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The Besnard Lakes - The Besnard Lakes Are The Ghost Nation LP

On their new album The Besnard Lakes are the Ghost Nation, Montreal’s The Besnard Lakes return with their post-rock psych; but this time around, with a lightness and optimism at play.

Unique among their furrowed brow peers, The Besnard Lakes are unafraid to marry textured, questing headphone sonics to the honeyed pleasure of radio hits past: the rapture of My Bloody Valentine entwined with the romance of Fleetwood Mac. Imagine dreamy Beach House riding Led Zeppelin dynamics, with unabashedly androgynous vocal harmonies; a melodic yet mountainous sound world.

In a crowded leaderboard of their own making, The Besnard Lakes are the Ghost Nation might just be their best album yet; a strive for hope when it is needed most.

pre-order now10.10.2025

expected to be published on 10.10.2025

RUBY RUSHTON - LEGACY!

Ruby Rushton

LEGACY!

12inchALP22046
22a
10.10.2025
  • An (Other) Introduction
  • Charlie's Way
  • Theme From Legacy! (Part 1)
  • La Nina
  • Otto
  • Walk To Regio's
  • Theme From Legacy! (Part 2)
  • Shadows
  • The Lighthouse
  • Theme From Legacy! (Part 3)

Ruby Rushton"s fifth studio album Legacy! written by band leader Tenderlonious and keys player Aidan Shepherd, marks a new chapter for the hugely influential UK jazz group. In the past the band - which also includes trumpeter Nick Walters and drummer Tim Carnegie - worked with a "one take" live approach; avoiding the use of overdubs. For Legacy! the four musicians decided to combine their virtuosic abilities with Tenderlonious" studio production skills. Each of the compositions sees layers of horn and flute lines added to the melodies on top of the original live takes. The result is impressive; the listener is left with a wider sonic spectrum than previously heard on Ruby Rushton albums.

pre-order now10.10.2025

expected to be published on 10.10.2025

THE TUBS - COTTON CROWN

THE TUBS

COTTON CROWN

12inchTIMLPC3195
Trouble In Mind Records
10.10.2025

Mit "Cotton Crown" erweitert die Band ihre Klangpalette um eine kaleidoskopische Bandbreite an Einflüssen: Von gefühlvollem Pub-Rock über HÜSKER DÜ-Aggression bis hin zu melancholischem Sophisto-Pop ist alles dabei. Wie Pitchfork feststellte, sehen THE TUBS den Jangle als eine "riesige Welt der Stimmungen und Musen" und "Cotton Crown" zeigt, wie sie diese Welt weiter erforschen und dabei einen unverwechselbaren Tub-ular-Sound kreieren. Das liegt nicht zuletzt an der Gesangsleistung von Owen 'O' Williams, der oft mit einem jungen RICHARD THOMPSON verglichen wird, und an seinen offenen, düster-komischen Texten. In "Cotton Crown" widmet er sich weiter seinen Lieblingsthemen: Liebespsychose, unsympathisches, psychisch krankes Verhalten und die Demütigungen des Musikerdaseins in London. Dieses Mal ist jedoch ein Gefühl des Risikos in seinen Selbsteinschätzungen und Bekenntnissen spürbar. Im Mittelpunkt steht das Leben in der Zeit nach dem Selbstmord seiner Mutter (der Folksängerin Charlotte Greig), und Williams singt über die unbeholfenen, aufdringlichen und gut gemeinten sozialen Interaktionen, die darauf folgten. Das Albumcover zeigt ein Bild von Williams als Säugling, der von Greig auf einem Friedhof gestillt wird - ein Werbefoto, das um die Veröffentlichung des Debütalbums von Charlotte Greig herum aufgenommen wurde. Der wesentliche Trick von "Cotton Crown" besteht darin, die lyrische Düsternis von Williams durch fröhliche, hakengeladene Pop-Perfektion zu kompensieren. Das liegt vor allem an der Gitarrenarbeit von George Nicholls, der auf dem Album mühelos zwischen dem virtuosen Jangle von JOHNNY MARR, dem treibenden Folk-Rock von PENTANGLE und den Refrain-lastigen Hi-Fi-Grooves zeitgenössischer Bands wie TOPS oder THE 1975 hin- und herwechselt. Dazu kommt die halsbrecherische Rhythmusgruppe von Taylor Stewart (Schlagzeug) und Max Warren (Bass) - die jeden Song mit einer Power-Pop-Wut angreifen, die an GUIDED BY VOICES in ihren besten Zeiten erinnert - und schon hat man ein Rezept für großartigen Indie-Rock. Das Debütalbum der Band, "Dead Meat", wurde durch Mundpropaganda zu einer Sensation, die der Band Auszeichnungen von Pitchfork, The Guardian, MOJO, Uncut, SPIN und anderen einbrachte. Sie gewannen sogar einige prominente Fans: der unnachahmliche Mark Proksch (The Office, Better Call Saul, What We Do in the Shadows) spielte die Hauptrolle im Video zu ihrer Single "Round The Bend" und die Punk-Legende IGGY POP lobte sie in seiner BBC 6Music Radiosendung. Owen Williams, Max Warren und George Nicholls waren zuvor Mitglied von JOANNA GRUESOME - eine Band, die den Welsh Music Prize gewann, ausgiebig durch Großbritannien und die USA tourte und von Pitchfork, Rolling Stone, The New York Times, The Guardian und anderen gelobt wurde. Sängerin Lan McCardle, mit der Williams sowohl bei JOANNA GRUESOME als auch bei EX VOID zusammen musizierte, steuert bei einigen Stücken auf "Cotton Crown" Backing Vocals bei.

pre-order now10.10.2025

expected to be published on 10.10.2025

RUDOLF ABRAMOV - RUDOLF ABRAMOV LP

After bending boundaries on the acclaimed labels Optimo Music and Höga Nord, Rudolf Abramov resurfaces with a fierce new statement – inaugurating Aquasonic Records, the freshly minted label founded by one half of the duo.

They unveil a sweeping collection of rare recordings, drawn from the shadows of their enigmatic Berlin studio.

This debut full-length album unfolds like a sonic tapestry, threading krautrock, new wave, dub, psychedelia, experimental electronics, ambient, and jazz into a singular, genre-bending experience.

True to form, the duo assembles a diverse ensemble of guest collaborators, fusing layered musical worlds into a cohesive, concept-driven whole.

