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Only Ones - Special View LP

Only Ones

Special View LP

12inchMOVLP3582C
Music On Vinyl
05.09.2025
  • A1: Another Girl, Another Planet
  • A2: Lovers Of Today
  • A3: Peter And The Pets
  • A4: The Beast
  • A5: City Of Fun
  • A6: The Whole Of The Law
  • B1: Out There In The Night
  • B2: Someone Who Cares
  • B3: You've Got To Pay
  • B4: Flaming Torch
  • B5: Curtains For You
  • B6: From Here To Eternity

A compilation of the finest moments from the British punk rock pioneers Featuring "Another Girl, Another Planet", "Lovers of Today" & "Out There in the Night" "Another Girl, Another Planet", described by AllMusic as "arguably the greatest rock single ever recorded" and landing on Q Magazine's 100 Greatest Guitar Tracks Limited edition of 750 numbered copies on translucent red coloured vinyl Special View by The Only Ones is a 1979 compilation album tailored for the U.S. market, showcasing the best of the British band's early work.

Known for blending punk energy with power pop melodies and poetic lyricism, The Only Ones gained cult status in the late 1970s.

This release features standout tracks such as "Another Girl, Another Planet", "The Whole of the Law", and "No Peace for the Wicked", highlighting Peter Perrett’s distinctive vocals and the band's sharp musicianship. Special View serves as an accessible introduction to the band's unique sound, melding punk rock with romantic and introspective songwriting. Its influence can still be felt in indie and alternative rock circles today. A must-hear for fans of late-70s British rock, Special View remains a defining release in The Only Ones’ catalog. Special View is available as a limited edition of 750 numbered copies on translucent red coloured vinyl.

pre-order now05.09.2025

expected to be published on 05.09.2025

YOU SAID STRANGE - THOUSAND SHADOWS VOL.2

YOU SAID STRANGE

THOUSAND SHADOWS VOL.2

12inchXAGLPW42
Exag Records
05.09.2025

Second part of second album! Originating from Normandy, France, psychedelic noise-pop quartet You Said Strange presents a unique blend of indie rock that incorporates elements of psych pop-rock, shoegaze, and proto-grunge. Thousand Shadows volume 2, a second chapter was needed to highlight the many shadows that still linger everywhere. The shadows that linger on the borders, hiding the violence of the fights for them. The shadows that time has on the relationships and their persistence, because the shadows move. Plato's cave, modern version, would be the one of toxic relationships, antidepressants and the acceptance of the regression of freedom and/or the vision of a dying world... Between shoegaze, noise pop and psychedelic rock, You Said Strange absorbs its time to incant a music in which melancholy, love and the search for plenitude meet. The band recorded their first album, Salvation Prayer, in 2018 in Portland (USA), with Peter G. Holmstrom from The Dandy Warhols, which saw release via Fuzz Club Recirds. In 2022, the band shared their LP Thousand Shadows Vol. 1. Mythomaniac kings, the Mediterranean, the colors of mourning _ these are the detailed subjects, described against a backdrop of psychedelic pop, proto grunge, and shoegaze. The first part of a powerful, reverberant, melodious second album, drawing its inspiration and production stem from encounters during their 2022 European and North American tours, between Normandy, New York, and Oregon. Most recently, You Said Strange shared the second part of their sophomore release, a follow-up to Vol. 1 entitled Thousand Shadows Vol. 2.

pre-order now05.09.2025

expected to be published on 05.09.2025

Marja Ahti - Touch This Fragrant Surface of Earth

Marja Ahti is a Swedish artist living in Turku, Finland. She works with found sounds, objects and electronics, creating auditory assemblages that reveal a profound sensitivity to sound’s tactile potential. This new record sees her palette expand to include more recognisable acoustic instrumentation, albeit working in collaboration with musicians who are already reconfiguring how those instruments can sound.

Touch This Fragrant Surface of Earth has its roots in a tape piece presented at Lampo in Chicago. Ahti then started working with Isak Hedtjärn (clarinet), Ryan Packard (percussion) and My Hellgren (cello) at the electronic music studios (EMS) in Stockholm. Incorporating recordings from those sessions, Ahti presented a new iteration of the work at the Seventh Edition Festival for Other Music in February 2024 with the trio performing live on stage whilst Ahti helmed the mixing desk, spatialising a specially made tape part through the INA GRM’s Acousmonium speaker orchestra. The piece has since gone through several further iterations before arriving at the version we have here on the LP's B-side where immense bass pressure and high frequency tones buffer restless amplified breath and scrape that folds over itself with extraordinary dynamics and subterranean activity before giving way to gorgeous resonant forms and passages of ritual purpose and sheer, unmistakeable beauty.

The A-side is Touch This Fragrant Surface of Earth’s gentle double. Still Life with Poppies, Mirror and Two Clouds offers a companion reconfiguration of Ahti’s resynthesised percussion sustain and the same recordings of Hedtjärn and Hellgren from EMS, but here they’re nestled in a sonic landscape of calm and restraint that gives them a wholly other character. Ahti also draws on older recordings she’d made of Sholto Dobie’s diy pipe organs and uses these to create repeating patterns and flourishes of sliding pitches that emerge unexpected out of cycling passages of Ahti’s clear struck metal, destabilising electronic interventions and minimal piano figures.

Marja Ahti: “I’ve been fascinated with the kind of elemental quality the sounds I'm using have such as airy sounds or earthy, wooden sounds. These qualities can also be found in wind instruments and percussion and the musicians I worked with on Touch This Fragrant Surface of Earth are really good at enhancing these qualities in their playing. I wanted to have this connection between found sounds, field recordings, or pre-recorded sounds, objects, and material, and see where these sounds might meet each other, and hopefully blend is a natural way without a divide between instrumental music, or acoustic music, or electronic music. But also, when you bring in people they come with their personalities and their ideas which is also energizing and brings surprising things into the collaboration that I couldn't come up with myself. I was really interested in making this a proper collaboration and not just coming up with the piece and giving it to them. We had the sessions at EMS where we could share ideas and Isak, Ryan and My could bring in their own ideas. Making recordings there gave me time to process these ideas and to also approach them in the same way that I would work with any other sound.”

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Last In: 9 months ago
General Magic - Bosko LP

General Magic

Bosko LP

12inchEMEGO314V
Editions Mego
04.09.2025

Editions Mego presents Bosko, landing exactly 30 years after the initial General Magic flights into the fantastic; the legendary first Mego release, a collaboration with Pita whereby all sounds were harnessed from the buzzing, drinking, humming sounds of fridges MEGO 001 General Magic & Pita and a 12” with Elin called Die Mondlandung (The Moon Landing) MEGO 002 which embarked on a minimal techno template so austere and strange it was one of the historic progenitors of austere and wonky rhythms alongside Sakho and other European explorers.

The initial return of the playful and mystical Austrian outfit General Magic came with the 20th year anniversary vinyl reissue of their classic debut Frantz eMEGO 010. A record so audacious and playful it still baffles as much as it entertains. At some point whilst working on this reissue GM’s Ramon Bauer and Andi Pieper were spurred on to rummage around with ideas and tools once more and after more than two decades of inactivity sonic sorcery was conjured once again. Live shows in honour of Peter Rehberg were performed in Vienna and London. Softbop, a limited risograph collaboration with Tina Frank came with the first new recordings as a digital download came out discreetly online. The first full length album following Rechenkönig in 2000 MEGO 032 “Nein Aber Ja” released in 2023 on Finlay Shakespeare’s GOTO Records on CD and cassette. An ongoing series of mix tapes online further highlights their interests encapsulating a new found angle on electronic mayhem. All of these elements retain the wildly eclectic and ecstatic glow that only they can harness and hand out to an unprepared world.

Now, we have General Magic’s second official full length comeback recording, Bosko. The new album is initially notable prior to the needle hitting the wax or the cursor identifying a track due to the artwork. Made by long term collaborator Tina Frank, this is Frank’s first analogue artwork, with a painting of a happy/nervous machine thing hovering in a landscape of no discernible identity. It’s quasi science fiction hovering amongst the potential for fun. Suited to the music? Natürlich.

Bosko sees Bauer and Pieper update and reframe their original investigations with a fresh supply of head scratching, heart racing tunes that hit the inexplicable with a wild mesh of drums, pianos, synthetic voices and all manner of immaterial sonic play. Startling sonics shock the ears on Club Duchamp which sounds like a conversation between synthetic adult ants in an environment still in development. Elfer features vocals supplied by a female-ish voice who, whilst grappling melody, has trouble executing a firm identity. Noorenhalt catapults along a mainframe of syncopation so unwieldy it feels like the voice, which is utterly alien, provides the only comfort. Seite 5 inhabits a fuzzy zone where a synthetic Horn of Jericho type ambience competes with rhythms never quite sure of who they are. Rise of the Ombré raises the spectral dread. Is this Science Fact? Absolutely nothing within Bosko is predictable.

