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A delve into the murky avenues of sonic territories, exploring off-grid zones & askew worlds – Daisy Moon leans harder into her 4/4 vision in this dancefloor-ready EP – the first release for Off-Kilter.

Each track pulses along to its own singular logic, with Daisy’s distinctive voice and vocal manipulations playfully drizzled throughout, marking an elegant collision of her sonic worlds.

Spirit Princess is a breakneck peak-time explosion – club-ready and bouncy with a pulsing bassline fit to burst from the subs of any system underpinning waves of textured ambience, nagging synths and granular gusts of found sound.

Fuelled with late night techno energy, Grain Pip offers a heads down counterpoint to the title track, while the B side serves up different energies again. Perhaps the most playful track on the record – The Stuff – demonstrates Daisy’s cheekier side as a producer and person, as inspired by a summer of fun with friends on festival dancefloors: a house banger stuffed with melodic stabs, pitched vocals and swung hats, made for the joys and follies of the 3am dancefloor. Drop Cycle rounds things off with a trippy, rolling excursion of delays and warped synths.

Dizzying sonics and relentless dancefloor energy with razor-sharp precision and uncompromising force.

Regal delivers his first full EP on Backspin, marking a defining moment for the label he founded. More than just another release, the Forgotten Heroes EP captures the essence of Regal's vision: groovy, forward-moving techno that balances raw club energy with atmosphere, emotion and narrative.

The title track 'Forgotten Heroes' sets the EP in motion with a sense of controlled urgency. A rolling, slightly breaktinged groove pushes forward relentlessly, while an eerie, almost nostalgic synth melody hovers in the background, giving the track an emotional pull. 'Concentrate' shifts the focus inward_ bleeping motifs, tight claps and restless hihats circle around spoken fragments that feel like thoughts caught between the peak of the night and the quiet hours before sunrise.

On the B-side, 'Forte' accelerates into pure momentum: sharp, bleep-led sequences and forward pressure combine into a rush that feels like racing through the city at night. 'Soft Killer' deepens the mood with a darker, dominant edge, its stripped back power and razor-sharp sounds cutting clean through the mix. Closing track 'Wild Magic' offers a final release of tension, slowing the pace into a lighter, more house-leaning groove. Warm pads and a catchy, uplifting melody bring a sense of air and openness, letting the EP drift out on a hopeful, almost euphoric note.

Regal's comeback EP 'Forgotten Heroes' stands as a personal statement and a cornerstone release for Backspin. It's techno built on groove, contrast and character, made to leave a lasting impression on the dancefloor.

Mellizos & Mixmasters have collaborated on a new track titled “My Life Is A Disco (In The Mix),” which is a reimagining of the Chicago classic “In The Mix” by Mixmasters. The track is a joint effort between the Texas-based twin DJ/producer duo Mellizos and the classic Chicago house outfit and get’s a release on Franky Rizardo’s LTF Records outfit. The track combines the classic Chicago house sound with a modern, high-energy, and deep percussive vibe, intended for dancefloors. Coachella 2026 went off for this one! The vinyl also includes the Mixmasters’ ‘Fast Eddie’ classic mix.
Essential.


b Mellizos & Mixmasters - My Life Is A Disco (In The Mix) Intrumental


b B1 Mellizos & Mixmasters - My Life Is A Disco (In The Mix) Intrumental


b B1 Mellizos & Mixmasters - My Life Is A Disco (In The Mix) Intrumental

Do You Want Me Baby sees Cloud 9 deliver a timeless garage house cut from New York legend Victor Simonelli, returning on fresh 12” vinyl.

Built around uplifting piano lines, soulful vocal hooks and groove-driven rhythms, the track captures the feel-good energy of classic US garage house and remains a staple for DJs across house and garage sets.

Featuring a full suite of mixes including Club Mix, Deep Dub, Bonus Beats and Instrumental, the release offers strong versatility for DJs looking for both peak-time energy and stripped-back club tools.

With a sound rooted firmly in the New York house tradition, this release sits comfortably alongside artists such as Masters At Work, Todd Terry and Kenny Dope, making it a natural fit for stores supporting classic US house and garage.

Back on fresh 12" vinyl, this iconic track continues to resonate with both long-time collectors and a new generation of DJs.

A reliable and highly playable catalogue piece for stores supporting classic house and garage.

Franky Rizardo delivers a straight-up dancefloor weapon with Shinjuku. Already taking over clubs and airwaves across the globe, Shinjuku is rapidly shaping up to be one of the defining records of the summer. The track built huge momentum before its official release, generating more than 71.1 million TikTok views through clips from Rizardo’s club and festival sets. Driven by a rolling groove, punchy low-end and a direct, high-impact arrangement, Shinjuku captures the infectious energy that has become synonymous with his sound. Road-tested around the world at venues and events including Space Miami, Reframe Los Angeles and his More To Life showcases at Ziggo Dome and Coachella, the track has become a standout moment in Rizardo’s recent sets and a crowd-favourite wherever it lands. Built for peak-time impact while maintaining Rizardo’s signature groove-led style, Shinjuku feels perfectly positioned to soundtrack summer dancefloors worldwide.

Following releases of the UFO and Supercar soundtracks, Thunderbirds is the third in the series from Gerry and Sylvia Anderson’s iconic TV shows. It is newly compiled, mastered and designed by the creative team at Fanderson (The Official Gerry and Sylvia Anderson Appreciation Society), who have access to Barry Gray's original studio tapes.

