub versions pull the tracks apart and let the ghosts speak. Reverb, delay, space—it’s not just production, it’s meditation. Revolution slowed down to a heartbeat. It’s music that makes you move and think. What they’ve done here is more than remix a record—they’ve revealed its soul. That’s what dub does when it’s done right. And The Dead 60s, they got that. They weren’t tourists in the culture—they were students of it, shaped by it, and ultimately, contributors to the legacy. Liverpool’s long had a love affair with Jamaican music—you can hear it in the streets if you’re really listening. The Dead 60s tapped into that lineage, but they brought their own thing to the table. Punk's fire. Dub’s depth. Ska’s bounce. All filtered through a Northern lens and blasted out like protest graffiti. This 20th anniversary reissue ain’t about nostalgia. It’s a reminder. A celebration. A call to arms. Music like this doesn’t belong in a museum—it belongs on a system, shaking walls and waking minds. Crate diggers, completists, young punks, old heads—this one's for all of you.

So put it on and turn it up. Let the punk edge sharpen your thoughts, and the dub shake your bones ‘cos this isn’t just a reissue - it’s resistance on wax.....”

pre-ordina ora31.10.2025

dovrebbe essere pubblicato su 31.10.2025

Sascha Cawa & Britta Arnold - Good Life 25 (2x12"LP, Gatefold)

25 has always been a mystical number in the world of Kiosk ID, woven into our story since the earliest days of Bar 25, Holzmarkt 25, and every chapter since. When midnight struck on December 31st of last year and 2025 arrived, the magic of the number was undeniable,echoing through Kater Blau, Holzmarkt, and Kiosk ID—and calling for a celebration like no other. As our lasers lit the night, two core Kiosk ID artists—Britta Arnold and Sascha Cawa—took to the decks, weaving a spellbinding journey crafted specifically for this moment. Months in the making, they unfolded a beautifully hypnotic tribute to the magic of 25, premiering five tailormade tracks in the process. That moment lives on as Kiosk ID no. 40—a special double LP capturing the magic of that night. Side A features the live New Year’s recording: an unfiltered document of Britta and Sascha’s hypnotic, otherworldly, and deeply danceable set, as it unfolded in real time—strobing into the first moments of the new year. Sides B, C, and D feature five exclusive studio originals, written and produced specifically for this night. On ‘Counting’, Britta and Sasha unfold their brand of stripped darkness and rolling groove work, while ‘Reformer’ teeters on taut coils of suspended synths. With ‘NGVMT’, the energy bursts open—a radiant block-party roller with throbbing staccato swagger and clanking metallic arpeggios. ‘Beam’ lifts off into pure cosmic wonder, its fluttering, airy themes spiralling skyward. ‘Good Life’ rolls the credits with a beautifully introspective soliloquy, tender and reflective beneath gentle waves of aspirating piano chords. Together, these recordings offer both an auditory keepsake and an invitation to relive that unforgettable night or discover it anew. Across five hypnotic compositions and a half hour of dance floor bliss, ‘Good Life 25’ encapsulates the ever-evolving sound

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Last In: 7 months ago
COMPONIUM ENSEMBLE - 8 AUTOMATED WORKS

EN/JP liner notes by Doran and a hyper-realistic cover by Japanese visual artist/graphic designer Kai Yoshizawa using 3DCG software.

"8 Automated Works", the first full release by Componium Ensemble, an "indeterminate chamber music" ensemble helmed by Spencer Doran of Visible Cloaks. The project is inspired by the long history of automated musical instruments, beginning with the ancient Greek Archimedes and further developed by the Banū Mūsā brothers in 9th century Baghdad, who "first perfected the concept of a programmable, automated musician: a mechanically controlled flute which used hydraulic water pressure and a system of arrangeable punchcards using a visionary proto-MIDI structure", as Doran explains in the liner notes. This mechanical music-making was extended a millennium later with the use of aleatoric principles by the European Dietrich Nikolaus Winkel, inventor of the self-composing Componium mechanical music system. Doran continues this lineage further, using the possibilities of digital technology and its ability to automate a huge range of virtual instruments and introduce aleatoric elements, moving beyond human impulses and limitations, allowing "new shapes to emerge". Dedicated also to Noah Creshevsky, pioneer of what can be considered cyber-human music, Componium Ensemble features a wide and intriguing range of instruments including prepared piano, bowed harpsichord, celesta, bass clarinet, flute, cello, Balinese tingklik, and more, often in multiple groupings. Despite this variety of instrumentation and the seemingly formidable theoretical underpinnings, the music is very accessible and attractive, spacious and fresh, with a light touch and a sophisticated melodic sense which will appeal to pop fans as well as classical/contemporary music listeners. The album is mixed by longtime collaborator Joe Williams (Motion Graphics, Lifted) and available in 10-inch vinyl, ,

