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2026 Repress

RAWAX welcomes Subb An & Luther Vine to the artist Family!
We are very happy with their fantastic debut ep for us, which reminds us the great 90's vibe from an golden era of electronic music.
The record is xpected to be out right on time for sunny rave season!

Highy recommended!

2026 Repress

Maltese talent Human Safari debuts on Mutual Rytm with jazz-influenced techno EP, 'Culture Shock'.

Human Safari is a key player in his native scene in Malta. He's a resident at Glitch Festival, has played cult spots, and has a dynamic sound that brings jazz improvisation to techno, often featuring live instrumental elements. His music has found its place on top labels like R&S Records, and most of this new EP for SHDW's Mutual Rytm imprint was produced during his Colombian summer tour last year - written and recorded amongst inspiring and unusual settings with just a laptop and headphones.

"This EP represents embracing new beginnings that, though might bring uncertainty and fear, the
light always guides you to where you were always meant to be." - Human Safari.

Opener 'Mouse on Keys' has been a key cut for the label boss across the past year, a unique track that peaks curiosity from dancers to DJs whenever it's played. Its cantering techno rhythm is overlaid with delicate, heartfelt piano keys straight from a smoky jazz bar, making for a great counter to the physical drums. 'Fragments' is a deeply personal track dedicated to the artist's late grandfather. It's a funky, soulful techno roller with blissed-out and sunny chords full of hope.

Next, 'Classique' gets more gritty with loopy drums and bass and glitchy percussion that fizzes with energy, while 'The Labyrinth' features piano motifs recorded in just one take. It brings a dark paranoia in the uneasy, off-grid keys which dart about with nervous energy over the booming low ends. There is just as much intensity and edge to the unresolved keys that loop over the raw drums on 'A Rainy Day in Bogota', before digital bonus cuts 'Dorian' and 'Phantom' bring more jazzed out techno madness with warped keys and expressive elements bringing great invention.

After a successful run of early EPs and his debut double LP You!, Producer and Singer-Sing Writer Alek Lee returns to Antinote with his new album Like a Flower — an 8-track journey (plus 3 digital bonus dubs) that feels like open-heart surgery. With raw vulnerability, Lee exposes his deepest fears, pain, and inspirations, singing straight from the gut, but also sending words of inspiration and hope.

From dub-infused vibes like the opening track Alright featuring My Lord, to grungy ‘90s trip-hop stylings on Compensation and the title track Like a Flower, the album showcases Alek’s wide emotional and sonic range.

He shifts seamlessly into smoky, Sade-esque moods on tracks like Change, Let the Sun Just Shine, and Hold On — intimate ballads exploring heartbreak and existential reflection.

With his signature blend of melodica, live percussion, guitars, vocal choirs, and lush '80s synths, Alek Lee locks you into his unique sonic universe. His brutally honest, yet deceptively simple lyrics are dressed as balearic dub-pop bangers.

Pleasant Systems 014 brings together David Böning and Phillip Kluge for Moonbathed and Sunkissed, a four-track EP rooted in rough-edged ’90s deep house and early protohouse aesthetics. Split across two sides, the record moves through dusty drum machines, stripped-back grooves, raw basslines, and understated club energy. Drawing inspiration from classic US house music without slipping into nostalgia, both producers deliver tracks built for smoke-filled rooms, early morning floors and selectors who like things deep, direct and slightly worn around the edges.

The Soul Surfers join forces with Sunsay for a powerful new 45.

Led by drummer Igor Zhukovsky, the band stays true to its philosophy: fully analog, recorded and mixed to tape. Warm drums, deep bass and dusty guitars shape a raw yet soulful sound straight from the source.

Written during a difficult moment, “After The Storm” leans into a more soulful territory, carrying a message of peace and renewal.

Backed with its instrumental version, this 45 is built for DJs and anyone drawn to honest, analog recordings. Limted edition of 350 copies !

Returning from an 18-month hiatus, Companion resurfaces with its long-awaited ninth offering – a six-track EP that beautifully distills the label’s devotion to patient tempos and deep immersive moods. The Garden is the result of a remote, cross-border dialogue between London and Belfast: a project born from a seasonal fatigue with the dancefloor and a collective turn towards our most inner states of being. The debut collaboration between Serenity Complex (Wigs) and Aika Mal, the EP is a meticulously detailed exercise in restraint, trading industrial harshness for a lush, subterranean hush.

The production breathes with a tactile, low-slung urgency: gritty, compressed drums and haphazardly recorded beatboxed percussion captured on a patio beneath the Devon sun provide a raw counterpoint to the EP’s cinematic sweep. Steered by narcotic basslines imbued with the brooding, early DNA of Massive Attack, these undulating pulses coil around the listener with a subtle, magnetic pull. They create a state of suspended momentum where tension never fully resolves and instead becomes the point of return. Aika Mal’s voice acts as a spectral anchor – mellifluous and transfixing as it moves in and out of each carefully curated element.

Drawing from the gossamer, reverb-drenched landscapes of Love Spiral Downwards and the gothic opulence of The Golden Palominos, the tracks lean into a slow, deliberate pace. Dub-influenced low end and trip-hop structures form the backbone, while fractured, gritty breakbeats bring a sharper edge. The release traces low-lit excursions into limerence, thriving in the heavy humidity of the afternoon just as easily as in the blue light of the pre-dawn or the apricity of first light.

The Garden celebrates togetherness by blurring two distinct artistic outlines into a single, prismatic whole. It is an invitation to submerge – a descent into the overgrowth.

