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Just when you thought you had Kasper Bjørke figured out he comes back with another great musical surprise. His new album Puzzles, which will be released April 5th on hfn music, follows two recent collaborative EPs on Live at Robert Johnson and Mule Musiq as well as his second Kasper Bjørke Quartet neoclassical/ambient album Mother on Kompakt.
Puzzles is Kasper’s love letter to the sound of early 2000s New York - merged with his Scandinavian sense of producing songs that goes beyond conventional club music; combining disco tinged instrumentations mixed with elements of 80s funk, jazz and contemporary pop songwriting, creating something familiar yet, something very fresh and innovative at the same time.
The album includes collaborations with a wide range of musicians and vocalists. From California based indie-disco troubadour Woolfy (DFA, Rong, Permanent Vacation etc.) to the Icelandic dream-folk trio Systur aka Sísý Ey (who also featured on Kasper’s 2014 single Apart, where the Michael Mayer remix became a timeless club anthem), as well as other longtime collaborators and artist friends: Toby Ernest, Jacob Bellens, WhoMadeWho’s Tomas Høffding on bass, Posh Isolation affiliate Frederik Valentin on guitar and the young, rising jazz star Oilly Wallace on saxophone and flute. Essentially, the majority of Puzzles is played and recorded live, including the drums by Rasmus Littauer (School of X, MØ). Many of the songs emerged from chord progressions written during studio sessions between Kasper and Toby - which Kasper then produced into a colourful and effective album, rooted in an expressive live feeling far from programmed patterns.
Puzzles is a new step for Kasper as a producer and artist, showcasing his ability to move and flow freely between genres and expressions, however still deeply rooted in his love and affection for the classic disco groove - which is only natural after more than two decades as an active DJ.
Another piece has been added to the musical puzzle of Kasper Bjørke

Skylax Record Is Proud to Welcome One of Our Most Prolific Artist, the Great Signal St With "Teenage Catalog". a Sophisticated 12 Inch Deeply Influenced by the Sounds of Dj Sprinkles and the Classic Vibes of Dial (Carsten Jost, Lawrence, and Panta Du Prince). Known for His Chic and Elegant Style, Signal St Previously Delivered the Critically Acclaimed Album "Zapoi and Other Dysfunctional Love Stories" in 2021 on Our Beloved Label, Which Garnered Praise From Industry Heavyweights Like Ben Ufo, Jimpster, Peach, and Levon Vincent. on This New Ep, Featuring Five Mesmerizing Tracks, Signal St Continues to Explore His Signature Sound. Experience the Captivating Journey of "Going Home," the Silky Allure of "Stayin Around," the Mysterious Embrace of "R2d2 Secret Lover," the Ethereal Beauty of "First Drift (Park Mix)," and the Mesmerizing Rhythm of "Genau." as a Digital Bonus, Prepare to Be Transported by the Ambient and Trippy Masterpiece, "LFO/Instant Endorphine." "Teenage Catalog" Serves as a Reflection of Signal St's Formative Years as a Producer, Showcasing His Undeniable Talent and Delivering an Extraordinary Sonic Experience. Prepare Yourself for a Remarkable Musical Encounter With This Timeless Record. Stay Underground It Pays. ...

-Entire album produced by HAVOC of Mobb Deep.

-Having a West Coast lyrical perspective by Ras Kass on this production is like having Kendrick Lamar on a QTip track.

-Features from Method Man, Twista, Philly Freeway, Fame (MOP) Kurupt (Dogg Pound) Raekwon the Chef, and more.

-Appearances by Sway, DJ Kid Capri, KD Aubert, Kxng Crooked, and other celebrity personalities.

GUTTR is not only a collective of respected legendary Hip Hop emcees and up and up-and-coming artists, but also a mindset. GUTTR is a collective, and in a sense, Rap’s first unionization. The entire project was produced by HAVOC from Mobb Deep and spearheaded by Executive Producer, Storm. This debut project is front-manned by West Coast renowned lyricist Ras Kass and Philly's newest buzz, R.J. Payne. The two share sharp bars along with a star studded list of stellar guest features. With HAVOC supplying the entire album's soundscape, the music is respectfully reminiscent of the classic Mobb Deep albums we all know and love. Having a West Coast lyrical perspective by Ras Kass on this production is like having Kendrick Lamar on a QTip track. This combination creates a sound that is different, unique, and magical.

To quote Ras Kass, "We all miss P(rodigy) and that classic Mobb Deep Energy, there is no replacing that or him, period! I did want to pay homage to them and channel that vibe. Havoc being on board to set the musical canvas on an entire album for brothers to paint these bars has been the opportunity of a lifetime."

Coming in hot with 11 tracks of straight up BARS, this album marks a once-in-a-lifetime collab that has been years in the works.

The first 4 track EP on RWR by the London based producer, with tracks ranging from peak time rave signals, groovy DJ tools, and contemplative dub techno infused tracks, in an attempt to find the sweet spot where euphoria and discomfort meet - where techno is arguably at its best and most interesting.

Next on KI/KI's slash imprint is DINA. The Berlin-based DJ and producer and co-founder of Nachtcrew has been a very welcomed guest on KI/KI's all nighter party in Amsterdam's Lo-fi which resulted in a close friendship and ultimately an exciting label debut on slash.
Her sounds could be described as etheral trance, it's fast paced, yet emotive and very functional. And for slash007 she brings nothing less. Four tracks of dreamy escapism into the long nights. It's an impressive combination of immersive basslines transforming into huge amounts of dancefloor euphoria.

2025 Repress
Chontane delivers six dynamic techno cuts via his 'Sycamore' EP on Mutual Rytm.

A firm fixture of the VOLTAGE roster and a rising name originating from Ukraine making an impact, Berlin-based DJ and producer Chontane is quickly finding his feet following a string of EPs via ARTS, Lobster Theremin and Rekids Special Projects. Already playing key clubs at the age of just 18, blurring the lines between techno, breaks and electro with his growing trademark sound, his performances across Berlin and beyond have captured the attention of many as he showcases his up-front and powerful sound. Next, he heads to SHDW & Obscure Shape's Mutual Rytm imprint for the first time as he reveals his six-track 'Sycamore' EP.

