Поиск:the go! team

NMB042 (+ free DLcode)
This vinyl includes a free downloadcode were customers get the whole digital release for free via Facebook !!
Noir delivers another hypnotising track - this time Habischman teamed up with vocalist Cari Golden. Remixes are coming from Douglas Greed (Freude Am Tanzen, Acker) and Martin Dawson (Exploited, Hypercolour,
Moodmusic, Off Recordings).

Hip-hop royalty returns—Bun B and Statik Selektah team up once again for the fourth chapter of their blazing collabo-rative saga: TrillStatik 4. Recorded in real-time with that unmistakable underground urgency, this album is a master-class in modern rap chemistry, blending Bun B’s Southern grit with Statik’s boom-bap precision.

The guest lineup is nothing short of legendary. From DJ Premier setting the tone on “Live From Houston,” to Griselda heavyweights Westside Gunn, Conway The Machine, and Boldy James blessing “Trillselda 2,” every track hits with purpose. Regional flair runs deep, too—Paul Wall, Maxo Kream, and Lil’ Keke represent H-Town with pride, while East Coast lyricists like Termanology and Tek bring bar-for-bar fire.

This is more than a record—it’s a cipher of cultures, connecting street narratives, soul-drenched beats, and coast-to-coast talent.

Second release on Via Jupiter from label boss Psychederek this time teaming up with Behind The Groove's Bobby Thorpe for a full pelt Dancefloor 4-way
Born from a series of studio jams throughout the winter, the Manchester-based artists deliver a slick EP inspired by late 80's club joints and driven by a clean, stripped-back approach.

Artwork and label design by Ben Brumpton. Limited to 250 copies (of which we're allocated 150 - so be quick !!)

BLUE & WHITE COLOUR IN COLOUR VINYL

In the culinary arts, it’s easy to overcomplicate the final product. Theme, presentation, texture…they’re important but should work to complement the raison d'etre of any food. At the end of cooking a dish, it should taste good and feed people. Some dishes, like barbeque or provoleta, resist the tendency towards hollow showmanship. One of their expressions can be more or less aesthetic, but the first purpose is to be simple and tasteful. Argentinian provoleta goes so far as to blur the line between ingredient and dish. It relies on the inherent flavor of provolone being heated at the right speed for the perfect amount of time. You can add garlic or chives or red pepper to the slice, but ultimately they serve to bring out an essence that’s already there.

Los Angeles’ Cousin Feo has developed his rapping acumen in the five years since releasing Provoleta, but returning to the project today shows that he always had the penmanship, grit and delivery that christens an emcee worthy of remembrance. Like the bubbles rising up in the appetizer that is the album’s namesake, Feo showed that true profundity is found in the simple gestures.

Since dropping the project in 2019, Cousin Feo has expanded his vision of a world where hip-hop and football, two proletarian art forms, mingle in creative and compelling ways. He has collaborated across multiple continents, chronicled football histories, aided in canonizing legends, kept the flames high in age-old rivalries and constantly forced his audience to search for the last time they heard bars this hard. In anyone else’s hands it would be too great a task.

The maturity he showed on Provoleta wasn’t nascent, it was an inherent quality forcing itself to the surface. The songs refract his experience as a working class Angeleno through the archetypes of Argentinian football legends. The kernel that unites the two worlds is hustle. When Feo was coming up, missteps had greater consequences than crashing out in the group stage and street deals had the weight of a Boca-River Plate match.

Each track uses slightly different ingredients to let Feo’s underlying talent shine. “Maradona” feels salvific, fitting for a football legend canonized from the Andes to the Alps and a Los Angeles rapper looking to inspire similar hope in the neighborhoods that raised him. On “Di Stefano” Feo massages the instrumental with the same composure of the late forward, until he pierces through the headphones like one of Di Stefano’s arrows. It’s also refreshing to hear a song celebrating Messi before his meme-ification, focusing on the universal truths contained in his footballing talent instead of using number 10 as a stand-in to make a point in a fruitless argument. And he still finds space to show deference to Batistuta, Kempes and other members of the Argentinian pantheon who’ve been erased from the popular imagination by the national team's contemporary success.

Real ones know that true players, true rappers, and true artists will always stand the attacks of time and consensus. In Provoleta’s first verse, Cousin Feo says he moves with the hand of God. Maybe one day he’ll tell the whole truth and let us know how he was able to wrestle the pen away too. Limited edition of 300 hand-numbered copies.

When we were thinking about making an EP for Rupture, the first few tracks happened to already be finished, and fit together really nicely - but getting that final track done ended up being a bit more of a challenge!

The vision was to convey our individual styles in collaboration as best as we could - with dance ready tracks that also carry emotion. Rum Runna, as the A1 of the EP, all started from a break we found that had one of the loudest subs cutting through. Instead of looking for something else, we decided to lean into this and maximise the energy, before finally breaking through with the 808s. Drifting Through The Mist is more of a rolling vibe, focussed on vocals and funk to lift spirits in the dance, all the while teasing an amen drop that leans into a ragga fusion.

Northwest Passage is one of the earliest tunes we got finished - being made quite soon into our first meeting I believe. The result is a darker tip that focusses on dissonance and sub pressure that really thrives in the bassbins. Our final tune on the EP, Original Secret, is the most emotionally charged on the EP, again utilising our love for unique percussion and bongo hits along with rolling breaks, carefully chopped snares, atmospheric pads and emotional vox samples.

We are more than proud to release this body of work on one of our all time favourite labels, and have had the utmost pleasure to work with the team every step of the way.

Back once again like the renegade masters - Regulate jump into the fray for 2026 with two more bombs to light up the dance floor.
A side “Kick That” sees T2Funk & DJ Deviant team up to fuse classic Ninja Tune cinematic funk with added dynamic cut and paste punch. Featuring brass stabs, scratches and nods to DJ Shadow & Norman Cook this is sure to shake rumps everywher
Flip side “Breaka One” sees DJ Deviant leaning right into golden era hip hop swing; with horns and a rolling groove that just doesn’t quit. Essential listening for all the boom bap heads who like a bit of Bomb Squad grit in the mix.