pre-ordina ora24.10.2025

dovrebbe essere pubblicato su 24.10.2025

CV VISION - RELEASE THE BEAST

Cv Vision

RELEASE THE BEAST

12inchBB4831
Bureau B
24.10.2025
  • Rtb
  • The Rhythm
  • Fast Intervention
  • Dungeon Drums I
  • Dungeon Drums Ii
  • Dungeon Drums Iii
  • A Memory
  • Nikitas Tune
  • Block Rock
  • It's K-Jazz
  • Town Talk
  • The Jam
  • Brickwall Symphony
  • Go Your Way

Mit Release The Beast legt CV Vision sein sechstes Studioalbum vor - ein wilder, stilübergreifender Trip durch Psychedelic Rock, Detroit Techno, Black Metal, Library Music und analoge Tape-Ästhetik. Gemeinsam mit dem schwedischen Drummer Uno Bruniusson kehrt er zu raueren Produktionsmethoden zurück und erschafft ein klangliches Mosaik, das trotz aller Vielfalt wie aus einem Guss wirkt. Verzerrte Backbeats, krautige Synths, düstere Grooves und cineastische Harmonien treffen auf DIY-Spirit und Studio-Experiment. Die Tracks changieren zwischen hypnotischem Motorik-Drive, Acid-Referenzen, jazzigen Jams und folkigen Momenten - zusammengehalten durch das charakteristische Bandrauschen zweier kaputter Tonbandgeräte. "Ich wollte einen rohen, direkten Sound - das Tape ist der Kitt, der alles zusammenhält", sagt CV Vision. Release The Beast ist ein Album über kreative Befreiung, über das Chaos im Schaffensprozess - und über die Schönheit, die daraus entsteht.

pre-ordina ora24.10.2025

dovrebbe essere pubblicato su 24.10.2025

Various - NINE YEARS OF LOVE V/A - PART 2 (2x12")

As a label, we are specialists in musical diversity. With our newest installment of the annual System 108 compilation we present you two parts of hand picked creative output by our friends, residents and dearest guests. Curated by the artist Ira Bespalova, the concept of both parts is simple and deep: the good, the calm, the kind is part 1 and all anti-heroes, filthy electro-armored jams is part 2. All together - another twist of the planet, another beat of our big heart, that became shelter and home home for a whole new tribe. It pumps, it creates, unites and warms up, kicks it real hard, no matter how tough it is. Part 1 is densely populated by our new kids on the block! Isktrit, TURBOSH, BORIS REDWALL, DJ Yesyes, Dominique Mara have been releasing singles, EP's and album during 2023 and became an integral part of the collective. Here you will also find good old friends Maksimovna, Lipelis, Kito Jempere. Very special Siberian inspired trippy workout by RLGN and Sasha Kustov, Luchshiy Drug. And a super special guest appearance starring Magnus Opus and mo?se?. The running order is curated as a narrative, as an album that takes you on a journey. But separately, it all works as singles, DJ tracks and tools. Welcome to Nine Years Of Love!