Lead cut 'Preserved' is a rugged yet soulful opener, settling into a rolling groove guided by crisp hats and sharp stabs, while 'Arakis' propels into more eerie and menacing spheres as waling vocals emerge and disappear into the track's relentless dynamic. Opening the B-side, 'Sitka' fuses jacking drums with playful flute interludes for a production set to get dancefloors moving, while 'Laboe' keeps things fiery as a peppy track which launches into fiesta mode. Closing the flip side, B3 'After Images' reveals the most emotive production on the package,
balancing the hard-hitting kicks with soulful vocals and hazy melodies for a classy slice of techno.

Once again, digital purchasers are treated to an exclusive bonus with 'In Roots' raising the temperature and jumping right back into the action to serve up another energising anthem from a label and artist on the rise.

“In search of an afterparty” the name of this split EP we are witnessing coming straight from a miraculous country called Uruguay.

The story of a teacher and a student, the tale of different senses and perspectives, the dance of elusive, fictional Jair himself and the spies of the afterparty which can be on either way of self-data collection or when levels of paranoia have come to a boiling point and sense that the eyes are watching doesn’t go away that easily.

The A side is taken by Muten, an artist who has already made a lot of noise not just in his native country but all over the world too whether it’s with an outstanding liveset, flawless dj set or a timeless record that he has crafted. The B side is a story of a rising and promising producer Flhez, and his quest of frequency manipulation + sound perfection. True honor to have these Uruguayan performers to join Exarde and deliver this outstanding body of work for it.

HoneyLuv impresses on her Crosstown Rebels debut with ‘Right Spot’, accompanied by remixes from house heavyweights Dennis Ferrer and Byron The Aquarius Unveiling her first solo production of 2024, the DJ Mag North America ‘Best Breakthrough Producer’ 2023 winner showcases a deeper side to her growing sound, backed by a pair of unorthodox remixes from two of house music’s favourite names.

One of the most hotly-tipped artists within the current house landscape, it’s safe to say Cleveland-born, London-based DJ/producer HoneyLuv arrived in 2023 and hasn’t looked back since. Riding high following a whirlwind twelve months, featuring as one of Radio 1’s Future Stars, Tomorrowland’s ‘20 of 2023’, and as a DJ Mag North America cover star, plus being selected as one of Beatport’s ‘Beatport Next: Class of 2023’ and most recently as one of Spotify’s ‘Mint Artists To Watch’, her 2024 account opens with a big label debut as she heads to Damian Lazarus’ iconic Crosstown Rebel for the first time. Paying homage to the rich house history of Chicago, she unveils her latest single, ‘Right Spot’ - joined by a double-dose all-star remix cast in the form of house icons Dennis Ferrer and Byron The Aquarius, two individuals who need little introduction.

Groove-laden and rich, harnessed by the alluring vocal at the heart of the production, ‘Right Spot’ is an excellently crafted trip through varying shades of house music as slick percussion and vibrant leads accent hazy textures to offer up a future-focused cut with nods to the past.

Dennis Ferrer’s interpretation sees the NYC icon switch things up as he veers towards the after-hours with a bubbly, stripped-back take that leans on colourful stabs, sweeping melodies and off-kilter drum shots. To close, Alabama’s finest, Byron The Aquarius’ remix ups the tempo and launches right into the action as tunnelling grooves and skippy hats take hold for an energy-charged ride.

For Fans Of... El Michels Affair, Adnan Younge, Roy Ayers, Karnem Riggins, The Roots, Khruangbin. Producer "Grimez"” has been making music for 20 years deep, Grimez has ghost produced tracks for 50 cent, Hi-Tek, Kool Keith, Stick man (DEAD PREZ), Killah Priest, Sadat X, MOOD & Talib Kweli, and Mighty Diamonds to name a few. Gritty & raw analogue instrumentals. Very limited black vinyl LP. Genre: Hip Hop. Doctor Bionic is back on the airwaves. The newest album from Cincnnati based executive producer Jason Grimez is an instrumental collection of classic soul, jazz, and hip-hop sounds. The first instalment of a three-part series, Terrestrial Radio offers 37 minutes of carefully curated jams. Tune in to catch the vibe on 1/26/2024. Jason Grimez is an engineer, executive producer, and the owner of Chiefdom Records. Growing up in the 90s, he fell in love with hip hop at an early age. He started scratching on a pair of 1200s and sampling records with an MPC 3000 in high school Years of sampling, mixing, producing, and sharing his own music led him to where he is today. His independent label Chiefdom Records has released close to 30 albums in the last seven years. His studio persona Doctor Bionic was one of the first to see a release on the new implant. The project features a rotating cast of incredibly talented session musicians. Jason is responsible for writing, recording, producing, mixing, and releasing the records. Grimez sets the scene on track one of Terrestrial Radio, aptly titled “Time Continuum.” The listener is greeted with the scrubbing sound of a radio dial We pause for a few seconds when the signal is strong enough to catch an ad-read from an old cereal commercial, or to gather an update from a sports announcer. Grimez takes the listener to a new era each time he spins the dial. Our search comes to an end on the channel where we’ll cruise through the next six songs, hand-picked by the Doctor himself. Terrestrial Radio features some of Cincnnati's best session musicians. “Keep Your Kids in School” highlights a killer rhythm section. Brian Batchelar-Glader recorded the organ over an effortlessly funky foundation formulated by Manan Havéans (drums) and Aaron Jacobs (bass). With an equally punchy bass line, funky guitar jabs , and thoughtful trumpet arrangements (Michael Mawnidoglou), “Wire Fraud” s the perfect soundtrack for your next bank heist. The remainder of the record offers everything from shuffling gospel grooves to head-nodding drum breaks. As Doctor Bionic, Jason Grimez has carved out a niche for a community of musicians to thrive in and build upon. Grab a copy of Terrestrial Radio on 1/26/2024 and stay tuned for the second instalment in the series.

2024 Repress

Siberian born and since 2010, a proud resident of Naples where her musical journey began, Anfisa Letyago has brought to the next generation of techno DJ/producers a sincerity and passion few others can. Of which she is successfully channeling to an incredible growing fanbase. From her releases on Drumcode, Rekids and her newly minted imprint N:S:DA, Kompakt are ecstatic to welcome her to our long running SPEICHER series.

