Buscar:travis

Nach fünfundzwanzig Jahren Musikkarriere mit fünf Grammy-Nominierungen, zwei RIAA-zertifizierten Goldenen Schallplatten und der jüngsten Veröffentlichung von 'Desolation: A Heavy Metal Memoir', einer ehrlichen Reflexion über sein Leben in der Musik und darüber hinaus, befindet sich Mark Mortons kreative Energie auf einem Allzeithoch.

'Without The Pain', sein zweites Soloalbum, ist eine Hommage an seine langjährige Liebe zum Südstaaten-Rock und wurde von seinem langjährigen Weggefährten Josh Wilbur produziert. Auf dem Album als Features vertreten sind einige der größten Namen aus Americana, Rock und Country:

Der Outlaw-Country-Star Cody Jinks liefert zwei kraftvolle Songs, darunter das eindringliche 'Brother'; Blackberry Smoke-Frontmann Charlie Starr tut sich bei 'Come December' mit Americana-Superstar Jason Isbell zusammen, während Jaren Johnston (The Cadillac Three) beim Eröffnungstrack 'Hell & Back' eine Performance voller Hingabe liefert.

Der Country-Hitmacher Travis Denning - ein aus Georgia stammender Künstler mit einer früheren Nummer 1 in den US-Country-Airplay-Charts - arbeitet an zwei bewegenden Stücken mit, die beide subtile und zarte Gitarrentexturen aufweisen und eine andere Dimension von Mortons Songwriting zeigen.

Troy Sanders (Mastodon) singt bei 'Nocturnal Sun', einer donnernden Doom-Klage und dem schwersten Stück des Albums, während Blues-Gitarren-Phänomen Tyler Bryant sich mit Morton bei dem psychedelischen Blues-Rummel 'Forever In The Light' ein Gitarrenduell mit Feuerwerk liefert.

Für Fans von: Lamb of God, The Cadillac Three, Whiskey Myers, Travis Denning, Clutch, Brothers Osbourne, Blackberry Smoke, Black Stone Cherry, Lynyrd Skynyrd

- Ltd. Col. LP: (Orange Vinyl)

Legendary songwriter Guy Clark’s iconic album, Dublin Blues, shines in a new light with this remixed and remastered reissue. The album was remixed by Miles Wilkinson, its original co-producer and engineer, at Compass Sound Studio in Nashville (formerly Glaser Sound Studio, aka “Hillbilly Central”). It includes liner notes written by Wilkinson and Clark’s former touring partner, the acclaimed singer-songwriter Darrell Scott. Featuring Sam Bush, Travis Clark, Donivan Cowart, Rodney Crowell, Ramblin’ Jack Elliott, Nanci Griffith, Emmylou Harris, Jelly Roll Johnson, Kenny Malone, Kathy Mattea, Suzi Ragsdale, Darrell Scott, Verlon Thompson, Jonathan Yudkin.

Debut album for the brand new Greek heavy/power metal band conceived by songwriter and bass player Bill Sam Featuring Travis Wills (Crimson Glory, Infdel Rising), Craig Cairns (Tailgunner, Induction), Rob Lundgren (Reveal, Mystery Moon), Mauro Elias on vocals, and Igor Paspalj (Guitarist of the Year 2020 by Guitar World and Guitar Player magazines) on lead guitar.

Produced by Bill Sam, mixed and mastered by Loz at Fat As Funk Studio.

Cover artwork, LP, CD and booklet art by NobotX (Arch Rival, Hansel, More Than Anything)

Im Lateinischen bedeutet das Wort Gemini "zwei zusammen" oder "Zwillinge". Astrologisch gesehen sind Zwillinge unter anderem dafür bekannt, dass sie neugierig und vielseitig sind. Für die 9-köpfige (meist) instrumentale Combo The Sure Fire Soul Ensemble aus San Diego waren Jazz und Funk schon immer die beiden Genres, die sie konsequent und effektiv miteinander verschmolzen haben und die das Fundament ihres Sounds bilden. Mit ihrer stilistischen Neugier und Vielseitigkeit haben sie dieses Fundament auf ihrem neuen 11-Song-Longplayer für Colemine Records weiter ausgebaut. Aufgenommen zwischen Ende 2021 und Anfang 2024 im The Kitchen II in ihrer Heimat Lemon Grove, Kalifornien, lenken SFSE ihre ,introspektive Partymusik" in neue klangliche Gefilde. Während ihr Breakbeat-lastiger Funk-Soul-Jazz immer noch der Eckpfeiler ihres Sounds ist, wie er in Stücken wie ,Makin' Moves", ,TheGrifter" und ,Don't Trip" zum Ausdruck kommt, haben sie begonnen, mehr und mehr Einflüsse von Library-Musik-Labels wie KPM Music, spirituell orientierten Jazz-Labels wie Tribe & Black Jazz Records und exotisch angehauchten Jazz-Künstlern wie Cal Tjader und Dorothy Ashby aufzunehmen. Jetzt lehnen sie sich mehr an den ,introspektiven" Teil ihres Sounds an, insbesondere bei ,Mother Earth", ,Freddie" und dem Titeltrack, und beschwören die Geister von Freddie Hubbard, Phil Ranelin, Wendell Harrison, Bubbha Thomas, Chester Thompson und sogar Cannonball Adderley in seiner kopflastigsten und kosmischsten Zeit herauf (hören Sie sich Adderleys Alben ,Soul Zodiac" und ,Soul of The Bible" als Referenz an). ,Corporatocracy" geht noch einen Schritt weiter mit einem ausgedehnten Tabla-Solo, das auf der perkussiven Welle reitet, bevor es in seinen funkgetriebenen, modalen Vibe übergeht. In der aktuellen Besetzung mit Tim Felten an den Tasten, Jake Najor am Schlagzeug, Omar Lopez am Bass, Kiko Cornejo Jr. an Conga/Percussion, Aquiles ,Lito" Magana an der Gitarre, Wili Fleming an der Posaune, Sheryll Felten an der Percussion, und Jesse Audelo und Travis Klein am Saxophon und an der Flöte. SFSE bleibt dem Funk treu, traut sich aber auch, neue Wege zu gehen, die sie bisher noch nicht beschritten haben, und betritt damit faszinierendes Neuland in ihrem Gesamtsound.

