Purple Disco Machine has been setting the world on fire for years, and he’s showing no signs of slowing down any time soon. He has teamed up with German artist Roosevelt for their latest collaborative single, 'Higher Ground.'
'Higher Ground' sounds straight out of the 80s. It’s a club banger with an infectious synth loop that will keep you sweating on the dance floor.
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straight up grooving minimalism and acidicted tunes.
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Samosa Records roars into 2024 with a sublime four-tracker, the curiously titled ‘(Re)-Funk+Head EP'.
All four tracks have been carefully sized, selected and re-edited by De Gama himself. For those not in the know, Re-Funking is serious business and you can tell De Gama’s laboratory was in full flow in bringing these tracks even closer to the dance floor!
First up on the A-Side are Samosa favourites Dirtyelements & Drunkdrivers with the hypnotic, smokey dim lit club thumper ‘Keep It Coming’. Coming in at a deceptive 115bpm, the bass massages your brain whilst the keys, vocal sample and beats tickle your toes. A deliciously salty and sweet re-edit.
Sneaking up on you is A2 and a track from label boss De Gama himself – the flutey, tootie late night funk bomb that is ‘Some More’. Be warned - this dirty birdie stirs up primordial feelings that are probably illegal in some countries. It’s not an overstatement to say that ‘Some More’ is the definition of pure, adult-orientated funking. Saddle up, put out the camp fire and ride it into town.
A quick flip to the B-side and you’ll find Paul Older’s Sax Francisco (B1) parading down the street in all its splendid glory. Mr Older sure knows how to cook - and served on his sombrero-shaped sun terrace is this fantastic tropical sorbet of a tune. The production is assured and so warm that you lose yourself for the entire 6 mins and 26 seconds in its spell. Expect this to be packed in your summer 2024 suitcase with your Factor 50.
Closing the EP off is the super-talented MB Edit and his deadly groover ‘Got The Feeling’. The serious business of Re-Funking is on full display here – stompy, squeaky clean four-to-the-floor drumbeats, twisted riffs and subtle piano prepare you for the soaring horns, heavenly strings and disco-fied vocal breakdown that used to make lofts bounce and dark clubs heave. A dreamy, relentless journey into the disco ball for those lucky enough to jump in.
(Re)-Funk+Head is another exceptional EP from the Samosa stables and pushes the ever-expanding sonic boundaries with seriously solid production, stone cold grooves and a roster of amazing talent on one EP. A must, must, must have for the record box!!
Ste Hendry Black Light Disco
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repressed !
Office 04 circles in memories: The record is about Johannes 'Iron Curtis' Paluka's time at Karl-Marx-Straße Berlin where he used to live next door to label head Baaz and graphic designer Chris Fladung.
A1 track 'Magnet' is an ecstatic piece of house music holding all elements IC's production is esteemed and loved for : Heavy, unrelenting kicks, rolling bass lines, shimmering pads, topped with searing hot yet gamelan-like synts and an icing of slightly loose, detuned organ stabs predesting grand emotions on any dance floor. 'What happened happened' surely marks up as another proof of Curtis' fearless takes on house music: distorted field recordings and blurred spoken words, a web of gossamer melodies and subtle clicks and cuts, all cohered by the louche bassline and the reshuffled groove in a true dilla-ish vein.
Adapting elements to their own agenda, clandestine groove explorers Berg turn 'What happened' into a true midnight roller: razor-sharp hihitas join forces with a steam-maschine like percussion, whipping relentlessly in-between kick drum and kick drum. Berg cools off their take with prancing melody motifs and strung out pads of the original track, though never loosing focus of the 'reductions' aim: keep the dancer dancing.
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We are thrilled to announce our 5th vinyl VA. This time with only Belgian Underground artists. All friends and amigos who met each other during their journey in the Belgian music scene over the years.
A diverse ensemble spanning the House-spectrum, on the A-side we take a more deep and funky approach with UC Beatz bringing his known groovy flavours. Followed by Rawdio with some piano house vibes and bendrik keeping it fresh and crispy as always.
The B-side takes a more clubby turn with Deeleegenz dropping the snares and shuffled percussion in his Deep Jackin tune. Followed by Max Telaer who shows a darker side from himself with an absolute stomper that will set fire to the dancefloor.
Very proud to have them all on board!
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Tilman is back on Off Track with a four tracker for your
dance§oor pleasure. Raw and ready, these cuts will take you
back to the good ol’ days. The Mainz based producer has
been on ¦re with a string of 90’s Italo-House styled records
on his Pleasant Systems imprint and they just keep getting
better and better.
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2025 Repress
Chontane delivers six dynamic techno cuts via his 'Sycamore' EP on Mutual Rytm.
A firm fixture of the VOLTAGE roster and a rising name originating from Ukraine making an impact, Berlin-based DJ and producer Chontane is quickly finding his feet following a string of EPs via ARTS, Lobster Theremin and Rekids Special Projects. Already playing key clubs at the age of just 18, blurring the lines between techno, breaks and electro with his growing trademark sound, his performances across Berlin and beyond have captured the attention of many as he showcases his up-front and powerful sound. Next, he heads to SHDW & Obscure Shape's Mutual Rytm imprint for the first time as he reveals his six-track 'Sycamore' EP.
Lead cut 'Preserved' is a rugged yet soulful opener, settling into a rolling groove guided by crisp hats and sharp stabs, while 'Arakis' propels into more eerie and menacing spheres as waling vocals emerge and disappear into the track's relentless dynamic. Opening the B-side, 'Sitka' fuses jacking drums with playful flute interludes for a production set to get dancefloors moving, while 'Laboe' keeps things fiery as a peppy track which launches into fiesta mode. Closing the flip side, B3 'After Images' reveals the most emotive production on the package,
balancing the hard-hitting kicks with soulful vocals and hazy melodies for a classy slice of techno.
