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HOLY WAVE - STUDIO 22 SINGLES AND B-SIDES
  • Chaparral
  • Time Crisis Too
  • Cowprint
  • Father's Prayer
  • Bog Song
  • Away Here
  • String Performer

In the winter of 2022, Holy Wave had a week off after a short tour that ended with a show in Los Angeles. The band found particular glee in playing those shows at that time, as they weren't sure they'd ever be doing that again just a few months prior_this batch of songs results from hanging out with some very good friends at Studio 22. "The band have fashioned themselves into mainstays in the world of gauzy psychedelia, infusing dream pop soundscapes with colorful instrumentation, lush melodies, and weighty pathos." - Under the Radar Magazine"_narcotic neo-psych with synthed-out bedroom-pop undertones." - Shindig Magazine"_lush-yet-tempered instrumentation that's undeniably pleasant, if not downright attractive." - Flood Magazine"The sound of Austin's Holy Wave has been getting progressively dreamier with each successive release, their music lush and immaculately arranged." - Post-Trash"Wonderful aural tones, meandering genteelly." - Narc Magazine

Сделать предзаказ25.04.2025

он должен быть опубликован на 25.04.2025


Последний логин: 2026 г. назад
ODF - Tell Them / Underground

DJ Support: DJ EZ, Dr Banana and Enzo Siragusa.

ODF is a Leeds-based DJ and producer originally from London known for his eclectic genre-bending sets. Many of his productions have caught the attention of some high-profile artists such as Ben UFO, Bicep, Ilario Alicante, Michael Bibi and Interplanetary Criminal, as well as support on Radio 1, Kiss FM, Rinse FM and Reprezent.

Kicking off his new Imprint On Da Floor with a banging double header Tell Them & Underground.

The A side, Tell Them, is a dark, speed-garage-laced roller that oozes intensity, showcasing the gritty, bass-heavy sound that has defined ODF’s unique style. Its driving rhythms and shadowy undertones make it a late-night anthem for dancefloor aficionados.

The B Side, Underground, mirrors ODF’s signature sound with a bubbly organ top line and hip-hop-influenced vocal chops, delivering a playful yet irresistibly groovy vibe.

Limited Pressing Buy or Cry.

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Последний логин: 4 мес. назад
Luigi Di Venere - Spherical Waves

Philoxenia Records boss man Luigi Di Venere continues to blur the boundaries between traditional genres with a new EP that takes its inspirational cues from the multidimensional nature of sound waves. The title reflects the depth and motion captured in the EP's stunning artwork by CGI duo muzzin+samiri while the opener is a tribute to early 90s Frankfurt EBM. 'By Means Of Music' is a more funky vibe with New Beat undertones and real warmth. 'Got Momentum' brings a French house edge and on the flip, Cromby transforms' Got Momentum' into a euphoric UK peak-time anthem, and Cycle_2 reimagine 'By Means Of Music' as a psychedelic techno trip.

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Последний логин: 7 мес. назад
Driver Era - Obsession

Driver Era

Obsession

12inchTDELPC003
TOO RECORDS
11.04.2025
  • You Keep Me Up At Night
  • Don't Walk Away
  • Touch
  • Same Old Story
  • The Weekend
  • Nothing Left To Lose
  • Don't Take The Night
  • I'd Rather Die
  • Can't Believe She Got Away
  • Everybody's Lover
  • Better
также имеющийся в продаже

Black Vinyl


Obsession is THE DRIVER ERA’s explosive follow-up to 2022’s Summer Mixtape & sees the band’s artistry evolving in a dynamic, distinctive direction that solidifies themselves as a driving force in the alt-pop space. Clever, relatable lyricism backed by moody undertones and infectious grooves showcases the band’s pivot into more confessional songwriting and finding their sonic step.

Across the album’s 11 tracks, Obsession explores themes of love, longing, and loss through a uniquely captivating sonic profile rife with electric riffs, robust synths, and strong drums to create the most impressive release from THE DRIVER ERA to date.

The band, which consists of brothers Ross and Rocky Lynch, released their debut single ‘Preacher Man’ in 2018 and since then have amassed hundreds of millions of streams and a huge following with their signature sound and larger-than-life sold-out shows.

Сделать предзаказ11.04.2025

он должен быть опубликован на 11.04.2025


Последний логин: 2026 г. назад
Driver Era - Obsession

Driver Era

Obsession

12inchTDELP003
TOO RECORDS
11.04.2025

Obsession is THE DRIVER ERA’s explosive follow-up to 2022’s Summer Mixtape & sees the band’s artistry evolving in a dynamic, distinctive direction that solidifies themselves as a driving force in the alt-pop space. Clever, relatable lyricism backed by moody undertones and infectious grooves showcases the band’s pivot into more confessional songwriting and finding their sonic step.

Across the album’s 11 tracks, Obsession explores themes of love, longing, and loss through a uniquely captivating sonic profile rife with electric riffs, robust synths, and strong drums to create the most impressive release from THE DRIVER ERA to date.

The band, which consists of brothers Ross and Rocky Lynch, released their debut single ‘Preacher Man’ in 2018 and since then have amassed hundreds of millions of streams and a huge following with their signature sound and larger-than-life sold-out shows.

Сделать предзаказ11.04.2025

он должен быть опубликован на 11.04.2025


Последний логин: 2026 г. назад
Magnolia Park - VAMP

Magnolia Park

VAMP

12inch280901
Epitaph UK
11.04.2025
  • Pain
  • Shadow Talk
  • Cult
  • The Screams
  • Worship Feat. Plvtinum And Vana
  • Shallow
  • Omen
  • Wasted
  • Crave Feat. Pinknoise
  • Reasons
  • Ophelia

Magnolia Park doesn't do subtle Since 2018, the Orlando quintet has fused punk, rock, pop, hip-hop, and metalcore into a genre- smashing whirlwind that's as thrilling live as it is on record. With viral Halloween Mixtape, their breakout debut Baku's Revenge, and tours alongside Simple Plan and Sum 41, they've cemented their spot as a must- see act at festivals like Welcome To Rockville, When We Were Young , Reading and Leeds.

Magnolia Park, featuring vocalist Joshua Roberts, guitarists Tristan Torres and Freddie Criales, drummer Joe Horsham and bassist Vincent Ernst - are set to unleash their most ambitious effort yet: VAMP, a neo-gothic concept album diving deep into the dark, anime- inspired world of Nocturne Nexus. Think Star Wars meets Dracula, where rulers and rebels clash in a fght for the future.

Recorded with top-tier producers like Andrew Wade and Zakk Cervini, VAMP is a sonic juggernaut - industrial undertones, colossal breakdowns, and vocalist Joshua Roberts' electrifying delivery. Magnolia Park has gone bold, heavy, and unforgettable. This is the album that will leave fans craving more.

Сделать предзаказ11.04.2025

он должен быть опубликован на 11.04.2025


Последний логин: 2026 г. назад
JKS - Wild Nights EP

Jks

Wild Nights EP

12inchMLKL040
Molekül
04.04.2025

After a five-year hiatus, JKS makes a triumphant return to the iconic French label Molekul with a highly anticipated solo EP. Leading the release is the standout track, The Cult, a testament to JKSs evolution while staying true to the essence of his sound.

Built for the club, The Cult channels an undeniable sense of power through its driving rhythms and immersive energy. The tracks tribal undertones create an
almost ritualistic atmosphere, pulling dancers into its pulsating core. With expertly layered textures and a commanding structure, The Cult keeps the momentum
unrelenting from start to finish.

True to his roots, The Cult brings a distinct old-school vibe, laced with a plurality of influences that have defined his sound since the beginning. Its a journey through raw rhythm and immersive layers, a bridge between past and present, aimed squarely at making people move.

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Последний логин: 3 мес. назад
Nail - Shake Two EP

Nail

Shake Two EP

12inchRBN001-RP
Rhythm By Nature
04.04.2025

Rhythm By Nature, the latest addition to Berlin's vibrant music scene, proudly unveils its inaugural release featuring none other than Nottingham's seasoned virtuoso, Nail. "Shake Two EP" is a testament to his enduring prowess, promises a distinctive auditory experience that transcends boundaries. The tracks showcase Nail's mastery with a distinctive sound that encompasses proper deep house excursions, Detroit and Chicago vibes, with dubby elements.

