Buscar:t time

Voted DJ Mag’s Underground Hero in 2022, DJ & producer Lauren Flax has been a fixture in Brooklyn’s electronic scene for two decades. On her latest project Liz & Lauren EP, she teams up with Liz Wight of shoegaze techno duo Pale Blue, whose sultry vocals explore questions of love and isolation to the tune of Detroit house and acidic techno.

Flax and Wight became fast friends in 2021 after being introduced by Pale Blue member & 2MR co-founder Mike Simonetti, who’d enlisted Flax to remix Pale Blue’s “Breathe.” Naturally, when Flax needed a vocalist for some tracks she was working on shortly after, she knew just who to call. “I was in my last year of grad school doing an internship in community mental health helping kids cope with the trauma of the pandemic,” Wight says of the time. She channelled this experience as she wrote and recorded the lyrics to Liz & Lauren EP from her home in Los Angeles.

As a result, the lyrics on Liz & Lauren EP are open-ended musings on connection, isolation, and convention. Lead single “Fix Everything” can be read both as an indictment of the trappings of marriage or, on Flax’s view, a rousing call to action, applicable to issues ranging from the degradation of the environment to the attack on LGBTQ+ rights in America. As the EP progresses, Wight’s airy vocals consider the pitfalls of love, from the destructive power of infatuation to the pain of outgrowing a relationship.

Sonically, Liz & Lauren EP feels like a natural progression from Flax’s first release on 2MR, 2021’s Out Of Reality, which saw her exploring a more minimalist production style for the first time in her work. “I Don’t Want To Hurt You” and “Fix Everything” pulse with bright, dynamic production, while slow burner “Return To Love” takes a sparser approach, anchored by a muted drumbeat and a simple, earworm synth refrain. “I’d Risk It All To Be With You” is a masterful balance of both; it even gets the club treatment on the EP’s closing remix, courtesy of Flax’s friends Mark Archer and Simon Neale (Shadow Child) of MASC.

Liz & Lauren EP is an impassioned collection that showcases both Flax and Wight’s artistry in equal measure. For both artists, it’s a testament to stepping outside the norm (DJing for Flax, performing in Pale Blue for Wight) and collaborating with others, the fruits of which are sure to be felt on the dancefloor for years to come.

"Multila" was the third album by Finnish producer Sasu Ripatti under the moniker Vladislav Delay. It compiles the "Huone" and "Ranta" 12"EPs Ripatti released on Basic Channel's Chain Reaction label in 1999 and 2000. The album features six hauntingly murky dub ambient tracks and the impressive 22-minute techno odyssey "Huone."

More than 20 years after its original release as a full-length CD album (Chain Reaction), these iconic recordings of modern electronic music are now available again as a double vinyl edition, featuring a revised artwork by Marc Hohmann that matches the new design of the "Whisteblower" and "Entain" reissues.

"Life films us exactly. Our experience of it, though, lies beyond images and descriptions. Emotions, coming in irrational flashes, are non-figurable. We lose our little connection to them very quickly. We look for forms which promise to take us to our own experience. We construct forms with this in mind: that they can take us to meet the subconscious. Multila's construction is principled this way. Fragments of experience, moments without definition or localisation are captured within tiny fragments of time and then within one's mindspace. We can look into it and see that experience has left some of its data to us. As we receive it, again and again, we are connected and reconnected to certain indefinable moments. Both during and after its recording, Multila is a tool to learn about the unintentional states of us. It is a way to see our own emotional loops. Multila is a soundtrack for vision." - Vladislav Delay in the year 2000

Pellegrino & Zodyaco, with their new single 'Malìa', continue the aesthetic and sonic journey of the project led by the Neapolitan producer, with a mixture of Neapolitan disco-funk and fusion steeped in Latin flavour that already explored the innermost corners of the soul with 'Quimere'. This new work captures the frenzy and vibrant character of Naples, with its rarefied atmospheres and infectious groove that evoke the beating heart of the city and take us on a journey through the wonder of life in search of the Mediterranean essence.

