Suche:techno

A defining electroclash anthem returns to wax. Tiga & Zyntherius's cult classic Sunglasses at Night gets the deluxe vinyl treatment, featuring the iconic original 12" mix that set dancefloors ablaze in the early 2000s-plus a thunderous rework by techno titan Chris Liebing, who injects it with deep, industrial muscle for the modern floor.

Whether you're chasing nostalgia or sonic intensity, this is a must-have release for collectors, selectors, and nocturnal creatures alike.

Mit “ZYX Italo Disco Spacesynth Part 4” setzen wir die Vinyl – Compilation-Serie mit den größten Spacesynth Klassikern der 80er Jahre fort.

Alle Spacesynth- und Schallplatten Fans können sich auf die legendären und unvergessenen Hits von Koto, Laserdance, Hypnosis, Wish Key uva. freuen.

Das legendäre Album „Technological Mind“ von Laserdance aus dem Jahr 1992 ist endlich wieder erhältlich – jetzt als farbige Vinyl-Neuauflage!

Die Spacesynth-Pioniere liefern auf diesem Album ihren typischen, futuristischen Sound: treibende Synthesizer, galaktische Melodien und pulsierende Beats, die den Geist der frühen 90er perfekt einfangen. Mit Tracks voller Energie und kosmischer Atmosphäre ist Technological Mind ein absolutes Highlight für alle Fans von Spacesynth, Italo Disco und RetroElectronic Sounds.

Ein zeitloses Meisterwerk elektronischer Musik – Laserdance – Technological Mind, jetzt endlich wieder auf Vinyl!

Laserdance‘s legendary 1992 album „Technological Mind“ is finally available again – now as a coloured vinyl reissue!

On this album, the space synth pioneers deliver their signature futuristic sound: driving synthesizers, galactic melodies and pulsating beats that perfectly capture the spirit of the early 90s. With tracks full of energy and cosmic atmosphere, Technological Mind is an absolute highlight for all fans of space synth, Italo disco and retro electronic sounds.

A timeless masterpiece of electronic music – Laserdance – Technological Mind, now finally back on vinyl!

Crafty dub techno n house at its best.

Sajama Line, an EP crafted by the young producer Zgelt. Through this release, the artist narrates moments from his
journey between Chile and Bolivia, expressed through his music. Like a true travel diary, Zgelt illustrates and recounts his
experiences in these regions, all while staying true to his artistic touch, navigating between Dub Techno and Minimal sounds.
Introspective and danceable tones that will take you beyond the boundaries of electronic music.

One side is a powerfull Downtempo Techno tune, featuring a long break intro, inna Dubstep mood. The other side is a Breakbeat Electro progressive tunes (an Ambient bonus track). Original and nice.

Rakkit Records is a brand new label that specialises in darkside jungle techno.

Heading in a different direction to Radman's older releases, this EP is inspired by two of his young loves: London squat parties and militant EA raves. That darkside hardcore sound you'd hear in the morning at the squats, with the energy of the main event at a Thetford Forest party. Dark, stompin', and drenched in 303s.

It's dedicated to one of his partners in crime of the time, Phil Sayer, who introduced him to much of the above and always pushed Radman to keep releasing tunes, with his support and brutal critique. Radman took samples of one of Phil's original poems for the track ACAB, from his performance in his old living room. Phil loved vinyl, 303s, darkside and hardcore, so we think he woulda been chuffed.

Just 150 copies getting pressed. Once they're gone, they're gone.

Nice and original breakbeat melodious overdrive 1 techno electro killer.

Here are 4/5 of the early work of Dj Ultramars, before he created his own label, Mars Assault Records.

Dj Ultramars drew inspiration from records from the begining of Hard Techno; from some work of the Spiral Tribe, but also just from the musical impression he had after attending his my first free parties.
Those tracks corresponds to a certain moment in the history of the free party movement, so a release on Toolbox Killerz was logical.

