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The 12-track record is the first album on SHDW's influential label and explores the past, present, and future of techno.

Planet X label head and 20-year scene veteran Exos, hailing from Iceland, draws on his native country's influences in his work, which explores the interplay between light and dark, warmth and cold. His high-octane sounds over the last 20 years have appeared on vital imprints like Tresor, X/OZ, and, of course, Mutual Rytm, with his releases for
the label having been extremely well received, garnering support from the scene's key DJs. Whether dubby or hard, his techno is always authentic and channels the purity of the 90s style. This new album follows Exos's inaugural X-Release, the Infrared 10", the Icebreaker 12" from last year, and his track on the latest Federation of Rytm IV compilation. It's a real journey through all facets of his sound, including a trip back to his dub techno roots, ambient
explorations, and emotional vocal pieces with lifelong memories fused into sounds that reflect the artist's decades spent in Iceland.

'Sweet Dreams' opens with an atmospheric intro in the form of a 28-year-old collaboration with his father. This full-bodied analogue ambient piece is rich with the mysterious tones of the Nord Modular and was recorded during their shared studio days at D17 in Reykjavik. The title track is a hypnotic, linear groove with icy synth modulations and glistening melodies. 'Hinn Vioforli' then brings dub warmth while 'State of Mind' recalls the spirit of the legendary Reykjavik club 'Thomsen', a cornerstone of Iceland's late 90s underground scene. 'Glaour Og Reifur' and
'Fogur Er Hlioin'pay homage to the echoes of ancient Viking heritage, 'North of January' conveys the cold of Exos's homeland, and 'Hvarvetna' brings textured percussion and darker undertones before '101 After Dark' slows to a bass-heavy broken beat exploration of texture and post-dubstep pressure.

After the heady and atmospheric sound of 'The Dolphin Oracle', another key collaboration comes with 'Freefall', an emotional breakbeat piece featuring vocalist Amelia Rodriguez,' who also lends her voice to 'Shock', a magnificent track that channels Exos's modern techno energy. The album closes with a haunting paradox, 'Paradise Lost,' questioning whether our sweet dreams are truly moments of bliss or simply reflections of what we've already left behind. The three bonus digital cuts offer sleek minimalism, punchy deep techno, and suspenseful ambient.

Wenn du zehn Jahre in die Vergangenheit reisen könntest, was würdest du deinem jüngeren Ich sagen wollen? Das war eine Frage, die sich Khruangbin selbst stellten, als sie sich dem zehnjährigen Jubiläum ihres Debütalbums näherten - dem einstigen Kultklassiker, der heute als genreprägend gilt: The Universe Smiles Upon You". Wenn wir zurückgehen und uns selbst sagen könnten, wie viel nach diesem Album auf uns zukommen würde, was würden wir feiern wollen?" fragte Laura Lee, Bassistin, Sängerin und Gründungsmitglied der Band. Stattdessen dachten sie: Lasst es uns noch einmal machen." The Universe Smiles Upon You ii" wurde vom 4. bis 6. Januar 2025 in derselben Familien-Scheune des Gitarristen Mark Speer aufgenommen, an denselben Tagen, an denen TUSUY vor zehn Jahren erstmals entstand. Obwohl die Bedingungen dieselben waren - Schmutzboden, brutal kalt, minimale Schalldämmung, alle Aufnahmen live - sind die Songs es nicht. Sie wurden neu angegangen, einige stärker verändert als andere, mit der eingefangenen Blitz-in-der-Flasche"-Energie des ursprünglichen Albums, während gleichzeitig entdeckt wurde, was diesmal einzigartig sein würde, in dieser Phase des Bandlebens. Das Ergebnis bewegt sich wie Wellen auf dem Wasser über zehn hypnotisierende Tracks, die Scheune erzeugt ein Gefühl von Weite, Gelassenheit und kreativer Freiheit, die nahegelegene Tierwelt ist hörbar (achtet auf die Vögel bei August Twelve ii"), ebenso das Knarren und Klappern der Scheune. Es ist ein Geflecht aus kleinen Bewegungen in nuancierten Arrangements, das langsam das neue Leben, die Geschichten und den Charakter von jemandem enthüllt, den man nach zehn Jahren wieder wie zum ersten Mal trifft.

Underradar – Obscurative Series (Vinyl Launch)

Underradar, an Indonesian label, proudly presents its first vinyl release from the Obscurative Series, a sonic journey into the depths of Techno Soul, Hypnotic Techno, and Dub Techno with a classic yet fresh atmosphere. Each track is carefully crafted with attention to groove, texture, and mood, creating a mesmerizing experience from the first beat to the last. Led by Ecilo, the Soulful Architect, as label head, Underradar asserts its vision: exploring techno that is obscure, soulful, and timeless. This vinyl is more than just a recording—it is a musical manifesto celebrating the depth and beauty of techno.

