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Originally released in 1993 by Hani AlBader on his first label Super Doppler Communications. It was primitively programed on 8track sequencer then recorded on a 4 track tape machine in his spare bedroom studio in Denver, Colorado. Only 300 hundred copies were pressed initially. It was not an easy record to sell to distributors at the time due to the various genres & sounds on it. Mailed out few promos to a handpicked list of names. One of them was dj Dubfire whom at the time was starting as Deep Dish. One morning in spring of 93' Hani received a phone call from Ali Shirazinia aka Dubfire who was full of compliments & requested similar tracks for his label.26 years later Hani's name became internationally known & till this day continues to produce & remix under many aliases while running his own label Soterios Records. In 2017 Hani started receiving several purchase requests from seekers of this record. Thanks to Discog they were able to find out who to contact.Jeep Warehouse Beats Vol:1 is now in high demand among techno / rave fans and some deejays are offering up to $110 per copy. Unfortunately it's out of stock. Due to the serge of interest by deejays and collectors, SDc is back! Repressing of this highly sought after piece of vinyl are ready to ship. Hani have also found buried deep in the vault an unreleased Jeep Warehouse Beats Vol:2 plus an extended version of the mainly requested track 1 on B-side called Vector Selector that will be released on future Jeep Warehouse Beats Vol: 1.5 with some help from Synchrophone in France.Here's a quote from the info sheet included in all promo mail-outs back in 1993. 'The Super Doppler Communications laboratory is the brainchild of Hani - technics technician extraordinary Hani takes no shorts on the beats. He deals with compounds and elements from the periodic table of dance. House, techno, trance, garage, and funk groove can be expected to oose from the test tube. SDc has been experimenting with the innovative styles of Burrito revolution, veggie tracks and the erotic magic of Miles Blacklove. SDc is a mile above sea level. All music is the property of the universe. Adults need not be present during lab because they just would not understand these

Pantene was a live performance art-pop group that existed in Berlin, Germany in 2015. Its four core band members; Marijn Degenaar, Molly Dyson, Olle Holmberg, and Rahel Tierbach took a DIY approach to instrumentation and arrangement, where intergenerational low-fidelity samples collide with subversive and pithy lyrics. Using laptops, MIDI, samplers and effects units to deliver re-contextualised pieces of music, Pantene explored issues surrounding cultural constructions of power, identity and sexuality with effortless aplomb.

Originally starting out in the late 90s, Paris-based 8 piece, Cotonete originally gained fame for renditions of tracks from their contemporaries, the likes of: Deodato, Lalo Schiffrin and Banda Black Rio. Replicating the heavy grooves, sweaty jazz-funk with a nod to the Brazilian warmth and beach breeze. Before bowing out of the game thinking the fun was over….

Fast forward to more recent times, having had their flame reignited by Melik Bencheikh, head honcho of Paris vinyl emporium, Heartbeat Vinyl. He encouraged the band to get back together and over the last two years the band released four EPs of original material - including the collaboration with Dimitri from Paris - quickly becoming collectors items, and now gearing up for 2019 they are finally ready to present a full body of work, their album debut 'Super Vilains'.

Cyberfunk proudly presents:

CFNK005:Simple Technique - Superfuture EP

Since the inception of Cyberfunk one artist in particular has really taken on the core values and ethos of the label and has been working extensively with us.

After his debut release on Cyberfunk "Cold Steppin" gained heavy rotation on the dnb circuit from some of the scenes heavyweights. We gave Bournemouth based duo Ulterior Motive a chance to remix "Cold Steppin" and released it as part of our first ever Remix EP - Remixed Vol1. This dominated the charts for several weeks in a row.

