Suche:su

The 1st 12" from Chicago DJ/Producer JAYCEEINDAMIX'S label, GINZU EDITS. Side A features a sizzlin disco re-edit of "SWEET SUMMERTIME LIVIN" alongside a grimy edit of JANELLE MONAE's "PHENOMENAL." On the flip side are two lush and soulful 4/4 edits of GIL-SCOTT HERON and LALAH HATHAWAY. You might remember the OMAR remix and INCOGNITO remixes he did with us many many years ago.

After over a decade as a digital-only album, Larry Manteca's Zombie Mandingo gets its first vinyl release, making a fresh comeback in a completely renewed version.

Like Manteca's previous full-length releases, this album too is conceived as a soundtrack to a non-existent exploitation film, drawing inspiration from the classic Italian B-movies of the 1970s. This time, cinematic references encompass both the zombies found in Lucio Fulci's horrors and the cannibalistic adventures directed by Umberto Lenzi, creating a strange mash-up between Jacopetti's Mondo Cane and Deodato's Cannibal Holocaust.

The setting is an unspecified island in the Atlantic Ocean, nestled halfway between equatorial Africa and the Caribbean. A handful of Western tourists, having miraculously survived a plane crash, collide with the age-old rituals of an indigenous tribe who perform human sacrifices to appease their local god—the Zombie Mandingo of the title—a monstrous creature with superhuman strength, half Haitian zombie, half African cannibal.

This fusion of genres and cultures is reflected in the music. Manteca creates horror-tinged exotica that evokes and re-imagines the soundscapes of distant lands and dreamlands, from Africa to South America, to the mysterious islands in the Bermuda Triangle. He boldly and brilliantly combines Les Baxter with Fela Kuti, Joe Zawinul with Piero Umiliani, Janko Nilovic with KPM libraries, sprinkling the mixture profusely with psychedelia, Afro-groove, and Italian soundtrack vibes.

The album's nine tracks, recorded between 2013-2019, were meticulously remixed and remastered in 2023. This process made it possible to add new solo instruments, including the Fender Rhodes on the title track. The result is a captivating, kaleidoscopic journey taking us into the sonic depths of the tropical jungle to unveil its dark secrets and surrender to the primary emotions behind every B-movie: action, adventure, erotic desire, and fear.

The album is embellished with a 650-gram hardcover sleeve featuring breathtaking artwork by Matteo Fumagalli.









i 09: Zombie Mandingo (Trailer Music) Remastered

Be As One is excited to release the long overdue "Romantic & Dead" LP, the debut Album from one of the most talented artists of the recent generational Techno movement, and the label regular "Kashpitzky".

Being the hyped Berlin based producers most crafted project to date, the Buzzing 11 tracks LP is spread over 2 vinyls, astonishing covered artwork and shiny polished product, and reflecting the different shades of techno from several moments of the night, tailored straight from the mind of the most sought after artist of the recent couple of years.

Lining with the label's raw and old school influenced sound Aesthetics of re defining the term "House influenced Techno", Kashpitzky fits right in as one of the imprint's leading figures, compiling the 5th full length artist album to date from the label, after industry icons such as Kenny Larkin, Samuel L Session, Orbe and the label head Shlomi Aber.

As its title, the Romantic & Dead LP is an excepional abstracted and mixtured techno journey for the heads and collectors both, and marks a significant milestones for the young artist and the established label.

born in canadian Newfoundland, aadja was drawn to music early. growing up in nature made a profound impact, the surrounding woods, rugged landscapes and nearby ocean inspiring her innate music language. she picked up a guitar at age five, and went on to play clarinet, piano, flute and baritone saxophone, as well as receiving classical vocal training.

isolation of the early 20's meant chaos for some, but for the canadian dj and producer this period in time presented itself as a gift. it became an environment to control and create, a time to dive into the fire of pyrocbs and emerge stronger and unfettered.

''pyrocbs'', the follow up of her excellent ''thought dealer'' record, features 11 compositions orchestrated by the prophet 6, and spiced with hilary's unique vocals. a bold, minimalist approach weaving a romantic dialogue between sounds.

like the eye of a storm, ''pyrocbs'' is what aadja defines as finding stillness amidst chaos.