The album features 37 tracks from 19 episodes (series 1 and 2), including the Thunderbirds main theme and closing titles. The tracks were not programmed to follow the episode order but to achieve an integrated listening experience. The best bits of the sixties’ soundscapes are here. The Thunderbirds soundtrack is an effective time capsule as Gray’s music veers into British spy genre, Latin pop, exotica, urban jazz and military marches. Beautifully composed and conducted, the score reflects the moods of the scenes, from dangerous to romantic and no-nonsense to silly.

Barry Gray was a classically trained composer and a versatile musician, and was amongst the first composers to use electronic instruments in music for television. Best known for creating the music for most of the Gerry & Sylvia Anderson television series in the 1960's and 70's (Fireball XL5, Thunderbirds, UFO, Space:1999), Barry Gray’s complete musical opus is still not commercially available in its entirety.

H- side is etched
The American cable-television industry exploded in the 1980s, pushing broadcasts of diverse programming and emissions of low-laying cultures into homes. Community stations piggybacked on the digital developments of the time, extending their existence through telephony and broadcast a iliates. For those growing up in this time, in locations such as New York City, the localized communications beamed into their homes exposed them to an impressionable array of disparate sounds and visions.
Move into the 1990s and New York was filled to the brim of emergent cultures drawing from this ebullition of communication. From Rammellzee’s shapeshifting to the late Judy Russell and Frank and Karen Mendez’s Nu Groove imprint fusing reggae, poetry and house, nascent ideas emanated from the city walls, from within stores such as Sonic Groove store and on VHS releases such as Stakker’s The Evil Acid Baron Show, a legendary technicolor psychedelic trip along the wildest frontiers of acid house. As scenes expanded and identities developed, such individuals weather the events of the visceral now, expressing themselves right into an unpredictable future.
Function’s long career has seen him uncover a vast range of sonic identities, a mainstay through house, techno and industrial with collaborations with the likes of Regis, Damon Wild alongside his highly influential Infrastructure imprint. With influences deeply tied to pop art, rave and gay scenes, and early memories of block-parties emitting Kraftwerk and Strafe, he found himself seeking out the undercover illegal nights of the 90s on a quest of sexual unearthing, mixing the ever-yearning escapology mission of disco with the influential DJ sets of Jeff Mills.
For his new album Existenz, he marks a clear step away from the corporeal techno of his recent releases. Pivoting around themes of religion, sexuality, trauma and healing, it is a work expansive and celebratory, a clear liberation from a deeply internalized past. Formed from a collection of recordings made in a period from late 2016 to mid 2019, Existenz takes the form of a creative outburst in reaction to a number of traumas - recent, childhood and throughout Function’s life. Life partner Stefanie Parnow assisted the production process in its entirety, providing inspiration, spiritual healing and featuring vocal contributions.
Cosmic synths soar and swoop in ‘Pleasure Discipline’ through towering stacks of rhythm that stutter and creak to a halt before rebooting, a firm robotic response to human intervention. ‘Zahlensender’ reflects a spatial tetris of urban life, as digitalization set within an XYZ matrix confronts the sprawling city. Constant arpeggiated meditations echo synaptic transmissions, e ecting a dissolution of boundaries. ’The Approach’ recalls the unification of the self, a state of delirium non-subjective and smooth, as all connections and functions give way to simple intensities of feeling, crossing the threshold into spirituality. ’Golden Dawn’, featuring Stefanie Parnow, marks a further elevation of dubbed-out euphoria, as once more positive rays emerge. His ode to the effortless short-trip urban navigation 'Kurzstrecke' finds Function in motion, upfront and bold, snapshots of conversation and flickers of light. 'Ertrinken' finds metallic bass jabs swamping snipped synthetic voices, with hidden stores of emotion set as a nod to the history of vocoders as a tool for encrypted military communication. House icon Robert Owens features on 'Growth Cycle' and 'Be', entrenching a celebratory atmosphere over Function's clubwise leanings. Closing track 'Downtown 161' reflects the unmistakeable filtered and squashed interjections of television, and sampled dance vocals - a sound for the curious, dreamers and dancers.
With Existenz, Function reveals an essential body of work, spread over 4LP - thought experiments on the role of identity and spirituality after a lifetime of upheaval and trauma. Leading up until the release date, Function will undertake an album promo tour with select dates - A/V shows at Berlin Atonal and Rural festival in Japan, and three dates as part of his Bassiani residency.

Music springs eternal. Recognising the enduring power of timeless albums to guide us through life, Forever Records is a reissue series dedicated to rediscovering lost musical treasures from across the spectrum of head-feeding, heart-rending electronic music.

Established by Rush Hour co-founder Christiaan Macdonald and Delsin founder Marsel van der Wielen, Forever Records places heartfelt faith in a carefully curated sequence of seminal, largely forgotten records from disparate eras, scenes and spaces within electronic music history. Tipped towards the mellow and introspective, these are albums that stop time when the needle hits the groove, stirring only when it's time to flip over before you sink back into the experience. That's what albums were always meant to be about, back then, right now, always and forever.



The Release:
Striking the sweet spot between sampledelic downtempo and earth-rooted deep house, Fila Brazillia's Old Codes New Chaos is a maverick patchwork of grooves and soundscapes. Crafted in North East England in the vibrant period before chill-out was co-opted by advertising, Steve Cobby and Dave McSherry's sharp-eared funk formula remains a cult classic suite of exquisite productions spanning deep house, broken beat and ambient shot through with wry humour.
Last physically released in limited quantities in 2002, Forever Records are revisiting this 1994 gem with an extensive reissue led by a triple vinyl pressing. As well as a new LP edition of the album, there will also be a uniquely numbered, limited edition housed in a gatefold sleeve that comes with a bonus 10" featuring two previously unreleased tracks.