pre-ordina ora24.10.2025

dovrebbe essere pubblicato su 24.10.2025

JUDGITZU - SATOR AREPO LP

The Sator Arepo, or Sator Square, is an ancient word puzzle comprising five palindromes that's etched on various historical sites throughout the Western world. Its origins are unknown, but the square has long been thought to hold magical properties, used as a charm against illness and evil, to cure insanity or to determine whether someone was guilty of witchcraft. Self-styled "punk ethnomusicologist", acoustician and musician Julien Hairon uses this mystical symbol as the starting point for his debut Judgitzu album in an attempt to reconnect with his Celtic heritage, exploring how its hallowed messages might harmonize with contemporary Tanzanian dance music.Hairon has been traveling across the world for over a decade, collecting field recordings from countries such as Indonesia, Australia, Cambodia, China and Bangladesh, and presenting them on his Les Cartes Postales Sonores label, re-issuing any curious cassettes and CDs he came across on the PetPets' TAPES imprint. It was during this time that he became fascinated by rituals that involved spirits, prompting him to examine his own ancestry when he returned to Brittany. "Many artifacts in the landscape remain," Hairon explains, "and the power of spirits is still palpable." He represents this Celtic mysticism on 'Sator Arepo' with murky drones and magickal synth tones, using xenharmonic scales (tuning outside of standard 12-tone equal temperament) that reach back to the ancient world. These sounds are augmented with fast-paced, sci-fi rhythms informed by his time in Tanzania; "Singeli has contaminated me," admits the producer.The most astonishing example of this is 'Miracle', a thrusting soundsystem experiment that layers serpentine, bagpipe-esque electronic wails over extravagant clusters of blocky percussion. Driven by the frenetic 175BPM pulse that echoes through the streets of Dar Es Salaam - popularized globally by forward-thinking producers like Sisso, Duke and Jay Mitta - Hairon opens up a rare conversation, seeking to draw parallels between today's most urgent dance forms and the archaic rituals of antiquity. On 'Vitalimetre', Hairon drives his sonic palette into the red, harmonizing with Dutch hardstyle and gabber, and splaying distorted drones over maddeningly blown-out kicks and ratcheting percussion. 'L'or Des Fous' takes a more meditative route, prioritizing Hairon's eccentric tonality with expressive sheets of pitch-warped sound that ghost walk across energized, rattling beats.If you heard Hairon's last Judgitzu release 'Umeme / Kelele', described by Boomkat as "one of 2019's deadliest dancefloor sessions," then you'll know how mindboggling this material can be. And with 'Sator Arepo', the French producer deepens his reach, grasping a world that we've almost forgotten and juxtaposing it with a landscape most of us barely comprehend.

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Last In: 5 months ago
Blocks & Escher - Charm Pt1 & Pt2 / All That Glitters

* Blocks & Escher return to release on their own Narratives Music imprint with a double A side single, highlighting all of the musical emotion, production detail and bass weight, for which they are so highly regarded.

* Tracklist:
A. Charm Pt1 & Pt2: After five years with no release, Narratives Music is a fitting platform for the statement lead track “Charm” which disregards current trends and presents a full 11-minute journey through colors and moods. From the soothing nostalgic chords of the intro, Charm builds up through two contrasting movements, opening to a switching crescendo of bass hits at the mid-way point before delivering a cavernous “third drop”.

A2. All That Glitters: A long introduction intertwines tones of sorrow, joy and longing through its strings, guitars and vocals. This track breathes with space and beauty - even when the drums finally arrive, the intricate beat and low bass has air and a maturity to move a dancefloor without compromising its essence. This track has been a regular intro for DJs throughout the summer of 2025.

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THE BARR BROTHERS - LET IT HISS
  • Take It From Me
  • Let It Hiss
  • English Harbour
  • Run Right Into It
  • Moonbeam
  • She Doesn't Sleep With The Covers On
  • Naturally
  • Owning Up To Everyone
  • Another Tangerine
  • Upsetter
disponibile anche