The A1 track, "Thoughts," takes listeners on a deep house excursion with mystic undertones, deep percussion, spheric vocals, and a euphoric after-hours feel, creating a truly distinctive ambiance.
On the B-side, Nail's groovy craftsmanship continues with "Ribs," offering his typical quirky minimal groove, influenced by funk and housed within a danceable, swirling soundscape. Additionally, label head SaPu contributes to a more dubby approach on the original B1, a spacey filtered infused groove excursion, with old school sample-based elements, phat basslines and deep atmospheric synths.

На складе от26.03.2026


Последний логин: 29 дн. назад
The Lemonheads - It’s A Shame About Ray LP (30th Anniversary Edition) 2x12"

Das fünfte, den Durchbruch für Evan Dando bringende, Lemonheads-Album 'It's A Shame About Ray', wird zum 33-jährigen Jubiläum wieder als Single Vinyl in klassisch schwarz mit der Original-Tracklist nachgepresst (mit Download Card für die zusätzlichen Bonustracks der Deluxe Edition von 2022). Beschrieben von Musikjournalist und Autor Everett True als "Ein 30-minütiger Einblick in das, was es heißt, hart und schnell und locker und glücklich mit gleichgesinnten Kumpels zu leben, angetrieben von einer gemeinsamen Liebe zu ähnlichen Bands und Drogen und Alkohol und Freiheit". It's A Shame About Ray" hatte in jenen berauschenden, sorglosen Tagen des Jahres '92 eine beträchtliche Wirkung. Die Platte fängt perfekt Dandos Fähigkeit ein, die Sehnsucht und Lust der Teenager mühelos in einem zweiminütigen Popsong zu verpacken. Singles wie "My Drug Buddy" und der luftig-perfekte Pop des Titeltracks mögen herausstechen, aber die eigentliche Stärke des Albums liegt in den Tracks dazwischen; das wirklich fantastische 'Confetti' (über die Scheidung von Evans Eltern) und die atemberaubend lässige Akustik-Coverversion von 'Frank Mills' (aus dem Hippie-Musical Hair), eine Version, in der jedes Quäntchen Pathos und Gefühl für die verlorene Generation der 1960er mitzuschwingen scheint. Wenn Evan Dando Zeilen wie "I love him/but it embarrasses me/To walk down the street with him/He lives in Brooklyn somewhere/And he wears his white crash helmet" singt, weiß man erst richtig zu schätzen, wie wunderbar und verlockend Popmusik sein kann. Und dann gibt es da noch den Ansturm von Aufsässigkeit und Unverfrorenheit im wunderbar verkürzten 'Bit Part'; das aufgedrehte 'Ceiling Fan In My Spoon'... das war Jungs/Teenager-Popmusik mit Stil auf einem Niveau mit The Kinks, den frühen Undertones und den Wipers. "Ray sounds revelatory in its restlessness, mixing college pop with country flair and relocating Gus Van Sant's Portland atmosphere to New England." Pitchfork *****½ (Download only adiitional extras: 1 Mrs Robinson 2 Shakey Ground 3 My Drug Buddy (KCRW Session, 1992) 4 Knowing Me, Knowing You (Acoustic) 5 Confetti (Acoustic) 6 Alison's Starting To Happen (Acoustic) 7 Divan. Demo Recordings - Download only. 8 It's A Shame About Ray (Demo) 9 Rockin' Stroll (Demo) 10 My Drug Buddy (Demo) 11 Hannah & Gabi (Demo) 12 Kitchen (Demo) 13 Bit Part (Demo) 14 Rudderless (Demo) 15 Ceiling Fan In My Spoon (Demo) 16 Confetti (Demo))

Сделать предзаказ04.04.2025

он должен быть опубликован на 04.04.2025


Последний логин: 2026 г. назад
Minuit Machine - Queendom

Minuit Machine

Queendom

12inchSR0026LPMBD
Synth Religion
24.03.2025

QUEENDOM is an album that marks a new era for the project while staying true to the essence of Minuit Machine. Produced under the SYNTH RELIGION label, this opus immerses us in Amandine's introspective realm, oscillating between darkness and light, between doubt and self-conquest. While retaining the emotional DNA of previous productions, QUEENDOM stands out with a more pop-oriented touch, featuring tracks where Amandine sings in French for the first time.

The first single, "HOLD ME," is a powerful pop anthem addressed to the queer community, celebrating the freedom to be oneself and breaking free from societal and patriarchal norms. This track is a true empowerment statement, with striking electro beats supporting a strong message of emancipation and pride.

"Créatures," a collaboration between RAUMM and Minuit Machine, is a modern fairy tale—a timeless love story that could take place in any era. This salvific love, rarely seen today, embodies a poignant depth and beauty.

Continuing the journey, "Cent Fois"—a French-written track—takes us into a techno-pop universe with nostalgic yet hopeful undertones. This song perfectly reflects Minuit Machine's evolution toward a more radiant approach while staying faithful to its dark heritage.

"Party People," on the other hand, is a return to roots with dark wave/italo sounds. This hypnotic and haunting track questions identity in an increasingly robotic society, where individuals are forced to conform to imposed norms. This exploration of the individual versus the collective lies at the core of Minuit Machine's DNA.

"Mes Souvenirs," created in collaboration with Rebeka Warrior, dives intimately into the memories of Amandine and Rebeka. Together, they reveal fragments of their past—precious and vibrant memories that resonate through powerful and melancholic electro sounds.

Finally, the eponymous track "Queendom" invites us to plunge into the depths of Amandine's world—a universe that is both tormented and icy, yet resilient. Supported by a slow and captivating rhythm, this track is designed to grip and haunt the listener, like an incantation.

QUEENDOM is a bold and hybrid work where each track reflects a pursuit of sincerity and artistic reinvention while maintaining the ability to express emotions through rhythms that are both danceable and introspective. The album showcases Minuit Machine's artistic maturity, establishing itself as a must-listen in the darkwave and electronic pop scene.

Amandine entrusted the artistic direction of this album to Manon Dupeyrat, a brilliant young artist who crafted a bespoke universe perfectly aligned with the produced tracks. The album cover, both intimate and anachronistic, invites listeners into Amandine's private world through her bedroom, revealing what she wishes to share.

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Последний логин: 12 мес. назад
Casquiat - The Stopper / OG Ranks

CASQUIAT's ability to balance heavy, floor-filling beats with thoughtful, experimental layers is on full show in this new 7" from DATUM. The two cuts push the boundaries of hip-hop and bring in a raw electronic edge. 'The Stopper' is a high-energy cut that collides skittering percussion and intricate rhythms to make for an intense yet hypnotic club vibe. In contrast, OG Ranks takes a deeper, more introspective route with moody undertones, spacious production, and a sharp focus on atmospheric tension. They make for a fine yin and yang and cannot fail to make their mark in the club.

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Последний логин: 10 мес. назад
OH PEOPLE - PART-TIME ELEGANCE

Denmark"s leading outlet for jazz April Records presents their first debut of 2025 from a brand new quintet of some of the country"s most well known and respected young musicians - collectively called Oh People. Inspired by the works of Duke Ellington in the 20"s and combining them with sounds that came to life over half a Century later with a palpable sense of joy and love, "Part-Time Elegance" is set to release on January 17th on April Records. Exploring the idioms and tropes of the golden age of jazz, the record is built from deep pocket swing, lovesick ballads, percolating latin grooves, and upbeat melodies that can"t help but bring a smile to one"s face. With undertones of contentment and playfulness, each song evokes a sound and style of some of the 20th"s Century"s greatest jazz composers before evolving into passages of animated improvisation from Denmark"s finest new-generation soloists. Anyone who has been keeping up to date with Denmark"s prolific scene will recognize the members of "Oh People" from their solo projects and contributions to many of the nation"s leading jazz innovations. Jonas Due"s trumpet can be heard in the DR Big Band, and popular modern outfit OTOOTO. Andreas Toftemark cut his teeth working and learning as a musician in New York, before returning to Denmark to establish himself with two releases under his own name, receive the prestigious Bent Jædig Prize, and become one of the country"s busiest artists. Casper Christensen"s deep roots in the jazz tradition and Brazilian, coupled with the warm, acoustic sound of his guitar have seen him perform with the likes of Nana Rashid, Jesper Lodval and his own quartet. Lasse Morck has released three albums under his own name, drawing on South American musical traditions as well as literature and mythology. Henrik Holst has spent over a decade contributing his talents to Danish outfits like the Kathrine Windfeld Big Band and Jeppe Zacho Quintet, as well as international jazz legends Mike Stern, Gilad Hekselman and Immanuel Wilkins.

