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A selection of unheard tracks by argentine cult proto-industrial band Quum, recorded between the years 2012/2014. Xtraqt Vol. 1 is the second release of Tecnologías Elementales, a record label founded by Djs Diamin and F.A.N.G.O.

Formed in 1978, Quum is an argentine group (currently consisting of brothers and founders members Gustavo and Daniel Gatti) that offers hypnotic and rhythmical improvisations in the language of experimental electronics, with a great participation of randomness, risk and uncertainty. Their music is inspired by science fiction, Zen Buddhism, chaos theory, ecology, the UFO phenomenon and the wabi-sabi concept.

Quum subscribes to the driving attitude of the Madí Movement ("invent and create"), coinciding in a conceptual vector that unites their teachers Jorge L. Borges, Gyula Kosice and Xul Solar.

Quum is a quiché-maya word extracted from the Popol Vuh that means "the secret", "that which is hidden behind the apparent", or "the mystery". The symbol that identifies them is a replica of the huge spider drawn mysteriously on the Nazca-Peru plateau.

Quum is, in addition to music, a living gesture of alternatives to conventional paradigms and pre-established archetypal behaviors.

Some kind of dirty ambient, cybernetik trance and organic industrial music.

Contact our cult!

a A1 Traslación Activada Intro

For our ninth journey on ´Future Romance´ the aspiring and promising german duo Add-us are delivering 3 top notch productions called "Change of direction", "Faces of the moon" and "Play of shades" packed with strong synth lines and emotional moments for the deeper dancefloors.

The DJ and producer duo which consists of the two friends Robert and Patrick teamed up in 2018 for the project Add-us. Since then they´ve released their music on labels like Parquet Recordings, Renaissance or 3000 Grad, just to name a few.
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Early DJ support by Tale of us, Camel Phat, Fideles, Einmusik, Anii, Hunter/Game, Raphael Mader, Markus Kavka, Ron Flatter and more.

CLIKNO is thrilled to announce the upcoming release of the highly-anticipated Peripherie Remix EP of four tracks from rand's critically acclaimed album "Peripherie" set to drop on May 26th, 2023.
Featuring remixes by Steevio, Deadbeat, Dr.Nojoke, and Andrea Cichecki, some of the most exciting names in the underground electronic music scene, this limited EP promises to take you on a journey through a spectrum of sounds and emotions.

Steevio kicks off the EP with a groundbreaking remix of "Lucid", marking the first time a remix by this highly regarded artist will appear on vinyl.
With his signature style of intricate modular grooves and atmospheric pads, Steevio's remix takes the original to new heights that we are sure to captivate and move you.

Next up is Deadbeat, a veteran of the dub techno scene, with a stunning drone remix of "San Gimignano".
His signature use of space and bass is on full display, as he crafts a cavernous and immersive soundscape that is sure to take the listener on a journey through the depths of sound, leaving you lost in its mesmerizing drone.

Dr.Nojoke, known for his experimental and genre-defying productions, transforms “Hoola” into a deep and introspective chill-out tune featuring lush pads and intricate percussion.
This remix is perfect for some legendary afterhour sessions.

Rounding out the EP is Andrea Cichecki's ethereal ambient remix of "Siegfried 2.0".
This remix captures the essence of the original track while adding an otherworldly dimension with its haunting and immersive sound design.

With this remix EP, CLIKNO once again showcases its commitment to pushing the boundaries of electronic music.
All four remixes on this EP are a testament to the exceptional talent of these artists, and we're excited to share their unique visions with the world.

Heiko returns to his own imprint with his new single Procrastinator. As the name suggests, it included moving the release date of this project multiple times.

From the 1st lock-down on I didn't really feel like putting kick-drums in my music, like someone was suddenly pulling a plug. Well, I found the switch and flicked it back.

Beat In Me is back for its second release. Recognized for bringing some of the most cutting-edge Romanian DJs to his event series under the same name in Tokyo, RAHA keeps pushing the envelope with Beat in Me. This time he introduces, with sincere confidence, two Japanese artists he has long supported: Tomohiro Yano and Yuji Kobayashi.

"Sazae EP" features two original tracks from Tomohiro and Yuji, respectively, and a collaborative work from both, perfectly displaying their raw talent and individual styles. Displaying a unique knowledge of house and techno music with minimal character, "Sazae EP" seems like the perfect alternative for those thirsty for the type of tracks hailing from Romania, with an added Japanese sensibility that perfectly fits those dancefloors craving for intensely hypnotic grooves.