Dark Purple Vinyl


Es sind acht Jahre vergangen, seit Montreals The Barr Brothers ein Album veröffentlicht haben. In dieser Zeit hat das Leben sie - persönlich wie beruflich - in neue Richtungen geführt und ihre Art, gemeinsam Musik zu machen, verändert. Ihr viertes Studioalbum Let it Hiss ist nicht einfach nur eine neue Sammlung von Songs. Es ist ein Dokument der Transformation. Die Entstehung dieses Albums markierte einen Wendepunkt: eine Phase der Reflexion, eine Auseinandersetzung mit Verletzlichkeit und eine Wiederverbindung zwischen den beiden Brüdern, die seit über drei Jahrzehnten Seite an Seite Musik machen.,Im Jahr 2022 standen wir an einem Wendepunkt", sagt Brad Barr, Gitarrist, Sänger und Haupt-Songwriter der Band. ,Es war klar, dass sich etwas ändern musste. Die wahre Geschichte dieses Albums ist die Geschichte dieser Veränderung - und von allem, was danach kam.",Let it Hiss ist das, was passiert, wenn man aufhört, so zu tun, als wäre alles in Ordnung - und endlich wirklich hinhört", sagt Andrew.Das Album beginnt im Kleinen: eine winzige mexikanische Gitarre, der sanfte Puls eines Klaviers, ein minimalistischer Rhythmus - und eine Stimme, die sowohl Hingabe als auch Stärke vermittelt. ,Take it from me", singt Brad - nicht als Befehl, sondern als Geständnis. Schon ab diesem ersten Moment lädt das Album in einen Raum ein, in dem Makel nicht herausgeschnitten, sondern verstärkt und gefeiert werden. Es ist ein kraftvoller Einstieg in ein Album, das auf Ehrlichkeit, Wiederentdeckung und Vertrauen beruht.Für die Brüder wurde das Aufnehmen zu einem Spiegel. Der Prozess begann nicht mit Klang - er begann mit Wahrheit. Sie setzten sich nicht nur mit kreativen Blockaden auseinander, sondern auch mit persönlichen: alten Mustern, unausgesprochenen Spannungen, Trauer, Wachstum. Durch all das fanden sie wieder zu einem Rhythmus - nicht durch Perfektion, sondern durch Erlaubnis.Brad und Andrew machen schon Musik zusammen, seit sie Kinder sind - zuerst in der sich ständig wandelnden Rockband The Slip, später als The Barr Brothers, wo sie amerikanische Roots-Musik mit experimentellen Klangtexturen zu etwas ganz Eigenem verbanden. Ihr Ruf für musikalische Raffinesse und emotionale Tiefe brachte ihnen weltweit Fans - und Anerkennung von musikalischen Größen.Der Titel des Albums ist zugleich ein Leitbild. ,Es fühlte sich einfach richtig an", sagt Andrew. ,Das Rauschen drin zu lassen. Das Unbehagen, die Unvollkommenheit, den Kampf. Wir haben aufgehört, alles sauber machen zu wollen. Und genau da fing die Musik wieder an zu atmen. Und Spaß zu machen."Tatsächlich steht Let it Hiss stärker als frühere Alben der Barr Brothers für eine freudvolle Ungezwungenheit - hörbar etwa im Roadtrip-Hymnus "Run Right Into It" (mit Elizabeth Powell von Land of Talk) oder im verspielten Garagenband-Reggae von "She Doesn't Sleep With the Covers On". Doch das Album lässt die intime Erzählweise, die das Markenzeichen der Barr Brothers ist, keineswegs hinter sich: "English Harbour" ist eine wunderschöne Folk-Hymne, bereichert durch die Harmonien von Jim James (My Morning Jacket), während "Moonbeam" eine opulente Soul-Serenade mit Streichern ist - veredelt durch den frankophonen Gastgesang der quebecischen Artpop-Künstlerin Klô Pelgag.Die Songs auf Let it Hiss besitzen eine zeitlose Qualität - besonders spürbar in Stücken wie "Naturally", das leise an die Ära klassischer Songschreiber erinnert, in der Melodie und Botschaft untrennbar miteinander verbunden waren. Es ist Musik, die dem Hörer vertraut und sich nach und nach entfaltet - mit Arrangements, die Zurückhaltung und Ambition in Einklang bringen. Im Zentrum steht vielleicht der Song "Owning Up to Everyone", der den Geist des Albums im Kleinen einfängt. ,Dieser Song hat etwas in uns aufgebrochen", sagt Andrew. ,Er fühlte sich wie ein Durchbruch an."Doch all die musikalische Freiheit und emotionale Aufwühlung, die sich durch Let it Hiss zieht, bereitet nicht auf den letzten Song vor: "Upsetter", ein schweißgetränkter, punkgetriebener Rock'n'Soul-Explosion, gekrönt von einem absolut wahnsinnigen Gitarrensolo. Es ist schlicht der wildeste Song, den die Barrs je aufgenommen haben - ein Song, der die Let it Hiss-Philosophie so weit ins Rote treibt, dass er den VU-Meter fast sprengt. ,Ich dachte mir: ,Na ja, der wird es eh nicht aufs Album schaffen`, weil er vielleicht für viele unserer Hörer unerwartet kommt", gibt Brad zu. ,Aber ich glaube, unsere Hörer schätzen es, wenn wir einfach wir selbst sind - und dazu gehört eben auch sowas."Brad und Andrew produzierten Let it Hiss selbst, hauptsächlich zu zweit in ihrem Studio in Montreal. Um die rohe Direktheit und Komplexität des Albums einzufangen, arbeiteten sie mit Mix-Ingenieur Jon Low (The National, Taylor Swift, Bon Iver). Sie luden enge Freunde aus ihrer musikalischen Community ein, ihre Stimmen, Instrumente und Texturen beizusteuern, wenn es die Songs verlangten - Kollaborationen, die sich weniger wie Features, sondern mehr wie natürliche Erweiterungen der Musik anfühlen. Viele dieser Beziehungen entstanden über Jahre gemeinsamer Bühnen, langer Nächte im Studio und einer gemeinsamen Hingabe an das Handwerk. So ist Let it Hiss zugleich das persönlichste und das kollaborativste Album, das sie je gemacht haben.Let it Hiss will nichts auflösen - es will offenlegen. Es lädt die Hörer ein, genau hinzuhören - auf das Rauschen, das Gewicht, das Staunen. Während die Barr Brothers ihren Weg fortsetzen, ist eines klar: Sie haben einander wiedergefunden - und darüber auch ihre Musik.And the rest is hiss-tory