Сделать предзаказ31.01.2025

он должен быть опубликован на 31.01.2025


Последний логин: 2026 г. назад
Manda Moor - The Climax EP

Manda Moor

The Climax EP

12inchHOTC191
HOT CREATIONS
28.01.2025

Paris-based talent Manda Moor arrives on Hot Creations for the first time this May with the three-track The Climax EP, continuing a standout 2022 for the Danish-Filipino artist.

Rustling with tribal undertones and a rolling four-four groove, The Climax instantly transports us to the dancefloor and beyond. Jungle-like melodies live beside infectious lyrical samples before the minimal-sounds of Sandy Groove soon arrive, as fast-paced drums drift beneath a pummelling bassline throughout. Besame rounds things off, ratcheting up the tempo with bell-like percussion and driving kick-hat combos, forming an upbeat, club-ready cut.

Manda Moor has fast-become an esteemed force in contemporary house circles. Racking up acclaimed releases on labels such as Kaluki, Tamango and DJ Pierre’s Afro Acid, her MOOD EDITS series - in conjunction with Sirus Hood - has garnered support from true industry heavyweights, including Pete Tong, The Martinez Brothers and Loco Dice to name a few. Each edition of MOOD EDITS has reached the number one spot on Bandcamp’s House / Deep House / Minimal chart, proof of Manda’s keen ear for production, whilst her club and festival sets include performances at Amnesia, The BPM Festival, Elrow and many more besides.

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Последний логин: 4 мес. назад
LAUNDROMAT CHICKS - SOMETIMES POSSESSED LP
  • This Strange Effect
  • Sometimes Possessed
  • Cameron
  • How Do You Know
  • Sunburn
  • Secrets
  • Catch It
  • Time Zones
  • Spiders Inside You
  • Ruins

Seit sie die Wiener Musikszene mit ihrem Debüt ,Trouble" (2022) und dem Nachfolger-Album ,Lightning Trails" (2023) im Sturm erobert haben, etablierten sich die Jangle-Pop-Maestros Laundromat Chicks in jenem seltenen musikalischen Terrain, in der sich Humor, Übermut und Verletzlichkeit überschneiden. Von pubertären Power-Pop-Hymnen bis hin zu knackigem Jangle-Pop sind Laundromat Chicks die Art von Band, die einen an alle Lieblingsbands auf einmal erinnert. Auf ihrem Album ,Sometimes Possessed" (Siluh Records) erweitert die Band ihre Soundpalette. Mastermind Tobias Hammermüller führt sein Songwriting in neue Bahnen, indem die gewohnt schlagfertigen Gitarrenhymnen mit abstrakteren, sanfter klingendenmusikalischen Ideen abwechseln. Das Quartett, bestehend neben Hammermüller (Gesang/Gitarre) aus Theresa Strohmer (Gitarre/Gesang), Felix Schnabl (Schlagzeug) und Lena Pöttinger (Bass), war von Anfang an sehr produktiv - sowohl bei Laundromat Chicks als auch bei anderen Projekten. So spielen Strohmer und Pöttinger auch in der Garage-Pop-Band Topsy Turvy, während Schnabl sein eigenes 60er-Jahre-Garage-Punk-Projekt Salamirecorder hat und in der Psychrock-Gruppe Telebrains Schlagzeug spielt und singt. Laundromat Chicks' erste beiden Veröffentlichungen bei Siluh Records, sind eine Fundgrube an zu entdeckenden Gitarrenpops, z.B. die Single ,You're on the Line" ist so witzig undeindringlich wie jede pubertäre Powerpop-Hymne diesseits von Buzzcocks und The Undertones, während ,Nobody Believes Me" den eisigen Fatalismus von Joy Division mit dem knackigen Jangle von The Babies and Girls verbindet. Es steht außer Frage, dass die Laundromat Chicks in nur 20 Minuten eine Band sein können, die dich an alle deine Lieblingsbands auf einmal erinnert, aber auch gleichzeitig in neue, aufregende Gefilde entführen kann. Auf Sometimes Possessed erweitert diese speziellen Gebiete erheblich: Die bislang gewohnten 20 Minuten dehnen sich nun zu einem inspirierten 30-minütigen Fiebertraum aus. Damit sich die Gefühle entfalten konnten, musste der Startpunkt des Albums irgendwo aus einem abgelegenen bzw. fast vergessenen Fundus kommen. Das Ergebnis ist Laundromat Chicks' hitzeverzerrte Interpretation der von Ray Davies geschriebenen 60ties Ballade ,This Strange Effect", ein schwindelerregendes Duett, dargeboten von Sänger Hammermüller mit Gitarristin Theresa Strohmer als Duett.

Сделать предзаказ24.01.2025

он должен быть опубликован на 24.01.2025


Последний логин: 2026 г. назад
Quelle Chris & Jean Grae - Everything's Fine

"Everything's Fine" by Jean Grae and Quelle Chris is an album that blends humor, satire, and biting commentary to explore societal issues and personal struggles. The production, driven by Quelle Chris and Jean Grae, blends diverse sounds with classic boom bap undertones. Critics praise its wit, lyrical dexterity, and innovative production! The album's blend of humor and serious themes makes it a standout in Hip Hop.

Сделать предзаказ17.01.2025

он должен быть опубликован на 17.01.2025


Последний логин: 2026 г. назад
DARWIN CHAMBER / DJ SPUN - Episode 1 EP

Darwin Chamber and DJ Spun unite for a bold four-tracker here that draws on all their decades of experience to push the boundaries of trance and techno. This self-titled release is nostalgic without sacrificing innovation and opens with 'Find The Missing Letter,' a dub-tinged techno builder with hypnotic synths. 'Digits' follows with relentless beats and dark, robotic energy. The sultry 'Do It All Night' anchors the EP with a seductive groove, while 'Ants' closes with mid-tempo warmth and acidic undertones. Combining Darwin Chamber's engineering expertise and DJ Spun's club culture mastery, this one is perfectly pitched for dancefloor mayhem.

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Последний логин: 11 мес. назад
Delano Smith & Brian Kage - Keep 'Em Movin'

Coming off a successful transatlantic exchange, Brian Kage and his Michigander label keep the momentum, and the collaborative spirit, moving with an EP that hits closer to home. For any Detroit artist, working with Delano Smith would be on the bucket list, as one of the city's original, more influential DJs — before the D developed any of its "waves" — who would come into his own as a producer later to, once again, help mold the Techno City's sound. Make no mistakes about it, this tastemaker had a ripple effect back before techno even had a name, when it was just "progressive" music and mixing. The thing is, the feeling of admiration and respect here is mutual, from the moment Smith first stumbled across one of Kage's records and had to know who was making these sounds. This meeting of the minds happened organically and timely, with Keep 'em Movin’ as the result.

Opening the release is the title track, a driving number with pulsating synth tones and deep, call and response piano stabs. The ever so slightly pitched down vocals are modern and effortlessly cool, a style that resonates with today's dancefloors, but done tastefully, and with lyrical content that sets the record straight about what it really means to represent Detroit.

"D Spirit" takes an ancestral turn. This is spaced-out Detroit techno meets afro deep at its finest. Forward moving keys are bathed in deep, celestial pads as shuffling hats accented by light hand percussion beckon the body to move. Lively marimbas cut through the hypnotic undertones and awaken the senses with soulful appeal. A fluid bassline rumbles beneath while baroque pianos add tension and heighten the atmosphere.

The final track rounds the release out with an exclamation mark. For lovers of Delano Smith's infamous remix of "A

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Последний логин: 6 дн. назад
The Boom Yeh - Near-Earth Objects
  • A1: Keep Right On
  • A2: Chronic Tonic
  • A3: Hot Tamale
  • A4: Pocket Rocket
  • B1: Near-Earth Objects
  • B2: Othership
  • B3: Mind's Eye
  • B4: Possibilities

Stalwarts of the London music scene The Boom Yeh are at the forefront of redefining British Jazz-Funk with the release of their new album Near-Earth Objects. Featuring a host of musicians that have worked with Jamiroquai, The Brand New Heavies, Incognito, Alice Russell and Leroy Hutson.

Keep Right On
A blistering syncopated jazz-funk assault reminiscent of The Brecker Brother and Tower Of Power. Featuring solos from trombone player Tom White and sax player/horn arranger Ian Bailey, followed by a virtuosic drum solo courtesy of Alessio Barelli.

Chronic Tonic
A smooth jazz-funker with hip-hop undertones, echoing early Prince with a boogie funk outro in the vein of George Duke, propelled by bass player Matteo Grassi.