Other than the aforementioned, the West London based producer has kept mostly quite bar one release - "Gorilla" which was part of the first in a series of various artist LP's from us: VA:LP-001

This EP has been in the works for quite some time, with some parts taking in excess of 3 years! (Yes we know but he's worth the wait we promise) this is a project we have been working on closely with Freddie and although he has kept us waiting we are happy to be releasing such a diverse and unique EP from an equally diverse and unique beard, sorry... - artist! Excuse me. (You'll see what I mean...)

We feel this is the truest and purest representation of Simple Technique as an artist. With a strong mix of tempos and styles all of which have been filtered through his unique outlook on music and rave culture. From bass house to Drum and bass to hiphop and trap influences with beautiful soundscapes in-between. This EP has flavours from all over and the raw signature sound that our fans have come to expect from a Simple Technique set.

We hope you enjoy the music. <3

If you are feeling it, please let us know
If you hate the music please still let us know so we can further promo the EP.

With a knack for crafting up-front, jacking house music, Danish producer Niles Cooper proves he's right at home with the Super Tuff family. Just after his first release on his own Pale Springs imprint, his follow-up EP for Brooklyn's Super Tuff appropriately pays homage to its NYC influences. The title track "House Gospel" is a heartbreaking peak hour track full of old-skool NYC garage flavor. It is impressively followed by a remix from Berlin's Black Loopsia certified deep house belter. On the B-side, "Floor Juuc" is a rolling early morning chugger with a bassline reminiscent of "I Get Deep." Rounding out the record, Cooper shows his versatility with "If We Try We Can Start Anew" jumping into darker DnB territory with well-cut breaks and moody ambient chords reminiscent of Burial. Welcome home Niles!

Bill Brown and Al Hall jr met around 1971, they were both in south central L.A and shared the same apartment building, also in the same building was Doug Carn and brownstone singer billy Wilson.
These studio sessions were don't at Paramount studios Hollywood where Al Hall jr was working for producer Art Smith a&c music.
The main distributor for A&C was Accent records. So the Soul Injections very first single "Stay off the moon" was released via Accent, as was Bill Browns "Bip Bam" The group wasn't that pleased with how Accent handle the releases so Bill took it upon himself to set up his own label called Brownstone records. Many musicians were called in for studio sessions these included
Doug Carn, organ; Kirk Lightsey, keyboards; Mel Bolton,
guitars; Mel Lee, drums; Al Hall jr (trombones), Willaim 'Bill'Henderson strings.
The label was met with some confrontation from other Hollywood labels and many of the Brownstone releases were told not to hit the shops by Mafia run labels. Later around 1975 Brownstone released a track by Everyday people feat Alexis "world full of people"....A now cult soul 45 ....But wait, we at Super disco edits have unearthed the original tapes with the very first incarnation of that song and music, different lyric content and sung by Bill Brown. Not just this you get the instrumental on the b side!!

Celebrating its 50th birthday this year, Westbound Records is the Detroit institution that discovered Funkadelic and the Ohio Players, with a rich catalogue that is probably amongst the most sampled in the world.

Our 'Super Breaks' series makes a welcome return, throwing the spotlight on the records which have been sampled on both Westbound and its Eastbound subsidiary. These come not only from the more obvious names such as the Detroit Emeralds, Denise LaSalle, Junie Morrison, Funkadelic and Ohio Players, but also the lesser-known Pleasure Web and the Magictones.

The list of artists who have sampled these records reads like a Who's Who of the hip-hop and dance worlds. These tracks will be recognised from well-known records by Kanye West, Dr Dre, Snoop Dogg, A Tribe Called Quest, De La Soul, Fatboy Slim, and many more.

Both the double vinyl and the CD come with extensive sleeve notes and a breakdown of where each track has been sampled.

Almost three decades after he put out his first record as one half of Tummy Touch twosome Tutto Matto, Paulo Guigliemino continues to produce effortlessly brilliant music that joins the dots between vintage disco, boogie, proto-house and sun-kissed Balearica. For proof, just check the heavyweight dancefloor sunshine that is 'Bella Topa', his first release on Leng Records.

