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While paying homage to the pioneers of the genre, this compilation pushes the boundaries of nostalgic soundscapes with fresh, original creations. Evoking a sense of familiarity and warmth, the release beautifully captures a feeling of wonder and introspection. Let these timeless rhythms set the mood for your most peaceful moments.



















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Following their now cult debut EP, ‘Scream In The City’ and a host of European shows, retro synth provocateurs Sex Kino are back with their latest offering, DEFCON ONE on the highly vaunted Spanish underground label, SOIL Records.

From the explosive electronic disco sounds of such tracks as ‘Space is the Place’ & ‘U-Bahn, to the soaring synths of the formidable ‘East Meets West’, Sex Kino whacks the judges gavel calling to order 50 years of dance music and offers 4 fully realised tracks of poptastic synth wizardry on limited edition vinyl.

Die Ära der Mix-CDs mag schon lange vorbei sein, doch wenn man sich 'Midnight Ragas' anhört, das neue Album des legendären Downtempo-Produzenten und Thievery Corporation Mitbegründers Eric Hilton, könnte man der Meinung sein, sie wäre nie weg gewesen. Man stelle sich Khruangbin vor in noch entspannter, wie sie einen alten Billy Dee Williams-Werbespot für Malt Liquor vertonen, neu abgemischt von Zero 7, und man kommt der Sache schon sehr nahe. 'Midnight Ragas' - ein süchtig machendes Hörerlebnis.Auf dem Album sind auch die Thievery Corporation-Mitglieder Natalia Clavier und Puma Ptah zu hören.'Midnight Ragas' ist Erics 8. Solo-Studioalbum und der Nachfolger von Sound Vagabond und seinem Ambient-Album Out of the Blur.- Ltd. Col. LP: (Bone Color Vinyl)Tracklist LP:A-SeiteA1. Life (In The Deep End)A2. Leave It All (feat. Puma Ptah)A3. Je ne t’aime plus (feat. Natalia Clavier) videoA4. Behind My Eyes (feat. The Infinite Daisy Chains)A5. All I Want (feat. Puma Ptah)A6. Burkina FasoB-SeiteB1. Midnight RagaB2. Sol Interior (feat. Natalia Clavier)B3. Galactic ShineB4. Madame AshaB5. L’Ocean (feat. Natalia Clavier)B6. Beautiful Moment (feat. The Infinite Daisy Chains)

'Black Samson, The Bastard Swordsman' ist das erste Wu-Tang-Album seit 11 Jahren, auf dem alle 9 lebenden Mitglieder vertreten sind: Method Man, Raekwon, Ghostface Killah, Cappadonna, U-God, Masta Killa, Inspectah Deck, GZA und RZA.

Produziert von Mathematics.

Ursprünglich in limitierter Auflage zum Record Store Day 2025 erschienen, ist die Platte nun erstmals überall im Handel erhältlich.

Wu-Tang ist die wohl ikonischste Hip-Hop-Gruppe der Welt. Das Wu-Tang-Logo ist nicht nur das bekannteste Logo in der generationenübergreifenden Hip-Hop-Welt, sondern die große Zahl ihrer eingefleischten Fans, die aktiv Tickets, Platten und Merchandise kaufen, macht das Logo in Bezug auf die Markenbekanntheit zu einer Marke auf Augenhöhe mit den Rolling Stones.

- LP: (Schwarzes 180g Vinyl, Single Pocket Gatefold mit bedruckten Innenhüllen)

Dream Flight Records is back for another take off and journey into deep and tech minimal. Both of these sounds are late-night live jams recorded at Crystal Palace Studios, formerly home to Palace Vinyl, now a welcome part of the Brixton landscape and the evidenly aptly named 4:32AM have previously recorded on their label (Palace Trax) as well as the OOZ label. The A-side, 'Italia,' is a tight, bouncy tribute to classic Italo house brimming with energy and emotional warmth and on the flip is a deeper, more hypnotic groove elevated by a spontaneous vocal performance from rising star Lee Banton. 'Speaking In Silence' is subtle, smeared with synth colour and slow burning, an after-party classic in the making.