Hot Tamale
If Jimi Hendrix was stuck in a Mexican traffic jam, it would probably sound like this. An abrasive funk-rock stomper featuring a heavy duty guitar solo from band leader Jon Speedy.

Pocket Rocket
Deep pocket funk in tribute to George Clinton's Parliament-Funkadelic with be-bop infused horn riffs. Featuring solos by Paul Silver on baritone sax and guest keyboard player Carl Hudson on Oberheim synth.

Near-Earth Objects
High energy jazz-fusion exploring the universe of Herbie Hancock and The headhunters with an afrobeat inspired horn outro. Featuring guest keyboard Carl Hudson on Fender Rhodes and synth.

Othership
Bombastic big band jazz-funk with a rare groove flavoured mid section. Composed by band leader/guitarist Jon Speedy as a nod to his father Dave Speedy - a jazz trumpet player and big band leader.

Mind's Eye
Laid back Ibiza chill out mixtape vibes meets Donald Byrd and the Mizell Brothers. Featuring blissful Fender Rhodes and synth by guest keyboard player Carl Hudson.

Possibilities
A slow burner in the spirit of Roy Hargrove's RH Factor and early neo-soul with a gospel flavoured outro.

Сделать предзаказ29.11.2024

он должен быть опубликован на 29.11.2024


Последний логин: 2026 г. назад
JONNY TOBIN - STEPPIN' OUT
  • Steppin' Out (Feat. Daniel David)
  • Change It Up (Feat. Xl Middleton
  • Give And Take (Feat. The Vapor Caves)
  • Rock Me (Feat.marlon Petronio)
  • Never Too Late (Feat. Maya Killtron)
  • Drive Me Wild (Feat. Rojai)
  • Boombox
  • Time Flies (Feat. Shiro Schwarz)

Jonny Tobin is a Grammy and JUNO-nominated artist based in Vancouver. His sound resides in an alternate dimension between 90's video games and 60's Blue Note records, where fat synth funk grooves playfully collide with abstract jazzy undertones. To date, Tobin has released 5 original albums, making numerous official Spotify editorial playlists to the tune of over 10 million streams. As a live performer, recently Tobin headlined the 2023 Vancouver Jazz Festival and opened for notable acts like Adi Oasis, CARRTOONS and Braxton Cook. After the success of his 2019 vinyl debut "Sunrise" on Austin Boogie Crew Records, Tobin began work on Steppin' Out, his new and exceptional LP full of catchy modern funk songs. On this magnetic album executive produced by Austin Boogie Crew (ABC), the label connected Tobin with vocalists from all over. Featured collaborators include XL Middleton, Shiro Schwarz, Maya Killtron, The Vapor Caves, Rojai and Daniel David (FKA Trailer Limon), many of whom made previous appearances on ABC. Driven by Tobin's stellar production and synth wizardry, this project is a testament to the familial strength of the modern funk community in both good times and bad.

Сделать предзаказ29.11.2024

он должен быть опубликован на 29.11.2024


Последний логин: 2026 г. назад
The Pretty Reckless - Who You Selling For LP 2x12"

Who You Selling For is the third studio album by American rock band The Pretty Reckless. It was originally released on October 21, 2016 and since reached #13 on the US Billboard 200, #12 in Canada, and #23 on the UK Albums Chart. Its lead single, "Take Me Down", topped the Billboard US Mainstream Rock chart in October 2016. Produced by longtime collaborator Kato Khandwala, the album is a unique collection of scorching rock tunes with soulful, bluesy undertones. Who You Selling For reveals the band’s continuing evolution in songwriting, as frontwoman Taylor Momsen maintains her signature dark lyrics and raw, sexy vocals while delving deeper into elements of blues and southern rock guitar than on the band’s previous albums.

Сделать предзаказ22.11.2024

он должен быть опубликован на 22.11.2024


Последний логин: 2026 г. назад
Sleazy McQueen - Coming Back Strong

Coming Back Strong marks the milestone 75th vinyl release on Whiskey Disco and the first solo EP from label head Sleazy McQueen since 2020. The A-side seamlessly blends deep house and disco, featuring the rhythmic mastery and evolving builds of Terry Grant, a long-standing Bedrock contributor who has recently been showcasing his skills alongside Luke Solomon’s various projects. On the B-side, High On A Mountain delivers an energetic and percussive disco workout, with subtle tribal undertones. Closing out the EP, Coming Strong is a groovy, disco-infused house track that wraps up this release on a high note.

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Последний логин: 41 дн. назад
Various - SOUND & SEQUENCES

Various

SOUND & SEQUENCES

12inchAPRLP137
APRIL RECORDS
15.11.2024

Led by Sommer, the release signifies the first chapter of the drummers much much-anticipated Nordic trilogy on April Records, aiming to capture and document Nordic improvisation and composition across three carefully curated ensembles. Bassist Arild Andersens storied career stretches back to the 1970"s as one of ECM s first recording artists, collaborating with household names of the genre including Jan Garbarek, Don Cherry, Bill Frisell, John Taylor, Sonny Rollins, Chick Corea, and the list goes on. Welcoming the opportunity to work with and nurture younger artists, the ensemble was born when Daniel Sommer selected Andersen for a project during his studies at the Danish National Academy of Music. Later, impressed by Luft s performances in Ireland and Norway, Andersen suggested expanding the pair into a trio. A transcendent musical voyage, As Time Passes " blurs the lines of conventional trio roles, and celebrates the evolution of jazz as a fluid, versatile form of expression. By providing each musician the freedom of becoming a key contributor in the melodic discourse, the trio channels the spirit of jazz veterans such as the Bill Evans Trio and free free-jazz ensemble Air, while echoing the sounds and innovations of pan pan-European contemporary jazz. Mixing pensive rubato ambience with energetic grooves, instrumental dexterity, a modern ECM ECM-esque sound and folk undertones, the record s compositional clarity combined with the spontaneity of a live performance flows across and between genres, borders and generations alike. Luft s intricately over- dubbed layers of acoustic guitars, vast reverbs, and contrapuntal melodies expand the sound of the three piece into an immersive world of textures. Rendered in the stark beauty of Andersen"s bass lines, the nuanced strokes of Sommer"s drums, and capped with the lush, expansive timbres of Luft"s guitar, "As Time Passes" is a testament to the enduring and ever ever-evolving wonder of Jazz.

Сделать предзаказ15.11.2024

он должен быть опубликован на 15.11.2024


Последний логин: 2026 г. назад
Dehd - Flower of Devotion

Dehd

Flower of Devotion

12inchLPFTKC165
FIRE TALK RECORDS
15.11.2024

I want nothing more than to be a loner,” Emily Kempf sings early on Flower of Devotion, the new album by Chicago trio Dehd. It’s a startling admission coming from a songwriter who, just a year ago on Dehd’s critically acclaimed Water, wrote eloquently about the joys and pains — more than anything, the necessity — of love, compassion, and companionship. But then, “admission” isn’t really the right word here, given the stridency of Kempf’s tone. “Loner” is a declaration.

The record ups the ante on Dehd’s sound & filters in just enough polish to bring out the shining and melancholy undertones in Jason Balla and Emily Kempf’s songwriting, even as it captures them at their most strident. Balla’s guitar lines at times flirt with ticklish cosmic country, while at others they reflect the dark marble sounds of Broadcast. Kempf, meanwhile, establishes herself as a singer of incredible expressive range, pinching into a high lonesome wail, letting loose a chirping “ooh!,” pushing her voice below its breaking point and letting it swing down there. When she and Balla bounce descending counter-melodies off one another over McGrady’s one-two thumps, or skitter off over a programmed drum pad, they sound like The B-52s shaking off heartache.

Сделать предзаказ15.11.2024

он должен быть опубликован на 15.11.2024


Последний логин: 2026 г. назад
Peter LC - Cold Summer

Peter Lc

Cold Summer

12inchWXC027
Wax Classic
07.11.2024

Skylax Records Proudly Introduces the "Cold Summer Ep" by Peter Lc, an Electrifying Collection of Five Tracks That Showcase the Artist's Mastery in the European House Music Scene. Emerging From the Enchanting Landscapes of Apulia, Italy, Peter Lc's Sonic Expedition Begins With "Hasta La Playa." This Track, Reminiscent of Rhythmic Tides Against the Shore, Captures the Essence of Carefree Summer Days With Its Sun-Soaked Vibes and Lively Percussion, Setting the Stage for an Energetic Dance Floor Filled With Joy. as the Journey Continues, "Piano Ipnotico" Unfolds, Revealing a Hypnotic Dance Between Rhythmic Piano Chords and Pulsating Beats.