At its core, the album captures a dynamic interplay: acoustic instruments recorded with raw intimacy and spatial breath meet the hypnotic churn of modular synths, samplers, and analog machines. A vivid document of process, presence, and unfiltered sound, resisting definition, yet wholly their own.

pre-order now10.10.2025

expected to be published on 10.10.2025

Tommy Guerrero - Amber of Memory
  • 1: Directions Of Possibility
  • 2: Holding The Ocean
  • 3: Gravity Of Solitude
  • 4: Floating In Shadows
  • 5: Reflections Of Now
  • 6: The Pilots Of Vessel
  • 7: The Days Before
  • 8: As We Break The Victor
  • 9: Vistas
  • 10: Under The Pink Light
  • 11: Through The Mosaic
  • 12: Amber Of Memory
pre-order now03.10.2025

expected to be published on 03.10.2025

Finnr's Cane - Finnr's Cane

Finnr's Cane

Finnr's Cane

12inchNVP214LP
NORDVIS
03.10.2025
  • 1: Wayward Souls
  • 2: Twilight Glow
  • 3: Awaken The Sleeping Forest
  • 4: In Shadows
  • 5: The Northwind
  • 6: The Everwinter Grey
  • 7: The Spell Of The Change Of Seasons
  • 8: Harvest
pre-order now03.10.2025

expected to be published on 03.10.2025

Robert Lax - Living in the present

Robert Lax

Living in the present

12inchTAL038LP
TAL
02.10.2025

Living in the present is an album built around the work of American minimalist poet, Robert Lax (1915-2000) who is widely praised for his artistic concept of reduction, in which a pause becomes as important as the things said.

The album brings together the sound of Robert Lax reading his poetry, narrative field recordings by Nicolas Humbert and subtle yet imaginative timbres by Carina Khorkhordina (trumpet) and Miki Yui (electronics) who is also behind the final mixing of the album.

Living in the present is drawing from an archive of audio recordings originally made by film maker Nicolas Humbert while shooting a film on Robert Lax entitled Why Should I Buy A Bed When All That I Want Is Sleep?, ( Nicolas Humbert and Werner Penzel, Germany, 1999) The film was made on the Greek island of Patmos where Lax has lived withdrawn for 3 decades.

More than 25 years after the premiere of Why Should I Buy A Bed When All That I Want Is Sleep?, Humbert, Khorkhordina and Yui are revisiting the original audio material and patiently open worlds within worlds, pointing to new harmonic textures and isolating timbres, synchronizing different layers of time and traces of various locations into a new composition in its own right.

In some ways this album feels like an expansion of the work Humbert and Penzel did with Lax across six years, between 1993 and 1999, where they developed a unique intimacy in their textual-visual collaboration. On two long pieces, for each side of the album, “Where do i begin” and “One moment passes, another comes on” respectively – Yui’s electronics and Khorkhordina’s trumpet interweave beautifully with Humbert’s field recordings, in a manner that shadows the reflective reduction of Lax’s poetry. Indeed, it's no surprise that Lax’s poetry draws musicians into its orbit; it offers the curious a welcoming reduction in which only individual words and syllables represent the essence of language.

Lax’s poetry is notable for its qualities of near-stillness and its capacity to pause the reader’s thought, asking them to hold the sensuality of language for an extended, quietly revelatory moment. His readings on this album share a similar cadence, interested in settling with syllables, with single or several words, for an extended time.

Ultimately, Living in the present unfolds with unforced grace and poetics – one moment passes, then another comes on. (Jon Dale)

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Last In: 7 months ago
PURITY RING - PURITY RING

Purity Ring

PURITY RING

12inchFELLPC12
the fellowship
01.10.2025

Das selbstbetitelte vierte Album von Purity Ring markiert den Beginn eines mutigen neuen Kapitels als das bisher eindringlichste Werk der Band. Lange bekannt für ihre Verschmelzung von Body-Horror-Bildern und ätherischer Elektronik, verlagert das Duo nun seinen Fokus vom Physischen zum Fantastischen und kreiert ein Konzeptalbum, das als Soundtrack zu einem imaginären RPG dient. Inspiriert von Spielen wie Nier Automata und Final Fantasy X, erzählt das Album die Geschichte zweier unglücklicher Charaktere - Verkörperungen von mj und Corin - auf einer Reise, um inmitten der Ruinen einer zerbrochenen Welt eine freundlichere Welt aufzubauen. Aber dies ist keine eskapistische Fantasie: Es ist der erste Schritt zu verbotenen Träumen, zur Vorstellung eines Ortes, an dem die Schwachen beachtet werden, an dem Trauer laut ausgesprochen und gemeinsam getragen wird, an dem Familie eher ein Verb als ein Substantiv ist, an dem Hoffnung und Heimat gemeinsam aufblühen können.

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Last In: 7 months ago
COSMIC REAPER - BLEED THE WICKED, DROWN THE DAMNED
  • Hammer
  • Bloodfeather
  • Pot Of Gold
  • Parasites
  • Dwelling
  • Perfect Organism
  • Bones
  • Waiting By The Gallows
also available

gold nugget vinyl


Since 2017, Cosmic Reaper has carried a black-flamed torch of tradition, forged in the long lineage of doom and sludge. Emerging from the shadows of Charlotte, North Carolina, the band blends a raw, southern swing with the full circle of heavy metal-creating a sound as steeped in American mysticism as it is overloaded saturation of amplifier worship. "Bleed the Wicked, Drown the Damned is an album we poured our hearts into. With our sophomore LP, we wanted to take our sound to a new level, but also call back to the roots of doom, with a touch of 90s angst. Lyrically, it touches on everything from standing up to tyranny, to revenge, to sacrifice, to love, lust and betrayal- all wrapped in themes of horror, science-fiction, and history. For the best listening experience: light one up, and turn it up loud."