Das Italo-Disco-Juwel „For Your Love“ von Faber DJ aus dem Jahr 1985 kehrt in einer spektakulären farbigen Maxi-Vinyl zurück. Diese Edition bringt den unverwechselbaren Sound der 80er direkt auf den Plattenteller und lässt die Tanzflächen erneut erbeben.

Neben den originalen Mixen erwarten die Fans zwei brandneue, exklusive Remixe von Flemming Dalum und The Ri-Mix, die dem Klassiker frische Energie verleihen. Ein absolutes Must-Have für Italo-Disco-Liebhaber, Sammler und Vinyl-Enthusiasten

The Italo-disco gem “For Your Love” by Faber DJ, originally released in 1985, returns on a spectacular coloured maxi vinyl. This edition brings the unmistakable sound of the 80s straight to the turntable and sets dancefloors shaking once again.

Alongside the original mixes, fans can look forward to two brand-new, exclusive remixes by Flemming Dalum and The Ri-Mix, giving this classic a fresh burst of energy. An absolute must-have for Italo-disco lovers, collectors and vinyl enthusiasts

On “Cold Sweat,” James Brown famously called to “give the drummer some.” In 1974, Philadelphia vibraphonist Khan Jamal called to Give the Vibes Some, with superb results. Pianist and composer Jef Gilson’s PALM label gave Jamal the platform he needed to deliver a thorough exploration of contemporary vibraphone. After launching PALM in 1973, Gilson quickly demonstrated that he would only produce records not found anywhere else. Give the Vibes Some, PALM number 10, was another confirmation of this guiding principle.

Raised and based in Philadelphia, Khan Jamal took up the vibes in 1968, after two years in the army during which he was stationed in France and Germany. Decisively drawn to the instrument by the work of the Modern Jazz Quartet’s Milt Jackson, Jamal studied under Philadelphia vibraphone legend Bill Lewis and soon made his debuts in the local underground.

Early in 1972, Jamal made his first recording, with the Sounds of Liberation. The band attempted an original fusion of conga-heavy grooves with avant-garde jazz soloing. Saxophonist Byard Lancaster, an important figure in Jamal’s development, contributed much of the solo work. Later in 1972, Jamal made his leader debut with Drum Dance to the Motherland, a reverb-drenched, never-to-be-replicated experiment with live sound processing. Both albums appeared on the tiny musician-run Dogtown label.

“We couldn’t get no play from nowhere. No gigs or recording sessions or anything. So I took off for Paris,” Jamal recalled in a Cadence interview with Ken Weiss. “Within a few weeks, I had a few articles and I did a record date. It didn’t make me feel good about America.” That was in 1974, while Byard Lancaster was recording the music gathered on Souffle Continu’s recent The Complete PALM Recordings, 1973-1974.

Jamal’s record date delivered Give the Vibes Some. At its core, it was an exploratory solo vibraphone album, even if two tracks added (through technological resourcefulness?) a très célèbre French drummer very much into Elvin Jones appearing under pseudonym for contractual reasons. Another track, for which Jamal switched to the vibes’s wooden ancestor, the marimba, added young Texan trumpeter Clint Jackson III. The most notable article published on Jamal during this stay in France was a Jazz Magazine interview. Jamal’s last word there were “The Creator has a master plan/drum dance to the motherland.” “Give the vibes some” could be added to this programmatic statement.

Pharoah Sanders has been described as ‘probably the best tenor player in the world’, emerging as a star from playing saxophone with John Coltrane in the 1960s. As a solo recording artist he is best loved by fusion fans for the jazz dance classic “You’ve Got To Have Freedom”. It’s taken from his 1980 album “Journey To The One” featured here for the first time on the complete side of a 12” single.
“Got To Give It Up” is Pharoah’s outstanding rendition of the Marvin Gaye classic. It has previously been on 7” but never until now in its full length version on 12” single. It was originally a feature on the 1978 album “Love Will Find A Way” produced by Norman Connors. To have both of these masterful recordings on one 12” single is something special.

2025 Repress

Amotik recruits Norway's Kameliia and Dallas-based Decoder for the third split EP on his increasingly essential AMTK+ label.

Kameliia's hypnotic and atmospheric music has appeared on the likes of Overbalance and Unterwegs, where she has previously flexed her sophisticated take on sound design and heady soundscapes with driving and physical grooves. Decoder recently started his new Toca label with Jay York and has previously appeared on labels like Subsist, Float and Jeff Mills' legendary Axis.

Kameliia kicks off with the heavy and thumping 'Beyond', combining forceful drums and a slow, mystical synth lead that encourages you to follow it deep into the night. '8-12' is another perfect fusion of the head and body with supple percussion smeared with balmy and cosmic chords for a classy and immersive cut.