The 'Malìa' is enchanting, it’s that mysterious force that hides deep inside, transforming itself into a vortex of emotions through the fusion of involving rhythms and reflections on inner battles, on the importance of finding the 'light' to overcome conflicts and difficulties that hinder the ability to choose, a dreamlike mirage that opens a window on human vulnerability, a hymn to authenticity, to self-acceptance.

The celebration of dance in the Caribbean Escapade version is also an exhortation to escape from everyday life; it takes us into a sonic imagery that plays with the Neapolitan musical tradition and the freshness of Caribbean and Latin sounds. This summer single becomes an ode to the vital energy of dance music: there is no more time for hesitation, one must let oneself be carried away by the enthralling embrace of 'Malìa', like a call to awareness and the search for authenticity in life. Malìa becomes the guiding thread, the mystery that urges us to go beyond the confines of everyday life, to explore and celebrate the complexity of existence.

This new album "Smile Again" a real homecoming for the artist. From pop and sweet melodies, soaring hearts, warm electric guitars, nylons, ukulele and cavaquinho, to the catchy and warm refrains, weaving a little more this solar and soft universe which made the signature of the very first Indie Pop Electro hits of the artist. With this album Broken Back signs his big comeback on the front of the French Indie electro pop scene, in media, radio, and live throughout France.

This album starts the journey of Unruly Records by featuring some of the early tracks and artists who helped shape the sound of "Club Music".

These songs were originally released between 1991 & 1995 and took dance-floors in Baltimore by storm. There is also a full color insert which paints a picture of that moment in time. In support of Baltimore City's Inaugural "Baltimore Club Music Day" on June 17th, we put together this anthology to kick off our "Anthology" collection/series which will initially start with 3 installments.

Be on the lookout for "Anthology 1996 double album next year!

Borka's new 7" is a double single which features two tracks, taken from his new Places EP.

The A side features Todra, a track that builds up slowly, but before one knows it, it becomes a full-on neck breaker. The samples transport us to rocky Moroccan gorges, but do so with a killer hip-hop mood that bring to mind early Dimlite stuff.

On the B side we have Svetac, a track that swirls around a distinctively engaging folk sample, which immediately drops us on an island in the middle of the Adriatic sea. But Borka and his collaborator nikson manage to build a space portal around it that constantly flips between images of careless summer evenings and interstellar voyages.

"Memories in the corner of my mind
Flashbacks, I was laughin' all the time"

The package includes a download code for the full 8-track Places EP.


b 02: Svetac (dva tovara) feat. Nikson

Inherently dark but aflush with pop sensibility, Constellations is the 2014 full-length debut from synthpop duo Dead Astronauts (Jared Kyle and Hayley Stewart). The follow-up to 2013’s eponymous EP, it’s an album full of post-punk and new wave inspiration, sure to please fans of Joy Division, Echo and the Bunnymen, and Depeche Mode.

Midnight Mannequin Records is proud to present this deluxe reissue of Constellations, on vinyl for the very first time. A nearly decade-old synthwave classic is now poised to become a modern darkwave hit. Dead Astronauts has always had one foot firmly on synthwave ground, but the band’s willingness to eschew genre limitations and explore the vast spaces of darkwave, goth and everything in between is one of the main reasons Constellations still feels so fresh and unique. An album way ahead of its time. An album that sees two artists at the top of their game who complement each other perfectly. When Kyle’s deep baritone meets Stewart’s ethereal, subdued delivery, the results are magic. A timeless album now in a timeless format; that magic captured and preserved, tactile and eternal

Limited edition on 2xLP transparent neon pink vinyl, housed in a gatefold jacket. Includes OBI strip.

