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Buena Vista Social Club release 'Lost and Found,' a new rarities compilation packed with previously unheard live and in-studio material.

Coming almost two decades after the release of the original Grammy-winning, self-titled LP, the new album is a collection of previously unreleased tracks—some of which were recorded during the original album's sessions in Havana and others from the years that followed. Lost and Found is available to pre-order in iTunes and the Nonesuch Store (and outside of North America in the World Circuit Store) with an instant download of the album track "Macusa."

The studio tracks on Lost and Found were recorded at the 1996 Egrem studio sessions in Havana and during a period of rich and prolific creativity stretching into the early 2000s following the recording of the original album. Lost and Found also features live recordings from the world tours of Buena Vista's legendary veterans.

"Over the years we were often asked what unreleased material was left in the vaults," says World Circuit's Nick Gold. "We knew of some gems, favorites amongst the musicians, but we were always too busy working on the next project to go back and see what else we had. When we eventually found the time, we were astonished at how much wonderful music there was."

The original Buena Vista Social Club album became a surprise international best seller and the most successful album in the history of Cuban music. It was recorded for World Circuit Records by Ry Cooder over seven days in Havana in 1996, bringing together many of the great names of the golden age of Cuban music in the 1950s, several of whom were coaxed out of retirement for the sessions.

Three releases deep now, Shadow Play transports us back to the nineties with this extra special collection of music from UK wizard Scott Edward. The Bristolian producer dropped a killer series of tracks from 1993 onwards, using a variety of aliases to explore the realms of the techno universe. It's an honour for Shadow Play to be able to rerelease one of Scott's classics, 'Access Activist', alongside three previously unreleased cuts from the same era. We hope you enjoy these classic examples of British underground techno...On the A-side it's the Scott Edward alias that handles matters, going straight in with the title track 'Access Activist', a mesmerising journey into analogue hyperspace. His flair for composition and arrangement really comes through on this opening track, and leads us nicely into 'All Is Lost', a nifty slice of paranoid techno with a jittery rhythm and a pervasive air of mystery.On the flip Scott's Ultra-Modern Art moniker is at the controls and the change in style is immediately apparent. Gone is the cosmic atmosphere and in its place is a funky, jazzy retro sound. The old equipment gives every sound its authentic identity, which filters through to the final track 'Brave New World' - a jaunty number, which uses acid licks, an optimistic b-line and sweet percussion to provide a delightful end to the project.