pre-order now26.09.2025

expected to be published on 26.09.2025

COSMIC REAPER - BLEED THE WICKED, DROWN THE DAMNED

COSMIC REAPER

BLEED THE WICKED, DROWN THE DAMNED

12inchHPSLTD362
HEAVY PSYCH SOUNDS
26.09.2025

gold nugget vinyl, limited to 350 copies. Since 2017, Cosmic Reaper has carried a black-flamed torch of tradition, forged in the long lineage of doom and sludge. Emerging from the shadows of Charlotte, North Carolina, the band blends a raw, southern swing with the full circle of heavy metal-creating a sound as steeped in American mysticism as it is overloaded saturation of amplifier worship. "Bleed the Wicked, Drown the Damned is an album we poured our hearts into. With our sophomore LP, we wanted to take our sound to a new level, but also call back to the roots of doom, with a touch of 90s angst. Lyrically, it touches on everything from standing up to tyranny, to revenge, to sacrifice, to love, lust and betrayal- all wrapped in themes of horror, science-fiction, and history. For the best listening experience: light one up, and turn it up loud."

pre-order now26.09.2025

expected to be published on 26.09.2025

Bloodbath - Survival Of The Sickest

Bloodbath

Survival Of The Sickest

Pict-Vinyl840588167029
Napalm Records
26.09.2025

Survival Of The Sickest offers no respite from the horrors of reality. Instead, BLOODBATH’s latest and greatest album gleefully confronts the slavering ghoul lurking in the shadows, and treats him to ten songs of ripping death metal frenzy. In contrast with their last album, Survival of the Sickest goes straight for the jugular in true old school fashion. With strong echoes of everything from Morbid Angel & Death through to Deicide & Obituary. Survival Of The Sickest boasts a smattering of irresistible cameos from the great, and ghoulish of the metal underground, including Barney Greenway (Napalm Death), Luc Lemay (Gorguts) & Marc Grewe (Morgoth). On Survival Of The Sickest, BLOODBATH evoke their most horrifying sonic scenarios to date.

pre-order now26.09.2025

expected to be published on 26.09.2025

IDENTIFIED PATIENT - RESET

IDENTIFIED PATIENT

RESET

12inchDKMNTL-UFO17
Dekmantel Records
26.09.2025

Identified Patient returns to Dekmantel for a third time with his Reset EP. The future-facing four tracker is another mutant fusion of bass and techno with low-end power with cerebral sound designs.

Job Veerman debuted on the Dekmantel UFO Series in 2019, returned in 2020 and has lit up the festival several times with transportative sets that balance power with precision. Like his productions on the Nerve Collect label, he co-runs with Gamma Intel, they are leftfield explorations of genre and tempo that find strange sensuality in often abstract ideas. Once again here, the Dutchman draws on eclectic influences to craft music that sounds like no one else but remains anchored by magnetic rhythms.

Opener 'Light' kicks off with a fuzzy synth line that slithers between syncopated drums. Whispered vocals drift through the mix as lurching basslines swell and collapse beneath them. The groove disassembles and reassembles in waves, propelled forward by bursts of glitchy, off-kilter percussion that's unsteady yet seductive. 'Scales' is a slow, menacing descent into rhythmic darkness. It sounds both ancient and futuristic with ghoulish vocalisations and filtered synths flickering like a badly wired circuit. There's a rave tension lurking throughout, but always in the shadows.

'Internal Pace' drives on but rides fluid, wobbly bass while tightly looped hits build the pressure. Layers of static and subtle distortion add grit to this unrelenting heads-down roller. Finally, 'Return' is a kinetic, razor-edged ride where jungle breaks collide serpentine melodies. Ethereal female coos drift in and out, brushing against spat-out vocal fragments so that tension crackles throughout this hallucinogenic trip.

With Reset, Identified Patient reaffirms his status as a singular voice who twists sound into evocative new worlds.

out of Stock

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Last In: 6 months ago
The Oxys - Casting Pearls Before Swine
  • 1: Poison Apple
  • 2: Mister Softee
  • 3: Long Shadows
  • 4: Idiot Box
  • 5: Eaten Alive (The Ballad Of Joe Ball)
  • 6: Demons
  • 7: Poison In The Heart
  • 8: Not Gonna Die
  • 9: Toe Tag Lovers
  • 10: Drop Of Blood
pre-order now26.09.2025

expected to be published on 26.09.2025

Max Aruj, Alfie Godfrey - Mission: Impossible - The Final Reckoning
  • 1: We Live And Die In The Shadows
  • 2: Another
  • 3: Come Home Ethan
  • 4: The Final Reckoning (Main Titles)
  • 5: Martial Law
  • 6: It's Only Pain
  • 7: It Will Change You (Ça Te Changera)
  • 8: The Entity
  • 9: I'll Be Waiting
  • 10: This Is Where You Leave Me
  • 11: I Know You
  • 12: Mt. Weather
  • 13: Checkmate
  • 14: The Eye Of The Storm
  • 15: Nothing Is Certain
  • 1: The Icecap
  • 2: Ascending
  • 3: Consequences
  • 4: Your Final Reckoning
  • 5: We'll Figure It Out
  • 6: Lift Off
  • 7: Decisions
  • 8: This Is Not Good
  • 9: Problems
  • 10: Ten Seconds... Maybe
  • 11: Good Luck
  • 12: Descending
  • 13: A Light We Cannot See
  • 14: Curtain Call
  • 15: For Those We Never Meet
  • 16: Final Reckoning - Sacrifice Trailer
pre-order now26.09.2025

expected to be published on 26.09.2025

Soa420 feat Stacktrace - No Nerve

Soa420 feat Stacktrace

No Nerve

12inchBAIT17
Bait
22.09.2025

Some 12 months on from Bait dropping Nantes-based Soa420's debut EP, No Nerve, the label is back with an exclusive vinyl-only VIP version of the title track. But first comes the original, which is still a devastating cut with a booming low end and eerie sense of open space and late-night shadows that keep you looking over your shoulder. This rework transforms the original's moody ambience and icy textures with jostling, fuller drums and tech-edge grit for more direct results in the club. Also included is 'Basement 31 (feat Stacktrace)' with a dark, immersive energy, creepy low-end wobbles and a serene sense of futurism.