Peter Lc's Enchanting Melodies Create an Immersive Atmosphere, Guiding Listeners Through a Spellbinding Journey That Seamlessly Blends Classic Elements With a Modern, Entrancing Flair. "Time in Cologne" Marks a Temporal Shift, Resonating With Echoes of the City's Historic Charm. the Track Weaves Intricate Sonic Tapestries, Capturing the Unfolding Essence of Time in Each Beat.

Layers of Sound Interlace, Creating a Rich and Immersive Experience That Stands as a Sonic Exploration, Evoking Both Nostalgia and Forward Momentum Simultaneously. "Dive Into the Ethereal Realm of "Your Dreams," Where Dreamlike Melodies Intertwine With Pulsating Rhythms. This Nocturnal Odyssey Invites Listeners Into a World of Introspection and Reverie, Transcending Boundaries With a Seamless Blend of Atmospheric Elements and Rhythmic Patterns.

"Your Dreams" Becomes a Musical Voyage That Resonates Deeply With the subconscious.The Ep Concludes With "With Nobody," a Venture Into Darker Territories That Maintains an Undeniable Energy. Pronounced Beats Create a Driving Force That Propels the Listener Forward, With Mysterious Undertones and Intricate Arrangements Unfolding Like a Narrative. "With Nobody" Encapsulates a Perfect Balance Between Intensity and Allure, Leaving an Indelible Mark as the Grand Finale of the Ep.

Peter Lc's "Cold Summer Ep" Is a Testament to His Boundless Creativity and Mastery, Poised to Carve an Indelible Mark on the Global House Music Landscape. Each Track Is a Testament to His Unique Style—a Captivating Blend Reminiscent of Dj Sneak, Coupled With a Nod to the Golden Era of Italian Dream House From the Early '90s, but Elevated in Production Quality. Whether Basking in Sunny Vibes or Venturing Into Darker Territories, Every Composition Stands as a Bona Fide Banger....

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Последний логин: 9 мес. назад
Legowelt - A Field Guide To The Void LP 3x12"

Legowelt returns to Clone Records with yet another sonic journey that defies conventional electronic music boundaries, offering an album that is as eclectic as it is immersive. Blending different styles and textures seamlessly and proving that electronic music can still be creative and that function doesn't always prevail style. He delivers a collection that transports listeners through a kaleidoscope of retro-futuristic sounds, deep grooves, and cosmic melodies. Despite being in the music game for more than 25 years the music from Danny Wolfers remains playful and refreshing. Stylistically taking elements from his whole musical career and not commiting to the latest trend or any genre specifically, and low-key taking the piss with everyone who takes themself to seriously. While many electronic music artists are stuck in their own void, busy pleasing the big room, Legowelt meticulously crafts rich textured soundscapes, balancing between cosmic exploration and the dancefoor, that evoke both nostalgia and futuristic visions. His ability to fuse elements of house, techno, disco and electro with cinematic influences results in an album that is not only ready for club use but also gratifying at home. Each track offers something unique--whether it's the hypnotic rhythms, the lush synth lines, or the subtle, eerie undertones that creep in unexpectedly. Legowelt's attention to detail and passion for his craft shine through, making this album a worthy follow up to his last album on the Clone Jack For Daze series.

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Последний логин: 11 мес. назад
The Lemonheads - It’s A Shame About Ray LP (30th Anniversary Edition) 2x12"

Lemonheads’ seminal album ‘It’s A Shame About Ray’, lovingly reissued for it’s 30th Anniversary. The long overdue reissue includes a slew of extra material, including an unreleased ‘My Drug Buddy’ KCRW session track from 1992 featuring Juliana Hatfield, B-sides from singles ‘It’s A Shame About Ray’ and ‘Confetti’, a track from the ‘Mrs. Robinson/Being Round’ EP, alongside demos that will be released for the first time on vinyl. This reissue celebrates their prestigious fifth album, these deluxe bookback editions feature new liner notes and unseen photos.

Described by music journalist and author Everett True as “A 30-minute insight into what it’s like to live hard and fast and loose and happy with like-minded buddies, fuelled by a shared love for similar bands and drugs and booze and freedom.”. ‘It's A Shame About Ray’ had a considerable impact back in those heady, carefree days of '92, the record perfectly captures Dando’s ability to effortlessly encapsulate teenage longing and lust over the course of a two-minute pop song.

Singles such as 'My Drug Buddy' and the breezy perfect pop of the title track might stand out (plus the add-on of 'Mrs. Robinson' which later copies included), but the album's real strength lies in the tracks in-between; the truly fantastic 'Confetti' (written about Evan's parents' divorce), and the eye-wateringly casual acoustic cover of 'Frank Mills' (from the "hippie" musical Hair), a version that seems to resonate with every ounce of pathos and emotion felt for the lost 1960s generation. To hear Evan Dando sing lines like 'I love him/but it embarrasses me/To walk down the street with him/He lives in Brooklyn somewhere/And he wears his white crash helmet' is to truly appreciate how wonderful and tantalising pop music can be. Then, there's the rush of insurgency and brattishness on the wonderfully truncated 'Bit Part'; the topsy-turvy 'Ceiling Fan In My Spoon'... this was male teenage skinny-tie pop music on a level of brilliance with The Kinks, early Undertones, Wipers.

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Последний логин: 16 мес. назад
Graham Reynolds - A Scanner Darkly OST LP
также имеющийся в продаже

Marbled


2017 album now available at a cheaper price. Limited colour vinyl 12” (Marled colour) DL card included is for indie stores only. Standard LP + DL. CD digipack. Under license from Lakeshore Records. A Fire Records release. Back in 2006, Richard Linklater’s film adaptation of Philip K Dick’s sci-fi novel A Scanner Darkly was greeted with suspicion. No one had done justice to the “master” (Bladerunner, Minority Report, Total Recall, The Adjustment Bureau had or have all met with mixed reviews). And, movies attempting to conjure up the effects of drugs were met with derision from the stoned cognoscenti. How could a story of dependence on Substance D (“Death” for short) be created with multi-million dollar stars in the frame anyway? Linklater had a plan; He’d use rotoscoping (an effect that falls somewhere between Kiki Picasso’s sketches brought to life and Disney on ‘ludes). The celebrities would be shrouded in mystery, in fact Keanu Reeves’ skin suit would make him almost invisible at times, a mumbling wreck swaying centre stage. A waste of talent? A waste of money? To complete the experience, a left field musical score was needed to ensure that everything wasn’t as it seemed. The phone books are full of creative composers but Graham Reynolds And His Golden Arm Trio jumped off the page. The band name is from a Frank Sinatra film where he plays a drug-addled muso. Perfect. Graham Reynolds works in extremes, he’s collaborated with DJ Spooky, the Austin Symphony Orchestra and with live film collage creator Luke Savisky. More importantly his Golden Arm Trio are never three and never the same people twice. For the movie he created short sound bytes – a surf-like instrumental, a country-tinged breather, the sound of stuttering insects crawling through your hair. The resultant soundscape is itchy and scratchy, full of mood swings and musical metaphors, an ever changing and unpredictable set of highs littered with reflective undertones and occasional soft, almost super numb realities. THE SOUNDTRACK: “Strands of post-rock, electronica, jazz, and vintage rock are woven and recombined throughout the album for unusual juxtapositions.” All Musi // “A tactile, emotional resonance often missing in contemporary scoring.” Soundtrack.ne // The music in isolation is bold and uncompromising, shifting as it moves through genres and sounds. THE COMPOSER : Graham Reynolds works in extremes; Short take moments of sound – whether it be a surf-like instrumental, a country-tinged breather or the sound of stuttering insects crawling through your hair – are all in his tick box. The resultant soundscape is itchy and scratchy, full of mood swings and musical metaphors, an ever changing and unpredictable set of highs littered with reflective undertones and occasional soft, almost super numb realities.

