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Roy Montgomery - Last Year's Man

Roy Montgomery

Last Year's Man

10inchOKRAINA#13
Okraïna
17.12.2021

'My first deep exposure to LEONARD COHEN was the "Bird on a Wire" documentary by Tony Palmer, which was, against the odds, broadcast on public television in New Zealand around 1974 or 1975. At age 15 or 16 I thought it was too dark. A few years later, in the late '70s, I wanted things darker. The first Cohen LP was very clever but a little too "up." The second was too public and political for me. Songs of Love and Hate seemed more honest, more about personal failure. I liked it, although Cohen tended to disown it, especially 'Dress Rehearsal Rag' and 'Last Year's Man', neither of which he performed live later on. I like 'Last Year's Man' for the same reason I like Nick Drake's 'Poor Boy'. It wallows and parodies at the same time. I came across the Suzuki OMNICHORD OM-27 because it was mentioned in relation to another Canadian, Joni Mitchell. It looked like a mystery box of potentially very good or very bad sounds, like a Bontempi chord organ customized for space travel in a Stanley Kubrick film. Irresistible... I was fortunate to meet JESSICA MOSS because of the 12 hour Drone event at Le Guess Who Festival in Utrecht in November 2017. I thought it would be cool to jam with some of the other people scheduled to play their own pieces so I asked the organisers, Bob Helleur and Jacob Hagelaars, to sound out the other droners a few weeks before the festival. Jessica replied, I sent a sample piece, and we talked, more than rehearsed, a day before the performance. We did our piece live and then some months later I sent her a recorded piece to which she added her magical playing.'

Roy Montgomery

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Last In: 7 years ago
Yoshio Machida & Cal Lyall - Premeditation

“In the early 2000s, Tokyo's SuperDeluxe was a meeting point for many experimental musicians, both international and Japanese. This duo sprung from a live collaboration at the venue in 2006, where Machida was experimenting with processed steel pan and Lyall was largely performing using a tabletop guitar setup with a range of electronics. Many subsequent encounters were heavily experimental, ranging from densely layered noise music to sound collage.

Through the years, the collaboration shifted to a more tonal approach, with standard tunings and stronger compositional elements. Both musicians have a deep interest in traditional improvisational forms, so there was a natural evolution towards structural ideas—based on minimal scalar patterns—as the sound became more acoustic. The most recent instrumentation explores the unusual combination of steel pan, slit drums and banjo, while also delving deeper into the characteristics of the instruments themselves.”

pre-ordina ora17.12.2021

dovrebbe essere pubblicato su 17.12.2021

Johnny Marr - Fever Dreams Pt. 2

Due for release on December 17th, the ‘Fever Dreams Pt 2’ EP will preview four brand new tracks that make up the second quarter of Marr’s forthcoming double album, ‘Fever Dreams Pts 1-4’. Sensory Street, Tenement Time, Lightning People and Hideaway Girl. The ‘Fever Dreams Pt 2’ EP is released digitally and on very limited edition 12” transparent violet vinyl, exclusively through his webstore and UK RSD Stores – limited to 750 copies.
Early previews of ‘Fever Dreams Pts 1-4’ (due February 25th 2022) have been met with widespread acclaim. ‘Spirit, Power and Soul’ was playlisted by BBC Radio 6 Music and BBC Radio 2, described as “his strongest solo composition yet” by the Evening Standard, “an exercise in progressive creative ambition” by DIY, “invigorating” by Uncut, with “defiance in its DNA” by CLASH and simply “banging” by The Telegraph.

Led with the singles ‘Sensory Street’ and ‘Tenement Time’, the second EP is set for another outstanding launch, with ‘Sensory Street’ confirmed for a premiere with Steve Lamacq on BBC 6Music. ‘Sensory Street’ follows on electro soul album opener ‘Spirit, Power and Soul’s anthemic strand, a startling track with strident electronics, whilst ‘Tenement Time’ marks the end of the double album’s first half. A rousing, reflective creation fusing sonic power with an emotional potency. Both highlight ‘Fever Dreams Pts 1-4’s sheer sonic scale.