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Last In: 19 days ago
Seasick Steve - Hubcap Music

Seasick Steve

Hubcap Music

12inch3734116
POLYDOR
22.09.2025
  • A1: Down On The Farm
  • A2: Self Sufficient Man
  • A3: Keep On Keepin' On
  • A4: Over You
  • A5: The Way I Do
  • A6: Purple Shadows
  • B7: Freedom Road
  • B8: Home
  • B9: Hope
  • B10: Heavy Weight
  • B11: Coast Is Clear
pre-order now22.09.2025

expected to be published on 22.09.2025

Deo Cadaver - Zombie Radio (LP 2x12")

Infoline proudly presents a compilation of tracks by Deo Cadaver on double 12' inch vinyl LP! Active from 1987 to 1993, Geneva-based trio Deo Cadaver stood at the vanguard of Switzerland’s electronic body music scene. Formed at just 17 years old, the group drew early influence from the visceral intensity of acts like The Young Gods, Front 242, Laibach, and Skinny Puppy—but quickly forged a sound and performative presence entirely their own. Their live shows became infamous: loud, theatrical, and uncompromising. Covered in grey-green clay and fake blood, suspended from chains, or locked in cages wired with sensors, projections, and video monitors, Deo Cadaver unleashed chaotic storms of samples, distorted drum machines, live percussion, and seismic basslines. At the center stood a vocalist whose voice and energy pushed the limits of physical endurance. Despite their undeniable force, Deo Cadaver remained largely unknown beyond their immediate circles. “There was no support structure—barely any venues, press, or labels for what we were doing,” they reflect. “Apart from our parents and a few community associations, we were completely on our own.” The internet, still confined, offered no relief. Connections were built face-to-face, and tapes were copied by hand. Still, the band found kinship in the Swiss experimental collective MXP, alongside other likeminded outliers pushing electronics beyond the dancefloor. Their spirit was one of invention, defiance, and independence.
While Belgium reveled in its New Beat wave and the UK fell into euphoric ecstasy, Deo Cadaver raged in the shadows—loud, isolated, and ahead of their time. This compilation finally brings their work into the light: a long- overdue snapshot of an uncompromising force from the margins of EBM history

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Last In: 6 months ago
Saxon - Killing Ground LP

Saxon

Killing Ground LP

12inchMOVLP3574
Music On Vinyl
19.09.2025

"Killing Ground is the fifteenth studio album by British heavy metal band Saxon, recorded and released in 2001. It was the last to feature Firtz Randow on drums, as he left the band in 2004. The album was met with positive critique, praising Saxon’s heavy sound, catchy lyrics and their fantastic cover version of King Crimson’s classic hit “Court Of The Crimson King”. Killing Ground is available is available as a limited edition of 1000 individually numbered copies on gold colored vinyl and includes an insert. This special edition contains an additional and exclusive cover print. "

Killing Ground by Saxon, released 12 April 2024, includes the following tracks: "The Court Of The Crimson King ", "Until Hell Freezes Over", "You Don't Know What You've Got ", "Running For The Border " and more.

This version of Killing Ground comes as a 1xLP. This release comes with (a) Insert(s).

The vinyl is pressed as a gold disc.

pre-order now19.09.2025

expected to be published on 19.09.2025

YOU SAID STRANGE - THOUSAND SHADOWS VOL.2

YOU SAID STRANGE

THOUSAND SHADOWS VOL.2

12inchXAGLPW42
Exag Records
05.09.2025

Second part of second album! Originating from Normandy, France, psychedelic noise-pop quartet You Said Strange presents a unique blend of indie rock that incorporates elements of psych pop-rock, shoegaze, and proto-grunge. Thousand Shadows volume 2, a second chapter was needed to highlight the many shadows that still linger everywhere. The shadows that linger on the borders, hiding the violence of the fights for them. The shadows that time has on the relationships and their persistence, because the shadows move. Plato's cave, modern version, would be the one of toxic relationships, antidepressants and the acceptance of the regression of freedom and/or the vision of a dying world... Between shoegaze, noise pop and psychedelic rock, You Said Strange absorbs its time to incant a music in which melancholy, love and the search for plenitude meet. The band recorded their first album, Salvation Prayer, in 2018 in Portland (USA), with Peter G. Holmstrom from The Dandy Warhols, which saw release via Fuzz Club Recirds. In 2022, the band shared their LP Thousand Shadows Vol. 1. Mythomaniac kings, the Mediterranean, the colors of mourning _ these are the detailed subjects, described against a backdrop of psychedelic pop, proto grunge, and shoegaze. The first part of a powerful, reverberant, melodious second album, drawing its inspiration and production stem from encounters during their 2022 European and North American tours, between Normandy, New York, and Oregon. Most recently, You Said Strange shared the second part of their sophomore release, a follow-up to Vol. 1 entitled Thousand Shadows Vol. 2.

pre-order now05.09.2025

expected to be published on 05.09.2025

YOU SAID STRANGE - THOUSAND SHADOWS VOL.1
  • Mourning Colors
  • So Sorry
  • Transition
  • Thousand Shadows
  • Mediterranean
  • Transition 2
  • Runaway
  • Treat Me
  • Landed

First part of second album! Originating from Normandy, France, psychedelic noise-pop quartet You Said Strange presents a unique blend of indie rock that incorporates elements of psych pop-rock, shoegaze, and proto-grunge. The band recorded their first album, Salvation Prayer, in 2018 in Portland (USA), with Peter G. Holmstrom from The Dandy Warhols, which saw release via Fuzz Club Recirds. In 2022, the band shared their LP Thousand Shadows Vol. 1. Mythomaniac kings, the Mediterranean, the colors of mourning _ these are the detailed subjects, described against a backdrop of psychedelic pop, proto grunge, and shoegaze. The first part of a powerful, reverberant, melodious second album, drawing its inspiration and production stem from encounters during their 2022 European and North American tours, between Normandy, New York, and Oregon. Most recently, You Said Strange shared the second part of their sophomore release, a follow-up to Vol. 1 entitled Thousand Shadows Vol. 2.

pre-order now05.09.2025

expected to be published on 05.09.2025

Brian Auger, Julie Driscoll & The Trinity - BBC Broadcasts 1966-68 LP
  • A4: Why
  • A1: This Wheel's On Fire
  • A2: A Kind Of Love-In
  • A3: Shadows Of You
  • A5: Don’t Let Me Be Misunderstood
  • A6: Interview
  • B1: Season Of The Witch
  • B2: The Road To Cairo
  • B3: I Am A Lonesome Hobo
  • B4: Old Jim Crow
  • B5: I'm Not Talkin
  • B6: Shadows Of You

Brian Auger, Julie Driscoll and The Trinity are today best known for their hit recording of Dylan’s then-unreleased This Wheel’s On Fire which is included here, together with covers of songs by the Staple Sisters, Nina Simone, Donovan, Mose Allison and David Ackles. Add in some band-written originals and you have twelve cool tracks mixing jazz, r’n’b, psyche and pop. All songs were specially recorded for the BBC, sound quality is excellent throughout.
Comes with full sleevenotes.