Decoder opens the B-side with 'Kalpavriksha', a twitchy and paranoid cut laced with bleeps and pulses, crafting a futuristic soundscape that grows ever more intense. 'Swayambhu' brings experimental shades with its tightly interlaced drums and synths beneath an unsettling synth line that whistles like a storm. Closing the release is the excellent 'Velinattu,' a buoyant track that's warm and full of delicate percussive layers.

First album of French band La Femme released in 2013 with which they won Best New Band of the year at the French Music Awards and god certified gold. It marked also the beginning of their international recognition, confirmed since with their 2nd album Mystère in 2016 and their brand new album Paradigmes today. Includes the hits Sur La Planche, It's Time to Wake Up and Antitaxi! La Femmes's debut LP, is a mix of surf revival, updated cold wave (in a similar vein to countryman Lescop), 1960s yéyé and psychedelia. "Psycho Tropical Berlin: is apparently also their self-penned genre, they have also said "strange wave, new Motown, witch wave, silly mental wave"... whatever, aach term makes for a pillar to describe their music. Psycho Tropical Berlin is the story of a couple who slipped into chaos and survives by watching each other. Le Danger est partout - Peril is all around - as written in the booklet. Rock and pop, rococo bauhaus, fed from multiples influences (Krafwerk, Elli & Jacno). La Femme just want to please you. Generous and welcoming, she stretches you her white hand in the dark, if you grasp it, it could be the shiver of your life.

2024 Repress.

Chicha Libre’s debut album, Sonido Amazonico is finally available on vinyl in Europe. The double album contains all original tracks first published as a CD back in 2008. The vinyl edition is comprised of 3 sides of music, and a fourth side with an etching of iconic Venezuelan saint Jose Gregorio.

Chicha, Peruvian psychedelic cumbia, was first popularized outside of Peru by a compilation released by Chicha Libre's own Olivier Conan and entitled "The Roots of Chicha." The music proved popular around the world, being championed by people such as Elijah Wood, Matt Groening, Alex Kapranos and director Almadovar.

The Brooklyn band Chicha Libre started out as a tribute to Peruvian pioneers but quickly evolved into an original project which MTV has called “one of the world's preeminent Tropical Psychedelic band”. Indeed, while they remain true to their Chicha roots, Chicha Libre's quickly took a more psychedelic turn drawing from its members' alternative background.

Made up of Mexican, Venezuelan, French and American the band used surf guitar, organ sounds and Latin percussion to play a mixture of borrowed and homegrown sounds – but its music remains a freeform reinvention, not an exercise in nostalgic duplication.

The re-release coincides with the release of a new EP “Tequila y Aguardiente”, in collaboration with Son Rompe Pera and La Sonora Mazuren.

With this new album, s8jfou resolutely turns toward the club scene and dancefloors, while preserving his unique signature: sharp technique, a subtle and playful approach combined with formidable efficiency. He also infuses a touch of nostalgia, giving the whole work a certain depth.

This is yet another demonstration of his ability to evolve while staying true to what makes him a singular and essential figure in the electronic music scene. Drawing inspiration from memory, s8jfou uses it as the guiding thread of this album, aiming to create a pictorial and visual atmosphere, punctuated by shifts in mood, as if the listener could 'zap' through their memories and make this soundtrack their own.

Through this approach, the artist seeks to evoke an intimate connection, allowing each listener to explore their own memories.

The album will be available in a limited edition, accompanied by a MIDI controller designed and crafted by s8jfou.

Unknown Collective is back with a four-track journey through stripped-back electro and precise minimal grooves. Sharp percussive patterns, pulsing basslines, and atmospheric textures blend into a clean, forward-driving sound

Kid Katana Records teamed up with Dotemu, The Game Kitchen and KOEI TECMO GAMES, to bring you the highly anticipated NINJA GAIDEN: Ragebound OST on vinyl.



The physical edition is a 2LP designed in close relationship with the game's creative team:
- 2 colored vinyls: transparent blue & magenta, matching the cover art & the color-code of the two protagonists
- exclusive poster with extended credits & liner notes giving insights from the game’s creative team and featured artists


This album illustrates the incredible return to the saga's origins, embodied by Ryu Hayabusa's disciple Kenji Mozu and The Black Spider Clan Kunoichi Kumori, both united to repel the sudden onslaught of demons. It takes players back to its roots: a side-scrolling, brutally precise action-platformer set between the events of the first three episodes of the NINJA GAIDEN 8-bit era. The game’s OST blends different genres: rock, retro tunes and action-packed arcade music that respect the IP music legacy while modernizing it.

The Mi-Mnemonic EP by Karma is one of those records that preserves a genuine fragment of the Italian electronic scene of the late ’90s. Originally released back then and now reissued in 2025, it carries the raw energy of a time defined by clubs, after-hours, and pure analog experimentation.

Behind the machines were Francesco Passantino and Davide Calì, two young DJs and producers who brought to life legendary nights between Taverna Jory in Aulla and the iconic Club Imperiale in Tirrenia. It was a period when electronic music was more than entertainment — it was a shared language: from the dancefloors to the studio sessions filled with drum machines, sequencers, and analog synthesizers.