COS 010 - Environmental Architecture A fusion of ambient, techno and IDM, often described as a form of “mental abstraction.” Created by Mark Cheney in a bedroom in Clapham, this release captures a moment defined by raw imagination and open-ended experimentation. It sits alongside artists of that era such as B12 and The Black Dog.

It stands as a perfect reflection of that era – raw, inventive and deeply evocative – leaving a lasting sense of nostalgia for those who experienced it. For the first time, this release has been remastered and cut by Mike Grinser at Manmade Mastering. Pressed on 180g vinyl, it sounds exceptional - rich, detailed and full of depth. Originally intended for home listening, it’s been cut loud so it can be played in a club setting.

2026 Repress

35th Anniversary Edition of Peacefrog - 2LP Smokey Vinyl

Born and raised in the birthplace of House Music, Paul Johnson was known for his raw, soulful, and infectious sound, that helped shape Chicago's house scene and inspired generations of DJs worldwide in particular he was a massive inspiration to Daft Punk and the 'French Touch' scene. Releasing a vast amount of music throughout the 1990s for some of the most consistently underground dance labels including legendary Chicago imprints Cajual, Relief and Dance Mania he finally gained global fame with his 1999 hit “Get Get Down,” a dancefloor anthem that topped charts across Europe. Despite facing physical challenges, including losing both legs in accidents, he remained an unstoppable force in music—touring, producing, and uplifting others with his resilient spirit and signature groove.
Originally released in 1996 Feel The Music was Paul's second album for Peacefrog Records. Containing some of the classiest house music to hail from the Windy City. Classics such A Little Suntin Suntin , Summer Heat and I Wonder Why will have you smiling while you’re jackin’ and the irresistible and infectious Hear The Music was fthe opening track for Daft Punks legendary Radio 1 Essential Mix.

Some records are made for the hour when the light goes long and low - when you can feel the day slipping and want to hold it a little longer. Escaping Sunset is a deep house collection built for exactly that stretch: warm, unhurried, and turned toward the last of the glow. Like the hourglass on its label, it's about the kind of time you can't keep - so you turn the glass over and let it run again.

Andu Simion, a Romanian producer with deep roots in the European minimal and microhouse underground (Tzinah, Palinoia, Diffuse Reality) and a careful hand for groove - teams with Thomas Wood, a deep and raw house producer (Circle of Us, Berg Audio), across the A-side: the title track and then "Onde Viola." On the flip, Sickdisco - now based in Belgrade, and as at home in deep and minimal house as he is among the minds behind punk outfit ВсадникиЖКХ (The Horsemen of Housing & Commercial Services) - lays down "Beats," before Nicolas Barnes, the Riga producer and ECOUL SND founder already woven into the MixCult family, closes the record with "Phantom Lights."
Adlibitum Tum Tunes is a division of MixCult Records

2026 Repress

DJ Support: Louie Vega, Ralf Gum, Jihad Muhammad, Zepherin Saint, Mr. V, Doug Gomez DjPope, DJ Beloved & Brutha Basil to name a few.

Sean McCabe’s Good Vibrations Music label opens the vault doors for a peek inside some of its closely guarded & much-loved releases courtesy of this special limited edition 12 inch. Featuring 4 new to vinyl releases & including a raft of luminary names from across the soulful spectrum this is sure to be a be a hot fave with long standing fans of the label.

Glenn Underground’s Jazz-Funk fuelled rework of 'This Place' kicks things off and needs no introduction… heavily supported & much loved through the soulful circles & beyond with the likes of Louie Vega, Dave Lee, Jimpster, Jamie 3:26 & Fred Everything (to name a few!) all loudly banging the drum – people have been clamouring for this to be on vinyl. You spoke, we listened!

Up next is 'Modulate', a collaborative force of the highest order between Sean & long-time friend Black Sonix. Expertly fuzzying the lines across Deep, Soulful & House is somewhat of a speciality for the duo respectively and there’s bags of all 3 intertwined throughout alongside a hefty sprinkling of sun-kissed, Latino-inspired pianos.

'Still Standing Here' kicks things off on the B-side and begin in March 2022 as vocalist Madeeha recorded an accapella vocal idea in a phone voice message, quietly singing into her phone to avoid waking the neighbours. She sent the idea to drum & bass producer from Bristol, DJ Mixjah, who then approached friend Sean McCabe with the idea. Together they produced a hypnotic afro-tinged soulful backing track to fit with the voice message, with an intention to re-record it in a studio environment. Sean and Mixjah soon realised that the music they had created blended perfectly with the sincerity, intimacy & rawness of Madeeha's heartfelt performance in the original voice message and decided to stick with it. A firm fave for Atjazz, Crackazat , DJ Spen & Emmaculate.

Wrapping things up is 'You Don’t Know', a slick & energetic dancefloor bubbler from London based producer/DJ ‘David Bailey’ and Canadian soulful songstress ‘MissFly’. David Bailey is a firm favourite amongst the London house music community. He’s produced standout releases on labels such as Idris Elba's 7wallace, Makin Moves, Good Vibrations Music, Rhemi Music & Unquantize. MissFly is known for her soulful serenades and ability to write songs 'on the fly' in the studio. She has carved out an impressive discography on soulful house nuggets such as '1972,' 'Wanna Love You' and 'Thankful'

Pirka Vinyl Cuts returns with a new chapter in its unknown edits series, featuring four anonymous cuts built strictly for the dancefloor.

From the rolling grooves of “KINR” and the raw energy of “Ruffneck”, to the sun-soaked swing of “Sun Goes Back” and the late night vibes of “Get Me Down”, the record delivers four funky house tools packed with classic samples, tight drums and peak-time flavor.