pre-ordina ora17.12.2021

dovrebbe essere pubblicato su 17.12.2021

Anorak Patch - Delilah

Anorak Patch

Delilah

12inchNSWN058
Nice Swan
17.12.2021

“The Colchester quartet’s first offering for tastemaker label Nice
Swan stands up as a vital, visceral cut from a band of any
demographic.” - DIY
 “Anorak Patch are unquestionably an alternative godsend” - So
Young
 “Rising Stars” - Daily Star
 Already championed by BBC 6 Music, BBC Radio 1, Radio X,
Daily Star, BBC, i Paper, DIY, DORK, So Young and more,
Colchester’s Anorak Patch have been quick to grab the
attention of tastemakers across the UK. They were even
snapped up by label Nice Swan Records, who have put out
releases from some of the UK’s buzziest acts, including Sports
Team, Silverbacks, Hotel Lux, FUR, Courting and Malady.
 Following breakout tracks ‘6 Week Party’, ‘Irate’ and ‘Blue
Jeans’, the 4-piece share new single ‘Delilah’, a tale of wanting
more than the small town you call home, and further proof of
why Anorak Patch are one of the UK’s most exciting young
bands to emerge in recent times.
 Of the track, the band say, “‘Delilah is a story. It’s about a girl
who’s struggling her way through life... the song is sort of a
snapshot of how difficult life can be when you are in a bad
headspace without good people around you. It’s a lonely place
to be. The ‘town’ is just a reference to wanting something more
than the place you grew up in... I guess in that sense it’s a little
autobiographical. We are from a little place in Essex, it’s not a
bad place, but we collectively dream that by playing our music
we will have a chance to move out of its orbit.”
 Anorak Patch are also set to perform their debut headline
shows, including in their hometown of Colchester next month,
and in London next year.
 Keyboardist Effie Lawrence formed the group in late 2019 with
high school friends Luca Ryland (drums), brother Oscar (guitar)
and bass player Eleanor Helliwell. The drummer being just 15,
and the oldest member 18, the new single continues to show
the band’s immense musical talent at such a young age.

pre-ordina ora17.12.2021

dovrebbe essere pubblicato su 17.12.2021

Frank Zappa - “200 Motels” Original Soundtrack- 50th Anniversary

"Released in October 1971, Frank Zappa’s “200 Motels” was a miraculous feat, a cinematic collision of the venerated musician and composer’s kaleidoscopic musical and visual worlds that brought together Zappa and his band, The Mothers, Ringo Starr as Zappa – as “a large dwarf” – Keith Moon as a perverted nun, Pamela Des Barres in her acting debut, noted thespian Theodore Bikel, the Royal Philharmonic Orchestra, and an incredible assortment of characters (both on screen and off) for a “surrealistic documentary” about the bizarre life of a touring musician. The 2LP set : We are pleased to present the original soundtrack, a double-album set featuring all original packaging including the booklet & poster and a brand new remaster by legend Bernie Grundman at Bernie Grundman Mastering. Pressed on 180g black vinyl by Optimal Media in Germany.
In celebration of “200 Motels” golden anniversary, Zappa Records, UMC and MGM have assembled a definitive Super Deluxe six-disc box set of the beloved, yet hard to find, soundtrack. Fully authorized by the Zappa Trust and produced by Ahmet Zappa and Zappa Vaultmeister Joe Travers, the monstrous 200 Motels 50th Anniversary Edition brings together the original soundtrack, newly remastered by Bernie Grundman at Bernie Grundman Mastering, along with a staggering amount of unreleased and rare material unearthed from FZ’s Vault, including original demos, studio outtakes, work mixes, interviews and movie ads, along with newly discovered dialog reels, revealing an early audio edit of the film. Also included is a wealth of never-before-heard audio documentary material surrounding the project.
The six-disc set will be housed in a 64-page hardcover book in a handsome 12” x 12” slipcase. The packaging replicates the original booklet updated with revealing new liner notes from Pamela Des Barres, Ruth Underwood and Joe Travers, as well as Patrick Pending’s essay from the 1997 reissue, and is chock full of motion picture artwork, stills and images, from the film and its making, many which have never been seen before. This must-have collector’s release will also include a custom “200 Motels” keychain and Do-No-Disturb motel door hanger and a full-size replica of the original movie poster. Years in the making, all the audio was meticulously identified and transferred over several years as Travers dug through the Vault to create a new high resolution 96K/24B digital patchwork stereo master from the original analog tapes. The Vault material was mastered by John Polito in 2021. We are pleased to present the original soundtrack on 2 compact discs featuring all original packaging including the booklet & poster and a brand-new remaster by legend Bernie Grundman at Bernie Grundman Mastering. *Existing orders still stand."

pre-ordina ora17.12.2021

dovrebbe essere pubblicato su 17.12.2021

ALBERT AYLER - First Recordings Vol. 1

Recorded in Stockholm in 1962, and originally released on Sonet Records, these sessions stand as Ayler's first step into a new sonic world. This was when Ayler was still dealing with classic Jazz standards such as "I'll remember April", M Davis's "Tune Up" and "Rollins Tune", a declared tribute to the older master Sonny Rollins. His already super-strong tenor sax voice dominates a quiet, almost shy, local rhythm section featuring Torbjorn Hultcrant on bass and Sune Spangberg on drums. This was just before stepping into his unique, hyper energetic and ecstatic form of Free Jazz. This was Ayler sowing the seeds of a revolution to come!

pre-ordina ora17.12.2021

dovrebbe essere pubblicato su 17.12.2021

Vertaal - Lockdown Tape

Vertaal

Lockdown Tape

CassetteEQT0003
Empty Quarter Tribe
17.12.2021

You need to go hunt this down. They’re making incredible music!” Tony Minvielle – Jazz FM

Vertaal’s debut double LP, “Paradigm Shifting” was released earlier this year to wide acclaim from the international jazz community and sold out on initial pressings.