The EP is built on hypnotic grooves, deep basslines, and a raw sound that perfectly reflects the spirit of that era: no frills, just pure sonic energy. The 2025 reissue brings back that same freshness, offering a chance to rediscover a record that smells of endless nights, spinning vinyl, and an underground scene that thrived on community and vision.

Today, Mi-Mnemonic is more than just a track from the past: it is living memory, a testimony of a time when analog sound was the driving force of freedom and connection

Produced by Francesco Passantino & Davide Calì

A time capsule of Long Island boogie-funk history – officially reissued for the first time!


Founded in 1978 in Amityville, Long Island, VAP Records (Virgin Archer Production) became a cult independent label known for its infectious dance grooves, soulful vocals, and DJ-friendly 12” singles that lit up clubs from New York to beyond. Now, for the very first time, the label’s most iconic tracks are compiled on vinyl in one explosive package.
What’s inside?


This “final edition” includes the best of VAP’s rare 1979–1983 output, with tracks from the label’s flagship act Final Edition (“No Limit”, “Betcha Can’t Love Just One”, “We’re Moving On Straight Ahead”), alongside club favorite Broadway – “Let’s Make It”, plus deep gems from Kevin Keys, Jazzee, and Olivia McClurkin.
Why is this essential?


• “Betcha Can’t Love Just One” gained legendary status after appearing on General Hospital and HBO’s How to Make It in America.


• Armand Van Helden’s old-school remake of Final Edition’s B-side “I Can Do It Anyway You Want” went viral, surpassing 10+ million views on YouTube, proving these grooves still ignite dancefloors.


• Original VAP 12” singles are impossible to find and often sell for hundreds of dollars. This reissue brings those classics back, mastered from the original tapes.


Collectors, DJs, and boogie enthusiasts – this one is for you. With its blend of raw disco energy, soul-drenched vocals, and timeless funk, Best of VAP Records – Final Edition is not just a compilation, but a celebration of a family-run label whose legacy shaped the underground dance scene.

Venice, Italy – 2025 Paolo Mosca, the Italian producer, composer, and DJ acclaimed for his soulful approach to electronic music, unveils his new alias I.O.N with the forthcoming debut EP Signals, set to be released on Ritmotherapy. Known for releases on Slow Life, Altered Circuits, and a recent collaboration with Alex Neri, Mosca now steps into uncharted territory fusing experimental electronics with rock-inspired textures and raw energy for the dancefloor.

Signals is a daring reimagining of 90s sonic aesthetics, drawing inspiration from the breakbeat and hip-hop influences of cult films like Blade & The Matrix. Each track on the EP blurs the line between nostalgia and innovation, layering hypnotic riffs, rolling basslines, and gripping vocal samples with futuristic precision.

The EP kicks off with “Camouflage” , where breakbeat rhythms and hip-hop flavors meet futuristic atmospheres. A grabbing vocal, heavy low-end, and hypnotic riff drive the track into a world of cinematic tension and release.

“Escape” follows with a slower tempo, but its restrained pulse only builds anticipation. Classical violin lines cut through break-driven drums, leading to a long-awaited drop that delivers an overwhelming yet deeply satisfying release.

Next, “Neo” builds momentum with a gritty 303 bassline and sharp synths, locked into a relentless 4x4 rhythm. The track feels like an expedition through acid-soaked landscapes, equal parts raw and refined.

“They Are Looking at You” closes the EP with explosive energy, bursting with hip-hop vocals that command “don’t stop. ” Propelled by a nasty bassline and oriental-inspired synth melodies, it’s a track built to ignite dancefloors and spark spontaneous breakdance energy.

With Signals, I.O.N presents more than just an EP; It's a manifesto for a new era of club music. It’s heavy yet soulful, experimental yet deeply physical, and above all, a fresh signal to the global electronic scene that something new has arrived. Reserved for their official release on Ritmotherapy, the anticipation around this project signals a bold new chapter for both artist and label.

Box Set: 2LP (sparkle) + 7" (transparent) + CD + Vinyl Slipmat + Booklet + 6 Coasters + Keychain + Stickers

Originally released in 2005, OK Cowboy, Vitalic’s first album, is celebrating its twentieth anniversary with a reissue in several formats (box set, double vinyl, CD, digital), enriched with rare tracks and previously unreleased versions.

OK Cowboy is a landmark album in electronic music, a pivotal record between eras.


It perfectly captures that period while also anticipating the raw, abrasive new sounds of French Touch 2.0 (the movement led by Justice and the artists of the Ed Banger label). Twenty years later, the impact and power of this major album still mark it as a defining release of the mid-2000s, retaining its full sonic relevance today.