Metal Hall of Fame inductee, Blaze Bayley, releases a brand new studio album Entitled `Circle of Stone'. The album features guest vocalist Niklas Stalvind of Swedish metalheads Wolf, alongside a variety of additional vocal & instrumental contributors. Having started his career as a professional singer with Wolfsbane in 1984, Blaze went on to front Iron Maiden, touring worldwide and releasing two studio albums - `The X Factor' and `Virtual XI', both of which achieved top twenty status in many countries. During his time with Iron Maiden, Blaze co-wrote the single `Man on the Edge' (from `The X Factor' album), a top ten hit in the UK, as well as charting successfully across Europe. Following his exit from Iron Maiden he has pursued a solo career, beginning with his now legendary solo debut album `Silicon Messiah' in 2000, followed by a further eleven studio albums, including especially his sci-fi based `Infinite Entanglement' trilogy (released in consecutive years 2016-2018) and the critically-acclaimed `War Within Me' released in 2021. Starting in 2013 and exclusively since 2016, Blaze records and plays live with Manchester (UK) melodic metal band Absolva, featuring lead guitarist Christopher Appleton and his brother LukeAppleton who is formerly of American metalheads Iced Earth. This consistent line-up is completed by drummer Martin Mcnee and bassist Karl Schramm.

The legendary Beatnuts bring the sound of the 90‘s back to the streets -“Street Level”, the iconic debut album, is being reissued and is available in various exclusive formats: a Standard CD, Music Cassette, Black Double Vinyl and a Limited Splatter Double Vinyl.

TWO BONUS TRACKS:
“HELLRAISER“(ORIGINAL VERSION) AND TWO AND “DAWN OF THE DEAD“
Old school flavor, Latin vibes & sample magic - that‘s the unmistakable Beatnuts sound.
With classics such as “Props Over Here”, and With and “Hit Me with That” the Queens duo made hip-hop history.

The legendary Beatnuts bring the sound of the 90‘s back to the streets -“Street Level”, the iconic debut album, is being reissued and is available in various exclusive formats: a Standard CD, Music Cassette, Black Double Vinyl and a Limited Splatter Double Vinyl.

TWO BONUS TRACKS:
“HELLRAISER“(ORIGINAL VERSION) AND TWO AND “DAWN OF THE DEAD“
Old school flavor, Latin vibes & sample magic - that‘s the unmistakable Beatnuts sound.
With classics such as “Props Over Here”, and With and “Hit Me with That” the Queens duo made hip-hop history.

Launched in London in December 1976, punk stalwarts 999 are one of the most successful and long-lasting acts of the upstart movement. Third studio album The Biggest Prize In Sport was their first for Polydor, the band's competency at a peak, despite the temporary appearance of fanboy drummer Ed Case, drafted in from the Southall Crew supporters when Pablo LaBrittain broke his arm. Often ranked as the greatest album of their entire career, The Biggest Prize In Sport had noticeably smoother edges than their earlier work, yet still holding plenty of bite, the combination pushing it into the Billboard top 200 in the USA. Unmissable!

Formed in the town of New Mills, Derbyshire in 1980, Oi legends Blitz revitalised the UK punk scene of the era, their incendiary debut Voice Of A Generation a massive commercial success, but the 1983 follow-up Time Empire Justice had a different line-up and new wave orientation, pointing to fissures in the group; then, in 1990, guitarist/multi-instrumentalist Nidge Miller teamed up with former Attack frontman Gary Basnett for The Killing Dream, a studio swansong that revived the name with Nidge fully in control. Devotees will love the sterling guitar work on this final piece of the Blitz jigsaw.

Following on from last year's acclaimed ‘R.O.I.’ album, Manchester’s favourite sons Aerial Salad are set to return to the fray with a brand new 5-track EP titled ‘Roi de l’herb’ to be released June 27th via Venn Records.
Having released their ‘Dirt Mall’ album during lockdown, which was a pretty grim time to put an album out, the release still eventually opened up some exciting doors for the band and captured Aerial Salad at their most Aerial Salad; loud, brash, silly and emotive.
This led swiftly to 2024’s ‘R.O.I.’ album that marked a real evolution in the band’s sound and songwriting.