Featuring 4 singles including the atmospheric “Alcazar” and live favourite “Drop Off’, the album was subsequently re-pressed on limited edition black vinyl which is also at the point of selling out.

2020’s lock down and subsequent cancellation of the band’s tour schedule led to extended periods recording in their home studio, on a barge on the River Stort near Stansted Airport.

The duo, comprising keyboard player and producer Theo Howarth and drummer Ajit Gill recorded “live”

versions of some of the Paradigm Shifting album tracks for various radio shows, joined online by guest bassist Severin Bruhin, guitarist

Luca Gianassi, conga player Simon Todd and saxophonist Loren Hignall.

Some of those recordings have now been made available on a special limited edition cassette EP featuring 4 tracks live studio tracks

– three previously unreleased versions from the album “Paradigm Shifting”, “Drop Off”, “Paradigm Shifting” and “Alcazar” and a completely new track “NDY”

Designed to look a box of Swan Vesta matches, the tape itself is pink with an onbody sticker of a collection of pink-headed matches.

Rush-released for Christmas, The Lockdown Tapes will make a nice stocking filler for jazz aficionados!

Vertaal have been an increasingly notable presence in the nu-jazz scene over the past 3 years.
Tipped as “ones to watch for 2019” by Jazz Re:freshed, in 2021 Vertaal have played an exclusive pick of sold out shows at prestigious venues such as

Ronnie Scott’s, Pizza Express Soho and the Jazz Café, along with festival appearances at Standon Calling, High Tide Festival and Lost Village.

They have also supported the likes of Mark Guiliana (David Bowie), & Pete Ray Biggin (Level 42) Richard Spaven

and this year embarked on a tour of the UK’s record stores playing tracks from the album.

pre-ordina ora17.12.2021

dovrebbe essere pubblicato su 17.12.2021

Aura Safari Featuring Villy - Lagos Connect

Strap in for another standout release from Hell Yeah, and their final 12" of the year. 'Lagos Connect' is a one-off dance floor bomb from Aura Safari, one of the hottest names on the Italian electronic-jazz-funk circuit. Vocals come from Nigerian singer Villy and the artwork is by long-time label collaborator Andrea Amaducci who finishes off this package in style.

Aura Safari are Alessandro Deledda, Andrea Moretti, Lorenzo Lavoratori, Daniele Melloni and Nicholas Iammatteo. They contributed to the first volume of the Buena Onda compilation in 2020 and released the critical acclaimed Hotel Mediterraneo EP after years entrenched in the local scene of Perugia, attending the Umbria Jazz Festival every summer and legendary Red Zone Club during winter, both of which shaped the sound of Aura Safari. Now, they showcase their good-time grooves and vibrant vibes on two brilliant new tracks.

'Lagos Connect' is a gloriously upbeat tune that brims with musicality. The bass is fat, the chords seductive and the guitars slide in and out with funky charm. It immediately drops you in the middle of an open-air dance floor in high summer. Villy's soulful lyrics are socially and politically aware. They talk of living life with good vibrations even in the face of adversity. They speak of how society views those less fortunate and of staying true to yourself. They add realness and emotion to a sizzling and timeless track that will unite hearts and minds around the world. A reprise, radio edit and dub mix are also included, then 'Moving Rivers' ups the jazz-funk. It's another majestic arrangement packed with dazzling Rhodes chords, crashing drums and squelchy bass that demand that you move every limb in your body.

Keep yourself warm this winter with this pair of irresistible dance floor heaters from Aura Safari.

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Last In: 3 years ago
Catz ‘n Dogz - Rendezvous / Nasty

Catz ‘N Dogz

Rendezvous / Nasty

12inchCLUBSWE020V
CLUB SWEAT
15.12.2021

Polish production legends Catz ‘n Dogz journey to Club Sweat to drop a double A-side ready to set the rave-craving animals out of their cage, releasing ‘Rendezvous / Nasty’. The duo have creatively crafted a double A-side oozing floor-to-floor elixir, to skillfully entice underground cavern connoisseurs. As those punters find their way to their dancefloor destination they are met with the aptly named ‘Rendezvous’ a tech-house heater that couples deep stomping kickdrums, with underlying techno textures for an insatiable groove that is augmented by the deep yet sensual melodies of R&B vocalist Raymoane.

The pace is turned up a notch on the flip-side, with stank-face inducing textures apropos for the title of ‘Nasty’, a tune that layers the hypnotic and conspicuous vocals of Kiddy Smile over a bounce-loaded bassline with underlying rhythmic drums and sirens to evoke a bustling party atmosphere.