Im Lateinischen bedeutet das Wort Gemini "zwei zusammen" oder "Zwillinge". Astrologisch gesehen sind Zwillinge unter anderem dafür bekannt, dass sie neugierig und vielseitig sind. Für die 9-köpfige (meist) instrumentale Combo The Sure Fire Soul Ensemble aus San Diego waren Jazz und Funk schon immer die beiden Genres, die sie konsequent und effektiv miteinander verschmolzen haben und die das Fundament ihres Sounds bilden. Mit ihrer stilistischen Neugier und Vielseitigkeit haben sie dieses Fundament auf ihrem neuen 11-Song-Longplayer für Colemine Records weiter ausgebaut. Aufgenommen zwischen Ende 2021 und Anfang 2024 im The Kitchen II in ihrer Heimat Lemon Grove, Kalifornien, lenken SFSE ihre ,introspektive Partymusik" in neue klangliche Gefilde. Während ihr Breakbeat-lastiger Funk-Soul-Jazz immer noch der Eckpfeiler ihres Sounds ist, wie er in Stücken wie ,Makin' Moves", ,TheGrifter" und ,Don't Trip" zum Ausdruck kommt, haben sie begonnen, mehr und mehr Einflüsse von Library-Musik-Labels wie KPM Music, spirituell orientierten Jazz-Labels wie Tribe & Black Jazz Records und exotisch angehauchten Jazz-Künstlern wie Cal Tjader und Dorothy Ashby aufzunehmen. Jetzt lehnen sie sich mehr an den ,introspektiven" Teil ihres Sounds an, insbesondere bei ,Mother Earth", ,Freddie" und dem Titeltrack, und beschwören die Geister von Freddie Hubbard, Phil Ranelin, Wendell Harrison, Bubbha Thomas, Chester Thompson und sogar Cannonball Adderley in seiner kopflastigsten und kosmischsten Zeit herauf (hören Sie sich Adderleys Alben ,Soul Zodiac" und ,Soul of The Bible" als Referenz an). ,Corporatocracy" geht noch einen Schritt weiter mit einem ausgedehnten Tabla-Solo, das auf der perkussiven Welle reitet, bevor es in seinen funkgetriebenen, modalen Vibe übergeht. In der aktuellen Besetzung mit Tim Felten an den Tasten, Jake Najor am Schlagzeug, Omar Lopez am Bass, Kiko Cornejo Jr. an Conga/Percussion, Aquiles ,Lito" Magana an der Gitarre, Wili Fleming an der Posaune, Sheryll Felten an der Percussion, und Jesse Audelo und Travis Klein am Saxophon und an der Flöte. SFSE bleibt dem Funk treu, traut sich aber auch, neue Wege zu gehen, die sie bisher noch nicht beschritten haben, und betritt damit faszinierendes Neuland in ihrem Gesamtsound.

“We all grew up playing heavy music. For me personally, listening to artists like Swans, Godflesh, Neurosis and Kiss It Goodbye in my 20s was cathartic in a lot of ways. Identifying with people that have a similar world perspective, who are channeling their angst and frustration into the creative outlet of art and music — that was important.”

Josh Graham isn’t just talking about his decades-long career in heavy music, which has included A Storm of Light, Battle of Mice, and many years as the one-man visual department for Neurosis. He’s also talking about the formation of Guiltless, his new band with bassist Sacha Dunable (Intronaut), drummer Billy Graves (Generation of Vipers) and guitarist Dan Hawkins (A Storm of Light).

Guiltless released their debut EP, Thorns, via Neurot Recordings in early 2024. Crushing and cheerless, it seemed to welcome the apocalypse looming on our collective horizon. “The EP had a pretty narrow focus starting from my ideas,” Graham explains. “With this record, my main goal was to really collaborate with Sacha and Dan and Billy because those guys are great songwriters. The new album is meant to open up the sonic palette and explore more territory.”

That new album is Teeth to Sky, the band’s first full-length. Even more pulverizing and focused than its predecessor, the album’s collaborative songwriting approach was paired with an adjustment to the lyrical content.

You can hear it on “One Is Two,” which channels a tightly controlled Meshuggah churn through the more visceral lo-fi approach of Kiss It Goodbye or Swedish noise rock legends Breach. On “In Starless Reign,” Guiltless blend dissonant black metal and thundering doom while Graham invokes humanity’s inability to see the forest through the trees. Then there’s the bruising title track, which combines the gnarled sensibilities of The Jesus Lizard, Cherubs and Barn Owl into a rumination on Mother Nature’s revenge.

Teeth To Sky was recorded remotely by the members of Guiltless—except for the drums, which were recorded by Travis Kammeyer (Generation of Vipers) at Fahrenheit Studios in Johnson City, Tennessee. The album was mixed by Kurt Ballou at God City in Salem, Massachusetts, and mastered by Brad Boatright at Audiosiege in Portland, Oregon.

„When you gonna stop running?“ fragen The Men in der ersten Zeile von „Pony“, dem ersten Song und der ersten Singleauskopplung aus dem
kommenden Album „Buyer Beware“ des New Yorker Rockquartetts. Machen Sie keinen Fehler - dies ist kein Zeichen einer existenziellen Krise,
sondern eher ein Aufruf zu den Waffen für eine Band, die noch nie lange stillgestanden hat. Nach eigenen Angaben ist „Buyer Beware“ ihr 15. Album
seit ihrem Debüt „We Are The Men“ (2009) und ihr viertes für Fuzz Club.
The Men haben eine Arbeitsmoral, die so altmodisch ist wie ihre Rockwurzeln, doch trotz der Hektik scheinen sie nie in Eile zu sein - ein Widerspruch,
der sich in ihrer Musik auf natürliche Weise auflöst, indem sie die rohe Wut des Punkrock mit der minimalistischen Strenge eines Steve Reich (oder,
außerhalb der Musik, Mark Rothko) in zenartiger Ausgewogenheit in Einklang bringen. "Buyer Beware“ ist die fünfte Zusammenarbeit von The Men
mit dem Tontechniker Travis Harrison (Guided by Voices, Built to Spill), der die Nuancen der Gruppendynamik - Nick Chiericozzi (Gitarre/Gesang),
Kevin Faulkner (Bass), Mark Perro (Gitarre/Gesang) und Rich Samis (Schlagzeug) - sehr gut einfängt. Durch die direkte Aufnahme auf Band fängt
Harrison das rohe, konfrontative Fieber ihrer Bühnenshows ein, ohne dabei ihre introspektiven Untertöne zu opfern. Das Ergebnis ist zweifelsohne ihr
aggressivstes Album seit „Leave Home“ (2011) und ihr psychedelischstes seit „Immaculada“ (2010)

Lungu Boy is the third studio album from global superstar and Nigerian singer/songwriter, Asake. The album promises to captivate fans with its vibrant rhythms, soulful melodies, and poignant lyrics that reflect Asake's unique artistry and cultural roots. Lungo Boy showcases Asake's signature blend of Afrobeats, Amapiano, hip-hop, and highlife, creating a rich tapestry of sound that is both innovative and deeply rooted in African musical traditions. Each track on the album tells a story, weaving personal experiences with universal themes of love, struggle, and triumph. The album features collaborations with some of the biggest names in the music industry, like Travis Scott, WizKid, Central Cee, Stormzy, and LUDMILLA – adding exciting dynamics to Asake's already impressive sound.