A no-nonsense DJ weapon designed for long blends, sweaty rooms and proper moments behind the decks. Limited vinyl release on Pirka Vinyl Cuts.

SLF IMG is a dark synth pop project channeling the shadowy elegance of the 80s while injecting raw EBM drive and the hypnotic, sun-bleached nostalgia of classic italo disco. Their forthcoming EP “Carne” – Italian for meat – sinks its teeth into the genre with sleek, modern production, razor-sharp hooks, and basslines so catchy they feel almost carnal. Seductive yet menacing, “Carne” strips the sound back to its pulsing, flesh-and-wire core: dancefloor-ready grooves wrapped in velvet darkness.

Limited to 200 copies on splattered vinyl.

"Funk Face is a 9-track journey drawing from the raw energy of 80s funk. The concept? A duel between my two personas: the pure madness of P-Funk versus a smoother, late-night vibe.

It’s a balance between two worlds, designed to follow you anywhere. Whether you’re cruising under the sun or settling into a late-night groove, the album adapts to your mood without ever losing the thread. Blending the influence of Rick James with nods to 90s sitcoms, it’s a cocktail of high-octane BPMs and sensual breathers.

There’s no room for melancholy here. Just press play, smile, and feel the vibration. Funk Face is, by definition, the ultimate happy face.”

Bliss Point is proud to welcome the Bogotá born, New York based Matük to the label with Sendero, a collection dripping with life, with lust, with joy in the face of it all.

Birthed from weekend-long studio sessions in the heat of New York summer, Sendero is luscious and visceral party music, crackling with the spontaneous possibility that runs through city streets as temperatures peak, asses throw and emotions run high.

Hailing from Colombia and deeply immersed in the New York underground, Matük’s influences collide into an ecstatic tapestry on Sendero, blending the rich traditions of Afro-Caribbean musics with experimental and club sonics, long the sounds of joy as defiance from deep within the imperial core.

Many paths cross on Sendero. “Ricotta” features vocals from BRAVA, the Basque DJ and MC whose raw, infectious spirit has injected new energy into the international bass and footwork scene. She is joined by Argentinian-Colombian artist FEDRA on synth and vocals, transforming voice notes the trio sung into their phones over a long weekend of dancing into a party anthem of their own. “Lio”, the EP opener, pairs Mexico’s Renn Loop with Matük himself, trading sultry, heated frustrations over latinx futurist production. Things slow down on “De; Dioses y Pantallas”, a yearning, introspective plea to the night sky, before returning to the party with the bouncing, acid-fueled remix of “Ricotta” from Mexico City’s Soos.

Sendero is a snapshot of a scene in motion, a document of serendipity and collaboration, music made in the long tradition of enjoyment as a revolutionary act.

Two Piers proudly announces the upcoming release of Bridges Towards Open Spaces: Circadian Rhythms 1967–2025.

This new collection brings together a wide range of artists and styles, weaving immersive sonic landscapes that explore a connection between natural cycles and the rhythms within.

Featuring artists such as Brian Eno, Moebius, Roedelius, Meat Beat Manifesto, Fun Boy Three, Daniel Avery, and Spectrum, the compilation moves fluidly between shimmering ambient textures and raw, straight-ahead garage rock.

Bridges Towards Open Spaces: Circadian Rhythms 1967–2025 follows in the footsteps of Two Piers acclaimed previous releases, Night Train: Transcontinental Landscapes 1968–2019 and Music for the Stars: Celestial Music 1960–1979, continuing the label’s exploration of expansive, time-spanning musical journeys.

“I wanted once again to shape a compilation around a time period, this collection is a nod to my days behind the counter of a record shop, the people I met and the styles of music that was played and I was introduced to. Some are from that time, some are of the style/feeling, that I can associate & with the friends I met there; from the early shift to the late shifts as the tempo rose throughout the day and the neons of London started to buzz”

The album will be available on Limited Vinyl and CD in May, arriving just in time for the longer, warmer days and the shifting light of the Seasons Sun.

‘Sustained’ is the new album by Jungstötter, the solo project of Berlin-based songwriter and musician Fabian Altstötter. With sparse, poignant arrangements of piano, strings, electronics, and noise, Jungstötter composes a tender, raw, and poetic song cycle of exquisite romanticism, featuring a cast of close collaborators including the Berlin-based artist Ronja (Roomer). Evoking the fervent vocal versatility of ANOHNI and Scott Walker, Jungstötter adopts the human breath as a central metaphor in a miraculously moving opus of intimacy, vulnerability, and communion.

Across ten tracks of experimental pop songcraft, notes oscillate, soft strings linger, piano ambles, noise billows up and sears back into itself – and all of it is bound by a distinct voice that roams from a remote, warped undertone to an immediate melodic intensity.

Distorting the soft edges of vocal melody with rattling tactile noise, ‘Sustained’ is a mercurial portrait of layered lyric and contracting sound. The third album by Jungstötter, ‘Sustained’ bends away from the more dense, knotted sounds of his last two solo albums, ‘Love Is’ (2019) and ‘One Star’ (2023), toward a particular rawness that reestablishes the strength of poetics, of vocal sound, and the softness of song when reduced, restrained, redirected.

Regal delivers his first full EP on Backspin, marking a defining moment for the label he founded. More than just another release, the Forgotten Heroes EP captures the essence of Regal's vision: groovy, forward-moving techno that balances raw club energy with atmosphere, emotion and narrative.