“Keep Flight” is bare and punishing. Taking cues from the greats – think early Hood, Broom or Surgeon – Anfisa takes us down a relentless wormhole fortified by a pulsing vocal and EBM synth. In contrast, the flip side “Rhythm Tension” is a more slowed down, acid squelched affair where Anfisa’s vocals keep the vibe fully in check for those feel good moments everyone is currently needing in a DJ set.

Anfisa Letyago stammt ursprünglich aus Sibirien und ist seit 2010 stolze Einwohnerin von Neapel, wo sie auch ihre musikalische Reise begonnen hat. Sie hat der nächsten Generation von Techno-DJs und -Produzenten eine Aufrichtigkeit und Leidenschaft vermittelt, die nur wenige andere haben. Diese Leidenschaft hat sie erfolgreich an ihre stetig wachsende Fanbase weitergegeben. Nach Veröffentlichungen auf Drumcode, Rekids und ihrem neu gegründeten Imprint N:S:DA freuen wir uns sehr, Anfisa als Gast in unserer langjährigen KOMPAKT Extra/SPEICHER-Reihe begrüßen zu dürfen. "Keep Flight" ist so einfach wie gnadenlos. Erinnerungen werden wach an einige der ganz Großen - an den frühen Hood, Broom oder Surgeon. Anfisa führt uns in ein unerbittliches Wurmloch, dessen Sog durch eindringliche Vocals und EBM-artige Synthies noch verstärkt wird. Im Gegensatz dazu ist die Rückseite "Rhythm Tension" ein entschleunigter Acid-Mahlstrom, bei der Anfisas Gesang für genau die Wohlfühlmomente sorgt, die wir alle derzeit in einem DJ-Set brauchen.

First in a series of reissues from Pierre Jaubert’s Parisound studio archive on Strut Record IS Lafayette Afro Rock Band's elusive funk/Afro original album, 'Malik,' originally released in 1974. Transparent blue colored LP

In 1971, an undocumented seven-member Afro-American ensemble known as the Bobby Boyd Congress made a transformative journey from the United States to France. Bandleader Frank Abel recollects, "We sensed that the soul and funk market was saturated back home, and our original plan was a brief 6-month stint in Paris. Surprisingly, we ended up staying for a decade." Upon lead singer Bobby Boyd's return to the U.S., the group rebranded as Ice and crossed paths with independent producer Pierre Jaubert, a seasoned studio professional with credits on groundbreaking recordings alongside Charles Mingus, John Lee Hooker, and Archie Shepp, among others.

Drawing inspiration from Motown's work ethic, Jaubert initiated regular rehearsals with Ice. He recalled, "I didn't want to mimic Berry, but with seven talented musicians collaborating daily, something unique emerged." The band, residing in Paris and immersed in the African-dominated Barbesse district, began infusing African elements into their music frequently performing with Paris-dwelling Camaroonian and legendary composer Manu Dibango.

Under the new moniker Lafayette Afro Rock Band, the group's music transitioned to predominantly instrumental compositions, featuring a denser Afro-funk sound. Their inaugural recording with the new name, 'Soul Makossa,' included a compelling rendition of Dibango's classic and the impactful break in 'Hihache.' The subsequent release a year later, 'Malik,' refined their sound with the percussive Afro party jam 'Conga,' the atmospheric vocoder and piano-led piece 'Djungi,' and the robust funk of 'Darkest Light.' Despite a limited impact upon its initial release, 'Malik' found appreciation as hip-hop culture flourished in the '80s, establishing itself as a rich source of samples and riffs. 'Conga' was featured in the 'Ultimate Breaks And Beats' series, while the opening horn line from 'Darkest Light' became a pivotal hip-hop motif, employed by Jay-Z, Public Enemy, Wreckx 'N' Effect, and many others

2024 Repress

Brazil-born, Barcelona-based DJ and producer ANNA has garnered international accolades from Mixmag, BBC Radio 1 and others with recent releases on the likes of Diynamic and Turbo Recordings. But her skill set reaches far beyond the studio realm as 2017 marked her busiest year to date. Beyond a whirlwind of festival appearances (including Movement and Awakenings), ANNA had the opportunity to perform at iconic clubs such as
DC-10 and Fabric.

This passion for the dancefloor was fuelled by a youth spent in the DJ booth of her father's night club - and it now leads to her first outing with Kompakt:
SPEICHER 101 carries the DNA of both the studio head and the club dweller, crafting two propulsive, massive belters out of simple, but effective ingredients. HIDDEN BEAUTIES dominates the A-side with raw bass power and sizzling drops of acid, while the flipside brings you THE DANSANT, one of these spiralling minimalistic techno bangers that just seem to grow indefinitely. The release is also a personal milestone for ANNA, as Kompakt's records have always been a staple in her sets: I have so many
records from Kompakt, I've had them since I started, and even though I played so many different styles through the years, I can safely say that Kompakt has always been in my crate.' Her very own release on the label, however, seemed like a distant dream', she says. Turns out it wasn't that distant after all - thanks to her knack for seriously catchy techno with a punch, nurtured by hard work and persistent focus. A perfect fit for Speicher.

Repress

Needing no introduction, The Chemical Brothers make a very special appearance on Phantasy with a limited-edition vinyl pressing of Erol Alkan’s triumphant remix of ‘Goodbye’, a highlight from their recent, Grammy-nominated album, ‘For That Beautiful Feeling’.

Masterfully bridging soulful vocals and widescreen techno with their typical psychedelic edge, Alkan’s interpretation demonstrates his unique brotherhood with Tom Rowlands and Ed Simons. Across a near ten-minute journey, Alkan pushes the Brothers’ irresistible synth line further into dissonant analogue bliss, which coupled with celestial breakdowns, already counts as a personal favourite in the London DJ and producer’s diverse, enviable back catalogue of reworks. The other side of the record includes Alkan's previously unreleased instrumental.

Mode_1 Reclaim EP by DIG Records

Cover // Augmented reality by Omer Avarkan


********************************AUGMENTED REALITY COVER ***********************************

After a stellar debut release in 2023, vinyl-only label Dust in Grooves, sees its anticipated second EP Reclaim, showcasing one of Dublin's gleaming underground talents Mode_1. Establishing DIG as a progressive sonic platform, founder Olivia Mendez is also curating a series of dynamic augmented reality covers for each EP. Adding more layers into the sound experience of the Reclaim vinyl is motion designer and visual artist Omer Avarkan.