After two co-headlining tours over the past decade, (the) Melvins are continuing their long tradition with us of teaming up with another band on an album. Next up – Napalm Death! This isn’t just some split release with the bands each getting a side. Savage Imperial Death March is a full collaboration with both Melvins & Napalm Death playing together on all the tracks.


This release originally came out on super-limited CD and vinyl via AmRep in 2025 (tour and AmRep store only). This will be an extended version with 2 extra songs, brand new artwork from Mackie Osborne, new vinyl variants, and will be the official release for the first time at record stores, DSPs and more.


Napalm Death are credited as pioneers of the grindcore genre by incorporating elements of crust punk and death metal. Even after exerting an indelible influence on the entire world of heavy music for nearly 40 years, there is still no band on Earth that sounds like Napalm Death. Not just pioneers, but an enduring benchmark for invention and fearlessness in heavy and experimental music of all kinds, the Birmingham legends are still hurtling forward at full pelt.


The Melvins are one of modern music’s most influential bands. Having formed in 1983, the group — founded by vocalist/guitarist Buzz Osborne, with drummer Dale Crover joining a year later — has been credited with merging the worlds of punk rock and heavy music, forming a new subgenre all their own. Over their 40-plus-year career, they’ve released more than 30 original albums, numerous live records, and far too many to count singles and rarities.

Classic album by Dinah Washington, one of America's most versatile singers of the 1950's who moved effortlessly between pop to gospel to jazz to blues. She teamed with the great Quincy Jones , For Those in Love is an essential album for any collection. Dinah Washington (1924-1963) recorded many albums for EmArcy Records and during the period 1954 to 1961 she worked with Quincy Jones, including the release presented here, For Those in Love, which was the first of their recorded collaborations. Featuring three brilliant small group sessions, taped on three consecutive days in March of 1955, the arrangements were by Jones, who also conducted the band and played a trumpet solo on 'Ask a Woman Who Knows'. The group of heavyweight players includes such stars as Clark Terry, Jimmy Cleveland, Paul Quinichette, Cecil Payne, Wynton Kelly, and Jimmy Cobb.

Maui Blue & Orchid Vinyl. Nachdem wir American Don mit (Steve) Albini fertiggestellt hatten, waren wir kurz davor, dass die Spannungen zwischen uns so groß wurden, dass wir uns trennen mussten. Ich (Eric) war überzeugt, dass wir bei den Aufnahmen die wahre Essenz der Songs verloren hatten. Es war keine einstimmige Entscheidung, mit Steve aufzunehmen. Wir haben das Album komplett mit Gitarrenloops geschrieben, und Team Storm & Stress wollte im Studio mit Pro Tools weitermachen, was sowohl zu dem passte, was wir machten, als auch zu dem, was wir erreichen wollten. Steve hatte gerade den großartigen A-Raum bei Electrical fertiggestellt, und Damon bestand darauf, dass wir dort die Drums aufnehmen würden. Er gab in dieser Frage nicht nach. Sobald wir dort ankamen, wurde uns klar, dass alle Songs, die wir mit unseren Pedalen in mehreren Overdubs geschrieben hatten, nur Mono-Gitarrenaufnahmen zuließen. Wir haben das Problem gelöst, indem wir die Songs zu einem einzigen Loop gespielt und alle Gitarren später überlagert haben, sodass ein volles Stereofeld entstand, das zu den grandiosen Drum-Aufnahmen von Steve passte. Dieser Ansatz hat unsere Spielweise total verändert. Das hat zwar magische Momente der Improvisation ermöglicht (Peter Criss Intro), aber als das Album fertig war, klang es aufgebläht und die Darbietungen waren träge. Ich war mir immer sicherer, dass der Sound des Akai Headrush und die Tempi, die er für Damon vorgab, das Herzstück dieser Songs waren. Ian stimmte mir zu. In einem gewagten letzten Versuch hatte ich die Idee, Greg Norman (der für Steve arbeitete!) anzurufen und ihn zu fragen, ob wir nach unseren nächsten Shows heimlich in sein Studio in S. Chicago kommen und das Album LIVE neu aufnehmen könnten. Es war ein riesiger Schritt, der niemals hätte funktionieren können, aber wie durch ein Wunder waren alle einverstanden, und wir versuchten es. Greg hat uns persönlich und professionell in unserer heißesten Phase eingefangen. Die Tempi sind schneller, und niemand hält sich zurück. Diese echten Live-Bänder zeigen die Songs genau so, wie wir sie auf Tour gespielt haben, wo sie zwischen Juni 1999 und Juli 2000 entstanden sind. Jetzt, 25 Jahre später, wurden die Greg-Norman-Aufnahmen entstaubt und digitalisiert. Mit Hilfe moderner Restaurierungswerkzeuge und dem Fachwissen von Sir Bob Weston konnten wir diese Aufnahmen zum ersten Mal neu abmischen und mastern. - Eric Emm, Bassist

Massive vocal driven Garage House pressure here, from way way back in 1992! Yes, 'Follow Me' is one of THOSE records, one that transcended genre boundaries on it's release and continues to do so today. A true classic piece of NYC goodness from back in the day. The super production team of DJ Pierre and george Morel could only deliver the heat and that's exactly what they did - created a timeless House record with the bassline that just doesn't let up! This is the sort of track that got hammered on the US House scene, found a home in the UK Garage world and got spin at almost any and all clubs where the DJ's had half a clue and an iota of taste! Containing the original 3 mixes released in '92 now's your chance to bag a bonafide, hands down classic record! 'Follow Me' has been skilfully remastered from all original master sources and fully licensed and reissued officially for 2017.

2026 Repress!

LIMITED EDITION SPLATTER VINYL

More Strictly Rhythm GOLD right here. An all-time, hands down, unstoppable CLASSIC record from way back - 1995 to be precise. If you don't know this record it's possible you've been in a coma, living in a cave with no electricity or have literally just arrived here on planet earth. Either way, once you hear 'Higher State Of Consciousness' you certainly won't forget it. Produced by Philly's legendary Josh Wink and released by the forward thinking A&R team at Strictly. At the time there was very little to nothing that even came close to this release. The 'Tweekin Acid Funk' mix being the highlight and the version that caught everyone's ears and captured minds worldwide across radio-waves with endless rewinds on MTV and in the clubs. Foreseeing the impending 'Breaks' boom that came around in the mid to late 90's 'Higher State...' was one of those rare moments where a record truly transcends genre boundaries and found it's way into DJ's boxes and bags on every scene. A mighty, evergreen slab of wigged out, acidic, breakbeat chaos. Essential. This one's a tasty 2017 reissue and remaster, featuring all 3 mixes, unedited, as per the original release way back when. Do not sleep.