Unic's sub label "apă" presents an exciting release from the up-and-coming producer "Soultape" - apă 004.

Previously one half of Adjustment Bureau, Soultape's solo sound weaves together elements of techno, minimal, and Deep House, creating a captivating and hypnotic musical experience. The result is a unique sonic flow that almost feels spiritual in nature.

Originally released in the mid 80's on UK cassette label Bite Back!, this nearly lost gem finds new life 30 years later on Cocktail D'Amore Music. Steve has cobbled together a superbly melancholic electronic concept album. Wistful melodies often evoke sentiments of a lost childhood and hazy English mornings.

Each song within remains untitled allowing full perceptive freedom as to what they all communicate, a language for the feelings that have no name.

Untitled A1 - A6 leads one along intimate soundscapes of pattering drums and tinkering piano, a sense of closeness and trust develops with the introduction of each new idea much like the beginning of a bed time story. Untitled B1 - B3 then begin to breathe more openly awash in angelic colours before abruptly turning downward on B4, a wall of booming drums and atmospheres from the furthest reaches of the galaxy before the last trio of songs settles gently back on Earth.

Repress!

KNTXT signs hotly-tipped techno artist Indira Paganotto for a new EP that showcases her unique sound across four compelling tracks.

Indira's father was a DJ in the iconic Goa scene in India in the 90s, so she grew up surrounded by colourful, emotive techno and psytrance. She has brought that to her own DJ sets and productions ever since she moved to Madrid to pursue her career. Now Indira is coming out with her best EP to date.

“I got to know Indira Paganotto when we opened up for demo submissions earlier this year,'' says KNTXT label boss Charlotte de Witte. “She immediately caught my attention with her unique take on psy/techno music. It feels very good to have her on board and I'm curious to see what the future holds for her.”

Indira adds, "I understand music as a state of trance where each track develops a journey and a story. Himalaya EP is the reflection of everything I learned since my childhood until today, the heritage and passion for Psytrance, the experiences in India, the connection with nature, as well as the feeling of freedom and strength like the gallop of a horse, the synths of Goa music, the love and the truth, which is what fills my life. Thank you Charlotte for understanding my language in such a true way. Ours is a real connection in such a sincere mental embrace, and I am proud to be part of your KNTXT family and to be able to show everyone who I am."

The EP ́s opening track, 'Takeshi', is a slick techno roller that is rippled with psychedelic melodies and bright acid lines. They bleep and squeak up top to create a hypnotic effect as the drums march on. 'Sultans Of Mountains' contains intense psychedelic synths waning about the mix. The drums are stripped back and urgent, and crashing hits and smart filters bring real tension as this one unfolds in an arresting fashion. On the other hand, 'Himalaya' has a deep and sleek techno atmosphere where astral pads and heavenly vocal coos make for a cinematic sound that will cast a real spell on the crowd. Last, but certainly not least we have the edgy and heavily textured 'Cobra' with its unrelenting drums, slapping hits and futuristic, psytrance-tinged melodies all designed to mess with your mind.

This is an EP packed with fresh techno, straight from the breakout star Indira Paganotto.

Recent times have seen After Caposile become one of the most sought after locations on the underground circuit, and this reflects in their acclaimed record label - Caposile Music. This Spring they have prepared a stellar release of firm favourites from the club. “The Sound Of Garden” release will come in two parts, both on 12” and will include a heavy hitting lineup such as Romanian duo Super Moon (Arapu & Priku), family members and residents Maggio, Francesco Maddalena, and Yaar Kü, Silat Beksi, Mihai Pol, Giuliano Lomonte and Sublee. A perfect blend of club affiliates, coming together to provide the soundtrack from that famous garden.

Volume One kicks off with the dynamite combination of Arapu & Priku under their Super Moon moniker. Hypnotic movements set a serious tone for the journey ahead, mysterious elements simmering throughout “I Can Help”. Dreamy meets dance floor in Maggio’s aptly named “Just Landed” floating synths calmly lift you, but you remain grounded by the killer elasticated groove. After delivering the previous EP on the label Yaar Kü returns with a stripped back encounter, his unique touch shining bright. Silat Beksi provides a certain sunshine jam with his track “Jaho”, you immediately feel the warmer times are coming, after parties in the sun.