The amount of change in the miasma of existence and the things we touch in order to make things has shifted so exponentially we are at the point where minds are starting to glaze over. All of this makes the return of the always original, always surprising, always fresh and exciting General Magic totally in tune with the artificial intelligent apocalyptic age we currently inhabit. The tools may have changed but the wonderfully warped gaze of Bosko offers a fresh new vision of perplexing funk and robotic punk.

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Last In: 9 months ago
Various - HIP HOP COLLECTED - THE NEXT CHAPTER LP 2x12"
 
26
also available

Red & White Vinyl


Hip Hop Collected will take you on a musical journey through the history of hip hop. This 2LP covers the first 20 years of the genre, showcasing 25 early pioneers who participated in the rise of hip hop. This compilation features music from the new labels that started to rise from the underground scene, like Sugar Hill Records, Profile and of course Def Jam. Including artists that defined a genre, a lifestyle and most of all, artists that inspired millions of young kids with both socially critical lyrics as well as classic party anthems.

This hip hop compilation album is part of the new Collected compilation series, which is a collaboration between Universal Music and Music On Vinyl. The compilations bring together the biggest and best names of its genre, combined with forgotten hits and less discovered gems, giving the listener an experience of both nostalgia and uncovering new musical grounds at the same time.

The 2LP features Kurtis Blow “The Breaks”, Grand Master Flash & The Furious Five “The Message”, Beastie Boys “She’s On It”, Rob Base & DJ E-Z Rock “Get On The Dancefloor”, and Eric B. & Rakim “Paid In Full” amongst many others.

Hip Hop Collected is available as a limited edition of 5000 individually numbered copies on red (LP1) and white (LP2) coloured vinyl. The album includes an insert with liner notes, photos and credits.

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Last In: 3 months ago
Little Annie meets Night Foundation - Inertia (7")

A multidisciplinary artist, and avant-garde icon in her own right, Little Annie leaves little room for an introduction that is worthy of her prolific career. She has remained relevant for over four decades through her innate spirit of experimentation and the multiplicity of her genre-bending collaborations with artists traversing the globe such as Adrian Sherwood, Swans, The Wolfgang Press, Kid Congo, Current 93—the list goes on!

For this release, Noir Age is proud to present a 7” single of new material from Little Annie in collaboration with South Florida-based producer and label owner Richard Vergez, recording here under the moniker of Night Foundation. Annie and Richard met back in 2016 after a gig at the ICA in Miami through their mutual friend: Drew McDowall of Coil.

Sharing a requited spirit for visual art and music, they became fast friends and began collaborating, conjuring what you hear on this release: Inertia.

Edition of 300 records, each housed in a silkscreened, custom black 7" envelope jacket with newsprint insert.

Reviewed in The Wire magazine:

"Night Foundation is one of the current electronic projects envisioned by Florida's Richard Vergez. In this instance, his work is smooth and bassoid enough to have a vague dancefloor-friendly feel without being overtly prancy. This notion is enhanced by the presence of a dub B side, so things are not as dark as with most of Verge's projects. But they're still not sunny. Of course, Little Annie's lyrics and casual vocals have more in common with urban menace than sunshine pop, so the pairing works quite well."

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Last In: 9 months ago
Shania Twain - Greatest Hits 2x12"

Shania Twain veröffentlicht ihr rekordverdächtiges Greatest Hits Album erneut. Mit über 100 Millionen
verkauften Tonträgern ist Shania die meistverkaufte Country-Sängerin aller Zeiten, und diese Zusammenstellung zeigt, warum. Neben ihren Kult-Songs ”Man! I Feel Like A Woman!”, ”Any Man Of Mine”,
”You’re Still The One” und ”Forever And For Always” enthält diese überarbeitete und remasterte Version
nun auch ihren neuesten Hit ”Giddy Up!” und den Fan-Favoriten ”Life’s About To Get Good”.
Verfügbar ab dem 17.11.2023 als 2LP.

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Last In: 4 months ago
DJ 3000 - Shotë

DJ 3000

Shotë

12inchMT177
Motech
01.09.2025

DJ 3000 Redefines the Fusion of Detroit Techno and Albanian Identity on New EP Shotë
With over two decades of pushing boundaries, DJ 3000 returns with Shotë — a striking new EP that reaffirms his place at the crossroads of Detroit techno and global rhythm. Out soon on Motech Records, Shotë is a four-track, limited-edition release pressed onto 12” vinyl with vibrant jacket artwork that reflects both his cultural heritage and sonic evolution.
Named after a traditional Albanian folk dance, the title track Shotë anchors the record in deep, ancestral roots while remaining forward-facing, raw, and emotionally resonant. Shotë balances past, present, and future in equal measure.
“I’ve been making records for over 20 years, but I still approach every release like it’s my first. With Shotë, I wanted to honor where I come from without the music sounding nostalgic or dated. The culture’s in there, but the sound is timeless and alive.” —DJ 3000
Each track on the EP tells its own story:
• Shotë – a reimagining of a traditional Albanian rhythm, layered with tough grooves and hypnotic builds.

• Laya – built on hypnotic motion and rolling percussion, its haunting vocal textures hint at deeper rhythmic traditions.

• Lumni – from the Albanian word for “blessed,” it carries a spiritual weight wrapped in rhythm and resolve.

• Qilim – inspired by handwoven Albanian rugs, its detailed arrangement plays like sonic embroidery.

This EP is a continuation of DJ 3000’s mission: to merge deep roots with futuristic form. Shotë represents raw, focused techno that respects the past while refusing to stand still.

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Last In: 6 months ago
SHOOK - RPG LP

Shook

RPG LP

12inchEPI019
Epicenter
01.09.2025

hook releases a new LP “RPG” composed with one hand and Influenced by Retro Video Game and Japanese Ambient Music.

“RPG” is composed entirely with one hand. Despite breaking his other arm and being unable to play his synthesizers, Wijnands did not give up and created the EP, showcasing his determination and passion for music.

Wijnands says: “I have been listening to Nintendo soundtracks nonstop while creating this LP, and it really cheered me up when I just broke my arm.”

Besides Retro Video Game Music, “RPG” draws heavily from Japanese environmental, ambient and new age music from the 1980s.

“RPG” showcases Wijnands’ skill as a composer and his ability to create evocative and immersive musical landscapes. The songs have a similar minimalistic aesthetic, where less is more, and the focus is on creating a serene and meditative atmosphere through the use of delicate piano melodies, subtle electronic textures, and synthesizer sound recordings to mimic the sounds of nature.

Despite the challenges Wijnands’ faced during the creation of “RPG,” the LP proves that he is still pushing the boundaries of electronic music.

pre-order now01.09.2025

expected to be published on 01.09.2025

The 3 Chairs - Demigods

After seven years away, Detroit's supergroup 3 Chairs aka Kenny Dixon Jr., Marcellus Pittman, Rick Wilhite and Theo Parrish, returned in 2013 with 'Demigods', a superb EP that now gets repressed. Known for their loose, free-flowing jam style, the collective blended their distinct individual influences into four unique tracks. The title cut delivers raw, dynamic acid, 'Elephant Ankles' radiates Parrish's jazzy, polyrhythmic soul, '6 Mile' channels Moodymann's mechanical edge with playful bass and 'Celestial Contact' drifts into minimalist, atmospheric territory. The release captures the crew's spirit of freedom and experimentation and proves this cult outfit can craft music that's as fun to make as it is to hear. It's the sound of four producers at ease yet still pushing new creative edges.

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Last In: 5 months ago
Someone Still Loves You Boris Yeltsin - Broom (20th Anniversary Edition) LP
  • 1: Pangea
  • 2: I Am Warm & Powerful
  • 3: What'll We Do
  • 4: Travel Song
  • 5: Oregon Girl
  • 6: House Fire
  • 7: Yr Broom
  • 8: Anna Lee
  • 9: Anne Elephant
  • 10: Gwyneth

The members of Someone Still Loves You Boris Yeltsin couldn’t list a single music blog until their lo-fi MP3s and low-res JPEGs made them worldwide icons of Blogdom in 2005. Even Spin read an SSLYBY blog, downloaded their music and declared the Missouri band “could succeed The Shins as the band that will change your life."
 