'Chemistry' and 'Rankine', plus an exclusive print of Catherine Brennand's watercolour painting that graces the front of the album. All editions also features liner notes by veteran music journalist John McCready.

Press response to Old Codes New Chaos:
"The album that made the world finally sit up and take notice of the avant funk grooves coming from Hull's immaculately stoned tech funk magicians." Frank Tope, Mixmag, UK 1994.
"This album… stands out a mile from most of its peers as a work of untouchable genius." Bill Brewster, DJ Mag UK 1994.

"Fila works because they fit into that no man’s land, the space in your record collection where ambient seems too much like wallpaper and house seems just too braindead for your bedroom " Frank Tope, Mixmag, UK 1994.

"Having already created the perfect desert island disc, "Mermaids" and explored the darker side of sub bass on the 17-minute extravaganza "Fila Funk", Fila Brazillia have just unleashed their moving debut LP, "Old Codes New Chaos", and to be quite honest, you'd be fool to miss out this time around." Mandi James, Melody Maker, UK 1994.

“Where Cobby and Man rip up the rulebook on the four to the floor and probably make the greatest afterhours house album in the word”. Tony Marcus, Mixmag, 1996.

Cymbals' landmark 1998 debut album That's Entertainment finally returns on vinyl.
This masterpiece blends Asako Toki's crystalline vocals with Reiji Okii's refined melodies, featuring signature tracks like “Show Business,” “Rain Song,”
and “RALLY.” A defining album for Japan's stylish pop scene, it effortlessly incorporates elements of 60s pop, neo-acoustic, and soul.
It stands as both Cymbals' origin and a crucial work in 90s J-POP.

Forever Records

Music springs eternal. Recognising the enduring power of timeless albums to guide us through life, Forever Records is a reissue series dedicated to rediscovering lost musical treasures from across the spectrum of head-feeding, heart-rending electronic music.

Established by Rush Hour co-founder Christiaan Macdonald and Delsin founder Marsel van der Wielen, Forever Records places heartfelt faith in a carefully curated sequence of seminal, largely forgotten records from disparate eras, scenes and spaces within electronic music history. Tipped towards the mellow and introspective, these are albums that stop time when the needle hits the groove, stirring only when it's time to flip over before you sink back into the experience. That's what albums were always meant to be about, back then, right now, always and forever.


The Release:
Dancing on the wildest edge of the 90s outsider techno zeitgeist while proudly independent of any so-called scene, Ov Biospheres And Sacred Grooves: A Document Ov New Edge Folk Classics is both of its time and out of time. Rooted in the experiments of electronic music pioneers, industrial culture and ethnic music from around the globe while responding to the house and techno explosion, Robbert Heynen, Reinier Brekelmans, Reinoud van den Broek and Tim Freeman's freewheeling masterpiece takes in lush electronica and murky abstraction on its singular voyage through parts unknown.

Forever Records presents an extensive reissue edition of the first 'fully released' Psychick Warriors Ov Gaia album. Originally released in 1992, this is the first time the full, previously CD-only, version of Ov Biospheres and Sacred Grooves will be pressed on vinyl. The original LP and CD artwork from the various editions released in the early 90s has been combined and designed by the band, and the audio has been remastered with their full approval. As well as a new LP edition of the album, there will also be a uniquely numbered, limited edition available housed in a gatefold sleeve that comes with a bonus 10" featuring two previously unreleased tracks.

Press response to Ov Biospheres and Sacred Grooves - A Document Ov New Edge Folk Classics:

“That’s Magick! The Psychick Warriors Ov Gaia are Holland’s best kept secret.”
Sherman, NME, UK 1992

“PWOG’s debut LP is an organic invocation rite — the soundtrack to a new world coming to life, an odyssey. Cross-cultural rhythms, ambiences and environmental samples segue into one another like a fluid relay, and unlike the majority of dance records, it never settles into a routine. It’s always evolving, always unpredictable, an indefinitely religious experience.”
John Selzer, Melody Maker, UK 1992.

"Grown men, who snorted their first ecstasy to this record, stammered with tears in their eyes about divine experiences and the cosmos, man."
Peter Erik Hillenbach, Marabo Magazine, Germany 1992.

Sacred Grooves’ introduces tribal dance music for the mind, body music leaning on the avant garde. Its ripples of sound drift through tranced out ritualistic beats into ambience and serenity resembling something akin to The Orb meeting Klaus Schulze at a brain tuning session.
Sherman, NME, UK 1992

"There's still dance for a moment, in the opening track "The Challenge," then Psychick Warriors roam the earth, where African drummers, tropical sounds, and science-fiction chords have found their place in a spiralling interplay of rhythms and sounds. A captivating, almost magical ritual." Corné Evers, Oor Magazine, Netherlands 1992.

"It's truly astonishing what these Dutchmen have come up with for their first LP. Their roots might explain the enigma, for Psychick Warriors are more in the tradition of Psychic TV than in the desolate temples of techno-house fetishists, to which they are wrongly relegated. Here, chromosomes dance, not instincts." CMK, Tip, Germany 1992.

"The transcendental essence of this album is spread throughout, with musical gravitations emerging unexpectedly from sonic experiments that are sometimes primitive, sometimes
futuristic in intention… But there is always an aura of cosmic magic that constantly puts all the parts involved in conflict and which, upon closer analysis, ends up being the main reason for the final result." Blitz Magazine, Portugal 1992.