The tracks have been edited so that the arrangements would be more relevant to nowadays standards, and to alow a better sound quality on vinyl. Back in 1997, we didn't know better about vinyl cutting & premastering, so we went to a legacy cutting studio that had made all the cuts for Rock & Pop for decades, and they didn't understand the specifics of such Tekno music. Therefore on their first release, those tracks didn't make much sense without the highest frequencies... This time we have their ultimate cuts, the way they should always have been cut on vinyl, thanks to the legendary Hervé @ DK mastering studio.

Trackwahser side bring a crazy romance, mystic call for a tribal dancefloor banger ! Legend !
Second tune, in collab with Boubou, member of Antinorm-17 Sound System back in the years... The oldschool Acid excitation supported by a thick Hard Techno kick. Put some electricity in the air, be Deter-Mina !

With Roland K side you will get 2 Hardtek missiles !
The first track delivers a high-energy, fast-paced, and punchy vibe, perfect for rocking the dancefloor.
The second, a collab with Darth Leng, takes the energy even further with an explosive mix of styles and unrelenting power.
Tracks designed to get parties rocking and boost good vibes to the max!

Coming straight from the Cozmo comes RudyLane with a debut EP The Return Of The Synth. Landing the ship on new imprint Drag Vader comes a four tracker from the heavenly isles. Leading the arrival we have ' The Goat' a low hung brooding affair which then builds into haunting territories twisting into funk infused techno awakenings. ' 2 yrs L8' slips us onto at first a desolate plaine, trying to find a signal, with stripped vocal stabs swung groove, smokey juno bass into a hook that the Dark Synth would be proud of. ' Thirsty Pool' on the flip is a more minimal workout weaved within hypno vocals driving us forward into hopeful waters. 'Protests Digital' closes out the party blending worlds of emotive melodies and gnarly walking basslines through arpeggiated mid riffs dusted with dub kissed filterness. Landing firmly on the ground RudyLane is off to a strong start.

Excited to hear what's next on this journey.

The Cryovac machine operates independently to service the world with an original strain of techno. Our people are pioneers of their own sound and seasoned veterans of its' cause. This cause is the basis for our action and the motivation for our vinyl. Cryovac believes the vinyl format is the truest way to take in our music, and this is why we take great care to personally craft our own plates and photograph our own art. The Cryovac approach and stance make it a true oddity in a world of commodities, and we hope you realize, feel, and respect our work.

Andy Vaz is a rebel from the city of Cologne. He is a creator of techno labels that follow their own path and challenge the standard dogma. His version of the techno sound has gone from stark and funky minimalism to synth cascades and housey feels. Andy Vaz is the perfect choice to collaborate with Andy Garcia. Garcia's brand crunchy soul tech mixed with vocal nonsense is the yin to Vaz's yang. These like minds share a name, a spirit, and a drive to keep moving forward no matter the cost.

2025 Repress in Gold Vinyl

'End Beginnings', das neue Album von Sandwell District, ist die erste neue Musik des Kollektivs seit dem tragischen Tod von Juan Mendez (Silent Servant) im Januar 2024. Mendez‘ atemberaubende Kunstwerke und Visuals waren immer eine zentrale Säule von Sandwell District, tatsächlich arbeitete er an einem Kunstwerk mit dem Titel 'End Beginnings' - nun der Titel des dritten Albums und eine Hommage an den verstorbenen Freund. 'End Beginnings' bringt gewaltigen Techno und umwerfende Dancefloor-Dynamik zusammen, eine meisterhafte Kombination von Innovation und Ekstase. Nach dem tragischen Einschnitt, steht nun wieder der Spaß im Vordergrund: „Eine gute Zeit zu haben ist so ziemlich der Grund, warum man überhaupt damit anfängt. Und es macht Spaß. Ich denke, wir fühlen uns jetzt viel glücklicher, besonders nach dem, was mit Juan passiert ist. Wir sind dankbar“, sagt Regis. '

Straight from Michigan’s underground, Myles Sergé resurfaces on his own (MS) imprint with the FANPRO EP, a stripped, smoking 140g 12" that connects dub techno pressure, hazy dub house and Detroit-rooted machine soul in one focused statement. Known as a “reclusive perfectionist” and low-flying techno lifer, Sergé channels decades of Midwest grit into four cuts that feel raw, intimate and club-ready.
To push things further into the future, he invites a heavyweight remix squad: Toxido Mask, the Berlin sound designer and Tresor mainstay whose hypnotic, cathartic sets have become the stuff of late-night legend; Ackermann, the Stuttgart house-to-techno shapeshifter behind the Safe Space universe; and Myk Derill, a Berlin-based specialist in deep, dub-soaked, industrial-tinged techno.