Mode_1's dedication to uncovering layers of tough but rhythmic grooves, both as a DJ and a producer, has led him to make a mark on legendary techno imprints such as Knotweed, FiedelTwo, Truncate and Naked Lunch. Staying true to his advancing, dynamic sound laid with dexterous technique, Robert Kavanagh delivers a collection of four ominous tracks, pulsating with incandescent pads and pacey drums.


The EP opens with the relentless and driving Sigma, setting the tone for a swiftly moving ride across the record. With playful shifting of gears and jacking rhythms, the A2 flows into the next track Dusty Room, utilising the bleepy pitches in contrast to the expansive spheric tones, offering an energetic boost of a melodic techno work-out, with hints of sharp dub edges.


Reclaim on B1 highlights the versatility of Mode_1, comprising multi-layered scales, evolving spiral sounds and a build-up of reverberating tones that escalate with poise. As a closing track of the record, Platform 8 is one of those B2 sides that you keep reaching out to. This ultimate big-floor tool is loaded with advancing movement, keys with mystical undertones, and depth of texture that play with the infinite nature of the number eight.


Unlocking the animated cover of the EP and seeing it come to life virtually, adds a new dimension to the classic format of the vinyls. To unlock its motion, follow the riddle on the back.


All tracks mastered by Nihad Tule.


Words by Lora Mateeva, Orb Mag

Diggin In The Crates (D.I.T.C.) was born out of a group of artists who began making noise in the late ‘80s and into the next decade and beyond—namely Lord Finesse, Diamond D, and Fat Joe. After well-received albums, an official, wider collective was founded that also included O.C., Big L, Buckwild, and producer-rapper combo, Show & A.G. (originally known as Showbiz & A.G.).


The crew proceeded to drop a run of sublime records, including Show & A.G.’s Soul Clap EP (1992), their full-length debut Runaway Slave (1992), followed by Goodfellas in 1995. Show & A.G.’s next project, Full Scale, arrived in 1998 and featured appearances from O.C., KRS-One, Big Pun, the Ghetto Dwellas and verses from members of D.I.T.C. including Diamond D, Big L and Lord Finesse.


In 2002 a CD version titled Full Scale LP (using the same artwork) was released with 10 additional tracks which had originally been released on various 12" singles and projects in the late 1990s. The project had never been released on vinyl in its entirety – until now.
Production on Full Scale was handled by Showbiz and A.G. except for "Time To Get This Money" which was produced by long-time collaborator Ahmed, and "Hold Mines" and "Hidden Crates" which were produced by DJ Greyboy.


The assortment of guest features doesn’t detract from A.G., a masterful emcee with a no-nonsense style that is simple but impactful. Full Scale follows the tried and true blueprint from Show & AG’s earlier classics cementing its place in hip hop history.

Timeline presents the debut as producer of Mangles, resident DJ of Lanna Club in Gijon (Spain).
New sounds for the label with a strong influence of the Birmingham techno sound.

LKEMY is a legendary Italo house producer from the Adriatic Riviera. Active since 1991 when his first 12″ was released, in the 1990s composed and produced several dozen tracks that are now cult favorites among young DJs and collectors of the genre. Now he returns to produce in the same style of the time two tracks that impressed two well-known Italian DJs, one of the old school and one of the new, who wanted to make their own versions. Dj Ralf, one of the most historical, notorious and active DJs in Italy, has remixed “Cloud” for his warm and intense Dj sets around Italy. In “Cloud Detox”, GNMR (Gianmaria Coccoluto) doesn’t approach as just a remixer; rather, he doesn’t distort or eliminate/replace the important parts of the track but transports and renews them in a new musical realm of his own. Where ethnic elements, live-played drums, and intentionally unquantized rhythms give birth to a unique body under the moon of Goa in India. Mysticisms, transcendental worlds, lengthy dances free from others’ judgment, and closer to supernatural contact make Detox a journey towards purification.

This project unites artists from two labels, Chinese based bie Records
and Latin America based Shika Shika, separated by very contrasting
cultures and thousands of kilometers but united by shared values and a
shared musical vision
Driven by values of creativity, borderless music and fairness for artists, both
labels showcase artists that unite electronica with ambient and folk music,
purposefully existing outside of the globalized, copy- paste of the mainstream
music industry.
A mix of intrigue and mutual respect led to the birth of this compilation, with the
two labels teaming up to match together a group of their artists to remix each
other. The result is a widely imaginative, fresh and diverse selection of tracks
featuring some of the prominent producers such as DaYe, Lim Giong; Hualun, Sun
Dawei and Rainsoft from bie records and DJ Raff, Terror:Cactus, Numa Gama,
Barrio Lindo and El Buho from Shika Shika.
The compilation is a testament to music's power to transcend language and
cultural background as artists from hugely different contexts unite to explore and
build on each other's creative visions.

DJ Support: Louie Vega, Kenny Dope, David Morales, Dimitri From Paris, Dave Lee, Simon Dunmore, Michael Gray, Brian Tappert, Melvo Baptist, Seamus Haji, Terry Hunter, DJ Spen, Hector Romero, Dr. Packer, Kenny Carpenter; Jellybean Benitez, Husky, Birdee, Derrick McKenzie.

Legendary Italian producer Gianni Bini Debuts on Groove Culture with 'The House Of Glass' LP. With an inimitable CV and discography that includes over a thousand production credits to his name, hundreds of singles under renowned pseudonyms including Bini & Martini, Fathers Of Sound, The Goodfellas, Subsystem and two Worldwide hits as Eclipse and House Of Glass, Gianni is one of the most revered producers of disco-house, defining each genre with a signature sound. Always looking to push the boundaries of what it means to make music, his latest project sees Gianni return to deliver an epic disco record that takes the sound back to its roots in every way possible. Backing up live drums, live bass, live guitars, live strings with catchy vocals and enough groove to level a discotheque, it’s this Disco-Pop energy that Gianni has captured and expertly delivered with 'The House Of Glass'LP.