Doug Gomez is one of NYC's esteemed Afro-Latin and deep house tastemakers and he delivers a formidable follow-up to his last outing with 'Signals '2 on Merecumbe Recordings. This first volume in the collector's series offers four club-ready cuts that showcase Gomez's refined rhythmic vocabulary. The A-side opens with the irresistibly funky 'Get Down,' while the flip features Tedd Patterson's coveted edit of 'Baby Powda' which is a percussion-driven peak-time weapon. Gomez then teams with South Africa's Lukamusic on 'My Life in the Sunshine,' a lush, Roy Ayers-inspired groove awash in synths and muted trumpet. Already championed by heavyweights like Louie Vega and DJ Spinna, this one is a no-brainer.

Relive the legend of Ys I and Ys II with this sublime symphonic version on vinyl!


The epic arrangements by Kentarô Haneda (known for his compositions on Space Adventure Cobra and Sherlock Hound) reveal the full splendour of the original melodies and pay tribute to the two legendary titles from Nihon Falcom.



The four movements are performed by the King Symphonic Orchestra.



Discover this symphonic suite in a beautiful gold vinyl edition!

Soul Quest Records present the second edition of their Quest Series, a vinyl compilation featuring tracks that have previously only had digital releases.

Including music from label head, Max Sinàl & KingCrowney, Colm K alongside label co-founder Slxm Sol, Real Love Seeker x BB James & Berkely Hunt with a killer remix from Atlanta’s Stefan Ringer!

Soul Quest present the second edition of their Quest Series, a vinyl compilation featuring tracks that have previously only had digital releases. First up, label co-founder Max Sinàl once again teams up with label mainstay KingCrowney with ‘All Night’, a bumpy dance floor friendly groover featuring Yasmin on vocals. The track also samples an extract from Moodymann’s famous Red Bull interview, with clearance and blessings from the main man himself. Next up we have a track taken from Colm K’s ep released in the summer, ‘A Red Line In A Blue Sky’ remixed by another of the labels co-founders, Slxm Sol.

Deep, sexy grooving house with well placed vocal samples that keeps you zoned in from beginning to end. Flipping over to the b-side, we start off with Real Love Seeker x BB James with ‘I Want You’. Distinctive London flavours spoken through broken beat grooves and BB James’ captivating lyrics, ending with a gorgeous synth solo. Finally Stefan Ringer brings some ATL flavours to Berkeley Hunt’s ‘Wicked Sins’. Stefan twists the original in to a dark, enchanting roller, using the haunting vocals over a percussive groove with perfectly placed synths weaving themselves in and out.

4XLP box set, 4 Coloured discs: translucent violet, ice, blue, and orange vinyl

Hardcover slipcase box
Celebrate twenty-five years of Ape Escape and thirty years of PlayStation with Ape Escape 3 Originape Soundtracks in a Box!

Ｓａｒｕ　Ｇｅｔ　Ｙｏｕ　３

As with the Ape Escape Originape Soundtrack, composer Soichi Terada has meticulously re-recorded and reconstructed all tracks from the Ape Escape 3 Original soundtrack. Previously only available on CD, this is the complete soundtrack's first time on vinyl. This box set was produced in partnership with Mr. Terada and Far East Recording, and is an officially licensed Sony Interactive Entertainment product.

This release contains eighty tracks, spanning four individually sleeved records, housed in a hardcover box. It is similar in construction to the Ape Escape Originape Soundtracks in a Box release (2024), and the two will look quite nicely next to one another on your shelf!

We are happy to announce that this box set features a definitive edition of the Ape Escape 3 Originape tracklist. This also includes "Swanlake," a track previously unavailable on the CD release. At its core, the Ape Escape 3 soundtrack features much of Soichi Terada's signature sound: lush electronic, jungle, silky smooth synthesizer, humor, and charm.

Ape Escape 3 was originally released in 2005 (Japan), and its moviemaking pipos were unleashed across the rest of the globe in 2006. The game features two new protagonists (Kei and Yumi) who battle the Freaky Monkey Five, underlings of the nefarious Dr. Tomoki and the evil monkey Specter.

Complimenting the game's journey through the TV-verse, the Ape Escape 3 soundtrack also features twists on themes from Wild West Showdowns, Kung-Fu movies, and space operas. Fans of the Ape Escape Originape Soundtrack, as well as newer work like Asakusa Light, will certainly enjoy all elements of Soichi Terada's music present in Ape Escape 3.

The music on this box set was mastered by Justin Perkins of Mystery Room Mastering, who also mastered the original Ape Escape Originape Soundtracks box set (2024). Using Mr. Terada's premastered source files, the music was completely and specifically mastered for vinyl. The box set also features original Ape Escape 3 character renders and key art. All of the design elements have been put together with careful thought, referencing the original Japanese guidebook for inspiration and visual cohesiveness.

It is with great pleasure that we celebrate Soichi Terada's music and the Ape Escape franchise with this four-disc release!

Original key art and renders from the サルゲッチュ team


Officially licensed © Sony Interactive Entertainment
©2025 Sony Interactive Entertainment Inc. “PlayStation”, ”プレイステーション”, “Ape Escape” and ”サルゲッチュ” are registered trademarks of Sony Interactive Entertainment Inc.

Dae Han is the unsung backbone behind progressive Honolulu acts and international artists. He’s the go-to drummer whenever Japanese rapper Shing02 tours the US and Asia with a full band. In 2019, Takuya Kuroda tapped Dae to organize a band to support the Brooklyn-based trumpeter’s gig at Blue Note Hawaii. Dae also recently teamed up with guitarist Gilbert Batangan and bassist Mark Tanouye to open for Khruangbin. And every year he organizes an always impressive jazz-forward tribute to the late J Dilla.