“R.O.I. is a concept album but rather than being about a band, it’s from the perspective of an individual pushed to the brink of insanity by the ever-present quest from commercial success,” explains singer and guitarist Jamie Munro. “The idea came from my job; I’ve been working in the tech industry in ‘sales’. ‘Return on investment’ was probably my most uttered phrase for a few years, I was sick of it, sick of having no positive impact on the world and sick of the tech bro, double espresso, thirsty thursdays, work hard - play hard bollocks culture that comes with it. ‘R.O.I.’ is me saying ‘know what, you can actually earn a lot of money in life, even without the fallacy of educational infrastructure and financial privilege, however, it comes at the cost of your soul, time and energy. ‘R.O.I.’ is called such because it’s in the opposite pursuit, it’s not about a return on a financial investment, it’s about doing something with your life that’s enjoyable.”
This brings us crashing into 2025, no longer in the same line of spirit destroying work, with some seriously exciting gigs on the horizon, Aerial Salad wanted to kick off the next era of the band with a short, fast and hard EP and have served up 5 absolute bangers that sit somewhere between ‘Dirt Mall’ and ‘R.O.I.’ The EP is called ‘Roi de l’herb’ because of the track ‘King Of The Grass’: “We tour and play a lot in France, we’ve played most of our “best” gigs in France, so out of curiosity I wanted to see if the title would translate well, naturally, when the translation contained both “ROI” and l’herbe” - I though, fuck it, that’s about as spot on a title for this EP as we can possibly muster.”
‘King of The Grass’ is about the band’s bassist Mike Wimbo who works for Rochdale council on the greens team, which means he spends his life in the pouring rain chopping down overgrown hedges and mowing lawns. Elsewhere on the EP, ‘Inject Your Blood’ is another romantic love song inspired by the TV series ‘True Blood’ (“I’d inject your blood, into mine just to feel you close”), ‘Wires’ rages against the world of AI and GPT, whilst the EP’s opening track ‘My Girl’ is a chaotic, high energy catchy punk song, nothing profound, nothing complicated. It’s a punk song as god intended, a few chords and a load of shouting.
“The EP is like the teaser for what’s next,” summarises Jamie. “The overall hook for this EP is one of hope, that by sticking to what you believe in you can do anything.”

At last, React — the Erick Sermon classic — lands on 7”! A dancefloor killer from the early 2000s, this track had clubs bumping with its raw energy. On the flip, I'm Good brings that crazy groove, a beat flipped and favored at countless b-boy battles. Both cuts feature subtle DNA re-edits — just extended intros and outros for smoother mixing. Out now on Spain’s Hace Calor label.

‘Time Flies… 1994 – 2009’ is Oasis’ complete singles collection.

Now available with remastered audio, this quadruple vinyl deluxe box set is released to celebrate its 15th anniversary and ahead of the band’s eagerly anticipated Oasis Live ’25 tour, and includes a limited edition print. Released on Big Brother Recordings, the tracklisting spans fifteen years across Oasis’ staggering seven consecutive number one albums. 1994’s ‘Definitely Maybe’, 1995’s ‘(What’s The Story) Morning Glory?’, 1997’s ‘Be Here Now’, 2000’s ‘Standing On The Shoulder Of Giants’, 2002’s ‘Heathen Chemistry’, 2005’s ‘Don’t Believe The Truth’ and ‘Dig Out Your Soul’ from 2008. Starting with their irresistible debut, ‘Supersonic’ and finishing with their last release ‘Falling Down’, this compilation features all 26 singles - including ‘Whatever’ and ‘Lord Don't Slow Me Down’, which have previously never appeared on an Oasis studio album.

Originally released in November 1970 by Epic Records, this is a 12 song hits collection from US funk/soul legends. Standard black vinyl with download code insert. Marketing

Repress!