Radio Support: Danny Howard (BBC Radio1), Ben Malone (Kiss FM), TCTS (Kiss FM)

DJ Support: Riva Starr, Todd Terry, Roger Sanchez, severino panzetta, Pirupa, boys noize, Eli Escobar, Tocadisco, Hifi Sean, Tommie Sunshine, Nhan Solo, Kolombo / Olivier Grégoire, Tough Love, Anna Lunoe, Kryder, Lorenzo Borgatti, Funkerman, Pat Lok, Lucati, Martin Ikin, Cut Snake, GAWP, Utah Saints, Vanilla Ace, Das Kapital, Tommy Trash, Sam Divine, Cassimm, Hector Romero.

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Last In: 6 months ago
Ajak Kwai - Red Sands

Ajak Kwai

Red Sands

12inchMIE019
Music In Exile
14.12.2021

Ajak Kwai is a name well known to the airwaves, stage, and broader Australian music community for her powerful performances and strong messages that call for inclusion and celebration of the diversity found throughout Australian society. Originally hailing from a small town of Bor (pronounced ‘bohr’) on the Upper Nile in what is now South Sudan, music has always been part of her life.

Alongside sharing political messages through her music, Ajak Kwai is also a radio broadcaster in Melbourne on both PBS and 3CR. Her shows give a voice to the local African community so that they can tell their stories through music and spoken word, and her music selections focus on songs that have changed the world in a positive way. She challenges bias in our society and reminds politicians to be accountable for their language and actions.

Performing in English, Arabic, and her native language, Dinka, Ajak Kwai’s music draws upon South Sudanese funk and blues influences and brings together elements of traditional music alongside more contemporary gestures. The result is something notably unique and powerful.

Ajak Kwai is joined by a band of exceptional standards, including musicians Matthew Erickson, Kanyakumar Shome (Silent Jay, REMI, The Bamboos, Cat Empire, Sampa the Great), Kofi Kunkpe, Maria Moles (Jaala, Jonnine (HTRK), Mildlife), Gabriela Georges and guests Boubacar Gaye (Ausecuma Beats) and Allysha Joy (30/70).

Ajak Kwai’s previous release and fifth album, ‘Let Me Grow My Wings’, was featured as RRR album of the week, feature Album on 2ser, and saw widespread support across community radio. Ajak Kwai has been an ambassador of the Melbourne International Arts Festival for three years and her sets have been highlights at festivals including WOMADelaide, Bluesfest, Brunswick Music Festival, A Festival Called Panama, Dark Mofo, Port Fairy Folk Festival and Woodford Folk Festival.

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Last In: 4 years ago
Mint Huus - Odd Radio Circles

And here we go again. After making his self-titled label debut in 2019 followed up by the super limited cassette tape "Sport EP" in 2020 Mint Huus is finally back on Cheezy Crust Records - and he's back on vinyl!

Exploring "Odd Radio Circles" we see Mint Huus catering an array of four cuts, once again covering and exploring a spectrum of superbly driving, high quality electronic club music of a timeless quality which is nothing short of a truly epic manifestation of the German artists production standard and value which is up to par with the genres greats.

Sparse, yet melodic, bouncing, yet dreamy from the very start the Mainz / Germany-based producer effortly amalgamates a highly functional Electro foundation, beautifully arranged vintage retro synth layers and ever bubbling Acid modulations to further carve out and create a distinct sonic realm and niche which, due it's innate drive and well comforting depth, is set to excel way beyond the confined boundaries of the Electro genre and gain praise and recognition on many dancefloors all around the globe.

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Last In: 4 years ago
U Roy - Live In Brighton

U Roy

Live In Brighton

12inchGB5LP
Global Beats
10.12.2021

“And now for a gentleman who’s come all the way from Kingston, Jamaica and a place called Cling Cling Avenue. We present to you the one and only, the Originator, the Godfather, Daddy U Roy!”

U Roy had visited Brighton before but there was something special about that balmy night in August 2017, when he walked out on stage at the Komedia to a hero’s welcome and immediately got the crowd cheering and dancing. There was so much warmth and excitement generated that night, and it’s all captured on this final live album of the reggae superstar’s illustrious career.

U Roy wasn’t quite the originator, but he was the first Jamaican deejay to dominate the Top 3 places on both radio stations and turn his predecessors’ simple exhortations into an artform – one that evolved into a global phenomenon. It was his performances on King Tubby’s Hometown Hi-Fi that made him the talk of Jamaica and led him to Treasure Isle studio, where he voiced hits like Tide Is High and Wear You To The Ball. From then on his catchy, uplifting rhymes could be heard on radios and jukeboxes throughout the island, as well as from behind the control tower of his King Stur Gav sound-system, where MCs like Josey Wales, Brigadier Jerry and Charlie Chaplin learnt their craft. The veteran deejay, who died in February 2021, continued recording and touring into his late seventies, and without abandoning either his musical standards or Rastafarian beliefs. At his peak, U Roy voiced for Jamaica legends like Lee “Scratch” Perry, Bunny Lee and Channel One, in addition to several European labels. What most of his recordings have in common is a sense of hope and often joy, because even Get Up Stand Up is delivered with optimism. They are the qualities that come across on this life-affirming set, recorded in front of an appreciative audience, and backed by some of the UK’s finest reggae musicians.