Produced by a team of top-notch producers, Lungo Boy is a testament to Asake's commitment to quality and his relentless pursuit of musical excellence. The album also narrates the transition of Asake growing up on the streets of Lagos to becoming a global icon and living life in urban cities around the world. It identifies with the sights and sounds of Lagos (Eko, Lagos Island, Idumota Street), London (Hackney, Shoreditch, Brixton, Peckham), and New York (Brooklyn, Harlem).

Iconic UK punk band X-Ray Spex co-founder Lora Logic was unexpectedly ousted before the recording of their debut album 'Germ Free Adolescents' in 1977. Undeterred, Lora went on to form and front the post-punk band Essential Logic. With trademark angular sax lines and her unmistakable vocal stylings, she went on to create some of the most liberating and exciting music of the early post-punk era, not only as Essential Logic, but also as a solo artist. 'Beat Rhythm News (Waddle Ya Play?)' is the band's debut studio album. Originally released in December 1979 on the Rough Trade Records label, whose founder Geoff Travis provided enthusiastic encouragement. The album reached number 11 in the UK Indie chart. Lora's solo album 'Pedigree Charm' followed in 1982. Lora and Poly Styrene would later reform X-Ray Spex for the band's sophomore and final studio album 'Conscious Consumer' in 1995. Essential Logic returned from an extended hiatus in 2022 with the 5 x LP boxset 'Logically Yours', including the new studio album 'Land of Kali', co-produced by Lora and Youth (Killing Joke), followed by 2024's remix album thereof - 'Rekalibrated', which enlisted the talents of an ambitious and diverse set, including Grammy Award winner - Dave Audé, Rave-pop legend - Adamski and Scottish Kandy-poppers - bis, amongst others on remixer duties. This 45th Anniversary 'Deluxe' edition compiles the original studio album together with a bonus album containing the complete Essential Logic studio recordings from 1978 - 1983, including the iconic Cells Records debut single 'Aerosol Burns' (1978), the 'Wake Up' EP (1979), included here for the first time on any physical release since its original pressing, together with the non-album b-side 'Flora Force' and 3 post album Rough Trade Records single releases: 'Eugene' (1980), 1981's 'Music Is A Better Noise' and 'Fanfare In The Garden', and their respective b-sides. Repackaged in a high gloss accented, spot varnished sleeve, on 2 x black and white splatter vinyl, foiler stickered, with inner-sleeves including full lyrics and new sleeve notes by Lora. This release also marks the long overdue and highly championed CD debut of the original album and bonus tracks. Following their recent UK tour with fellow punk legends Penetration, featuring Pauline Murray, in November 2024, Essential Logic show no signs of stopping or slowing down as they plan extensive live celebrations of the album throughout 2025 as well as the recording and release of their next studio album. Press Quotes : "Lora's voice is always doing the right, thrilling things...she frets and somersaults in such an intoxicating way" - NME // "A stunning record that remains a benchmark of the punk era" - AllMusic // "Beat Rhythm News suggests an impromptu brainstorming session between Kate Bush, Talking Heads and Captain Beefheart" - Louder Sound // "An intelligent and fluid benchmark for any band willing to dabble in both punk and dance music at the same time" - PopMatters

Rock and Roll Hall of Fame Member Little Richard is a musical institution. The Architect Of Rock ’n’ Roll’s 1970 return. Pressed on opaque pink vinyl. Mastered by Grammy®-winning engineer Michael Graves. Lacquers cut by Jeff Powell at Take Out Vinyl/Sam Phillips Recording Service in Memphis. Packaging contains liner notes from Bill Dahl. Some successful recording artists are lucky to enjoy a lengthy career and perhaps one successful comeback after their popularity wanes over time. Rock ’n’ roll pioneer and absolute legend, Little Richard, achieved several. In the ’50s he racked up a non-stop string of smashes for Specialty Records with producer Bumps Blackwell like the blistering cuts, “Tutti Frutti,” “Long Tall Sally,” and “Rip It Up.” The Georgia Peach was deemed too uninhibited and unpredictable for TV variety shows to present to the nation, but the records were undeniable hits. He was clearly, an artist far ahead of the culture and times. Little Richard returned in 1970 with The Rill Thing and instead of sticking around his adopted home of Los Angeles, Richard set out for Rick Hall’s FAME Recording Studios in Muscle Shoals, Alabama to record the album for Reprise, joined by Bumps, who was now his manager. The opening track, “Freedom Blues,” was released in April of 1970 and hit #28 on the charts. The second cut, “Greenwood Mississippi,” was also released as a single in August and also made a Billboard appearance. The marathon title track (running a whopping 10 minutes and 20 seconds) was an intense funk jam that was captured in one take. The album also featured covers of tunes by The Beatles and Hank Williams—it was a different sound by far than the savagely rocking attack he’d ridden to fame like a rocket at Specialty close to a decade and- a-half earlier, but it was every bit as effective. The Rill Thing bore the slogan “The Little Richard Sound” on its labels. “He was at his peak with his vocals on there,” says guitarist Travis Wammack admiringly. “He was just singing his booty off!” The Rill Thing is back as a 12" long player, and pressed on opaque pink vinyl with a printed inner sleeve that includes liner notes by Bill Dahl.

Celebrate the legacy of Run The Jewels with a limited-edition cassette run featuring their first three iconic albums: Run The Jewels, Run The Jewels 2, and Run The Jewels 3

This exclusive release offers fans a chance to own a piece of RTJ history with a retro twist, paying homage to their groundbreaking work in modern hip-hop.

Originally released as a Japanese Vinyl exclusive, "Blockbuster Night Part 2" will be a featured Bonus Track on RTJ 2 to celebrate the 10th Anniversary of their breakout album (10/24).

Limited run, making this a must-have collector's item for RTJ fans and hip-hop enthusiasts alike.