d A4 | Why Am I Treated So Bad




d A4 | Why Am I Treated So Bad




d A4 | Why Am I Treated So Bad




[d] A4 | Why [Am I Treated So Bad]




[d] A4 | Why [Am I Treated So Bad]




[d] A4 | Why [Am I Treated So Bad]




[d] A4 | Why [Am I Treated So Bad]

pre-order now05.09.2025

expected to be published on 05.09.2025

Winterlight - Winterlight LP

Emerging from the shadows of a small apartment in Chicago’s South Side Pilsen neighborhood in 1999, Winterlight was produced and mixed by Daniel Thompson over the course of three years, from 1999 to 2002. It’s an intimate and evocative album that captures a pivotal chapter in Thompson’s life and echoes the spirit of a formative era in the underground music scene.
Thompson’s journey began in the heat of Houston, Texas, where his love for sound quickly became an obsession. By the late ’90s, he was among the first DJs in Houston to champion the sound of Chicago house, often driving long distances from Texas to Chicago in search of records, inspiration, and connection. These trips—equal parts pilgrimage and education—eventually led him to relocate to Chicago, where his artistic vision would fully take shape. Winterlight is the direct result of that move. Crafted over several years, the album embodies a raw, hands-on approach to production, built from analog synths, outboard gear, and hours of meticulous layering. Thompson leaned on tools like the Kurzweil K2000, SE-1, Juno-106, and classic processors such as the DP4 and TC Electronic units, shaping each track with
care and intention.
Blending atmospheric textures with hypnotic rhythm and subtle experimental flourishes, Winterlight captures the sound of an artist deeply engaged with his tools and surroundings. His extensive vinyl collection—over 3,000 records—served as both palette and inspiration, with carefully chosen samples lending further depth and narrative to the music. Now set for release across all digital platforms and as a limited double 12" vinyl edition through Berlin’s Word & Sound, Winterlight invites listeners into a soundscape that is both immersive and personal. More than just an album, it is a sonic document of a moment in time—rich in tone, memory, and intent. For those willing to listen deeply, Winterlight offers a rare window into the underground spirit of the early 2000s and the inner world of a producer finding his voice.

pre-order now05.09.2025

expected to be published on 05.09.2025

Nailed To Obscurity - Generation Of The Void LP 2x12"
  • A1: Glass Bleeding
  • A2: Liquid Mourning
  • A3: Overcast
  • A4: Spirit Corrosion
  • B1: Generation Of The Void
  • B2: Echo Attempt
  • B3: Allure
  • C1: Clouded Frame
  • C2: Misery’s Messenger

With Generation Of The Void, NAILED TO OBSCURITY have crafted their most mature and expansive album to date. Set for release on September 5th, 2025, the album reflects the turmoil of the post-pandemic era, the shadows of war in Europe, and the relentless changes affecting all of humanity. Beyond its political and social commentary, the album also dives deep into personal struggles, confronting themes of dark emotions, depression, and fear. Every note, every lyric carries the weight of uncertainty and disillusionment, while no one knows what one will find within the void or beyond. After the success of 2019’s ‘Black Frost’, Germany’s doom/death metal veterans return with their new album ‘Generation of the Void’. First single ‘Overcast’ drips with a brutal, melancholic, apocalyptic intensity which the band have perfected over their 25 years together. After sharing the stage with legends Dark Tranquillity, Amorphis, Jinjer, Arch Enemy and At the Gates, Nailed To Obscurity will embark on their first EU headline tour at the end of this year.

pre-order now05.09.2025

expected to be published on 05.09.2025

CHILDISH GAMBINO - BECAUSE THE INTERNET
  • D4: Life: The Biggest Troll
  • A1: The Library
  • A2: I. Crawl
  • A3: Ii. Worldstar
  • A4: Dial Up
  • A5: I. The Worst Guys
  • A6: Ii. Shadows
  • B1: Iii. Telegraph Ave. (Oakland By Lloyd)
  • B2: Iv. Sweatpants
  • B3: V. 3005
  • B4: Playing Around Before The Party Starts
  • B5: I. Party
  • C1: Ii. No Exit
  • C2: Death By Numbers
  • C3: I. Flight Of The Navigator
  • C4: Ii. Zealots Of Stockholm
  • D1: Iii. Urn
  • D2: Pink Toes
  • D3: Earth: The Oldest Computer (The Last Night)

o C4 II. Zealots of Stockholm [Free Information]



[s] D4 Life: The Biggest Troll [Andrew Auernheimer]















[o] C4 II. Zealots of Stockholm [Free Information]



[s] D4 Life: The Biggest Troll [Andrew Auernheimer]

pre-order now04.09.2025

expected to be published on 04.09.2025

ASH MAGICK - RITUALS OF ANATHEMATIC EAST
  • Intro
  • The Kneeling Wretch
  • Beyond Dara's Gates
  • Sacred Flames Of Anathema
  • Baptistery
  • Interlude
  • Silent Ruin, None Evade
  • Day Of Resurrection
  • Outro

Hailing from the depths of Istanbul's ancient shadows, ASH MAGICK is a raw and unfiltered black metal project founded in 2022 by Necrosanctus and Graveyard Slut. Born from firsthand occult experience, the band channels themes of spiritual decay, cursed devotion, and forbidden knowledge into ritualistic sonic expressions. Drawing on Eastern mysticism, ancestral lore, and demonic narratives, Ash Magick conjures haunting atmospheres steeped in esotericism and ancient rites. Black metal in its most feral, feminine, and arcane form. Ash Magick are returning with their most spiritually charged and meticulously crafted work to date.

pre-order now29.08.2025

expected to be published on 29.08.2025

Eve Adams - American Dust LP

Eve Adams

American Dust LP

12inchBR023LP
Basin Rock
22.08.2025

"Astral Americana hymns hovering somewhere between the dirt and the stars" Pitchfork

"Mood music for moments of solitude, best experienced without distraction" The Times

"Overwhelmingly effective and ravishingly beautiful" The Wire

American Dust is an ode to the beauty of the American Southwest, where vast desert landscapes hold stories both stark and tender. Eve Adams’ characteristic folk noir weaves a vivid tapestry of love, sacrifice and quiet revelation, conjuring images of dust storms, stray dogs and far off trains.