2024 Repress

Another episode of the notorious 'You Can Trust A Man With A Moustache Series. Containing 4 crazy electro house energizing nu-italo top hits! A1 The mysterious super hit wanted and sought after by many DJs, played at numerous clubs and festivals by Moustache records label boss David Vunk, the mega anthem by the super collective ; Tending tropic - Hondebrok!!! A2 Cafius the super talented electronic music producer hailing from Ukraine is part of Moustache family now. He Delivered a massive club banger for the dancefloor: Cafius - Tonight is the night. Already played by DJs around the glove! B1 Im Kellar the infamous project by 30 years friends David Spanish and David Vunk ebm electro, dark and pure from the analogue cellars of downtown Rotterdam city, Im Kellar known for their super rare always sold out 12inches. Im Kellar - Not to be compromised dont miss this killer track with that strange melodie ;) B2 Moustache is super pleased to have the boss of Barca on board. Italo moderni label ceo Adrian Marth with his electro house hi energy track: Icon of the night! Expect deep basslines and peaking party drops. You can trust a man with a Moustache Vol. 5 comes in a super great designed 12inch sleeve full colour Artwork. Dont sleep on this ultra rare vinyl super limited only 500 copies no repress! Don't play this record underwater!

After his first two one-off singles "Black Pegasus" and "Day Without You" introduced DJ Swagger's massive songwriting abilities and love for recording instruments, his first album on Kommerz Records, "Chemistry Forever", showcases his background in UK-leaning elec- tronic music as well as new tendencies towards neo soul, indie pop and jazz. Welcome DJ Swagger to the Kommerz Records stage and prepare for the album to drop on March 22nd.
The 25-year-old from West Germany's Bielefeld is pretty much the archetype of a so-called Wunderkind. At his young age the producer, DJ, multi instrumentalist and songwriter released more than 40 vinyl records including two solo albums and endless rave tracks since turn- ing 16. As of most recently and even though coming from an electronic music background DJ Swagger's creative agenda ventured more and more into classic songwriting and taking over the role of lead vocalist of his one-man-band. His third solo album "Chemistry Forever" show- cases this transformation from UK-influenced electronica towards neo soul and indie without losing its listeners at any point. His subtle melancholic vocal performance and the just as subtle, yet constant pop appeal make this equation solve itself magically. From electro, 2 step and breakbeat over hip-hop, indie and R&B to a final bebop (!) madness - "Chemistry Forever" is a trip for music lovers while each and every song has heavy potential to be listened to on repeat.
Besides his own vocal performances DJ Swagger also invited rappers TripSixVivo (London), Vitus04 (Bielefeld), Kaba (Paris) and poet Dainell Aiken (NYC) for mesmerizing guest perfomances. Additional production work came from Hamburg dance producer Speckman and jazz outfit Jonas Gersema Trio.
Aaaand since we called him a Wunderkind: Be aware that he's not only a next level musician, but studied graphic designer, illustrator and most likely many more things. Just an example: Most recently he sold self-made perfumed candles through his D.I.Y. label and fashion brand Goddess Music. He obviously designed everything around the album, directed the music videos and merch drops are to be expected.
For us, brothers Lukas and Jonathan, the love story goes way back though. In the midst of the long gone lo-fi house hysteria (2017-2018) we discovered the Bielefeld native's dance floor productions, which fused hip-hop braggadocio with pumping electronic music. We kept following up on his ever evolving musical journey into new genres and felt super honored when he reached out to release his upcoming projects via Kommerz.

“Mother”, Logic1000’s debut album. “I felt so much love and inspiration entering into motherhood that I just needed to create something really powerful,” explains Samantha Poulter, the Berlin-based DJ and producer , who grewed up in the Sydney suburbs of Yarrawarrah and Botany Bay and better known to fans as Logic1000. “And with a lot less free time, you really make sure you make the most of any moment you get.” That vitality and renewed sense of purpose is captured on Mother.Preceded by the single ‘Grown On Me’, the 12-track set is a laser-focused “love letter to house music”, written in collaboration with her husband and long-time creative partner Thom McAlister (Cop Envy, Big Ever). Finding Poulter further fine-tuning her inventive, multi-genre approach, it’s a crucial contribution not just to the world of dance but to the canon of art inspired by parenthood. As Poulter herself puts it, a little awed, “I never thought I would be capable of something so powerful.”

With this 12" reissue made for Giancarlo Meo, legendary producer of Easy Going, Vivien Vee, Capricorn, Amin-Peck, Steel Mind, Claudio Simonetti (aka Kasso) and many other artists, Best Record once again offers a great dance music service for those who perhaps don't know to need it. Claudio Casalini, who 40 years ago was not only a record producer, but above all one of the most important club-DJs in Italy, remembers well the cheering crowd of the jet-set in the elegant Roman lounges, with the dance floor full of people vibrating for that fusion of disco, soul and funk sounds that many Italo-Disco songs featured in those early Eighties. The three versions of "Out to Get You" contain all those sounds, but is mainly the version re-edited by the imaginative and passionate Massimo Berardi DJ that brings a portion of musical restoration making it current, and so exciting and modern, absolutely suitable for dancing again in every part of the world.

Classic west coast electro by Romanian dj and producer Andrew Red Hand who drops his final part of The Cemetery series on Rotterdam Electronix. The title track gets a stunning melodramatic remix by Electro overlord The Exaltics. Killer electro cuts for the dark & cold days that lie ahead.

Bob Sinclar"s first album is considered as a classic of the French Touch. "Paradise" was acclaimed by the press and launched the DJ / producer"s international career. It includes the massive club hits "Gym Tonic (Thomas Bangalter Remix)" and "Ultimate Funk"

Underground hero and label boss DJ Steaw makes his Nu Groove debut with ‘Seascape EP’, a four-track odyssey of deep, soulful house. With over 12 years of experience, the revered DJ and producer is known for his arresting sets appearing on famed stages including Berlin's Tresor, London's fabric, Amsterdam's Shelter and all over his home nation of France.