Сделать предзаказ25.10.2024

он должен быть опубликован на 25.10.2024


Последний логин: 2026 г. назад
Graham Reynolds - A Scanner Darkly OST LP
также имеющийся в продаже

Black


Back in 2006, Richard Linklater’s film adaptation of Philip K Dick’s sci-fi novel A Scanner Darkly was greeted with suspicion. No one had done justice to the “master” (Bladerunner, Minority Report, Total Recall, The Adjustment Bureau had or have all met with mixed reviews). And, movies attempting to conjure up the effects of drugs were met with derision from the stoned cognoscenti. How could a story of dependence on Substance D (“Death” for short) be created with multi-million dollar stars in the frame anyway? Linklater had a plan; He’d use rotoscoping (an effect that falls somewhere between Kiki Picasso’s sketches brought to life and Disney on ‘ludes). The celebrities would be shrouded in mystery, in fact Keanu Reeves’ skin suit would make him almost invisible at times, a mumbling wreck swaying centre stage. A waste of talent? A waste of money? To complete the experience, a left field musical score was needed to ensure that everything wasn’t as it seemed. The phone books are full of creative composers but Graham Reynolds And His Golden Arm Trio jumped off the page. The band name is from a Frank Sinatra film where he plays a drug-addled muso. Perfect. Graham Reynolds works in extremes, he’s collaborated with DJ Spooky, the Austin Symphony Orchestra and with live film collage creator Luke Savisky. More importantly his Golden Arm Trio are never three and never the same people twice. For the movie he created short sound bytes – a surf-like instrumental, a country-tinged breather, the sound of stuttering insects crawling through your hair. The resultant soundscape is itchy and scratchy, full of mood swings and musical metaphors, an ever changing and unpredictable set of highs littered with reflective undertones and occasional soft, almost super numb realities. THE SOUNDTRACK: “Strands of post-rock, electronica, jazz, and vintage rock are woven and recombined throughout the album for unusual juxtapositions.” All Musi // “A tactile, emotional resonance often missing in contemporary scoring.” Soundtrack.ne // The music in isolation is bold and uncompromising, shifting as it moves through genres and sounds. THE COMPOSER : Graham Reynolds works in extremes; Short take moments of sound – whether it be a surf-like instrumental, a country-tinged breather or the sound of stuttering insects crawling through your hair – are all in his tick box. The resultant soundscape is itchy and scratchy, full of mood swings and musical metaphors, an ever changing and unpredictable set of highs littered with reflective undertones and occasional soft, almost super numb realities.

Сделать предзаказ25.10.2024

он должен быть опубликован на 25.10.2024


Последний логин: 2026 г. назад
LONE JUSTICE - VIVA LONE JUSTICE

Lone Justice

VIVA LONE JUSTICE

12inchAFARLP7
AFAR
25.10.2024

Die Band, welche Alternative Country zum Durchbruch verhalf, ist zurück! 1983 begann Lone Justice in den Clubs von Los Angeles zu spielen und machte sich schnell einen Namen. 1984 bereits wurde man von Geffen Records unter Vertrag genommen, 1985 erschien das selbstbetitelte Debütalbum, mittlerweile ein Klassiker der Rockgeschichte mit geradezu ikonischem Cover. Die LA Times kürte es zum "Album des Jahres". Sie spielten Konzerte mit U2, Tom Petty & The Heartbreakers und Willie Nelson. Doch bereits nach dem zweiten Album löste sich die Band früh in 1987 auf, Sängerin Maria McKee und auch die Instrumentalisten begannen ihre Solokarrieren. Nun hat die Band 38 Jahre später ein neues, drittes Album fertiggestellt, mit zum größten Teil inspirierten Interpretationen von Fremdmaterial und Tradtionals, auf dem alle ursprünglichen Mitglieder des Debütalbums noch zu hören sind: Maria McKee, Ryan Hedgecock, Marvin Etzioni und auch der mittlerweile verstorbene Don Heffington. Zu den zusätzlichen Gästen gehören die Streicherarrangeurin Tammy Rogers, der Multihornist David Ralicke, Greg Leisz an der Steel-Gitarre und Benmont Tench am Klavier. Das Eröffnungsstück "You Possess Me" stellt Sängerin McKee in den Mittelpunkt, nur unterstützt von einem Streicher- und Mandolinenquartett. "Rattlesnake Mama" war einst ein dröhnendes elektrisches Stück in ihrem Live-Set von 1983 - diese Version ist jedoch rein akustisch mit Hedgecock an Harp und Tammy Rogers an der Fiddle. Später kreischen sie durch eine juvenile, atemberaubende Coverversion von 'Teenage Kicks' (der 1978er Single von The Undertones). Die Energie hält mit spürbarer Begeisterung für die Musik an und lässt Viva Lone Justice zu einem unerwarteten, inspirierenden Comeback werden. Lass den zweiten Frühling von Lone Justice auch dein Herz berühren, auch deine Scheune mit Folk, Rock, Country & Americana abbrennen.

Сделать предзаказ25.10.2024

он должен быть опубликован на 25.10.2024


Последний логин: 2026 г. назад
Chontane - Manx

Chontane

Manx

12inchTANE002
Tane
04.10.2024

Following up on last years debut release, Chontane returns with Manx, the second EP on his label, TANE. This five-track collection continues his exploration of sound design, moving into fresh territory while retaining the distinctive energy that marked TANE001.

With TANE002, Chontane invites listeners into a diverse sonic landscape, emphasizing mood, texture, and the subtle intricacies of rhythm.
Manx marks a significant progression in Chontanes artistry, expanding on the
foundation set by TANE001, which echoed the nostalgia of 90s and early 2000s rave culture. While his first EP blended old-school, rave-inspired techno, atmospheric tracks, and a touch of jungle, TANE002 boldly ventures into new, uncharted territories. It challenges traditional genre boundaries, delving deep into the potential of sound design, and offering a forward-thinking perspective that feels attuned to the future.

The EP highlights Chontanes dedication to capturing a wide spectrum of moods and textures within a single record. The title track, Manx sets the stage with a dark, hypnotic presence. Rich in layered textures and atmospheric undertones, the track fuses a powerful kick with resonant toms, deep subs, and eerie pads. Haunting, glitchy vocal snippets add an extra dimension, making Manx a compelling, immersive experience.

On Gazebo, the EPs A2 track, Chontane shifts the energy, delivering a composition that balances driving rhythms with a melodic core. The combination of dynamic drums with an epic, mystical theme creates a piece thats both uplifting and introspective, standing out for its ability to evoke grandeur while maintaining a sense of optimism.

The B-side leans into a more shadowy atmosphere, with Oolean blending metallic
percussion and a throbbing bassline. The tracks ominous pads and powerful kick drum propel it forward, creating a narrative thats intense and captivating.
B2 offers a fitting conclusion to the vinyl release, presenting a track that blends dreamy, atmospheric melodies with a robust kick and driving sub-line. The mystical qualities of this composition make it an evocative and memorable closer.
The digital-only track, Thumb Print, rounds out the EP with a relentless, peak-time experience. Its hypnotic rhythm and expansive sense of scale make it a standout track, perfect for igniting dance floors and capturing listeners attention.

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Последний логин: 6 мес. назад
ISIK KURAL - MOON IN GEMINI LP