The title track 'Forgotten Heroes' sets the EP in motion with a sense of controlled urgency. A rolling, slightly breaktinged groove pushes forward relentlessly, while an eerie, almost nostalgic synth melody hovers in the background, giving the track an emotional pull. 'Concentrate' shifts the focus inward_ bleeping motifs, tight claps and restless hihats circle around spoken fragments that feel like thoughts caught between the peak of the night and the quiet hours before sunrise.

On the B-side, 'Forte' accelerates into pure momentum: sharp, bleep-led sequences and forward pressure combine into a rush that feels like racing through the city at night. 'Soft Killer' deepens the mood with a darker, dominant edge, its stripped back power and razor-sharp sounds cutting clean through the mix. Closing track 'Wild Magic' offers a final release of tension, slowing the pace into a lighter, more house-leaning groove. Warm pads and a catchy, uplifting melody bring a sense of air and openness, letting the EP drift out on a hopeful, almost euphoric note.

Regal's comeback EP 'Forgotten Heroes' stands as a personal statement and a cornerstone release for Backspin. It's techno built on groove, contrast and character, made to leave a lasting impression on the dancefloor.

Suicide AFTR 7 moves deeper into the shadows on this release, stripping things back while letting the groove hit harder. Built on pumping 808s, restless synth lines, and a subtle acid pulse, the project blends electro, cold wave, and leftfield instincts into something leaner and more focused than earlier records. There’s a proto-80s spirit running through it: raw, tactile, and slightly unpolished, where tension lives in the negative space and repetition becomes hypnotic rather than obvious.

For the first time, real bass guitar and drums enter the picture, adding human weight beneath the electronics without diluting Suicide AFTR 7’s core identity. The result feels rawer, more intimate, and quietly confrontational. Music for late nights, dim rooms, and inward motion. Still unmistakably SA7, but closer to the bone.

Following the critical success of last year’s ‘Cold Feet’ LP, producer, DJ, and multi-instrumentalist Alek Lee returns to Isle of Jura with his most introspective work to date, the ‘Blue Bird’ album. Across eight tracks, the Athens-based artist explores what he describes as a "Peculiar state of minds & Dub Orientated Feelings," blending his signature guerrilla style production with deep, organic soul.

The album’s centerpiece and title track, ‘Blue Bird’ features the haunting vocals of singer-songwriter Keren Ilan. It is a raw, heartfelt exploration of the aftermath of a breakup. The lyrics speak of a "desert heart" and a "loss that grows tall and loud," eventually finding a path toward healing as the "blue bird sings the dawn." Musically, the track is anchored by hazy, sun drenched guitars, a central instrument that weaves a consistent Balearic thread throughout the LP.

The journey through ‘Blue Bird’ is one of shifting shadows and unexpected textures. ‘Treasures’ is a standout instrumental, leaning into a grit-flecked, bluesy "twang" reminiscent of Duane Eddy, while ‘The Beach Road’ sees long time collaborator and ‘Shame On Us’ bandmate, Yovav, lending his magical bass and guitar work to a track that feels like a slow drive toward the horizon.

Side B shifts the energy toward the dancefloor and the sophisticated leftfield pop of the 80s. ‘First Rain’ is a subtle house leaning gem underpinned by a kick drum and lush, synth heavy emotive chord progression. ‘Thanks to Sade’ is a seductive downtempo groove with epic guitar lines shifting through, while ‘Remember the Good’ brings a subtle reggae skank and a French-influenced organ sound into the mix. The LP comes full circle with a smoked out Dub version of the title track ‘Blue Bird’.

A 180 gram pressing in a 3mm spine full colour sleeve and sticker designed by Bradley Pinkerton.

Funkyjaws Music is back with more sounds to get those mouths and asses moving. It comes from Elado, originally from Poland, and an artist with a 30-year obsession with his craft. 'Love' is a big-hearted disco pumper with jangling riffs and bluesy vocals. 'Happy Days' has a similar vocal but more raw and guttural and offset by female harmonies. 'Benko' cuts back with a more supple, sun-kissed and Balearic sound with some nimble piano work bringing plenty of spice. 'Higher' is a smoochy 80s-influenced disco sound with vibes to spare.

Two original house cuts. One statement. Soulbound / Abracadabra lands as a double-header single as part of our new XPRESS Singles Series, bridging gritty South London soul with slick Franco-American house energy - a release designed for the salubrious moments on the dance floor.

“Soulbound” sees Bustin’ Loose deliver cutting-edge disco-soul infused house music straight from the concrete textures of South London. Sung and produced by Bustin’ Loose himself, the track rides a pumping, elastic bassline with warm strings and raw vocal emotion - modern house with classic soul DNA. Capturing the energy of London's expansive music culture, Soulbound is both uplifting, euphoric and street-wise. Inspired by the music of Fatboy Slim, rappers like JME and Ghetts and the club culture of London.

On the flip side, “Abracadabra” from Magnolia & Sam Karlson featuring LA wordsmith Relaye drips with French house sensibilities, blending glossy filters, catchy wah guitar and punchy grooves with razor-sharp rap vocals. Imagine Music Sounds Better With You colliding with the cool charisma of Q-Tip - hypnotic, stylish, and irresistibly repeatable.

The remix package pushes the release deeper into club territory:

• Dam Swindle transform Soulbound into a deep, bumping underground roller, rich in groove and late-night atmosphere.
• Phil Weeks delivers a signature Ghetto Mix of Abracadabra, crafted with his beloved MPC sampler - raw drums, stripped-back funk, and a pure nod to house music’s roots.
• La Felix closes the circle with a nostalgic, early-2010s-tinged deep remix of Abracadabra, balancing modern polish with timeless dance-floor warmth.