pre-ordina ora10.12.2021

dovrebbe essere pubblicato su 10.12.2021

Sevenum Six - Acid Night 07

Sevenum Six

Acid Night 07

12inchACIDNIGHT07RP
Acid Night
10.12.2021

Full side tune, The Truth, is a bloody roots acid tribe tune, with a true story, a hidden melody,sweet acid sounds, reminding me the acid belgium Bonzai sound. B-sdie stands 2 perls, the first one is Different World a total full-out acidcore tracks. Dancefloor killer. And second position Locked By The Acid : an experimental broken acid mental sound, very nostalgic and soulfull, at the frontier to be IDM acid, my fave tune here i recogn... nice little perl. Enjoy ! LIMITED 200 copies !

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Last In: 12 years ago
RIVAL CONSOLES - OVERFLOW 2x12"

RIVAL CONSOLES

OVERFLOW 2x12"

2x12inchERATP147LP
Erased Tapes
10.12.2021

**LIMITED BLACK VINYL** Rival Consoles returns with a resonant
and explorative soundscape of original
music, composed for renowned
choreographer Alexander Whitley’s
contemporary dance production
Overflow.

Exploring themes of the human and emotional
consequences of life surrounded by data, the piece
echoes the concept of social media, advertising,
marketing companies and political factions
exploiting our data to gain wealth, political
advantage and sow division. Key reading for the
project was based around the contemporary
philosophical work Psychopolitics: Neoliberalism
and New Technologies of Power by Byung-Chul
Han.
“The piece opens with Monster which has a kind of
drunken madness to it, highly repetitive to mirror the
repetitive nature of how we as humans engage with
technology such as social media. It’s sometimes
edging towards chaos but yet always returning back
to the same starting point, but eventually giving way
to exhaustion. I wanted to create a bold opening
piece for Overflow,” states West.

I Like features the mapping of data from dancer Tia
Hockey’s personal monologue, which allows chords
to be heard - but only based on the activity of her
voice, drawing attention to things happening behind
the curtain, invisible systems, algorithms.
The album also features the previously released
standalone slice of euphoria, Pulses of Information
— described by UK mag Clash as “typically
entrancing, Pulses of Information seems to
encourage a form of internal dialogue, between our
inner and outer selves.”

Overflow was premiered by the Alexander Whitley
Dance Company in May 2021 at the Sadler’s Wells
in London and is scheduled to tour through theatres
in Europe in spring 2022. The score will be released
by Erased Tapes on limited edition vinyl and CD as
well as digital formats on December 3.

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Last In: 4 months ago
Kylie Minogue - DISCO (Extended Mixes) 2x12"

Limited edition purple double vinyl with rainbow laminate finish gatefold sleeve.

Kylie’s record-breaking fifteenth studio album ‘DISCO’ was released to widespread acclaim last year and was hailed as ‘an irresistible tonic to real life. Thank God for Kylie Minogue’ by Metro in a 5* review and ‘the ultimate rescue remedy’ by The Observer (4*). It featured lead singles ‘Say Something’, which received widespread praise - deemed ‘a galactic slice of pop music heaven’ by i-D - and ‘Magic’, which NME called ‘an exuberant, horn-fuelled romp.’

About ‘DISCO’

‘DISCO’ was released in November 2020 and entered the charts at Number 1 in the UK, making it Kylie’s eighth UK Number 1 album. It is a record-breaking release for the pop icon, making Kylie the first female solo artist to claim Number 1 albums in five consecutive decades (‘80s, ‘90s, ‘00s, ‘10s, and ‘20s). ‘DISCO’ received widespread critical acclaim, deemed ‘an irresistible tonic to real life. Thank God for Kylie Minogue’ by Metro in a 5* review, ‘the ultimate rescue remedy’ by The Observer (4*) and ‘an exquisitely produced, effervescent tribute to 70s and 80s disco music and dance as escapism’ by The i (4*).

For ‘DISCO’, Kylie worked with long-time collaborator Biff Standard plus Sky Adams (with whom she worked with on Golden), Teemu Brunila (David Guetta, Jason Derulo) and Maegan Cottone (Iggy Azalea, Demi Lovato), alongside others. The album was largely recorded in lockdown with each team member recording and working from a separate location, leading to Kylie having a vocal engineering credit on all but two of the sixteen tracks on the record.

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Last In: 4 years ago
GERARD P.J. BROWN - Sexy Lady / Keep Dancing

Essential Gerard P.J. Brown soul-disco-reggae-funk-fusion reissued officially for the first time and cut loud from the studio master tape onto 12” single via Backatcha Records. Hailing from St. Kitts and Nevis, percussionist and vocalist P.J. Brown originally produced and recorded ’Sexy Lady’ and ‘Keep Dancing’ for his sought-after 1982 self-released EP. Whilst the A-side was Soca-heavy, the B-side featured these two disco DJ-friendly gems performed and recorded alongside Browns’s G.I.’s Brass International bandmates at Ochoa Studio in Puerto Rico, a favoured recording location by musicians from the neighbouring islands. Bootlegged heavily on bad pressings, ’Sexy Lady’ finally gets a definitive quality release coupled by ‘Keep Dancing’, P.J. Brown’s other stand-out favourite amongst disco heads that has remained unobtainable until now.