Second chapter for the new VA vinyl trilogy on R3volution Records called

In this edition there are the following artists under our attention:

- PWCCA, label owner of the top labels Hardtools and Inducted Waves and acclaimed world-famous Spanish producer, already distinguished with severeal appearances on our label including the latest release "Programming Language EP" last year;
- PUSHMANN, another top Spanish DJ and producer, making his debut on
- PYRAMIDAL DECODE authentic Italian based talent who, with many appearances on our label, has also found the time to make his music recognized around the world thanks to numerous releases on labels that represent milestones in the international techno scene, such as WarmUp, Mord, Dynamic Reflection, Faut Section, Edit Select...
- JOAQUIN RUIZ, the only non-European artist on this release, has already made many appearances on our label both as a solo release and as a remixer. He is a DJ/producer on the West Side of Buenos Aires. Ambitious and always looking for new challenges and opportunities, Joaquin is definitely one of the newest emerging talents from the techno music scene in Argentina. He runs his label West Rules too and also releases his music on respected labels of the scene such as Devotion, Knotweed, Affekt, Selected, Subsist, just to name a few
- MICHELE MAUSI founder & label owner with another amazing track called Waterloop
- MDMP is Michele's 2nd alias in pair with DANIELE PETRONELLI with a pure BOMB track called Under Armor

Pomegranate Skies is a new album from Sepehr exploring sonic themes of heaven and hell, dualities, split identities, and chaos. The music in this album is a reflection of the ever-constant existential chaos in his mind, reflecting a musical journey through all the different influences and inspirations of genres and electronic music eras throughout his life but also a nod to the amorphous weight of divine weirdness that inspires his music. Music that is reflecting a split identity, music in between cultures. Music that is both good and evil, both sensical and non sensical, both angelic and hellish, secular and divine. Music to give you visions of geographic wonders that don’t really exist. The absurdism of everything from Earth but also of Heaven. Music that doesn’t follow tropes but also sounds familiar. It makes you want to laugh and cry; the in betweenness of everything. Music that makes you want to reach up and taste the pomegranates growing in the skies.

Broken Techno/Electronica label Theoretical Rhythms is back with another vinyl release. This time it is a 4-track compilation EP called "Confessions". Featuring a carefully curated selection of tracks from diverse artists, "Confessions" takes you on a journey through emotions, melodies, and introspective narratives. Each track serves as a musical confession, laying bare the artists' innermost thoughts and experiences. The compilation opens with Varna's own Virtually J who masterfully sets the tone for the entire collection with his composition. From there, listeners are guided through a sonic landscape that seamlessly blends genres, showcasing the rich tapestry of musical expression. London duo Getae are showcasing their talent with the dance floor filler "Stumble" and Getsu opens the door to another dimension with his story "Otklonenie". With its minimal composition, broken beats and various effects Getsu invites us to divert from our path and experience another world. The EP concludes with Nickel Eye's "Lodi", a story that starts on a darker side with repetitive rhythm to transform to a jazz epos.

"Confessions" is more than just a compilation; it's an exploration of vulnerability and authenticity. Each artist bares their soul through their music, creating a connection with the audience that goes beyond the surface. "We wanted to create a compilation that goes beyond the ordinary, something that resonates on a deep, emotional level," says Nickel Eye, Theoretical Rhythms' head honcho. "This project is about sharing our musical confessions and inviting others to do the same". With its innovative approach to storytelling through sound, "Confessions" promises to be a standout in the music landscape, inviting listeners to immerse themselves in a musical experience that is both intimate and expansive. "Confessions" is a testament to the power of music to connect, inspire, and evoke raw, authentic emotions. Press play and embark on a journey of musical confessions.

Welcome Sublee on Hashplant - HPR014 - Limited Edition
Early support: Praslea, Priku, Raresh

Selection of rarities and unreleased nuggets covering ska'n'b, ska, rocksteady, early root flavours and heartbreakers.

Gratts is back once again, hot on the heels of various Balearic outings like 'Sun Circles', 'Pretty Lights' and 'Jour De Fete' but this time he is in house mode. This release comes under his new Trackhead T moniker and finds him keeping things raw and stripped back. For the sessions, the Belgian artist limited himself to using inly around 12 channels maximum per tune. This Klub Romance EP is the result and a track that harks back to his Berlin stomping ground, with deep but driving house cuts that have subtle hints of everyone from Felix Da Housecat to Boo Williams. The low slung sleaze and muted rave stabs of 'My Miseducation' is our standout.