Slow, sensual and blessed with all manner of delay-laden drum machine percussion hits, the track fixes the producer's usual colourful, boogie-era synth flourishes and ear-pleasing instrumentation (think fluid electric pianos, fluttering flutes, eyes-closed jazz guitar solos, lilting saxophones and spacey electronic chords) to a chugging, head-in-the-clouds groove reminiscent of Lindstrom and Prins Thomas's early collaborative work. 'Bella Topa' cleverly shifts shape several times throughout, utilising jazzier rhythms and bolder melodies to light up key moments.

Remixes come from Guigliemino's old pal Federico Marton, a producer best known for being one half of sometime Get Physical, Superfiction and Snatch Recordings artists Italoboyz. He lays down two distinctive revisions, starting with a 'Slow' club reconstruction that adds additional percussive heaviness and sparkling electronics to Super Paolo's twinkling, sun-baked original.

His other version, a 'Fast' club reconstruction, drags Guigliemino's track towards peak-time dancefloors kicking and screaming. Making the most of his friend's killer groove and finding sufficient time and space for each life-affirming musical element to sparkle, his mix bobs, weaves and eventually soars for 12 mesmerizing minutes. The mix, like his slow version, makes use of additional percussion and wisely gives more prominence to the A-side's spacey electronics and boogie-influenced synthesizer flourishes. The results are little less than breathtaking.

An amazing unissued disco gospel track where we had all the parts via the reels.

We did an original mix and also let DJ Kon do a rework.
We are really pleased with the disco 12.
Super loud for kon's rework that's gonna sound great in the clubs

Official Mr Bongo reissue of the ultra-rare album by 'Super Elcados'. A fusion of heavyweight Nigerian funk, soul & disco, originally released by EMI Nigeria in 1976. The 'Super Elcados' (and 'Elcados' on other recordings) recorded three albums in the mid and late-70's, this is their first. It was followed by 'This World Is Full Of Injustice' and 'What Ever You Need'. Licensed from Geoffrey Johnson (Elcados), courtesy of PMG, with special thanks to Dave Hill for his help.

Favorite Recordings proudly presents Combattant, first EP by Pat Kalla produced by Bruno Patchworks' Hovart (aka VOILAAA).

PAT KALLA is a musician, singer and storyteller. Patrice of his birth name, in tribute to the great Lumumba! Lover of words, French language, and music of course. Born in Lyon, from a Cameroonian father, musician and political activist, and a French and literary mother, he explores from his childhood the Soul, the Slam, the Funk ... and the art of telling stories, life being a great one...

After years of touring alongside many bands (Conte & Soul, Legend of Eboa King, Mento Cloub, Voilaaa Sound System), and several acclaimed titles on the two albums by Voilaaa, he comes back with this project to put a bit of primordial lightness in a rainy world: A tribute to the African culture in honor of a father with "Sawa" origins, the tribe from the people of Makossa.

Jojo Ngallé, Moni Bilé, Pain, Manu Dibango, Franco, Rochereau, Kabaselé, Fela, François Nkotti & The Black Style, all these legends' vinyls have turned on the family turntable and the collection has whetted the child's appetite. Through this new trip, he revisits styles that are sometimes little known to Western audiences, such as High-Life, Makossa, Angolan Music, Afrobeat, Afro-Disco and others. We could talk about Franc CFA', we could talk about Jacques Foccart, but we will rather dance, because "the dancer seems naive, but his feet must be connected with earth to understand history..."

Backed by the "Super Mojo Disco", a hyperactive band from Lyon with deep groove and positive energy, Pat Kalla offers us an anti-crisis project, where swaying and feel-good humor is mandatory! An album soon in the crates, beware « c'est médicament » (it's medicine)!!