pre-ordina ora17.10.2025

dovrebbe essere pubblicato su 17.10.2025

Of Monsters and Men - All Is Love and Pain in the Mouse Parade LP 2x12"
  • A1: Television Love
  • A2: Dream Team
  • A3: The Actor
  • B1: Tuna In A Can
  • B2: Barefoot In Snow
  • B3: Fruit Bat
  • C1: Kamikaze
  • C2: The Towering Skyscraper At The End Of The Road
  • C3: Ordinary Creature
  • D1: Styrofoam Cathedral
  • D2: The Block
  • D3: Mouse Parade
  • D4: The End
disponibile anche

Black Vinyl


„All is love and pain in the mouse parade“ ist das lang erwartete vierte Album der Band. Es ist eine Sammlung von Geschichten darüber, wie Liebe und Schmerz miteinander verwoben sind. Gefühle, die auf den ersten Blick unvereinbar scheinen, aber gleichzeitig existieren und einander brauchen. Das Album wurde im Heimstudio der Band in Island geschrieben, aufgenommen und produziert, mit Unterstützung ihres Kindheitsfreundes, dem Toningenieur Bjarni Þór Jensson.

Mit ihrem 2011 erschienenen Durchbruchalbum „My Head Is An Animal“ schafften Of Monsters and Men den Sprung von Reykjavík auf die Weltbühne und wurden von isländischen Indie-Lieblingen zu internationalen Chartstürmern.

Inmitten ihres kometenhaften Aufstiegs veröffentlichte die Band 2015 ihr zweites Album „Beneath the Skin“, das auf Platz 3 der Billboard 200 debütierte. Begleitet wurde die Veröffentlichung von einem Überraschungsauftritt in der HBO-Erfolgsserie „Game of Thrones“. Ihr cineastischer Sound tauchte überall auf, von „The Hunger Games“ bis „The Secret Life of Walter Mitty“.