Once again, digital purchasers are treated to an exclusive bonus with 'In Roots' raising the temperature and jumping right back into the action to serve up another energising anthem from a label and artist on the rise.
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2024 Repress
Siberian born and since 2010, a proud resident of Naples where her musical journey began, Anfisa Letyago has brought to the next generation of techno DJ/producers a sincerity and passion few others can. Of which she is successfully channeling to an incredible growing fanbase. From her releases on Drumcode, Rekids and her newly minted imprint N:S:DA, Kompakt are ecstatic to welcome her to our long running SPEICHER series.
“Keep Flight” is bare and punishing. Taking cues from the greats – think early Hood, Broom or Surgeon – Anfisa takes us down a relentless wormhole fortified by a pulsing vocal and EBM synth. In contrast, the flip side “Rhythm Tension” is a more slowed down, acid squelched affair where Anfisa’s vocals keep the vibe fully in check for those feel good moments everyone is currently needing in a DJ set.
Anfisa Letyago stammt ursprünglich aus Sibirien und ist seit 2010 stolze Einwohnerin von Neapel, wo sie auch ihre musikalische Reise begonnen hat. Sie hat der nächsten Generation von Techno-DJs und -Produzenten eine Aufrichtigkeit und Leidenschaft vermittelt, die nur wenige andere haben. Diese Leidenschaft hat sie erfolgreich an ihre stetig wachsende Fanbase weitergegeben. Nach Veröffentlichungen auf Drumcode, Rekids und ihrem neu gegründeten Imprint N:S:DA freuen wir uns sehr, Anfisa als Gast in unserer langjährigen KOMPAKT Extra/SPEICHER-Reihe begrüßen zu dürfen. "Keep Flight" ist so einfach wie gnadenlos. Erinnerungen werden wach an einige der ganz Großen - an den frühen Hood, Broom oder Surgeon. Anfisa führt uns in ein unerbittliches Wurmloch, dessen Sog durch eindringliche Vocals und EBM-artige Synthies noch verstärkt wird. Im Gegensatz dazu ist die Rückseite "Rhythm Tension" ein entschleunigter Acid-Mahlstrom, bei der Anfisas Gesang für genau die Wohlfühlmomente sorgt, die wir alle derzeit in einem DJ-Set brauchen.
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What I Breathe is the debut album from Mall Grab AKA Jordon Alexander. The Australia-born London-based powerhouse reaches within to create the most comprehensive demonstration of his style to date – loudly defining the raw energy that has become synonymous with the moniker.
“This album is deeply personal and an exploration of all influences, sounds and sides of the Mall Grab project. It follows my journey of the last 6 years from a university dropout in Newcastle (Australia), making music as a source of happiness and expression.”
While glances of what Jordon gravitates towards in dance music can be heard in the record label imprints he steers—Looking For Trouble and Steel City Dance Discs—it's with What I Breathe that he elaborates on and articulates his diverse ear for music. Through collaborations with Brendan Yates of Turnstile, Novelist, D Double E and Nia Archives, the Mall Grab repertoire of emotive electronics is used to traverse his love of hard-to-define energies that exist between genres like Hardcore, Hip-Hop and Soul.
“I have been lucky enough to work with some of my favourite artists which have really been the glue that keeps the project coherent. There are a lot of familiar sounds on this album that my listeners and followers have become accustomed to and joined me in the deep dive. Elements of emotional but hard and pumping club music are intertwined with House, Jungle, Rave and Grime. My adopted home city of London has been a huge inspiration to how my music has evolved and progressed, and on What I Breathe I wanted to create a body of work which not only had something for everyone who has been with me the past 6 years, but also those who aren’t yet aware of what I’m about or the music I make.”
Jordon’s long-standing penchant for all things DIY blossoms in tracks like Lost In Harajuku and Without The Sun which feature his own original lyrics and vocals. As the album twists and weaves from one song to the next, gleaming melodies flare up into club-ready anthems such as Metaphysical and Breathing. The kinetic flow of the music as a whole can be attributed to the many years of cutting his teeth as a DJ, a skill that can be testified by anyone who has witnessed a Mall Grab set.
“As I was a DJ for many years before I delved into producing electronic music, I had a wide appreciation and love for all types of music, predominantly gravitating towards ‘band' music when creating my own projects, before evolving into a fully-fledged electronic producer – however always retaining the influence and love for all things live and genre-fluid.”
Even with a stack of very well-received projects already under his belt, What I Breathe can be seen as the first deep breath in and a fierce declaration of what’s to come for Mall Grab.
“I’m grateful for everything and everyone in my life, those I love and those who support my music, through all the ups and downs. I live and breathe this shit. I cannot do anything else. I will continue until there is nothing left for me to say.”
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Jack's House Recordings favourite (Alex Arnout), is back with another 4 track solid EP. This is the 3rd EP with Alex signed to the label. Alex was the first artist to release on the imprint back in 2016 with sell out Confirmation Bias ep followed by the Sync Jam release and further productions on some of the Jacks Tracks VA series. This latest offering with the new Burn EP does not disappoint
This limited vinyl press offers 4 distinctive tracks showcasing Alex's ability and talent to seamlessly blend influences from different genres making his production unique creating his staple sound.