Zed Bias has been a bass, dub and garage king since forever, but his star shows no signs of diminishing any time soon. For this one he has worked with Shumba Youth on a new single that finds him dipping into a world of dancehall and ragga. 'London Town' is heavy, with real bass weight, churning drums and fizzing digital synths under the superb bars from Shumba who muses on the state of London right now. Next to that are slithering leads and sci-fi pads to make for a fine future vibe. The acappella is served up on the flip for DJs who want to play.

California's James Bernard is a much-loved regular on this label as well as being a veteran of the wider ambient scene who has been hard at it for more than three decades. His latest outing on Past Inside The Present with Anthene (aka Brad Deschamps of Toronto) is Soft Octaves, an album that finds them crafting a series of sounds using electric six-string bass.

It has a huge range from the deepest depths to the wispiest of highs and each of the tracks here was recorded in one single take. The results are spellbinding indeed and the range of the bass's sonic ability is astonishing as it sounds at times like a cello, at others woodwind and is always intriguing.

Mystic Transfers is a label focusing on experimental music and club cuts from around the world, taken from the suburbs. MYSTIC VALLEY - Mystic Valley is the new musical project by Andrea B, architect, collector and producer from Florence, Italy. His sound is best described as a melting pot of Italian psychedelic influences, from obscure downtempo to new beat, as well as English breakbeat and German EBM. After years of Tropical Animals he started with Felis Oxiana the project ‘’Galattica’’ and from 2021 is one of the founders of Mizuna. Heading coach of the post punk group Zona Utopica Garantita, he began to work with them since they started to play, and together they launched the label ‘’Mystic Transfers’’, focusing on experimental music and club cuts from around the world.
SPO - Drummer in the ’00 of the underground scene in Florence fond of the 70s Progressive Rock sounds and experimental, co-founder in 2006 of the DIY label La Statua Sommersa Produzioni.
Currently in Florence after the experiences in Rome and 5 years in Berlin with many gigs around Europe and albums with his solo project Die Lust! and the italo-german duo Bloodygrave & Die Lust! establishing itself as a producer and composer in the electronic european musical scene Minimal Wave e Synth Wave. From 2017 began a new solo project named SPO (Solo Per Oggi).

Slush Records, the brainchild of London-based DJ Lora Mipsum, unleashes its first release, a much called for reissue of Andy Falconer’s finest EP from 1995 ‘Transmissions’. Remastered from the original DAT, it’s an introspective, absorbing and enticingly expansive roam through the realms of downtempo, electronica, progressive house and experimental sounds.

Best known for his work with The Orb between ‘91-‘94, you’ll also find Falconer’s name nestled in the credits of many other seminal works including albums from The Art Of Noise, Hypnotone and System 7. It’s no surprise then that the Transmissions EP, that landed in 1995, captures the essence of the early ‘90s expertly. An amalgamation of genres within each track, blurring the lines masterfully between them all.

Opening the EP, ‘Afghan Receptor No.9’ plots a driving orbit, rolling seamlessly from a dubbed out intro, into a progressive warper. A track that builds eagerly in intensity, with layer upon layer of mind-bending synths, a whomping bassline, and even Falconer’s old Canon printer sampled to top, tail and weave into the sonics of this track.

On the B side, the title track is an immersive, all-encompassing lunar excursion that engulfs you within Falconer’s soundscape odyssey. Centred around a spacey stuttering synth, hypnotising Roland S-50 harp and dream-inducing keys, it’s a spellbinding swell of emotive brilliance, interspersed with moon landing transmissions that reverberate through your brain.

Finally, like a slip back through memories in a dream, ‘Koda (Dreamscape No.1.1)’ is a psychedelic, ethereal and haunting slice of experiential ambience that provides the perfect closing sequence to this magical EP.

Transmissions takes all of Falconer’s knowledge and production prowess, creating three tracks that nod to those he’s worked with in the past, yet plotting its own course to a far off dimension.

