Suche:the don

Neuauflage der Vinyl-Edition von "Iron Fist". Motörheads fünftes Studioalbum wurde 1982 veröffentlicht und ist das letzte in ursprünglicher Besetzung, da der Gitarrist "Fast" Eddie Clarke nach der Fertigstellung von "Iron Fist" die Band verlässt. Dieser war mit dem Album nicht zufrieden obwohl - oder vielleicht gerade weil - er dieses erstmalig selber produzierte und der sonst sehr dreckige Sound der Band etwas steriler daher kommt. Dennoch stehen Songs wie "Iron Fist", "Heart of Stone" oder "Speedfreak" den Vorgängern in nichts nach. Ein ähnlich erfolgreiches Album gelang der Band erst wieder in den 90er Jahren.

Peruvian cumbia, also know as "chicha", brings together tropical music styles from Colombia and Cuba, Western influences such as 60s beat and psychedelic rock, and mixes them with indigenous melodies from the Amazonian jungle and traditional Andean songs. The result is a unique and vibrant style of music which reverberates with life. Vampisoul's compilation includes tracks by the most important bands of the genre. Peruvian cumbia is currently being rediscovered by new audiences and there exists a thriving club and live venue scene in cities like New York, London and Madrid.
36-page booklet with extensive liner notes in English and Spanish plus photos and memorabilia.

Repress
Rising Dutch talent Deniro (aka Reynier Hooft van Huijsduijnen) returns to with a
double EP of original works. The Tape Records member previously appeared on the label as part of the concept albums.

'Mendoza' is an 8-track quest into the spheres of polarity and tension. Anxious distortions jitter in controlled spaces, angular melodies disfigure warm tones and frenetic cross rhythms flutter through minimalist forms. Contrasting messages are weaved together with precision to facilitate a dialogue where dancefloor function and cerebral stimulation interact.

Deniro navigates his way round vintage gear with a meticulous accuracy, held together by an intuitive ear for timbre, an ingrained passion for Detroit soul, and a firm understanding of sonic balance.

"Deniro is able to transmit emotion in his music like no other. His soft spoken live cuts are sparse and trippy and you can always feel that it's Reynier behind them' - Nina Kraviz

The LP is a collaboration between oOoOO & Islamiq Grrrls. The album's title - "Faminine Mystique" - is an allusion to the Betty Friedan book 'Feminine Mystique' that inspired the 2nd wave feminist movement in the US. Freidan said that while society was providing (middle class) women with historically unparalleled material abundance, it failed to allow space for personal growth. A rigid apparatus was keeping women in a narrowly defined social role that all but excluded self-exploration. Pronounced 'Famine in Mystique,'  the LP's name reflects our feeling that, in a similar way, an increasingly powerful set of contemporary social forces are aligning to, on the one hand, provide people with more music & art than we've ever had access to before, yet rigidly limiting the types of music offered to people to sounds that favor a rigid economics first model of clicks & easy consumption over exploration & experimentation.

Faminine Mystique's 13 songs are framed by fragments of lost, forgotten, or discredited 20th century artists & genres: the well crafted guitar solos of 80s metal; jazz guitarist Barney Kessel; the Ashley's Roachclip drum break; Milli Vanilli; a Kool DJ Red Alert radio show barely audible on some bedside clock radio in some blue collar town on the outskirts of Manhattan; A freeform saxophone solo over a 2 minute, feminist juke-punk anthem. The elusively simple but dreamy vocals of a France Gall or Astrud Gilberto. All blended into the compressed sounds of modern pop & RnB.

- 2x LP Compilations featuring iconic tracks from the legendary US label Holland-Dozier-Holland (HDH)

- The trio behind HDH helped define the Motown sound and split from the label in 1967

- 20 tracks guaranteed to fill a dancefloor with hits from;.

- Freda Payne's 'Band of Gold', Chairmen of the Board 'Give Me Just A little More Time', The Honey Cone, Parliament, Barrino Brothers and more

- Featuring tracks sampled by Fat Boy Slim, The Avalanches, 2Pac, DJ Shadow

Super Session (1968) was conceived by Al Kooper and features the work of guitarists Mike Bloomfield and Stephen Stills. Kooper and Bloomfield had previously worked together on the sessions for the ground-breaking classic Highway 61 Revisited by Bob Dylan. For Super Session, Kooper recruited keyboardist Barry Goldberg and bassist Harvey Brooks, both members of the Electric Flag, along with well-known session drummer 'Fast' Eddie Hoh.