Recorded in the attic and living room of guitarist Will Knauer's home, Broom, SSLYBY's debut record, is an expertly crafted indie pop gem.
 
Originally, SSLYBY had a simple ambition: to make the “Local Releases” bin at CD Warehouse. However, Broomturned into a classic rock ‘n’ roll record -- the kind where pop perfectionism meets studio experimentation and each track flows effortlessly. Seemingly innocuous pop songs are molded by happy accidents of fate -- sometimes involving unexplained swarming sounds and doubled drums tracks --into the warm, ethereal tracks that made the album into a sensation.
 
Originally self-released by the band to sell at shows, Broom was remastered and released via Polyvinyl in late 2006.

pre-order now29.08.2025

expected to be published on 29.08.2025

JACINTA SANCHES - PEDRO RAMOS - S/T

Black Vinyl LP with insert (including the story behind the album and lyrics with English translation)

After their first LP, in 1987, Pedro gathered his usual band, Carlos Sousa on keyboard, Bulimundo on drums, Nuno Santos and Zézé on lead and rhythm guitars, Augusto Rasta on bass, Daló on sax and finally Dalú on percussions, for yet another project, one that carried both their names: Jacinta Sanches - Pedro Ramos. Eight days, no more, that’s all Pedro Ramos and Jacinta Sanches needed inside the Estúdios Musicorde. The process was natural, as with all their music, memories recollected and arranged by Pedro on café napkins, rehearsed and perfected at home with Jacinta. Together they imagined music where Cape Verdean saudade could dance together with Kingston’s skank, two island hearts beating inside European concrete.

His name is Pedro Correia Ramos Varela, born in Praia, Santiago, Cabo Verde on April 6th 1954; her name is Jacinta Lopes Veiga Varela, born in Cidade Velha, Santiago, Cabo Verde on January 22nd 1959. The two met in Praia, where a few exchanged words turned into long evening conversations; conversations into friendship; friendship into love; and love into six wonderful children. After the independence of Cabo Verde, they got married in 1978 and moved to Portugal, where Pedro started working as a welder for Lisnave and playing the guitar in a band in Ramada. Trading shipyard sparks by day for the after-hours pulse of Cova da Moura, his love for music proved harder than steel. And in 1982, after seeing Bob Marley and Peter Tosh in Rotterdam, he opened his own Dancing Bar just below their house, a pioneering space for the promotion of reggae music in Portugal.

Their Dancing Bar kept its doors open from 1982 to 1994, seeing the release of two albums and more singles. To this day, Pedro and Jacinta are still making music, one the inspiration of the other. They define themselves as simple people, living happy without prejudice, friends with the world.

pre-order now29.08.2025

expected to be published on 29.08.2025

Blue Oyster Cult - Blue Oyster Cult LP
  • A1: Transmaniacon Mc
  • 2: I'm On The Lamb But I Ain 'T No Sheep
  • 3: Then Came The Last Days Of May
  • 4: Stairway To The Stars
  • 5: Before The Kiss, A Redcap
  • 1: Screams
  • 2: She's As Beautiful As A Foot
  • 3: Cities On Flame With Rock And Roll
  • 4: Workshop Of The Telescopes
  • 5: Redeemed

Released in 1972, Blue Öyster Cult’s eponymous debut failed to garner initial interest from the music-loving public upon release, but is now considered a must-have classic. The exceptional psychedelic hard rock album with stunning cover art, features songs such as "Cities On Flame With Rock And Roll", "Stairway to the Stars", and "Then Came the Last Days of May", all of which the band still plays regularly during its concerts. The band toured with artists such as The Byrds, Alice Cooper and the Mahavishnu Orchestra to support the album, which received a positive reaction from critics. The Village Voice called it "the tightest and most musical hard rock record since - dare I say it - Who's Next".

pre-order now29.08.2025

expected to be published on 29.08.2025

PHILEMON ARTHUR AND THE DUNG - PHILEMON ARTHUR AND THE DUNG
  • In Kommer Gösta
  • Du Är Min Ende Vän
  • Missan Spinner
  • Subjekt Och Predikat
  • Dyngan Rinner I Takt
  • Om Ni Tycker Jag Undviker Er
  • Ingenting I Din Hjärna
  • Stanna Där Ni Är
  • Naturen
  • Scoutvisan
  • Jag Vill Va I Fred
  • En Liten Stuga
  • Lille Pelle
  • Godda' Gösta
  • Min Hund
  • Blomman
  • Mor Anka
  • Men Va Fanken
  • Henning I Sin Presenning
  • Hedersmannen
  • All Makt Åt Folke
  • Den Sista Veckan
  • Får Jag Spy I Ditt Paraply?
  • Reinkarnerad Exakt Som Förut

Reissue of Philemon Arthur and the Dung's debut album, originally released in 1972. Comes with a bonus 12" where Philemon Arthur play a Bob Hund track, and Bob Hund play Philemon Arthur. Two still anonymous youngsters from Skåne, in the far south of Sweden are making music that divide music Sweden in two halves with their bold vocals, experimental lyrics and fantastic songs. Either you love them or the opposite. Clearly there are influences from early rock bands as Velvet Underground and Rolling Stones and others. But they make something completely of their own out of it with accordion, guitar, biscuit jars, granny's radiator and some other stuff. 1972 they were awarded a Swedish Grammis. Of course there was no one to receive it. The Grammy awards were shut down for 15 years after that.

pre-order now29.08.2025

expected to be published on 29.08.2025

SOUL MEDIA - MEMORY LANE LP

Soul Media, led by Jiro Inagaki, played a part in the development of jazz rock in Japan. This work, "Memory Lane" recorded in 1980, was the final work under the same name. Inagaki said about this work, "We tried to create this work while predicting the fate of fusion music" and it is true that the sound is completely different from ordinary fusion. The mellow and emotional "Memory Lane" the stormy and refreshing "I Will Give You Samba" and the groovy and edgy "Take My Hand". The sound that was created with his ally Norio Maeda, which looks , is of an extraordinary level of perfection in the songs, arrangements, and performances. It is a masterpiece that is still vivid and fresh when listened to today.

text by Yusuke Ogawa (UNIVERSOUNDS/DEEP JAZZ REALITY)

pre-order now29.08.2025

expected to be published on 29.08.2025

Texas Headhunters - Texas Headhunters (LP)
  • A1: Pocket
  • A2: Maggie Went Back To Mineola
  • A3: Everybody Loves You (When You're Down)
  • A4: Kathleen
  • A5: Fool Don't Play With Fire
  • A6: Headhunters Themea
  • B1: Gun Barrel Boogie
  • B2: Independence Day
  • B3: Seeing Around Corners
  • B4: Who Will Your Next Lover Be?
  • B5: Gimme Some Love
  • B6: Burnin' Daylight

Ian Moore, Johnny Moeller, and Jesse Dayton-three of Texas' fiercest fretmen-join forces at last as Texas Headhunters, a band born from deep roots, old friendships, and a shared reverence for the raw, swaggering spirit of Texas blues. Their self-titled debut isn't a nostalgia trip. It's a declaration.

Cut over five days at Willie Nelson's Pedernales Studio, 'Texas Headhunters' deals 12 tracks of grit, groove, and gut-level truth. No smoke, no mirrors-just seasoned musicians in a room, plugged in and turned up. The chemistry is real. The result is mind blowing. Clifford Antone looms large in the story of Texas Headhunters-the spiritual godfather of the project, and the man who first recognized the fire in each of its members. All three-Johnny, Jesse, and Ian-were among the last generation of young guns taken under his wing.

Texas Headhunters isn't just a summit of three badasses with guitars. It's a reclamation. A statement. A reminder that Texas blues, in all its grit and glory, still matters. It's not retro-it's revival. And it's not a tribute-it's a shot across the bow.

Format: Standard Jacket with printed sleeve with lyrics. Pressed on Opaque Red Vinyl.

pre-order now29.08.2025

expected to be published on 29.08.2025

TERESA TENG - Teresa Teng Best 10 LP
  • 1: Tsugunai
  • 2: Toki No Nagare Ni Mi Wo Makase
  • 3: Aijin
  • 4: Wakare No Yokan
  • 5: Kanashii Jiyuu
  • 1: Kuukou
  • 2: Furusato Wa Doko Desu Ka
  • 3: Onna No Ikigai
  • 4: Yoru No Ferry Boat
  • 5: Koibitotachi No Shinwa

Taiwanese pop stars Teresa Teng was enormously popular in Japan in the 70s and 80s!