Brother And Sister Eric And Arrontette Mcclinton Had Been Recording For Many Years. Around 1976 They Did A 45 Release Together On Honey Records Called "where You Are" Under The Their Christian Names, Although Eric Was Spelled Eryke! The Single Didn't Have Much Success But Both Brother And Sister Still Went On To Be Amazing Backing Singers Working For Legendary Producers Mike Theodore And Dennis Coffey. Whilst They Were Under The Watchful Eye Of The Production Team They Recorded Some Material Again And A Duo For Theo/coff In A Bid To Get Them Another Record Deal And Show Their Capabilities. These Songs Never Got Releases. Eric Became And Prolific Song Writer And Also Joined The Group High Fashion .
We Are Super Pleased To Finally Release The Shelved Songs From 1978.
This In One Of Two Releases By The Duo.

For their first artist EP, Super Tuff revs up four tracks of high-octane house music from Marcel Lune. Fresh off of an impressive LP for Local Talk, the UK up-and-comer again proves a knack for effective and subtle productions. The A side sets the mood with "Moon Sequence," a lush tune that builds to a cinematic climax. He settles into his groove with "You Can Do It!" a four-to-the-floor piano jam sprinkled with wonky synthesizers. On the B-side, Lune finds himself unhinged on the open road with "Unknownz" offering up a live drum groove drenched in bright synth stabs and triumphant string melodies. Finishing the B-side, "Sun" is all shuffled claps and peppy synthesizers that evoke the warm feeling of a sunrise after a long night out.

coming out of Philadelphia heem the music monsters were produced and handle by long time philly producer and writer Hubert willis. The group had small success circa 1976 with their psych funk 45 "wake up people"/piece of the rock" they recorded a few more tracks from those sessions and what lay on the reels for all these years is probably their best yet...Its just right for now. "Keep god on your side" is modern soul disco of the highest order, over 5 mins long it leads you onto the dancefloor and never lets go! Flip it over and you have one hell of a funk disco instrumental entitled " going down (incognito)". We have maintained the Blood Leaf label with a slightly new design

Coming at you hard with a brand new release, thats moved away from or usual unissued releases. DJ Rude Lead played me a demo he and Tom Noble from Superior Elevation cooked up whist Tom was in Denmark deejaing. They approached in indemand vocals of Jay Nemor from the states., who layed over some killer sultry lyrics and tones.The song was only in demo form, so Super Disco Edits in house engineer Matt Fletcher and Owner of Super Disco Edits Russell Paine gave the song the boost and heaviness it desired! We really are pleased with the result, thats cut super loud and sounds awesome over a big system

Reissue of the sought after birth act of the Afro- / Jazz-Parisian scene that fascinated so many musicians and music fans throughout the 70s and 80s. Comes in a heavyweight tip-on sleeve.

Its not often you stumble upon a 9 piece soul band, who were so close to signing a deal with mca's new subsidiary Source records. But group politics and other factors got in the way, and the band shelved what music they had recorded. No reels surfaced but fortunately a member had kept some of those 1978 recordings. BETWEEN THE TWO seemed to fuse great soul compositions without the durge of the disco era circa 1978. . With well thought out lyrics, backed by keys, trumpets and a driving bassline we really are pleased to add the group to the Super Disco Edit roster

repress

Following on from the critically acclaimed Penya Investigations cassettes and the 12' Acelere EP, Afro-Latin-electronic collective Penya conclude an intensely creative period with a Long Player collection of tracks Super Liminal. 'Liminal' - an in-between state -references the transitional process the four - piece band entered during a series of self-produced recording sessions held at Penya's multi-instrumentalist Magnus P.I's home studio between March 2016 and May 2017. Penya's percussive and futuristic Afro-Latin sound also owes its genesis to the concept of 'liminality': the threshold of disorientation occurring during ritual practices. Penya's hypnotic groovescapes, led by Jim LeM's bata drumming,ancient chants, sung by Lilli Elina, dubbed-out improvisations on trombone by Viva Msimangand lo-fi electronic production by Magnus P.I create a sound that has garnered significant support on BBC 6 Music via Tom Ravenscroft, Worldwide FM via Gilles Peterson, on BBC Radio 3's Late Junction, as well as being praised by a host of producers including DJ Khalab, Will LV, DJ Jose Marquez and Dengue Dengue Dengue. Penya's energised and engaging live show has also toured across UK festivals this summer, including Brainchild, Wilderness, Farmfest and Big Love.