In the mid-1970s, a force of nature swept across the continental United States, cutting across all strata of race and class, rooting in our minds, our homes, our culture. It wasn’t The Exorcist, Goodbye Yellow Brick Road, or even bell-bottoms, but instead a book called The Secret Life of Plants. The work of occultist/former OSS agent Peter Tompkins and former CIA agent/dowsing enthusiast Christopher Bird, the books shot up the bestseller charts and spread like kudzu across the landscape, becoming a phenomenon. Seemingly overnight, the indoor plant business was in full bloom and photosynthetic eukaryotes of every genus were hanging off walls, lording over bookshelves, and basking on sunny window ledges. The science behind Secret Life was specious: plants can hear our prayers, they’re lie detectors, they’re telepathic, able to predict natural disasters and receive signals from distant galaxies. But that didn’t stop millions from buying and nurturing their new plants.



Perhaps the craziest claim of the book was that plants also dug music. And whether you purchased a snake plant, asparagus fern, peace lily, or what have you from Mother Earth on Melrose Avenue in Los Angeles (or bought a Simmons mattress from Sears), you also took home Plantasia, an album recorded especially for them. Subtitled “warm earth music for plants…and the people that love them,” it was full of bucolic, charming, stoner-friendly, decidedly unscientific tunes enacted on the new-fangled device called the Moog. Plants date back from the dawn of time, but apparently they loved the Moog, never mind that the synthesizer had been on the market for just a few years. Most of all, the plants loved the ditties made by composer Mort Garson.



Few characters in early electronic music can be both fearless pioneers and cheesy trend-chasers, but Garson embraced both extremes, and has been unheralded as a result. When one writer rhetorically asked: “How was Garson’s music so ubiquitous while the man remained so under the radar?” the answer was simple. Well before Brian Eno did it, Garson was making discreet music, both the man and his music as inconspicuous as a Chlorophytumcomosum. Julliard-educated and active as a session player in the post-war era, Garson wrote lounge hits, scored plush arrangements for Doris Day, and garlanded weeping countrypolitan strings around Glen Campbell’s “By the Time I Get to Phoenix.” He could render the Beatles and Simon & Garfunkel alike into easy listening and also dreamed up his own ditties. “An idear” as Garson himself would drawl it out. “I live with it, I walk it, I sing it.”



But as his daughter Day Darmet recalls: “When my dad found the synthesizer, he realized he didn’t want to do pop music anymore.” Garson encountered Robert Moog and his new device at the Audio Engineering Society’s West Coast convention in 1967 and immediately began tinkering with the device. With the Moog, those idears could be transformed. “He constantly had a song he was humming,” Darmet says. “At the table he was constantly tapping.” Which is to say that Mort pulled his melodies out of thin air, just like any household plant would.



The Plantae kingdom grew to its height by 1976, from DC Comics’ mossy superhero Swamp Thing to Stevie Wonder’s own herbal meditation, Journey Through the Secret Life of Plants. Nefarious manifestations of human-plant interaction also abounded, be it the grotesque pods in Invasion of the Body Snatchers or the pothead paranoia of the US Government spraying Mexican marijuana fields with the herbicide paraquat (which led to the rise in homegrown pot by the 1980s). And then there’s the warm, leafy embrace of Plantasia itself.



“My mom had a lot of plants,” Darmet says. “She didn’t believe in organized religion, she believed the earth was the best thing in the whole world. Whatever created us was incredible.” And she also knew when her husband had a good song, shouting from another room when she heard him humming a good idear. Novel as it might seem, Plantasia is simply full of good tunes.



Garson may have given the album away to new plant and bed owners, but a decade later a new generation could hear his music in another surreptitious way. Millions of kids bought The Legend of Zelda for their Nintendo Entertainment System back in 1986 and one distinct 8-bit tune bears more than a passing resemblance to album highlight “Concerto for Philodendron and Pothos.” Garson was never properly credited for it, but he nevertheless subliminally slipped into a new generations’ head, helping kids and plants alike grow.



Hearing Plantasia in the 21st century, it seems less an ode to our photosynthesizing friends by Garson and more an homage to his wife, the one with the green thumb that made everything flower around him. “My dad would be totally pleased to know that people are really interested in this music that had no popularity at the time,” Darmet says of Plantasia’snew renaissance. “He would be fascinated by the fact that people are finally understanding and appreciating this part of his musical career that he got no admiration for back then.” Garson seems to be everywhere again, even if he’s not really noticed, just like a houseplant.