Don’t wait, these always sell out on pre-sell fast.

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Last In: 4 years ago
Bria - Cuntry Covers Vol. 1

Bria

Cuntry Covers Vol. 1

12inchSP1456
Sub Pop
10.12.2021

Bria is an intimate and incisive labour of love from multi-instrumentalists Bria Salmena
and Duncan Hay Jennings. Catapulted by a deep sense of dread and confusion in the
depths of 2020, Salmena decided to forgo writing her own music. “I wanted to listen for
what might reflect my life back to me,” she says, “six tracks that could be my mirror.” The
result is a pointillistic knockout of a release that weaves a landscape both luscious and a
little rogue; showing us exactly what good songs can do.
 Bria’s internal turbulence seemed to mirror last year’s external instability. When Jennings
and back-up singer Jaime McCuaig moved to The Outside Inn, a hobby farm in Hockley
Hills, Ontario, Bria soon joined. The farm’s living-room-turned-studio proved an ideal
setting for the long-time friends to compile a record of handpicked country covers. They
went searching for songs that could speak to our everyday loneliness, outside and in.
‘Cuntry Covers’ houses it all: well-worn favourites and lesser-known gems.
 The record opens with ‘Green Rocky Road’, as performed by Greenwich Village legend
Karen Dalton. Jennings’ twangy guitar carries Bria’s original inflection and richly textured
vocals, complete with dreamy overlay. ‘Dreaming My Dreams With You’, a rendition of the
Waylon Jennings hit, is followed by John Cale’s ‘Buffalo Ballet’, a lyrical journey through
Abilene, Texas, the endpoint of the Chisholm Trail.
 Engineered and mixed by Duncan Hay Jennings, each song brings desire and sexuality
front and centre, with all the swagger you’d expect – and more. Bria hopes the record will
be understood as a small contribution to the subversion of a genre with deep patriarchal
roots. Mistress Mary’s ‘I Don’t Wanna Love Ya Now’, from the 1969 album ‘Housewife’,
served as the original inspiration. “It was the first song Duncan and I worked on,” Bria
notes. “It definitely set the tone for the other tracks we picked.”
 Bria’s voice - described as wavering between “sultry and howitzer” - shines on ‘Fruits Of
My Labour’, written and performed by country great, Lucinda Williams. The Walker
Brothers’ ‘The Sun Ain’t Gonna Shine Anymore’ is a harmonic (and hypnotic) standout. A
musical explorer who moves fluidly between styles, Bria doesn’t consider herself a
country artist: “I feel as though I’m a visitor here, paying respect to a style that has
informed a part of my musical identity. Country music, as much as any other art form,
should be an arena for representation, expression and provocation. I have a ton of
reverence for artists who came before me and challenged the primarily whiteheterosexual status quo.”
 Salmena and Jennings have toured for years as members of Toronto four-piece FRIGS,
whose 2018 debut ‘Basic Behaviour’ was long-listed for the Polaris Music Prize. Making a
mark in diverse genres from country to punk, both play as permanent members of Orville
Peck’s band.
 ‘Cuntry Covers’ was recorded on the territories of the Anishnaabe, the Haudenosaunee,
the Wendat and the Mississaugas of the Credit. The release also features contributions
from FRIGS drummer Kris Bowering and vocals by Ali Jennings.
 LP pressed on opaque breeze blue vinyl.