Bordello A Parigi has just returned from a fruitful expedition to Russia to secure a four tracker from St Petersburg synthesizer playboy Kito Jempere. Super Sax Sounds is a rich and varied expression from an artist who has explored a spread of sounds during his career. The A-Side is the product of one diverse machine, the Yamaha QY-70. 'Bueller's Dance' gets the show on the road with latin showband flare. The opener brims with cruising notes, crisp claps and smooth bass; a track guaranteed to put a smile on any face. Moods change with the tear stained chords of 'Space Commercial', a superbly subtle work of joy and heartbreak. A colder wind permeates the flip as a cinematic and sinister element enters. Toms and snares support the descending bars of 'Atmosphere', a track where tropical dreams cloud into despair. Those dreams are purged by 'Tomohawk', a dark prowler who stalks with a maniacal glint and menacing intent. An audio feast care of Kito Jempere.

Super Rhythm Trax boss Jerome Hill is back on the label with 3 otherworldly tracks cut loud for maximum dancefloor devastation. Beginning with the wistful acid pump of 'Back & Forth' moving through to the alien jacking of 'Weird Language' and leaving you wide eyed in the grip of 'Close Encounters'.

Der Wahlberliner Call Super aka JR Seaton liefert mit "Arpo" den Nachfolger seines vielgerühmten Debütalbums "Suzi Ecto" von 2014 ab, das das britische Mixmag zum "Techno Album of the Month" erhob und das Wire Magazin als eines der besten Alben des Jahres bezeichnete. Call Super, bekannt für seine spektakulären DJ-Sets im Berghain, Fabric und Boiler Room, beweist mit außergewöhnlichen Techno-Sounds wieder, dass er zu den einzigartigsten Produzenten unserer Zeit gehört, der mit nichts und niemanden vergleichbar ist.

Pittsburgh-born Phillip Ballou's earliest years were spent in the gospel field, after he moved to New York City in the '70s, he teamed up with Bennie Diggs and Arthur Freeman, founding members of The New York Community Choir and singer Arnold McCuller to form the group Revelation. The quartet recorded for RSO Records, scoring some R&B success in the US with tracks like Get Ready For This' and You To Me Are Everything,' touring the Bee Gees among others. Phillip also sang on albums by NYCC recorded for RCA Records and continued with Revelation until 1982.Frequently hired for sessions in and around New York, Phillip teamed up with UK soul music journalist David Nathan (who he'd met in 1974 during Nathan's first US visit) and John Simmons, formerly a member of The Reflections, another New York vocal group to write a series of songs for his own proposed solo record deal. Although a contract did not materialize, one of the songs - Ain't Nothing Like The Love' - got some interest from famed Philadelphia producer Thom Bell who presented it to The O'Jays. Ultimately, the tune was turned down by Kenny Gamble and John Simmons, by then musical director for Stephanie Mills, recorded his own version for a small independent label in 1981.Phillip continued his own musical journey, touring and recording with James Taylor and Todd Rundgren. In addition, Phillip's name graced recordings by George Benson, Billy Ocean, Kashif, Nona Hendryx, Jonathan Butler, Teddy Pendergrass and Melba Moore, in 1981, he began recording with Luther Vandross and became a part of Luther's touring band for many years, as well as singing on productions by Luther on Aretha Franklin, Dionne Warwick and others, continuing his association with him until Luther's 2003 stroke. Phillip returned to his gospel roots in 2004 as Minister of Music at a Brooklyn church and passed away in March 2005, aged 55. Thanks to renewed interest in the John Simmons' 1981 recording on YouTube, David Nathan has uncovered several tracks from the 1978 and 1979 he did with Phillip and John including Phillip Ballou's original version of Ain't Nothing Like The Love,' gaining its first ever worldwide release as a 7' single on Nefer Records in association with Super Disco Edits