Isik Kural returns with Moon in Gemini, a luminous scrapbook of slow-flowing narratives couched in intuitive and symbolic storytelling. Bending a playful take on environmental music to the folk song form, Isik's vocals coo atop pastoral field notes, airy chamber instrumentation and archival recordings culled from a curious musical life. A tender pastiche coalesces across the suite of Moon in Gemini's fourteen pieces, and Isik invites the listener to daydream as-deep-as-possible. "The songs on Moon in Gemini don't mind being slower or taking their time to reach the listener," says Isik, who wanted the title to speak to the album's dreamy, liminal nature. "I enjoyed how the phrase could be used to describe an object, a time or a place simultaneously," he explains. Similarly and subsequently, these songs contain a multiplicity of sonic artifacts, moments and spaces that span Isik's rich musical career to date. With the bulk of the album realized between Amasya, Turkey and Isik's current home in Glasgow, in both domestic and studio recording environments, additional tracks unearthed from his personal recording archive lend their lush patina. The record emerged as a fertile space to reimagine a handful of previously unreleased songs and unfinished ideas spanning the past fifteen years of his life and work, including streetside sounds documented while growing up in Turkey and recordings made while studying music engineering in Miami, Helsinki and Glasgow. Looking to the more recent past, Isik found himself wanting to build upon some of the methodologies and textures explored on his 2022 album in february, seeking a newly intimate, vocal-forward sound. He points to the track "film festival" from that album as a door through which to enter Moon in Gemini, where sample-based arrangements are presented in the context of asymmetrical "build ups and progressions" and ambience and vocals intertwine. Inspired in part by listening to iconic, if not sometimes misunderstood, singers such as Nina Simone, Aldous Harding and Ed Droste of Grizzly Bear, Isik aimed to carve out a new space for his voice on Moon in Gemini, experimenting with novel recording and mixing techniques. Captured at his aunt's farmhouse in Amasya during an extended three week recording session, we find Isik's vocal high in the mix, front-and-center and on newly expressive terms. As a songwriter, Isik is an intuitive and playful lyricist who allows his deep love of literature to flow through his off-kilter texts. Here, echoes of Silvina Ocampo's poem "Dialogues of the Silence" reverberate from the margins of "Most Beautiful Imaginary Dialogues". Likewise, Elliott Smith and Virgina Astley shapeshift through "Behind the Flowerpots," some lines of which were based on misheard lyrics from Smith's "Stickman" and Astley's "Some Small Hope." Attuned to the magic of happy coincidences, other unexpected "themes and connections between tracks flourished" during the recording process, resulting in some songs being more "thematically and lyrically connected to each other compared to previous records." The duos "Prelude" and "Interlude" as well as "Grown One Iota" and "After a Rain" explore connected stories, while "Almost a Ghost" and "Behind the Flowerpots" serendipitously emerged out of a conversation with Stephanie "Spefy" Roxanne Ward, whose balmy vocals heard highlighting in february return and call out to Isik's in sweet dialogue. Plumbing these new potentials of structure and songwriting, Isik also developed a taste for an expanded sonic palette, one enriched by the lulling undertones of live woodwinds and strings. The resulting collaborations with flutist Tenzin Stephen, harpist Kirstin McCarlie and clarinet player Giulia Tamborino envelop the record in an altogether "dreamier sound," swaying pastel and awash in lunar light. Moon in Gemini, brimming with natural imagery and lullaby-inflected tones, tunes into states of being where the wonder filled sound of everyday is heard and felt, perfectly imperfect in its poetry; where the invisible steps forward; where dauntless ghosts wait around every corner and play enriches the soul; where bird song fills sun-soaked afternoons and carries us on its wings into each enchanted evening. Isik Kural's Moon in Gemini will be released on vinyl, Japanese import CD, and digital editions on September 6, 2024. On behalf of Isik and RVNG, a portion of the proceeds from this release will benefit Mor Çaty Women's Shelter Foundation, whose social work at their solidarity centers and shelters supports women building lives unhindered by gender-based discrimination and male violence under free and equal conditions.

Сделать предзаказ06.09.2024

он должен быть опубликован на 06.09.2024


Последний логин: 2026 г. назад
The Lemonheads - It’s A Shame About Ray
 
2
также имеющийся в продаже

Album 2x12"

White 2x12"

Black Single Vinyl


Lemonheads’ seminal album ‘It’s A Shame About Ray’, lovingly reissued for it’s 30th Anniversary. The long overdue reissue includes a slew of extra material, including an unreleased ‘My Drug Buddy’ KCRW session track from 1992 featuring Juliana Hatfield, B-sides from singles ‘It’s A Shame About Ray’ and ‘Confetti’, a track from the ‘Mrs. Robinson/Being Round’ EP, alongside demos that will be released for the first time on vinyl. This reissue celebrates their prestigious fifth album, these deluxe bookback editions feature new liner notes and unseen photos.

Described by music journalist and author Everett True as “A 30-minute insight into what it’s like to live hard and fast and loose and happy with like-minded buddies, fuelled by a shared love for similar bands and drugs and booze and freedom.”. ‘It's A Shame About Ray’ had a considerable impact back in those heady, carefree days of '92, the record perfectly captures Dando’s ability to effortlessly encapsulate teenage longing and lust over the course of a two-minute pop song.

Singles such as 'My Drug Buddy' and the breezy perfect pop of the title track might stand out (plus the add-on of 'Mrs. Robinson' which later copies included), but the album's real strength lies in the tracks in-between; the truly fantastic 'Confetti' (written about Evan's parents' divorce), and the eye-wateringly casual acoustic cover of 'Frank Mills' (from the "hippie" musical Hair), a version that seems to resonate with every ounce of pathos and emotion felt for the lost 1960s generation. To hear Evan Dando sing lines like 'I love him/but it embarrasses me/To walk down the street with him/He lives in Brooklyn somewhere/And he wears his white crash helmet' is to truly appreciate how wonderful and tantalising pop music can be. Then, there's the rush of insurgency and brattishness on the wonderfully truncated 'Bit Part'; the topsy-turvy 'Ceiling Fan In My Spoon'... this was male teenage skinny-tie pop music on a level of brilliance with The Kinks, early Undertones, Wipers.

Сделать предзаказ31.08.2024

он должен быть опубликован на 31.08.2024


Последний логин: 2026 г. назад
LONE JUSTICE - TEENAGE KICKS/NOTHING CAN STOP MY LOVING YOU (LIVE)

80s alt country punk outfit, Lone Justice, with Maria McKee, Ryan Hedgecock, Marvin Etzioni and Don Heffington are in full flight with the release of a brand new 7". Taken from their forthcoming album, Viva Lone Justice, 'Teenage Kicks' is a rambunctious slice of punk angst that sounds like it was recorded in one take. It's a timeless anthem with a joyous riff that explodes into a hail of feedback. A favour returned as Maria McKee, the songwriter of Feargal Sharkey's only solo hit 'A Good Heart', Lone Justice cover The Undertones' Peel-approved favourite with the artwork of the single being a nod to the original. "As much as we loved Merle Haggard, George Jones, and many other authentic hard core Country artists, we were also deeply impacted by Punk; from the Velvet Underground (we were playing "Sweet Jane" live as early as 1983) to the MC5 ("Sister Ann" is on the album "Viva Lone Justice")." Backed with 'Nothing Can Stop My Loving You' that's cut with a wild, squeezebox-powered interpretation of the George Jones and Roger Miller country stomp. "Speaking of George Jones, here's one written by George Jones and Roger Miller. Two of our favorites! We played this song at nearly every show starting in 1983. This ragged and right live recording captures the fire from a sold out show at The Palace in Los Angeles and features Jo-El Sonnier on lead accordion documenting the only time Sonnier played with LJ. "Nothing Can Stop My Loving You" is the only live track on Viva Lone Justice." // "A roots rock band that took Los Angeles by storm in the 80s and developed a smaller but deeply enthusiastic following outside the Golden State

Сделать предзаказ09.08.2024

он должен быть опубликован на 09.08.2024


Последний логин: 2026 г. назад
Abel / Spinobi - Lost

Abel/Spinobi

Lost

7"-VinylMCM45003
Milkcrate Mondays
09.08.2024

Milkcrate Mondays has got a red hot 7" on its hands here with DJ Abel and DJ Spinobi taking one side each. The former kicks off by, says the label, "taking an Ocean classic for a trip to Miami." His take on 'Lost' is a funk-laced jam that blends r&b vocals with bubbling beats and jazzy keys into something brilliantly seductive. On the flip side, DJ Spinobi lays down some heavyweight Afro drum patterns and raw rap bars on 'Bay Bunny' while 'PRVNZA VIP' is a more blissed-out island sound with reggaeton undertones and angelic Spanish vocals up top. A real summer weapon.

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Последний логин: 5 мес. назад
Aural Imbalance - Binary System

Aural Imbalance

Binary System

12inchSPTL031
Spatial
19.07.2024

A1 - Wireframe
Label stalwart Aural Imbalance returns to Spatial with the dreamy Wireframe, opening with a sea of beautiful ambient padwork which ushers in a sumptuous, brisk Circles break pattern to the forefront. A myriad of light touch samples & effects twist and twirl over the composition with a fantastic 808 bassline that complements the show-stealing breaks, completing another exquisite collage of atmospheric bliss.
A2 - Hollow Sun
Another fine exploration in atmospheric serenity, Hollow Sun opens with light hats and high-pass filtered breaks which develop into a thick, weighty slice of breakbeat bliss. Like a gentle breeze on a warm summer night, the tapestry of airy melodies beckon the listener into a realm of sonic wonder, the breaks, bass and effects crafting the kind of inimitable soft yet danceable atmosphere Aural Imbalance has truly mastered in his Spatial guise.

AA1 - Distant Stars
Mixing up the vibe with flowing keys and metallic undertones in the intro, heavy old-school breaks with a dense analogue kick drum seize the limelight as Aural Imbalance showcases an impressively subtle break editing skillset with Distant stars. While a knowing aura of elegance and grace build an ethereal soundscape with the padwork, the breaks playfully jostle in the mix towards a clean DJ-friendly outro. Sublime.
AA2 - Eclipse
Low-pass break filtering and an introspective, slightly tense atmosphere introduce Eclipse, before a real treat to the senses unfolds as heavy breakwork thunders hard into the mix with crisp snares and rolling drums. It's a symphony of light and shadow, of tension and release as Aural Imbalance continues to expand his incredible repertoire of sound on Spatial, rounding off another superb explorative EP
Words by Chris Hayes (Spatial / Red Mist)

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Последний логин: 16 мес. назад
Various - Garage Psychedelique LP 2x12"
 
26

Two-Piers, the label that brought you ‘Pop Psychédélique (The Best of French Psychedelic Pop 1964-2019)’ brings you the second instalment in the series ‘Garage Psychédélique (The Best of Garage Psych and Pzyk Rock 1965-2019)’. A thrill-a-minute dive into the crazy awesome world of Garage Psychedelic Rock.