Box set contents: double LP, 7-inch single, CD, vinyl slipmat, booklet, 6 coasters, keychain, sticker

Born from a transatlantic collaboration between Toscal Records (Santa Cruz de Tenerife) and People Unpleaser (Santa Cruz de la Sierra), CIRCA91 launches with its vinyl-only debut 12-inch, CIRCA001.

Five floor-breakers from Andy Somoza & Aka Juanjo, Ritacco & Igna, Emi Koto, Gian, and Santiago Ritacco connect both scenes under an early ’90s house/techno framework—old-school drum machines, hypnotic synths, and heavy basslines, cut for late nights and large systems.

The soundtrack for the animated film Arco (directed by Ugo Bienvenu, winner of the Annecy 2025 Crystal Award for Best Feature Film, also presented at the Cannes Film Festival) was composed by Arnaud Toulon. Between orchestral flourishes and delicate electronic touches, he composes immersive, sensitive, and luminous music that evokes the great scores of Joe Hisaishi while asserting a resolutely contemporary identity.



Conceived as a true sonic journey, the soundtrack accompanies Arco's temporal wanderings with rare cinematic intensity. Each piece oscillates between poetry and dramatic tension, making this work an experience in its own right, to be discovered far beyond the images.



Awarded the Sacem Prize for original music for feature films in Annecy, this soundtrack is already establishing itself as a landmark piece of contemporary animated cinema.

Recursive Infinity is the new chapter in Rémi Gallego’s The Algorithm, a relentless sonic exploration of the chaotic fusion of metal and electronic music.


The album blurs the boundaries between machine logic and human emotion. Each track unfolds like a program caught in an endless loop, rising, fracturing, and recombining with mathematical precision.

Astropolis Records, the label born from the legendary Brest festival, marks a decade of electronic passion with a sprawling, heartfelt anniversary compilation — slightly delayed, but still delivered with flair.
It comes in two EPs, spotlighting the many facets of the Astropolis universe: in-house artists, long-time festival collaborators, and rising stars from France’s ever-bubbling scene. Eighteen artists guide us through a sonic journey where rave heritage, electronic dreamscapes, and collective fervor converge — true to a festival whose DNA has never recognized borders.


The second EP dives into darker territories, spanning original electro, multifaceted techno, and sunlit vibes toward the close.
Astropolis has always thrived on happy collisions, and this EP is a perfect demonstration.


For synth lovers, Legowelt & Cuften revive the spirit of early electroclash on Liar, a carnal fusion of analog synths and DIY attitude.
Zaatar & Trunkline inject raw energy on Come Into The Light, a sweaty, visceral banger bridging techno, dark disco, and EBM.
French scene stalwarts Scan X & Electric Rescue deliver a masterclass in elegant techno on Lost In Time.


When Manu Le Malin meets Kmyle, the result is as sharp as it is cinematic: Little Big Man builds dramatic tension, balancing raw emotion with contained fury.


On a more contemplative note, we’re thrilled to unveil one of the first productions from our dear Célélé with Théo Muller: the subtle Drum and Drift, threaded with dubby vibrations and sun-drenched bursts.
This anniversary compilation reaffirms the label’s openness to new generations and recent sonic hybrids while honoring the techno scene that shaped its beginnings. Like the festival itself, it embodies the same sincerity and collective energy: a small manifesto connecting generations, aesthetics, and territories — celebrating roots without nostalgia, and the future without bending to trends.

Astropolis Records, the label born from the legendary Brest festival, marks a decade of electronic devotion with a sprawling, heartfelt anniversary compilation — slightly belated, but executed with undeniable flair.
It also comes in two EPs, showcasing the many facets of the Astropolis universe: in-house artists, long-time festival collaborators, and fresh talent from France’s ever-bubbling scene. Eighteen artists guide us through a sonic journey where rave heritage, electronic dreamscapes, and collective fervor intertwine — true to the spirit of a festival that has never recognized borders



The first EP bathes in warm tones across electronica, house, g-tech, old-school rave, and melodic techno.
It opens with grace and magic via Rone, whose electronic touch conjures the intimate and the infinite. Between electronica and downtempo, The Dolphin Ambassador delivers luminous melancholy, offering a gentle calm before the storm.


The unlikely pairing of Mézigue and Swooh catapults house into a g-tech vortex with the unrestrained Broken Roll To Venice, a compact fusion of groove, hybrid sounds, and playful inventiveness.
Belaria & Madben continue this alchemical thread on Into The Void, an incendiary anthem where 90s rave, EBM, and modern intensity collide in hypnotic trance.


For old-school dancefloor loyalists, KiNK finally resurrects a cult live set staple: Give Me, a bona fide banger merging breakbeat and vintage house, engineered for late-night sweat sessions.
Oniris & Benjamin Rippert revisit the melodic techno roots of the label on Sonate, demonstrating a masterful command of harmony.