With one foot planted in jazz and the other in the township groove of Mbaqanga, saxophonist Sello Mmutung was a powerful crossover figure in the history of popular music in South Africa. Using the stage name Bra Sello, meaning “brother” and used as a term of affection and respect in the jazz community, he came up in the era of shellac 78s as an exponent of the 1960s sax jive sound that brought the swinging rhythm of kwela into the domain of South African jazz. Despite the injection of American rhythm and blues into South African pop in the late-1960s, Bra Sello’s first releases on vinyl on the CBS label saw him backed by the group Abafana Bentuthuko and holding down an unapologetic township sound.

Joining the independent Soweto label under producer Cambridge Matiwane in the mid-1970s, Bra Sello recorded two records in the hit-making bump jive style popularised by serious jazz musician Dollar Brand on the one hand and prolific studio group the Movers, operating in funk and soul territory, on the other. Blending modern American and traditional African elements into joyful hip-swinging rhythms, Butterfly (1975) and The Battle of Disco (1977) reflect the vivacity of urban life in South Africa and document an era when dance music was performed by bands as extended jams laced with jaw-dropping solos. With music trends shifting dramatically in the late-1970s, the title of The Battle of Disco was an ironic call to arms in response to the territory that group musicians were beginning to cede to synthesisers and DJs.

For enthusiasts of African music from the 1970s, a full appreciation of the continent’s output is incomplete without South Africa’s pop-jazz sound providing a regional counterpoint to the funk experimentation of West Africa. Reissued for the very first time, Bra Sello returns in 2023 with limited replica editions from Afrodelic using master tape sources from the As-Shams/The Sun collection. Afrodelic’s unique edition of Butterfly features a previously unreleased track on Side B.

Italian producer NND returns after release on Exarde with different vibes:

A1 elegance track produced during the pandemic has nostalgic vibes, a touch of acid, and techno beats. A2 influenced by the 80s of the italo disco mixed with house rhythms, a journey to be enjoyed from start to finish. Side B is the most dancefloor part of the record characterized by darker sounds, techno and electro sounds mark the time of this side.

- Each record includes a download code for the release + 2 digital bonus tracks -

BlueBox is the first of its kind! The new colored series on Front Left by Elad Magdasi.

Elad is going back to his roots while trying something new. Keeping a balance between his serious and playful side, the release includes 4 DJ tools that are different yet embody Elad's sound in every way.

All the tracks are named by their position on the record, similar to the oldskool way, focusing on the music alone.

All BlueBox tracks were produced at the same time, on the same wave of inspiration, they compliment each other though being completely different.

Front Left Love.

Unmissable!

Moana Pozzi in the late 1980s, following in the footsteps of her illustrious colleague Ilona Staller/Cicciolina, made her official singing debut by recording several songs arranged and produced by Jayhorus. The music ended up in several of her films as well as being performed in her hot live shows.

Discographically at the time only a few tracks were released on 7″ and 12″ singles that are now cult collector’s items for fetishists and weird DJs.

At last, Cinedelic has gotten their hands on the original masters, unearthing some unreleased ones as well, producing a luxurious gatefold LP.

Thus we find persuasive, nocturnal and mischievous tracks in perfect nightclub style such as “Amore Tossico”, “Autostop”, “Ultima Notte” and “La Gabbia” side by side with more Dance tracks such as his main hit “Supermacho”, the Dance-Rock “Impulsi Di Sesso” and “Gate One (Aeroplano Telecomandato)” and the Funky “Rocky.”

Seminal early '90s UK business right here from Frontier Man, remastered and reissued with brand new remixes from Monstergetdown and Fantastic Man.

Landing on the mighty Hooj Choons in 1992, 'Express It Thru The Dance' is a real snapshot into the landscape of club culture in the UK at the time. The Skank Mix blends elements of rave, breakbeat and progressive house with that rough and ready, heavyweight low-end. Ramping up the levels, the Techno mix is a furiously paced, acid laced powerhouse.