Originally released in October 2016 - 'Maajo' marked the inauguration of a new imprint: Queen Nanny. Spread across 4 sides of vinyl, the LP was a 'meandering journey' that saw a newly formed Finnish five-piece expand and develop a canon set by Herman Prime's EP under the same title that was released via Seagull in 2015.
Following it's warm reception, Queen Nanny returns with an all-star remix package that sees Luke Vibert, Call Super and Dengue Dengue Dengue all interpret selections from the original album. Altogether a tougher and more contorted collection of music - the remixes effectively pull Maajo out of it's habitual home-listening environment and drop it directly on the dancefloor to stunning effect - TIP.

In 1980, during her run on Broadway in the musical, Ain't Misbehavin' and before being cast in Dreamgirls, singer/actress and Detroit native ROZ RYAN teamed up with the legendary team of DENNIS COFFEY and MIKE THEODORE on a six song album that wound up being unreleased. Recently, the folks at Super Disco Edits released this 45 featuring Roz' taking on Preston Glass' KEEP SHINING' b/w PUT LOVE BACK' (composed by Eric McClinton). Both tracks were from the Theo-Coff sessions and make their debut for lovers of dancin' ( Keep Shining') and romancin' ( Put Love Back'). Enjoy!

Lost sounds are the archives of a forgotten history. The raucously raw, Vodoun-inspired rhythms of Cotonou have confirmed Benin as a mecca of 70s Afro sounds and revived the story of its people, but the unopened vaults housing the country's catacombs of musical riches are endless. With this as our compass, Analog Africa charters its fifth expedition to Benin, traveling far north to delve deeper into the obscured repertoires and tales of the Bariba and Dendi people.

 I made a mistake,' but this long-lost modern soul track is anything but a flub. Stu Gardner, leading a group of top notch session musicians in 1980, noticed there was still time on the clock after they had finished their work for a popular network television show. Making good use of precious moments, the band recorded an exuberant track that's quintessential 80's with a timeless and positive message. It's about love, desire and that bass line. Don't fight it.

Pet Shop Boys will also play a four-date residency entitled Inner Sanctum, at London's Royal Opera House on July 20th, 21st, 22nd & 23rd. Staged by designer Es Devlin and choreographer Lynne Page, these will be Pet Shop Boys only UK concerts this year.

Bursting onto the scene with a modern take on Chemise's cult cut, She Can't Love, Sweet Tooth T is a project channeling the hallowed sounds of New York in the early eighties, reimagined in a contemporary manner by DJ Greg Wilson and the vocal force of nature Katherine Reynolds.

We’re extremely proud to present Leaving Time, a new EP by Christoph de Babalon. The EP has all the menace and grit that the Hamburg-born, Berlin-based producer is known for, but packs a potent, dance-ready punch that breaks new ground.

Leaving Time begins with the snarling subs ‘The Upper Hand’, and momentum builds through the panoramic breakbeats of ‘I Trusted You’ and dubwise groove of ‘Steps Into Solitude’ to reach the symphonic release of ‘Got to Let Go’.

This record encapsulates everything we love about Christoph’s music – it’s doom-laden, introspective and crafted with intent.

In short, it’s CDB on a 140 / fwd tip - fuck the chairs!

About Christoph de Babalon:

Christoph de Bablon first became known for his work on Alec Empire’s Digital Hardcore Recordings in the early 1990s and has championed a misanthropic take on drum and bass that has stood the test of time.