Oceanvs Orientalis and Ilhan Ersahin first entered each other's orbits by chance at a performance at
Turkey's Cappadox Festival in 2018. Oceanvs Orientalis is renowned for his fusion of Eastern musical
motifs and traditions with cutting-edge electronica while Ilhan Ersahin has long plowed a unique path
uniting assorted musical strains from around the world via an exploratory jazz-improv sensibility.
Following two tracks ("Mesta" and "Pire") co-written by Ilhan and OvO and released as collaborations,
and two more Ersahin/OvO co-writes ("Revenge Of The Wankers" and "Television") released under
OvO's name alone, a fresh and exciting new song called "1980" now heralds a full-length collaboration
slated to land in Spring 2024. The track's title hints at a certain nostalgic bent while still keeping its
gaze firmly fixed on the future even as it evokes sun-drenched good times gone by. The single adds
several extra versions, one of which spotlights the multi-instrumental mastery of Darkside's Dave
Harrington while the other features the mesmerizing vocal stylings of Gaye Su Akyol. This single is the
perfect soundtrack to the waning days of summer and truly whets the appetite for the full-length
project these musical wizards have been busily concocting.

For release number 5 on vinyl-only label and blog, Bare Bones Wax enlist a couple of new artists to their roster. Valencia based Camiel Daamen offers up two original tracks, while Berlin based Johannes Ortlieb offers up a remix of both compositions. Over his active 24 years, Camiel has released on various labels such as In-house , Viva and Origins alongside many others. Last year also saw the start of his own Freeborn Records which included the release of his own Beatport top 10 smash “Ready For Love”. Johannes has releases on mainstays such as Al Bradley’s 3AM label and Fluid.

Up first on the A1 is the title track “Quintaesencia”, Camiel blends deep beats with swing fuelled hats and Garage licks alongside an uplifting vocal to create a dancefloor monster. On the A2 Johannes takes a modern Deep House feel interlacing the subbase and vocals with cracking affect. Over on the flip “Make Music” opts for a more techy feel with driving beats and a spoken vocal giving a nice pumping feel. Johannes second remix of “Make Music” finishes off the EP taking the track in a tougher Deep House direction that could have come straight from New York.

New tape from Gabber Eleganza's Never Sleep imprint.
This time its a live recording of Drum & Bass legend / Critical Sound boss Kasra at Fabric with MC's GQ and Mantmast.

The tape is in honour of Shaun Roberts, the sadly departed Fabric booker who was a pivotal figure in the UK's electronic scene. All proceeds go to Bowel Cancer UK

"Fabric played a huge role in shaping me as a music fan and years later became the London home for me and my label. This wouldn’t have happened without the help and support of Shaun Roberts, who left us far to soon in Dec of 2022 after an 18 month battle with colon cancer.

When the Never Sleep crew asked me to contribute to their mix series I knew id like to honour Shaun and help raise some money for Bowel Cancer UK.

Without Shaun and people like him taking chances on people like me the music landscape would look very different.

This is mix is taken from the Critical Sound 15th birthday event in 2017.

Ltd. Yellow+Red Splatter Vinyl

Die unbestrittene britische Musikikone Dizzee Rascal meldet sich mit dem elektrisierenden neuen Album 'Don't Take It Personal' auf seinem neuen Label Big Dirte3 Records Ltd. zurück. Die LP stellt seine besten Arbeiten in den Schatten und ist eine eindrucksvolle Erinnerung daran, wie Dizzee zu seinem legendären Status kam. Es fängt ihn in aufrührerischer Form ein, während er mühelos und mit unvergleichlicher Leichtigkeit durch eine ganze Sammlung an eindeutig britischen Genres fliesst. Dizzees neuestes Werk, das sich auf prahlerische Flows und beeindruckendes Wortspiel konzentriert, ist eine weitere Siegesrunde eine der prägendsten Legenden der Rap-Musik, und während es weiterhin Reime regnet, denkt daran: Es ist nichts Persönliches.

Massimiliano Pagliara’s Funnuvojere Records is thrilled to present a very special addition to its flourishing catalogue. This new release, ‘Hanging in The Stars Part 1’, comes from Voiski, aka Luc Kheradmand.

Voiski has been a prominent figure in the electronic scene for over a decade, with a discography that spans across labels such as Dekmantel, L.I.E.S, and Delsin Records. With ‘Hanging in the Stars Part 1’, he delivers a collection of tracks that showcases his mastery of sound design and emotive melodies.

‘Romance Mentale’ sets the tone for the EP with its deep, rolling bass line and soaring synth lines. The ambient ‘Harmonie Du Soir’ follows. It’s made of spacious pads creating a weightless atmosphere that provides a luxurious sonic experience.