From the Psych sound explosion onto the underground club scene in the US and UK in the mid 1960s, to its discovery by a wider audience via the exceptional Nuggets and Pebbles compilation series in the 1970-1980s. Through its mainstream revival with the Garage sound of the late 1990 - early 2000s, to the current crop of exceptional bands flying the Garage Psych flag today, ‘Garage Psychédélique’ takes you on a journey and gives you a little taste of some of the finest music from the scene and the bands that blazed a trail for others to follow…..Sit back and enjoy the ride!

From the opening bars of The Sonics ‘Have love Will Travel’ through the Psych workout that is Count Five’s ‘Psychotic Reaction’ to the joys of ‘60s Beat Psych groups from the US such as The Paragons, The Preachers, The Strangeloves, The Squires, and the eccentric stylings of The Monks. The album careers along at a blistering pace of Garage Psych brilliance, jammed packed full of underground floor fillers a plenty.

US legendary underground acts such as The Electric Prunes, The Chocolate Watch Band and MC5 all deliver classic tracks for the cause, and singer-songwriter Harry Nilsson even makes a foray into the psych rock sound with ‘Jump into the Fire’.

In recent years such bands as Thee Oh Sees, Moon Duo and Allah-Las from the US have taken the Garage Psych influence and ‘60s sound and made it their own. A whole crop of bands such as White Hills, Gnod and Goat from the scene have evolved the music into a ‘Pzyk Rock’ feel with a darker and heavier vibe, but crucially still with the joyous undertones that the scene brings to its devotees.

The Garage Psych sound has influenced groups from around the globe with bands like Liverpool’s The Stairs ‘Weed Bus’, Scotland’s finest The Poets with ‘That’s the Way It’s Gotta Be’, The Bogeymen, a largely undiscovered ‘90s Psych Hammond band from France with ‘Electrocution’. Hailing from Sweden Goat bring us ‘Gathering of Ancient Tribes’ and The Hives their dancefloor anthem ‘Main Offender’. From Perth, Australia Pond’s Psych leanings on ‘Fantastic Explosion of Time’ are clear to see. Finally, Kevin Parker’s band Tame Impala were very influenced by the whole garage psych sound in their early band incarnation, as perfectly showcased here on the epic wig-out that is ‘Half Full Glass of Wine’ that closes the album.

This isn’t meant to be a ‘crate diggers’ album or a compilation of ‘obscure hard to find tracks’ to out-do your mates. It is quite simply a celebration of the Garage Psychédélique scene and a chance to revel in its brilliance and dance around your kitchen. If it means you go down a rabbit warren of discovery to unearth more gems and brilliant bands from the Garage Psych scene then job done!

Сделать предзаказ15.07.2024

он должен быть опубликован на 15.07.2024


Последний логин: 2026 г. назад
Lone Justice - Teenage Kicks / Nothing Can Stop My Loving You

500 only pressed. 80s alt country punk outfit, Lone Justice, with Maria McKee, Ryan Hedgecock, Marvin Etzioni and Don Heffington are in full flight with the release of a brand new 7”. Taken from their forthcoming album, Viva Lone Justice, ‘Teenage Kicks’ is a rambunctious slice of punk angst that sounds like it was recorded in one take. It’s a timeless anthem with a joyous riff that explodes into a hail of feedback. A favour returned as Maria McKee, the songwriter of Feargal Sharkey’s only solo hit ‘A Good Heart’, Lone Justice cover The Undertones’ Peel-approved favourite with the artwork of the single being a nod to the original. “As much as we loved Merle Haggard, George Jones, and many other authentic hard core Country artists, we were also deeply impacted by Punk; from the Velvet Underground (we were playing "Sweet Jane" live as early as 1983) to the MC5 ("Sister Ann" is on the album "Viva Lone Justice").” Backed with ‘Nothing Can Stop My Loving You’ that’s cut with a wild, squeezebox-powered interpretation of the George Jones and Roger Miller country stomp. “Speaking of George Jones, here's one written by George Jones and Roger Miller. Two of our favorites! We played this song at nearly every show starting in 1983. This ragged and right live recording captures the fire from a sold out show at The Palace in Los Angeles and features Jo-El Sonnier on lead accordion documenting the only time Sonnier played with LJ. "Nothing Can Stop My Loving You" is the only live track on Viva Lone Justice." // “A roots rock band that took Los Angeles by storm in the 80s and developed a smaller but deeply enthusiastic following outside the Golden State.

Сделать предзаказ12.07.2024

он должен быть опубликован на 12.07.2024


Последний логин: 2026 г. назад
SARAH AND THE SAFE WORD - THE BOOK OF BROKEN GLASS

Sarah and the Safe Word's "The Book Of Broken Glass" is an existential journey of 13 songs that weave in and out of their signature cabaret-punk mixed with rock arrangements, folky undertones and
sometimes even and late 90's early 2000's nu-metal vibe! This album merges all these styles into one cohesive unit that feels somehow familiar yet wholly unique

Сделать предзаказ12.07.2024

он должен быть опубликован на 12.07.2024


Последний логин: 2026 г. назад
MX1 - Beginner's Luck EP

Jackpot Recordings is a fresh sub-label brought to you by London-based production duo Club of Jacks. Their debut release showcases solo sessions from one half of the COJ crew, Max One aka MX1, and stays true to their signature UK garage-influenced house sound. The EP commences with 'Down Like That,' which has lively beats, resonant analogue sub-bass, and velvety chords with classic r&b samples while 'Waiting On' has swung beats and chord stabs with more captivating vocals. Don't Give Up' then brings a little sun to the grooves with funky undertones and 'Work Me' closes the EP with a more moody late-night vibe.

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Последний логин: 10 мес. назад
Seablite - Lemon Lights LP

Seablite

Lemon Lights LP

12inchMTN46LP
Mt.St.Mtn.
30.06.2024

Seablite is a four-piece pop band from San Francisco inspired by 80s/90s indie and shoegaze. Seablite was formed in 2016 when Lauren Matsui (vocals / guitar) and Galine Tumasyan (vocals / bass) bonded over a mutual appreciation of early 90's Britpop and UK underground music. The pair began writing songs and soon after Jen Mundy (ex-Wax Idols) joined on second guitar and Andy Pastalaniec (Chime School) would eventually join on drums. They have released an LP (2019’s “Grass Stains and Novocaine”) and 7" single (“Breadcrumbs” c/w “Ink Bleeds”) via Emotional Response Records and a 10" EP (“High-Rise Mannequins” - recorded and produced by Alicia Vanden Heuvel of the Aislers Set) in conjunction with Spain’s Meritorio Records. The band is among San Francisco’s current indie pop renaissance and have opened for the likes of Brian Jonestown Massacre, The Charlatans and Ladytron upon their recent Bay Area visits. Seablite has finished their sophomore album, “Lemon Lights” (due out this summer on Mt. St. Mtn). Recorded over the summer of 2022, “Lemon Lights” contains 12 dreamy pop tracks showcasing the group’s continued growth and maturity and marks a strong progression from their debut album. After recording basic bed tracks with Robby Joseph, the band finished overdubs in their practice space and Lauren's apartment. The freedom of home recording allowed them to experiment, resulting in an organic and intuitive manifestation of the band's emotions and creativity - a sonic inkblot of unfiltered pop appreciation. One may hear Manchester undertones on "Hit the Wall" and “Melancholy Molly”, or the feminine noise-pop of Lush on "Pot of Boiling Water" but Seablite are not to be mistaken for anglophile copycats. Seablite incorporates the jangle of their San Francisco “Fog Pop” contemporaries on tracks like “Hold My Kite” and a relentless and driving guitar on “Blink Each Day”, while the wonderfully dark elements on “Monochrome Rainbow” and the wistful closer, “Orbiting My Sleep” give them a wide range of sounds and vibes. Mastered by Mark Gardener of Ride.

Сделать предзаказ30.06.2024

он должен быть опубликован на 30.06.2024


Последний логин: 2026 г. назад
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