[e] Eyes (And Count to Fuck) [feat. Zack De La Rocha]




[j] Love Again (Akinyele Back) [feat. Gangsta Boo]

Multi-talented artist Poppy Ajudha will be announcing her sophomore album, titled ‘Poppy’, which will be released 22nd November 2024. This follows Poppy’s triumphant return to releasing music this year with the release of 'My Future', following a two year hiatus. ‘Poppy’ was created alongside Mike Malchicoff (Kanye West/King Princess) with contributions from the likes of producers Maestro (Rihanna), Fred Ball (Alicia Keys/Raye/Mariah Carey), Grades, (Kali Uchis, Dua Lipa, Britney Spears), and Travis Sayles (Ariana Grande).

Poppy says: “I can’t believe I’m writing this, but my sophomore album is finally coming out! After numerous trips back and forth from London to LA, millions of revisions to perfect each song and a lot of moving the track listing around, I’ve made an album I’m so in love with, with people who I felt truly seen by, who I respected and found a natural synergy with. I really put everything into this album, it is a reflection of my growth over the last 2 years, an outward pouring of my raw vulnerability, the inner workings of my chaotic brain and the deep desire I have to challenge myself with everything I do. I’m really proud of what we made, and I hope that when you hear it, it means something to you too.
Thank so much to all the special people who contributed to the making of this project, the producers, engineers, musicians, visual creatives, the friends who listened to me while I processed my life in order to write it down, I wouldn’t have been able to manifest this dream without you.”

Alongside the announcement of her upcoming album, Poppy has also released new single ‘Lean On Me’, a bold pop banger about the importance of community and showing support for each other even during challenging moments. ‘Lean On Me’ was written by Poppy with production from Wesley Singerman (Kendrick Lamar/Anderson Paak).

On ‘Lean On Me’, Poppy says: “We realise true friendship in the moments we are most vulnerable with each other. When I wrote ‘Lean On Me’ I was going through a breakup and struggling to make sense of my world. My friend who was experiencing their own kind of grieving found the time to give me the advice I needed, and the next day I wrote this song about the power of friendship, community, unconditional love and showing up for each other through our hardest times.”

The only album to soundtrack both late-'70s Minneapolis lounges and a Travis Scott x Dior fashion show. Recorded in a host of living rooms with only a Fender Rhodes piano, a Donca Matic Mini Pops drum machine, and Senrick's wide-eyed, 20-year-old voice, the 1977 LP disappeared into the wild and joined the Wendigo in Minnesota lore. A provocative mix of marina soul, easy listening, and loner folk, Dreamin' is a sanguine sliver of the American private mind garden. Harsh winters coupled with a relative lack of interest amongst siblings allowed Chuck Senrick years of unfettered access to the family piano in their Farmington, Minnesota, home. Learning both by ear and by instruction, Senrick began gigging professionally at age 15, joining John Zimmer and the CR4 for a weekly rundown of Allman Brothers, Blind Faith, and Cream covers at the Sea Girt Inn in Lake Orchard. Tapping into James Taylor's pop-chart achievements in songwriting and enunciation, Senrick composed the bulk of the songs featured on Dreamin' before graduating from Farmington High School. At 20, Senrick migrated 30 miles north to the Twin Cities to pursue music full-time. Using borrowed equipment and borrowed living rooms, a string of informal recording sessions generated the quarter-inch tape for Dreamin'. "I didn't know how to do it," Senrick says about producing an album. "I just knew it could be done." Constructed with vocals, Fender Rhodes, and an assortment of rhythm presets on his Donca Matic Mini Pops drum machine, a mere 200 copies of the private-press masterpiece were stamped and sleeved and sold hand-to-hand at performances. Chuck's wife Lesli illustrated the album cover_a pen-to-paper portrait of her husband against the backdrop of the Minneapolis Skyline, she and their newborn son situated on a nearby knoll. Any plans for a re-press were quashed when producer Bruce W. Hansen lost the reels during a messy divorce. "I was a kid with big ideas and not much hope to do anything but play," Senrick said of the Dreamin' era. "It still amazes me that people are interested in it."

Los Angeles-based ska-punk band The Interrupters" second album. Say It Out Loud is undeniably fun and urgent in message. And backing their modernized 2-Tone-tinged, guitar-fueled, melody-heavy sound are lyrics that confront everything from social control and self-empowerment to domestic violence and the media circus surrounding the next presidential election. Produced by Armstrong and recorded partly at his studio (as well as at Travis Barker"s Opra Studios), Say It Out Loud are a batch of feel-good songs proving The Interrupters" unstoppably upbeat spirit.

Repress!

There was huge demand on the first issue - now released in a standard edition. Limited. Be Quick!

Hot double LP of beats and scattered rhymes (JPEGMAFIA, Retro X & Jeshi feature) from this highly inventive producer. Having gained notoriety for his work with Frank Ocean and Travis Scott among others, Only Diamonds Cut Diamonds is overjoyed, heady and nervous at once. It offers a proper introduction to the massively imaginative sound of Vegyn.

"Ukraine's most beloved and enduring band Okean Elzy will release their first-ever English-language studio album, Lighthouse, on October 11 via Elektra. The group herald the record’s announcement with the title track and new single ‘Lighthouse’ featuring John Rzeznik of Goo Goo Dolls. Produced by John Feldmann (Blink 182, Avril Lavigne, 5 Seconds of Summer), and co-written by Slava, Feldmann and Eva Arnby Busacker (5 Seconds of Summer, Landon Barker), the track also features Travis Barker on drums. A portion of the proceeds from the song will be donated to United24, an initiative launched by the president of Ukraine in support of the country during the ongoing war. The song is accompanied by a cinematic music video – available to stream on the band’s You Tube Channel
Okean Elzy’s lead vocalist Sviastoslav ‘Slava’ Vakarchuk says, ""The creative process was a unique experience for me. Working alongside Feldy and Evey was both fun and inspirational. The song came together in a matter of minutes. Having Travis on drums took the vibe up to a whole other level, and is yet another example of how special the human camaraderie and support is on this track.""
""Lighthouse is a very powerful metaphor for me,"" Slava continues. ""As a Ukrainian I couldn't think of a better metaphor to express our hope for the future, which is part of why the song and album bear that name.""
Okean Elzy radiate luminous energy through ‘Lighthouse’. Anchored to a steady beat, warm guitars ebb and flow beneath a heartfelt promise, “Take my hand, I’ll get you through the storm.” The momentum builds as the song climaxes on an uplifting chorus, “Tonight, I’ll be your lighthouse, shining on.” Meanwhile, Vakarchuk and Rzeznik lock into a bold and bright back-and-forth. The music video seamlessly translates this energy to the screen, capturing the chemistry between the frontmen.
With their upcoming album, Okean Elzy aims to transcend borders and share the rich tapestry of Ukrainian culture with audiences around the world. The album will include collaborations from Travis Barker (Blink-182), Paul O'Duffy and Diane Warren.
In support of Lighthouse, a portion of their North American tour’s proceeds will be donated to Open Eyes Fund, specifically supporting their Drive For Life initiative, whose goal is to deliver 30 ambulances, along with essential medical equipment to the frontlines where urgent medical assistance is required. These efforts will be in addition to the 242 ambulances already delivered to Ukraine and 36,000 lives saved previously by Open Eyes. Following their North American tour, Okean Elzy are set to headline the O2 Academy Brixton in London on December 4. Check out the full confirmed itinerary below. General on-sale begins today at 10am local time.
Consistently selling-out stadium shows, winning multiple YUNA Awards (the nation’s equivalent to the Grammys or the BRITs), and topping airplay charts, Okean Elzy are undoubtedly Ukraine’s biggest band."