On the drums, Dae’s swift, technical style compliments every situation, from jazz and funk to R&B, reggae, and hip hop. Much the same, Dae has approached the compositions and arrangements for his debut with craft and purpose.

BLUE, coming in February 2020, came to fruition over the past 12 months with the help of Nelson Cho, the musician and recording engineer behind Lightworks Recordings in Wahiawa, Oahu. Together, the two spent countless hours honing a sound that travels across hip hop, jazz, and house.

The resulting songs act as a diary of the artist’s fateful journey from Washington D.C. through New York to Honolulu, where he resides today. Reflecting on joyful highs and the lowest lows, Dae creates a collage for the listener to hear, appreciate, and understand the path he’s traveled thus far.

“Feel So Good Around U” , LB aka Labat ‘s debut album. French dance music producer & DJ, LB aka Labat’s nights are filled with live show and DJ Sets in iconic venues and major festivals. Insatiable, the artist churned out releases for over a decade. For his first long format, he stopped lonely home-studio and teamed up in Berlin, London, Paris & Melbourne with famous producers such as Baugruppe90, Heartstring, Sam Alfred, Crush3d, Memphis LK, Skin On Skin, Lucas V, Amne ou Notinbed.

The result is both a solo work and a collective manifesto, with a unique touch mixing drum & bass, house, reggaeton, electroclash enhanced with vocals used as samples.

West Mineral returns with lushly amorphous actions by Shiner, Pontiac Streator & Ben Bondy aka Shinetiac; together fused for an immersive flux of vapoured dub, chopped and droned Billie Eilish, and fidgety algorithmic jams.

There's not a single, specific sound you can peg to the West Mineral axis at this stage in the label’s evolution - it's rather a set of shared aesthetics that freely bend into various interconnected shapes. Shinetiac's contemptuous, critic-baiting gear is the ideal example; on their last album, 2023's 'Not All Who Wander Are Lost', skittery, ketamized IDM sparkled over Spice Girls samples and the Foo Fighters' 'Everlong' was transmuted into Sneaker Pimps-style trip-hop. 'Infiltrating Roku City' might be a little less blatant with its out-and-out poptimism, but it takes a similarly dim view of conservative "big ambient" snobbishness. Just a few minutes of 'Bluemosa' should be enough to let you know what's up; the overall character of the sound is hazed, with frozen pads and garbled, dubbed-out voices smudged into a mess of effects and samples. But it sups up different nuances as it wriggles, absorbing scampering breaks, dizzy acoustic guitar strums and half-heard wordless vocals, flipping in the third act to emerge from its shell as minimalist balearic folk-pop - something like Bon Iver doing 'Electric Counterpoint'.

Brooklyn's Shiner, Philly's Pontiac Streator and Berlin-based Ben Bondy navigate the labyrinthine streaming landscape, guided by their own private experiences of mindless doom-scrolling and cruising the darkest corners of YouTube. They formulated 'Infiltrating Roku City' while they were rehearsing last year and spent the winter stitching together various recordings and jams into a layered, dry-witted commentary on our algorithmic reality. Laden with inside jokes and refried memes, it's surprisingly elegant gear; handling the most unseemly elements like sonic recyclers, earnestly repurposing pop and nostalgia to create an atmospheric echo of contemporary reality.

Screwing Chief Keef's enduring 'Citgo', 'Clublyfe (hulu)' emphasises the original's AFX-pilled euphoria with Robert Miles-style piano hits, replacing Young Ravisu's brittle 128kbps trap rhythm with a glitchy rattle that picks up dembow spikes as it rolls. 'I Hate Being Sober' vaporises the Chicago drill pioneer's 'Hate Bein' Sober', blocking out his voice with glitchy, downsampled interference and elasticated Rhodes. The trio team up with Orange Milk's goo age on the sublime 'Crisis Angel', catching a ray of Malibu's sunshine in the process, and reduce Billie Eilish's voice to a Romance-does-Celine cinder on 'Billie', stretching it to fit next to gassed Future ad-libs and swooping 808 Mafia sub womps. And although the album takes a murky diversion on 'Roku Axes Ultra’, and a cloud-stepping centrepiece ‘Purelink’ in homage to the eponymous dubbed ambient dynamos, it's back on course with 'Jiafei (NETFLIX)', taking aim at TikTok bot videos and welding screams from Florida metal band Underoath to AI-strength vocal curlicues.

Return to the roots of the legend with Symphony Ys, an orchestral album featuring the iconic melodies from the games Ys I and Ys II!
The epic arrangements by Kentarô Haneda (known for his compositions on Space Adventure Cobra and Sherlock Hound)
reveal the full splendor of the original melodies and pay tribute to the two legendary titles from Nihon Falcom.


The four movements are performed by the King Symphonic Orchestra.

Discover this symphonic suite in a beautiful gold vinyl edition!

This one already has created a nice little stir with the soul crowd, and rightly so.

The A side "Is It Still Good For You" is a wonderful Modern soul chugger that oozes that late night club feel. Simple in its melody and production but bounces along so soulfully. Great vocals but the late Johnny Kemp with the group on some killer backing harmonies.