Emerging from the sun-drenched haze of their previous releases, the Belgo-Italian duo descend into the shadows with Trabajando El Flex, their third record to date. This is their gloomiest strike yet, a mutant wave manifesto built on a raw DIY ethos. Imagine pulsing basslines and ghostly vocals soundtracking your deepest, most illicit desires. Channeling the spirit of a major influence which is Coil, this album could have been called "Music to Play in the Dark(rooms)." It's a lethal fusion where New Beat, EBM, Dub, Italo, and New Wave lock into a singular, hypnotic atmosphere. Their world is a wild ride from Bear-Santa Claus Fantasms to Burning Churches and Amphetamine rooms, reflected in both their playful - not-to-be-taken-seriously - lyrics and a genre-shattering sound. Their debut was a a lost reel; their second, a dream, Trabajando El Flex is the raw, slow-burning, and beautifully unclean night that consumes both. It's a flawless fit for the after-hours ruin of the Pinkman universe.

Following the release of Blue Lava on Houseum Records, B From E returns with Apocalypsex, an EP that dives deeper into darker and more club-oriented territory. Released on Ellipse Records, the sub-label dedicated to rawer and more experimental expressions, this new chapter explores tension, hypnosis and late-night energy, while preserving the melodic sensibility that defines the Danish producer’s sound.

We begin with the A1 “X-perience”, a track firmly rooted in 90s trance aesthetics, blending acid lines, sharp trance-style synths and vocal elements into a direct, club-focused structure with a progressive, hypnotic drive.

The A2 “Dream Mania” shifts towards a more melodic and expansive direction. Less centered on pure club impact, it unfolds as a sun-soaked journey, led by evolving melodies and a smooth, flowing progression.

On the B-side, “Apocalypsex” dives into deeper territory. The title track builds a sustained state of trance through repetition and gradual tension, combining floating atmospheres with an intense, forward-moving groove.

The EP closes with “In Orbit”, a more break-driven and spacious piece where airy pads and open textures take the lead, offering a lighter, atmospheric conclusion.

Born Bad Records knew exactly what it was doing when it signed this Nantes-based trio, whose sharply defined sound and raw authenticity stand out. With Rage Blossom, Île de Garde unveils an EP charged with palpable tension, somewhere between dark pop and psycho-wave. A catalogue of modern misdeeds, a David Lynch-like backdrop where Sylvia Plath’s poetry might cross paths with the controlled excesses of Fever Ray.



The EP opens with “Fear The Sun,” its Mike Oldfield-esque soundscapes plunging us into an apocalyptic and unsettling world. “Homicide Volontaire” follows with meticulous narration, a technical exercise evoking the anger and defiant lucidity of a Virginie Despentes. The hallucinatory hit “To Death” snaps like an anthem to collective dancing in the face of the inevitable. Since we’re going to die, let’s dance! On the B-side, “Ageless Woman” weaves together a half-mythological, half-mysterious text, carried by haunting backing vocals. “Birthday Girl,” featuring Kuntessa, radiates an ironic and joyful riot-grrrl energy, an uninhibited celebration of women’s liberation. Finally, “Boy,” a small post-punk jewel, closes the EP with an ending as surprising as it is delicate.

The group’s genius also lies in the complementarity of its musicians. Morgane Poulain anchors the drums with a dynamic that is both subtle and narrative, airy yet jagged. Cécile Aurégan, the architect behind a multitude of synths, builds powerful sonic landscapes, layer upon layer. Klara Coudrais, the band’s poetic figurehead, elevates her texts with a rich and plural vocal palette, giving life to several characters who vibrate with intensity. The band’s writing, hovering between darkness and light, echoes a kind of visceral poetry, exploring the seasons of the soul with authenticity and force.



With this EP, Île de Garde establishes itself as a band to watch closely, capable of translating on stage both the raw energy and the fine craftsmanship that define their music. An immersive journey, full of tension, urgency, beauty, and electric flashes.



Île de Garde, a Nantes-based trio with sharply drawn sonic contours and raw authenticity, unleashes its full arsenal on Rage Blossom, an EP radiating palpable tension between dark pop and psycho-wave. A catalogue of modern misdeeds, a David Lynch-like setting where Sylvia Plath’s poetry would meet the controlled excesses of Fever Ray. An immersive journey of tension, urgency, beauty, and electric sparks.

Opening track “Fear The Sun” plunges us into an apocalyptic and unsettling landscape. “Homicide Volontaire” continues with meticulous storytelling, a crime vignette evoking anger and the fierce lucidity summoned by a situation with no way out. The hallucinatory trance of “To Death” snaps like an anthem to collective dance in the face of the inevitable. Since we are going to die, let’s dance! “Ageless Woman” blends a half-mythological, half-mysterious text, carried by hypnotic backing vocals. “Birthday Girl,” featuring Kuntessa, releases an ironic and joyful riot-grrrl spirit, an uninhibited celebration of feminine liberation. Finally, “Boy,” a small post-punk case study, closes the EP with a simple, sensitive truth.



The three musicians propel and relay one another in this breathless race. Morgane Poulain drives the drums with a dynamic that is both subtle and narrative, airy yet staccato. Cécile Aurégan, architect of multiple synths, builds powerful sonic landscapes, layer after layer. Klara Coudrais, the storyteller, elevates her texts with a rich and multifaceted vocal palette, giving life to all their characters, both mythical and ordinary. The band’s writing, between darkness and light, proclaims a visceral poetry, exploring the seasons of the soul with authenticity and strength.