First up is Burn which kicks of with tough tech beats quickly followed by some punchy chords before it develops into a beautiful fusion of an energetic original tech house sound merged with what can only be described as a pure soulful touch with the vocal snippet which occasionally and simply sings the the title track lyric (Burn). You could describe it as Tech soul if that were a thing. Punchy, warm and energising with a touch of a romantic notion in there while maintaining the techy roots, you will have this on repeat.
2nd up is Tribespeople, which takes you into Alex's tougher side. Leading with a full on kick and rounded sound, it is perfectly suited for true underground dance floors at the height of their energy, or to wake it up, this track is made for the committed clubber that really likes to go for it ! The track is laced with subtle fills that will jog your memory and take you back to the original days of rave. This is pure underground bliss.
On the flip side, is the popular Punkadelic. This was originally released back in 2022 on Jacks Tracks VA Vol 5 alongside tracks from Terry Francis, Lex & Legit Trip. It was always intended to be a vinyl release, so by popular demand, it is finally going onto wax, where it deserves to be. Punkadelic is dark with a real techno vibe, but even in here, if you have a good ear, you can hear subtle touches of Jazz in the percussion, which yet again showcases Alex Arnout's unique talent to fuse elements of different genres in an especially classy way.
Last but by no means least, is a slightly different flavour with the track Recall. This is a slightly more laid back number, but still punchy with a good chug to it, and keeping within the sounds of the underground. Vocal snippets are spoken and broken throughout the track laced over some ghostly chords accompanied by swinging hats, claps and a fierce bassline.
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Poison Point is the trancey body music solo project operated by Paris-based producer and live artist, Timothée Gainet.
Started off in 2016, he shared the stage with bands such as Drab Majesty, Xeno & Oaklander, Adult, Rendez-Vous and Silent Servant, shared remixes with Qual, Sydney Valette, Blind Delon, all this while running his other industrial techno outfit IV Horsemen. You can tell Timothée is a busy guy and yet he managed to grow Poison Point since his debut album on Third Coming, getting releases out on Aufnahme + Wiedergabe and Young And Cold.
Over the years, his sound gradually shifted from the motorik post-punk of the early recordings to one much more dancefloor-oriented dark electronics with some sort of nice military pop Je ne sais quoi.
If one could see this coming with 2022’s album Poisoned Gloves, his new full-length is a major step-up in Poison Point game. Skilfully produced by Gainet himself and mastered once again by Mr Baggio for the best groove, Wandering Echoes drops nine new floor fillers for the romantic and the nostalgic at heart.
Just click Play on the first track Blue Idol and you will be hurled into a crystal world of imaginary memories while floating on the scales drawn by the synth arpeggios. Rude awake to the lead single Mysteries In Fire and his intoxicating body music and start wandering the room around you. Keep up the pace with further bangers loaded with electricity, romance and angularity like Flowers & Surrender, Echoes Of Dreams, Slow Kill, Fast Love. Get sweaty as you reach the end of this music journey: final track Les Meurtrières de LʼAube, properly sung in Timothée’s native tongue French, will show you the way to the rest of the just.
If your favourite vibes dwell somewhere between Phase Fatale and Lust For Youth, Wandering Echoes is the record for you.
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Theory Of Swing is proud to announce another great release from “ R.O.P Underground Traxx ”.
A project from the Bari-based artist also known for his Italian Sound as Rhythm Of Paradise.
With this very special one-shot EP called “Project #1” we go back to the old Detroit House roots with 5 classic cutz .
Side A is opening with a classic hymn of glory called “ Feel My Body ”, followed by a Remix delivered by Label Boss St. David.
If you have been a fan of the Acacia records, Happy Records or the Intangible Records sound this is a must for you.
Mixed & Mastered by St. David at TOW Records Studio in Bari, South Italy
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2025 Repress!
Remastered and, for the first time, back to back on vinyl, two of Greg Wilson's best-loved edits/mash-ups (plus a bonus track never previously available).
'Two Sides Of Sympathy' combines a pair of P.T.A. mash-ups built around Amerie, Massive Attack and the Rolling Stones. A signature GW edit, originally pressed in 2007, that would feature in his classic 2009 Essential Mix.
'Gotta Keep Workin' It was a GW mash-up pressed back in 2005, its main elements being PM Dawn (sampling Imagination) and Missy Elliot. It would also find it's way into the Essential Mix. A later version, 'Working The Illusion', this time going straight to source with Imagination, whilst retaining Missy Elliot's rap, is made available here for the first time as a bonus addition.
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The title track "Who You Are" has become a dance floor favourite making appearances during Templé's DJ sets opening for the likes of Rick Wilhite, Osunlande, Trus’me, Rahaan, Alkalino, Late Nite Tuff Guy, Hidden Spheres and Harvey Sutherland.
It's the kind of track that can get the party started, keep it going or close it out with its tough verses, 303 acid line, drum machine build up and poppy chorus. It’s so versatile that it’ll never leave your record bag. Staying with side A, the EP's charm is further amplified by Prins Thomas's magical remix of the title track.
This luminary of the electronic music scene adds his Nordic touch in only the way that he knows how. Delicately weaving his disco sensibilities into the fabric of the original track, making the chorus the break down, turning the original track on its head. This one will get you in the feels.
Flipping the record over to the B-side, we encounter "Wait For Love." It's a powerhouse of a track, driven by a rolling acid bass line and a saxophone solo that lands right in the sweet spot, ensuring the party never stops.
The vocals soaked in effects and skilfully sliced and diced, guides the listener's focus making it the perfect tune for those late night dance floor occasions. Then there's "The Tetrah" - a departure from the rest of the EP. It's a deeper and more intricate piece featuring the soulful interplay of saxophone and trumpet throughout. These two instruments seem to tease and tantalise each other, never quite aligning until the final drop. It's a near 9-minute journey and each moment holds your attention.