On the second day of recording, with the tapes ready to roll, Bloomfield did not show up. Kooper hastily called upon Stephen Stills, also in the process of leaving his band Buffalo Springfield. Regrouping behind Stills, Kooper's session men cut mostly vocal tracks, including 'It Takes A Lot to Laugh, It Takes A Train to Cry' from Highway 61 and a lengthy and atmospheric take of 'Season of the Witch' by Donovan.

The album peaked at #12 on the Billboard 200, and has been certified a Gold record. The success of this record opened the door for the 'supergroup' concept of the late 1960s and 1970s — Blind Faith, Crosby, Stills & Nash, and the like.

It hasn't been long since The Wedding Present released their latest LP Going, Going... but there's already another LP in the pipeline, albeit a collection of old sessions. The Marc Riley Sessions Volume 1 collection comes out on 2nd December via Hatch Records and contains tracks from three memorable studio sessions with DJ Marc Riley from 2007, 2008 and 2010. The sessions feature songs that span the entirety of the cult indie band's career and the consistency of David Gedge's songwriting.
Marc Riley himself commented on the release of the new album: The release of The Wedding Present sessions done for our 6
Music programme over the years is something of an honour. In the great tradition of the Peel/Selwood releases on the Strange Fruit label this record proves that even without John the BBC can still be a place where great bands can continue to grow and be creative... amongst friends.' Riley also commented on John Peel's love of the cult band: There were many other bands who benefitted from the 'Peel Effect'. T oo numerous to mention. But one of those was — as if you can't see this coming — The Wedding Present. The constant support. Plays. Sessions. Encouragement. Friendship. John's love of the George Best LP (which was a heroic support considering John's affiliation to Liverpool — Manchester United's most hated rival) was well known... and until John passed away he remained a firm fan of all things 'Gedge'.'

REPRESS!

Third World Pyramid was the first album that was fully recorded & produced at Anton's Cobra Studio in Berlin . It is the 15th full length release. Features Ricky Maymi , Dan Allaire , Joel Gion , Collin Hegna & Ryan Van Kriedt & Emil Nikolaisen (Serena-Maneesh) with vocal performances from Tess Parks and Katy Lane.

The Ethiopians are one of the great vocal groups to come out of Jamaica. Singing songs of life and times as they found them, themes that resonated with the people of the Island that made them such a treasured group. Lenard Dillon (b. 9 December, 1942, Port Antonio, Jamaica) the founding member of the Ethiopians began his singing career at Clement 'Coxonne' Dodd's Studio One. Initially he recorded under the name of Jack Sparrow, and backed by the Wailers, cutting 'Ice Water' and 'Suffering In The Land'. Under The Wailers encouragement, he went on to form his
own vocal group. Recruiting singers Stephan Taylor (b.1944, Portland, Jamaica) and Aston 'Charlie' Morris to become The Ethiopians. They cut 'Live Good', 'Why You Gonna Leave Me Now' and 'Owe Me No Pay Me'. Although receiving favourable response, Aston Morris decided to leave the band and the remaining pair carried on and cut 'I'm A Free
Man' and 'Don Dead Already' and 'For You'. On meeting contract builder Leebert Robertson who had recently returned to live in Jamaica, ashad he wanted to get into the music business, a session was booked for Treasure Isle Studios. The session produced their seminal 'Train To Skaville' track, which became an immediate hit in Jamaica and in the UK, when in 1967 it reached number 40 in the charts. They also cut 'Engine 54', which became the title of their debut album. Its
follow up 'I Need You / Do It Sweet', did not fare so well and the band moved over to Sonia Pottinger's stable, where they cut 'The Whip / Cool It Amigo' which revived their fortunes and proved another big hit for the band. Two more hits followed 'Stay Loose Mama' and 'The World Goes Ska', after which the band decided to return to a trio, adding
Melvin 'Mellow' Reid to the line up. The band now hit another run of successes with producer JJ Johnson 'Everything Crash, 'Gun Man', 'Hong Kong Flu' and 'The Selah'. Many hits followed leading the band to work with a variety of Jamaican producers. Such tracks as 'I Want To Be a Better Man, ' Conquering Lion', 'Fire A Mus Mus' Tail', and the timeless 'Reggae Hit The Town' to name a few. Two albums 'Reggae Power' (1969) and 'Woman Capture Man' (1970), pulled a lot of these tunes together. Sadly Taylor was killed in 1975 after been struck by a van in a road accident. Dillon returned to Port Antonio till 1977, when he was persuaded to return to Treasure Isle studios with producer Niney The
Observer and cut the Rasta based album 'Slave Call'. Additional members who joined for this album were Bro Fatty, Bro Ewing, Bro T, Mello and Hychi Dread. An album that showed all the Ethiopians magic had not been lost.
For this release we have included the full 'Slave Call' set, 'Ethiopian National Anthem', 'Slave Call', 'Guilty Conscience', 'Hurry On', 'Mus Follow Babylon'(on CD Edition), 'Train To Skaville (1977 version, on CD Edition), 'Culture', 'Obeah Book', 'Let It Be' and 'I Love Jah'. Alongside some of the bands early hits including the original version of 'Train To Skaville', 'Engine 54', the great and poignant 'Everything Crash', 'Reggae Hit The Town' and 'The Selah'. An interesting set to remind us what a great group the Ethiopians really were.