JS Zeiter, Merv., Federsen, Gradient, Submoon, Ohm & El Choop, Tm Shuffle, Ixm! MASTERPIECE! 10 Years of Ranges Compilation. Dub Techno and Dub House as its best. Ranges celebrates its 10th anniversary! 8 diverse and evocative contributions from signature artists on the label: JS Zeiter, Ixm, Merv, Federsen, Submoon, Gradient, Ohm & El Choop, and Tm Shuffle. The tracklist offers a wide sound palette spanning from contemplative to energetic vibes.

Originally released on Shoebox in 1993, this wonderfully pink piece of vibrant vinyl comes with two hardcore/proto-jungle bangers made by SDR & Subsonic who also own Shoebox. They are also the artists behind the Digital Pressure release on A Guy Called Gerald’s label Juicebox (keep it locked to Vinyl Fanatiks in 2024 for this one).

This release has been sought after for a good number of years with the usual high-ticket price on Discogs. But now the opportunity is here to grab a copy at a fraction of the price with some saying it is also a better sounding release compared to the original pressing.

The fourth and final bubblegum pink vinyl release. Grab yours before they sell out.
Lock N Loaded…

2025 Repress

Cirkle returns to Sublunar, Sciahri's label, following the success of Sonic Surge, with a new EP that showcases both refinement and immense talent. This release encapsulates Cirkles distinct sound and artistic evolution, offering a rich and immersive sonic journey.

The EP opens with Shadows of the Past, a track driven by a pulsating, groovy synth line and dynamic drum patterns that propel the rhythm forward. It seamlessly transitions into Beaten, a dark, hypnotic piece that envelops the listener in a shadowy atmosphere.
The B-side begins with Shamanic, a track that pays homage to a more classic techno sound while maintaining an irresistible, steady groove. Following this, The Wall That We Build offers a more delicate and minimalistic approach, balancing precision and subtlety. The journey concludes with Tears of Light, an epic and transcendental piece that takes the listener to another dimension.

Lionheart is the sixteenth studio album by English heavy metal band Saxon, released in 2004. The title is inspired from Richard the Lionheart, a 12th-century King of England. ""Beyond the Grave"" was released as a single with complementary video. Lionheart is a pure heavy metal album -- the Saxon that old-timers know and love. Such standouts as the album-opening ""Witchfinder General"" and ""Man and Machine"" would not sound out of place on such earlier classics as Denim & Leather and Power & the Glory. Lionheart is available as a limited edition of 1000 individually numbered copies on gold colored vinyl and includes an insert. This special edition contains an additional and exclusive cover print.

For 15 years, female-fronted quintet LEONOV have been honing their captivating brand of celestial doom metal. Named after Aleksej Leonov, the first human to take a walk in space, the Norwegians combine the melancholic slow burn of King Woman with the ethereal heaviness of Subrosa and an incredible voice that undeniably reminds of Julie Christmas. Shape of Ash showcases the refined sound of a band that has been around for quite a while_ a band whose career has been a similar slow burn as their music, yet a band that has managed to stay together and create music throughout all these years, despite the odds of families and the real world. Like staring into a purgatory bonfire, listening to `Shape of Ash' is a powerfully entrancing experience. Dealing with themes of helplessness, uncertainty, conflict and resolution, these four songs touch upon the many adversities of life. On Shape of Ash, LEONOV create moments of primordial heaviness on which Tåran's unique voice floats atop, blends in effortlessly in some moments and takes reserved distance in others. With the 4 songs that make up this stunning EP, the band sets the bar incredibly high for their upcoming full length album. We can't wait for it! FOR FANS OF GGGOLDDD, King Woman, Marriages, Subrosa, Cult of Luna, Julie Christmas, Chelsea Wolfe, True Widow, Spurv

Devendra Banhart's 3rd and 4th albums, originally released yb Young God, together as a 2xLP

Jukebox Disco Divas makes a fine entry into the world of wax with this first too-classic-to-fail edit offering. First up is an instrumental rework of a well-known and strident disco delight from the golden 70s era. It's sympathetically done with big drums, hooky trumpets and enough original vocals from the Moroder-style gem to make sure the floor catches fire. On the flip, an equally delicious tweak of an equally great original. This first 7" sets a fine standard for what is sure to be a very useful new label for lovers of old and new disco and plenty of sounds in between.