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New edits label from the Deep&Disco crew outta NYC. 2 Killer cuts given a revamp and shine for the dancefloor.
Pressed on heavy weight 180g vinyl limited to 300 pressings hand stamped.
DJ FEEDBACK
Craig Smith (6th Borough Project) - Lovely edits, well produced and expertly put together. Good luck with the label chaps
Guy (Sleazy Beats, Monsieur Monod) - What a delightful debut for your new label. Feel The Rhythm is an irresistable boogie groover. We'll be playing these puppies all over the place! All the best with the release and label.
aliOOFT (OOFT! Music) - Being playing this for ages, good to see it being released. Best of luck with the label - I look forward to more Razor N Tape jams!
Sleazy McQueen (Whisky Disco) - Dig it, man!
Onur Engin (OE Edits) - Nice one! I'll definitely support this.
Jimpster (Freerange) - Nicely done. always a good one to have in the bag. cheers for the good edits.
Trujillo (Apersonal Music) - So Tight is a dope warm disco for the dance floor!, will spin it!
The Glue (Kolour) - Great edits both of them, we will keep an eye out for more stuff from you guys for sure!
Leftside Wobble (Futureboogie) - A pair of filtered boogie beauties.
Alkalino (Much Love) - Like both, but "Feel the Rhythm" is my fav.cheers!
Matthew Bandy (Z Records) - Solid edits here, will be getting support on both from me. Cheers.
Sell by Dave (Bedmo Disco, Juno Plus) - Excellent first release lads - enjoying both tracks. The edits scene needs some fresh cuts/styles, and you've delivered on these. Major props - can see both getting plenty of plays in Bedmo Disco sets this summer x
Daz (Get Down Edits) - So Tight never fails but this is my first time hearing Feel The Rhythm & cant wait to play it out its sounds excellent, have a gig @ Disco Deviance this sat & cant wait to play these at it :)
Mike W (Kolour Recordings) - Been looking forward to RNT001 and it does not disappoint one bit! edits that drip with funk & soul .. just like they should. got a nice batch of gigs in the pipes and these will definitely be seeing their way into my rotation as well as the full gambit of chart support! cheers j. kriv & aaron dae .. got yourselves off to a nice & tidy start .. best of returns to ya!
Nelue (Groove Democracy) - Both sound great!
South West Seven (SWS Music) - Love it!
Kid Color (Dollar Disco) - Slammin' work if I could say so myself!
The Beat Broker (Flexx) - So Tight is exactly that. Killer unstoppable groove. Love it!
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Pure unadulterated boogie fire from the Gold Mink vaults, which combined the power of James Bedford with the production genius of Roy Ayers back in ’81. With original copies trading hands for £150+ it’s high time a remastered and officially licensed reissue came around.
A firm favourite of the likes of Mr Scruff and Sadar Bahar, ‘Just Keep My Boogie’ is that uplifting slice of boogie that is a tried and tested dancefloor bomb. The brightest of funk keys dance around delicious little guitar licks as those infectious vocals burrow their way into your brain.
Take to the B side for another staple, and go-to gem, for some of the biggest around including, Antal, Hunee, Ge-ology and Sadar Bahar. ‘Happy Music’ is one of those funk-heavy, mesmerising cuts that seemingly evaporates all prior worries and instantly injects the urge to dance, no matter the scenario.
Two certified must-haves on either side of a 12 inch, gold for sure.
Licensed from Uno Melodic Records, Inc, courtesy of Expansion Records.
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Das neue Album führt Usher mit seinem Freund L.A. Reid zusammen.
Usher hat die Musik, die Kultur und unzählige Leben verändert. Der mehrfach mit dem Grammy Award ausgezeichnete internationale Megastar, Schauspieler, Tänzer, Unternehmer und Philanthrop wird auch im Jahr 2023 und darüber hinaus für Veränderungen sorgen. Er hat weltweit mehr als 80 Millionen Platten verkauft und Dutzende von Auszeichnungen erhalten. Gleichzeitig hat er auf dem kleinen Bildschirm in NBCs The Voice und auf der großen Leinwand in Blockbustern wie Hustlers brilliert. Darüber hinaus hat er sich unermüdlich als engagierter Menschenfreund hervorgetan, indem er zig Millionen Dollar für verschiedene Zwecke sammelte und mit seiner New Look Foundation die Jugend förderte. Seit 1999 bietet er jungen Menschen in unterversorgten Gemeinden Chancen und ermöglicht ihnen, sich zu entfalten und scheinbar unmögliche Träume zu verwirklichen. Als echter Ausreißer ist er auf der Bühne seiner ausverkauften My Way Las Vegas Residency ebenso zu Hause wie auf einer Kulturmission der Regierung 2016 nach Kuba als Teil des Presidential Committee for Arts and Humanities von Präsident Barack Obama. Dieses Album stellt die kreative Wiedervereinigung von Usher und L.A. Reid dar, die seit dem 2004 erschienenen Album Confessions mit Diamant-Zertifikat nicht mehr zusammen gearbeitet haben. Das Album wurde hauptsächlich in Atlanta, GA mit vielen der angesagtesten Produzenten Atlantas aufgenommen, darunter Sean Garrett, Lil John, The Avila Brothers, Mel & Mus, Tricky Stewart, Rico Love, The-Dream, Jermaine Dupri, D Mile und viele andere. Es gibt Features von Summer Walker, 21 Savage und Latto.