Forever Records

Music springs eternal. Recognising the enduring power of timeless albums to guide us through life, Forever Records is a reissue series dedicated to rediscovering lost musical treasures from across the spectrum of head-feeding, heart-rending electronic music.

Established by Rush Hour co-founder Christiaan Macdonald and Delsin founder Marsel van der Wielen, Forever Records places heartfelt faith in a carefully curated sequence of seminal, largely forgotten records from disparate eras, scenes and spaces within electronic music history. Tipped towards the mellow and introspective, these are albums that stop time when the needle hits the groove, stirring only when it's time to flip over before you sink back into the experience. That's what albums were always meant to be about, back then, right now, always and forever.


The Release:
Dancing on the wildest edge of the 90s outsider techno zeitgeist while proudly independent of any so-called scene, Ov Biospheres And Sacred Grooves: A Document Ov New Edge Folk Classics is both of its time and out of time. Rooted in the experiments of electronic music pioneers, industrial culture and ethnic music from around the globe while responding to the house and techno explosion, Robbert Heynen, Reinier Brekelmans, Reinoud van den Broek and Tim Freeman's freewheeling masterpiece takes in lush electronica and murky abstraction on its singular voyage through parts unknown.

Forever Records presents an extensive reissue edition of the first 'fully released' Psychick Warriors Ov Gaia album. Originally released in 1992, this is the first time the full, previously CD-only, version of Ov Biospheres and Sacred Grooves will be pressed on vinyl. The original LP and CD artwork from the various editions released in the early 90s has been combined and designed by the band, and the audio has been remastered with their full approval. As well as a new LP edition of the album, there will also be a uniquely numbered, limited edition available housed in a gatefold sleeve that comes with a bonus 10" featuring two previously unreleased tracks.

Press response to Ov Biospheres and Sacred Grooves - A Document Ov New Edge Folk Classics:

“That’s Magick! The Psychick Warriors Ov Gaia are Holland’s best kept secret.”
Sherman, NME, UK 1992

“PWOG’s debut LP is an organic invocation rite — the soundtrack to a new world coming to life, an odyssey. Cross-cultural rhythms, ambiences and environmental samples segue into one another like a fluid relay, and unlike the majority of dance records, it never settles into a routine. It’s always evolving, always unpredictable, an indefinitely religious experience.”
John Selzer, Melody Maker, UK 1992.

"Grown men, who snorted their first ecstasy to this record, stammered with tears in their eyes about divine experiences and the cosmos, man."
Peter Erik Hillenbach, Marabo Magazine, Germany 1992.

Sacred Grooves’ introduces tribal dance music for the mind, body music leaning on the avant garde. Its ripples of sound drift through tranced out ritualistic beats into ambience and serenity resembling something akin to The Orb meeting Klaus Schulze at a brain tuning session.
Sherman, NME, UK 1992

"There's still dance for a moment, in the opening track "The Challenge," then Psychick Warriors roam the earth, where African drummers, tropical sounds, and science-fiction chords have found their place in a spiralling interplay of rhythms and sounds. A captivating, almost magical ritual." Corné Evers, Oor Magazine, Netherlands 1992.

"It's truly astonishing what these Dutchmen have come up with for their first LP. Their roots might explain the enigma, for Psychick Warriors are more in the tradition of Psychic TV than in the desolate temples of techno-house fetishists, to which they are wrongly relegated. Here, chromosomes dance, not instincts." CMK, Tip, Germany 1992.

"The transcendental essence of this album is spread throughout, with musical gravitations emerging unexpectedly from sonic experiments that are sometimes primitive, sometimes
futuristic in intention… But there is always an aura of cosmic magic that constantly puts all the parts involved in conflict and which, upon closer analysis, ends up being the main reason for the final result." Blitz Magazine, Portugal 1992.

Following his appearance on the label's 'Enact' compilation, Oliver Rosemann returns this time with a complete statement.

Expanding the singular style that he introduced into a cohesive six track EP, 'Elsewhere' is stripped to its core, raw, intense and absolutely uncompromising.

Madonna announced today her eagerly anticipated new album Confessions ll is set for release on July 3rd via Warner Records.

The new album is the continuation of the iconic counterpart Confessions on a Dance Floor. Ahead of the lead single, Madonna unveils the first taste of music with a trancelike visual teaser. Watch HERE. Fans can pre-order the album + the ultimate curation of expansive vinyl and CDs

Madonna sums up her new record best by quoting the first few lines of her song, One Step Away, “People think that dance music is superficial, but they’ve got it all wrong. The dance floor is not just a place, it’s a threshold: A ritualistic space where movement replaces language.”

Madonna adds “When Stuart Price and I first started working on this record, this was our manifesto”:


We must dance, celebrate, and pray with our bodies. These are things that we've been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect

—with your wounds, with your fragility. To rave is an art. It's about pushing your limits and

connecting to a community of like-minded people.

Sound, light, and vibration Reshape our perceptions Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it.

Altering our consciousness and dissolving ego and time.

Oven Sound presents Alexis Cabrera.
The label of the renowned Valencian club welcomes the Argentina-born artist, now based in Spain, to the family.
After passing the acid test on the dance floors of festivals and clubs around the world, these 4 tracks are set to become essentials in your record bag.