The Frank OST LP made its debut on transparent green vinyl for Record Store Day 2015 and quickly sold out.

The album comprises Stephen Rennicks's song based soundtrack to Leonard Abrahamson's fantastical black comedy featuring Michael Fassbender as the masked leader of doomed avant-rock group, The Soronprfbs.

The music press were quick to laud FRANK as one of their top soundtracks of 2014, with Mojo placing it at No.3 in their

Top Ten for the year and Record Collector giving it 5*, while public fascination with its Beefheart-esque sound has ensured cult status. The songs, sung mainly by Fassbender, veer from manic comedy to heart-breaking pathos and the

vinyl release was specially recompiled to feature all the songs, most of the incidental music

and an exclusive for vinyl version of 'Frank's Most Likeable Song.... Ever'.

One of Dead Moons all time classics, filled with some of their catchiest & most rousing songs.
Rockers of the highest caliber such as ‘Destination X’, ‘Fire in the Western World’ & ‘Don’t look back’ as well as perfect ballads such as ‘You can’t do that’ & Out in the blues’.
An utter masterpiece of psychedelic rock straight from the heart. The most requested Dead Moon LP by Mississippi Records store customers!

After three years of waiting since her seminal Sister funk hit single "2 Kinds Of Men", Record Kicks finally presents "Stop Look Listen" the debut album from the new Oporto soul diva Marta Ren & The Groovelvets that will hit the streets 19 February 2016. Anticipated from the first single "I'm Not A Regular Woman", which is getting airwaves all over Europe (including BBC 6, Rai Radio 1, LeMouv / Radio France), produced and recorded on an Ampex eight-track tape machine by New Max from Portuguese funk combo Expensive Soul and mastered in NYC by Andy Vandette, "Stop Look Listen" is pure dynamite and follows the best tradition of the Soul Sisters of the 60s. Marta Ren, not surprisingly described as the new Marva Whitney, brilliantly supported by her super tight 8-piece rhythm & soul combo The Groovelvets, serves you 11 tracks of pure fire and takes-no-prisoners. From the floorshakin' opening track "Don't Look" to the mellow feel-good anthems "Smiling Faces", "So Long" and the afrotastic "Be Ma Fela", the Portuguese combo deliver a visceral deep funk album, proving that they're the new 'real deal'.

Marta Ren is not a newcomer as she has been around in the Portuguese scene since the mid 90s lending her deep and powerful voice, amongst others, to break-beat outfit The Bombazines, recording two albums and establishing her unique talent at clubs and festivals all around Portugal. But Marta's passion has always been for the deepest funk and rawest soul of the sixties, and now the time has come for her to show the world her immense talent. With a powerful voice that would make the founding soul sisters proud, Marta Ren is looking to rule the world and make herself a household name. Fans of Sharon Jones & the Dap-Kings get on it!

While Soul Togetherness' on Expansion continues to feature the best new floor fillers of each year, Soul Festival' is here now with a collection of music reflecting the label's love of 70s soul.
    
Soul Festival' spans the period from when new soul music took influence from the Northern soul we enjoy here at UK clubs and events. As the decade progressed, records became more lavish in their arrangement and grander in production, always with that essential soul feel, and that's what you will find here on this compilation.

This 3LP compilation documents B.B.King's breakthrough years, when, initially signed to the Bihari Brothers' RPM label, he unleashed a torrent of superb recordings that would establish him as the world's most famous blues singer-guitarist. He made scores of remarkable recordings during his career - but the ones on this compilation represent that marvelous moment in time when Riley King and Lucille combined to make their indelible mark on the history of the blues.