STRIKER TRAXX proudly presents its very first release — STX101: BALLAN “Chantal Grooves EP”.
Born as the new sub-label of SUPREME STRIKER, itself a direct emanation of the Skylax Records universe, STRIKER TRAXX sets the tone for a new era: raw, uncompromising, and forward-thinking. As always, the visual identity is entrusted to the legendary H5’s exclusive artwork (Daft Punk, Air, Logorama), delivering a striking design that transforms each copy into a true collector’s object.

For this inaugural strike, we welcome Asaf Ballan, aka BALLAN, an artist emerging with force from the vibrant beatscape of contemporary electronic music. With Chantal Grooves EP, he delivers a 12-inch packed with five club-weapons that dive deep into the essence of house and tech house, reshaping them with his own relentless, pumpy twist.

The trip opens with “How Should I Start”, a perfect ignition, teasing anticipation while locking you instantly on the groove. “Goddamnit (Club Tool)” follows as a pure machine workout, echoing Kerri Chandler’s house foundations while pushing them into today’s territory. “Members Only Club” exudes exclusive sophistication, a secret-weapon built for late-night dancefloors. On the flip, “Keep the Frequency Clear” hypnotizes with razor-sharp frequencies, proof of BALLAN’s sonic craftsmanship, before “Futuro” launches us headfirst into tomorrow—where innovation collides with the Romanian sunrise aesthetic, infused with a heavier, raw energy.

Influenced by the minimal masters (Zip, Ricardo Villalobos, Raresh) yet unwilling to compromise on drive and power, BALLAN delivers here a record where every track stands as a killer. Chantal Grooves EP is both a homage to the roots of house and tech house, and a manifesto propelling the genre into its next evolution.

STRIKER TRAXX launches with a statement: this imprint is made for DJs and dancers who still believe in vinyl as a sacred object and in the dancefloor as a transformative space. With H5’s exclusive artwork (Daft Punk, Air, Logorama)and Skylax’s uncompromising vision, each release is conceived as a weapon for the underground, and a jewel for the true collectors.

Vinyl only. For devoted believers.

"At Your Pace" is the second full-length album from Berlin-based duo Modha - drummer/producer Dhanya Langer and multi-instrumentalist Max Scholl. Following their acclaimed 2023 debut "Through The Cycle", which tackled mental health and vulnerability through soulful, genre-blurring compositions, "At Your Pace" doubles down on their signature approach: raw textures, emotional honesty, and deep collaboration.

Analog house tracks and raw production styles come together on New Jersey's MANNY STEELO's 6 track debut. The newcomer is a bubbling entity of the underground and looks like a good fit for STAR CREATURE's GLOBAL CARRESS imprint with it's no frills, raw house tracks output thus far

Finally out is this eagerly-awaited release of SUNANDBASS Recordings, Hits Me In Waves EP by Mark System. Friends and close members of the SAB family know it's been brewing for the last decade, appearing in bits in aftermovies and we are beyond excited to now share it with the world.

'Hits Me In Waves' unveils three currents at once, the surging pull of inspiration, the sweep of new love, and the beautiful embrace of La Cinta's waters, all washing over in unison. Thus, each track of the EP explores a wide range of emotions and moods, expressed in multiple styles within drum & bass; the lead single 'On An Island', sets the tone with unmatched sound design, rich musical elements, and raw, uncompromising production. Next comes 'Point Of Reference', built for the dancefloor and eternally young in its refined appeal. 'Celebration' follows, a powerful track that ties the listening journey together, pairing heavy low-end weight with slick musicality to keep it both melodic and full of energy. 'Where's The Dog' stands out for its playability and tough bass synthesis, making it the hardest-hitting cut on the record. Closing the EP is the beautiful and introspective 'Started At The End', a deep dive into Mark's musical mind, offering a classic, emotive finale.

Hits Me In Waves is more than just a collection of tracks, it's a reflection of Mark's long-standing relationship with SUNANDBASS and our shared vision for music that speaks to the soul and stands the test of time. Spanning from Ibiza, this release embodies the SAB spirit: pushing the boundaries of drum & bass while fostering connection through rhythm, movement, and community.

El dúo NX1 colabora con Sunil Sharpe, Oxygeno, Rommek y Unhuman en cuatro tracks para la octava referencia de su propio sello.

Nexe Records marks its return by reconnecting with the core idea that first defined its identity — being a true nexus between artists, techno lovers, and the label’s vision. NX1 leads this new chapter with Core VA I, a project built around four collaborations with producers who share the same commitment to authenticity and forward motion in techno. This first volume sets the tone for what’s to come, creating a dialogue between distinct voices while preserving a unified aesthetic.

Opening the record, NX1 and Oxygeno pay tribute to loopy, hypnotic, and driving techno — groovy yet serious, perfectly crafted for deep and focused dance floors. Following up, the collaboration with Rommek delivers an intense, bleepy, and atmospheric track, infused with subtle sci-fi undertones and tension-filled layers that evolve naturally.

On the flip, NX1 and Unhuman explore a more classic but forward-looking take on techno. Clean percussion, dynamic progression, and precise energy shifts give the track a refined sense of movement, balancing power and clarity. Finally, Sunil Sharpe joins to close the release with a bold and energetic piece that captures the raw essence of the club — rhythmic, metallic, and charged with movement.

Overall, Core VA I stands as a statement of Nexe Records’ renewed identity: connecting artists through a shared vision of pure, functional, and evolving techno. Each collaboration offers a different voice, yet all converge in the same pulse that defines NX1’s sound and philosophy.