On remix duties, Monstergetdown hits hard with a rave inspired, techy groove interpretation, whilst Fantastic Man heads down the wormhole with a trademark, trance-leaning techno take on this classic.

‘Gentle Persuaders’ is the Love Love debut from London based neo-noise-jazz outfit Sly & The Family Drone. In the form of a four track long player, Sly vomit forth a smooth serving of curious and clattering noise not devoid of fun.

With the ingredients of shattering baritone saxophone, splurges of analogue noise, rolling drum derangements and snarling feedback it is immediately clear that these formidable noise-mongers have honed their methods of ear-attack adeptly. Textural spaces are peppered with bouts of densely packed controlled-chaos creating a tension that builds almost imperceptibly until the crushing pay-off that comes with the final track.

The politest of bludgeonings, ‘Gentle Persuaders’ has a real sense of cohesion and style, at times subtle and at others shudderingly direct.

With their unusual and interactive live shows, the group cut their teeth stunning the audiences of punk and noise scenes across the UK and Europe. Now, Sly & The Family Drone present their most complete recording to date; a rush of sheer ataxia ushering in a new age of noise.

You never have to guess what Tink’s thinking. The Chicago-born songstress and rapper says it all in her music. She spits, speaks, and sings straight from the heart without filter or apology. At the same time, she breaks boundaries, dropping off bars with uncontainable charisma and belting out hooks with show-stopping range. She can be romantic in one crescendo before getting raw in a bout of wild wordplay. This versatility consistently affirms her as a force in her own lane. Following her 2011 debut mixtape, “Winter’s Diary,” she dropped projects at a prolific pace, including “Alter Ego,” ‘Blunts & Ballads,” and “Boss Up.” 2014 saw “Winter’s Diary 2: Forever Yours” arrive to widespread critical acclaim, landing on year-end R&B album lists from Billboard and Rolling Stone. It also yielded “Treat Me Like Somebody,” which gathered 64 million Spotify streams and counting. A year later, XXL touted her among its coveted “Freshman Class.” Following a stint in the major label system, she embraced independence again with “Winter’s Diary 4” 2016, “Voicemails” 2019, “Hopeless Romantic” 2020, “A Gift And A Curse” 2020, and “Pillow Talk” (2023).

Duality Trax first opened its books in 2020 with an EP featuring Radiant Love regular Fio Fa and a remix of the year contender coming from Lisbon’s Violet. Since then the label has become known for its acute attention to detail, giving each release the shine it deserves while avoiding disposable practices and challenging the industry through its dedication to duality and balance, whether that be sonically or surrounding gender identity. It’s really no surprise that one of house music's leading label ¦gures Tywi was destined to make an appearance. Having started the Haŵs imprint in his home city of Cardiff, the label’s wide-spread popularity began to gain the attention from some of the industry’s most respected heads and became a breeding ground for new artists to emerge. A shared love of music resulted in tracks being shared over time and eventually DUALITY6 was born. In what will be his ¦rst full length EP, Tywi continues to join
the dots between 90’s house, prog, breaks and trance, with a huge remix coming from Frankfurt-based artist Maruwa. Title track ‘Reality Checkpoint’ connects various styles with a modern take on progressive trance. Sonics feel as if they’ve been projected from space in a kaleidoscopic mind-warping ride, coupled with the producer's impressive ear for world building soundscapes. A child of the ‘90s, Maruwa combines her classically trained ear with the nostalgia of her upbringing in the remix; channeling early trance records and deep, chugging rhythms into a wave of euphoria ¦t for peaktime. It’s the ¦rst time the label has also delved head ¦rst intofull trance territory, turning the intensity levels up while paying homage to both label owner and artist’s early musical in§uences. The B side opens up with ‘Spellbound’ which feels like a guided tour around the cosmos, sat beside trusted travelers and embraced by everything-will-be-alright energy . The track’s interior is built around synths that feel both effortless and light as our tour guide brings us towards our ¦nal destination. The EP comes to a close with ‘Laws Of Motion’, building slowly with shades of leafy greens and deep oceanic blues as it gently brings us back down to earth.