Kinky Foxx could be described as an ever changing funk machine with nuts and bolts that remained strong over time. This band planted its roots in the Bahamas where the name "Kinky" was given to Joseph Foxx and teaming up with his Brother Donny Foxx formed the musical group named, "DER KINKY FOXX"!!! The two Foxx Brothers added members Kevin Bassett-Guitar, Johnny Kemp-Vocals, and Burnis Stubbs-percussion performing clubs and concerts in the Bahamas. Moving to New York City Kinky Foxx changed members to compete with the major funk venue during the early 80s. Acquiring Dan Atherton Sr. AKA "The Slammin 'Drummer", Larry Robinson-Keyboardist, Timmy Allen-Bass, Kevin Robinson-Guitar these musicians combined forces with Johnny Kemp, Kevin Bassett, and Burnis Stubbs to form the New York City based "Original" Kinky Foxx from '79 to '81, burning up the famous Cellar Club in NYC, the mecca for Black Funk entertainment. With a front line of top musical talent some members moved on to follow solo recording and production careers and contracts. To fill lead gutiarist and Bass guitarist vacancies Jerry Powell was added on guitar,and Leslie Booker was added on bass. In 1982 Kinky Foxx added Vincent Lilly on lead vocals and Curtis Styles on Keyboards.The Foxx released the hit song "So Different" on Sound of New York records in '83 and embarked on a Canadian experiment leaving the US to play briefly in Montreal, Quebec at Club Checkers. The rest is history as the band became so popular in Quebec and Ontario they could have been called Canadian residents, usually working 6 nights a week and 11 months out of the year from '83-'91 . Dan Atherton moved on in '83 to pursue a career as The "Slammin Drummer" for hire, and was sought after by a barrage of major artists,touring with Bobby Brown,New Edition,Levert,Teddy Riley and Guy,Cameo,and Atlantic Starr. Tyrone Govan aka "King" moved in as the Foxx Drummer in '83 and remained with the group until the band went their separate ways in the mid 90's. The Foxx's last performance in the States was in North Carolina on tour and backing Prince's sister Tyka Nelson in the 90's. Currently the band has sparked interest once again writing and recording new material and is forming a reunion show which will eventually lead to additional performances with other recording acts and headline shows.

Andrew Weatherall never wakes up in the morning and decides to start a new album that day. Instead, recording music is a continuous process usually working with different collaborators and seeing where the muse takes him. Somewhere down the line the rewards of a collaboration will coalesce into a body of work between thirty minutes and an hour long and he will put a call into the Rotters' team to say he has a new release ready to go.

We were visiting the studio catching up on new tracks in various states of readiness when he offered up some remixes of tracks from his recent "Ruled by Passion…" he'd been sent by fellow musicians. Tim Fairplay, Andrew's partner in The Asphodells, Sean Johnston from A Love From Outer Space and Scott Fraser live and work in the area and all popped in at various points.

Andrew's black book reads like the who's who of contemporary music but rather than plunder it for remixers he'd let drop the idea of a remix with friends and neighbours. These plus a couple a swaps with musical friends who were new to the concept of remixing, gave Andrew an hour of music he thoroughly enjoyed listening to.

It goes without saying none of the tracks are duds but our ears always prick up when Justin Robertson's take on "Beglammered" ups the heart rate or Daniel Avery's own unscrewing of "… the Axis" ruffles the neck hairs. We've stopped arguing in the office about which is the best track. They all are.

Never Sleep charity tape series ends up in Thornton Heath, London for the grimiest of bedroom work outs.

Early Fruity Loops philosopher Plasticman aka Plastician teams up with fellow trailblazers DJ Suicide & N Double A crew for a prompt internet radio set of prototype Grime. Rugged, raw and filled with the occasional KAOS Pad trigger / gunfinger FX; the devilish miscreants bring the lyrical vehemence.

Broadcasting from his parents place and utilising early productions Plasticman keeps the fibre optical momentum burning with early production, laser precision polyphonic instrumentals and quantified eski.

N Double A crew have so many quotables but its a "pass the mic" affair as limited equipment fort his bedroom bedlam. L Man spits certified gold on demand whilst Narstie echoes his signature cadence, Typah goes in hard with the colder than waiting in a queue outside Plastic People flow and Uzi destroys the stream with typical flair.

A landmark moment in innovation, internet radio was a key player in the growth of Grime and Dubstep. Helping build profile, connections and galvanize the online community.

Originally released in 2005, this standout EP returns as part of the much-anticipated reissue campaign from cult New York imprint Drugsex — a label that quickly became a treasured name among heads who lived and breathed the underground. Born from the creative partnership between UK producers Rob Pearson and Simon Copleston, Drugsex carved out its own raw, hypnotic corner of the international tech house movement.

For the second instalment in the reissue series, label head Rob Pearson teams up with Daniel Poli under their Distant Strangers moniker — a project that, even back then, was whispered about among selectors for its deep, rolling grooves and stripped-back intensity. Both artists had already made their mark with releases on some of the most respected labels of the era — from Rekids and Swag Records to Evasive Records, Rescue Recordings, and beyond.

The pair’s first collaboration, the Lost Souls EP, became a highly limited, in-demand underground gem, pressed in small quantities and played by those in the know. This follow-up, crafted at Online Studios in Croydon, took their sound to the next level — two original tracks built for dancefloors that like things hypnotic, physical and uncompromising.

On the A-side, Virtual Morality is a slick and driving slice of tech house pressure. Crisp percussion, rolling low-end and a subtle but addictive hook make it a peak-time weapon that never goes out of style. Flip it over for Take Us In Deeper — a track that lives up to its name with a shadowy groove, atmospheric layers and a perfectly balanced push and pull that draws dancers further into the late-night haze.

Adding even more weight to the release, Adam Collins — known for his work with Omni AM and Euphoria Records — steps in with a remix of Virtual Morality on B2. His version injects an unmistakable acid edge, elevating the original into a tripped-out, floor-focused burner that fits as comfortably in a basement sweatbox as it does on a sunrise terrace.

Nearly two decades later, these tracks still carry the same raw power and effortless groove that made them cult favourites in the first place. This reissue isn’t just a nod to the past — it’s a reminder of why this sound endures.

Vintage recording equipment has long been a bit of a fetish, but to sound pioneers Voka Gentle, even the most magical machines are a means to an end. The band, made up of twins Ellie and Imogen Mason, along with Imogen’s husband, William J Stokes, are a family band in the truest sense. Whilst they started as a folk trio, their new album Domestic Bliss is an album of throat-grabbing, avant-garde indie rock songs studded with eccentric choices: a synth with its keys jammed, playing a tune of its own making; field recordings – Morris dancers, motorbikes – captured on binaural headphones.

Domestic Bliss is concerned with power: the abuse of it, being on the cusp of it, and what it really means. The album is
teaming with imaginary people in picaresque scenes that reveal the band’s rich cultural storehouse. The songs draw on history, literature, everyday life and pop culture references (specifically Jude Law’s 1995 Vogue cover), with tracks like Cheddar Man reflecting on climate change and prehistory and Creon I tracing the unease of authority through the lens of Greek mythology.