pre-ordina ora10.12.2021

dovrebbe essere pubblicato su 10.12.2021

Bria - Cuntry Covers Vol. 1

Bria

Cuntry Covers Vol. 1

CassetteSPCS1456
Sub Pop
10.12.2021

Bria is an intimate and incisive labour of love from multi-instrumentalists Bria Salmena
and Duncan Hay Jennings. Catapulted by a deep sense of dread and confusion in the
depths of 2020, Salmena decided to forgo writing her own music. “I wanted to listen for
what might reflect my life back to me,” she says, “six tracks that could be my mirror.” The
result is a pointillistic knockout of a release that weaves a landscape both luscious and a
little rogue; showing us exactly what good songs can do.
 Bria’s internal turbulence seemed to mirror last year’s external instability. When Jennings
and back-up singer Jaime McCuaig moved to The Outside Inn, a hobby farm in Hockley
Hills, Ontario, Bria soon joined. The farm’s living-room-turned-studio proved an ideal
setting for the long-time friends to compile a record of handpicked country covers. They
went searching for songs that could speak to our everyday loneliness, outside and in.
‘Cuntry Covers’ houses it all: well-worn favourites and lesser-known gems.
 The record opens with ‘Green Rocky Road’, as performed by Greenwich Village legend
Karen Dalton. Jennings’ twangy guitar carries Bria’s original inflection and richly textured
vocals, complete with dreamy overlay. ‘Dreaming My Dreams With You’, a rendition of the
Waylon Jennings hit, is followed by John Cale’s ‘Buffalo Ballet’, a lyrical journey through
Abilene, Texas, the endpoint of the Chisholm Trail.
 Engineered and mixed by Duncan Hay Jennings, each song brings desire and sexuality
front and centre, with all the swagger you’d expect – and more. Bria hopes the record will
be understood as a small contribution to the subversion of a genre with deep patriarchal
roots. Mistress Mary’s ‘I Don’t Wanna Love Ya Now’, from the 1969 album ‘Housewife’,
served as the original inspiration. “It was the first song Duncan and I worked on,” Bria
notes. “It definitely set the tone for the other tracks we picked.”
 Bria’s voice - described as wavering between “sultry and howitzer” - shines on ‘Fruits Of
My Labour’, written and performed by country great, Lucinda Williams. The Walker
Brothers’ ‘The Sun Ain’t Gonna Shine Anymore’ is a harmonic (and hypnotic) standout. A
musical explorer who moves fluidly between styles, Bria doesn’t consider herself a
country artist: “I feel as though I’m a visitor here, paying respect to a style that has
informed a part of my musical identity. Country music, as much as any other art form,
should be an arena for representation, expression and provocation. I have a ton of
reverence for artists who came before me and challenged the primarily whiteheterosexual status quo.”
 Salmena and Jennings have toured for years as members of Toronto four-piece FRIGS,
whose 2018 debut ‘Basic Behaviour’ was long-listed for the Polaris Music Prize. Making a
mark in diverse genres from country to punk, both play as permanent members of Orville
Peck’s band.
 ‘Cuntry Covers’ was recorded on the territories of the Anishnaabe, the Haudenosaunee,
the Wendat and the Mississaugas of the Credit. The release also features contributions
from FRIGS drummer Kris Bowering and vocals by Ali Jennings.
 LP pressed on opaque breeze blue vinyl.

pre-ordina ora10.12.2021

dovrebbe essere pubblicato su 10.12.2021

JIMMY SMITH - HOME COOKIN'

Jimmy Smith

HOME COOKIN'

12inch0602438293049
Blue Note
10.12.2021

Drawn from three sessions in 1958–59 that featured The Incredible Jimmy Smith in a quartet with tenor saxophonist Percy France, guitarist Kenny Burrell, and drummer Donald Bailey, Home Cookin’ stands as one of the most deeply soulful albums the Hammond B3 organ virtuoso ever made. The band gives a soul jazz symposium that covers tunes by Ma Rainey, Ray Charles, and Jimmy McGriff along with originals by Smith and Burrell. This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

pre-ordina ora10.12.2021

dovrebbe essere pubblicato su 10.12.2021

Mouth Congress - Waiting For Henry

Mouth Congress – friends Paul Bellini and Scott Thompson of Kids In The Hall fame - wrote and recorded hundreds of songs in the ‘80s with - out ever putting out a proper release. Alongside various cohorts and conspirators, the band drew on their experiences as gay men to craft hilariously crude punk songs that run the gamut of strange characters and taboo subject matter. Their rag tag approach to songwriting blended various styles from noisy punk to lo-fi new wave and DIY disco, all with a very gay bent. Without trying, they were surprisingly cutting edge.

Mouth Congress did dozens of live shows through the mid-80s that gained a reputation for being theatrical, combining props, sets, multiple costume changes, unusual song choices, guest stars, and Scott’s stand-up comedy. In 1988, they recorded a 7-song demo tape. The tracks were recorded quickly, as the Kids in the Hall were about to go to New York City to develop their material. Then, caught up in the excitement of the Kids in the Hall being signed to television, Mouth Congress activities slowed to a crawl.

In 2011, Paul dug out an old VHS tape of one of the live shows. The sight of one of the Kids in the Hall covered in sweat, writhing on stage like Iggy Pop, was something he felt comedy fans might enjoy seeing. Naturally, Scott agreed and they uploaded everything - over 600 recordings - onto Bandcamp. One day in 2019, Mike Sniper of Captured Tracks stumbled upon the Bandcamp page, got in touch, and suggested assembling a compilation of the best recordings to be officially released for the very first time.
Waiting for Henry is a collection of 29 tracks over 2 LPs with a booklet of interviews and ephemera from one of the ‘80s
last queercore bands.