The high desert of California is a vast and confounding place. Equally inspiring as it is punishing, it’s a landscape that carries magic in its deep dark nights, holding stories both tender and stark in the coarse layer of dust that settles upon everything. It’s long been a source of inspiration for musicians, writers, and painters, each of them adding to the same current, carried forward over time, through hope and hardship and the passing years.

Somewhere out there in that broad and boundless landscape, Eve Adams has been living her own desert life, quietly writing the follow-up to 2021’s Metal Bird LP. Where that album sang of liminal space, the dream-like turbulence of Hollywood’s golden age, American Dust is far more rooted in traditional storytelling; a eulogy for the American Dream channeled through that sweeping part of the country that holds such power and mystery. Slipping into different and varied costumes throughout its ten songs, it finds Eve not just observing the people around her but stepping into their shoes and peeling back the layers of their quiet lives.

Adams writes from within. A few years ago she moved out there, to “the middle of nowhere”, finding a slowness that didn’t exist in the city, and she knows only too well about the mystical nature of the land and those who live within it. Weaving together themes of grit and romance, American Dust holds its focus on the bittersweet poetry of lives lived in solitude, most notably the women who sustain life at the center of it all. “There’s something very radical about domestic life,” Adams says of this thread. “So many women live their entire lives behind closed doors, completely in the shadows. Within those lives is such sacrifice, devotion, and love. I wanted to honor that: the poetry in the mundane, the longing in the repetition. The way love survives boredom and dust and time.”

Eve is joined on American Dust by Canadian musician Bryce Cloghesy, aka Military Genius of Crack Cloud, who plays throughout and also helped produce the album. Musically bold and vivid, it’s an ambitious and detailed stride forward from what’s come before, the scope of the LP’s narrative reflected in the radiant sweep of the playing. On top of gentle piano and guitar, gorgeous strings drift through the album, lending the songs a woozy sense of romanticism; a collaboration with Gamaliel Traynor (Cello) and Caroline’s Oliver Hamilton (Violin).

For all the drama that’s coiled around these songs, it’s the recurring notion of love and hope fighting against everything that holds true throughout American Dust. Musically it’s lush and vibrant, intimate and cinematic side by side, and always bursting with warmth. But it’s what it holds in its weary bones that elevates it to something truly special, something more than just a collection of songs penned in the heart of the desert. The characters it speaks of, and from, feel shadowed but wholly real, like they’re bursting to share their stories that have remained hidden for years and years and they allow Eve Adams to grow as a songwriter right in front of our eyes.

“The same swirling dust that clung to the covered wagons of my ancestors as they crossed the Great American Desert is the same dust my great-great-grandmother swept off her porch during the Dust Bowl of 1936 in Oklahoma, is the same dust that blows in through the cracks in my windows here in the desert, carrying stories from a time long gone,” Eve says, reflecting on the personal narrative that runs through her new album.

“It’s not just dust—it’s American Dust, the kind that settles into the bones of a family and never leaves. I think about that dust as a symbol of the passage of time. I hope this album will be part of that same current, carrying forward for the next generations of my family to find. I’ve been lucky enough to have journals and poetry from my ancestors that documents their lives during times of pure hope and pure hardship. I’d like to think of this album as a contribution to that family history.”

pre-order now22.08.2025

expected to be published on 22.08.2025

Marcel Wave - Something Looming LP

Limited 180g black vinyl (500 copies worldwide)
“Marcel Wave combine sharp-eyed Northern lyricism with DIY guitar-janglers rooted in a retro C86 aesthetic. Epic finale ‘Linoleum Floor’...is a gloriously bleak rumination on the horrors of enforced late-night hedonism worthy of prime Pulp” UNCUT
Marcel Wave write eulogies for tragic actresses, ancient riverbeds and concrete obscenity. Their inaugural sonic instalment ‘Something Looming’ is part trades club symphony, part itchy serenade, and part wistful lament. As their heady concoction of ‘Meades meets Pat-E-Smith meets Kirklees Borough Council’ gets prepped to be formally baptised on a dank stage near you, Upset the Rhythm and Feel It Records have dutifully stepped in to deliver its songbook to the masses on both sides of the pond.
Formed when Lindsay Corstorphine and Christopher Murphy of Sauna Youth and brethren Oliver and Patrick Fisher of Cold Pumas were summoned by northern ink-slinger Maike Hale-Jones, Marcel Wave’s debut offering is a walk through a smoke-filled pub with yellowing wallpaper and all eyes on you. It’s a chronicle of the death of the docklands, the decline of industry, of the high street, of civic pride, of civilisations, of hopes and dreams. As Hale-Jones delivers the bad news in her low, West Yorkshire brogue, Corstorphine adds the bells and whistles via the frantic pulsations of a wheezing Hohner organ in tandem with Fisher O’s rasping guitar. MW are completed by the throbbing basslines of Murphy and Fisher P’s fervent rhythms.
The title itself sets the tone for the listener. There’s a sense of foreboding in Hale-Jones’ lyrics which sit at the quintet’s core—elegiac, sardonic and piquant in equal measure. A mixture of narrative epilogues and inward paeans, her words weave tales across a broad thematic church. Crooked tales of urban renewal and the voices left behind are probed in ‘Barrow Boys’ and ‘Stop/Continue’ and are at the fore in ‘Where There’s Muck There’s Brass’ with its refrain lamenting ‘Concrete and slate shine in the rain, cities destroyed, nothing to gain’. In these lyrics, tower blocks loom over terraced houses with the same shadows that the Hollywood sign casts over Peg Entwistle before she takes her tragic leap. ‘Peg’ and ‘Elsie’ are both meditations on two different actresses with different fates crushed by the cut-throat trappings of showbusiness: ‘The mad hopes break, fragile as glass. She traded it all, for the cutting room floor.’ A snaking, existential dread also runs through the album, stated more obliquely in the otherwise poppier interludes of the title track ‘Something Looming’ and album opener ‘Bent Out of Shape’, and present too on the comparatively ramshackle ‘Discount Centre’, where Hale-Jones reports ‘On a mini bus on the outskirts of Enfield, I’m losing all of my spark’. On the album closing weeper ‘Linoleum Floor’, it is laid barer still—a keyboard-led reflection on the deflating nights out of our early-twenties.
Marcel Wave invites the listener to dance to society’s decline, and then to later weep into its lukewarm pint.