Astropolis Records, the label born from the legendary Brest festival, marks a decade of electronic passion with a sprawling, heartfelt anniversary compilation — slightly delayed, but still delivered with flair.
It comes in two EPs, spotlighting the many facets of the Astropolis universe: in-house artists, long-time festival collaborators, and rising stars from France’s ever-bubbling scene. Eighteen artists guide us through a sonic journey where rave heritage, electronic dreamscapes, and collective fervor converge — true to a festival whose DNA has never recognized borders.


The second EP dives into darker territories, spanning original electro, multifaceted techno, and sunlit vibes toward the close.
Astropolis has always thrived on happy collisions, and this EP is a perfect demonstration.


For synth lovers, Legowelt & Cuften revive the spirit of early electroclash on Liar, a carnal fusion of analog synths and DIY attitude.
Zaatar & Trunkline inject raw energy on Come Into The Light, a sweaty, visceral banger bridging techno, dark disco, and EBM.
French scene stalwarts Scan X & Electric Rescue deliver a masterclass in elegant techno on Lost In Time.


When Manu Le Malin meets Kmyle, the result is as sharp as it is cinematic: Little Big Man builds dramatic tension, balancing raw emotion with contained fury.


On a more contemplative note, we’re thrilled to unveil one of the first productions from our dear Célélé with Théo Muller: the subtle Drum and Drift, threaded with dubby vibrations and sun-drenched bursts.
This anniversary compilation reaffirms the label’s openness to new generations and recent sonic hybrids while honoring the techno scene that shaped its beginnings. Like the festival itself, it embodies the same sincerity and collective energy: a small manifesto connecting generations, aesthetics, and territories — celebrating roots without nostalgia, and the future without bending to trends.

Box Set: 2LP (sparkle) + 7" (transparent) + CD + Vinyl Slipmat + Booklet + 6 Coasters + Keychain + Stickers

Originally released in 2005, OK Cowboy, Vitalic’s first album, is celebrating its twentieth anniversary with a reissue in several formats (box set, double vinyl, CD, digital), enriched with rare tracks and previously unreleased versions.

OK Cowboy is a landmark album in electronic music, a pivotal record between eras.


It perfectly captures that period while also anticipating the raw, abrasive new sounds of French Touch 2.0 (the movement led by Justice and the artists of the Ed Banger label). Twenty years later, the impact and power of this major album still mark it as a defining release of the mid-2000s, retaining its full sonic relevance today.



Box set contents: double LP, 7-inch single, CD, vinyl slipmat, booklet, 6 coasters, keychain, sticker

Pager Records returns with catalog number sixteen, dropping another essential slab of wax: The Aquatic Genie — a 5-track journey that blends house, disco, funk and a wink of humor — this time from Aladdin, a French DJ and Producer based in Lyon, coming in HOT with his unique approach to house music, influenced by jazz, funk and reggae. Drawing from these influences his sound feels fresh yet rooted in the DNA of Pager’s signature aesthetic.

Intro (Flying Carpet Airlines) – hazy lift-off joint, saturated samples and dubbed-out FX pulling you into a low-slung groove. Cosmic Lounge Energy…

Forever – breaky house with elastic low-end and vocoder shimmer that sneaks into your head. Pure sunrise material…

You Smell Like Fish – house on a g-funk trip! Funk-driven bass, warm keys, and talkbox heat bringing a modern boogie twist — guaranteed eyebrow-raiser.

Doyoulike2dance – straight-up party trigger with a smile. Funk-loaded drums and a hook that says it all. Pure body music.

Rock The House – stripped-down, Detroit-tinged funk workout to shut it down raw and sexy…

Playful and funky — The Aquatic Genie keeps one foot in the house nation and taps the other into the disco world. Full of character, bounce, and club weight — another Sureshot from Pager for both DJs and Listeners <3

Limited Vinyl Pressing. Don’t sleep on it.

Swedish DJ, producer and songwriter Johan Blende debuts on Hell Yeah with a journey to the heart of a grown-up dancefloor in the Med.

Blende is a master of mixing up retro 70s and 80s sound into modern dancefloor delights. He's been doing it for two decades on a wide range of cultured labels from Studio Barnhus to Eskimo, always with a rare charm and leftfield perceptive. With this EP, he taps into the magic of hazy afternoons turning into euphoric evenings by the sea.

'Off To Mallorca' jangles with taught bass notes and sunburnt vocals. Distant synths glow, the jumbled percussion injects just the right dose of ass-wiggling funk and this playful yet sophisticated cut builds toward a blissful rapture. 'Television' ups the ante with prickly acid panning about the mix over sleazy, low-slung drums. Tension simmers as edgy synth motifs stalk the groove and anticipation builds before the whole thing explodes into a cosmic disco payoff. It's raw, unpredictable, and perfect for when things start to get a little weird.

'Como No Brasil' gazes skyward and basks in a wash of shimmering melodies and breezy, wordless vocals that drift like clouds over layered, sun-drenched rhythms. It’s a dreamy, tropical float until a surprise acid storm rolls in and moves things from tranquil paradise to dancefloor hypnosis. Finally, 'Carousel Bagatelle' is a layered, late-night trip that feels both playful and introspective. Hypnotic synths swirl around screwy acid lines and supple, dubbed-out house drums that spin you into a daze.

Blende’s debut on Hell Yeah lands like a postcard from a perfect party - sun-dazed, acid-kissed and endlessly replayable.

CLUB U NITE RECORDS PRESENTS: Furious Funk Essentials

Produced by Two 4 Phunk

Four cuts built for sweat-soaked floors and sunrise comedowns. Classic funky/soul DNA spliced with deep-house vibes, chunky beats and head-nodding grooves.