"Back in print, on purple nebula vinyl!

While the exuberance and joy of Stovall dealt with vocalist/guitarist Nathan Hardy’s wide-eyed wonder at a world previously obscured by a strict religious upbringing and his time as a Mormon missionary – songs of innocence, if you will – Much Love details the aftermath once that awestruck amazement has been dampened by the harsh realities of life.

These, then, are songs of experience, the sound of growing pains (with the emphasis very much on the pain), on the trials and tribulations that come after the euphoria of freedom. That’s not to say that the first album was devoid of drama, because it was full of it, but the ten tracks that make up Much Love certainly traverse darker, more unstable territory by confronting the very existence and notion of life as Hardy once knew it.

Recorded and produced, like Stovall, by Travis Hill, Much Love is a more abrasive, rawer set of songs than its predecessor, more The Devil And God Are Raging Inside Me than Deja Entendu. Yes, Microwave are very much still recognizable as the same band, but at the same time these songs are a conscious evolution of their sound."

It is with great pleasure that we announce Mitchum Yacoub's debut album Living High in the Brass Empire_ a showcase in unique stylings of tropical funk, afrobeat, cumbia, and soul; a musical patchwork threaded by a heavy, hypnotic rhythm section and powerfully vibrant horn lines. What sounds like a 12-piece ensemble was actually mostly recorded and performed by Yacoub at his home in San Diego, featuring a few close friends from local groups Sure Fire Soul Ensemble and Boostive. The horn section is comprised of Travis Klein, Bradley Nash, and Wesley Etienne (featuring Todd Simon on "Los Muñequitos"), each with distinguished performances that send the music to higher heights. Nuanced vocalist Divina Jasso lends humanity and introspection throughout the head-nodding soul sounds of "Never Knew", latin dance anthem "Cumbia Divina", and the syncopated funk of "Empire". You'll hear rhythms from Colombia, folkloric percussion of Cuba, interlocking grooves à la Fela Kuti, 70's r&b influence, and something in between it all. Drawing many inspirations into a refreshing and unified record, we think you'll enjoy Living High in the Brass Empire.

Vegyn veröffentlicht auf seinem zweiten Album 'The Road To Hell Is Paved With Good Intentions' erhaben gestaltete Songs, die menschliche Unvollkommenheit zulassen, während sie auf einem Grat zwischen Hochgefühl und Melancholie schwanken - mit Gastbeiträgen von John Glacier, Léa Sen, Matt Maltese, Lauren Auder und Ethan P. Flynn. Das formverändernde Schaffen des britischen Produzenten tendiert gerne zum Exzess, wie bei der Zusammenarbeit mit Rap- und R&B-Topstars (Frank Ocean, Travis Scott, Kali Uchis) oder seinen 70-Track-Mixtapes. Im Gegensatz dazu entstand das neue Werk aus einem Raum frei fließender Experimente mit einer leichten Note. Bisher charakteristische Schnörkel und BPM-Änderungen treten gegenüber Melodie und Struktur in den Hintergrund. Oder wie Vegyn es selbst ausdrückt: 'Ich versuche einfach, interessante Songs zu machen – und das Gefühl stand im Mittelpunkt.'

Y2K! is a sugar rush of playful sensuality and unbothered cool—a true representation of the Bronx baddie herself. Ice Spice, born on January 1st, 2000, brings the Y2K vibes and undeniable beats that will make you want to party like it's 2000, before you had to worry about your late-night social media going viral. Ice Spice lives up to her name, bringing straight fire to your speakers this season.

A founding member and keyboardist of acclaimed jazz
groupBADBADNOTGOOD,Tavares has gone from being an in-demand
producer with some of the biggest names in music to a songwriter and
artist in his own right, having touched corners of the globe and cemented
twoGRAMMY Awardsand five nominations
Between collaborations with Kendrick Lamar , Ghostface Killah , MF DOOM , Tyler
the Creator , Kali Uchis , Tavares has also played with Frank Ocean ,
soundtracked Virgil Alboh 's landmark S/ S 2019 runway show for Louis Vuitton,
and penned songs for Post Malone , Rosalia , Travis Scott , Kodak Black , Justin
Beiber,Camilla Cabello,Jack Harlow amongst others.
With a sound that fuses his nostalgia for the golden era of blogs with the
eclecticism of the late 2000s, the combination of the internet crossed with an
isolated suburban upbringing has laid the groundwork for Matty's genre-bending
artistry. Embracing a raw creative output with an aversion to following the norms
of the industry reverberates across his discography,Matty has found success in
previous releases including 'Clear' and 'I'll Gladly Place Myself Below', which push
the boundaries of sonic creativity and knowledge.
Now with his upcoming album POPS , Matty relinquishes his lowkey and
understated style for something larger than life, while maintaining a level of
honesty and openness that has defined his past work to make for a dynamic
release that constellates around music's greatest subject - love.

Y2K! is a sugar rush of playful sensuality and unbothered cool—a true representation of the Bronx baddie herself. Ice Spice, born on January 1st, 2000, brings the Y2K vibes and undeniable beats that will make you want to party like it's 2000, before you had to worry about your late-night social media going viral. Ice Spice lives up to her name, bringing straight fire to your speakers this season.