It's been 20 years since it was released on CD in 2005. This definitive best album, which still boasts overwhelming popularity and contains 10 of
Teresa Teng's ultimate songs, has been released on analog for the first time with a transparent pink color record and a laminated flip-back cover on
the front cover! The sound quality is also the best, using a 96kHz/24bit master converted from DSD directly from the original master tape!

pre-order now29.08.2025

expected to be published on 29.08.2025

THE MONKS - BLACK MONK TIME

The Monks

BLACK MONK TIME

12inchMR486
MUNSTER
29.08.2025
  • Monk Time
  • Shut Up
  • Boys Are Boys And Girls Are Choice
  • Higgle-Dy Piggle-Dy
  • I Hate You
  • Oh, How To Do Now
  • Complication
  • We Do Wie Du
  • Drunken Maria
  • Love Came Tumblin' Down
  • Blast Off!
  • That's My Girl

Released exclusively in Germany in March 1966, "Black Monk Time" by The Monks has become a cult classic -praised as a groundbreaking forerunner to punk and krautrock. Though the album was overlooked at the time, its bold sound and sharp lyrics have earned it lasting influence and critical acclaim. The Monks were five American G.I.s stationed near Heidelberg, West Germany. Originally performing as a typical beat group under the name the 5 Torquays, they evolved into something far more radical. After discovering guitar feedback by accident and embracing a raw, percussive approach, they caught the attention of two German ad men-Walther Niemann and Karl Remy-who became their managers and helped reinvent their identity. Dressed in monks' robes with tonsured hair and noose neckties, the band developed a confrontational, rhythm heavy sound. Nowhere is this clearer than in the album's opening track, 'Monk Time,' which captures their entire aesthetic in under three minutes. A pounding, repetitive groove of bass and drums anchors the track, layered with distorted guitar bursts, percussive electric banjo, chaotic organ stabs, and unrestrained, shouted vocals. It's a declaration of intent-urgent, jarring, and unforgettable. Their sole studio album, produced by Jimmy Bowien and recorded in Cologne in late 1965, defied musical norms. From the explosive opener 'Monk Time' to the fierce 'Complication,' "Black Monk Time" rejected flower power for something more urgent-anger, humor, and innovation. At the time, Polydor Records deemed the music too radical for American audiences, delaying its U.S. release. Despite its initial commercial failure, the album is now seen as a pivotal moment in rock history-loud, strange, and unapologetically ahead of its time. The Monks' story is as unlikely as their sound: five ex-soldiers and two ad executives creating one of the most daring records of the '60s. The band never sparked the revolution they hinted at, but decades later, "Black Monk Time" still resonates. This is your chance to experience the album that dared to be different - don't miss it. Remastered sound from the tapes, pressed on 180g vinyl.

pre-order now29.08.2025

expected to be published on 29.08.2025

Astrid Sonne - GREAT DOUBT (ECO DIP COLOUR EDITION) LP

Astrid Sonne

GREAT DOUBT (ECO DIP COLOUR EDITION) LP

12inchESC192(ECODIP)
Escho
29.08.2025

“Great Doubt” is the third full length LP by Danish composer Astrid Sonne. Throughout her acclaimed discography, Astrid Sonne has been carefully crafting different moods through electronic and acoustic instrumental endeavours. On “Great Doubt” this skill is refined, now with the distinct addition of the composer's own vocal in front. The tone of each track is unmistakably Sonne’s, structured around contrasts through an impeccable sense of timing. Lyrics on the album are sparse, merely highlighting different scenes or emotional states of being, leaving the music to fill in the blanks. Yet they also form a pattern of ambiguity, consolidated through the album title, searching for answers through looking at how and what you are asking, questions for the world, questions of love. The viola, a trusted companion since Astrid Sonne’s youth, appears effortlessly throughout the album, fully integrated into the sonic universe; through a pizzicato driven arrangement in the poignant track “Almost” or along with booms and claps in mutated cinematic stabs during “Give my all”, paraphrasing Mariah Carey's 1997 ballad. Yet the string section also gives way to explorations of woodwinds, counterbalancing the bowed movements with digital brass and airy flutes. Finally, beats and detuned piano are fresh additions to the soundscape, cementing how Sonne’s practice is always evolving into new territories. In fall 2022, Astrid Sonne relocated from Copenhagen with its peers of artists such as ML Buch, Erika de Casier and Smerz, to live in London, where musicians of the South-East London scene like Coby Sey, Lolina, Still House Plants and Mica Levi provide a new inspirational framework. “Great Doubt” bears witness to both of those geographical locations, yet finds itself in its own unique space, in many ways due to the presence of Sonne's voice throughout. A voice that has always been present in her work, but never fully explored as a solo instrument before now. Astrid Sonne elaborates on the wish to work more in depth with the voice: “I come from a tradition of choir singing where I’ve used my voice as a way of creating unity with other voices. I’ve disciplined my voice in a certain way and this album is an exploration of me trying to find my own voice as an instrument, as a communicator, as a new way of being honest.” Questions take up a central role throughout the album. The doubt is both a blessing and a curse, always lying in-between, acting as both what holds back and drives forward. A metamorphosis not going anywhere. The great doubt takes place in a space of courage, chances, love, loss, gifts and surprises. Genre: Electronic / Experimental

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Last In: 7 months ago
Mekons - Horror

Mekons

Horror

12inchFIRELP770W
Fire Records
29.08.2025

Legendary postmodern, post punk, post human, past caring collective Mekons return with a brand-new album for 2025. Their first release on Fire Records, ‘Horror’ a collection of songs written in late 2022 but providing a horribly prescient reflection of the world in its current miasma and how we got here. ‘Horror’ looks at history and the legacies of British imperialism with mashed up lyrics set against a typically eclectic sound that amalgamates everything from dub, country, noise, rock & roll, electronica, punk, music hall, polka and you can even take your partner for a nice waltz on ‘Sad And Sad And Sad’. The roots of their global sound reflect their nomadic journey through time and space from Leeds to California in the West and Siberia in the East and is woven into the fabric and intricacies of their song creation… Sounding like The Chills and R.E.M circa the I.R.S Records years, ‘Mudcrawlers’ sees just about the whole band joining Jon Langford on vocals speaking of Irish famine and refugees journeying to Wales. ‘War Economy’ shivers in the cold of such Boroughs spiked one-liners: “Clinical coercion will not achieve dominance!” Sounding like its straight off a Jenny Holzer neon sign (she of Abuse Of Power Comes As No Surprise), it’s held together by a disgruntled swaggering riff that underpins an explosion of disquiet. Meanwhile, Rico takes the lead on the maliciously luscious ‘Fallen Leaves’ an appalled and appalling Hammer Horror take on climate breakdown reminiscent of Rolling Thunder Dylan, that recalls The Pogues at their most introspective, its Celtic twilightism augmented by Susie Honeyman’s keening violin as the dying sun sinks down and the river Styx flows on in the pitch black night. Almost 50 years in the making, these Mekons continue to astound, their sound, sentiment and method of delivery blended to perfection by bass player and studio wizard, Dave Trumfio. The Mekons are Jon Langford, Sally Timms, Tom Greenhalgh, Dave Trumfio, Susie Honeyman, Rico Bell, Steve Goulding, and Lu Edmonds. "Effortlessly eloquent post-punks" Pitchfork // “The Mekons are still vital” Rolling Stone // “The most revolutionary group in the history of rock ‘n’ roll,” Lester Bangs // UK Tour 8-15 May 2025 (including London, Manchester, Glasgow, and more).

pre-order now29.08.2025

expected to be published on 29.08.2025

Thavius Beck - Cosmic Noise 2x12"

Thavius Beck

Cosmic Noise 2x12"

2x12inch21UTRQDM14
U-Trax
26.08.2025

Since our first contact with NYC based producer Thavius Beck in 2018, he sent us over 100 unreleased tracks, or beats, as he calls them. 25 of them have been selected for releases on U-TRAX, good for over 2 hours of music, across this album and the Lovesick EP.

Growing up in LA, Thavius Beck entered the hip-hop scene as member of Global Phlowtations, and released several solo albums under the Adlib moniker. In later years, he released five albums under his own name on labels like Mush, Big Dada and Plug Research, and also produced albums for artists like Saul Williams and K‑the‑I???, and did some remixing for amongst others Nine Inch Nails.
Nowadays he combines making music with a career as a succesful certified Ableton and Bitwig trainer and as a music teacher at Berklee NYC.