This anniversary compilation underscores the label’s openness to new generations and recent sonic hybrids, while paying homage to the techno scene that shaped its early days. Much like the festival itself, it embodies the same sincerity and collective energy: a small manifesto connecting generations, aesthetics, and territories — celebrating roots without nostalgia, and the future without bowing to trends.

SPHERART Records continues to shape its distinctive imprint on the underground with a new chapter in the KUNST series, introducing CUBA. a fast rising artist from Porto, Portugal.

Known for his sharp and hypnotic approach to acid driven club music, CUBA delivers his debut release, INVICTA EP, a six track journey built around twisted basslines, Progressive percussion, and futuristic tension. Each piece unfolds with precision and atmosphere, capturing the essence of long nights, heavy grooves, and pure vinyl energy.

A timeless exploration of sound and motion, INVICTA stands as both a nod to classic rave aesthetics and a step forward in SPHERART evolving sonic vision.

"H." is the band's new album, conceived as a tribute to the Beat poet Harold Norse, from whom the band already takes its name. The record develops an uninterrupted musical flow across eight tracks where post-punk, noise-rock, and shoegaze merge with an hardcore approach.

Alice Deejay was the Eurodance project founded and produced by Wessel van Diepen, Dennis van den Driesschen, Sebatiaan Molijn,
Eelke Kalberg and vocals by female singer Judy. Their 1999 single "Better Off Alone" reached charts worldwide, hitting #2 in the UK,
cracking the Billboard Hot 100 in the USA and dominated dance floors across Europe. Follow-ups "Back In My Life", " Will I Ever",
"Celebrate Our Love" cemented their place as one of the Netherlands' successful dance acts of the early 2000s.

Their debut albumWho Needs Guitars Anyway? was released in 2000 and also made strong impact across international charts, including the United Kingdom where it peaked at #8. Celebrating it's 25th Anniversary, the album is now available on vinyl for the first time, featuring their chart toppers
"Better Off Alone", "Back In My Life" amongst others. Who Needs Guitars Anyway? is available as a limited edition on purple coloured vinyl, and includes an insert.

We’re proud to present the sixth record of our limited series, which marks the 15th year of our label.
On the A side we have legendary Analogue Cops with their track “Iron fist”: a raw-acid jam with a funk sample which makes this so unique and special.
A2 is all about Bologna finest Dj Rou with his “051 Deep Journey”: the title speaks itself for this hot track that matches soulful pads and funky high keys.
On the B side we have Riviera resistance: label owner Alessio Collina and Deep House master Deep88.
“Spoken Randomly” by Alessio Collina is pure House without compromises: old-school bassline, floating pads and a neverending groove.
“Darlin” by Deep88 is a pure bliss: melancholic atmosphere, dreamy strings and arpeggiated synths which make this jam deeper than expected.

One of the hottest tracks of Lucas Moinet released on Maestropolis, with 4 versions and 1 acapella. Classic old school vocal house coming from Paris to your ears.

Limited Algae Sea Vinyl. CocoRosie is Bianca and Sierra Casady. Sierra sings and plays guitar and flute. Bianca sings and does percussion (rattles things, makes things squeak, shakes a gold chain belt). They write all the music together. La Maison de Mon Réve was written and recorded in a tiny apartment in the 18th district of Paris during the spring of 2003. La Maison de Mon Réve was released by Touch and Go Records in March 2004. La Maison de Mon Réve is deceptively innocent; enchanting and sweet yet eerie and twisted. An acoustic guitar paints melody through a haze of cryptic sounds and perversely angelic voices. A broken radio transmits a music box orchestra. Tiny field mice sing opera. This 20th anniversary edition of CocoRosie's debut album La Maison de Mon Réve is pressed on transparent algae sea vinyl and limited to 1500 copies worldwide. Packaged in a gatefold jacket with neverbefore-seen photos, the vinyl includes the full album along with a previously unreleased bonus track, "Hairnet Paradise."

Micro Orbit presents ... Paularner, a project where Arno Völker and Paul Walter, two craftsmen of the European scene, fuse raw emotions and technical finesse into a unique sound, crafting a timeless vinyl for the purists and the seekers.

Theory Of Swing Records is proud to present a true time capsule from the golden era of house. We welcome Belgian producer Marius Acke, who delivers his long-lost "Dirty & Funky EP" — a high-energy, dancefloor-shaking collection of raw jams, originally recorded to DAT between 1994 and 1998.

Unearthed and pressed to vinyl for the first time, spreading the true spirit of the 90s underground heat : dirty, funky, and built for sweaty late-night dancefloors.

Written And Produced by Marius Acke.
Mixed and Mastered by St. David

The tale of this disc that has been given the name “Flashbacks” come from two brothers from Uruguay, Nico and Fede Lampariello. The vast knowledge of musical production has been demonstrated, all within the true style of the underground. Produced with a Uruguayan flavor, putting that cherry on the top that we all know and love. With the musical flavor that the Lampariello’s have provided its essence can be felt through whole of the dark universe as its existing. It is an utmost pleasure to be welcoming these particularly talented siblings to the label with these four club-ready cuts, that has been pressed for the specific time when the action needs to be shown. The mechanical quantum gears of it have begun shifting and spinning rapidly for the unified idea of love for the nonstandard audio frequencies.