Recorded in the orchestral studios of City University, the album folds intimacy into scale, from phone-recorded vocals and samples of breath to heavy, tribal electronics in grand acoustic spaces. The result is by far their most refined record yet, where the band treat the recording studio like an instrument.

Sluta Leta first emerged in the mid-1990s with a series of EPs on legendary labels such as Mego (Fan Club, 1995), Uptight (Space Is The Place, 1996), Cheap Records (Lisa 94, 1998) and Chocolate Industries (…If You Like Champagne On Ice?, 1999). After the release of Sluta Leta's debut album “Semi Peterson” on Mego in 2003, the group somehow got lost in Second Life. Having missed a good decade and a half but not a beat, Sluta Leta unexpectedly reappeared in 2020 with a new album – “Entrée Contrôle” produced by Andi Pieper and Ramon Bauer with a little help from Gerhard Potuznik – released on famersmanual’s generate and test label.
Almost 30 years after their first release on Cheap Records (Lisa 94 in 1998), Sluta Leta returns to the Viennese cult label with their new album “Drift Dekoder”. Andi Pieper and Ramon Bauer have once again teamed up with Gerhard Potuznik to produce some crispy new songs that are bound to set the tone for the second half of the 2020s and beyond. On “Drift Dekoder”, the inherently artificial and somewhat otherworldly atmosphere of Sluta Leta’s songs is enhanced by the participation of several brilliant collaborators: vocals by Gerhard Potuznik on “Moment Eternal” and a duet with Luise Nehl on “Past In Reverse”, drums by ddKern (Past in Reverse, Björn i Fårkläder and Rymdpatrul), keys by Philipp Quehenberger (Björn i Fårkläder) as well as vocal contributions from various previous band members – Jonas Bergkvist (Tidsflayer), Bengt Liljstad (First Order) and Yngwie Moskowich (Driftstopp). A particularly noteworthy highlight of the album is the mix of “Tidsflayer” by Finlay Shakespeare.
Stop looking, start grooving! Written and produced by Andi Pieper and Ramon Bauer.
Lyrics and vocals on “Past In Reverse” and “Moment Eternal” by Gerhard Potuznik. “Tidsflayer (Finlay Shakespeare Mix)” mixed and produced by Finlay Shakespeare.

This Joe Meek release taken from his legendary Tea Chest Tapes contains instrumental tracks with a Cult TV or Movie Soundtrack feel.

Loaded with tension and anchored by bold textural and stylistic contrasts, Sam Slater’s third solo full-length finds the British sound artist, composer, and engineer grappling with his creative contradictions head-on.

Having spent a life time in bands and producing records, Sam transitioned somewhat by accident through his work with Johan Johansson into working as a composer on high profile projects such as his collaboration with Hildur Guðnadóttir on the Grammy Award-winning Joker and Chernobyl, and with Pulitzer Prize-winning journalist Mstyslav Chernov on the soundtrack to the lauded 2000 Meters to Andriivka. Having a vast set of interests and influences is an asset when helping realise a directors vision for a soundtrack, but one's own musical voice can end up being constrained. In Lunng, Slater has gone back to his wildly divergent range of influences and rather than shy away from the extremes, he's used them to create a singular vision.

Take the opening track “Heatsick”: Slater imagines an extravagant fusion of 2000s drone metal and vintage British brass, welding ear-splitting overdriven drones and blown-out choral vocals to stirring trombone swells from veteran player Hilary Jeffery. On paper, it’s hard to imagine—but Slater’s intentionality conducts these polarizing elements into a surreal blur of sonic extremes, with the guitars’ relative harshness softened by Jeffery’s eerily nostalgic colliery echoes.

His last solo album, I do not wish to be known as a Vandal (Bedroom Community, 2022), showcased this breadth by assembling a team of collaborators including Sam Dunscombe and Yair Elazar Glotman. On this record he’s linking up with acclaimed multi-instrumentalist Maria W. Horn, idiosyncratic sax virtuoso Bendik Giske, versatile percussionist Adam Betts, and the aforementioned Jeffery, Slater ushers these players toward a lattice of calculated confutations.

Working to explore the tension between the divergent practices of his collaborators—Lunng was meant to be challenging. On “Praya”, Giske’s familiar overblown horn phrases are almost vaporized, vanishing among Slater’s weightless synths and Horn’s chillingly hoarse vocals. There are traces of Horn’s Funeral Folk project, but Slater shifts the emphasis, letting her voice brush past the other elements like a hallucination.

Slater’s use of extremes isn’t just in the micro; dynamics drive the album’s overall flow. “Praya” sets the stage for the record’s heaviest, most prickly moment: “Passengers”. Here, Horn’s voice cracks, rasps, and gurgles over serrated synths and Betts’ ritualistic drums. Slater turns an industrial symphony into a folk opera—dark, dramatic, and strangely beautiful—etched with Giske’s fluttering phrases.

But the mood soon shifts. Slater careens toward chaos, unleashing double-time rhythms and piercing textures familiar to anyone with a soft spot for classic black metal. These grotesque incongruities are deliberate; Slater surveys years of musical conflict and leans in, using dissent as fuel to build kinetic energy.

The weight of sentimentality bears down on “Black Metal Rewind (Night Drive Astra, 2006)”, melting teenage memories into hypnagogic ambience—shoegaze dreams whirled with angelic choral delusions. On “Death by Nostalgia, 1688”, he ventures further into polarizing territory, distorting AutoTuned voices with cryptic strings and medieval tonalities, unsettling any stable sense of past or present.

In this record Slater focuses on pure energy, color, and mood. Lunng distills years of listening into a bracing brew—boiling each sound down to its essence, then serving it with unflinching intent.

John Twells, 2025

This album is the game soundtrack of Absolum, a fully hand-drawn world and unique lore by the team behind Streets of Rage 4, TMNT: Shredder’s Revenge... Known for Ori and the Blind Forest and Halo Infinite, the main composer Gareth Coker brings his signature emotional depth, blending dark fantasy orchestration with medieval-inspired themes and brooding atmospheres.