Landing just a few weeks after is the equally special Volume Two, packed full of ammo for the tastemakers. Mihai Pol inaugurates proceedings with “Sugar Rush”, the 7 minute quest boasts shimmering synths and a sweet bass line to match. Francesco Maddalena ups the ante with his garage influenced “Breath Of Air”, an energy boost for the peak times of the party. Giuliano Lomonte’s “More Time” rumbles from the get go, begging to be played on a high quality system to allow each of the intricate details to speak for themselves. Last but not least is Sublee, his “Day Six” track is a chugging body of work, blurring the lines between house and minimal with a raw edge.

With a huge European tour on the table, and a release of this stature After Caposile are flying high at the moment with an indispensable team behind the project. Expanding on their party paradise location, but simultaneously propelling innovative underground sounds under the Caposile Music offshoot. Both Volume One and Two will land this May, right on cue for the summer time madness.

Reflections of the Sun is a collection of new music that see JOHN ROCCA experiment with a more laid back side to his musical personality. John is best know in Jazz Funk circles for his 1980s self funded, self produced and self released Brit Funk classic 'Southern Freeez', and as the band Freeez's founder.

"The melancholic suburban soul of ‘Southern Freeez’ never gets tired for me....an album that has remained at the top of my Brit Funk pile!" - GILLES PETERSON

Much of the album is also somewhat reflective. A personal and emotional reflection on John's life - the tracks a nod to John's varied musical pasts. Sounds, a pondering upon his collection of global influences and his life experiences over the years; Genre, the pulse of today, societal, musical or otherwise - but not easy to place as is John's character; Lyrics, the present dilemmas we face as humanity, whilst reflecting on our own private and deepest human feelings, of life and, of love in all its wonderous forms.

Musically, the 'Reflections of the Sun' album casts a glimpse back to Rocca's Brit Funk roots growing up amongst 1970s classic Jazz Funk and Soul, while also blending inspiration from his 1980-90s electronic influences topped off with everything else he has seen and heard on his life travels since then.

Giving a nod to John's own past while bringing Reflections of the Sun up to date was completed by adding elements of London's re-surgent and vibrant jazz scene. Not so different from John’s own early days jamming with Freeez, he is accompanied on all the album's tracks by his two young nephews and highly respected jazz musicians, Benjamin Rocca on keyboards and Joel Rocca on Saxophone. The two youngsters are known on the current London Jazz scene as the "Rocca Brothers".

The album's title track, "Reflections of the Sun" refers to how humanity, gorging on the sunshine that brings life to everything, also has a tendency to reflect the hellishness of the sun itself. Comparing our self-destructive nature with our planet's volumes of un-ending beauty.

Initial support for various tracks has come via radio plays on UK stations such as JazzFM, Jazz Funk & Soul Radio (JFSR), Soul Groove Radio and Solar (amongst others).

Hear the sound of my feet - title says it all, but it would be too easy to bring it back to his african roots only. Zulu explores his double identity, both ways, extrovert as well as introspective, and draw a go-between, from club hit Hooligan Break to the feverish eponymous title Hear The Sound Of My feet. Trance synth stabs, sharp percussions as well as ambient (!) reminisce of his DJ record (alongside Bruits de la Passion collective and on Lyl radio) and lead the narrative - back to the roots he wants to introduce you to.

The WINPROD 08 is fresh !!

A side from Square is a in-Spirally tune full of that old school sound we love. BIG !
C.Ysme and 1NC1N then brings a Techno mental progressive track, whales acid shouts !


The Flip starts with a collab EP with hidden names sutch as Elie and Win : as you can expect from them we got here an Acid-Bath. Deep and banging !
Samoth and Speejay from Exit 23 finish the EP with a minimal tribe tunes. Very beatiful as well as very dancefloor... Something that totally match with Spered Acid Night release by the way...

Finally this EP brings 4 real bombastic tunes, each having something to say, a story-telling de ouf.

enjoy !!!

On this second delivery of Uruguayan Sound, Mephis presents us with two like-minded producers with a love for machines and their sound.

On the A side we have Elias Sternin, with his particular nostalgic, mysterious and trance-inducing sound. The EP opens up with Wah Wah y Phaser, evoking the feeling of a spaceship lifting off, into the big Other. Bass rolls into the stratosphere, whilst sharp and poignant synths push us past the space rubble that surrounds our planet. The second Track is a proper mood work, landing us in an uncharted yet familiar alien landscape. You can breathe the mystery in, whilst closing your eyes and embracing the unknown.


On the B side we continue travelling through a path of esoteric and questioning vibes. Artesano Titer delivers an ominous mind trip with Science to Music, an utterly mesmerising soundscape to question yourself and your Umwelt. Closing off the EP, we have White Rabbit, a profoundly narcotic trip to the centre of our own perception. Slides, breaks, smooth lines and an acidic bass that spiral down to the core of the self.