Each artist takes the FANPRO blueprint and bends it in their own direction: from smoked-out dub chords and creeping low-end to sharpened Detroit stabs and tension-loaded rhythms built for strobe-lit basements. No filler, no throwaway tools, just four uncompromising trips for DJs who still live for the craft.

Released in limited numbers in tandem with Black Mahogani back in 2004 and never repressed. Black Mahogani II was a departure from Kenny Dixon Jr's usual house based music and featured cuts from Kenny Dixon Jr's late night jazz band sessions
The centrepiece is the eighteen minute 'When She Follows', a deep jazz session skittering live drum rolls into an electric Fender Rhodes, loping acoustic bass and distant saxophone all wrapped up in an amorphous vocal that drifts ever onwards like some epic detroit techno cut replayed by Gil Scott Heron's band in 1970. Incredible music.
'Rectify' follows in a similar mode, jazz in a detroit techno framework, while the final two tracks 'Dirty Little Bonus Beats' and 'When She (Reprise)' are revisions of the main cut, the former altering the bassline, adding vocal sighs and more rhythmic drums, while the latter shifts up the tempo with a wigged out techno synth element.
Stone, cold.

Distant Lifeforms’ First Contact EP marks the launch of the new techno imprint by Lucinee and Lifka. As a split release, it includes two tracks by each artist, forming four trippy and forceful cuts that explore the outer edges of deep-space sound. With hypnotic rhythms, dense atmospheres and relentless drive, First Contact invites listeners on a journey beyond matter and mind - a bold introduction to the label’s sonic identity.

Kontakt Records presents KNT-47 “Chromatic Noise”, a deep exploration of dub techno and dub-infused house from Canadian producer Matt Thibideau. Across three extended cuts, Thibideau sculpts spacious, analogue-leaning grooves where every element has room to breathe. Subtle saturation, soft tape hiss and finely tuned low-end weight create that unmistakable sense of depth, while shimmering chords and carefully placed delays drift in and out of the stereo field. The result is music that feels both hypnotic and alive, built for long blends, late sessions and sound systems that reward detail. “Chromatic Noise” sits comfortably in the Kontakt Records tradition: timeless dub aesthetics, modern production values and a focus on atmosphere over obvious peaks. It’s the kind of 12" that works just as well as a DJ tool as it does for attentive home listening – patient, understated and endlessly playable. Tiny shifts in texture, filter movement and echo tails keep the tension moving forward without ever breaking the spell.

Kontakt Records presents KNT-47 “Chromatic Noise”, a deep exploration of dub techno and dub-infused house from Canadian producer Matt Thibideau. Across three extended cuts, Thibideau sculpts spacious, analogue-leaning grooves where every element has room to breathe. Subtle saturation, soft tape hiss and finely tuned low-end weight create that unmistakable sense of depth, while shimmering chords and carefully placed delays drift in and out of the stereo field. The result is music that feels both hypnotic and alive, built for long blends, late sessions and sound systems that reward detail. “Chromatic Noise” sits comfortably in the Kontakt Records tradition: timeless dub aesthetics, modern production values and a focus on atmosphere over obvious peaks. It’s the kind of 12" that works just as well as a DJ tool as it does for attentive home listening – patient, understated and endlessly playable. Tiny shifts in texture, filter movement and echo tails keep the tension moving forward without ever breaking the spell.