Brandon Spivey & Richie Anderson have been producing incredible music since 1993 when they released under the name "Prole Sythesis" on Alien Reign records. In 1994 they put out a series of highly sought after picture discs on the UK label Kill Out Recordings under the name A'Simetric. They went on to produce releases on USA labels Drop Bass Network & Six Sixty Six records out of Milwaukee!

These tracks are a mixture of new and old tracks. The original 90's tracks recovered from old DATs!

This release has some seriously special artwork by Mattthieu Bourel aka EK Dojo. He's had work commissioned by the New York Times, The Guardian, Washington Post, Esquire, New Scientist, Vice Managzine and many more. He has also done album covers for Venetian Snares, Carl Craig & Somatic Responses in the past.

Also comes with a free download code for the digital release of this EP.
LTD 200 COPIES

The new EP on It’s a Pleasure imprint is conceived as a kaleidoscope of Jaisiel’s previous releases where pop and house converge in a seamless embrace.

A side is all about the infectious radio hit “Nada Que Ver” and its mesmerizing Remix by Lipelis who made its magic to turn the original track into a super fun and dynamic certified dance floor journey, where thick bass frequencies and classic M1 organ bass sounds will take you on a trip alongside Jaisiel’s hypnotic voice.

In the B side we entry into the dreamy realms of a UK rave in the 90’s with the pulsating energy of “El Amanecer” (Tenerife ’89 Mix), a synesthesia feeling where you can almost see the sun rising in your imagination while listening to it.

Following and closing the EP, an intimate and groovy acid tune “Sobre Cien” that invites you to chill and re-connect with your inner nostalgia, lyrics are about a big theme nowadays after Covid times, which is escape the noise of big cities and remember the value of your hometown, family and all time friends.

Toolbox is so proud of this wax.... I discover Somatic Responses with their very first EP on CFET, and I still dig for any of their music... Whatever it was with Cavage, with Ant-Zen or with DBN. But it's true to say Techno became more and more rare with them. And this time we hang on with four unreleased techno and hardcore tunes from Somatic Responses !!! The sound is just Acid and crazy of course, but this is not oldschool... this is Music, probably the best musical EP on Acid Night. Check this LIVE at the Glaz'Art on 13th of September ! LOVE !

For Fans Of: Laibach, Trepaneringsritualen, Ulver, Skinny Puppy, industrialized Dead Can Dance, Celtic Frost. FORGOTTEN SUNRISE is a band both legendary and current; inventors in one era, and innovators in the present day. Celebrating their 30th anniversary this year, the group has evolved and morphed over time into its current formation of Anders Melts, Kadri Sammel, and Jaan Pullerits. A huge part of the Estonian cultural landscape that comprises dark music, Forgotten Sunrise began life as a death metal band in the early 90s, part of the movement that spawned groups such as Amorphis, Beherit, Anathema, My Dying Bride, and Katatonia. As styles converged, and electronics entered the picture, the group incorporated newer techniques and a more industrial approach over time, consolidating their methods into a unique strain they call “OUTDUSTRIAL” – outsider industrial. elu is the first album in the “HALL-ELU-JAH” trilogy. Starting in the middle, the band has an expansive story arc set across 3 albums. In this first presentation of the trilogy, elu synchronizes the classic Death Metal style vocal with ethereal female voice, horror atmosphere, and pounding EBM rhythyms to create 8 memorable and visceral tracks. From high-energy dancefloor-fillers like “Orthotoxic Waste” and “Deep Emoceans” to heavy industrial grinders like “Near Bye” and “iSaid” to the emotional close of “Meating 8:08” into “Elukas”, the album provides a serene metamorphosis, guiding the listener through the many-worlds-as-one experience of Forgotten Sunrise. – Forgotten Sunrise are: Anders Melts – Vocals, bass, guitars, cymbals, djembe, thunder tube, knife and fork. Kadri Sammel – Vocals, bass, keyboards, shaman drum Jaan “Suva” Pullerits – Controlling the arrangements of chaos Ants “Ank” Lill – B(l)ack vocals on “Elukas” Recorded, mixed, and mastered at In Dreams 2020-2022 Artwork by Rene 13 Cover Picture by hellish.cav Executive Producer for Ohm Resistance – Alexandra Portaluppi