As an electronic tastemaker spanning multiple genres and influences, DJ Steaw has launched House Puff Records, Steaward and Rutilance Records, the latter of which he co-founded with crate digger Gunnter. Having already received support from tastemaker Chris Stussy, this four-track package is a perfect fit for the cult NYC label. Opening with the powerful stabs of ‘Take It There’, ‘Seascape EP’ explores the producer’s signature, bass-heavy sound as well as the myriad of influences from further afield. The title track ‘Seascape’ contrasts breathy pads with bright, dynamic percussion, as ‘Close To You’ and ‘Exotica’ further demonstrate a recognisable, nostalgic aesthetic that is both club-ready and dreamlike in quality.

Australian DJ and producer James Mac joins forces with France based Vall for their Afro House rework of Aaliyah’s 2001 hit ‘Try Again’. This follows their debut hit single together 'The Boy Is Mine' which remained the #7 highest selling record on Beatport overall for 3 months. The vinyl includes official remixes from house music legend David Penn, French producer Holseek and Sydney based DJ/Producer on the rise Ben Miller, as well as the Sasson Remix of ‘The Boy Is Mine’.

Aural architect Skygaze follows his 2022 ‘Astral Trip EP’ for Flumo Recordings, offering an advanced fusion of house, broken boogie, and future jazz, with five brand new reinterpretations from the extended Flumo family.

Skygaze’s diverse sound, breaking down barriers between house and techno, broken beat, jazz, ambient, hip hop, jungle, and even esoteric IDM, has been showcased across a growing catalogue of releases across Guayaba records, Riverette, Flumo and Thirty Three Circular, and remixes for Ed is Dead and Contours & Yadava; earning the producer support from the likes of Mr. Scruff, Simbad, k15, Bandcamp’s Andrew Jervis, and Gilles Peterson.

Feted singer, musician and producer Alysha Joy, rising producer Divorce From New York, ones-to-watch, Footnote and Karmasound, and Skygaze himself under his Jailed Jamie guise, joined by Lorenzo Soria, put a new spin on ‘Astral Trip’, whilst staying true to the originals’ spirit.

The multi-talented Allysha Joy, of 30/70 Collective & LCSM fame, remixes ‘’Night Heat’’, enhancing the groove with broken beats and her undeniable first-rate vocals.

Jailed Jamie & Lorenzo Soria, reshape ‘’Gimme Five’’ with rough synths and jacking bassline driven “Think” beats.

Divorce From New York boosts the tempo and infuses ‘’Wagwan’’ with Latin rhythms, perfectly balanced by high-energy synth lines.

Italian producers, Footnote and SofaTalk, delve deeper into ‘’Minor Mood’’, adding softer, retro-infused sound structures in a broken boogie mould.

Barcelona’s Karmasound explores the ruminating nature of ‘’City Cathedratics’’ and its counterbalance between broken beat and house.

The diverse but complementary set of remixes is sure to move bodies on sophisticated dance-floors this year and shed further light not only Skygaze’s production but also his talent for melody and song-writing. A feather in his and Flumo’s bow.

DJ Support:

Ashley Beedle (Back To The World Records)

Bolam (Lobster Theremin)

Crazy P (Hot Toddy / 2020 Vision)

Dan Curtin (Mobilee)

Fouk (Heist / Toy Tonics)

Joshua James (XOYO, Glorias, Rinse)

Laurent Garnier (F Communications)

Severino / Horse Meat Disco (Strut / !K7 Records)

Speaking Minds (Circoloco, Italy)

2024 repress!

Blinding double pack of heavily old school influenced bleep, direct from the depths of England by prolific young producer, Tom Carruthers. These are heavily sample based mpc productions that harken to the carefree days when the pills were pure and the music was fresh and never stopped. When house was techno and techno was house, this long player takes the best elements from say Chill Records, early-Warp and the best Nu-Groove creating timeless dance tracks made for the warehouse dj. Essential stuff here. TIP!

2024 Repress

From an avid record collector in his home of Brazil to an artist now championing an undisputable position in the upper echelon of D&B's global hierarchy, DJ Marky's 'The Time Is Right' LP sees one of underground music's biggest success stories serve up an incredibly significant album that represents his unwavering passion for both drum and bass culture and his own growth as an artist.

19 years on from the release of his debut album ‘In Rotation’ with XRS, the internationally revered DJ, producer, and label head has found a home for this greatly-awaited album on Shogun Audio, traversing an extensive and beguiling selection of sonic soundscapes across fifteen of the most refined tracks that you'll hear this year.

Capturing both his signature sound and pristine personality in an energetic, bubbly, and vibrant amalgamation of soon-to-be drum and bass anthems, 'The Time Is Right' is an immaculate 175BPM fuelled offering that celebrates one of the scene's most passionate, charismatic, and loved mainstays of the past two decades.

Teaming up with a selection of hugely talented collaborators, including the likes of Pola & Bryson, MC GQ, Makoto, Charli Brix, SOLAH, and many more, 'The Time Is Right' sees DJ Marky serve up a heartfelt, vigorous, and personal sonic journey that undoubtedly presents his most meaningful and complete body of work to date.

As a love letter to his peers, fans, collaborators, and the D&B scene as a whole, this latest album from one of D&B's biggest icons captures the brilliance of his innate ability to intertwine different cultures and music in a mesmerisingly effortless manner.

Through the deeply-personal and emotive feels of 'Colours Of My Mind ft. Pola & Bryson', future anthems such as 'Natural Feeling ft. Charli Brix & Alibi' and 'Back & Forth ft. Melinki, D'Cypher, Harry Shotta & GQ', certified club hits like 'Wrong Hands ft. L-Side, and many other gems embedded throughout the album, DJ Marky further cements his reputation as one of the most unique, talented, and iconic artists to ever grace the drum and bass scene.

Africamore: The Afro-Funk Side of Italy (1973-1978)

Continuing Four Flies' dedication to delving into lesser-explored periods of Italian music, Africamore takes us on a captivating journey into the intersection of Afro-funk and the Italian soundscape during the six years between 1973 and 1978 - a time when disco was looming on the horizon and the nightclub market was rapidly expanding.

Before reaching Italian shores, the infectious sound originating from African and Afro-Caribbean roots traversed both the Mediterranean and the Atlantic, landing on New York dancefloors, where DJ Dave Mancuso discovered "Soul Makossa" by Manu Dibango. In 1973, from Mancuso's Loft parties, the song's hypnotic groove spread to the rest of the globe, including in Italy, where it sparked a wave of imitations and variations.