The tracks vary in style a lot, but what they have in common is that they either are moody – in U-TRAX lingo: deep - or they are drum heavy. The common denominator would probably be 'experimental/instrumental hip-hop', reminiscent of producers like Flying Lotus. People have tried all sorts of comparisons to pinpoint Thavius' sound, ranging from 'between DJ Shadow and Orbital' and 'a mix of Massive Attack and The Orb'. None of these are spot on, yet quite a few of these tracks feel like a happy marriage between hip-hop beats and techno sounds.

Despite the fact that some tracks are 20 years old and have been made with widely different gear (one track was even made on a PlayStation 2), this selection sounds remarkably balanced, yet diverse.

From the irresistible single 'Lovesick/Still Sick' to the dark and massive 'Birdsong' (that echoes the sound of his popular song 'Atmos'), and from the head-nodding 'Work!' to the soothing 'Reunited With The All' - if this collection showcases anything, it's Thavius' brilliant production and composing skills, as well as his wizard-level sampling techniques. The result is a luscious electronic music album with a broad appeal.

Available on double 180 grams colored vinyl vinyl, comes in gatefold picture sleeve.

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Last In: 9 months ago
Various - Tectonic Sound / Vinyl 1

Various

Tectonic Sound / Vinyl 1

12inchTECLP027.1
Tectonic
25.08.2025

2025 marks 20 years of Tectonic, the pioneering dubstep and electronic label founded in 2005 by Bristol’s underground originator, DJ Pinch.
The Tectonic Sound compilation lays down the gauntlet for the future direction of the imprint. Split across 6 x 4-track 12”s, the compilation comprises many producers making their Tectonic debut, including Re:ni, Beatrice M., Yushh, Flora Yin-Wong, and Sicaria, alongside stalwarts like Om Unit, RSD, Peverelist and Kahn & Neek. It’s an exhilarating 24-track journey through experimental, bass-heavy electronic music, with almost all tracks created by the artists specifically with Tectonic's sound in mind - at the intersection where dubstep and techno meet.
“More so than just the sound, the music is in tune with the real ethos of the early dubstep scene,” - Label boss Pinch says: “People talk about 'heads in a scene - but it's led by hearts really. I've always tried to follow my heart when it comes to music and all the music here is from people I trust that do something worth communicating with the world. I love to watch and help artists grow just as much as I'm excited to release tracks from bigger names who are still passionate about what they do and have developed the powers and control to be able to output that effectively. It feels like Tectonic has been a part of so many communities over the years now, and that there is something that binds all the releases together, something that speaks for itself in a way that goes beyond words, something that's instinctive and immediate.”

Across Tectonic’s 150-strong catalogue there are seminal releases by 2562, Scientist, and Mumdance & Logos, side by side with appearances from Flying Lotus, Shed, Adrian Sherwood, Riko Dan and Photek. The label holds some of the earliest dubstep incantations of Skream, Digital Mystikz, and Joker as well as Pinch’s own productions. The evolution of the Tectonic sound branches into audio explorations encompassing sub-heavy techno and grimey soundscapes alongside leftfield electronica and future-facing beats. The common thread that binds is Pinch’s devotion to pushing underground music ahead of its time, always built to rattle a soundsystem

out of Stock

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Last In: 9 months ago
Various - Tectonic Sound / Vinyl 2

Various

Tectonic Sound / Vinyl 2

12inchTECLP027.2
Tectonic
25.08.2025

2025 marks 20 years of Tectonic, the pioneering dubstep and electronic label founded in 2005 by Bristol’s underground originator, DJ Pinch.
The Tectonic Sound compilation lays down the gauntlet for the future direction of the imprint. Split across 6 x 4-track 12”s, the compilation comprises many producers making their Tectonic debut, including Re:ni, Beatrice M., Yushh, Flora Yin-Wong, and Sicaria, alongside stalwarts like Om Unit, RSD, Peverelist and Kahn & Neek. It’s an exhilarating 24-track journey through experimental, bass-heavy electronic music, with almost all tracks created by the artists specifically with Tectonic's sound in mind - at the intersection where dubstep and techno meet.
“More so than just the sound, the music is in tune with the real ethos of the early dubstep scene,” - Label boss Pinch says: “People talk about 'heads in a scene - but it's led by hearts really. I've always tried to follow my heart when it comes to music and all the music here is from people I trust that do something worth communicating with the world. I love to watch and help artists grow just as much as I'm excited to release tracks from bigger names who are still passionate about what they do and have developed the powers and control to be able to output that effectively. It feels like Tectonic has been a part of so many communities over the years now, and that there is something that binds all the releases together, something that speaks for itself in a way that goes beyond words, something that's instinctive and immediate.”

Across Tectonic’s 150-strong catalogue there are seminal releases by 2562, Scientist, and Mumdance & Logos, side by side with appearances from Flying Lotus, Shed, Adrian Sherwood, Riko Dan and Photek. The label holds some of the earliest dubstep incantations of Skream, Digital Mystikz, and Joker as well as Pinch’s own productions. The evolution of the Tectonic sound branches into audio explorations encompassing sub-heavy techno and grimey soundscapes alongside leftfield electronica and future-facing beats. The common thread that binds is Pinch’s devotion to pushing underground music ahead of its time, always built to rattle a soundsystem

out of Stock

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Last In: 9 months ago
Various - Tectonic Sound / Vinyl 3

Various

Tectonic Sound / Vinyl 3

12inchTECLP027.3
Tectonic
25.08.2025

2025 marks 20 years of Tectonic, the pioneering dubstep and electronic label founded in 2005 by Bristol’s underground originator, DJ Pinch.
The Tectonic Sound compilation lays down the gauntlet for the future direction of the imprint. Split across 6 x 4-track 12”s, the compilation comprises many producers making their Tectonic debut, including Re:ni, Beatrice M., Yushh, Flora Yin-Wong, and Sicaria, alongside stalwarts like Om Unit, RSD, Peverelist and Kahn & Neek. It’s an exhilarating 24-track journey through experimental, bass-heavy electronic music, with almost all tracks created by the artists specifically with Tectonic's sound in mind - at the intersection where dubstep and techno meet.
“More so than just the sound, the music is in tune with the real ethos of the early dubstep scene,” - Label boss Pinch says: “People talk about 'heads in a scene - but it's led by hearts really. I've always tried to follow my heart when it comes to music and all the music here is from people I trust that do something worth communicating with the world. I love to watch and help artists grow just as much as I'm excited to release tracks from bigger names who are still passionate about what they do and have developed the powers and control to be able to output that effectively. It feels like Tectonic has been a part of so many communities over the years now, and that there is something that binds all the releases together, something that speaks for itself in a way that goes beyond words, something that's instinctive and immediate.”

Across Tectonic’s 150-strong catalogue there are seminal releases by 2562, Scientist, and Mumdance & Logos, side by side with appearances from Flying Lotus, Shed, Adrian Sherwood, Riko Dan and Photek. The label holds some of the earliest dubstep incantations of Skream, Digital Mystikz, and Joker as well as Pinch’s own productions. The evolution of the Tectonic sound branches into audio explorations encompassing sub-heavy techno and grimey soundscapes alongside leftfield electronica and future-facing beats. The common thread that binds is Pinch’s devotion to pushing underground music ahead of its time, always built to rattle a soundsystem

out of Stock

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Last In: 9 months ago
Various - Tectonic Sound / Vinyl 4

Various

Tectonic Sound / Vinyl 4

12inchTECLP027.4
Tectonic
25.08.2025

2025 marks 20 years of Tectonic, the pioneering dubstep and electronic label founded in 2005 by Bristol’s underground originator, DJ Pinch.
The Tectonic Sound compilation lays down the gauntlet for the future direction of the imprint. Split across 6 x 4-track 12”s, the compilation comprises many producers making their Tectonic debut, including Re:ni, Beatrice M., Yushh, Flora Yin-Wong, and Sicaria, alongside stalwarts like Om Unit, RSD, Peverelist and Kahn & Neek. It’s an exhilarating 24-track journey through experimental, bass-heavy electronic music, with almost all tracks created by the artists specifically with Tectonic's sound in mind - at the intersection where dubstep and techno meet.
“More so than just the sound, the music is in tune with the real ethos of the early dubstep scene,” - Label boss Pinch says: “People talk about 'heads in a scene - but it's led by hearts really. I've always tried to follow my heart when it comes to music and all the music here is from people I trust that do something worth communicating with the world. I love to watch and help artists grow just as much as I'm excited to release tracks from bigger names who are still passionate about what they do and have developed the powers and control to be able to output that effectively. It feels like Tectonic has been a part of so many communities over the years now, and that there is something that binds all the releases together, something that speaks for itself in a way that goes beyond words, something that's instinctive and immediate.”