US veteran JT Donaldson makes the sort of killer tech house that immediately makes you want to move. This time out the Dallas, Texas resident lands on Dolfin Records with a deeper sound that is raw and heavy. 'Choose' rides on knackered-sounding kick with just deft synth smears for company. 'Don't Sweat' has a double-time rhythm with sombre chords adding the soul and 'Want Her Around' gets the hips swinging with its lovely claps, muted, softly glowing sustained synths and lumpy deep house drums. Flipping the script yet again. 'Sunday Drive' is a more nimble and jazzy dancer and 'Take 2' is a sunny house sound with hints of Metro Area nu-disco synth magic and a big fat bassline.

2023 Repress

For the first time after its original release in 2007, MEDi003 is back in stock!

"I was kinda not into the tune, but Mala was like 'nah - I love it' and he pushed for it and, yeah, ultimately got it on DEEP MEDi. And if he hadn't done that I probably wouldn't brought it out, it probaly would've just ended up on a hard drive somewhere, not doing a thing."

This is the second release that DJ Diplomat made all the way back in the early 90’s. His first release was repressed by Vinyl Fanatiks in 2019. This second repress we are doing for him was originally recorded in 1993 and engineered by Secret Squirrel AKA Hellfish who went on to create the Deathchant label in 1997, a label which Diplomat also recorded for. He was also responsible for the mega mixes on the Street Sounds electro series when it was relaunched in the noughties.

Enthused by the support his first repress received Will Diplomat decided to get back into the studio and start making fresh hardcore that sounded like it was made back in the day for the Vinyl Fanatiks sister label Amen Brother. His first release sold out many moons ago but his collab with former partner in the old 1993 hardcore group NARC (DJ Beagle) under the name Diplomat & Beagle is still in stock via Sequence.

Now check his examples of many samples!

2025 Repress
Growing up on the north Atlantic island of Iceland bestows one with an unusual and often intense relationship with light and colour: Summers come with endless days, Winters with scant sunlight yet increased sightings of the Aurora Borealis; the mysterious and awe-inspiring glow across the sky. Channelling these energies, Exos
comes to Tresor with his Green Light EP, a five-track collection of the sort of spectrally rich techno synonymous with the Northman’s 27-year career.
Across the EP, the five tracks fizz and pulsate driving ever forward, making the release’s title a three-way play on words referencing the continuous travelling of photons, the verdant warping of the Northern Lights, and the universal colour for Go, for forward propulsion. Smart wordplay can also be found in titles like Grátt Silfur, a term in Íslenska (literally “grey sliver”) which signifies a tension between two parties, further extending the colour metaphor and dark/light dichotomy found elsewhere.
The digital release comes with three extra tracks that continue the dynamic energy, pushed along by the same shifting, mutating force where the music often feels like voices calling out from the darkness or the shimmer of light as the sun rises across the horizon.
Green Light EP continues this year’s blazing return from an artist who, similar to his output, is never stagnant: ever changing form yet ever moving forward.

Am 4. Juli 2025 erscheint das mit Spannung erwartete neue Album von VINTER, das Fans und Kritiker gleichermaßen in ihren Bann ziehen wird. Nach ihrem erfolgreichen Debütalbum "Seasons" entfaltet sich nun auf diesem Werk ein vielschichtiger, emotionaler Klangkosmos, der die faszinierende Entwicklung der Künstlerin dokumentiert. Produziert von Joshua Lange und co-produziert von VINTER selbst, verbindet das Album tiefgründige Texte mit einem abwechslungsreichen Sound, der von Alt Pop über Indie Folk bis hin zu eleganten Singer/Songwriter-Klängen reicht.