‘Call It Madness’ has an infectious groove and propulsive tempo. With its layering of arpeggios that implode and scatter, the track creates a sense of euphoric energy that is driven by an unyielding beat.

The EP concludes with the ethereal pads and poignant melodies of its title track. With this unforgettable collection of tracks, anticipation for Part 2 is already building.

Issued on his crescive Afroterraneo imprint, Kiko Navarro reunites with longtime collaborator and friend, Latin-Grammy award winning vocalist Buika, for new single ‘El Silencio’.

First meeting back in 1997 on their native island of Mallorca, Navarro and Buika most recently worked together for the heart-rending Latin House song ‘Lo Siento’, one of the highlights of Navarro’s 2017 album ‘Everything Happens For a Reason’, as well the 2006’s ‘Soñando Contigo’ on Pacha Recordings, which remains an enduring classic.

Originally written in 2010 but never released at that time, ‘El Silencio’ comes complete with a brand new club version, for which Buika has recorded fresh vocals. When the pair returned to the studio in September 2023, it was as if they’d never been apart. “It was like the time didn’t really pass” says Kiko. “We have this connection that doesn’t go anywhere. We know each other so well, and we know what we want. Working with her has brought me many good things, and I’m so excited to share the new music we’ve made together with the World.”

‘El Silencio’ (‘The Silence’) is a slinky, mid tempo groover with subtle jazz-funk touches, accompanying a universal song about love. “It’s about a couple who have loved each other through hard times, and a desire to be together still. There’s a message of hope here, saying ‘let’s try’. No drama, no anger, just love” says Kiko.

Issued on his crescive Afroterraneo imprint, Kiko Navarro reunites with longtime collaborator and friend, Latin-Grammy award winning vocalist Buika, for new single ‘El Silencio’.

First meeting back in 1997 on their native island of Mallorca, Navarro and Buika most recently worked together for the heart-rending Latin House song ‘Lo Siento’, one of the highlights of Navarro’s 2017 album ‘Everything Happens For a Reason’, as well the 2006’s ‘Soñando Contigo’ on Pacha Recordings, which remains an enduring classic.

Originally written in 2010 but never released at that time, ‘El Silencio’ comes complete with a brand new club version, for which Buika has recorded fresh vocals. When the pair returned to the studio in September 2023, it was as if they’d never been apart. “It was like the time didn’t really pass” says Kiko. “We have this connection that doesn’t go anywhere. We know each other so well, and we know what we want. Working with her has brought me many good things, and I’m so excited to share the new music we’ve made together with the World.”

‘El Silencio’ (‘The Silence’) is a slinky, mid tempo groover with subtle jazz-funk touches, accompanying a universal song about love. “It’s about a couple who have loved each other through hard times, and a desire to be together still. There’s a message of hope here, saying ‘let’s try’. No drama, no anger, just love” says Kiko.

Specimen Records will kick off with "Zero Plague" January 2024 after a long hiatus from 2022 through to 2024. Specimen are now proud to present such a prolific artist as MANASYt whose level production has reached so many labels, along with extensive Dj work throughout Europe.

Zero Plague - another neurovision broadcast by replicant agent MANASYt. The opener - is a dystopian death march anthem, guided by a rolling snare, thick kick and throbbing bass. Arpeggios sounding like wasps on acid hover in the background, adding to the atmosphere of imminent danger!
Angellust - a hectic breathless industrial electro monster. Fuzzy distorted bass is driving us through a dark desolate territory. Complete with chaotic claps, minor synth stabs, a siren-like clinical pad and Petar's hopeless vocals (reminiscent of his days fronting metal bands).

Next is the Pestilent Mix for SNS Sensation new wave masterpiece "Mirror Radio". Sebastian is also the voice of UK duo Heartbreak (with synth wizard Ali Renault). Petar says : "It's a very impulsive work that sounds nothing like the original! Blending two different beats, mangled voices and psychotic off-kilter leads. Total madness."

First on the flip is the Novichok Mix for Poladroid. Petar and Vadim go way back to Roulette Rekordz in 2003, so this colab is natural, to say the least. It's the only time where the tempo slows down a bit on this EP. Bubbling worm-like bass, metallic percussion, cold windy pads and a classic electro lead take you on a journey to a soulless barren planet.

At last "In Deep Tongues". A heady schizophrenic exercise. A commanding beat, a grotesque polka bass followed by a paranoid synth lead pull you through a darkened maze with no exit. Underwater gurgles and fearsome corroded effects fill the air, no escape!