Beyonce's sixth album Lemonade (when life serves you lemons, make lemonade) is an album that follows a clear story, the discovery of your partner cheating, the anger which is followed by her leaving him, reconciling, and ending with the beginning of a fresh start together. The music has a very Southern Blues feel to it overall (harking back to Beyonce's childhood and the roots of her parents), but also has a couple of the Beyonce-standard piano lead slower numbers, and a few feisty hip-hop leaning grooves that are a bit similar to the BEYONCE era tracks. Telling such a painful and personal story through the songs gives Beyonce's vocals amazing depth and power, from her vulnerability in Pray You Catch Me, the anger in Don't Hurt Yourself, defiance in Sorry, the sadness behind Sandcastles, acceptance in Freedom, to the hope tinged delivery of All Night - Lemonade delivers it all.

The hour-long film is composed of the music videos for every song strung together to form the visual story of the potential destruction of a relationship, the journey of emotions and self-discovery the wronged party goes through, and finding forgiveness. Beyonce did the 'visual' concept for the deluxe edition of B'Day and for BEYONCE, but Lemonade is heads and shoulders above them - the videos here aren't about Beyonce looking pretty, rather adding to the emotive tale of the songs.

- 12 TRACKS
- HEAVYWEIGHT VINYL
- FULL COLOR LABELS + PICTURE SLEEVE

From 1963 to 2014: "Peace Chant - raw deep and spiritual jazz" exhibits 51 years of music. A well matched anthology with sounds to dive into, hard rhythms to dance to and vocals to meditate on.

The Tramp Records crew has compiled 9 tracks in nice order and dramaturgy. Some tunes you might have never heard before unless you own one of the rare original vintage vinyl records. Peace Chant is released on two separate LPs with own catalogue numbers and on one CD. Some songs I can't get out of my mind:

The previously unreleased "Don't Give Up Your Smile Today" is opening the compilation. It's from Das Goldene Zeitalter, a band that didn't survive - but whose members had a huge influence on German jazz, soul, afrobeat and funk within the last years merging into groups like The Poets of Rhythm, The Whitefiled Bros., and The Malcouns. Boris Geiger aka. Bo Baral sings a Pharoah Sanders like tune, his voice deeply resonating, the rhythm section heavily grooving.

After the first three woolly recorded tracks Walt Bolen's "Peace Chant" with its dry and funky sounds with flute, two guitars and percussion is quite a pleasure to listen to. Organ and voice are Bolen's who used to play the keys in San Fernando Valley church when he was a child. "Peace Chant" was recorded for his own Ar-Que label in 1972 and is one of the few cuts with him as a leader. He has played sessions and clubs for years and today he is sitting at the church organ again.

This publication's oldest recording dates back to 1963: "Mozambique" by Luna Brothers Trio, a Caribbean and hypnotic instrumental. For my jazz trained ears it is rather unusual that the güiro (the gherkin played with a stick) is being played throughout the entire song. Heavily laid back cowbell, concas and timbales and the slightly detuned piano are wonderful! "Mozambique" sounds like from another star but its origin is Los Angeles, where the brothers Fred and Ricardo Luna had their night club band. You could imagine a bast skirt strip and at the same time the great Raumpatrouille (Space Patrol) landing on German B&W TV screens in 1966.

Hozan Yamamoto recorded crime jazz with the Japanese bamboo flute shakuhachi. He belonged to Tony Scotts "Music for Zen Meditation" in 1964, played with Ravi Shankar, avant-garde jazz bassist Gary Peacock and appeared at Donaueschingen Festival for contemporary music. Tokio university's open minded lecturer recorded the funky and modal "Spotlight on Sapporo" in 1972.

Premium funk, jazz and breakbeats - rare original 1995 LPs !! act now!

Die 11 Neuen Songs Auf "everybody, Anyone" Wurden Wieder In Paul Wellers Black Barn Studios In Surrey Aufgenommen Und Von Den Beiden Stone Foundation-gründern Neil Jones Und Neil Sheasby Produziert. Selbstverständlich Ließ Es Sich Paul Weller Nicht Nehmen Auch Diesmal Wieder Mitzumischen Und Steuerte Piano, Gitarre Und Background-vocals Zu Diversen Songs Bei. Weitere Feature-gäste Sind Dr Robert (blow Monkeys), Mick Talbot (the Style Council), Hamish Stuart (the Average White Band) Sowie Die Britische Singer/songwriterin Kathryn Williams. Entstanden Ist Ein Neues, Grooviges, Songbasiertes Meisterwerk In Bester Britischer Soul-tradition. Ps: Das Streng Limitierte Cd+dvd Format Enthält Eine 31-minütige Dvd Mit Einem 12-minütigen Making-of Des Albums Sowie 3 Videoclips.