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Steel Drum covers of Drake, Snoop Dogg & Dr Dre, Claudja Barry, The Game & 50 Cent, A$AP Rocky, Stranger Things Theme, and more. Bacao Rhythm & Steel Band, the mysterious steel pan outfit hailing from Hamburg, Germany have amassed a cult following around the globe. With a slew of classic 7”s and three critically acclaimed full length albums, they set a high bar for themselves, one they clearly intend on pushing even higher with this new offering. On their fourth album BRSB, Bacao are back with more of the same, but more of the same with them is inherently different. Covering songs that span genres and range from mega hits to underground album cuts, they make them their own with their unique approach to the traditional steel pans of Trinidad and Tobago. While part of the allure of a new Bacao Rhythm & Steel Band album is finding out what covers they do it is equally intriguing to see what original tunes they cooked upland this record is foul of standout originals. The album opener, “In The Crosshairs” is a rough and tough mid-tempo head nodder while both “Grilled” & “Treasure Quest” pick up the tempo with heavy African Funk in‑fluences on both. Bacao goes deep with “Hazy Memories”, a bass heavy slow burner that walks a line between hypnotic and hype. All these originals stand as testament that the term “cover band” is a shoe that could never fit Bacao. However, in the tradition of steel pan music, they do a heavy amount of covers. This time around there is a big West Coast Hip Hop influence with covers of Game & 50 Cent’s “How We Do”, Dr Dre & Snoop Dogg’s “Nuthin But A G Thang”, and Tupac’s “Got My Mind Made Up” all of which take on new energy and lend themselves to the BRSB steel treatment. Bacao puts another certified dance‑floor filler on their resume with their cover of Claudja Barry’s uber Disco classic “Love For The Sake Of Love” which they flip into a dubbed-out affair aptly changing even the title to “Love For The Sake Of Dub”. Pulling from the contemporary smash hit section of Hip Hop they cover Drake’s “Hotline Bling” and “Love$ick” by Mura Masa & A$AP Rocky. Then they go very unexpected with “Stranger Things Theme” where they take the synth heavy theme song to the hit show and give it a more hypnotizing tone than the original. By the time BRSB is through, Bacao has taken the listener on a journey spanning a myriad of energies, tempos, and moods while keeping it all under one umbrella. For all that, these songs are alive, and they will be taken out of the context of this album and sewn into the fabric of DJ sets around the globe for many years to come. Bacao Rhythm & Steel Band continues building their legacy and pushing the boundaries of steel pan music forward with another rock solid musical offering. Enjoy
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Hailing from Kaliningrad x Berlin, new vinyl only label Garderobe, heralded by Malish, launches the first EP release. Limited to 250x copies
Keeping things edgy, deep, and minimal this 3 track release from Bilalov colors darker shades of house and techno for dancers and party people who are seemingly never ready to go home.
Also included in this release is a remix from prolific minimalist dj and producer Alci who delivers a superb remix that keeps the groove within respectable norms of avant-garde minimal for the audiophiles and chin strokers alike.
A genuine gem for any dj’s record bag or crate diggers collection. Honest, pure, and full of integrity this first release sets the tone for things to come and is sure to hit all the right spots during different hours of the party!
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Yes, we’re presenting you a new label from Ukraine again. This time the name is Secret Keeper, the owner of the label is Orbit, and for the first release they’re having one of the secret gems of Kyiv – Luschn. And if you weren’t familiar with that name – it’s finally time to acknowledge him.
All of the tracks here are untitled, and we’re going straight to the B1. The shortest track on the record and also the most interesting one. With a pinch of old electro house and the base of old progressive house with all that additional buzzing, what’s not to like here, right?
Staying on the B-side, the track on the B2 position is by far the trippiest one here, taking you in weird minimal ways for six minutes. A1 here will probably be played the most with its spooky, grimy, ChristianAB-ish type of vibe. And also with a huge nod to the mid-noughties. The one on the A2 is a slow roller, that type of track, you always like to hear, when you’re a bit tired, but still want to continue dancing. It will recharge you for at least 5 minutes.
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Group is a project with its own sound and a gradually expanding style, and Seedman perfectly reflects these attributes. With 160925_1145, the first cut on side A, the ritualism he has previously exhibited on other albums such as Esoteric Free Afrika, or more recently with Broken Faces, is somewhat apparent, due to the slow cadence, steady rhythm and tribal arguments. 160205_1066 is created from another perspective, however, it is not what it seems because from the first bars there is a syncopated and constant rhythmic pattern that places you in an industrial scenario, and gradually a simple two-tone melody appears that completely changes its initial musical context. 170218_1475 moves between an industrial and dark ambient concept, as it mixes gloomy atmospheres with deep breaks.
The sonic properties of 160131_0683, the cut that opens the B-side, connect with an unexplored environment, with a new, recently discovered and inhospitable scenario, since among other things we can appreciate sounds of machines, radio signals, filtered and choppy voices, combined with disturbing acoustic phenomena. 170213_1455 is a track that describes quite concisely the creative sense of Group, and for this we must take into account that it could be catalogued as a techno production, with groove and aimed at the dancefloor, however, he manages to minimise all these factors by giving it a volatile and atmospheric aspect. 170105_1398 closes the B-side of the vinyl, returning once again to the tribalism and ritualism that characterises many of Group’s productions, given that on this occasion his rhythm is not diluted, it has much more presence and manages to generate a hypnotic state.