Detective of Perspective; Need to try and get a bigger eye, Open wide.

Klasse Wrecks is happy to welcome new Berlin-based producer Jotel California to the family. The emerging young artist provides a strong and varied EP that introduces his deft production skills and understanding of balanced sonics. 'Borrowed Time' traces the lines of traditional electro but stirs the pot with new flavours and the result is something that is both unique and powerful. Late 90s Techno is referenced on the title track, a dark and haunting driver that emerges into euphoria later on in the journey. While the A1 features the cut up vocals of Babyblade and takes the listener on a pulsing trip that thrashes back and forth before restlessly settling down

Glasgow’s infamous basement dwelling, La Cheetah, make good on their promise to bring you transmissions from the city and it’s surroundings by tapping Burroughs for the 5th outing on the clubs in-house imprint.

Never ones to rush things, the aptly named ’Strungout’ was first passed to Outer Zone over 4 years ago, alongside ‘NREM’ and the EPs names sake ‘The Whole Damn Drift’.

The tracks have seen multiple phases and iterations since, with the process baring 3 emotive tracks that rubber stamp the evidence of Burroughs lifelong dedication to his craft.

Recent times have seen After Caposile become one of the most sought after locations on the underground circuit, and this reflects in their acclaimed record label - Caposile Music. This Spring they have prepared a stellar release of firm favourites from the club. “The Sound
of Garden” release will come in two parts, both on 12” and will include a heavy hitting lineup such as Romanian duo Super Moon (Arapu & Priku), family members and residents Maggio, Francesco Maddalena, and Yaar Kü, Silat Beksi, Mihai Pol, Giuliano Lomonte and Sublee. A perfect blend of club affiliates, coming together to provide the soundtrack from that famous garden.

Volume One kicks off with the dynamite combination of Arapu & Priku under their Super Moon moniker. Hypnotic movements set a serious tone for the journey ahead, mysterious elements simmering throughout “I Can Help”. Dreamy meets dance floor in Maggio’s aptly named “Just Landed” floating synths calmly lift you, but you remain grounded by the killer elasticated groove. After delivering the previous EP on the label Yaar Kü returns with a stripped back encounter, his unique touch shining bright. Silat Beksi provides a certain sunshine jam with his track “Jaho”, you immediately feel the warmer times are coming, after parties in the sun.

Landing just a few weeks after is the equally special Volume Two, packed full of ammo for the tastemakers. Mihai Pol inaugurates proceedings with “Sugar Rush”, the 7 minute quest boasts shimmering synths and a sweet bass line to match. Francesco Maddalena ups the ante with his garage influenced “Breath Of Air”, an energy boost for the peak times of the party. Giuliano Lomonte’s “More Time” rumbles from the get go, begging to be played on a high quality system to allow each of the intricate details to speak for themselves. Last but not least is Sublee, his “Day Six” track is a chugging body of work, blurring the lines between house and minimal with a raw edge.

With a huge European tour on the table, and a release of this stature After Caposile are flying high at the moment with an indispensable team behind the project. Expanding on their party paradise location, but simultaneously propelling innovative underground sounds under the Caposile Music offshoot. Both Volume One and Two will land this May, right on cue for the summer time madness.

Speicher 125 is a most auspicious collaboration between two great, inimitable voices in techno: Kompakt co-founder Michael Mayer, and Magazine’s own Barnt. They’ve both been productive of late, Mayer with his “Brainwave Technology” EP in 2021, Barnt with his first release on Kompakt, "ProMetal Fan Decor Only Product" in 2022. Of course, they’re also busy with their respective record labels, and international DJing schedules.

You may already have heard their first track, which appeared on Michael’s "&" album from 2014, the psychedelic “Und Da Stehen Fremde Menschen”. For Speicher, though, they set their sights firmly on the peak time dance floor – the result is two stunning cuts of techno euphoria.

On “Teller” Barnt and Mayer unleash a synth storm, tense and thrilling. Percussion piles up against the incessant buzz, but before too long we’re submerged in waves of dense texturology, making the track an object lesson in tension and release. “Duration” is a bittersweet anthem about "life long love". A moving voice tells us about "faith in life" while gleaming, synths, choral swarms and snares shower down from above to form an epic tale about duration and devotion.

Weirding the groove and updating the emotions, Speicher 125 is a monster.