Nach über einem Jahrzehnt hat sich die Band von folkigen Newcomern zu einer festen Größe des digitalen Zeitalters entwickelt. Sie hat 9 Millionen monatliche Hörer:innen auf Spotify und erreicht eine neue Generation, die entdeckt, dass die Schönheit Islands über Fjorde und Thermalbäder hinausgeht.

pre-ordina ora17.10.2025

dovrebbe essere pubblicato su 17.10.2025

POISON IDEA - We Must Burn

POISON IDEA

We Must Burn

12inchLPAMLE0037C
American Leather
17.10.2025
  • 1: Don't Ask Why (Aka In Order To Live)
  • 2: Hung Like A Savior
  • 3: Hard And Cheap
  • 4: Endless Blockades For The Pussyfooter
  • 5: (It's) Not The Last
  • 6: When I Say Stop
  • 7: Foiled Again
  • 8: Jessie's Arms
  • 9: Slum Lord
  • 10: Stare At The Sun
  • 11: Religion & Politics Part 1
pre-ordina ora17.10.2025

dovrebbe essere pubblicato su 17.10.2025

Of Monsters and Men - All Is Love and Pain in the Mouse Parade
  • A1: Television Love
  • A2: Dream Team
  • A3: The Actor
  • B1: Tuna In A Can
  • B2: Barefoot In Snow
  • B3: Fruit Bat
  • C1: Kamikaze
  • C2: The Towering Skyscraper At The End Of The Road
  • C3: Ordinary Creature
  • D1: Styrofoam Cathedral
  • D2: The Block
  • D3: Mouse Parade
  • D4: The End
disponibile anche

Olive Vinyl


pre-ordina ora17.10.2025

dovrebbe essere pubblicato su 17.10.2025

Czarface - Czarmageddon

Czarface

Czarmageddon

CassetteSIL021AC
Silver Age
14.10.2025

Hot off their two smashes for Marvel’s blockbuster lm Venom: Let There Be Carnage, CZARFACE is back, triumphantly swinging into your universe with their all new CZARMAGEDDON! Expect many twists and turns as Wu-Tang’s Inspectah Deck and Esoteric go to war with an all-new, all-different soundscape from Czarface producers the Czar Keys. Alt-rap icon Kool Keith shatters the lyrical glass and the enigmatic Frankie Pulitzer, who rst appeared on the Venom soundtrack on Czarface’s Today’s Special, is back with guns blazing. Fans will crash the gates for this all new chapter of the Czarface saga.

Includes:
-Collector's Lunchbox with embossed Czarface art on front and back
-Series 2 Trading Cards only available with the Lunchbox
-Cassette of CZARMAGEDDON! only available in the Lunchbox

non in magazzino

Ordina ora e ordineremo l'articolo per te presso il nostro fornitore.


Last In: 7 months ago
Billy Arnell - Tough Girl (7")

Billy Arnell

Tough Girl (7")

7"-Vinyl1001A
Holly
10.10.2025

An extremely rare Northern Soul 45 RPM single originally released in 1965 on the Holly label, Billy Arnell And The Sparkles "Tough Girl" was the product of two childhood friends that lived less than a block apart in suburban Fairlawn, New Jersey in the early 1960s - Billy Smith and Lou Hemsey.

Billy played guitar and sang; Lou played guitar and wrote songs, so they decided to form a band. They added friends Eddie Hoffman on organ and Jack Gullone on drums and began playing lots of gigs locally as Little Willie & The Sparkles. They were young, ambitious, and imagined themselves as the next Beatles. By a stroke of fate, they met Joe Martin of Apex-Martin Distributors in Newark, NJ, who caught the band's live show and was duly impressed. That meeting led to the recording session for the "Tough Girl" single. When they recorded the first version of the song, the producer wasn't happy, nor was Joe Martin - so he fired that producer and brought in the young, up and coming producer, George Kerr. Kerr didn't care much for the band, so they redid the entire thing without Hoffman and Guilone - with just Billy singing and Lou playing guitar.