Mit ihrem markanten Signaturesound - einer Mischung aus organischen Instrumenten, modernen Beats und atmosphärischen Vintage-Vibes - gelingt es VINTER, in jeder Note Geschichten zu erzählen, die die Zuhörer:innen direkt ins Herz treffen. Ihre Texte, die mal melancholisch, mal unbeschwert leicht sind, spiegeln die Widersprüche und Kontraste wider, die VINTER so gekonnt in ihre Musik einfließen lässt. Ihre Stimme, die sowohl zart und verletzlich als auch kraftvoll sein kann, verstärkt die emotionale Tiefe ihrer Songs und macht jedes Stück zu einem einzigartigen Hörerlebnis. Jedes Lied auf diesem Album ist wie ein eigenständiges Kapitel aus einem unvollendeten Buch, das von zwischenmenschlichen Erfahrungen, introspektiven Momenten und poetischen Bildern handelt.

Zur Veröffentlichung des Albums wird VINTER mit einem exklusiven Record-Release-Konzert im Meistersaal der legendären Hansa Studios in Berlin die Bühne betreten - und das mit voller Band sowie einer beeindruckenden Streicherbegleitung. Ein unvergesslicher Abend für alle Musikfans. Tickets sind bald erhältlich.

EGO IN MIAMI 2025 comes to life by showcasing current music trends through the most hyped EGO
tracks of the moment. Not only: it represents the beginning of the annual series of compilations signed
EGO, as a tradition for ten years. Again this year, at the Miami Winter Music Conference, we have
selected several tracks that will count down with you, accompanying you to the start of one of the most
anticipated EDM events of the year. The MMW brings together thousands of professionals and
enthusiasts who will participate in a series of events in Miami, concluding with the iconic “Ultra Music
Festival”.

The selection presented this year reflects current musical trends. Established names like TR3NACRIA,
Cecilia Krull and Tommy Vee with the talented emerging Defreeze, Bohemoon and just a boy, the great
returns of Sapienza, Solarys and Bacon Popper. The energy of Berin, the good vibes of Roberto Tropea
and the euphoric productions of Ema Feud and B-Rain. The ensemble takes place through the extended
version braid that creates a collection usable by both EDM fans and professionals: DJs and producers.

Amanda entführen auf ihrem neuen Album Perpetuum einmal mehr in ihren eigenen klanglichen Kosmos!
Ausufernder Psychedelic Rock der 70er Jahre, feingliedrig verwoben mit verschiedenen Facetten österreichischer Musiktradition. Was sich zunächst wie ein stilpluralistisches Potpourri liest, formt die Band Amanda zu einer harmonischen Einheit und malt mit Klängen vielgestaltige Bilder.
Vermeintliche Gegensätze wie weitläufig-atmosphärische Klangwelten, vom Drive getriebener Rock und fragile Melancholie verschmelzen zu einem in sich geschlossenen Ganzen.

Kesha’s sixth studio album, . (PERIOD) – yes, it's just a period. – is an unapologetic, unfiltered declaration of artistic freedom and fearless authenticity from the 2x GRAMMY® Award-nominated pop icon. Conceived, co-produced and co-written by Kesha, the 11-song collection transcends pop norms to create a raw, daring, and intensely personal sonic journey, a defiant act of self-expression that refuses to adhere to expectations or play it safe.
More than just a new album, . (PERIOD) is Kesha at her most powerful best, turning her experiences into vibrant, audacious art with a spiked heel at the neck of pop culture.
Among its many exhilarating highlights, . (PERIOD) includes 2024’s blockbuster hits “JOYRIDE” and “DELUSIONAL,” both available everywhere now. Currently boasting over 103M streams at Spotify alone, “JOYRIDE” proved a true sensation since its Independence Day release, reaching #6 on Billboard’s “Bubbling Under Hot 100 Singles” and “Hot Dance/Electronic Songs” along with the top 30 on “Pop Airplay” and chart success around the world from the UK to New Zealand. Produced by Zhone and co-written by Kesha, Zhone, and Madison Love, the track marked the triumphant first chapter of a milestone new era for Kesha, celebrating both her long overdue empowerment as an independent artist as well as a powerful sonic evolution following 2023’s critically acclaimed fifth studio album, Gag Order. Along with its popular achievement, “JOYRIDE” has been met by high-profile critical applause from the likes of Rolling Stone, Variety, and Vulture, to name only a few. Perhaps NYLON said it best: “Everything about ‘JOYRIDE’ is a trip…The original glitter-faced party animal of the 2010s is back with a fiery vengeance.”
“JOYRIDE” joined by an equally acclaimed official music video streaming now on YouTube.
Directed by Dimitri Basil (Kylie Minogue, Vance Joy), Cooper Roussel (Unknown Mortal Orchestra, Miami Horror), and Laura Gorun (Joywave, Kings of Leon), the high-octane visual received wide-ranging attention from major publications and top online outlets around the globe, including Billboard, Vulture, and Rolling Stone, the latter of which raved, ““Kesha is taking her foot off the brakes and going full-speed ahead on her new video for ‘JOYRIDE.’ The video sees Kesha racing through the desert in a hot red convertible while being chased by a helicopter, gun-toting assassins, and a shirtless dude hell-bent on catching up to the pop diva.”