Australian producer Mike Buhl returns to Denude with Modern Explorer II, a four-track meditation on movement, memory and the spaces in between. Techno, downtempo and atmospheric sound design become tools of enquiry here: rhythms are less about function than about asking how far repetition can carry a feeling. From the searching lift of “Voyage Return” and the focused pulse of “Focal” to Vril’s dubbed, peak-time reimagining and the gently dissolving closer “They Were Always”, the record traces a quiet arc from momentum to reflection. Modern Explorer II feels like a small philosophy of the night: music for travelling without arriving, for dancers who know that the journey on the inside is at least as important as the one on the floor.

Manuel Di Martino carves fresh scars into the floor with Cicatrici EP on Parallel 41 – tense, driving techno and wired electro dreaming of Detroit and forged between Naples grit and Berlin basements. Futuristic, emotional and built for sweatbox systems, this one goes deep and hits hard.

Repress!

Huge re issue of this seminal moment of Detroit techno from 2000. Re mastered and repressed in the original 430 West artwork. Contains the original instrumental version of 'Untold' - which later was re recorded for the major re release.

Release text:

Getting massive support from Robag Wruhme, this one's already turning heads in the right circles. Chris Wolter & Emmrich join forces on ODDEVEN048, delivering a stripped yet powerful techno statement. Topping it off: a relentlessly grooving remix by Andre Kronert that pushes things into overdrive – no compromise, just pure movement. A must-have for techno DJs and vinyl collectors. Limited edition vinyl.

Spandau20 delivers its eleventh various artists release, a sonically rich and future-facing blend of broken grooves, spatial moods and modern Detroit romanticism. Four tracks, four new angles on the dancefloor. ANNA Z sets the tone with 'Kabeljau', an eclectic, IDM-flirting workout. On the opening track, elastic rhythms stretch and snap while ethereal pads drift overhead, punctured by sudden turns and glitchy surprises. Moody, weird and beautifully unpredictable. Dajusch continues with 'Fallout', diving into shimmering Detroit-inspired chords and pristine production. Clean yet full of soul, its dreamy propulsion moves with effortless optimism. It's a track that lifts heads and hearts without ever losing its club focus. Flip the record and FJAAK welcome you into a breakbeat-infused haze. 'Your Time' pairs groovy percussion and airy atmospheres with those unmistakable powerhouse vocal chops, a warehouse anthem with a gentle cosmic touch, driving yet deeply emotional. Closing the EP, Claus accelerates the pulse. 'Moist Logic' is a faster, more urgent exploration of the techno continuum. Machine funk encoded into a forward-thrusting groove, a sleek atmosphere swirling around a sharp, kinetic core. With SPANDAU20 011, the West-Berlin collective celebrates a hybrid future that is rhythmically adventurous, melodically rich and rooted in the love for the dancefloor. This record combines Berlin grit with dream-state techno, balancing rough energy and refined emotion across four cuts that leave their mark on the floor.

Spandau20 delivers its eleventh various artists release, a sonically rich and future-facing blend of broken grooves, spatial moods and modern Detroit romanticism. Four tracks, four new angles on the dancefloor. ANNA Z sets the tone with 'Kabeljau', an eclectic, IDM-flirting workout. On the opening track, elastic rhythms stretch and snap while ethereal pads drift overhead, punctured by sudden turns and glitchy surprises. Moody, weird and beautifully unpredictable. Dajusch continues with 'Fallout', diving into shimmering Detroit-inspired chords and pristine production. Clean yet full of soul, its dreamy propulsion moves with effortless optimism. It's a track that lifts heads and hearts without ever losing its club focus. Flip the record and FJAAK welcome you into a breakbeat-infused haze. 'Your Time' pairs groovy percussion and airy atmospheres with those unmistakable powerhouse vocal chops, a warehouse anthem with a gentle cosmic touch, driving yet deeply emotional. Closing the EP, Claus accelerates the pulse. 'Moist Logic' is a faster, more urgent exploration of the techno continuum. Machine funk encoded into a forward-thrusting groove, a sleek atmosphere swirling around a sharp, kinetic core. With SPANDAU20 011, the West-Berlin collective celebrates a hybrid future that is rhythmically adventurous, melodically rich and rooted in the love for the dancefloor. This record combines Berlin grit with dream-state techno, balancing rough energy and refined emotion across four cuts that leave their mark on the floor.