The return of A Turntable Friend Records starts with an opulent 40 track retrospective compilation of their heydays in the 1909s. Peers of Sarah Records and Slumberland Records but far from copying their style, ATF Records always had their own musical identity allowing for a roster as diverse as Boyracer (with Even As We Speak), Secret Shine, The Claim, The Ropers, the Hellfire Sermons + Lorelei.

This compilation is a feast of highlights from the long-deleted back catalogue plus 8 unreleased tracks from the period. Many of the original 7s & 12s are much sought after collector items and several tracks appear on cd for the first time.
Indie guitar popof the best variety delivered by bands from the UK< USA, Australia + Japan.
The release is luxuriously packaged in a tri-fold sleeve for the triple vinyl, strictly limited to 500 for the world. It includes a 12 x 12 full colour booklet and a download code.
The double cd comes with the same tracks also in a gatefold sleeve with full colour booklet.
This compilation is a fundraiser for the William Wates Memorial Trust in the UK with all profits being donated.

First run of limited black and white vinyl versions of this huge cold war themed classic. Includes Devil's Dancers amongst other tracks. Huge!!

Minimal Wave proudly presents a newly remastered deluxe double album of archival material by pioneering 80s minimal electronic duo Oppenheimer Analysis. Oppenheimer Analysis formed in London, England in 1982 by Andy Oppenheimer and Martin Lloyd. Their first meeting though was at the 1979 World Science Fiction Convention in Brighton. They quickly became good friends, sharing an interest in the work of David Bowie, electronic music and early synthesizer bands such as the Human League and Soft Cell. They also shared a love of old science fiction movies, 1950s graphics and comic book imagery and a fascination with post-World War II propaganda, the politics and aesthetics of the Cold War, and the social impact of the atomic bomb. Over the next few years Andy and Martin frequented the growing club scene, including Studio 21 on Oxford Street, and became involved in the developing Futurist and New Romantic style sub-cultures. During this period Martin recorded as Analysis, both alone and with David Rome of Drinking Electricity. They released their first single, 'Surface Tension/Connections' on David's Survival label in 1981. In 1982, Oppenheimer Analysis began writing and recording together at Feedback Studio in Battersea, and performed several times at The Bell, Islington, the 1983 World David Bowie Convention in Hammersmith, the Starzone Birthday Party at Camden Palace, the 1984 European Science Fiction Convention in Brighton and other live venues. Their first demo tape and twelve song 'New Mexico' cassette were sold at gigs and by mail-order, and were reviewed in Melody Maker, Sounds and Soundmaker.


For the years to follow, Oppenheimer Analysis became recognized among electro-music aficionados as a pioneering duo who influenced countless other bands during the club and home-recording era of the early 1980s and beyond. Their cassettes became massively collectible. In 2005 they re-formed with the release of a self-titled four song 12' EP of selections from the New Mexico cassette, including 'Cold War' and 'The Devil's Dancers'. This marked the first release on Minimal Wave. Now in 2015, we're happy to present the entire New Mexico collection, newly remastered and cut to vinyl for the first time ever, to celebrate our 10 year anniversary. This first edition of 1000 copies is pressed on deluxe 'nuclear' style black and white 160 gram vinyl, housed in a glossy gatefold silver and black printed sleeve, featuring all the song lyrics on the inside of the sleeve. Release date: May 16th, 2015. This quintessential reissue has been produced in loving memory of Martin Lloyd.

Mighty DNAonDNA (Heteroerotic Asphyxiation, Oiwa) manufactures STRICTLY STRICTLY's magical 3rd release and offers nothing than power, power, power: Erratic opener THE//GRIND pushes you into the flow with restless UK-ish breaks before HAIFA slaps you hard with its violent rhythm and epic bassline. DON'T MOVE on the B-side chases you with its 145bpm acid breaks to finally eject you struggling for breath. A dangerous adventure!