Tribal influences thus found their way into Italian soul-funk and early-disco productions released between 1973 and 1978 – from psychedelic-tinged tunes like Jean Paul & Angelique's "Africa Sound" to the Afrobeat-inspired club banger "Kumbayero" by composer/producer Albert Verrecchia (aka Weyman Corporation); and from groundbreaking Afro-cosmic songs like Chrisma's "Amore", co-written by Vangelis and featuring the rhythms of Ghanaian-British Afro-rock band Osibisa, to mind-blowing floor-fillers like Beryl Cunningham's "Why O", a re-write of Nat King Cole's "Calypso Blues" arranged by Paolo Ormi, with percussion breaks that sound pretty much like what would later become known as techno.


Combining feel-good vibes with driving rhythms, world-style percussion, and even synths, all these productions pushed the boundaries of dance music at a time when disco had not yet taken over. In doing so, they sowed many of the seeds of the later Italian cosmic scene and its unique mixture of African elements, disco-funk and electronic music.

This was a brief but nuanced period in Italian music history, one that deserves to be rediscovered, with love.

Africamore is due out on March 22nd and will be available as a gatefold 2LP and digipak CD. Both formats come with stunning artwork by Kathrin Remest and liner notes by Pierpaolo De Sanctis and Elena Miraglia.

The fourth installment of the 'Tracks From The Alley' series continues to explore the oblique edges of the jackin zone, dragging recognizable primitive elements of dance music through narcotic madness; a possible soundtrack for sleepless nights at the skate park.

Involved in this 4 tracker mini-compilation are the Greek dj/producer DimDj, the Berlin-based Italian producer and part of Sons Of Traders, TANS, the Portugal-based Brazilian Unrealistic Expectations label owner Nothing Was There, and the ALLEY VERSION's brothers FLML.

Limited to 200 copies.

We are back, and pleased to introduce you the first ever physical 'Various Artist' release with some of our favourite producers and good friends.Our dear Pily who has been the secret weapon inside many USB's and record bags lately, opens up with A1. 'Bailo En Circuito' sampling Alma Matris vocals, adding an infectious beat, simple and quirky enough to keep you going, masterpiece/.A2. Coming all the way from South America, Uruguayan super newcomer DJ/producer Marcos Coya debuts on DID with a straight fire tune. Hypnotic and with a characteristic acid strength, 'Buahh Trance' has been heavily supported by legendary DJ KOOLT this past summer. Flipping the record B1 is none other than the prince of fast heart-beats, recently moved to Spain, Prince De Takicardie brings the 'Badalona's House', an after-party happy/trippy tune, let's take the ride!.B2 by the Ibizan boy's JNJS (Jacob Saavedra & Jay Nortown) 'X-Money' is an economical broken-tech story, it will make you think about it, if you are deep in dis one enough...B3 is London's upcoming Dub Dealer Eren Arif with 'High Volume' a breakbeat dubby tune to close the V/A.

Los Angeles duo crushed announce their signing to Ghostly International and the first vinyl pressing of their 2023 debut EP, extra life. A love letter to `90s radio, the first collaboration from musicians Bre Morell and Shaun Durkan finds them tuning a shared taste for maximalist dream pop. Open-hearted hooks and melodic riffs move through a haze of breakbeats, spliced sound design, and distortion. Faithful yet fluid in its channeling of golden age alt-rock, Britpop, trip-hop, and electronica, there's a refreshing freedom to the sound, which quickly resonated with fans and critics upon initial release. Pitchfork called it "effortless, widescreen dream pop that's serene without being sentimental," and NPR cited its "deep sense of place and time." The music also struck Ghostly, and the first measure for crushed and their new label home is to give extra life a wider physical release paired with remixes from band favorites Real Lies and DJ Python. The story of crushed is written across midnight transmissions. In the early 2010s, Morell, who fronts the band Temple of Angels (Run For Cover Records), hosted a graveyard shift college radio show and used to play music from Durkan's former band Weekend (Slumberland Records). In 2020, Durkan, having focused on production work (Tamaryn, Young Prisms) following Weekend's run as a formidable shoegaze act, hosted a late-night program on a community radio station in San Francisco. Driving one day, he heard Temple of Angels by chance and was immediately drawn to Morell's voice. He added a song that night to his on-air tracklist. Morell saw it and reached out to thank him and point to that connection made a decade earlier. The exchange sparked a long-distance project. First, they filled an audible moodboard with `90s classics from the likes of Natalie Imbruglia, Sneaker Pimps, and The Sundays. Songs that transported them back to places of comfort and discovery; Morell's memories of a metallic, lavender boombox that dispatched past sounds from a world beyond her Houston suburbia, and Durkan, in his mom's car on the way to band practice. These touchpoints provided a palette for crushed to experiment without expectations, purely for the fun of it. A creative intimacy emerged; stepping outside the reverb walls of her full band, Morell embraced more clarity and a range of emotions in her vocals, while Durkan looked inward as a producer, collaging fragments from their everyday lives: voice memos, piano recordings, even the panting of Morell's late dog on "milksugar." The wistful ballad embodies extra life's feeling as a whole. "I am home again," sings Morell; her refrain cycles above a drum machine beat as Durkan colors their universe with star-lit strums, synth swells, and the crackle of fireworks in the distance. Elsewhere, the duo's uptempo mode is equally effective, like the super-charged duet "coil" or the propulsive opener "waterlily," which sets a cinematic tone for the set. Bold, bright, and replayable, extra life presents crushed as a project of immense promise, two artists unlocking something special within themselves, a space to hold both melancholy and bliss. Durkan adds, "To me, extra life is true and pure - in a way I haven't felt about music in a really really long time."

Brazilian producer and DJ Pedro Bertho, now based in France and an active member of Lyon's electronic music scene, releases his first EP on Cracki Records.

With "Mêlé", he attempts to translate what it feels like to be a black, Brazilian man living in France in the 21st century.

A complex patchwork of experiences, accents and heritages that he translates on this powerful record, mixing baile funk, house, electro or acid house, sprinkled with TR-808 and iPhone recordings.

