Buscar:stereo 12

Andras establishes a new home for his out-house productions with Punp Records. While House of Dad laboured in detail, 'Sanity' targets club play - speeding tempos laced with the larrikinism of Boiler Room, Australian reality TV and shark siren cut ups. 'Vinyl Only' takes a swipe at the 100% mentality with a stereo bassline threatening to derail the stylus, further sidetracked by being digitally available a week before the 12'. On the P-side, '40k' pulls swimmers from the Bondi rip while 'Sanitiser's simplicity cleanses the grease from Andras' former plumbing exploits.
Words by Michael Kucyk (Noise in My Head)

12 with printed inner-sleeves; handcrafted covers: manually stamped, numbered and printed (silk-screening) in Berlin, 180g Vinyl.

New project from Massimo Vanoni in which his black streak with Slow-Down & Nu-Disco-Funk features prevails.
The tracks have strong groove rhythms, with intense, rather thick and ascent.loops. The contaminations collected
by the club consoles seem to merge in the creation of unreleased songs which recall an interesting return to the
old beat with dynamic rhythm. Deluxe package Artwork.
For fans of Frank Booker, LTJ Xperience, Stereo 12", Tee Mango, Fouk, Inkswell, The Revenge, Session Victim, Debonair...

4 Techno tracks Live recorded straight from the stereo bus of the mixer, full analog, fully effective and raw as fuck. Much in the early 90's Jeff Mills and Downwards school plus a touch of psychedelia. Korg ms20 for basses, some analog strings, Arp Odissey for evolving lead ton of overdrive, driving distorted beats and a touch of reverb, no special effects nothing superfluous, no kisses straight in!

Format: 12" vinyl only limited 300 copies.

White label record with label stamp on one side. The record is packaged in both a generic inner sleeve and a generic outer sleeve. The generic outer sleeve has a different stamp on each side. One of these stamps also includes information about the record including artist, title, tracklist, mastering, distribution, label, year and catalog number.

This sampler 12" contains a special selection of Prins Thomas edits. Includes tracks by The Mackenzie, A Thunder Orchestra, Zazou Bikaye & CY1, and A Split - Second.
Dear Vinyl Enthusiast,
Thank you for purchasing this individual Paradise Goulash sampler 12".
I've cherrypicked 4 very special songs, edited them slightly where I thought they could benefit from it, quality checked the mastering personally and made sure only the highest quality virgin vinyl was used in the pressing.
All audio has been sourced from the highest quality formats available to use and they can (should) be played loud on both big club rigs as well as on your home stereo.
Prins Thomas, 28th of July 2015

TERRANOVA returns to the fore with the HEADACHE EP, another impressive assortment of floor-ready house weaponry - after the sublime sophistication of the PAINKILLER EP (KOMPAKT 262) and its accompanying remixes (FM X/PAIN 001), the new material shoves the pendulum back into more rugged club territory, showcasing the sort of sonic urgency and rawness the legendary project has become known for in the first place.

As missing links between the dystopian pop of TERRANOVA's turn-of-the-century work and the slick kinetic drama of their current incarnation on Kompakt, the three cuts of the HEADACHE EP congenially continue the multi-layered, nifty thrust of 2012's house nouveau epic HOTEL AMOUR (KOMPAKT 248 CD 95), but also manage to evoke the wonderstruck immediacy of an act burning through its first speakers. This becomes particularly manifest with the deployment of CATH COFFEY as vocalist for title track HEADACHE (also a primer for TERRANOVA's upcoming full-length). A member of iconic British rap outfit Stereo MCs in the early 90s and collaborator of Tricky, the singer was featured on TERRANOVA's initial outings and is a well-established presence in their early work. On the new 12", she reintroduces her unique brand of battle-hardened, deadpan soulfulness to the searing funk of the reinvigorated project.

HEADACHE, a cover of a song from Birmingham's iconic and controversial postpunk outfit The Au Pairs, as well as its instrumental sequel HEADLOCK are both fuelled by the propulsive beats and upscale hooks we've grown to expect from TERRANOVA, but there seems to be something else at work, too - a somewhat darker undercurrent that may or may not be part of the actual arrangement. In any case, this adds much-needed depth to today's dance floors, providing them with a riveting soundtrack for the most intense of prime times. There's no need for EP closer TOURETTE to hide behind its compatriots, either: it's a full-blown thrill ride in its own right, brimming with jittery sampling, arresting percussion and some pretty rad bassline abrasiveness thrown in for good measure. A well-placed shot at the dancer's solar plexus, this wraps up the HEADACHE EP nicely, giving players and punters another perfectly valid reason for post-apocalyptic celebration.