Pager Records returns with catalog number sixteen, dropping another essential slab of wax: The Aquatic Genie — a 5-track journey that blends house, disco, funk and a wink of humor — this time from Aladdin, a French DJ and Producer based in Lyon, coming in HOT with his unique approach to house music, influenced by jazz, funk and reggae. Drawing from these influences his sound feels fresh yet rooted in the DNA of Pager’s signature aesthetic.

Intro (Flying Carpet Airlines) – hazy lift-off joint, saturated samples and dubbed-out FX pulling you into a low-slung groove. Cosmic Lounge Energy…

Forever – breaky house with elastic low-end and vocoder shimmer that sneaks into your head. Pure sunrise material…

You Smell Like Fish – house on a g-funk trip! Funk-driven bass, warm keys, and talkbox heat bringing a modern boogie twist — guaranteed eyebrow-raiser.

Doyoulike2dance – straight-up party trigger with a smile. Funk-loaded drums and a hook that says it all. Pure body music.

Rock The House – stripped-down, Detroit-tinged funk workout to shut it down raw and sexy…

Playful and funky — The Aquatic Genie keeps one foot in the house nation and taps the other into the disco world. Full of character, bounce, and club weight — another Sureshot from Pager for both DJs and Listeners <3

Limited Vinyl Pressing. Don’t sleep on it.

From commanding festival mainstages to shaping the Belgian house scene with his SHOMI brand, DJ Licious has consistently delivered music that connects beyond borders. With his debut album "So Far", he brings together the highlights of his career "so far", while setting the stage for "what's next" - a sonic story of passion, persistence, and the universal power of dance music.

A Journey Through Hit Records and New Horizons

"So Far" gathers DJ Licious's biggest anthems to date, including his massive hit "Magic With You", for which he received a golden record and spent over 30 weeks in the Ultratop 50. The album also features Top 10 hits like "Hope" (with Armen Paul) (Platinum) and "Million Moons" (Gold), alongside fan favorites such as "Ibiza Sky", "Beautiful Liar", "Voices", and his latest single "One More Day."

In addition to these beloved tracks, "So Far" includes two brand-new, unreleased songs, offering listeners a glimpse into the next chapter of DJ Licious's musical journey - a seamless blend of feel-good grooves, melodic energy, and emotional depth.

"'So Far' is a reflection of everything I've experienced on this journey - the highs, the love, the dancefloors, and the people I've met along the way. It's a thank-you to everyone who's been part of it," says DJ Licious.

Azu Tiwaline & Cinna Peyghamy, Amotik, Quelza, and Alarico remix four tracks from Ben Klock and Fadi Mohem’s collaborative album ‘Layer One’. Released last year on the pair’s label LAYER, each artist on the ‘Layer One Remixes’ EP retains the weighty, low-end edge that shaped the album, while reinterpreting four tracks through a myriad of techno, IDM, bass, and experimental shades.

Honouring the conceptual direction of ‘Layer One’, which delved into a post-human world and offered a serene reflection on a realm that continued to flourish in the absence of humanity, the ‘Layer One Remixes’ EP echoes the same theme. The remaining human survivors on Earth signal a remembrance of their sensibilities, told through the powerful lyrics and vocals of grime MC Flowdan and interdisciplinary artist Coby Sey.

Azu Tiwaline & Cinna Peyghamy open the EP with their remix of ‘Our Sector’ featuring the commanding vocals of Flowdan. Fragmented bass-driven textures skitter across the sparse soundscape, culminating in a track primed for the weirder hours of the night. On ‘Ultimately’, Amotik delivers his take on the original featuring spoken word by Coby Sey, and whips up a rolling four-four number pierced with bleepy percussion.

On the flip, Quelza’s reinterpretation of ‘Our Sector’ unfolds with zappy motifs and technoid flourishes, permeating the shadowy pads and spine-chilling harmonics that slink through the atmosphere. Alarico remixes ‘Clean Slate’, serving a potent techno track laced with equal parts restraint and release, enhanced by Coby Sey’s taut vocals.

While the original album represented the more exploratory sides of Ben Klock and Fadi Mohem, the ‘Layer One Remixes’ EP offers a further step into the void, led by five contemporary artists who are unafraid to delve into the murkiest corners of the dystopian world conjured up by Klock and Mohem.