Kesha’s sixth studio album, . (PERIOD) – yes, it's just a period. – is an unapologetic, unfiltered declaration of artistic freedom and fearless authenticity from the 2x GRAMMY® Award-nominated pop icon. Conceived, co-produced and co-written by Kesha, the 11-song collection transcends pop norms to create a raw, daring, and intensely personal sonic journey, a defiant act of self-expression that refuses to adhere to expectations or play it safe.
More than just a new album, . (PERIOD) is Kesha at her most powerful best, turning her experiences into vibrant, audacious art with a spiked heel at the neck of pop culture.
Among its many exhilarating highlights, . (PERIOD) includes 2024’s blockbuster hits “JOYRIDE” and “DELUSIONAL,” both available everywhere now. Currently boasting over 103M streams at Spotify alone, “JOYRIDE” proved a true sensation since its Independence Day release, reaching #6 on Billboard’s “Bubbling Under Hot 100 Singles” and “Hot Dance/Electronic Songs” along with the top 30 on “Pop Airplay” and chart success around the world from the UK to New Zealand. Produced by Zhone and co-written by Kesha, Zhone, and Madison Love, the track marked the triumphant first chapter of a milestone new era for Kesha, celebrating both her long overdue empowerment as an independent artist as well as a powerful sonic evolution following 2023’s critically acclaimed fifth studio album, Gag Order. Along with its popular achievement, “JOYRIDE” has been met by high-profile critical applause from the likes of Rolling Stone, Variety, and Vulture, to name only a few. Perhaps NYLON said it best: “Everything about ‘JOYRIDE’ is a trip…The original glitter-faced party animal of the 2010s is back with a fiery vengeance.”
“JOYRIDE” joined by an equally acclaimed official music video streaming now on YouTube.
Directed by Dimitri Basil (Kylie Minogue, Vance Joy), Cooper Roussel (Unknown Mortal Orchestra, Miami Horror), and Laura Gorun (Joywave, Kings of Leon), the high-octane visual received wide-ranging attention from major publications and top online outlets around the globe, including Billboard, Vulture, and Rolling Stone, the latter of which raved, ““Kesha is taking her foot off the brakes and going full-speed ahead on her new video for ‘JOYRIDE.’ The video sees Kesha racing through the desert in a hot red convertible while being chased by a helicopter, gun-toting assassins, and a shirtless dude hell-bent on catching up to the pop diva.”

Ma Ze Music welcomes back the quality pairing of UV & Nenor for a new selection of original cuts that were recorded between the Middle East and Scandinavia. Between them they have plenty of styles in their arsenal and here combine them with bold analogue synths, percussion with a tribal twist and some special guest collaborations. 'Arayot' is a real bass odyssey with spaced-out melodies and marimbas alongside Ophir "Kutiman" Kutiel's drums. 'Tanim' brings some moody and psychedelic voodoo funk with hard-hitting drums, edgy clavinets and a magnificent synth lead by Romano, while the icing on the cake is a superb flute solo by Shlomi Alon. Emotional tension and groove come together perfectly here on what might be UV & Nenor's best yet.

Originally released in 2012, this is one of the most influential house records to come out from Detroit and one that's become associated with Sushitech's deep, driving and dub-infused aesthetic is getting repress on a special gold vinyl, repressed as part of the label's 20th anniversary releases.

A must have collector's item from a true master of the craft, Delano Smith.