Two classic cuts from the Kaoz Theory vaults get released for the first time on vinyl, with a fresh remaster for the modern mind, body and soul. First up, Dam Swindle ‘Ballin’ a sumptuously smooth, groove-laden yet chunky house heater with the flip housing a late-night deep delight from Ben Rau titled ‘Be Who You Want To Be’.

Welcome to the unmissable second part of this momentous collection, collecting the output of a true outlier in UK creative culture, an artist that has helped change the landscape of electronic music, KRUST.

Introducing 'Irrational Numbers,' a meticulously curated collection of five parts, available on both vinyl and digital formats. This compilation is a treasure trove of hand-picked records and archival gems from Krust's extensive discography, thoughtfully remastered and presented anew for both devoted fans and newcomers.

'Irrational Numbers' features a dizzying array of self-released 12" cuts, exclusive unreleased VIPs and dub-plates, alongside epic major label widescreen classics. It's an unmissable journey through the sonic output of one of the UK's most distinctive and forward-looking producers.

This 2nd volume of seminal and forward thinking music from the legendary Bristol producer and DJ boasts a plethora of unmissable cuts; the staccato and clipped jazz funk of 'Blaze Dis One', the widescreen epic futurism of 'True Stories' and the all-time classic anthem 'Warhead' all feature, proving what a formidable and original force Krust is.

For longtime Krust enthusiasts, this project serves as a fond reminder of the boundless creativity and originality that flourished during the early 1990s and beyond. For those new to his work, it presents an enthralling introduction to innovative electronic music that has comfortably set the tone for generations to come. Get ready to experience the evolution of sound and immerse yourself in the visionary artistry of Krust.

For the 30th anniversary of the release of the first single by Frankie HI NRG MC 'Fight Da Faida' Irma Records together with the artist have decided to pack an unreleased collector's version of the song.

The new look is in 7-inch format (45 rpm) in a limited edition on white vinyl with a gatefold format cover containing, in addition to a photo of the artist of the time and one of today, the original lyrics of the song and a text by the well-known journalist and radio and television host Luca De Gennaro who was the first to notice the artist.
The song Fight Da Faida has been seminal for the evolution of Italian Hip Hop.

At the time, few such songs had come out and they were all known mostly on the alternative circuits. Fight Da Faida, despite its harsh and explicit text against the mafias, was the first to have real radio programming on national networks.

It was also obviously the launching pad of the artist who later released his first album 'Verba Manent' which also contains this single.
The new format contains the original version, the instrumental version and the 'famous' Sicilian nursery rhyme 'Tri Tri Tri Trinacria Breakdown' which over the years has been repeatedly sampled abroad for club music songs.

After a long hiatus, the vinyl imprint "Endless Rotation" emerges once again with "You Name It EP." This time, label owner Fred Brune teams up with Willi Schumacher, also known as WIRED. The result is a collaborative A-side that takes listeners on a spacey minimal journey, accompanied by a captivating looped pad phrase reminiscent of the early 2000s German minimal sound. Fred Brune contributes an additional lively percussive groover, showcasing a prominent dirty saw-tooth bassline. On the flipside, Paul Walter, a highly acclaimed artist from Vienna, delivers a mesmerizing 14-minute minimal remix of "You Name It", skillfully reimagining the acoustic drums with an innovative twist.

1 december 1944, Thiaroye military camp, right outside of Dakar, Senegal.