The pair of old friends were buoyed by session aces Eric Gale on guitar, Bernard Purdie on drums, Bobbie Banks on organ, as well as a bass player whose name has been lost to time. In addition to those changes, they used the studio horn section that Hemsey arranged for, plus two trumpets, two saxes and two vibes players. The resulting single was an infectious amalgamation of rock and soul. Billy changed his surname to Arnell for the 45 release (because he thought it sounded more "show-biz") and the rest is pop history. Arnell later started a record company (Fire Sign Records) and purchased a recording studio (112 Greene Street Recording) in the trendy SoHo section of Manhattan with Steve Loeb.

As for the rest of The Sparkles, Hoffman became a teacher somewhere on Long Island, Guilone graduated from the Culinary Institute of America in Massachusetts and ended up living in Northern New Jersey. Hemsey became a well-known recording engineer, composer (Lou was the one who wrote "Tough Girl"), guitarist, arranger, orchestrator, editor, film director and producer for records and commercials.

pre-ordina ora10.10.2025

dovrebbe essere pubblicato su 10.10.2025

Illusion of Safety - Cancer

Illusion Of Safety

Cancer

12inchAATP100-LP
aufabwegen
10.10.2025

Originally released in 1992 via Tesco, »Cancer« was recorded one year earlier by Thymme Jones, Dan Burke, Mark Klein, Mitch Enderle, Chris Block, and Jim O'Rourke.

This one was mostly a group effort focused on a dark ambient atmospheric environment and experimental minimalism that crawls under your skin. Mark & Thymme’s heavy synth is omnipresent, Mitch & Chris scraping every piece of scrap metal they could find, Jim’s extended piano & tabletop guitar is apparent, the abstract sampling techniques of founding member Daniel Burke appear throughout, & the beautiful solo minimalist piano composition of Thymme’s closes the LP. Soundtrack like in its scope the album is another in the ongoing concept of music without a film providing a dark soundtrack to the nightmares or realities we wish we could forget. The 2025 edit & remaster removes the excess and hones the meat down to 7 essential tracks that show the projects oeuvre at that point in their lengthy history sounding clear & fresh with the newly mastered version by Andrew Weathers.

pre-ordina ora10.10.2025

dovrebbe essere pubblicato su 10.10.2025

SNOOPER - WORLDWIDE

Snooper

WORLDWIDE

12inchTMRLP1095
Third Man Records
03.10.2025
  • Opt Out
  • On Line
  • Company Car
  • Worldwide
  • Guard Dog
  • Hologram Ft Screen Star
  • Star *69
  • Blockhead
  • Come Together
  • Pom Pom
  • Relay
  • Subdivision
disponibile anche

TRANSLUCENT PINK VINYL


,Push pull/ Side to side/ This way/ That way/ Can't decide/ Pressure! Pushing in/ Flattened me out from end to end", singt Blair Tramel in ,Worldwide", dem Titelsong aus dem neuen Album von Snooper. Der Song fängt die schwindelerregende Stimmung der Band während ihres rasanten Aufstiegs vom DIY-Circuit in Nashville zu weltweiten Tourneen und Bekanntheit in den entlegensten Ecken der Untergrund-Musikszene ein. Aber obwohl die Band den Druck spürte - der Song ist teilweise von YouTube-Videos über hydraulische Pressen inspiriert -, waren alle Herausforderungen eine Chance für Veränderung. ,Worldwide" ist ein Leitbild für das Album, nicht nur thematisch, sondern auch ästhetisch, und zeigt Snoopers stilistische Experimentierfreudigkeit. Neu inspiriert von elektronischer Musik, ist der Rhythmus von ,Worldwide" unerbittlich und mechanisch - er fängt das rasende Tempo ein, in dem Snoopers Leben verlief, lässt aber durch Tramels Schreie und Connor Cummins' dreckigen Gitarrenbreaks. ,Worldwide" führt uns in das nächste Kapitel von Snooper ein - persönlicher, kathartischer, schärfer, mutiger, eingängiger. ,Es gibt einen Sweet Spot", sagt Tramel über die Entwicklung, die sich aus Snoopers turbulenter Erfahrung in den letzten Jahren ergeben hat. ,Für einen Moment schaffen Push und Pull diesen wunderschönen Tanz."

pre-ordina ora03.10.2025

dovrebbe essere pubblicato su 03.10.2025

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