Essential repress of the perennial DJ favorite now available on wax again for the first time since the original press in 2021!

The music is compiled from two rare 12" releases dating back to the early 90s produced by Jason Adkins (who we sadly lost in 2024), and co-produced by Tony Boninsegna (whose work the labels covered extensively in the 4xLP anthology Notes From Underground), and finally remastered by Thomas P. Heckmann.

The production team shared many musical inspirations, most notably Detroit techno, jacking Chicago house, EBM, the industrial funk of Cabaret Voltaire and the pioneering bleep sounds of Warp Records' earliest releases. As a result, the tracks they made brilliantly blurred the boundaries between contemporaneous electronic music styles while also adding layers of technical polish so often missing from British club tracks of the period.

The completed, released version of 'Tone Float' remains an overlooked UK classic – a gorgeous mixture of squelchy acid bass, sharp TB-303 lines, ethereal chords and whispered spoken word snippets – while the accompanying remix, which is also featured on Garden of Eden, brilliantly re-imagines the cut as a funk-fuelled, deep electro beast.

Flug is back with a super deep 4 tracker on Andre Kronerts ODD EVEN. Flug, as his name suggests, allows his audience to take a trip back to their roots, back to their inner self and what it is to really feel techno. Do not miss this one!

This holiday season, Harlem’s Capo, Jim Jones, brings At the Church Steps to vinyl for the very first time — and it’s more than just a reissue. A founding member of The Diplomats, platinum-selling artist, and a pioneer of NYC street rap, Jones has long been a voice of the hustle, style, and raw authenticity that define East Coast hip-hop. With over 2 million records sold and a deep-rooted influence on music and culture, At the Church Steps is now set to become a collector’s essential — reimagined for vinyl in a way no fan has ever experienced.

This limited-edition, audiophile-grade 2LP set is crafted for true connoisseurs. Pressed on premium Neotech 100% virgin vinyl, the release uses exclusive mastering technology that employs predictive analysis to correct groove deformation — delivering unmatched clarity, fidelity, and warmth. Every detail, from the sonic depth to the physical finish, speaks to the cult following Jones commands. Tailored for both the streets and the crates, this vinyl is a tribute to legacy and craftsmanship. Store it upright, keep it out of direct sunlight — and know you’re holding a piece of hip-hop history made to last.

Key Marketing Highlights:
Available on vinyl for the first time as a limited numbered 2LP set on Audiophile-Grade, COllector's Quality Vinyl
Brand new studio album from Jim Jones now available on 2LP
Jim Jones is a member of legendary hiphop group The Diplomats

A record label born in Madrid in 2025, with the intention of physically producing electronic music, without pretensions of musical genre or trends. We seek to reveal unpublished talents and release with artists who share our sonic aesthetic. The purpose is to showcase a pure and authentic expression in every work. DEFENESTRE RECORDINGS presents its first release: ALARMA 2ØØØ, produced by RØBØT CITY (alias Salvador Rojo). The album consists of eight tracks, materialized in a 12-inch vinyl record that has been hand-treated and screen-printed on each copy, reflecting the project’s human and sentimental essence. Composed and produced entirely in analog by Salvador Rojo in Lugo (March-June 2025), the record is a journey into the artist’s sound universe: Side A delivers 4 tracks of pure, hard-hitting electro (paranoid, industrial, powerful beat), achieving a harmonious and emotional sound; while Side B presents cuts that take us from more ambient soundscapes to organic, astral, and liberating techno. ALARMA 2ØØØ is the first declaration from DEFENESTRE RECORDINGS, a label committed to hardware sound and pure, unfiltered expression.

Astropolis Records — the label born from the legendary electronic French festival — celebrates a decade of electronic devotion with a generous and deeply emotional anniversary compilation - a bit late, but never short on flair.