After 20 years, MANASYt hasn't slowed down or mellowed his intense immoderate sound one bit! And "Zero Plague" is undoubtedly a true testament to that!

He is an artist who couldn't care less about trends or hype, and whose main driving forces authenticate passion for this genre. Some of his tunes resemble future horror movie soundtrack, others a visit to a mental clinic, but most sound like what hostile aliens would listen to while attacking Earth.

Bulgarian dark mastermind Petar Tassev Manayst has been rocking his brand of Nuroelktro since 2003. He is responsible for a vast array of menacing titles on labels such as Touching' Bass, Kommando 6, Musar, and the infamous Bunker, along with 40 others.
MANASYt is currently based in Xiamen, China.

There is a parallel, submerged dimension in which musicians meet when they improvise. Sound microcosms emerge in those moments, and this is precisely the magic that BOTTAZZ! wanted to photograph in their first album: BOTTAZZ! VOL.1.

A "live" album, capable of transmitting spontaneity, sonic truths, empathy, feelings; ingredients that are difficult to transmit by recording the instruments individually or with other techniques.
Recorded in the historic "Auditorium 900" studios, a true time achine, as well as an institution for music in Naples.

Auditorium 900 took up the challenge in the figure of sound engineer Fabrizio Piccolo and from here the sound of BOTTAZZ was born!

A sound made up of lysergic Funk trips, 70's influences in all possible nuances: from progressive funk to Santana's Hispanic rock, up to touching its darkest and most hidden latitudes; audio waves
nfluenced by the soundtracks of the cinematography linked to those times, organs, synths, percussion and wah wah guitars, which generate a melting pot in which nothing is taken for granted.

BOTTAZZ! VOL.1 is a ship's diary, a journey into which each sailor has inserted its own emotions accumulated over the years, thus giving us a sincere and genuine record. Happy navigation.

Taupe's debut release on Sungate is a clear declaration of intent. 5 cuts of atemporal electroid sonics that travel from Neptunian landscapes to the depths of the deep-blue-sea. We are pulled suddenly into a hyperspace informed equally by the Detroit masters and Rotterdam electro authorities. Truly a journey.

New Parisian label, Disques Messager, presents its new and second release. As its name suggests, the label has a simple leitmotiv: to place itself among the best messengers for rarities and sought-after gems of the international rare groove. A mission which began like fire last year with a 7inch reissue release including two Brazilian Disco bangers by Cristina Camargo. For this second efforts, the label doesn’t deviate from the artistic and quality path taken, however also making quite a U-turn, this time presenting 2 underrated kind of musical UFO, both from the French scene.
Not many info can be found about Yoanson & Karamie, two young artists from the French African diaspora, who randomly met with Nessim Saroussi and his label Ness Music in the late 80s. Nessim himself doesn’t remind much about the 2 guys, except that he quickly offered to produce them, which resulted in their only EP release, Kalimba (1988). Part of this EP, “African Leaders” is a stunning track melting Afro-Tropical percussions, Disco bass, Early-Electro beats and Leftfield vocals in a way that could remind of Doctor L or Arthur Russel productions.
On the contrary, Philippe de Lacroix-Herpin (aka Prof Jah Pinpin) has a long musical career started in the mid-70s and became a renowned saxophonist playing and recording for many famous French acts such as Jean-Jacques Goldman, Alain Chamfort, FFF, or even rap band NTM. In 1994, he moved definitely to the Reunion Island where he quickly launched the Prof Jah Pinpin 4tet, in his own words willing to play “free/funk/jazz/rock/tropical” music… Quite a vast and large musical tag, but which immediately make sense when listening to the surprising “The Final Bird” track. Only released as CD in 1996, this instrumental production has indeed a unique sound and flavor mixing all kinds of elements together (even samples of Weather Report).
Well as you can understand, words are not the best way to describe these 2 hidden treasures, so we strongly recommend the spinning to make your own view!

Dima Disk is back in action & on the shelves with six tracks of dark & moody takes on jungle/breaks on freshly registered Surve Records. Our informants reported that the duo of Robert Nikolajev & Ragnar Rahuoja might have been sitting on this for a while.