Budakid releases Dreams Stretched Beyond, his debut album, on July 3. The Dutch, Berlin based producer, DJ, singer, and multi instrumentalist continues to construct his music from the ground up. With Flores, he has established a platform to fully realize that vision. Following releases on labels associated with Guy J, Solomun, and Sasha, he has built a strong reputation in the industry over the years. This LP consolidates that trajectory into a lush, vivid body of work, balancing his roots in dance music with his own voice and signature productions.

In these times of much needed peace, we deliver Paz.

This EP joins the restraint and balance of one of the punchiest and most pragmatic Uruguayan producers at the moment, Arturo Hernzama. His sound is strong and honest, baked with love.

On the B side, we find a more introspective and complex take on dance music by Lightmaker AKA Federico Lijtmaer, who transcends genre to deliver the unique style of music only he can do.

Two sides of the same Uruguayan coin, one carved with love.

Recapture the wonder of Sonique's #1 hit 'It Feels So Good', now available on vinyl via limited pressing. From the evergreen 12" Breakbeat Mix to the Conductor & the Cowboy Amnesia Club Mix, the Can 7 Soulfood Radio Mix, and remixes from En-Motion and NIGHT/MOVES, this brand-new pressing reignites one of the most significant pre-millennial dance tracks.

Limited 12" sampler for the forthcoming Curses compilation: As much musical memoir as compilation of often impossible-to-find tracks, 'Next Wave Acid Punx TROIS' has joined the dots between industrial, post punk and EBM from the 70s and 80s with the emerging rave scene of the 90s and proven that this spirit is still alive by unearthing some of the best unreleased dark disco, techno and electro produced today. Extended versions only!

Following the first chapter of Connessioni, Danza Tribale unveils Connessioni II, the final movement in Tamburi Neri’s two-part sonic exploration of connection, vibration, and ritual.
If the first EP traced the invisible threads between body, city, and earth, Connessioni II is where those threads tighten and transform. It is no longer the search-it is the meeting point. Nature, metropolis, and digital spirituality no longer call to one another from afar; they converge..

LA underground hubs DISCOS XXX aka DX3 and Elbow Grease join forces to proudly present Point Winona Sound Library Vol 1 — featuring 20 distinct artists from the inspired local dance music scene, working under one unified studio roof in various collaborative
formation at the mighty Los Feliz hilltop palace Point Winona, overseeing the city they collectively represent. These timeless warehouse-wrecking tracks all stand on their own, but the compilation as a whole offers a solid geographic sonic statement with shared rhythmic DNA and bold rooted-futurist production blueprints, guided by the champion efforts of studio executive producers/curators Tavish DJ and Dave Aju.
The BPS stage-setting opener evokes crispy A.M. hours with lush Detroit-meets-Cali feels on “Within Reason” — then studio dream team 5 ATMs bring the dubwise floor vibes up a notch on “A Dub Called Mondo” and Chitown-to-LA legend Scott K lays down an FM bass-laced acid house heater with “Tighter & Tighter”. Nashville-born producer Gryph funks things up on the live space boogie bump of “Winona at Sunset” while SSRI, comprised of Underground Resistance’s DJ Dex/Nomadico, Aju, and Black Lodge’s fearless leader Kosmik, drop fierce robo-Italo bliss on “Omnicallora”. Things take a further psychedelic twist with the PW edit of Scotty Coats’ sublime midtempo tripper “Be Work Zone Alert”, then Omakase’s own Gold Code alongside longtime rave brother Aju drop the nasty J Saul-salute “Yolo Jungle”, and Warehouse Preservation Society aka Tavish DJ & TK fully detonate floors inna raucous Wicked Crew stylee with “Data Bliss”. Undisputed LA scene queen Stacy Christine arrives with her shining debut “Smart Move”, where she and Aju trade sly vox lines of party advice over a bouncing tech banger for the ages, before the “Obsesion Romantica (Free Winona Dub)” sees Sisters Of Sound aka Maddy Maia and Tottie's, OG track getting stripped back and fired up to acidic peak time form. Then Dave Aju and SF homies Moniker aka EO & Kenneth Scott unleash wild uptempo melodic bruk heaven on “Chuy Luis”, and Vastir sends us home with the stratospheric drum n bass closer "Turnpike"

2026 Repress - Vinyl Only

2 tracks by Swiss veteran Styro2000. Superb remix by Ion Ludwig

After nearly three years, *Can You Feel It Vol. 5* marks the release of a brand-new installment in Tramp Records' Disco/Boogie series. Like all four previous volumes, Vol. 5 offers a colorful mix of songs from the late 1970s and early 1980s. From extremely rare tracks to easily accessible ones and even unreleased material-this release has everything to make a collector's heart race. Once again, these songs will get you on your feet, inspire you to dance, and transport you back to the glittering world of the late 1970s. CAN YOU FEEL IT?

Let's take a closer look at a few of the songs on this album. Kicking things off are Bill Deal & The Rhondels, a band that needs no introduction. The same cannot be said for Tom Balistreri and Ryjel. The latter presents "Heart's On Fire," a seven-minute journey into previously unreleased deep disco. "Old Mother Winter" may not be a typical disco song, but it's undoubtedly a fantastic composition. The Stone Mill Band is relatively unknown even among hardcore collectors. The most recent track on this album is by singer Tory Wynter who already contributed a song for Can You Feel It Vol.4. "Oh Let The Rain Fall Down" was released in 1988.