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Last In: 8 months ago
MOSES BROWN - STONE OVER STONE
  • In The Beginning
  • Demolition
  • Reality Of Living In A Construction Site
  • Water Song
  • Steel I-Beams
  • Taking Out The Trash
  • The First Dinner
  • The New Neighbors
  • House For Sale
  • And Now The Memory

LP comes with 24 page 8.5x11 full color booklet. In the blurred and memorial hallways of bygone time, to remember is to wander between the rooms of our own experiences, to appear and disappear, like a play of overlapping shadows. In music set drifting through the architecture of his own memories, Moses Brown weaves a story that oscillates between the past and the present, like a mason turning over stones to reconstruct his childhood home in this beautiful and disquieting soundtrack to growing up. On Stone Upon Stone, Moses' first solo LP attributed to his given name after several releases under the brilliant and despondent "Peace de Resistance" moniker, he moves sidelong into the realm of soundtracks with this score to the construction of his childhood home in a story spanning 1993-2023. Laid out in lush and provocative minimalist instrumentals, the album unfolds a story about the planning, partial construction, and dissolution of a home in constant state of becoming through the lens of its only child, coming of age under flux. Influenced by the approach of friends and collaborators Straw Man Army's OST to Charles Darwin's Voyage of the Beagle, Stone Upon Stone was originally intended as a soundtrack to a novel of the same name by Wieslaw Mysliwski, an epic set in Poland about a family's construction of a mausoleum. Struck by the story's parallels with his own family's project, he got the idea to complete the work as a personal narrative. Created from layers of different mellotron voices then separated, re-amplified, and recorded as if they were a sitting chamber orchestra, the music eerily blurs the line between human and synthetic, giving way to something akin to a memory with it's blurriness of fact and fiction. In the same spirit of association, this record is certainly influenced by other minimalists working within the confines of "soundtrack", like Philip Glass' North Star and the film work of Michael Nyman. But Brown's soundtrack works within its own peculiar depth of field, living in the listener's imagination, thriving in its own sense of loneliness, aspiration, and confusion that only childhood can evoke. Listeners will feel the entropy of aging in Stone Upon Stone, like a memoir in cascading tones, that sets it apart from so much else in DIY music, and rewards with repeated listens. For Fans of Philip Glass, Kali Malone, Julius Eastman, Mica Levi, Roedelius.

pre-order now22.08.2025

expected to be published on 22.08.2025

Coastal County - Coastal County II

Coastal County II marks the fifth release from Oslo-based Lomas Productions, the long-running collaboration between musicians and producers Lars Mellgren and Thomas Hauge. Following the underground success of their 2019 Coastal County, the duo returns with a new installment that expands their instrumental universe. Coastal County II continues the sonic explorations of its predecessor, expanding the palette with a rich blend of cinematic moods and classic soundtrack grooves. Across eight tracks, the album moves from noir-infused symphonics and beat-driven progressions to Anatolian-inspired rock, jazz-tinged vignettes, and mountainous melodies. While steeped in the traditions of composers like David Axelrod and Alessandro Alessandroni, Coastal County II adds a Nordic sensibility – rich in details with shadows around the edges. This is not just a follow-up. It's a continuation.

pre-order now15.08.2025

expected to be published on 15.08.2025

SWAMPMEAT - GIN & TONIC

Swampmeat

GIN & TONIC

12inchPNKSLMX19
PNKSLM
15.08.2025

Swampmeat is the project of Dan Finnemore, former co-frontman of cult US rock & roll act Low Cut Connie (as recommended by the likes of Rolling Stone, KEXP, and - yes - Barack Obama), not to mention his role as behind the drums of PNKSLM's own The Castillians, as well as being a former member of the notorious Black Mekon. A long-time homeown secret in his native Birmingham, Swampmeat is now ready to step out of the shadows - over ten years after the project took its first steps. "Gin & Tonic" is a collection of country-fied rock and roll, straddling the edge between country, punk and rock and roll, with great songs and melodies.

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Last In: 8 months ago
FERN - INTERSUBJEKTIVE

Fern

INTERSUBJEKTIVE

12inchLP30342
FERN MUSIC
15.08.2025
  • ???????? (Feat. Hayk Karoyi)
  • Simulacrum
  • Hyperreal
  • Exnomination (Feat. Shrvl)
  • Rupture
  • I Am A Transient
  • Intersubjective
  • Shadows
  • Emanation
  • Afterlife

On the first full-length album under the FERN moniker, drummer Paul Seidel serves his dark poetry with deceptively catchy tunes and chunky grooves you can step to. Balancing between the emotional experimental pop music of Björk and the punishing industrial rock of Nine Inch Nails, FERN explores the fast-changing nature of reality in our digital society through a filter of moody synths, painfully precise drumming, and a fearless vocal delivery.

pre-order now15.08.2025

expected to be published on 15.08.2025

CLOSED MOUTH - YOU DON'T NEED A GOD EP

Emerging from the shadows with a sound both haunting and hypnotic, the mysterious one-man French act Closed Mouth (Yannick Rault) unveils You Don’t Need a God—an unrepeatable EP that stands as the spiritual heir to the legacy of compatriots Trisomie 21, Little Nemo, and Babel 17. With icy synths, ghostlike vocals, and melancholic guitar lines veiled in mist, this record conjures the same cinematic introspection that defined the golden era of European coldwave and post-punk. Each track plays like a transmission from a forgotten dream—enigmatic, emotional, and unmistakably timeless. This is not mere revivalism; this is the continuation of a mood, a vision, and a sound that still resonates with profound intensity. Presented in ONE-OFF truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid BLACK vinyl. All tracks have been specially remastered and mastered for vinyl by Daniel Hallhuber at Young and Cold Studios (Germany).