A punk-influenced fusion of jungle, breakbeat and dark soundscapes, his signature sound has become the stuff of legend – Thom Yorke once said Christoph’s pioneering debut album 'If You’re Into It, I’m Out Of It’ was the “most menacing record” in his collection.

After a brief hiatus composing music for theatre (we’d like to hear what that sounded like), recent releases on labels such as A Colourful Storm, V I S and AD93 have sparked renewed interest in the German producer, and with much excitement from his loyal following of die-hard supporters.

Galactic Peace Gathering Hymns

Ov Nils Maneuvers In The Dark: Win mega Mix + Super Dub

A-TON ist eine neue Edition und Plattform des Berghain-Inhouse-Labels Ostgut Ton und konzentriert sich auf Ambient-, Archiv- und andere Musiken, abweichend von den
clubfokussierten Veröffentlichungen des Hauptlabels. Darüber hinaus markiert das erste Release auf A-TON - Chronicles I - den Beginn einer Serie von Veröffentlichungen Luke Slaters unter dessen Alias The 7th Plain und präsentiert geremastertes, zuvor veröffentlichtes als auch bislang ungehörtes Archivmaterial.

Zuerst erschienen auf General Production Recordings zwischen 1993 und 1996, lotete Slaters The 7th Plain die sich stärker ausbreitenden Facetten von Ambientmusik aus und trieb sie gleichzeitig an die Genregrenzen, indem sich The 7th Plain nicht auf beatbefreite Synthflächen beschränkte, sondern treibende Progressionen, nuancierte Rhythmen und raffinierte Melodien mit einbezog. The 7th Plains außerweltliche Musik entzog sich somit der genauen musikalischen Einordnung, nachzuhören auf den beiden Alben The 4 Cornered Room und My Yellow Wise Rug (beide GPR, 1994) - emotionale, gespenstische und eskapistische Musik, bei Erstveröffentlichung vorwärtsdenkende Alben, die in Rückbetrachtung die Zeit besiegt haben.

Ursprünglich aufgenommen in Slaters Spacestation Ø, nun für A-TON komplett geremastert, zeigt Chronicles I die futuristische Ästhetik und musikalische Agenda der Neunziger in einem zeitgenössischen Kontext, ohne Nostalgie aber mit dem Wissen um die Zeitlosigkeit dieser Musik. Mit sieben originären Stücken und einem unveröffentlichten Ken Ishii-Remix klingt The 7th Plain so beseelt und relevant wie eh und je.

Während "Boundaries" (von My Yellow Wise Rug), "Grace" und "Surface Bound" (beide von The 4 Cornered Room) Slater-Aficionados bekannt sein dürften, sind "The Super 8", "T Funk States", "Slip 7 Sideways" und "Chords Are Dirty" bislang ebenso unveröffentlicht wie der zuvor erwähnte Remix von Ken Ishiis "Extra".

Mit Chronicles I erweitert The 7th Plain die Wärme und Kälte analoger Synthesizermusik auf das digitale Zeitalter: Während A-TON Chronicles I als Doppel-LP und CD
veröffentlicht, wird die Musik selbst in verschiedenen Digitalformaten zum ersten Mal überhaupt erhältlich sein - wodurch The 7th Plain einer neuen Generation von Hörern zugänglich wird, die die Vielfalt elektronischer Musikgeschichte erst für sich entdecken.

Played & supported by Max Cooper, Markus Kavka, Marc DePulse, Patrick Lindsey, Sweet n
Candy, Michel De Hey and many more....