The second record opens with "Been Thinkin' About You" by Avatar-an amazing song and probably the rarest gem on this album, in stark contrast to Piz-Zazz - a record you can find easily for a few dollars. Saxophonist King Perkoff was born in Santa Monica, California, but now resides in Berlin, and with "When You Live In Marin" he delivers a real disco-funk banger! Glenn "Shake & Bake" Doughty played professional football as a wide receiver for the Baltimore Colts from 1972 to 1979. Together with some of his teammates, he founded the Shake & Bake Band in 1975. We probably aren't telling Tramp fans anything new here. Anyway, a little over two years ago, we reissued the first of their two extremely hard to find 45-RPM singles ("Shake & Bake Pt. 1 & 2"). We also included a DJ-friendly edit of the song on "Movements Vol. 12." It is a must for us here at Tramp that we also reissue their second single, "Starflight Disco Pt. 1 & 2," soon!

So there you have it, 13 obscure but brilliant MODERN SOUL, DISCO and BOOGIE tunes of which all have not been compiled anywhere else. We sincerely hope you enjoy our guided tour back into the late 1970s and 80s Disco era.

Originally released in 2006, Rendezvous is a rare, dub techno track released by Nao AKA DJ Compufunk from Compufunk Records in Osaka. Working under the name Lovegod for the first and only time, he created a timeless epic for a live set at the legendary, short-lived underground club "United Underground ??? (Tsurunoma)".

Now revived 20 years later by Richard Akingbehin’s Kynant Records, Priori contributes a dreamy rework and Janeret slows it down into a crisp dub version to complete the EP.

Written & produced by Naoyuki Yamakawa
Additional production by Francis Latreille and Mickael Jeanneret
Mastering by Anne Taegert @ Dubplates & Mastering
Artwork by Grant Gibson
Distributed by N.E.W.S

The new "Unreleazed" vinyl series uncovers never-before-released trance tracks from the past. These recordings were hidden away for over 25 years. Untouched and exactly as they were originally created, they are now brought to life on this exclusive vinyl.

Drop the needle on this record, close your eyes, and you'll be transported back to the late 90s.

Rhythm Cult welcoming back UK house stalwart Huxley for a focused three-tracker that lives up to its name. The 7th Cycle finds the producer in confident, unhurried form, threading together the dusty warmth of deep house with the propulsive edge of tech house in a way that feels both timeless and floor-ready.

WRWTFWW Records presents the first ever vinyl release for the Startled Insects’ 1984-1985 abstract/synth-pop/post-punk/electronic run compiled into one album : The Antenna Years. The Bristol music must-have comes as a limited edition LP with astonishing artwork, liner notes and a heavyweight sleeve.
The Antenna Years compiles the independent EPs/mini-LPs the Startled Insects released in 1984 (self-titled) and 1985 (Underworld/Black Spring), with two bonus unreleased tracks that were only ever played in their live shows (W.W.W and What A Waste, both amazing).
Astonishingly futuristic when they landed in 1984, the Startled Insects sounded like they came from another planet while staying rooted in Bristol’s underground. Abstract electronic, leftfield synth-pop, dub science, gamelan heat, post-punk edge, cinematic atmosphere : The Antenna Years delivers one beautifully odd voyage into the sonic unknown.

In the 90s, the band released two albums, including the classic Curse Of The Pheromones via Antilles New Directions (Island Records), then evolved into The Insects: film composers for BBC/National Geographic, Emmy winners, and key architects of the 90s Bristol orbit, working with Massive Attack, Goldfrapp, Tricky, and members of Portishead.

Four decades on, The Antenna Years still hits like a transmission from the future. Dive in with no fear.

Yore Records presents: Craig Alexander - Phenomenal Woman / Across My Mind (12" Maxi Reissue)
Following his recent appearance on the label, Craig Alexander returns to Yore Records with a carefully curated reissue of two standout House Workouts: Phenomenal Woman and Across My Mind.
Originally released on earlier records, these tracks are now brought together on one 12" - each presented in two distinct mixes - capturing the raw, emotional depth of Chicago House in its purest form.
At the heart of this release lies Phenomenal Woman, a track that draws inspiration from Maya Angelou's iconic poem of the same name. Rooted in the African-American cultural context, the piece carries a subtle but powerful message of identity, strength and self-definition - translated here into deep, jazz-infused House music.
Across My Mind complements this with a more introspective tone, driven by warm chords, understated grooves and a timeless sense of space.
Together, these recordings embody what House music has always been at its core:
music with a message, shaped by lived experience, culture and emotion.
Stripped down, honest and deeply rooted, this is Chicago House in its most original and authentic form - a sound that continues to resonate far beyond the dancefloor.

Limited to 250 copies worldwide / no repress.

Music springs eternal. Recognising the enduring power of timeless albums to guide us through life, Forever Records is a reissue series dedicated to rediscovering lost musical treasures from across the spectrum of head-feeding, heart-rending electronic music.

Established by Rush Hour co-founder Christiaan Macdonald and Delsin founder Marsel van der Wielen, Forever Records places heartfelt faith in a carefully curated sequence of seminal, largely forgotten records from disparate eras, scenes and spaces within electronic music history. Tipped towards the mellow and introspective, these are albums that stop time when the needle hits the groove, stirring only when it's time to flip over before you sink back into the experience. That's what albums were always meant to be about, back then, right now, always and forever.



The Release:
Striking the sweet spot between sampledelic downtempo and earth-rooted deep house, Fila Brazillia's Old Codes New Chaos is a maverick patchwork of grooves and soundscapes. Crafted in North East England in the vibrant period before chill-out was co-opted by advertising, Steve Cobby and Dave McSherry's sharp-eared funk formula remains a cult classic suite of exquisite productions spanning deep house, broken beat and ambient shot through with wry humour.
Last physically released in limited quantities in 2002, Forever Records are revisiting this 1994 gem with an extensive reissue led by a triple vinyl pressing. As well as a new LP edition of the album, there will also be a uniquely numbered, limited edition housed in a gatefold sleeve that comes with a bonus 10" featuring two previously unreleased tracks.