Continuing the VA series with different artists from around the globe the fourth instalment has landed. The 9 track LP features already familiar to the label artists as well as many new faces unified by the idea of the love for the non-standard audio frequencies. With the dystopian artwork by the label’s visual guru Gkoner and the music by the nine talented artists the disc has obtain its shape. With the vast range of sound being present but all tied in the concept of the label’s musical ideology, the “Untitled IV” is born and armed for different settings where electronic music can be blasted loud on huge sound systems or in complete solitude does not matter at all. What matters is the love of music the listener brings making it all come together with a complete and fulfilled sense.

It’s Clut008.

This time the EP comes from Clut Communication label head Riccardo Rizza.

“Electrons” is his first solo EP on the label, featuring five spacey tracks suitable for any dancefloor, designed to transport you to a different dimension, guided by unique melodies and atmospheres that touch the soul.

Punchy basslines, analog melodies and progressive atmospheres will let you have the perfect record for every situation.

The new step of GIMIC: Soundscape Waves Vol . 1 — the debut compilation from GIMIC Records on a double vinyl, Various Artists. Two records, two worlds: experimental & electronica explorations vs raw club energy. Featuring Hadone, Dangermami, NMSS, Canblaster, Darzack and more — the GIMIC soundscape comes alive.

Default Mode by Raleigh & Takenaga continues the newly established X series – Harmony’s platform for new voices and limitless exploration. Hailing from Prague, the duo embodies the next wave of adventurous sound design and musical talent from the imprint’s home town.

Incentive Program opens the EP’s A side with a drifting, trance-tinged flow wrapped in sweeping pitch movements and fractured vocals. The track sets a shadowy, almost sinister atmosphere, pulling all witnesses into its slow-burn gravity. It’s a steady build, tipping the floor over the edge. Stiff Envelope pulls you into its depths as it continues to build tension with resonating synth hits that quiver over a powerful trance foundation. With a few moments of silence that let its unsettling atmosphere settle across the stereo field before swinging back in at full force, this one is tailor-made for big systems.

B side’s Ground Floor carries on with metallic swells and shimmers that ring underneath the surface as the tension built on the A side bursts, settling into a grounding four-on-the-floor moment and leaving just enough time to breathe before Raleigh stirs up a concoction of devious vocals, snappy percussion, and a seductive bassline that lifts the mood tastefully. Takenaga wraps up the record with Head Count, a razor-sharp blend of crisp percussive cuts and stuttered crumbles that are seeking the perfect pitch all the way, climbing up and down. Heads are counted on a lively groove that radiates playful momentum and commands the dance floor to get in formation, keeping a tight rhythmic focus. Infused with the pulse of UK club culture, this track delivers a fresh and forward-thinking sound perfect for adventurous turntables.

Hot on the heels of Luv (LuvLuv) comes a sublime new Drum Chums from midland's madlads Wrekin Havoc.
Over the years we've shared great tunes, fun times and A-grade dance floor debauchery with these permanent party people (our first encounter almost exactly like that Spiderman pointing meme) so it made more sense than we usually do to invite them aboard the V*nga bus for some Balearic-Disco edit excellence.

Things kick off with the sexy throb of 'Shine A Light', a stonewashed funk workout complete with Paisley guitars, Troutman bass grunts and some big time blue-eyed soul vocals. It's a bit like an extended and unheard collaboration between George Michael and Tears For Fears recorded immediately after a particularly heavy night at Future. Unsurprising perhaps that this one's been getting a whole lot of love from DJ Harvey.

'Mars Bar Party' grabs you by the hips from the first bar of its swaying Mediterranean house rhythm, then tugs at every single one of your heartstrings with melancholic pads and a silken vocal croon. Fuuuuuuckin' hell! Sorry, was totally bewitched by the primal power of piano house magic - it's like John Rocca was in the room for a second. Armed with an awesome arrangement and clocking in at ten massive minutes, this may be the ultimate Balearic house journey.

If all this wasn't enough to have you stocking up on 5-HTP and sinus rinse, those crafty cats close the set out with the shimmering disco euphoria of 'Leccy Meet Her'. The bottom end pulses endlessly, Cowley synths trill and a crystal clear Vox soar above, sending us far off into mirrorball orbit. If this isn't a hit at Horse Meat, we'll neck a bottle of poppers and never eat a tomato again.

Each and every track Wrekin Havoc touch is a pearler, but we're particularly chuffed with ourselves for snapping this top trio up.

100% Drum Fun Guaranteed. .

Continuing the epic journey through three decades of trance excellence, Platipus 30 Years – Volume 11 lands as the penultimate installment in the acclaimed anniversary vinyl series. This edition brings together a stunning selection of classics and remixes that embody the unmistakable Platipus sound: the power of Union Jack – Cactus (Original Mix), the modern reimagining of Art of Trance – Before The Storm (Gai Barone Remix), the euphoric depth of Moogwai – Viola (Original Mix), and the psychedelic force of Quietman – The Sleeper (Man With No Name Remix). With its mix of legendary originals and visionary reinterpretations, Volume 11 stands as a testament to Platipus’ enduring influence and offers collectors another essential piece of electronic music history.