Speicher 125 ist die Zusammenarbeit zwischen zwei unnachahmlichen Stimmen des Techno: Michael Mayer, Mitbegründer von Kompakt, und Barnt von Magazine. Beide waren in letzter Zeit nicht unproduktiv, Mayer mit seiner "Brainwave Technology" EP, Barnt mit seiner ersten Veröffentlichung auf Kompakt, "ProMetal Fan Decor Only Product". Natürlich sind sie auch mit ihren jeweiligen Plattenlabels und internationalem DJing beschäftigt.

Vielleicht hast Du schon ihre erste Kollaboration gehört, die auf Michaels "&"-Album von 2014 erschienen ist, das psychedelische "Und Da Stehen Fremde Menschen". Für "Speicher" haben sie den Peak-Time-Dancefloor ins Visier genommen - das Ergebnis sind zwei atemberaubende Stücke voller Techno-Euphorie.

Auf "Teller" entfesseln Barnt und Mayer ein Synthie-Gewitter, spannend und mitreißend. Die Percussion türmt sich gegen das unaufhörliche Summen auf, aber schon bald tauchen wir in Wellen dichter Texturen ein, was den Track zu einer Lehrstunde in Sachen Spannung und Entspannung macht. "Duration" ist eine bittersüße Hymne über "lebenslange Liebe". Eine bewegte Stimme erzählt uns vom "Glauben an das Leben", während schimmernde Synthies, Chorschwärme und Snares von oben herab eine epische Geschichte über Ausdauer und Hingabe prasseln.

Speicher 125 ist ein Monster, das den Groove neu erkundet und die Emotionen auffrischt.

AMAS_JAHRE



das album JAHRE ist ein musikalischer abriss der letzten 15 jahre zweier freunde und weggefährten. alle persönlichen höhen und tiefen sind auch hier musikalisch zu finden und sollen durch einen typischen abend unserer generation führen.

es beginnt mit dem prolog, der alle ängste und hoffnungen auf einer einsamen straße zum gemeinsamen sein skizziert. was erwartet einen, wird man sich wieder mit seinem besten freund streiten, oder liebt man sich mit einer fremden auf dem klo? all das läuft langsam die straße hinunter…

die abenddämmerung beschreibt das zusammenkommen mit deinen liebsten und freunden und die erste euphorie auf das was kommen mag. man sitzt gemeinsam beim essen oder im wohnzimmer, redet über alte geschichten oder neue liebschaften, alles schwingt und swingt im richtigen groove der zeit.

in aufbruch kommt die ganze nervosität und vorfreude auf das gemeinsame ausgehen zum ausdruck. alle werden hibbelig und springen umher, einer zieht sich etwas durch die nase, die andere tanzt auf dem sofa und schreit ihre liebe in die nacht. wenn endlich alle fertig sind kann man dann auch mal aufbrechen.

getanze beschreibt den moment des betretens einer musikalischen szenerie und tanzerei, die alle sofort mitreist und befreit. der geruch im club ist stark und leicht süßlich von rauch und schweiß, alles bewegt sich, alles fließt, man wird einfach geführt und lässt sich gehen.

mit begierde kommt der sexualisierte augenblick, verstärkt durch alkohol und drogen jeglicher fasson, über uns alle - man möchte alles begehren und besitzen, man liebt alles, fickt alles und beweint alles und jeden, bis man wieder klar wird und den ursprünglich pfad zu seiner gemeinschaft findet.

ricardo zerlegt kurz vor dem ende des abends nochmal völlig wild und ekstatisch das gehör, den raum und die zeit. alles biegt sich wie in einem schwarzen loch, überall ist gravitation und klang, alles zerschmilzt zu einem brei aus liebe, angst, geborgenheit und wahnsinn.

das morgengrauen ist der moment des erwachens, sowohl der sorgen und des grauens der folgen dieser nacht, aber auch der geborgenheit der freundschaften die einen umgeben. man schwankt freudig und zitternd nach hause, manch einer alleine, andere wollen noch weiter in ihren armen liegen, ob aus furcht oder liebe ist eigentlich egal, hauptsache man spürt!

am ende soll der epilog heilen, er zeigt uns wie gut und selten unsere fast schon schizophrene lebensweise war und immer noch ist :).