Across Tectonic’s 150-strong catalogue there are seminal releases by 2562, Scientist, and Mumdance & Logos, side by side with appearances from Flying Lotus, Shed, Adrian Sherwood, Riko Dan and Photek. The label holds some of the earliest dubstep incantations of Skream, Digital Mystikz, and Joker as well as Pinch’s own productions. The evolution of the Tectonic sound branches into audio explorations encompassing sub-heavy techno and grimey soundscapes alongside leftfield electronica and future-facing beats. The common thread that binds is Pinch’s devotion to pushing underground music ahead of its time, always built to rattle a soundsystem

out of Stock

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Last In: 9 months ago
Various - Tectonic Sound / Vinyl 5

Various

Tectonic Sound / Vinyl 5

12inchTECLP027.5
Tectonic
25.08.2025

2025 marks 20 years of Tectonic, the pioneering dubstep and electronic label founded in 2005 by Bristol’s underground originator, DJ Pinch.
The Tectonic Sound compilation lays down the gauntlet for the future direction of the imprint. Split across 6 x 4-track 12”s, the compilation comprises many producers making their Tectonic debut, including Re:ni, Beatrice M., Yushh, Flora Yin-Wong, and Sicaria, alongside stalwarts like Om Unit, RSD, Peverelist and Kahn & Neek. It’s an exhilarating 24-track journey through experimental, bass-heavy electronic music, with almost all tracks created by the artists specifically with Tectonic's sound in mind - at the intersection where dubstep and techno meet.
“More so than just the sound, the music is in tune with the real ethos of the early dubstep scene,” - Label boss Pinch says: “People talk about 'heads in a scene - but it's led by hearts really. I've always tried to follow my heart when it comes to music and all the music here is from people I trust that do something worth communicating with the world. I love to watch and help artists grow just as much as I'm excited to release tracks from bigger names who are still passionate about what they do and have developed the powers and control to be able to output that effectively. It feels like Tectonic has been a part of so many communities over the years now, and that there is something that binds all the releases together, something that speaks for itself in a way that goes beyond words, something that's instinctive and immediate.”

Across Tectonic’s 150-strong catalogue there are seminal releases by 2562, Scientist, and Mumdance & Logos, side by side with appearances from Flying Lotus, Shed, Adrian Sherwood, Riko Dan and Photek. The label holds some of the earliest dubstep incantations of Skream, Digital Mystikz, and Joker as well as Pinch’s own productions. The evolution of the Tectonic sound branches into audio explorations encompassing sub-heavy techno and grimey soundscapes alongside leftfield electronica and future-facing beats. The common thread that binds is Pinch’s devotion to pushing underground music ahead of its time, always built to rattle a soundsystem

out of Stock

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Last In: 8 months ago
Various - Tectonic Sound / Vinyl 6

Various

Tectonic Sound / Vinyl 6

12inchTECLP027.6
Tectonic
25.08.2025

2025 marks 20 years of Tectonic, the pioneering dubstep and electronic label founded in 2005 by Bristol’s underground originator, DJ Pinch.
The Tectonic Sound compilation lays down the gauntlet for the future direction of the imprint. Split across 6 x 4-track 12”s, the compilation comprises many producers making their Tectonic debut, including Re:ni, Beatrice M., Yushh, Flora Yin-Wong, and Sicaria, alongside stalwarts like Om Unit, RSD, Peverelist and Kahn & Neek. It’s an exhilarating 24-track journey through experimental, bass-heavy electronic music, with almost all tracks created by the artists specifically with Tectonic's sound in mind - at the intersection where dubstep and techno meet.
“More so than just the sound, the music is in tune with the real ethos of the early dubstep scene,” - Label boss Pinch says: “People talk about 'heads in a scene - but it's led by hearts really. I've always tried to follow my heart when it comes to music and all the music here is from people I trust that do something worth communicating with the world. I love to watch and help artists grow just as much as I'm excited to release tracks from bigger names who are still passionate about what they do and have developed the powers and control to be able to output that effectively. It feels like Tectonic has been a part of so many communities over the years now, and that there is something that binds all the releases together, something that speaks for itself in a way that goes beyond words, something that's instinctive and immediate.”

Across Tectonic’s 150-strong catalogue there are seminal releases by 2562, Scientist, and Mumdance & Logos, side by side with appearances from Flying Lotus, Shed, Adrian Sherwood, Riko Dan and Photek. The label holds some of the earliest dubstep incantations of Skream, Digital Mystikz, and Joker as well as Pinch’s own productions. The evolution of the Tectonic sound branches into audio explorations encompassing sub-heavy techno and grimey soundscapes alongside leftfield electronica and future-facing beats. The common thread that binds is Pinch’s devotion to pushing underground music ahead of its time, always built to rattle a soundsystem

out of Stock

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Last In: 8 months ago
THE	REDS, PINKS AND PURPLES - STILL CLOUDS AT NOON
  • All Night
  • Happiness All Around
  • Violent Pictures
  • The Future's Just More Of The Same
  • Walking-Away World
  • Still Clouds At Noon
  • Everything You Ever Loved
  • Walk Through Any Wall
  • The House They Went Past
  • Writing Songs

Recorded as part of the same daydreaming puzzle as Unwishing Well, Still Clouds at Noon brings out the slowcore/sadcore elements that drift through The Reds, Pinks & Purples' melancholy catalog. Donaldson names '90s hometown San Francisco acts such as American Music Club and the more obscure Timco as pivotal to his guitar playing and development as a songwriter, both of which shine bright here. The slower tempo ballads on Still Clouds_ often culminate in heavy fuzz drenched codas and showcase the more abstract poetic side of Donaldson's lyricism. There's an inherent pop-sensibility always at work though, with ear-worm melodies appearing over intoxicating circular riffs. Formerly a Bandcamp only digital release, this white vinyl version is remastered and adds two unreleased tracks, one featuring Mark Monnone from Australian pop-legends The Lucksmiths on bass. Strictly limited edition of 500 ww.

pre-order now23.08.2025

expected to be published on 23.08.2025

PRINZ EZO - KURIER

PRINZ EZO

KURIER

12inchTNLP02
Tech-Nology
22.08.2025

Tech-Nology was launched in 2003 specifically to make records with the artist Bjorn Svin. Bjorn was the first Danish artist who made underground crossover into commercial hit territory via "Mer Strom" - but still keeping respect in the "real" music world for his enthusiasm, non-compromising style, persona, and sweaty live performance skills - his musical understanding and need to explore new directions took the crowd on a personal musical journey from jazz and classical musicians to early electronic pioneers - but always in a tone of his own. Bjorn always felt a need to escape norms, to grow and not to repeat, but investigate and create. The first record on Tech-Nology was born under the alias - El Far: Couples of lonely dancers. "Bjorn is maybe the most talented electronic producer ever in Denmark" and he was celebrated as a wonder kid by the media back in the 90's. An insider with new knowledge of Bjorn told us: "Yeah I think its good music.. It's not for everyone I must add, but it's definitely quality music for those who dig this sound.. sometimes a bit too deep.. which kind of works against it, cause you really need to listen to it.. you cannot just skip through it, cause then you don't really grasp the soul of it.. so this is what makes it more difficult to sell - but if a guy like this was a bigger name he would sell much better.."

We love Bjorn and we agree - We have tried to sell Bjorn and his music for over 2 decades now - But you can't capture Bjorn, you can't own him - he is only making music for himself - and you can get on the ride if you want to, but don't expect all the rides to be fun - sometimes it hurts! Bjorn is difficult to sell, but we don't think Bjorn really would like to sell much better if he had the option to do a more commercial approach to his music - because Bjorn is about not selling out, he's a purist at heart, making music documents for the few. Bjorn is bigger than superficial success and streaming numbers. He made jingles for Nokia, toured and played Roskilde's main stage, the biggest Festival in Denmark, but he still doesn't care... and that is important if you want to make interesting music that last for the future. When Bjorn met Mester Jakobsen, label boss of Tech-Nology, he has been releasing on numerous underground labels, made the jump to a major label, and everything more or less turned out as a big disappointment, so Bjorn presented a completely experimental album to the Tech-Nology label under the moniker Prinz Ezo - The Body Offset. We loved it then - we still love it now - and a truly collectors item and a secret DJ tool.

Today, Bjorn is still breaking all habits and rules, still doing the same thing - just in new ways, but he has gained insight on another level, adding even more nuances and textures to his post-genre compositions.