This double vinyl gathers the many faces of the Astropolis galaxy: in-house artists, long-time companions of the festival, and rising voices from a perpetually vibrant French scene. Across 18 artists, listeners are invited on a sonic journey where rave legacy, electronic dreamscapes, and collective fervor intertwine — true to the DNA of a festival that’s never known boundaries.



The record opens with grace and wonder courtesy of Rone, whose electronic touch channels both the intimate and the infinite. Between electronica and downtempo, The Dolphin Ambassador bathes in luminous melancholy, offering a moment of calm before the storm. In the same contemplative vein, we’re proud to unveil one of the first productions from Célélé alongside Théo Muller: Drum and Drift, a subtle blend of dubby vibrations and sunlit textures.


Astropolis has always thrived on happy collisions — and this compilation is proof of it. The unlikely meeting between Mézigue and Swooh sends house spiraling into a g-tech vortex on Broken Roll To Venice, a playful burst of groove, hybrid energy, and cheeky mischief. The same spirit of alchemy fuels Belaria & Madben, whose Into The Void burns bright as a 90s rave-meets-EBM anthem wrapped in hypnotic trance. Zaatar & Trunkline bring raw intensity to Come Into The Light, a sweaty, visceral banger at the crossroads of techno, dark disco, and EBM.


French techno pillars Scan X & Electric Rescue deliver a masterclass in elegant machine soul on Lost In Time. When Manu Le Malin teams up with Kmyle, the result is as sharp as it is cinematic: Little Big Man pulses with dramatic tension, balancing raw emotion and restrained fury. Elsewhere, Oniris & Benjamin Rippert reconnect with the melodic techno spirit of the label’s early days on Sonate, guided by a craftsman’s sense of harmony.
For the machine lovers, Legowelt & Cuften resurrect the spirit of early electroclash on Liar, a carnal fusion of analog synths and DIY attitude. And for the diehard dancefloor devotees, KiNK finally releases a cult track from his live sets: Give Me, a breakbeat-meets-vintage-house stormer tailor-made for those late-night sweats.

This anniversary compilation reaffirms the label’s openness to new generations and hybrid sounds, while paying tribute to the techno roots that shaped its foundation. Like the festival itself, it embodies sincerity and collective energy — a small manifesto linking generations, aesthetics, and territories, celebrating roots without nostalgia and the future without bending to trends.

First solo EP from the german producer Oliver Berger aka Zarcon with 4 killer cuts truthfull to the early electro / proto-techno sounds

For over three decades, US-American gabber/hardcore producer and DJ, DJ Delirium has stood at the forefront of the Hardcore Techno scene,
carving his name deep into the legacy of dance music history. From the early ’90s to now, Delirium has electrified audiences worldwide,
delivering unforgettable performances at the biggest global events, including Thunderdome, Mysteryland, Defqon, Raving Nightmare,
Earthquake, and In Qontrol.

His name is synonymous with energy, innovation, and unrelenting beats.
Hardcore Legends by DJ Delirium features 6 hardcore tunes, incl. "Surrender Your Dreamz !", Drop Da Beat", "I Was Born Hardcore"
and a brand new Partyraiser & Rosbeek remix of "Surrender Your Dreamz !"
Hardcore Legends is available as a limited edition of 1500 copies on translucent green coloured vinyl.

2025 Repress

JKS is back on his own imprint. Together with Bailey Ibbs they have collaborated on a groundbreaking EP. This partnership encapsulates the evolution of techno, blending spiritual intros, vibrant vocals, and pulsating rhythms. Each track offers a captivating journey, reflecting the creative depth of Smile Sessions and the philosophy of the label.

Drawing from diverse influences, yet meticulously guided by a singular artistic vision, this EP promises to immerse listeners in a hypnotic journey. From the captivating "It's a Vibe", fusing tribal and soulful techno, to the intense "Tempo," paying homage to 2000s-influenced techno, each track on the EP showcases meticulous curation.