During the summer youth program of 1970 and '71 at St Paul's Catholic church a young Tunnie Smith was singled out by Father George Artist for his outstanding singing abilities. He was soon introduced to Joe Delpit and Reginal Brown to sing along with their show and dance band "The 13Th Amendments. It didn't take long before Tunnie was a full member of the band and became a featured singer performing throughout Louisiana. After a year and a half of performing at nightclubs, military bases and universities Tunnie landed a record deal with Rick Hall's Fame/UA record label. His first single from 1973 was a wonderful mid-tempo number entitled "Finders Aren't Always Keepers" flipped with "Do That To Me"It gained National distribution and had some good success. Tunnie left Fame records and was introduced to Stax record executives Al Bell and John Smith. After signing with Stax, Tunnie met legendary writer and performer David Porter where they recorded an album which was scheduled for release around 73/74.Unfortunately Staxs association with CBS came to a halt and the project got shelved. From those session arose the wonderful "U And Me Together", leading on from the well produced "Finders Keepers" cut the song builds up with an epic 1:30 string and drum arrangement that really sets the picture for Tunnie to arrive with vocals way above his young age would suggest. A story of a boy and girl determined to make it and be the great combination that their love affair deserves. We can’t believe a gem like this has been waiting to come out and should have catapulted Tunnie to the next level or artist rosters. Alas, Tunnie went home and carried on performing around the Louisiana area with his new band Sweet Music Orchestra Fast forward to 1983 Tunnie whilst recording some vocals at River City Recording met Chicago producer and arranger George "Paco" Patterson. George was musical director and had worked with The Isley Brothers Wilson Pickett and many other well known artists. During this period Tunnie along with George formed a great partnership and along with some top session musicians record some incredibly lush, well produced and atmospheric songs The A Side "Join Together " is from the same session as "Dancing On Da Clouds" and could have easily be picked for his first single on Pass The Baton records. It oozes the same heavy production with opening piano cords and layered scatting then bosh, in comes the drums and Vox taking you on a mesmerising space like 2 step extravaganza. So, there you have it, once again two amazing slices of soul on one single from Tunnie Smith. Let’s hope this artist finally reaches his potential from that young man who started recording in 1973.

In the words of Bill Brewster - DJ History

‘At the turn of the 1990s, there were few more successful New York house producers than Victor Simonelli. Under a dizzying array of aliases – Solution, NY’s Finest, Groove Committee, Critical Rhythm and Cloud 9 being amongst the better-known – the Brooklyn-born DJ/producer delivered a string of underground club hits during the city’s early ’90s house boom.’

BTG presents “Victor Simonelli: The Early Years Vol 1” a collectors edition double Vinyl release - 2 X 12’s in each Vol

Launching the first Behind The Groove collectors edition vinyl series is New York’s finest Victor Simonelli with ‘The Early Years Vol 1 & 2’ double Vinyl releases. Featuring seminal house tracks such as Cloud 9’s ‘Do You Want Me’, Solution’s ‘Feel So Right’, Instant Exposure’s ‘Wanna Be With You’ and rare mixes of Raiana Page and EZ-AL, this collection brings together classic and rare Victor Simonelli cuts that reflect the early raw energy and buzz of the New York House scene. With ‘Vol 2” scheduled to follow shortly after, this is the most comprehensive collection of rare Simonelli cuts that firmly establishes his esteemed role in 90s House Music as well as introducing new fans to his inimitable sound.

Victor Simonelli is one of the early kings of NYC sampling In house music. The real deal - Victor danced at the legendary David Mancuso’s Loft sessions and developed a serious appreciation for good music. He interned for Arthur Baker at his renown Shakedown Studios (where Arthur worked with the iconic Afrika Bambatta on the seminal dance floor ’Planet Rock’ track) and went on to release hugely influential releases on seminal NYC labels 4th Floor and Nu Groove. Victor’s music was championed by the hugely celebrated iconic House Music DJ pioneers, Larry Levan and Tony Humphries at Paradise Garage & Zanzibar/WBLS/Kiss FM respectively.

Revered as a New York house heavyweight and prolific producer since the turn of the 1990s, Victor Simonelli grew up in Brooklyn, NYC, nurtured by a music loving family, with an avid record collecting father who also worked as a local party DJ. He took music lessons in piano, drums, guitar and bass, before discovering his first love, tuning into NY’s Radio Mix Shows on WBLS, WKTU and WRKS,98.7 Kiss FM) where he discovered the art of mixing and in his own words, ’I just simply got lost in the music’.