Welcome to the second album by Prinz Ezo on Tech-Nology: KURIER Why Kurier? Because Bjorn left to explore the Berlin Underground, shortly after the first two releases on Tech-Nology - he left his roots to search for a bigger meaning, a bigger understanding, to compose real mature sounds and understanding his skills, at the point where you understand why you have to cross borders, still incognito, doing smuggler-sounds, always in transit - between cities, between cultures, between worlds, time and space. Not Restless nor rootless, just forever on the move, always discovering new landscapes! But now Bjorn is settling down - accordingly with the music - to find - not inner peace, but to be completely in balance with the music inside of him. Prinz Ezo is raw, narrative, minimalistic electronic storytelling that refuses to freeze. Tension builds and releases - feel the energy and the drama for the last 2 decades if you dare to take the journey?

Almost twenty years after the first Prinz Ezo album, it has now been possible to make the music for those who never arrived.

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Last In: 9 months ago
The Underground Solution - Luv Dancin

Absolutely ESSENTIAL record right here - The Underground Solution aka The 'S' Man aka the legendary Roger Sanchez is a name that you should all be familiar with by now, and his 1990 ANTHEM 'Luv Dancin' is an NYC deep house benchmark. That's right, this originally came out in 1990. That's a heck of a long time ago. Thing is, this record, when played at the right time will still cause maximum damage in the club. Riffing on disco classic 'Is it all over my face' and with elements of 'The bottle' interspersed with a deep, rolling garage bassline and dreamy keys and pads Sanchez crafted a solid gold cut, a timeless piece of dance music that still inspires today and is often imitated yet obviously never bettered! The flipside cuts 'Deep in my mind' and 'Afterthought' are also sublime exercises in the deepness, The 'S' Man's trademark eerie pads, bleeps and dope drum programming evident throughout, making these tracks huge hits from NYC to Sheffield and beyond! This whole EP is flawless and if you dig the deeper side of this stuff then you're in for a treat - Now's your chance to bag a bonafide, hands down classic record!
'Luv Dancin' has been skilfully remastered from all original master sources and fully licensed and reissued officially for 2017.

out of Stock

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Last In: 6 months ago
Billy Joel - Greatest Hits Volume I & II 2x12"

Manche Alben sind mehr als bloße Hit-Sammlungen - sie sind Zeitkapseln. Greatest Hits Volume I & II gehört genau dazu. Ursprünglich 1985 veröffentlicht, bündelt diese Doppel-LP über ein Jahrzehnt Popgeschichte. Vom schwelgerischen Storytelling in "Piano Man" über die Ironie von "It's Still Rock and Roll to Me" bis zur emotionalen Wucht von "Just the Way You Are": Billy Joel erzählt darin nicht nur seine eigene Geschichte, sondern auch die einer ganzen Generation.

Das Album wurde weltweit millionenfach verkauft, mehrfach mit Platin ausgezeichnet und gilt heute als eines der erfolgreichsten Greatest-Hits-Alben aller Zeiten. Es zeigt Joel als Songwriter, Performer und Chronist des Alltags - mal romantisch, mal bissig, immer unverwechselbar.

Mit der Reissue erscheint dieser Klassiker nun neu remastert auf hochwertigem Vinyl. Die Tracklist umfasst alle Schlüsselwerke der Jahre 1973 bis 1985, darunter auch Studio-Neuaufnahmen wie "You're Only Human (Second Wind)" und "The Night Is Still Young". Diese Veröffentlichung ist die ideale Einstiegstür für Neuentdecker und ein wertvolles Sammlerstück für langjährige Fans.

pre-order now22.08.2025

expected to be published on 22.08.2025

Ash Ra Tempel - Ash Ra Tempel LP

Ash Ra Tempel

Ash Ra Tempel LP

12inchMG.ART611
MG.ART
22.08.2025

2025 Repress


Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel. It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.

This 50Th Anniversary Album will be Released in Memoriam of all the Musical Contributors to this Release and on Manuel Göttsching´s MG.ART label. It´s the fourth and headlining edition in this series and was finalised, carefully overseen by Manuel Göttsching himself in the late Autumn of 2022.

Much has been written about the record and band.

Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many, became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":

Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".

"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.

"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)

AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."

Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:

"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.

On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.

Thank you for your attention."
(Taken from the original A-R-T Bio 1970)


Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.

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Last In: 9 months ago
Ash Ra Tempel - Ash Ra Tempel LP

Ash Ra Tempel

Ash Ra Tempel LP

12inchMG.ART611TV
MG.ART
22.08.2025
 
2
also available

black EP


2025 Repress

Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel. It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.

This 50Th Anniversary Album will be Released in Memoriam of all the Musical Contributors to this Release and on Manuel Göttsching´s MG.ART label. It´s the fourth and headlining edition in this series and was finalised, carefully overseen by Manuel Göttsching himself in the late Autumn of 2022.

Much has been written about the record and band.

Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many, became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":

Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".

"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.

"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)

AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."

Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:

"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.

On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.

Thank you for your attention."
(Taken from the original A-R-T Bio 1970)


Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.

out of Stock

Order now and we will order the item for you at our supplier.


Last In: 9 months ago
Inner Life - Inner Life

Inner Life

Inner Life

2x12inchSA8543
Salsoul
22.08.2025

Jocelyn Brown should need no introduction at this stage, one of the US's most respected vocalists famed for bringing the gospel edge into contemporary R&B and soul music. Brown was the voice behind the celebrated Disco and Boogie outfit Inner Life, whose 1981 self-titled LP you currently hold in your hands in the form of this luxurious reissue.

Cutting 2 LP's for the label in the early 1980's, Inner Life came
strong with club hit after hit, working with the top producers, mixers, arrangers and studios of the day the group were gaining cult status with their records becoming the taste of the dancefloors at the Garage, the Loft, the Warehouse and everywhere and anywhere else in-between! It's no surprise then, that these records are still coveted by music lovers and DJ's today, classic status bestowed upon this most soulful of catalogues.

A truly essential package for the die-hard Disco aficionado or for those who are exploring this most important movement in dance music for the first time. Curated with the full input and backing of Salsoul Records and carefully repressed across 2x12"s for maximum sonic playback. For listening, for dancing, for turning on a party!

Remastered by Optimum Mastering. Fully authorised and approved by Salsoul Records. Worldwide distribution by Above Board.

out of Stock

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Last In: 8 months ago
THE SHADOW RING - HOLD ONTO I.D.
  • Watch The Water
  • The Way Of The World
  • Coombe House
  • Wash What You Eat
  • Like When
  • Basic Everyday Life
  • Hold Onto I.d

Recorded from late 1996 through early 1997, Hold Onto I.D., The Shadow Ring's fourth album, marks the apogee of the trio's experimental rock epoch - their last record clinging to their factitious bandness before they let all song and structure go awash in sonic malaise for their final run of releases on Swill Radio. The surrealist dreams of City Lights and Put the Music in Its Coffin give way to pseudo-expressionistic lyrics mired in the banality and bleakness of the everyday, set against the backdrop of the Coombe House (as pictured on the album's cover). While Hold Onto I.D. is the group's most overtly autobiographical release to date, Lambkin's lyrics obfuscate his expressionist tendencies filtering them through the codes and languages of officialdom, linking the "inner self" with documents of the state_identification cards, National Insurance numbers, and British passport numbers. Having moved out of their parents' homes and into the top floor of the famed Coombe House, Graham Lambkin and Darren Harris set out to rework material drafted over the previous year, aided by Tim Goss, still safely in residence at the "Valebrook Inn." While the familiar sounds of Harris's deadpan recitation and Lambkin's electric guitar, amateurishly strummed, dominate the album, the emotive interludes of Goss's keyboards populate the record along with of home-cooked tape experiments and dime-store concrète. Originally released on CD and supported by a US tour with friends Scott Foust and Karla Borecky's Idea Fire Company, Hold Onto I.D. is perhaps the band's best-known and most accessible album. (The Shadow Ring's sole representative on a streaming platform, it was once acknowledged by the Guardian as one of "the 101 strangest records on Spotify.") Offered here for the first time on vinyl, Hold Onto I.D. is an essential album for both completists and the uninitiated alike. Throughout their legendary, decade-long run, the Shadow Ring were an enigmatic force on the international musical sub-underground. Before their disbandment in 2002, this shambolic rock outfit, formed by a group of rowdy teenagers in southeast England, left behind a mighty run of eight LPs, a handful of 7"s, and a spate of raucous live shows and cryptic zine appearances on both sides of the Atlantic, all which have bolstered their enduring word-of-mouth mystique. Beginning in 2023 with the first-ever vinyl pressing of the self-released pre-Shadow Ring tape The Cat & Bells Club (1992), Blank Forms Editions has been conducting a systematic retrospective of the storied group. Wax-Work Echoes and Hold Onto I.D. are the latest releases in a multiyear reissue effort that includes several LPs, a comprehensive CD box set, and a nearly five-hundred-page book.