'A Handful Of Memories' is the result of an appreciation upon reflection of Adam's
past experiences, trips with his family, his touring families and friends in some
places that hold special memories for him.
To reflect the personal, minimalist nature of the tracks, no effort was made to
remove any of the pedal noises or enhance the tracks in any way, as Adam
wanted them as exposed and natural as they can be.
The pandemic had a hand in Adam's return to modern classical piano after 25
years. As a highly sought- after touring pianist, Adam played extensively with
Black Sabbath, Ozzy Osbourne, Travis and many others. When the pandemic
started, and the music world paused, he was halfway through a South American
tour with Martin Barre on his 50th Anniversary Tour of Jethro Tull. Forced to leave
his gear in Peru and hurry home before the airports closed, a period of reflection
had started and this album is a result of that.

It also features guest musicians Andy Dunlop (Travis) on guitar, Ash Soan (Adele)
on drums, Tony Woollard (Damian Wilson) on cello and Hayley Sanderson (Strictly
Come Dancing) on backing vocals.
Damian is a songwriter and vocalist who's known for his exploration into different
genres and is considered one of the most versatile singers in rock. Adam is best
known as the keyboard and guitar player with Ozzy Osbourne and Black Sabbath,
Adam has also released several albums with his father Rick Wakeman.

WE DON'T TRUST YOU feierte die historische Partnerschaft zweier kulturverändernder Legenden auf dem Höhepunkt ihrer Kräfte und brachte das Internet fast zum Beben. Die neueste Zusammenarbeit von Future und Metro Boomin ist die Fortsetzung eines musikalischen Vermächtnisses, das bis zu "Karate Chop" zurückreicht, einer elektrischen Single aus dem Jahr 2013, die das dynastischste Hip-Hop-Duo der 2010er Jahre hervorbrachte. Mit Tracks wie "Jumpman" (mit Drake) aus dem Jahr 2015 und "Mask Off" aus dem Jahr 2017, Singles, die zusammen von der RIAA mit 14-fachem Platin ausgezeichnet wurden, haben sie ihre Verbindung weiter gefestigt. WE DON'T TRUST YOU enthält den Track "Like That" feat. Kendrick Lamar sowie weitere "A-List"-Gastbeiträge.

Shop Assistants formed in Edinburgh in 1984 and quickly gained a cult following, playing with kindred spirits the Pastels and the Jesus & Mary Chain and gaining positive coverage in fanzines and the music press. Their Shopping Parade EP and Safety Net single both hit the top of the indie charts and charmed listeners with their unique melodic blend of punk rock and 60s pop. The band signed to Geoff Travis' new Chrysalis Records imprint, Blue Guitar, in 1986 for the release of their debut album 'Will Anything Happen'. The album has since become a cult classic and is an essential listen for fans of indie, dream-pop, and shoe gaze. Stand-out songs include the lead single 'I Don't Wanna Be Friends With You', 'All Day Long', and 'Somewhere In China'. This newly expanded edition has been remastered from the original master tapes and compiled in collaboration with David Keegan and Laura McPhail from the band. CD 1 features the newly remastered version of 'Will Anything Happen' accompanied by B-sides from the era, plus previously unreleased instrumental demos from 1986. CD 2 contains a further 18 previously unreleased tracks including recently unearthed alternate versions and rough mixes from the making of the album, live recordings from London and Deinze, and a John Peel session featuring a cover version of Motorhead's 'Ace Of Spades'. The discs are housed in a 6-panel digisleeve with a 12-page booklet featuring lyrics and photographs.

Enjoy The Ride Records proudly presents the Don't Fall In Love With Yourself Soundtrack.

Don't Fall in Love with Yourself is a documentary that explores the life of enigmatic musician and artist, Justin Pearson (The Locust, Swing Kids, Dead Cross, Planet B, Head Wound City, Deaf Club). From childhood tragedy to his rise in the San Diego punk scene, Don't Fall in Love with Yourself takes an in-depth look at a career made of blood, sweat, and spit.

Much of the footage has been sourced from dozens of VHS & Mini-DV tapes recorded over the past three decades. With never-before-seen footage of one of the most interesting and unique musical movements in recent memory. Interviews include Justin Pearson, Dave Lombardo, Eric Paul, Gabe Serbian, Jason Pettigrew, Travis Ryan, Jeremy Bolm, Jon Syverson, Molly Neuman, and more.

Don't Fall in Love with Yourself includes tracks from throughout Justin Pearson's career plus previously unreleased score music by Luke Hensgaw (Planet B), Alex Edkins (Metz) and Graham Walsh (Holy Fuck). It features music by The Locust, Swing Kids, Struggle, Crimson Curse, Retox, Planet B, and Justin Pearson/Gabe Serbian. Remastered by Dave Marino for vinyl.

Don't Fall in Love with Yourself is housed in an embossed silver foil laminated jacket, which includes a full-color double-sided insert.

THE 1968 ALBUM ON WHICH JOHNNY CASH BECAME A LEGEND: AT FOLSOM PRISON AMONG THE MOST IMPORTANT AND POTENT STATEMENTS OF THE 20TH CENTURY


Johnny Cash already knew his way around Folsom Prison when he and his band stepped inside the institution’s forbidding walls on the morning of January 13, 1968 to record At Folsom Prison. He’d played there two years prior. But this time was different.

Cash took the stage that day for two shows amid a darkening sociopolitical atmosphere and a raging war in Vietnam, as well as the knowledge his career and health hung on by a thread. The Arkansas native shared many of the long odds and abject failures of the inmates for which he performed. The songs he chose, and the conviction with which he delivered them, say as much. The point at which Cash transformed from a country star into a legendary artist, and a bold statement about the American prison state and its commitment to rehabilitation, the triple-platinum At Folsom Prison remains one the most important, potent, and fabled records of the 20th century.

You can hear it echo off the walls of the room; pulse through the itchiness of the Tennessee Three’s acoustic-based boom-chick rhythms; crackle in the announcements conveyed over the intercom; ring in the comedy of the off-cuff remarks and pair of novelty tunes; sense it in palpable energy that wells up within Cash and his audience. And you can experience it like never before via Cash’s knockout singing. The bedrock foundation of all his music, the singer’s baritone resonates with profound degrees of depth, pliability, and passion that underscore how much this appearance meant to him — and the extent he was living the narratives.