The mix extends to the remixes, with Brazilian underground queen Badsista signing a hard-hitting version of "Jour 4", while Chilean Alejandro Paz tackles the bouncy "3333".

Heavee is a Queer Chicagoan DJ & producer with a long history in footwork. His 2022 'Audio Assault' EP on Hyperdub showcased synth-driven, melodic footwork, but ‘Unleash’ goes much further into audio world-building, with a fresh, spongy and citrus-y sound palette and rich, bright chord sequences.

It's minimal, airy, balancing light and dark, sometimes breezy and sometimes clinical. Heavee works simultaneously outside and inside the box, rebuilding footwork's framework and vibe to his own unique specification. Rhythmically, it's dance floor ready, using footwork's 160 template as a springboard for building new drum sounds to express these rhythms, and draws from R&B, rap, jazz and grime, with a sprinkling of bitter-sweet vintage Detroit techno.

‘Unleash’ takes footwork’s “eats all” approach to music and leads it in a fresh direction with a freedom of spirit. It's a strong addition to the footwork cannon and shows that experiments in dance music can be fun.

the debut release of italian producer now berlin based luca trentini aka trent.

he is a resident dj of cocktail d’amore and have released some unique records from sound metaphors label “bless you”, cocktail d’amore.

on a side,”on fire” is just fire! it’s a mad dark disco house bunger.

on b side,

”drums charmer” is dark,psychedelic slow mo house. if you like slow stuff of andrew weatherall,you will love it.

“edenico blues” is a modern interpretation of afro cosmic sound. it’s for the fan of beppe lota or daniele baldelli.

Dancefloor fire bombs from Kolt, a DJ and producer thus far mostly operating under the crew name Blacksea Não Maya (with Perigoso and Noronha). This is his first Retirement record. No quotation marks here, Kolt is actually stepping down from a fruitful decade-long career as DJ and producer.

Fat, techno-ish, idiosyncratic big room afro mind melt sounding like no other hyped or non-hyped dance cuts out there. Futuristic and decidedly non-European in structure, this set of 4 tracks carries a more synthetic DNA than previous material, if we exclude his quasi-gothic slow burners in BNM's "Máquina de Vénus" LP. But in "Verdadeiro" Kolt is all virtual open arms and bare chest, appearing to satirize this idea of the megastar DJ. But what comes across is distinctive and alive (consequently deadly on the club sound system), wiping out the floor of any zombie-preset-DJ vibes.

Take "Bateste" as an example: an evil bassline, wtf beeps, a vocal snippet prodding the dancers and a final blissful 30 seconds to ease you out. "Shaman" is the final track, its title just maybe nailing the atmosphere felt by people on the dancefloor. Shamelessly epic and in your face, a simulation of a throwback to a more clichéd clubland but just so left of centre that one can't find a complete correlation to fit the picture. Yes, we all go OMG.

Straight From the Republic of Bashkortostan (!), the Excellent Dj Producer Apollon Telefax (Who Was Already in the Band Arash & Quasar for Their Last Release on Mellah - One of Our Sub-Label), Is Back This Time on Skylax Records Alone. "Fantasia Planet" Is a Captivating Journey Into the Realm of Balearic-Inspired Melodies and Italo Disco Vibes. This Ep, Meticulously Crafted by the Talented Electronic Artist, Showcases a Fusion of Leftfield House and Disco That Will Transport You to Euphoric Soundscapes. the Mesmerizing Opening, "Mbira," Sets the Tone With Its Intricate Rhythms and Ethereal Melodies. "Not Wet Wipes" Follows Suit, Captivating Listeners With Its Infectious Groove and Hypnotic Basslines. as You Delve Deeper Into the Ep, "Macarena" Unveils a Blend of Nostalgic Sounds and Contemporary Beats, Igniting a Dancefloor Frenzy. the Titular Track, "Fantasia Planet," Takes You on a Cosmic Voyage With Its Cosmic Arpeggios and Pulsating Synths, Creating an Otherworldly Atmosphere. "Sex on Astrakhan Fur Coat" Seduces Your Senses With Its Seductive Melodies and Sensuous Rhythms, Offering an Irresistible Invitation to the Dancefloor. Concluding the Journey, "Moodoom" Embraces a Darker and Mysterious Tone, Immersing Listeners in a Captivating Blend of Intricate Percussion and Haunting Melodies. Apollon Telefax Is a Versatile Musician, Multi-Instrumentalist, Dj, and Illustrator. With an Extensive Collection of Vintage Synthesizers and Drum Machines From the 80s, Pavel Masterfully Combines Elements From Various Musical Traditions, Infusing Them With His Own Unique Touch. His Dedication to Remixes and Constant Exploration of Rare Vinyl Records Ensures a Constant Flow of Intriguing and Innovative Compositions. Experience the Magic of Apollon Telefax's "Fantasia Planet" Ep and Let the Irresistible Rhythms and Captivating Melodies Transport You to a World of Boundless Musical Enchantment. Unveil the Secrets of This Extraordinary Release, Where the Past Meets the Present in a Harmonious Embrace of Sound and Creativity....

Idriss D officially launches the brand new label Nedjma with his own 2-vinyl, 8-track album as first release. The imprint will serve as a platform for up and coming talents from the Arabic world who are not represented in the current musical landscape. A very bold statement from Idriss himself, this record sees the Franco-Algerian dj and producer infuse his personal history into what he loves the most and share it with the rest of the world.

First track Tsakhbira works as the perfect opener for the album with a melodic ambient-like mood and Arabic chants, with second track Beld el fen following in the same vein with raditional instruments interspersed with synth stabs and eerie atmos.

Chazil’s upbeat rhythm spices up the vibe, a mix of ethereal
singalongs and bouncy percussions. Mohamed is the first foray into Electronic territory, a downtempo piece featuring French vocals and plenty of analog industrial clanks that lead into subsequent Hey Galbi, an exquisite melodic house number with acid synth melodies and piano keys.

Electro (Leila Moon Remix) delves into more experimental landscapes, with darker tones, blurred vocals and pulsating beats, while Elf Leila is quintessential Electroclash Arabic music, blending these two genres together, with a syncopated super catchy bassline. Closing track Harramt is a whirlwind of snare rolls, 303 arpeggios and nods to North African heritage sounds.