A1 — Bring 'Em Back
A stomper with a filthy-funky Rhodes loop, punchy, floor-kicking beat and hooky female vox chanting “bring ’em back.” Peak-time weapon, pure bounce.

A2 — Keep On Doin' It
Old-school heater. Funky chops and classic-soul snippets riding tough drums—loopy, raw and mixable. For the heads.

B1 — Ride In The Sky
Absolute deepness: a pumping kick, warm E-piano beds, a glowing Rhodes solo and soulful phrases drifting through the mix. Dancefloor and headphone gold.

B2 — I Need It
’90s-coded groove with slinky slap-bass, dope sax stabs and jazzy flair. Dusty, jackin’, irresistibly funky—proper closing cut.

Limited to 200 pieces. Each record comes on heavy 180g vinyl, handnumbered and with an exclusive art print inside. Launching both his debut record and the very first release on brand-new label Tennis Is Good, Justus Rokah kicks things off with the Disco Fizz EP.

The title track blends soul, funk and disco into a sparkling groove – a Motowninspired homage to Sektmate, evoking rooftop sunsets and live jam vibes straight out of the ’70s. Warm, musical, and made to get you vibing.

On the flip, Tennis Is Good (the duo of Justus Rokah & Flemming Bassedow) strip things down for the floor: a raw, driving house rework with pumping bassline, grinding kick and Detroit-tinged chords. Pure underground energy designed for peak-time moments. A strong first statement from Rokah – bridging soul, disco and house in his very own style.

Sonum presents Paradise City Breakers – Midsommar Energy

Sonum’s debut release lands with Midsommar Energy, a 4-track solo EP from the Italian Boyz, born in the Puglian sun. Setting the foundation for the label, the record flows through bass-heavy grooves, glowing synths, and moods that shift seamlessly from peak-time energy to morning light.

The title track sparks the night with boogie basslines and playful textures, while "Too Bad… Because He Believes in You" dives into raw electro spirit with vocoder twists and a tight groove.
On the flip, "Hypnotic Mango" carries the crowd into sunrise, lush and immersive, before "They Don’t Know" closes with 80s-inspired pads and pure dancefloor fire.

A strong first step for Sonum, Midsommar Energy embodies the label’s vision: sound as connection, freedom, and celebration.

Siggatunez makes his debut on Small Great Things with E-Motion EP — a heartfelt journey through deep, soulful house grooves and late-night dancefloor therapy.

This 4-track offering captures his signature blend of emotive textures, lush instrumentation, and raw rhythmic energy, cementing his place as a storyteller in sound. Whether it's the uplifting vibes of “U Give Me Hope,” the vocal warmth of “Keep On” and “Don’t Let Me Down,” or the introspective closer “You,” E-Motion EP moves with both heart and purpose.

From the uplifting opener “U Give Me Hope”, to the introspective warmth of “You”, each track pulses with intention. “Keep On” (featuring Pilar Jordan) inspires persistence and groove, while “Don’t Let Me Down” (with a soulful turn from Vany T Fair) delivers a rich, vocal-driven depth perfect for sunrise sets.

Both timeless and contemporary, E-Motion EP is a testament to Siggatunez’s ability to translate feeling into frequency. Pressed on wax and available digitally, it’s music to move bodies—and hearts.

Founded in early 1995, Grow! quickly established itself as a key player in the underground house music scene. The label was created by Christian Mahringer (aka Jeremiah) along with Michael Peter (Duke) and Martin Retschitzegger (Tin). Together, they released a steady stream of 12" records, often under various pseudonyms, focusing entirely on the music rather than individual profiles.

While Grow! remained their main creative outlet, the founders were also active beyond the label: Mahringer released music on Chez Damier’s Balance Alliance and the renowned Chicago label Guidance, while Peter and Retschitzegger collaborated on records for Daniel Bell’s 7th City and Robert Hood’s influential M-Plant label, and also launched their own imprint, Central.

This new compilation presents a first carefully curated selection of the most notable tracks from the label’s catalog, alongside previously unreleased versions. All tracks were edited and remastered from the original tape recordings. It offers a deep dive into the raw, analog-driven sound that defined Grow!’s identity.

With its consistent focus on quality, anonymity, and artistic integrity, Grow! Records has left a lasting impression far beyond Austria’s borders. This release is both a celebration and a rediscovery of one of the country’s most respected underground imprints.

Parallel Visions - PV002 | ORIGINS 01 Parallel Visions launches its new ORIGINS series with a heavy first instalment, showcasing a roster of rising and established talent pushing raw, driving techno.

PV002 brings together six powerful cuts from Lars Huismann, Frazi.er, LPV, Primal, Jehra, and marks the debut release of Liam Cappello. Expect pulsing grooves, stripped-back intensity, and nods to old-school techno roots, all designed for maximum impact on the floor. The ORIGINS series sets the tone for Parallel Visions: forward- thinking techno built with authenticity, energy, and an uncompromising underground edge.

After the cult favourite Apron Japan Vol.1 dropped in 2023, we’re back with the next wave!

We’ve expanded our reach beyond Japan — this time diving deeper into the sounds of the East. Featuring a diverse lineup of producers and artists across Asia and the surrounding regions, Apron East Vol.2 celebrates the rawness, late night riddims, and future classics.

FEATURING MUSIC BY:
Benedek, DJ Dreamboy, Hookuo, Isaac, DJ Jeyon, J M S KHOSAH, Kendall Timmons, KO SAITO, Jarren, Steven Julien, and Yuka Sunflora.