'Chemistry' and 'Rankine', plus an exclusive print of Catherine Brennand's watercolour painting that graces the front of the album. All editions also features liner notes by veteran music journalist John McCready.

Press response to Old Codes New Chaos:
"The album that made the world finally sit up and take notice of the avant funk grooves coming from Hull's immaculately stoned tech funk magicians." Frank Tope, Mixmag, UK 1994.
"This album… stands out a mile from most of its peers as a work of untouchable genius." Bill Brewster, DJ Mag UK 1994.

"Fila works because they fit into that no man’s land, the space in your record collection where ambient seems too much like wallpaper and house seems just too braindead for your bedroom " Frank Tope, Mixmag, UK 1994.

"Having already created the perfect desert island disc, "Mermaids" and explored the darker side of sub bass on the 17-minute extravaganza "Fila Funk", Fila Brazillia have just unleashed their moving debut LP, "Old Codes New Chaos", and to be quite honest, you'd be fool to miss out this time around." Mandi James, Melody Maker, UK 1994.

“Where Cobby and Man rip up the rulebook on the four to the floor and probably make the greatest afterhours house album in the word”. Tony Marcus, Mixmag, 1996.

As long as she can remember, Jane Remover has practiced her own autonomy as much as possible. The nineteen year old songwriter is an omnivorous listener that produces everything herself. She has been lauded by fans and writers alike, for accidentally creating entire genres in the wake of her prolific two-year run.

The new album is more conceptually abstract than its predecessor as Jane sheds linear narrative writing. However, it takes place beginning at sundown and through the night, up until the next morningʼs earliest crack of dawn. Its winding songs are obtuse but carefully composed, and intimately follow Jane's train of thought.

Dynamic production is at the forefront. Noisy highs gleam, and are juxtaposed by dusky Post-Rock lullabies within the same songʼs runtime. Census Designated is a staggering display of maturation in every aspect when compared to her previous presentation, to a degree that makes it few and far between in the world of albums.

Despite the darker palette, Jane steps into a technicolor clarity for the first time. The album was made in both studios and at home—with recordings from Studio North (Kensington in Philadelphia), mixes from Kayla Reagan and mastered by Hector Vega.

A photo of her standing bareback while facing away towards the high plains, serves as the cover art for an album where she manages to simultaneously divulge her most confessional moments yet, and captivate the listener with unanswerable questions.

Based on Terry Pratchett and Neil Gaiman’s international best-selling novel, the first series of Good Omens was released in 2019 and became a worldwide hit.

Good Omens 2 explores storylines that go beyond the original source material to illuminate the ineffable friendship between Aziraphale (Michael Sheen),

a fussy angel and rare-book dealer, and the fast-living demon Crowley (David Tennant).



Multi-faceted composer David Arnold returns having received two Primetime Emmy nominations for the first series.

His many awards include a Grammy (Independence Day) and a Primetime Emmy (Sherlock). Taking over the mantle from

John Barry as the Bond composer he scored five in total ranging from Tomorrow Never Dies through to Quantum of Solace.

Other film successes include Stargate, 2 Fast 2 Furious, Hot Fuzz and Made in Dagenham. TV highlights include Little Britain, Sherlock and Dracula.

This debut vinyl edition is pressed on Pearl White and Transparent Green vinyl.

The latest release in the series exploring the musical worlds of Gerry Anderson is the most extensive yet. Space: 1999 ran for two series from 1976 to 1977 and depicted the occupants of Moonbase Alpha and their struggle for survival when, after the explosion of a nuclear waste dump, the Moon is hurtled into space.
The series was the most expensive produced for British television at that time and the most musically diverse of all the shows made by Anderson for ITC. Gerry Anderson’s long-time musical partner in all the previous adventures was Barry Gray and Space: 1999 proved to be the last of their collaborations.
Uncut Magazine referred to Series 1 music as “Pink Floyd without the mythology”. The first recording session for Space: 1999 took place on December 11th 1973 with a 52-piece orchestra performing the opening and closing title music. For the series’ incidental music between 32 and 38 instruments were utilised at any one session, all conducted by Barry Gray. The selections from Year 1 show Gray’s skills in creating a memorable opening theme as well as dramatically evocative cues highlighting the plight of the Alphans as they became known. The Year 1 album also showcases a selection of library cues which featured throughout the series.
Barry Gray was a classically trained composer and a versatile musician and was amongst the first composers to use electronic instruments in music for television. Best known for creating the music for most of the Gerry & Sylvia Anderson television series in the 1960's and 70's (Fireball XL5, Thunderbirds, UFO, Space:1999), Barry Gray’s complete musical opus is still not commercially available in its entirety. Fanderson, dedicated to the productions of Gerry Anderson, has gained access to all Barry Gray's original studio tapes and have undertaken a major re-issue project. Together with Fanderson, Silva Screen Records is championing Barry Gray’s incredible musical opus and is releasing the material in a series of physical and digital albums and vinyl records.

*ZELDA SUITES (THE LIVE ALBUM) : A MODERN JAZZ REINTERPRETATION OF THE MUSIC FROM ZELDA, RECORDED LIVE!*

WRWTFWW Records continues its collaboration with Belgian jazzman Casimir Liberski with another Zelda-themed rendition, following his celebrated Z Suites album. This time it's a full-on live session - Casimir Libersk ReTRio's Zelda Suites (The Live Album) is a heroic Hyrule jazz adventure available in half speed mastered DLP in a heavyweight sleeve with obi.