In addition to these six tracks that make up the entire vinyl tracklist, Seedman also presents a couple of bonus tracks in digital format. And the first of them, The beast11, already arouses curiosity because its title is not due to a sequence of numbers, as is usual in this project. Musically, it once again shows Group’s ability to adapt any environment to a sonic degradation very much in keeping with his style. 150407_0166, the last track on the album, is an ode to chaos, a hodgepodge of frequencies devoid of rhythm that appropriately serves as an outro.
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Bread & Souls is an ensemble of musicians, singers, DJs, producers and most of all, friends: a global family brought together by Franco Fusari under the musical direction of producer/electronic jazz pioneer Mark de Clive-Lowe.
Chapter 1 features vocal and instrumental tracks kicking off with an incredible exclusive: for the first time together on the same track West London Queens Bémbé Segue and Vanessa Freeman deliver a broken beat future classic. Paul Randolph features on a superb boogie tune, while Domu delivers an amazing remix of “Little Did I Know” - after almost a decade’s absence, he’s as brilliant as ever. And all supported by a great band: MdCL (keys), Tommaso Cappellato (drums), Marcus Machado and Landy Shores (guitars), Max Luthert (bass), Taku Hirano (percussion).
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Brand new and previously unreleased two extraordinary trax for
the Vienna label RHYTHM TRAX
Len Lewis first came up in the late 90s with his own label Poodle
recordings and Nu Poodle Breaks, in the heat of the UK tec house
underground sound and their best time.
His first production for the legendary Swag label 1999, was intense.
We are proud to present two of his hottest new productions for the
Chris Rhythm: RHYTHM TRAX VIENNA tec house label.
“Tec In Da House and keep the faith”, we are sure that Len Lewis
hold up high the true tec house underground sound, enjoy!
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Hailing from Palermo, Italy, Manuold brings his signature sounds to a fresh new outing on Four Framed Music. The underground house maestro has landed on the likes of House Puff Records, We_R House, and many more, always with his own unique take on the genre and standout grooves.
Opening up the EP is the fantastic “The Paradise” with swirling cosmic pads that bring great vibes next to an aching female vocal and timeless US house beats. “Glow” is another one for the purists with its surging chords and hi-tek soul stylings over dusty and deep drums that keep you moving. “Give Me Your Hand” brings smooth drum programming and icy hi-hats with well-placed vocal samples that bring warmth, and last of all is “Grey Sky,” a late-night charmer with deft cosmic pads and super slick house grooves full of class and charm.
Manuold shows his quality on this fine and futuristic four-track offering.
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It’s been quite some time since the maiden Club Belgique release. But a little virus cannot keep a big one down forever and so San Soda and Red D have once again taken up their new beat aliases and got cracking. The result is the second installment of Club Belgique, a project dedicated to Belgium’s very rich new beat & more history.
On the A-side we find Nick Berlin’s acid masterpiece ‘Donnez-Moi De L’Aciiieed!’ that tears up any dancefloor instantly. Is it a reissue? A remaster? A clever translation? That’s for you to find out! Max Erotic knows and he also knows that the B-side is where it’s at for some raw and dusty italo-inspired sounds, with a sexy Italian voice on top. Do you wanna dance with us too?
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Warehouse find!
Infuse return for their first release of 2017 with a fresh new look and talent in the shape of Jack Wickham, who provides a VINYL ONLY 4 tracker of dance floor goodness.
'Exchange' kicks things off with a perky tech houser with an emphasis on groove whilst 'Kotone' delves deeper.
'Cos' keeps the energy high with a kinetic slice of tech-funk and 'Brick' rounds things off nicely with a brisk & sprightly romp.
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Gratts is back once again, hot on the heels of various Balearic outings like 'Sun Circles', 'Pretty Lights' and 'Jour De Fete' but this time he is in house mode. This release comes under his new Trackhead T moniker and finds him keeping things raw and stripped back. For the sessions, the Belgian artist limited himself to using inly around 12 channels maximum per tune. This Klub Romance EP is the result and a track that harks back to his Berlin stomping ground, with deep but driving house cuts that have subtle hints of everyone from Felix Da Housecat to Boo Williams. The low slung sleaze and muted rave stabs of 'My Miseducation' is our standout.
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Hizou Deep Rooted Music is thrilled to introduce its latest vinyl release, featuring a carefully curated selection of top-notch electronic music that's destined to delight audiophiles.
On the A-side of this vinyl gem, you'll be enchanted by the sonic artistry of Huerta, as his track takes you on a mesmerizing musical journey that embodies his distinctive vision. Following suit on the same side, you'll encounter Jacksonville, whose music effortlessly immerses you in a captivating world of entrancing rhythms and enveloping melodies.
Flipping the record over to the B-side, prepare to be captivated by the talents of Nico Lahs, operating under his NLXLB alias. His production is nothing short of a sonic masterpiece, seamlessly melding eclectic elements into a mesmerizing sonic tapestry.
To round off this sonic odyssey, we bring you a track from 100 Hz that's guaranteed to elevate the energy on any dance floor with its potent and infectious rhythms.
This vinyl is an essential addition to any discerning music collection, offering a chance to own these remarkable tracks in a physical format. Reach out to us for more information and secure your order before these limited-edition gems disappear from the shelves!
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Commemorating the 15th anniversary of Wiz Khalifa's 2008 mixtape, Star Power, Rostrum Records is releasing the mixtape’s first-ever vinyl pressing! The limited-edition package features retro video game inspired artwork and outer space colored vinyl discs, housed in a NES cartridge style die-cut inner sleeve. Also included is a lyrics insert resembling a video game instruction booklet.