From orchestral soundscapes to thrilling boss fight themes, this soundtrack features guest tracks by Mick Gordon (DOOM 2016, Wolfenstein: The New Order, Atomic Heart...), Yuka Kitamura (Elden Ring, Dark Souls III, Dark Souls II), Motoi Sakuraba (the Dark Souls Series, Mario Golf, Star Ocean), and Rachel Hardy (Stray Gods, Eternal Strands), setting the tone for the events taking place in this cute but twisted fantasy world. Magic may be forbidden in these lands, but the music is still truly enchanting!

Repress!

Maceo Plex teams up with Gabriel Ananda to deliver the momentous 'Solitary Daze'. An awe-inspiring piece of music; Maceo and Gabriel have pulled out all the stops in creating this anthemic masterpiece. A sure fire dancefloor destroyer! The original is also deftly remixed by Barnt and by North Lake.

The A Side features North Lake's infectious deeper remix whilst the flip features Barnt's epic revision of the original. Both of which create fantastic versions of the original version, taking it off into new stratospheres. Another great single from Ellum, who seem to be going from strength to strength.

Continued Sound is proud to present The Shadow by Ojiji.
In 1979, Rupert “Ojiji” Harvey put out one of the most distinctly original albums of a generation. Combining progressive jazz-fusion arrangements with soul, funk, and reggae from his native Jamaica, Ojiji’s The Shadow is an album only he could create.
Ojiji, along with his brother Carl, were performing in nightclubs before they were old enough to legally enter. At just 15, Ojiji was tapped by reggae keyboard legend Jackie Mittoo to join his band The Cougars. Not long after, the Harvey brothers teamed up with other Cougars members to form the funk band Crack of Dawn. This union proved to be groundbreaking, not just in the soul/funk genre, but for Canadian music as a whole. In 1975, they were signed to a major label, Columbia Records, the first Black Canadian band in history to do so. Tracks like “It’s Alright” and “Keep the Faith” still echo in the halls of Canadian funk history.
Personal and industry differences caused Crack of Dawn to break up in 1977, and a young Rupert Harvey was without a band for the first time. However, the creative mind never rests. Outside of the band, Ojiji had been writing and composing his own personal songs since age 17. These songs were a fusion of the sounds and styles he’d soaked up during his time with his musical mentors mixed with new emerging musical influences he was hearing every day.
With the help of his brother Carl and some Crack of Dawn bandmates, he began recording his debut solo album The Shadow. The band's tightness heard in the intricate arrangements are a testament to their interwoven musicianship at the time. Many tracks were recorded in only one-take. Each song in The Shadow’s eclectic glory paints a picture of a young man's singular lived experience through music. Regaling us with where he’s been. Inviting us to where he’s going.

Back in 2002 British producers Fingaz and Skillz teamed up to create a project showcasing the current state of London’s R&B and hip-hop artists. In collaboration with different artists, they produced the compilation Big Brovaz Watching You, which led to the eventual formation of the group Big Brovaz. The group was referred to as a softer version of the So Solid Crew. The group enjoyed huge success, particularly with their debut album, which made big waves in the UK charts, with four singles reaching the Top 10. “Nu Flow”, the debut single, even reached the top 3 in Australia, Belgium, New Zealand, Netherlands, Sweden and Turkey. Similar successes were also achieved by the “Favourite Things” and “Baby Boy”. Big Brovaz became one of the most notable UK R&B / Hip-Hop acts of the early 2000s and are still loved by fans of the genres to this day. Their debut album is now available on vinyl for the first time and features the bonus track "OK (Rock Remix)" and the hidden track "My Favourite Things (Original Version)".Nu Flow is available as a limited edition on translucent green coloured vinyl and includes an insert.

2025 Repress

From the opening bars of this debut album you instantly just know it's going to deliver the tunes, and it doesn't let up until the last note. The Allergies' modus operandi is taking vintage sounds and reshaping them for modern dance floors, and they go about it with style.

Effortlessly fusing Funk, Soul, Disco, Hip-Hop and Breaks, DJ Moneyshot and Rackabeat provide the perfect brand of feel-good, energetic ear candy that will leave a smile on your face and give you happy feet. But that's not all..., they have teamed up with some top MC's in HypeMan Sage and BluRum13, as well Andy Cooper of Long Beach's world-renowned rap group, Ugly Duckling.

In 2016, a year after the 50th entry in the long-running series, none other but the iconic Detroit artist, DJ and producer Moodymann stepped up to helm the next landmark edition of DJ-Kicks, his first ever multi-artist DJ mix compilation. Following !K7's 40 th anniversary, this classic DJ-Kicks mix is now being repressed on coke bottle clear vinyl.
Born Kenny Dixon Jr., Moodymann is a one-of-a-kind electronic music icon, hailing from, and wholly synonymous with the Motor City. He is an outspoken, impossibly charismatic artist who has been putting a distinctive and soulful stamp on house and techno since the early 90s. Melting together jazz, funk, soul, blues and rock in captivating ways, he is responsible for some of electronic music’s most definitive tracks, EPs and LPs on labels like Planet E, Peacefrog and his own KDJ and Mahogani Music imprints. As able to serve up the sweetest and most sensual sounds as he is the darkest and most depraved grooves, his own unique voice and stream of conscious musings infuse expertly sought-out samples for music that is decisively alive and authentic.

Across 75 minutes and 30 tracks, Moodymann does not disappoint: despite being a notorious vinyl fetishist, Dixon’s aim is to present music of quality, not to one-up fellow collectors. Rather than serving up ridiculously rare or hard- to-find records, he instead focuses on creating a libidinous, blues-drenched mood that takes in heart-breaking soul, gorgeous hip-hop and love-fuelled house.

In addition to cuts from his own creative circle, the mix features 11 exclusive Moodymann edits. Like everything Kenny Dixon Jr. touches, his DJ-Kicks showcases the taste, skill, and soul of a dance music original.

Celebrate three decades of dance music history with 30 Years of Klubbhopping – the ultimate Best Of collection from the legendary Dutch DJ/producer team, Klubbheads. Known for their unstoppable beats and countless club anthems, Klubbheads have shaped the sound of global dancefloors with releases under many aliases, including Drunkenmunky, Da Klubb Kings, Itty-Bitty-Boozy-Woozy, DJ Disco and others. This anniversary release unites their most iconic tracks for the very first time, capturing the creativity, energy, and party spirit that defined generations.