Canadian quartet BADBADNOTGOOD take on creating the ultimate late night' selection of tracks from their record collections, set for release on 28th July 2017. The original trio of Matthew Tavares, Alex Sowinski and Chester Hansen formed while studying music at Toronto's Humber College (they've recently added Leland Whitty to the line-up). A shared appreciation of hip hop and instrumental covers of Gucci Mane and Earl Sweatshirt suggested a worldly outlook and reciprocated love from Tyler The Creator and Ghostface Killah, which whom they made 2015's Sour Soul.

This is an international effort: Velly Joonas' Estonian version of 'Feel Like Makin' Love', Kiki Gyan, Admas and Francis Bebey representing Africa (Ghana, Ethiopia and Cameroon respectively), Les Prospection from France, Scots' Boards Of Canada and fellow Canucks River Tiber and Charlotte Day Wilson.

Finally, there's the no-small-matter of the Late Night Tales cover version, in which BADBADNOTGOOD take on Andy Shauf's 'To You' is turned into a mournful delight. while the Queen Of Siam herself, Lydia Lunch, delivers a sexual sermon involving only you, her and Jim Beam.

We were really excited to have the chance to put together a Late Night Tales compilation, it's a great organisation. We decided to use it as a vehicle to show everyone all the amazing music we have gotten to experience by touring and meeting new people. Every track on this comp was either shown to us by an incredible person or made by one of our friends. We also included a little cover of a song by one of our favourite current musicians, Andy Shauf.

These artists, as well as many, many others, have infuenced us to create and kept our deep love of music alive. This mix will keep you company on a quiet night by yourself or with friends. You can check it out on the plane, the bus, a long walk, or any situation where you want a soundtrack for reflection and meditation.' - BADBADNOTGOOD May 2017

INXS live on the Coffee Break Concert series at the Cleveland Agora on 27th June 1984.

Following the April 1984 release of their fourth album, The Swing, INXS began to make commercial headway outside Australia. They toured relentlessly to promote the album, and had an international hit with Original Sin.
The performance captured here, on 27th June 1984, was part of the WMMS Coffee Break Concert series, a live radio simulcast on 100.7 WMMS in Cleveland. It captures them at the peak of their early game, and is presented here with background notes and images

Dutch producers Mindmapper & Fre4knc team up to deliver the 'Martial Manners' EP in celebration of Translation Recordings' tenth vinyl release, which comes on a visually stunning piece of crystal & transparent white vinyl! Up first is 'Collessius,' whose heavy-rolling bassline rushes in with the
force of a tsunami, leaving a wake of dancefloor destruction in its path. 'Shutter Angel' is a futuristic track where tight, snappy breakbeats slingshot back and forth between an electrifying bassline that surges across the airwaves like a beam of focused energy. Mindmapper & Fre4knc
delve into darker territories on 'Fenryr,' whose gritty atmospherics and subterranean low
frequencies deliver a unique and immersive listening experience. They close the EP on a deep, meditative note with 'Mind of Steel' (digital only) where drum edits slice through growling bass riffs with blade-like precision. The 'Martial Manners' EP strikes the perfect balance between dancefloor and experimental to carry on Translation Recordings' ongoing mission to bridge audiences with quality music that can be enjoyed in all listening environments.
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Translation Recordings is proud to unveil its summer 2012 project capturing all moods sublime with the 'Universal Grooves LP'. A limited press on transparent blue vinyl, this special edition 12inch showcases a diverse sampling of Translation's full album that will not disappoint. The A-side brings the thunder showcasing the heavy hitting, rolling and dubby sounds of Loxy and Resound's 'Civil War' and Theory's calculated genius behind the ragga and amen tear-out, 'Final Confrontation.' Flip to a switch in vibe as DBR

JJ Cale's 'Live' album gets its very first vinyl edition. FIRST TIME ON VINYL incl.all influencial tracks.

To celebrate the release of the new album 'Stay Around', JJ Cale's 'Live' album gets its very first vinyl edition. Originally released in 1996, this live album features 14 classics including 'After Midnight', 'Cocaine' and 'Old Man'. All tracks were recorded across several different shows : Carnegie Hall (New York, 1996), The Philharmonic (Munich, 1994), Flynn Theater (Burlington, 1993), The Great American Music Hall (San Francisco, 1994), The Hammersmith Apollo (London, 1994), The Sommerville Theater (Sommerville, 1993) and Park West (Chicago, 1990). Double 180gr heavyweight vinyl with CD album included.