Originally released on September 17, 2008, Star Power is an essential document from Wiz Khalifa's early career, helping develop his lush sound and establish his reputation as the game's hardest-working and most talented stoner. Hosted by DJ Deez, the tape features multiple guest appearances from Wiz's close associate Chevy Woods, then known as Kev Da Hustla, and production sculpted at the legendary I.D. Labs by Pittsburgh natives like Sledgren, E. Dan, Johnny Juliano, Rocky Fontaine, and Big Jerm, who produced hits for Wiz, Mac Miller, and more during his career. Spanning 23 tracks, Star Power exhibits the melodic mastery and strong songwriting that soon made Wiz Khalifa a superstar, acting as a crucial stepping stone from Pittsburgh prominence to worldwide recognition.
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Oceanvs Orientalis and Ilhan Ersahin first entered each other's orbits by chance at a performance at
Turkey's Cappadox Festival in 2018. Oceanvs Orientalis is renowned for his fusion of Eastern musical
motifs and traditions with cutting-edge electronica while Ilhan Ersahin has long plowed a unique path
uniting assorted musical strains from around the world via an exploratory jazz-improv sensibility.
Following two tracks ("Mesta" and "Pire") co-written by Ilhan and OvO and released as collaborations,
and two more Ersahin/OvO co-writes ("Revenge Of The Wankers" and "Television") released under
OvO's name alone, a fresh and exciting new song called "1980" now heralds a full-length collaboration
slated to land in Spring 2024. The track's title hints at a certain nostalgic bent while still keeping its
gaze firmly fixed on the future even as it evokes sun-drenched good times gone by. The single adds
several extra versions, one of which spotlights the multi-instrumental mastery of Darkside's Dave
Harrington while the other features the mesmerizing vocal stylings of Gaye Su Akyol. This single is the
perfect soundtrack to the waning days of summer and truly whets the appetite for the full-length
project these musical wizards have been busily concocting.
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Ltd. Yellow+Red Splatter Vinyl
Die unbestrittene britische Musikikone Dizzee Rascal meldet sich mit dem elektrisierenden neuen Album 'Don't Take It Personal' auf seinem neuen Label Big Dirte3 Records Ltd. zurück. Die LP stellt seine besten Arbeiten in den Schatten und ist eine eindrucksvolle Erinnerung daran, wie Dizzee zu seinem legendären Status kam. Es fängt ihn in aufrührerischer Form ein, während er mühelos und mit unvergleichlicher Leichtigkeit durch eine ganze Sammlung an eindeutig britischen Genres fliesst. Dizzees neuestes Werk, das sich auf prahlerische Flows und beeindruckendes Wortspiel konzentriert, ist eine weitere Siegesrunde eine der prägendsten Legenden der Rap-Musik, und während es weiterhin Reime regnet, denkt daran: Es ist nichts Persönliches.
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Trushmix the now well known underground mix series created by DJ Fett Burger and L.A.2000, and still going strong since 2011, providing underground talent and spreading vibes in a vibrant small community of music lovers. After 13 years of Trushmix, it is about
time to make a record to celebrate this! The initially plan was to make it as a 10 year anniversary release. Now it's 13 years, even better! So Trushwax is born!
A three track 12 " with underground house and techno tracks, recorded and produced by DJ Fett Burger and L.A.2000 between 2010-2021. Three simple, rough and emotional underground cuts in the vein of Trushmix!
"Trush Your Body" The opening track and the newest production of the three. A melodic house track, with the classic 909-groove and some acid! Driving and dreamy at the same time, and also with a melancholy twist. A place where simplicity and emotions meet!
The second track "Hello Awreibody" underground club track based on a live recording from 2010, with a distinct driving bass line, 808 beats and a big deep melody that gives the tack a massive feel! Rough underground club and basement style!
"Quack" the last track on the record, also based on a live recording from 2010, a rough live sounding recorded track with a groovy classic 707 workout, a soft bass line and a strong touch of melodic elements to keep the track deep, mysterious and driving.
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A1 Lose It All… an 18 minute journey of epic proportions, crescendo after crescendo with high percussion sounds and chest pounding drum grooves. Medu’s signature low end control that rumbles under the swinging key rhythm which dominates the vibe is absolutely mesmerising. The finishing touch to this late night dance floor heavyweight sound is the combination of Odille Lima’s chopped up ad-libs, harmonies and story telling voice that keeps you moving with wonder. This track is laced with energy and excellence.
The B side comprises of 2 break beat inspired tracks that are mysterious and full of heavy hitting percussion, dusty grooves and dark driving basslines. Odille is on both tracks with her unique vocals that fit perfectly with this underground sound. A must EP have for any DJ or collector.
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Renegade Methodz presents its various artists 'Breaking Standards' series.
Making its debut with the first edition the four track release is serving as a reflection of modern techno by introducing tracks from artists that are appearing in the label for the very first time as well as a familiar contributor that is making his return.
The Breaking Standards series aims directly at the dance-floor, curated carefully to keep the music quality high and showcase the work of new and established artists that with their style are keeping the genre modern and fresh without losing the essence of what makes this music timeless.
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Before the soul and disco hits, Bill Curtis’ Fatback Band were one of the tightest funk groups in the world, and their catalogue threw up several rarities.
‘Dance Girl’ was their final single released in 1974 before they signed to Event/Spring. A New York block party classic that was deleted when the Perception label went bust. It was so popular at the time that it was covered by the Rimshots once it became unobtainable.
‘Keep On Brother Keep On’ was the group’s second single on Bill’s own BC Projects II label. It is a sought-after collectable on its original 1971 press, likely to set you back over £1000 for a copy.
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Atom's first release for 2024 is a 3 track vinyl from label head Micropulse.