Graduating from NYC’s Centre For Media Arts, Victor got an internship in the legendary producer, Arthur Baker’s Shakedown Studios. Soon graduating to editing, mixing and then producing he worked for artists David Bowie, Quincy Jones, Debbie Harry, Sinead O’Connor and Talking Heads. Teaming up with fellow NYC producer Lenny Dee to become the Brooklyn Funk Essentials, they released records ‘Critical Rhythm’ and ‘Subliminal Aurra’ on 4th Floor before Victor went solo as Groove Committee releasing the classic ‘I Want You To Know’ on the legendary Nu Groove Records. Paradise Garage legend, Larry Levan broke ‘I Want You To Know’ rocking 2 copies on his last tour of Japan whilst King of NY House Music,Tony Humphries broke Victor’s new ‘Feels So Right’ across New York on his WBLS/Kiss FM Mastermix show and at his legendary Zanzibar club sessions. It was only a matter of time before Victor’s name became synonymous with quality House music ensuring a worldwide platform for his productions.

In the early 90s alongside his own productions, Victor Simonelli worked on high profile projects, including James Brown’s album, “Love Overdue” BeBe and CeCe Winans single featuring Mavis Staples “I’ll Take You There” and Quincy Jones’ “I’ll Be Good To You” featuring Chaka Khan and the legendary Ray Charles. Never straying too far from his clubland roots, Victor worked with Danny Tenaglia on his classic “The Harmonica Track”.

DJ gigs across the world started flooding in and Victor found himself recording for a dizzying array of labels including Tribal America, Sub-Urban, Bassline, King Street Sounds and Vibe, under a wide range of aliases. He also produced, wrote and remixed for artists such Nile Rodgers (Chic), Afrika Baambata, Hall & Oates, Frankie Knuckles, Kerri Chandler, Madonna and Michael Jackson. Famed for his own productions “It’s So Good” by Creative Force, “I Know A Place” as Sound Of One - the first release on Roger Sanchez One Records -, “Dirty Games” as well as the “Street Players Vol 1 EP”, Victor went on to set up Suburban Records with Tommy Musto and Bassline Records with two other partners. Notable releases on this label include “Do You Feel Me”, Connie Harvey’s gospel inspired, “Thank You Lord”, Urban Blues Project’s “Deliver Me”, Colonel Abrams “Not Gonna Let”, and Mone’s “Better Way”. Never ceasing to produce, DJ, run his own label and host radio shows like Groove Lift, Victor has worked with virtually every NYC producer and has nurtured a next generation talents including Angel Moraes, Jazz ‘N’ Groove, Urban Blues Project, Harlem Hustlers, Jay Jay and Julius Papp. Victor’s releases have also been used on M&S’s “Salsoul Nuggett” hit and Eddie Amador’s underground smash ‘House Music’.

In the late 90’s Victor launched his new Westside Productions, notable for the “Latin Impressions 1 & 2” releases, opened up a studio in Italy as he found himself increasingly working in Europe and now divides his time between New York and Italy. Suffice to say his unique sound of uplifting and spiritual music has kept him at the forefront of House Music and he is credited as one of its leading exponents with his string of classic releases and remixes.

Behind the Groove, branches out from its digital platform to embark on a programme of releases from the iconic pioneer producers of House Music. Esteemed for their high quality features and mixes that continue to explore, celebrate and venerate the contributions of highly respected, scene-shaping Labels, Artists, DJs and Special Events, BTG seeks to bring these talents and tales to the attention of the wider community. Unlocking the stories surrounding the pivotal roles they played and continue to play today in shaping the underground music scene we have come to know and love.

BTG presents “Victor Simonelli: The Early Years Vol 1” a collectors edition double Vinyl release, released on May 12th 2023. ‘Vol 2” follows on May 26th 2023 . These releases are the most comprehensive collection of rare Victor Simonelli cuts that firmly establish his esteemed role in 90s House Music and introduces new fans to his carefree sound.

yet is a slippery word in English. Amorphous, these three letters in dierent contexts can define contrast or emphasis, set a place in time, show an expectation that something will occur or, paradoxically, that it is likely to stop.
It is this mercurial nature that makes yet the perfect title for Tresor’s latest compilation: the label follows on from the more explorative sections of 2021’s landmark Tresor 30 boxed set with a compilation, featuring 13 artists making music that resists easy definition.
Every track hints at and borrows from the familiar yet none follow the expected path: halfway through Deserto, Nandele & A-Tweed dramatically reveal a very dierent sonic landscape that was initially suggested; DJ Sotofett collaborates with Sri Lankan artist Kavadi with results that are unlike anything in the Norwegian producer’s catalogue as yet.
Further invention can be found as Jean Redondo’s Hypersonic moves across spaces inhabited by digital hardcore and hyperpop before swerving o-road and into a futuristic hip-hop section; on No Longer Human, Ireen Amnes takes a dierent path at the crossroads melding hyperpop, trance, and sci-fi soundtrack atmospherics, Significant Other heads towards UK Bass and Dubstep, and France’s Willis Anne skims by the outskirts of footwork with a piece that is almost completely uncategorisable.
Yet more sonic experimentation comes from E-Saggila, Nadia Struiwigh, NVST, Solid Blake, and Viikatory who oer unique takes on the well-established electro blueprint, while Ryan James Ford, and Nit. both find ways to blend elements normally found in ambient pieces with those heard on a dancefloor.
The feel of the compilation is yet again reflected in the enigmatic artwork by Malik Arbab, where shapes and colours suggest animals and plants but in a world that appears to be transient and constantly evolving.