We last heard of them on Rubadub’s white label series in 2017. The wait is easily forgivable though –– take “Maribo” with its propelling bass-engines, high flying synth stabs & hi–hat skelter for starters. Sweaty! Or “Pahakas” full of mischievous funk & rumble plus that firm “Woooh!” sample. Smokey, energetic dance equipment for you & yours.

'Experimental multi-instrumentalist Dave Cudlip releases his debut full- length album as Radiolarians via brand new experimental label Klang Tone Records.

Having already garnered plaudits from one of the most authoritative voices in UK electronic music, Electronic Sound magazine, the 10-track album presents a stunning and unique combination of ethereal ambient soundscapes, undulating rhythms and jarring sound collages; the result of what Cudlip describes as a “quick and spontaneous” recording process using a limited setup of analogue synthesisers and drum machines.

The release marks an exciting new chapter for Klang Tone, which is already considered a musical institution in the vibrant town of Stroud, Gloucestershire. The record shop, founded by avant-grade sound artist and obsessive crate-digger Sean Roe has earned a reputation as one of the South West’s nuclei for contemporary jazz, electronic and experimental music.

After the instantly sold-out limited edition lathe-cut 7” of the Radiolarians single ‘Obsidian 2’, Klang Tone is now proud to launch its label arm proper with Radiolarians as its first limited run vinyl release.'

Dave Cudlip was born in North Devon. After moving to Stroud as a child and playing in bands as a teenager, he left the West Country to study archaeology at Durham University, with his subsequent work as an archaeologist taking Cudlip all over Britain. After returning to Stroud, Cudlip has continued to make music, drawing on his love for the work of artists such as Harmonia and Autechre. He created Radiolarians in response to what he calls the “tyranny of choice” when it comes to electronic instruments, streamlining his creative process and consciously limiting his options to produce a veritable distillation of extraordinary ideas.

This Is With Artmann an Artist Straight From Netherlands, That House Puff Records Released His 25nd Ep. He Produced 4 Tracks With His Proper Style.

Always the Same recipe, Organic Drums, Deep Chords and Thundering Basslines Suited for Summer Sunsets and Dark Dance Floors Alike....

"After Outer Edges we were trying to find a new direction for Noisia. This resulted in an extensive journey that took us through a lot of new ideas and music.

Although we eventually decided to stop, we are proud of the things we made along the way, and these tunes were always meant to be part of a larger whole. So before we finally close the book on Noisia, we wanted to share them with you, on one last album. Previously released or newly finished, they all represent directions we enjoyed exploring.

In the end, we didn't manage to figure things out. But we did get closer." - Nik, Thijs, Martijn (Noisia)

Ourown proudly announces the collaboration with ELECTRECORD label, the oldest and most notorious record label in Romania.

The label was founded in 1932 and was subsequently transformed into the national recording company following the socialist doctrine of centralization and was the only record label in Communist Romania.

This is the first album of Electrecord after 27 years and the new team aims to deliver frequent releases, new music but also reissues of the most appreciated records from their archive; there is a wide range of music genres from Lăutărească music, folk, classical, rock, pop, folk, jazz to radio theater and literature.

Opening a new chapter for DNO Records, PLLFRY debuts on the label with five raucous halftime tracks that also feature collaborations with two vocalists – NST & Genoveva. The ‘Overexciting’ EP is built around iron-clad percussion and a healthy dose of mangled sonic futurism, but the dominating flavour throughout is big, bold, unadulterated bass.

As might be expected of tracks called ‘Demolition’ and ‘Collapse Of The System’, there’s plenty of damage being dealt; the former’s wrecking ball bassline spins violently as its supporting beats splinter and fall, while the latter’s destructive low-end hacks chunks from its itchy sci-fi soundscape like some psychotic sentient buzzsaw.

There’s room for nuance too, however. The title track is all about contrast, its rumbling bassline winding along like a colossal serpent, while hi-hats chitter, and Macedonian vocalist and producer Genoveva delivers a haunting, silvery vocal that’s cold and alluring in equal measure. And as if the undulating low-end and metallic melody of ‘Water Fire’ weren’t enough to make heads spin, the track features a vocal from South Russian up-and-comer NST that seems to slip and slide at will, pulling the track forward and always remaining just out of reach.

Bonus track ‘Old School’ nods to the golden age of hip-hop, taking a tough boom bap-style beat and scratch samples, but flipping it script with machine glitches and pellets of acid.