A1 / Micropulse - Midnight (160bpm, 45rpm)
Midnight serves up haunting voices over a stripped back and souped up 90s hard trance bassline at 164bpm.
B1 / Micropulse - Doesn't Matter feat. Ella (140bpm, 33rpm)
Doesn't Matter marks Micropulse's first experimentation at a lower BPM, with B1 at 140bpm featuring a short melancholic vocal hook from Ella Brown.
B2 / Micropulse - Entry (164bpm, 33rpm)
Entry retains the experimental style of earlier Atom releases and keeps melancholic but raises the tension with acid interspersed with muted plucks, pulses, and gated pads.
There will be an additional 50 "Collector's edition" copies available through the Atom website direct that include the new Atom label jacket inside a full artwork sleeve with a vinyl backed sticker.
"It's great to have reached Atom's 15th vinyl, thank you all for your continued support".
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A defining time for many musicians pursuing the arts of exploring sonic palettes is the moment of learning a song, an instrument and recording it. The procedure of selection and layering of sounds. The idea of dissolving this mysticism and truly being in control of something. The realisation that there’s a lot more enigma coinciding with simplicity in music that you may not have realised before and discovering new journeys from there on in. The knowledge of its technicality brought with a background in contemporary songwriting becomes a quest for sounds surrounded by layers of storytelling. To establish a sonic aesthetic that represents yourself and what you want to present to the listener.
The recording of Passerella took place at the end of the summer of 2022 over one week of isolation and songwriting in a house on the shoreside of the lake Lugano. Layered with references from a contemporary approach to 80s synth pop, post-punk and dark wave, with subconscious derivations of Canzone Italiana as a foundation for a musical piece derived from Infesta’s childhood listening habits. Bare genuineness, emotional and aggressive at the right places, the way in which music captures the purity of intense feelings. Infesta’s work is presented in a raw quality which intimates the listener with an aspect of humanity grippingly relatable.
Cemented songs with a focussed vision, Infesta’s dark yet familiar world is one confused but shared among us all. The conceptuality of a traditional album dissolving into a musical diary. The music within this record is a rendering of the importance of having these songs compiled side-by-side as a way of storytelling. To keep the same picture of the exposure of a person through their music. Conflicting inner thoughts frolicking side by side. A gentle hand caresse gleaned by an author to its listener.
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2024 Repress
For Frenzy's 5th installment, we'll take the fusion of the past and the present even further. We present you a 6-track EP by Swedish DJ and producer 'The Miller', who was amongst the Nordic wave of early 2000s techno pioneers like Cari Lekebusch, Adam Beyer, and Joel Mull. Coming from an era where rave and nightlife escapism were blooming, The Miller possesses a vast backlog of old-school productions that embody the true Frenzy sound. We invited him to compile an EP with old and new material, accompanied by remixes from the up-and-coming generation to truly intertwine generations of dancefloor exquisiteness. Allow yourself to surpass the linear alignment of time within the next collision of decades on Frenzy 005. It's time to dance.
Starting out slow but steady on the A side, 'Kartong' gradually builds up the pressure with a playful mix of reversed phrases and thoughtful alignment of pitch levels. Tension transforms into motion as 'Apex' kicks in with big airy basslines and exotic drum elements that keep the early-day spirit alive. To complete the A-side, Stuttgart-based Rove Ranger presents a dub-influenced remix of Apex, accelerating the 00s story straight into the next decade. On the flip side, we go back to the old days as 'Complied' grabs hold of hips and minds with catchy repetition and a straightforward bassline. The Miller got us spellbound as 'Gate' follows up with a stripped-down steamy groover. To end the journey in full force, a powerful remix of Gate by the Greek-based ANNE is delivered, converting stripped down into the contrary for those big-room dancefloor moments.
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EYA Records SIDE
Jeku - Phase Lock
JJ Fortune - The Nightmare
System Error SIDE
Kurilo - Break A Leg
Wrong - C.ru.z
With COLLAB02 System Error continues in the spirit of collaboration and joins forces with London based EYA Records. As big fans and supporters of EYA ourselves this turned out to be a no brainer and the collaboration flowed effortlessly when working on our joined selection for this split EP.
On the EYA side we find “Jeku - Phase Lock” a dreamy but driving midnight city ride kinda tune that you just wanna blast out when cruising through the city or over a crowded dance floor. Next we have “JJ Fortune - The Nightmare” a truely haunting house tune reminiscent of last Halloween keeping things weird and spooky all while steadily punching a hole into your speakers(in a good way!).
On the System Error side we have “Kurilo - Break A Leg” this track slow but steadily will fill up and revive any dead dancefloor from the ground up again. Catchy, not cheesy vocal samples riding on a mad beat that will take you straight to the front of the DJ booth. And if that was not enough yet “C.ru.z - Wrong” provides a bouncy but dark dancefloor weapon to also get the last person from the couch to the dancefloor, this one means business!
Order now. Collecting orders for repress.
Born and raised in Kanagawa, Japan, Iu Takahashi is a sound artist based in Tokyo. She produces her own musical worldview mainly using synthesizers, ambient sounds, and voices.
Iu Takahashi used to do her artist activities as a vocalist before, and now she has created mainly ambient music since 2018, provided her tracks to background music such as exhibitions and introduction videos.
Inspired by Japanese ambient music such as Hiroshi Yoshimura and Satoshi Ashikawa, Iu Takahashi, too, creates beautiful works based on Japanese ambient music.
And under the concept of soundscape, she always keeps in mind to deliver music that is considerate of the listener's thoughts and feelings, or music that is conscious of the unconscious mind.
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