1600 French soldiers of West African origin (Benin, Mali, Ivory Coast, Tchad, Senegal , Gabon, Togo etc.) have been quickly evacuated by the French Army during what was subsequentially called the ‘whitening of the colonial troops’ that happened before the armistice signature. The soldiers are awaiting to be paid for their war effort. Things go sideways, protests erupt, and the French military staff decides to open fire. The official number of casualties is 35, although various sources claim several hundred people died on that fatal day.

Since then, several artists have grasped that difficult topic, screaming for recognition and reparation.

Such is the case with a young Senegalese musician and singer named Maxidilick Adioa, with his very first single ever released, ‘Toubab Bile’, in 1987.

At that time, Adioa had been living in France for a few years. He was considered a master percussionist, playing, recording and touring alongside the great Ivorian artist Alpha Blondy. He had just written a beautiful tune, ‘Nao’, for Aminata Fall, one of the biggest actress and singers in Senegal. It seemed like a good time to launch his solo career.

Toubab Bilé remains Adioa’s biggest hit to this day, and one of the best African reggae tune ever recorded.

Adioa ended up signing an album deal with Chris Blackwell’s Island records and toured the world endlessly during the following years.

In 2012, François Hollande was the first French President to officially mention and pay tribute to the Thiaroye massacre in a speech.

Another italian gem repressed from Digging Deeper Music , this time came from DJ mickey and Assonance from USU 1993. Remastered , limited press!

Duo Drunken Kong step up for their Drumcode debut.

The residents at Tokyo’s legendary Womb have a distinct sound signature, as dreamy melodic and vocal elements rub shoulders with the pair’s trademark groove-orientated rhythms to create hypnotic techno outings that span the breadth of the genre, from heads down rollers to peak-time pleasure.

Their maiden outing on Drumcode is an inspiring four-track work ‘I Want To See’ that lays down this sonic manifesto, with each track built around different vocal samples used to skilful effect.
EP opener ‘It’s Then’ brings atmosphere in spades, mixing up a chugging bottom end, a sleek synth line and a sublime vocal that simmers throughout.

The title track is another late-night dancefloor affair that shifts between function and fun, as a slick mix of polished grooves and hypnotising melodies build towards a thrilling crescendo. ‘That’s It’ brings peak-time energy against a plump electro backbone and ’90-tinged vocal.

The EP rounds out with evocative ‘Need It’, as a stirring vox and metallic drumlines propel the track forward.

repress !

Since ancient times tribes commanded by shamans were experimenting with rituals in order to inherit higher states of consciousness.

We as descendants from those cultures disrupted their traditions by recording those sounds and reproduce it through a speaker. Although the principle remains intact.

AIROD and P.E.A.R.L. Are two contemporary artists well aware of that culture, as you can here through the 6 tracks of this EP that in good hands can catalice the ecstasy through repetitive drums, deep vocals and grinding melodies.

Every science starts as philosophy and ends as art.
Tribal science, for disc-jockeys and collectors.

The vinyl sampler „70s Disco Hits Vol. 2“ is a compilation of timeless disco classics from the 1970s presented on a highquality vinyl record.

This sampler invites you to rediscover the pulsating rhythm and distinctive sound of this outstanding decade.

Thanks to very careful selection, „70s Disco Hits Vol. 2“ presents a fascinating mix of well-known songs and hidden gems of the disco era. From funky basslines to rousing horn sections and infectious choruses, this sampler offers a crosssection of all the diversity and energy of the 70s.

The dance-floor attack of Mr Mangiadischi continues with the 3rd episode of the label.

On the logo side, A1 with a hip-house interpretation of a late 80’s classic hip hop bad ass tune, and on the A2 with a perfect fusion between early 80’s electro synth-pop and early 90’s minimal tech.

On the back side, an early night/afterparty/umbrellacocktail/ poolside smoother, to complete and add an extra hint of diversity to the release.