Repress!

After the enormous support received in previous releases, we believe that the time has come to give our music a bit of color and this time we have opted for green, the color of our natural habitat ... "La Jungla de Andalucía"

Sekret Chadow surprises us again and shows us the most sentimental side of him with his "I Love You Mommy" We can already imagine what this artist would be thinking about when creating this beautiful musical composition, a true tribute to one of the most important people in our life, without a doubt a track created with a lot of love, loaded with arpeggiated melodies, vocals, basses. and powerful breaks that create perfect harmony. Close your eyes and let yourself be hypnotized by the magic of his music.

Baymont Bross joins our family and we could not start in a better way than presenting this beautiful version of one of his greatest hits throughout his career "Enjoy Yourself" Do you remember those infinite closings at Carpas Yerbabuena? Are you one of those who danced in Mangueta Beach until dawn? Surely you once danced to this track and now we can relive those wonderful moments with this vocal version created on the occasion of the 10th anniversary and extended for this occasion. Welcome to the monkey family.

Adam Vyt brings us his track "Don´t Give Up" a message of strength and encouragement for the times. A track with piano melodies followed by an elegant line of atmospheres and basses, vocals and a powerful base with airs of Uk Garage, a mixture of styles that already define this artist. This track was previously released in digital version by the "Distorsion Records" label, making it one of the best tracks in Beatport's Top100. Never give up...!!!!

Case82 is back with us and this time with another of his most powerful tracks "Pump This Party" and that's how it is ... the party's pump .... !!!
Once again this Dutch artist shows us that his strength is pure Old School, a mixture of powerful bases, vocals, stabs and wonderful melodies with violins and piano to which he is already accustomed. This is "Lost in The Jungle"

After six illustrious vinyl releases behind them, Forbidden Dance takes this one deeply close to home. As a rising house name from Croatia, Laseech signs this harmonic and creamy house release iced with stellar vocals by Desney Bailey and backed up by two of the house heavyweights – Dego and Patrice Scott.


A1 The title track “Hey Love” is packed with effortless deepness in and out topped with smooth Bailey’s vocals dancing elegantly over chords and strings. Dazzling tuneage that resembles airy summer jam at your favourite beach spot.
A2 Dego is a man with a thousand sounds. And all of them are rich and impressive. His disco-funk spin on “Hey Love” is ploughed with heavy synths and sharp drums that culminate with a lush keyboard frenzy in the end.


B1 Patrice Scott’s ability to infuse introspective soul into machine sound is second to none. “Hey Love” goes through melodic morphosis which Patrice delivers so smoothly and tinges it with floor-oriented moves.
B2 Bailey’s vocals are the soul carrier of this release and it shows pretty much on “You See”. Hazy and melancholic, the track slowly burns under her looped vocals. Stripped, heart-aching and beautifully dimmed.

Dan Shake, Kaidi Tatham, Jamie 3:26 on Toy Tonics! Yes. Toy Tonics lead artist Cody Currie released his debut album on the Berlin label last year and now here come the remixes! Pure dancefloor joy is guaranteed with this release. The names speak for themselves. And they really made effective DJ weapons out of Cody's very organic sounding, warm, soul-driven jazzy house songs.

Cody by now doesn't need a big introduction anymore. He is one of the „hot“ names from London’s new house scene (even if he lives in Berlin) and being the only one who has made a collabo with Eliza Rose created a certain buzz not just in UK. (they recorded the tracks Danger, Moves, Night Sky released on Cody's debut album Lucas).

Since the album release Cody is playing worldwide solo shows but also along with DJs such as Honey Dijon, Parcels or Myd from Ed Banger.

This EP will make his album music more accesible for dancefloors. Amazing remixes...