pre-order now22.08.2025

expected to be published on 22.08.2025

TOR LUNDVALL - BEAUTIFUL ILLUSIONS

LTD. CLEAR BLUE VINYL

New York painter and musician exploratory industrialist Tor Lundvall initially envisioned his 14th album, Beautiful Illusions, as an entirely instrumental affair, "inspired by memories of sitting in a church or cathedral watching the shifting sunlight through stained glass." Although he ultimately chose to wreath the majority of the tracks with hushed, poetic vocals, his original muse still resonates. These are certainly songs of shadowplay and vaulted skies, the quiet grandeur of dusk deepening on the horizon. Lundvall characterizes the lyrical subject matter, too, in ways both specific and surreal, exploring "the doubts, the anxieties and even the bleak fantasies the mind spirals into during moments of isolation, separation and distance." Tricks of the eye, mind, and ear, magnified by silence and the looming long winter. Shivering pulses and muted bass lines tread the twilight while icicle synths and wiry guitar map the melody until the voice enters, narrating oblique moods of essence and absence, tenderness and truth. Glimpses of dark humor flicker in the wordplay but the greater sonic landscape is one of falling leaves and failing light, small gestures rendered as revelation, cloaked in reverb and spatial fog. Lundvall's mastery of nuance and negative space continues to heighten, whispered brushstrokes of the invisible and the unsaid, what lies beneath and what lies beyond: "Behind the shields and false fronts is usually a sadness. The heartbreaking reflections of what might have been."

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Last In: 9 months ago
FaltyDL - Neurotica LP

FaltyDL

Neurotica LP

12inchZIQ475X
Planet Mu Records
19.08.2025

It’s been ten years since Drew Lustman aka FaltyDL last released on Planet Mu. In the meantime he's been running his own label Blueberry Records, been in-house producer for Mykki Blanco and has become a dad. The best things come out of play and it was Drew’s relationship with his young daughter that switched on this playful side of his music. The album in question, ‘Neurotica,’ expresses Drew’s fun in creating such energetic pieces people will want to move to. It's a dizzying sugar-rush at a high-speed bounce; the music is fresh and inviting and most important of all, joyful."Summer of ’24, we were in Catalonia. My girl, our young daughter, the old folks. Days by the village pool, afternoons on the dirtbike. At night, I made salads. Simple things. Good things. One afternoon, lying back, phone in hand, I saw a friend post a GRWM. The music behind it stopped me. A song grabbed hold. The track was ‘Secret’ by Mietze Conte, which is fast-paced euro-pop dance music, like soft fluffy gabber with childlike vocals. I hunted down the full version. Played it again. And again. Twenty times over the next few days. It unlocked something. The best music does that. Like the first time I heard Burial. Had to know what was happening under the surface. That time, it led to ‘Love Is A Liability’ in 2009. This time, it led to ‘Neurotica.’“ “I started to record, getting down fast, bright, sugar-rush sounds. 185 to 200 BPM. I wrote them quick—half a day per track. In between, I slowed things down. Gave space for breath. Mike Paradinas helped shape the album, his ear guiding the flow. I tested the tracks. Played them for kids barely out of diapers and grown folks who still move like they are. It worked, on all ages. I kept it simple. Only two rules: keep it moving and don’t look at my phone. Cut the vocals like I used to.” ‘Neurotica’ is FaltyDL with his mojo refreshed, a new life squared, do yourself a favour, crack a smile and feel the joy.

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Last In: 9 months ago
ALAN SPARHAWK - WITH TRAMPLED BY TURTLES

No one can help you build something beautiful quite like those who know you best. Alan Sparhawk knows this well. In his years in Low, he built decades of stirring music with his wife and lifelong creative partner Mimi Parker. In recent years, he has performed around Minnesota with his son Cyrus in DERECHO Rhythm Section, a funk band that also frequently features his daughter Hollis on vocals. There's an irreplaceable naturalism that comes with this kind of dynamic. Those who know you understand you. They love you. They want to help you bring your greatest passions to fruition. So it made sense that Sparhawk would turn to fellow Duluth musicians Trampled by Turtles to realize his latest record. As friends and mentees of Low's, taken under Sparhawk and Parker's wing from their earliest days as a bar band, Trampled by Turtles have performed with Sparhawk countless times over the years. The Duluth ties run deep: "There's a certain vibe that has to do with underdog syndrome, coming from a small town," Sparhawk muses. "Some of it is the weird grind and slackness that being at the mercy of Mother Nature puts in you. It humbles you." The two artists hold the kind of ironclad bond. Following Parker's passing in 2022, Trampled by Turtles invited Sparhawk to join them on tour to give him a space to be surrounded by friends. Occasionally, he would join them onstage. The outpouring of love was palpable every time they played together, a surge of warmth. When playing together is that powerful, why stop there? In winter, 2024, Sparhawk and Trampled by Turtles created With Trampled by Turtles, a record exactly as its name implies: Collective. Communal. Fraternal. Empathetic. A vessel for comfort, a reminder of the harmony that can exist when surrounded by those closest to you. Where White Roses, My God, Sparhawk's last album, plunged headfirst into electronica and radical vocal modulation, With Trampled by Turtles leans into the folk and bluegrass stylings of its backing band, Sparhawk's voice now completely unvarnished. With Trampled by Turtles is far more than just Alan Sparhawk and Trampled by Turtles. It's an affirmation of all the people who have been vital in Sparhawk's life and music, and an opportunity to hold each of their gifts into the light. It's producer Nat Harvie, who has been collaborating and performing with him for years. It's Sparhawk's daughter Hollis, who duets with her father on "Not Broken." And it's Mimi Parker, too: "Too High," "Princess Road Surgery," and "Not Broken" were all tracks she and Sparhawk had been working on in the last few years. These songs finally found a setting that stirringly commemorates them, bolstered by a full ensemble to make every note sing. Their presence is a kind of eternal connection to Parker, a way her musical grace will keep flourishing.

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Last In: 9 months ago
Chantay Savage - Still
  • Still (7" Mix)
  • Still (7" Instrumental Mix)

Known for her timeless voice and emotive delivery, Chantay brings soulful elegance to
a modern groove - blending classic R&B sensibilities with contemporary production.
This release marks a powerful moment of refection, resilience, and growth, perfectly
suited for lovers of real soul music and fans of artists like Jill Scott, Angie Stone, and
H.E.R.
Return of legendary 90's R&B talent Chantay Savage.
Still is a certifed modern soul classic gaining huge support from the scene since
it's digital release.
Produced by Chicago house music legend Terry Hunter & James Poyser (The
Roots)

pre-order now18.08.2025

expected to be published on 18.08.2025

Francesca Marongiu - Still Forms in Air (TAPE)

Still Forms in Air is the debut album by Italian composer Francesca Marongiu under her own name. It draws inspiration from mid-1980s Japanese ambient music — Hiroshi Yoshimura, Satoshi Ashikawa, Takashi Kokubo — and, more subtly, from Italian experimental echoes rooted in both personal and cultural memory.

The album unfolds like suspended time, like architecture that quietly bears witness to the shifts that have shaped our cities and the ways we live in them. These tracks reflect an emotional and urban landscape, shaped by a gaze cast upon the mid-1980s and early ’90s — a time of subtle yet lasting changes in the form and meaning of shared space. That period marked a delicate turning point, later described as les années d’hiver: the slow onset of fragmentation beneath a surface of creative openness.

Still Forms in Air doesn’t dwell in nostalgia (though it draws from it), but reimagines that duality through a contemporary lens. Its sound blends memory and presence, layering ambient textures with a refined spatial sensitivity. It is a dialogue across decades — clear-eyed, affectionate, and quietly luminous.

Written, arranged and recorded by Francesca Marongiu in Rome and Pistoia between May 2024 and March 2025.
Francesca Marongiu: electronics, synthesizers, vocals, sound objects.
Antonio Gallucci: wind arrangements on track 1 and 4, bass and sound objects on track 3, drums on track 3 and 4.
Mixed by Francesca Marongiu and Antonio Gallucci. Mastered by Antonio Gallucci at Mercurial Mastering in Pistoia. Artist photo by Elisabetta Scarpini. Artwork by Daniel Castrejón.

pre-order now15.08.2025

expected to be published on 15.08.2025

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