Indeed, every song on At Folsom Prison serves a purpose and speaks to the conditions — mental, emotional, physical, geographical, legal, social — the inmates confronted on a daily basis. Beginning with the explicit messages of the opening “Folsom Prison Blues,” Cash makes it clear he understands and shares many of their plights. Not for nothing did the myth of Cash having done hard time persist for decades once this record hit the streets. That’s how real it is, and how dedicated Cash remains to conveying every note with the same truth he invests in the impromptu comments he makes between and amid songs.

Listen to the sorrow, regret, pity, and loneliness of Merle Travis’ “Dark as the Dungeon,” Cash pulling syllables til they threaten to break and inhabiting the mood of bleak phrases such as “pleasures are few” and “the sun never shines.” Witness the isolation, dejection, and sadness punctuating the walking-blues “I Still Miss Someone,” matched in gravity by a solemn reading of “The Long Black Veil” — a traditional dirge that involves murder, cheating, and deception. Cash cuts even deeper on a heartbreaking solo rendition of “Send a Picture of Mother” and plainspoken version of Harlan Howard’s “The Wall,” detailing a suicide disguised as jailbreak through cliched-jaw deliveries that softly curse the impossible situation.

In chronicling temptations, mistakes, mortality, punishment, and life “inside” — for better or worse, the stories of the disenfranchised, forgotten, written-off, and unrepentant — At Folsom Prison also has a blast playing the outlaw role. Cash captures wild-eyed craziness and out-of-control mayhem on a revved-up take of “Cocaine Blues,” taking extra satisfaction in its dastardly tales by way of voice that shifts into character for the sheriff and judge. The gallows humor and racing drama of “25 Minutes to Go”; quicksilver accents and resigned acceptance of “I Got Stripes”; train-whistle blare and twangy locomotion of “Folsom Prison Blues” — all fight the law only to see the law win.

Cash remains deeply committed at every moment, and inseparably connected with the tortured souls removed from the goings-on of the outside world. No wonder all but two songs here stem from the day’s first performance that saw Cash, Luther Perkins, Marshall Grant, and company give everything. As does the Man in Black’s soon-to-be-wife, June Carter. The couple’s fiery duet on “Jackson” scorches; their combination of surrender and fortitude “Give My Love to Rose” puts us in the dying protagonist’s shoes.

And with the closing “Greystone Chapel,” famously penned by convict Glen Sherley, who watched it all happen under the watchful eye of guards, Cash separates the corporeal from the spiritual, relaying lessons about salvation and survival. Heady themes to which he’d return for the remainder of his illustrious career.

This new edition of Soul Jazz Records" classic Delta Swamp Rock features a killer all-star line-up of seminal artists who all first blended rock, soul and country together to create a stunning new sound of southern American music in the 1970s. Featuring the Allman Brothers, Dan Penn, Leon Russell, Tony Joe White, Johnny Cash, Bobbie Gentry, Big Star, Link Wray, Area Code 615 and loads more!

Travis Stewarts Reise zur Entstehung von „3FOR82“ begann passenderweise am 4. März. An seinem 41. Geburtstag, am 4. März letzten Jahres, wagte er sich in den Joshua Tree National Park in Kalifornien, um Klarheit und Inspiration für sein nunmehr elftes Studioalbum als Machinedrum zu finden. Zwölf hochintensive, nachdenkliche Tracks, die die Nadel zwischen seinem vergangenen, gegenwärtigen und zukünftigen Ich spannen.

Angesichts der Tatsache, dass Ninja Tune eines der Lieblingslabels des jungen Travis Stewart war, spricht dies für ein Mantra, das die Platte leitet: Nostalgie durch eine zeitgenössische Linse zu betrachten. In den stillen Weiten des Joshua Tree durchforstete Machinedrum alte Festplatten mit seinen Beats aus den späten 90er Jahren: Viele von ihnen wurden mit ‚Impulse Tracker‘ erstellt, einem groben Freeware-Programm, das fast ein Vierteljahrhundert lang unangetastet blieb. Nachdem er einen DOS-Emulator gefunden hatte, auf dem ‚Impulse Tracker‘ lief, nahm er sich selbst auf, wie er diese Beats spielte, um „3FOR82“ zu bauen: Sample für Sample erstellte er originale Sound-Datenbanken, die in eine eigene Bibliothek eingespeist werden konnten und „3FOR82“ einen unverwechselbaren Klang verliehen. Ausgewählte Zitate werden als Monologe oder Samples in die Musik eingeflochten - der Opener von „3FOR82“, „Oracle“, beginnt mit Reflexionen von Aja Monet über das Tanzen allein. Auf der Leadsingle, „ZOOM“ erzählt Tinashé von jugendlicher Lust auf der Tanzfläche; an einer Stelle in „KILL_U“ erinnert Tanerélle mit ihren beruhigenden Tönen daran, dass man manchmal „verloren ist und dann wieder gefunden wird, und dass man so viel erreichen kann.“; in „U_WANT“ sagt sich KUCKA selbst, dass „es bessere Tage geben wird“, während ROZET in „RISE“ riffet, dass sie „vom Boden in den Himmel wachsen wird.“. Die Wirkung, die das Thema auf „3FOR82“ hat, ist zart und eindringlich und verbindet diese Stränge von R&B, Pop, Jazz und Drum & Bass miteinander.

Kid Cudis neues Album „INSANO” ist ab dem 15.09. auf CD und Vinyl erhältlich!

Als einer der einflussreichsten Rapper und Produzenten des letzten Jahrzehntes, beeinflusste er nachhaltig eine Generation an Rappern wie Travis Scott, Juice WRLD, Drake und Kanye West. Mit seinem 9. Album liefert der 2-fache Grammy-Gewinner beeindruckende 21 Tracks ab und beginnt somit nach Abschluss der ”Man On The Moon”-Trilogy und seinem letzten Album ”Entergalactic”, dem Soundtrack zur gleichnamigen Netflix-Serie, eine neue musikalische Era!

"A Vision of Misery is the third full-length album by Californian metal band Sadus and was originally released in 1992. Originally a quartet, the band's sound fuses thrash metal with death metal, featuring highly technical musicianship. They are known for the unique death growl of vocalist Darren Travis, and bassist Steve Di Giorgio mind-boggling bass licks and impossible tricks. After two albums straddling the stylistic transition between thrash and death metal, Sadus pretty much committed to the latter with this record. A Vision of Misery with compositions such as ""Through the Eyes of Greed,"" ""Machines,"" and ""Echoes of Forever"" epitomizing technical death metal. For fans of Sadus' habitually inventive arrangements and sharp dynamic shifts, there's plenty on offer here. A Vision of Misery is available as a limited edition of 750 individually numbered copies on gold coloured vinyl and includes an insert. "

A Vision Of Misery by Sadus, released 4 April 2024, includes the following tracks: "Machines ", "Throwing Away the Day ", "Deceptive Perceptions ", "Echoes of Forever " and more.