Like a collection of missives sent back from a hi-tek future, the ‘Overexciting’ EP serves as a reminder that DNO can’t be pigeonholed, and always stays one step ahead.

Rhythms of postmodern realism at the very bottom of the DNO.

Immerse yourself in pulsating beats and refined taste with our latest Vinyl "Veinylpower." Featuring artists such as Monika Ross, Adine Frost, Ema Remedi, and Anaid, the musical journey spans from Deep House to Garage.

The design crafted by artist Kristina Supernova making your electronic music experience even more immersive.

For every record sold, a portion will be donated to SLOWODI - Solidarity with Women in Need, offering support to women facing challenging situations.

"Veinylpower" marks Veinyl Berlin's third groundbreaking release, celebrating women, the diversity of electronic music, and contributing to a meaningful cause.

Kicking off our new Toolroom Trax vinyl series which celebrates the best releases from Toolroom’s sister label is Italian super-duo Twolate with the incredible new single 'Baila'. A straight-up 4 to the floor club shaker, with powerful hard-hitting drums, deep punchy afro vocals with carnival whistles and percussion hits that will turn the dancefloor into a fiesta. Two dance heavyweights collide on our next offering; best-selling house artist CASSIMM and Chicago house royalty Gene Farris for their latest collaboration 'Party People'. With numerous #1 singles and remixes on Beatport and Traxsource, CASSIMM returns to Trax with his notorious sound of feel-good, high-energy house music, team that with Gene Farris as he effortlessly delivers another irresistible vocal hook. 'This is for my people, my party people'. James Haskell kicks things off on the b-side with 'Check It Out'. With numerous releases on D4 D4NCE, LoveJuice and of course Toolroom, James Haskell is fast gaining support from the scenes top tastemakers including Bob Sinclar, Leftwing : Kody, David Guetta, Tita Lau and Dombresky to name a few. Gracing club hotspots around the world, James Haskell is set to top the charts with his Tech House and Big Room sound. Closing out the Sampler is Toolroom Trax A&R and Music Curator Danny Rhys with his percussive tech house weapon 'Sibali'. Following on from his 2021 Traxsource number #1 single 'Damn Good', in collaboration with house vocalist legend Mr. V. With releases on respectable labels such as Farris Wheel Recordings, Flashmob, HouseU and There Was Jack, Danny Rhys boasts high, feel-good energy, bumpy basslines, rolling percussion and infectious vocals that has since gained respect from AAA talents such as Gorgon City, TCTS, Kryder and of course Mark Knight.

DJ Support from Danny Howard, Annie Mac, Mistajam, Pete Tong, Charlie Hedges, Kraak & Smaak, Maxinne, Todd Terry, Alex Preston, Full Intention, GW Harrison, DJ Rae, Rudimental, Alaia & Gallo, Illyus & Barrientos, Johan S, David Penn, Sam Divine, Riva Starr, Claptone, Nice7, Dario D’Attis, Mousse T, S-Man, Huxley, KC Lights, Friend Within, Dombresky, Gorgon City, Chris Lake, Format:B, Pirupa, TCTS, Alan Fitzpatrick, Low Steppa, Mat.Joe, Raumakustik, Eskuche

Memory Remains boss Kirik joins forces with Miami’s Imbue for their collaborative ‘On Distance’ EP.

This time Kirik pairs up with the Miami-based trio Imbue who add their dynamic instrumentation to the project through guitars, piano, and synthesizer improvisation.

Opening the release is the jazzy funk-infused ‘On Distance’, laid out across seven minutes with an amalgamation of guitar licks and looped hooks alongside plucked bass tones, strings and organic rhythms combined to create a psychedelia-tinged twist on House. ‘All Right’ follows next and shifts gear into a more classic house feel, employing Latin percussion and wandering keys alongside guitar melodies and soulful vocal chants.

Opening the flip-side is ‘Lovers’ with its acid bass groove, intricately intertwined synth stab sequences and crisp drums all underpinned by Imbue’s hypnotic musicality. ‘Son Us On’ then rounds out the release, diving deeper into the House courtesy of bumpy low-slung drums, airy synth chimes and plucked guitars merged with an underlying dubbed-out and subtly unfurling feel.


early support by Massimiliano Pagliara, Archie Hamilton, youANDme, DJ Heather, Moskalus, Jean Pierre, Red Pig Flower, Red Rack'Em, Just Her, Michel De Hey and many more...