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Last In: 3 months ago
CHELSEA WOLFE - ABYSS LP 2x12"

CHELSEA WOLFE

ABYSS LP 2x12"

2x12inchSHLP10B141
SARGENT HOUSE
08.08.2025
  • Carrion Flowers
  • Iron Moon
  • Dragged Out
  • Maw
  • Grey Days
  • After The Fall
  • Crazy Love
  • Simple Death
  • Survive
  • Color Of Blood
  • The Abyss
also available

INSOMNIA VINYL


Classic black 2LP in gatefold! "Her darkest, heaviest and most personal album yet . . . a haunting, doomy exercise in loud-quiet dynamics." Rolling Stone Sleep paralysis plagues singer/songwriter Chelsea Wolfe, and that strange intersection of the conscious and the unconscious has inadvertently manifested itself within her work. Across the span of her first four albums, there is an underlying tension, a distorted and nebulous territory where dark shadows hover along the edges of the sublime and the graceful. But until now, Wolfe's trials and tribulations with the boundaries between dreams and reality have only been a subconscious influence on her work. With her fifth album, Abyss, she deliberately confronts those boundaries and crafts a score to that realm she describes as the "hazy afterlife. an inverted thunderstorm. the dark backward. the abyss of time." Chelsea Wolfe's material has always felt intensely private, from the almost voyeuristic bedroom-production aesthetic of her debut album The Grime and the Glow to the stark themes and atmospheres of 2013's Pain Is Beauty. "Abyss is meant to have the feeling of when you're dreaming, and you briefly wake up, but then fall back asleep into the same dream, diving quickly into your own subconscious," says Wolfe. To conjure this in-between world, Wolfe continued her ongoing collaboration with multi-instrumentalist and co-writer Ben Chisholm and drummer Dylan Fujioka, with Ezra Buchla brought on board to play viola and Mike Sullivan (Russian Circles) enlisted to contribute guitar. The ensemble traveled to Dallas, TX to record with producer John Congleton (Swans, St. Vincent). In the back of her mind burned the words of designer Yohji Yamamoto: "Perfection is ugly. Somewhere in the things humans make, I want to see scars, failure, disorder, distortion." The resulting eleven songs reflect that philosophy as they smoulder with human frailty, intimacy, quiet passion, anxiety, and deep longing. "Sleep and dream issues have followed me my whole life," remarks Wolfe as she revisits notes from the writing and recording sessions. In a way, these issues have become a part of Chelsea Wolfe's identity, for whom the notion of sleep as an escape has been subverted. Abyss captures this dichotomy, this battle between the soothing and the upsetting, and demonstrates why Chelsea Wolfe has become one of the most intriguing songwriters of the decade.

pre-order now08.08.2025

expected to be published on 08.08.2025

THE DELINES - THE SEA DRIFT

The Delines

THE SEA DRIFT

12inchDECORLP58
Decor
08.08.2025
  • Little Earl
  • Kid Codeine
  • Drowning In Plain Sight
  • All Along The Ride
  • Lynette's Lament
  • Hold Me Slow
  • Surfers In Twilight
  • Past The Shadows
  • This Ain't No Getaway
  • Saved From The Sea
  • The Gulf Drift Lament

2025 repress in a new colour variant (Pearl White colour vinyl) with printed innersleeve. The third album proper for "Country-got-Soul"s finest, The Delines, on Decor Records sees them exploring the US Gulf Coast, not far from where Amy Boone grew up. The songs in this cinematic opus all focus around this area and are inspired by when Amy asked Willy Vlautin to write her a song like Tony Joe White"s "Rainy Night In Georgia" after her tragic accident being hit by a car in 2016 and her 3 year recovery. This follows on from 2019"s The Imperial which was number one in the UK official AMA charts for two weeks. Written and partially recorded before lock down the rest of the album was finished last Summer, produced by John Morgan Askew at his Bocce studios just outside of Portland, Oregon.

pre-order now08.08.2025

expected to be published on 08.08.2025

Candlemass - Death Magic Doom 2x12"

Candlemass

Death Magic Doom 2x12"

2x12inch0727361227241
Nuclear Blast
08.08.2025
  • A1: If I Ever Die
  • A2: Hammer Of Doom
  • A3: The Bleeding Baroness
  • A4: Demon Of The Deep
  • B1: House Of 1000 Voices
  • B2: Dead Angel
  • B3: Clouds Of Dementia
  • B4: My Funeral Dreams
  • A1: Lucifer Rising (Album Outtake)
  • A2: White God

CANDLEMASS - a name forged in darkness; a legacy built on doom. Born from the cold shadows of Stockholm in 1985, this Swedish titan of epic doom metal has stood as a monolithic force for nearly four decades. In 2025, CANDLEMASS marks 40 years of sorrow-laden grandeur, a testament to their unwavering reign over the genre they helped shape. Their journey began with the seismic release of “Epicus Doomicus Metallicus” (1986), a requiem that redefined heavy music, followed by the monumental “Nightfall” - both now sacred texts in the annals of doom. These albums remain cornerstones of a genre that thrives in the echoes of CANDLEMASS somber majesty. Despite doom’s reputation for slow, crushing weight, CANDLEMASS themselves show no signs of slowing down. Relentless and untamed, they continue to storm stages worldwide, bringing their towering hymns to devoted Candlemaniacs from Tokyo to Los Angeles. With Grammy win in Sweden and a U.S. Grammy nomination in 2019, the band’s fire still burns with undiminished intensity. Originally released in 2009, “Death Magic Doom” is the tenth studio album from CANDLEMASS.

pre-order now08.08.2025

expected to be published on 08.08.2025

Saktu - Fucha EP

Saktu

Fucha EP

12inchHSBRGV014
HEISENBERG
05.08.2025

Stepping out of the shadows with refined precision, Saktu returns to Heisenberg with the Fucha EP – a sharp, hypnotic exploration of minimal groove. Sleek rhythms, tactile textures, and playful low-end pressure define this trio of deep, late-night rollers.

Balancing raw functionality with subtle artistry, the Fucha EP captures the essence of what makes Heisenberg a beacon in the modern minimal scene. Crafted for the floor, tested in the booth

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Last In: 13 days ago
Saktu - Fucha EP

Saktu

Fucha EP

12inchHSBRGV014B
HEISENBERG
05.08.2025

Stepping out of the shadows with refined precision, Saktu returns to Heisenberg with the Fucha EP – a sharp, hypnotic exploration of minimal groove. Sleek rhythms, tactile textures, and playful low-end pressure define this trio of deep, late-night rollers.

Balancing raw functionality with subtle artistry, the Fucha EP captures the essence of what makes Heisenberg a beacon in the modern minimal scene. Crafted for the floor, tested in the booth

out of Stock

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Last In: 5 months ago
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