This version of A Vision Of Misery comes as a 1xLP. This release comes with (a) Insert(s).

The vinyl is pressed as a gold disc.

"Days of the New (the Red album) is the third studio album by Days of the New, originally released in 2001. All songs were written and composed by Travis Meeks, who was the only original member left, making this a solo project. The album spawned two singles ""Hang on to This"" and ""Die Born"". The first peaked at #18 at the US Rock Chart. The last track, ""Dancing with the Wind"", contains an untitled hidden track. Days of the New (the Red album) is available on vinyl for the first time. This 2LP includes an insert. "

Days Of The New III by Days Of The New, released 4 April 2024, includes the following tracks: "Days in our Life", "Best of Life", "Where Are You?" and more.

This version of Days Of The New III comes as a 2xLP. This release comes with (a) Insert(s).

Die «Amapiano-Prinzessin» Tyla stellt ihr gleichnamiges Debütalbum "TYLA" vor. Das Phänomen Tyla mit ihrer vibrierenden Persönlichkeit bietet eine einzigartige Musik mit R&B- und Afropop-Einflüssen. Die junge Künstlerin treibt den Amapiano-Stil international voran und bestätigt ihren Starstatus, indem sie mit ihrem Hit "Water" den Grammy für die beste afrikanische Musikdarbietung 2024 gewinnt.

The new album from American doomed dark metal veterans GREY SKIES FALLEN “Molded By Broken Hands” will see its release on March 8th. This release date will coincide with the 25th anniversary of the band’s debut album “The Fate of Angels”.

“Molded By Broken Hands” will see the long-running contingent deliver their most triumphant work yet and is an album that carries that feeling of the underappreciated and underrated dark metal scene that was culminating in the US during the late ‘90s), an era where GREY SKIES FALLEN grew from, while helping to signal a new resurgence of doomy-dark metal artistry currently building.

Through soaring, emotionally searing melodies, glorious epic harmonics, and with an overall conquering aura, “Molded By Broken Hands” will finally deliver the recognition GREY SKIES FALLEN are worthy of.

“Modled By Broken Hands” was recorded and engineered with all keyboards provided by Colin Marston (Krallice, Gorguts) in the Thousand Caves and was mixed and mastered by legendary Swedish producer Dan Swano (Edge Of Sanity). It also features artwork and design by Travis Smith (Opeth, Katatonia).

Track Listing: 1. A Twisted Place in Time, 2. Molded by Broken Hands, 3. No Place For Sorrow, 4. I Can Hear Your Voice, 5. Cracks in Time, 6. Save Us, 7. Knowing That You’re There

The new album from American doomed dark metal veterans GREY SKIES FALLEN “Molded By Broken Hands” will see its release on March 8th. This release date will coincide with the 25th anniversary of the band’s debut album “The Fate of Angels”.

“Molded By Broken Hands” will see the long-running contingent deliver their most triumphant work yet and is an album that carries that feeling of the underappreciated and underrated dark metal scene that was culminating in the US during the late ‘90s), an era where GREY SKIES FALLEN grew from, while helping to signal a new resurgence of doomy-dark metal artistry currently building.

Through soaring, emotionally searing melodies, glorious epic harmonics, and with an overall conquering aura, “Molded By Broken Hands” will finally deliver the recognition GREY SKIES FALLEN are worthy of.

“Modled By Broken Hands” was recorded and engineered with all keyboards provided by Colin Marston (Krallice, Gorguts) in the Thousand Caves and was mixed and mastered by legendary Swedish producer Dan Swano (Edge Of Sanity). It also features artwork and design by Travis Smith (Opeth, Katatonia).

Track Listing: 1. A Twisted Place in Time, 2. Molded by Broken Hands, 3. No Place For Sorrow, 4. I Can Hear Your Voice, 5. Cracks in Time, 6. Save Us, 7. Knowing That You’re There

Fast sechs Jahre nach seiner letzten Solo-Veröffentlichung meldet sich 21 Savage mit seinem lang erwarteten neuen Studioalbum "American Dream" zurück. Das Album, das zwei Wochen in Folge auf Platz 1 der Billboard Top 200 Charts stand, setzt die Trap-Tradition des Rappers fort, fügt aber einige neue Elemente hinzu, darunter R&B auf dem Track "prove it" mit Summer Walker und Pop auf der Doja Cat-Kollaboration "n.h.i.e." Mit Featurings von Metro Boomin', The Weeknd, Young Thug, Travis Scott, Lil Durk und anderen fehlt es aber auch nicht an Hip-Hop-Elementen.

Fast sechs Jahre nach seiner letzten Solo-Veröffentlichung meldet sich 21 Savage mit seinem lang erwarteten neuen Studioalbum "American Dream" zurück. Das Album, das zwei Wochen in Folge auf Platz 1 der Billboard Top 200 Charts stand, setzt die Trap-Tradition des Rappers fort, fügt aber einige neue Elemente hinzu, darunter R&B auf dem Track "prove it" mit Summer Walker und Pop auf der Doja Cat-Kollaboration "n.h.i.e." Mit Featurings von Metro Boomin', The Weeknd, Young Thug, Travis Scott, Lil Durk und anderen fehlt es aber auch nicht an Hip-Hop-Elementen

Days of the New (the Green album) is the second self-titled studio album from Days of the New, originally released in 1999 and written, performed and produced by Travis Meeks. After the first album, the band broke-up and with only Matt Taul on board from the past, lead bandmember Travis Meeks surrounded himself with a sea of musicians, including a young pre-Pussycat Dolls Nicole Scherzinger for background vocals and even drew in an orchestra. Influential Rolling Stone's review called the album "a progress report from an artist in the midst of a head-spinning transition". The first single "Enemy" charted #10 in the US Alternative Airplay chart, #10 in the Mainstream Rock Tracks and the second single "Weapon & The Wound charted #10 in the Mainstream Rock Tracks. Days of the New (the Green album) celebrates its 25th anniversary and is available on vinyl for the first time. This 2LP includes an insert.

Days of the New (II) by Days Of The New, released 16 February 2024, includes the following tracks: "Enemy", "Skeleton Key", "Bring Yourself" and more.

This version of Days of the New (II) comes as a 2xLP. This release comes with (a) Insert(s).