Deranged Records and Forward! Records will release Wildhoney's first LP, Sleep Through It. The group formed in late 2011, aiming to write pop songs with the energy and malcontent of hardcore punk, but without its entrenched masculinity. The five-piece has since become one of the loudest—and sweetest—bands in its hometown of Baltimore. Sleep Through It expands on two excellent 7-inches and one cassette EP, drawing influences from '60s girl groups, '80s post punk, indie pop, and shoegaze. New songs like first single "Fall In" showcase just how well Wildhoney combines wall-of-sound power with delicate passages and gorgeous vocal melodies. Older songs such as "Super Stupid" and "Seventeen" return on the LP, newly realized and sounding better than ever. Throughout the album, the group's blasts of distortion and use of dense textures are balanced with beautiful pop tunes and chiming guitar work. The swirl of noise surrounding singer Lauren Shusterich's voice is not unlike the best of the Cocteau Twins, or even Deerhunter, especially on the soaring title track. Sleep Through It was recorded at Beat Babies Studio in Woodstock, Md., with Chris Freeland (Lower Dens, Wye Oak). The album is Wildhoney's first with synthesizers and features liberal amp and pedal experimentation. The recording process was intense and fast, cramming lots of work into a small amount of time. That hectic schedule is impossible to hear on the LP, which unravels at its own dreamy pace.

Mr Bongo is proud to present 'The Original Sound of Mali', compiled by Vik Sohonie & David Buttle.
Malian music is arguably deeper, more sophisticated and lyrical than any other form of African music. Those of us deeply entranced by Malian culture, and, in particular, the immense hypnotic beauty of Malian music, have put together a
selection of songs from across the country.
Compiled by Vik Sohonie & Dave 'Mr Bongo' Buttle, the story of this release began in 2015 when Dave happened upon the Soul Bonanza blog. A treasure chest of rare finds from around the world! One mix in particular stood out and totally enthralled Dave - le monde à change: a tribute to mali 1970 - 1991. He
already knew of Malian legends such as the Rail Band, Salif Keita, & Les Ambassadeurs du Motel de Bamako, but this mix was something else! Deep & culled from the collections of some of the heaviest African music collectors in the world, legends like Vik Sohonie, Hidehito Morimoto, Philippe Noel, Gregoire
Villanova, and Rickard Masip. Dave immediately contacted Vik and a journey of discovery tracking down the rights-holders began. He also turned to the font of Malian music knowledge, Florent Mazzoleni. Florent has written the definitive book about Malian music - 'Musiques modernes et traditionnelles du Mali'. He
proposed some incredible tracks to include and provided the back bone of the sleeve notes and photos that are used in the album. No Malian album would be complete without a striking front cover photo, and ours is sourced from the late great Malian photographer Malick Sidibé.
On this album you will find well-known artists sitting next to rarer
discoveries. The Rail Band, who are one of the best known of all the big bands in Mali, gave us the stars Mory Kanté and Salif Keita. Les Amabassedeurs du Motel de Bamako were another big act that had Idrissa Soumaoro, Kanté Manfila, and for a while Salif Keita in their ranks. Sometimes Salif would play in both bands in one night, quite a feat considering the bands were fierce rivals. As an albino Salif has had to face considerable prejudice from society, focussing on his musical career to help overcome this.

A major discovery on the album has been Idrissa Soumaoro et L'Eclipse de L'Ija. L'Eclipse de l'Institut des Jeunes Aveugles was a Blind teenagers institute and their record was produced by the German association that took care of blind Malian teenagers in Bamako. It was never properly released commercially and was the first recordings by the legends of Malian music Idrissa Soumaoro, Amadou Bagayoko and Mariam Doumbia. Amadou & Mariam later got married and became household stars, including making an album with Manu Chao.
This album is a concerted global effort to showcase the most vital cornerstone of Malian culture in an attempt to preserve its reputation in the face of its current, grim reality. We hope our highlights of Mali's rich history of musical innovation will serve as a starting point for reclaiming an image tainted by unnecessary conflict. May peace and music return to Mali soon.
Dedicated to Malick Sidibé.

Classic 1981 Roots Radics dub album, reissued after 35 years - a must for all King Tubby's fans. Produced By Joseph Jackson aka Ranking Joe, recorded at Channel One by Solgie, and mixed at King Tubby's.

repressed !