"Shake" stands as a collaborative gem, melding distinct sounds into a driving techno groove enriched with warm, progressive tones and organ textures, while "Rituals" closes the EP with tribal-infused vibes and a seductive vocal flair, ending on a emotional note with its melancholic synth conclusion.

Andre Kronert is back with a dry groovin banger on his very own label Odd Even.
4 Tracks for the techno floor. Incl. amazing full cover print.

Hailing from Stuttgart, Ackermann delivers a no-compromise EP on Safe Space, combining rough-edge techno dynamics with high-tempo house energy and stripped-down hooks. Expect tight, driving drums, textured basslines and raw rhythm-tools built squarely for the dancefloor. Four original cuts, one steady mood: power-packed club action without fluff.

Filtrack’s Anxiety…My Old Friend is four cuts built from tight percussion, coiled basslines and a sense of unresolved pressure. Rather than smoothing the nerves, the tracks sharpen them and push physical tension and forward momentum on the dancefloor.

The A-side exhales a clenched drive, tension and power that keeps pressing forward. Flip to the B-side and Filtrack holds anxiety at its core with cuts that are raw, dancy and deep. The whole EP turns apprehension into techno, inviting you to sit with the discomfort, then dance through it.

Sam Bhok releases his debut album, Sloom. Influenced by experimental club sounds as well as the filmic emotion of post-rock and film scores, Sloom resists minimalism in favour of dense, interlocking layers. Euphoric synth textures and fractured drum patterns drive the record, pairing club energy with reflective undercurrents as hardware synths and drum machines are set against caustically digital, hyper-modern sounds.

Known for his behind-the-scenes work with Gilles Peterson, most notably as an integral part of the Worldwide FM team, Sloom represents Sam stepping into focus as a skilled producer of forward thinking electronic music. Written between 2020 and 2025, the record is a statement of identity and a creative shift away from the world of the selector, and towards something more personal and expansive.

Mastered and cut by legendary engineer Beau Thomas on eco-mix marbled vinyl, Sam Bhok draws from analogue and modular synthesis, processed and twisted into restless forms that reflect the unease of the digital age. Sloom is charged with anxieties about technology, capitalism, culture, and climate, delivered both through introspective, IDM-informed tracks and moments of dancefloor catharsis.

Tim Hutton and Thomas Melchior formed Vulva in 1993 in England. The experimental techno duo signed with the Rephlex label (home of Aphex Twin) and released From the Cockpit in 1993. Vulva's first domestic release was the Mini Space Vulvette EP, for Reflective Records. After a side project for the German Source label called Yoni ("Yoni" and My Little Yoni), Hutton and Melchior released their second full-length for Rephlex, Birdwatch, in 1996. Vulvic Yonification followed in late 1997.

Dead Bird is AK-Industry's very first EP for Industrial Propaganda's sub-label: Totentanz Recordings. This new EP explores the limits of the hard techno and techno hardcore genres.

AK-Industry, the founder of Nekrolog1k Recordings, has been a driving force in the Industrial Crossbreed and Hardcore Techno scene since 2008.

His signature sound blends breakbeats with hardcore and techno, resulting in a unique and powerful style that has garnered attention from major labels such as The Third Movement (NL), Industrial Strength (USA), Dark Descent (NL) Industrial Propaganda (CH) and Ad Noiseam (DE).

Having performed at some of the biggest hardcore events in Europe, including Dominator, Q-Base, Defqon, Army of Hardcore Festivals, Club r_AW, and PRSPCT XL, AK-Industry has cemented his place as a top-tier artist in the genre.

He has also collaborated with heavyweight artists such as Mindustries, I:gor, N-Vitral, Ophidian, The Teknoist, Bryan Fury, Switch Technique, Igneon System, Delta9 and Fiend.

With brand new releases on the horizon, AK-Industry shows no signs of slowing down and continues to push the boundaries of the Industrial Crossbreed & Hardcore Techno genres.

Superb EP, Bringing some Acid mental Techno, Some heavy Hard techno and a pinch of Techno exploration, experimental beats...

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