Casimir Liberski reimagines the golden era of video game soundtracks with live jazz versions of Zelda favorites The Legend of Zelda (1986), A Link to the Past (1991), Link's Awakening (1993), and Oscarina of Time (1998) - and tons of Easter eggs! Dancing between nostalgia and avant-garde, the Brussels-born pianist and composer crafts a sonic world of pixelated folklore where melody and improvisation coexist in harmony.

Zelda Suites (The Live Album) is the origin story of Liberski's acclaimed Z Suites album. He explains:

The live recording of Zelda Suites (The Live Album) preceded the studio recording that later comprised ReTRio's first album, released on WRWTFWW entitled The Z Suites. This live recording was captured at the end of a tour in Germany and Belgium, in Osnabrück, in a small, intimate venue. This new album therefore contains only "hot first takes," imbued with all the emotion that permeated our playing that evening. In a way, it's perhaps more closely linked to my initial vision for the project: to "take the iconic themes from the Legend of Zelda games that shaped my childhood and perform them live through a jazz lens". For me, the conditions of live performance are the very essence of jazz. There's a frankness of being present, in the very moment the music is created and, one might say, listens to itself, that draws the musicians into a fervor and audacity that often transcends them. The magic of jazz comes at this price. Unapologetic, as they say in English. This album reveals a perhaps more authentic and unrestrained side of our playing. No excuses.

Again, long live Hyrule jazz!

Points of interests

For fans of Zelda, jazz, video game music, Nintendo jazz, modern jazz, piano, Ryo Fukui, Brussels, fantasy, the 80s, the 90s, nostalgia, vintage consoles, Hyrule, half speed mastered vinyl, adventures, the pleasure of feeling alive, and appreciating the small pleasures of life in a world that's going crazy.

Limited edition vinyl release of modern jazz re-interpretations of Zelda music, recorded live!

Mit Sowas von Egal Vol. 3 setzt das Hamburger DJ-Kollektiv Damaged Goods seine gefeierte Compilation-Reihe auf Bureau B fort - und richtet den Fokus erneut auf die subversiven Untergrundszenen im deutschsprachigen Raum der frühen 1980er Jahre. Abseits der kommerziellen NDW entstand eine kreative Parallelwelt: Bands zwischen Post-Punk, New Wave, Synth-Pop und Avantgarde veröffentlichten ihre Musik in kleinsten Auflagen oder im DIY-Kontext - roh, kantig und radikal eigenständig. Die hier versammelten Tracks spiegeln eine Zeit zwischen Aufbruch und Unsicherheit wider, geprägt von "No Future"-Attitüde, politischem Druck und künstlerischer Freiheit. Tanzbar, direkt und oft überraschend eingängig: Sowas von Egal Vol. 3 macht vergessene Schätze wieder hörbar - und holt sie zurück auf den Dancefloor.

Few tracks have left a mark on the underground quite like Tarantula. Now, more than a decade after winning "Top Track of the Year" at the 2011 Beatport Awards, Pleasurekraft's breakthrough anthem returns on vinyl with the iconic Original Mix on the A-Side and two powerful reworks on the B-Side, inviting listeners back into the unmistakable atmosphere of Pleasurekraft's cosmic techno sound.

Talla 2XLC & RMB – Spring (Rework) | Limited Colored Picture Vinyl
„Spring“ von RMB gehört zu den prägenden Tracks der Szene – ein Klassiker mit Club- und Chart-Historie.
Talla 2XLC & RMB greifen das Thema nochmal auf und setzen es als Rework neu um.
Jetzt erscheint „Spring (Rework)“ als limitierte, picture Maxi Vinyl inklusive des bisher unveröffentlichten RRAW! Extended Remix.
Seite A: Spring (Rework) (Extended)
Seite B: RRAW! Extended Remix – unveröffentlicht und exklusiv nur auf dieser Vinyl erhältlich
Ein Must-have für DJs und Vinyl-Sammler!

Isometric is an upcoming hardgroove album by Slovenian DJ and producer UMEK and his hardgroove alter-ego Polyvinyl, released on his own imprint 1605 GROOVESECTOR.

The album features a blend of groove-infused tracks, including originals like Isometric, Unlockable Formations, Mechanically Intensive, and Da Flute.

UMEK, born Uros Umek in Ljubljana, Slovenia, is a techno pioneer who kickstarted Slovenia's electronic music scene with illegal raves in the early '90s. With over three decades of influence, he's released on labels like Drumcode, Filth on Acid and Tronic. As the founder of 1605, UMEK has shaped the genre with hits like "Lanicor" and "Gatex," consistently topping Beatport charts. His relentless production and 100+ annual gigs-from Berlin's underground clubs to festivals like EDC, Ultra and Creamfields-cement his status as a global techno ambassador.

Founded by UMEK in 2007, 1605 Music Therapy boasts over 300 releases, featuring artists like Sam
Wolfe, Maddix, and Space 92. The hardgroove sublabel 1605 GROOVESECTOR was founded in 2024 to give home to UMEK's groovier creations and his alter-ego Polyvinyl, as well as other artists, such as the legendary Hertz and a fast-rising Khabiar.

Available in both vinyl and digital formats, the project continues UMEK's long-standing contribution to the techno scene through rhythmic grooves and club-ready energy.