From the club to eternity, 30 Years of Klubbhopping is more than a compilation—it’s a celebration of the sound that made the world move.
30 Years of Klubbhopping is available as a limited edition of 1000 individually numbered copies on crystal clear vinyl and includes an insert with track-by-track liner-notes written by the Klubbheads.

Open minded EP melting Electro, Hardtek and Ambient. 5 tunes. The kind of good record melting the Bunker NL vibe to the Mononom influence.

Essential repress of the perennial DJ favorite now available on wax again for the first time since the original press in 2021!

The music is compiled from two rare 12" releases dating back to the early 90s produced by Jason Adkins (who we sadly lost in 2024), and co-produced by Tony Boninsegna (whose work the labels covered extensively in the 4xLP anthology Notes From Underground), and finally remastered by Thomas P. Heckmann.

The production team shared many musical inspirations, most notably Detroit techno, jacking Chicago house, EBM, the industrial funk of Cabaret Voltaire and the pioneering bleep sounds of Warp Records' earliest releases. As a result, the tracks they made brilliantly blurred the boundaries between contemporaneous electronic music styles while also adding layers of technical polish so often missing from British club tracks of the period.

The completed, released version of 'Tone Float' remains an overlooked UK classic – a gorgeous mixture of squelchy acid bass, sharp TB-303 lines, ethereal chords and whispered spoken word snippets – while the accompanying remix, which is also featured on Garden of Eden, brilliantly re-imagines the cut as a funk-fuelled, deep electro beast.

Fueled by colorful outfits and an exceptional presence, these power girls were born to break mold and drive full speed in the music scene. Bad Skin was
formed in 2015 and let me introduce you to this killer team. We have lead singer and Rhythm guitarist Dope, Lead guitarist Victoria, Bassist Maria and Samantha
on the Drums. They have toured in the United Kingdom in 2022 & 2025 and with the public demand; they have performed in the biggest Punk festival “Rebellion” in 2023. In 2022 they also showcased at the famous Le Phoque OFF festival . The same year, they also had a huge impact in Plovdiv in Bulgaria for the Spike Festival and Summerfest in USA. They have also performed in Canadian Festival such as Music 4 Cancer, Canadian Music Week, Rock La Cauze, Festivoix,
Rock Fest pour La Santé Mental, Pouzza Fest and many more. This year their main goal is to connect with the future generation and speak about the importance of self-confidence and that, “it’s okay not to be okay as long
as you keep your head high and still be you”. This goal was well achieved, as the fan base grew. People are seeing why these girls are really the IT factor.
They always deliver an outstanding performance and after each show, they take the time to thank everyone who came and always organize a signing and picture
booth so they can speak & connect with their fans.

Oliver Dollar presents the ‘Contemporary’ LP on Rekids. The album features collaborations with producers and vocalists like ADMN, Seven Davis Jr., Brillstein, APROPOS, and more, releasing on 21st November 2025.

German House artist Oliver Dollar announces his ‘Contemporary’ LP on Rekids, arriving 21st November 2025. Since 2024, he has released four EPs on Radio Slave’s label, featuring collaborations with over a dozen artists and singer-songwriters, supported by the likes of Dam Swindle, Louie Vega, Honey Dijon, Hunee, Kai Alce, and more.

Since 2011, Industry Standard label boss Oliver Dollar has become a trusted name in House music, he was one of the leading proponents of its Fidget subgenre in Berlin at the height of its popularity, propelling him towards releases on labels such as Snatch!, Classic Music Company, and Defected, alongside a reputation as a formidable collaborator that’s worked with the likes of Crazy P, Mousse T, and Todd Edwards. For the ‘Contemporary’ LP, he doubles down on this spirit of partnership, bringing together a transatlantic cast of friends and peers, linking Berlin and Detroit through a shared House vision. The album begins with ‘The New Is Here’, where Oliver Dollar teams up with Nils Ohrman for a soulful sermon that sets the tone with warmth and gravity, which was previously reimagined into a club-focused dub for ‘Contemporary Part Four’. From there, the mood shifts into ‘Downtown’ with Phil WZK, a deep, Jazz-inflected groove underpinned by a spoken monologue that feels both intimate and eternal Vocalists like APROPOS, Boog Brown, and Billy Love then bring soul and gospel fire, while producers including ADMN, Seven Davis Jr., Harvard Bass, Brillstein, and Austin Ato shape grooves that range from Disco-tinged uplift to deep, dubby hypnotism. Rather than a showcase of features, the album flows as one unified statement, a celebration of community, connection, and the timeless energy of House music.

Founded in 2006, Radio Slave’s Rekids has since launched the Techno-focused Rekids Special Projects in 2017 and its latest sublabel, REK’D, in 2024. With Matt Edwards as the sole A&R, Rekids has been instrumental in developing emerging artists and remains a trusted home for House and adjacent sounds, recently featuring names such as Hilit Kolet, Tal Fussman, Frankey & Sandrino, Mathias Kaden, Huxley, and many more. Oliver Dollar’s ‘Contemporary’ LP on Rekids is a genuine team effort, bringing together some of the brightest voices and producers for a masterpiece that seamlessly blends modern and classic House, Dub, and Disco.

Cécille label head Nick Curly closes out an exceptionally successful 2025 for the label with his powerful two-tracker
'Joystick EP', featuring a collaboration with Joëlla Jackson.
With over two decades in the game and a global footprint that spans the world's finest clubs and festivals, Nick Curly
continues to prove why he's one of house music's most consistent and respected artists.
As the co-founder and creative force behind the iconic labels 8Bit, which he runs together with Gorge, and Cécille Records,
founded alongside Marc Scholl, Curly and his team have once again set new standards for quality and innovation in 2025.
The 'Joystick EP' perfectly captures that timeless Cécille groove - deep, driving, and built for the floor.
And this is just the beginning - with fresh surprises and new projects on the horizon, Nick Curly is set to make 2026 another
standout year.