Who is Henry? We don’t really know, but we certainly hope he shows up soon.

pre-ordina ora10.12.2021

dovrebbe essere pubblicato su 10.12.2021

JEFF PARKER - FORFOLKS

Jeff Parker's Forfolks - a new album of solo guitar works - was recorded by Graeme Gibson at Sholo Studio in Altadena, California (aka Jeff's house) over two days in June 2021. It includes interpretations of Thelonious Monk's "Ugly Beauty" and the standard "My Ideal," plus six original compositions including "Four Folks," "La Jetée" (a tune he recorded with Tortoise in 1998), and four totally new loop-driven, stratiform works that marry melodic improvisation with electronic textures. "It's a particular thing to hear Jeff play solo," writes veteran Chicago musician and longtime Parker collaborator Matthew Lux in his liner notes for Forfolks. "He is an unusually selfless improviser, oftentimes laying out and highlighting the contributions of his band mates... On this recording, however, he is by himself, joined only by his own ideas, looped or frozen, to flesh out the music he's creating in his mind. Hearing him craft entire sound worlds on these eight selections gives us an opportunity to really see how Parker orders sound." Forfolks follows Parker's critically acclaimed 2020 record Suite for Max Brown, which Pitchfork called an "effortlessly detailed album, full of tradition and experimentation that spans generations ... It lives at the vanguard of new jazz music." The album went on to debut at No. 1 on Billboard's Current Contemporary Jazz Chart.

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Last In: 4 years ago
PLANISPHERE - Heart Over Mind EP

Black Key return from a four year hiatus in style, with 4 sublime tracks from Australian ultra deep house don, Planisphere, aka David Swatten. Following an incredibly well received LP on reissue label, For Those That Knoe, Swatten returns here with more expansive, smokey and utterly consuming deep house cuts, stamped with his unique sound but offering a different flavour from his Definitive Transmission LP � one which immediately stands out from the crowd. Being only his third release in 20 years, there's an understandable sense of anticipation around Swatten's output. This release undoubtedly puts Black Key firmly back on the map, picking up their deserved reputation for releasing only the very best deep house, aimed well and truly at the heads.

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Last In: 4 years ago
Bill Evans And Jim Hall - Undercurrent

Bill Evans catapulted to the top of the jazz world in June 1961 after reeling off three straight masterpiece sessions at New York's Village Vanguard with his trio. Yet the emotional highs came to a screeching halt shortly thereafter when bassist Scott LaFaro died in a car accident. Devastated, Evans refrained from playing for nearly a year. If not for an inspirational collaboration of tremendous creative outpouring, one wonders what fate may have befallen Evans. Undercurrent, the outcome of two studio sessions with guitarist Jim Hall, is that project.

Mastered on Mobile Fidelity's world-renowned mastering system and pressed at RTI, this Silver Label LP edition bursts forth with brilliant textures, you-are-there realism, and extraordinary tonalities. No other version outside of this analogue copy brings you face-to-face with these two jazz giants' sonic communion, a kind of spiritual musical summit on which Evans' deft keyboard touches and Hall's reliably subtle phrasings seamlessly mesh and wonderfully dance, the compositions streaked with natural instrumental decay, full-frequency extensions, and poignant emotionalism that, on this LP, you can feel.

While Evans managed to sit down for a few one-off takes between LaFaro's passing and these April-May 1962 dates, he largely remained on hiatus and abstained from recording. Whether it owes to the intimate pairing, he and Hall's brotherly chemistry, or the exquisite selection of program material, the results consistently come across as the equivalent of a private meditation - such is the level of introspective depth and quietly shaded interplay throughout. For Evans, the duet clearly functions as therapy, a healing episode in which his partner patiently lays back, shadowing moves and suggesting others, neither musician interested in the spotlight but each striving for (and achieving) transcendent beauty.

In tackling standards such as Rodgers and Hart's "My Funny Valentine" and the Broadway classic "Darn That Dream," as well as the Hall original "Romain," the pair traverses complex harmonies with the astute elegance of a figure skater. At times, Evans and Hall go for broke on a hard-swinging romps, yet it's their implied melancholy and drifting, softly struck melodic refrains on waltzes and ballads that bestows Undercurrent with a nuanced romanticism and whispered atmosphere befitting the record's title.

Indeed, even the album's cover - an iconic photograph by Toni Frissell - exhibits the surreal, almost-hallucinogenic properties of the fare contained within.

pre-ordina ora06.12.2021

dovrebbe essere pubblicato su 06.12.2021

Guyer's Connection - Portrait

Minimal Wave presents a reissue of the seminal first album from Swiss Wavers, Guyer's Connection. Tibor Csébits and Philippe Alioth formed Guyer''s Connection in Basel, Switzerland when they were only 14 and 15 years old. At the time they were in a new wave rock band called 'Kurtzschluss' which they decided to break from in order to make purely electronic music. They began with two synthesizers, a drum machine, a 4-track tape recorder and a multitude of ideas. They channeled their unique and humorous vision into their first album, entitled Portrait which they produced themselves and self-released in 1983. Over the years, the album became a highly sought after minimal synth cult classic. It stands alone as one of the strongest examples of Swiss Minimal Wave, and probably the only one that is in Baseldytsch.

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Last In: 5 years ago
FINE PLACE - THIS NEW HEAVEN

Fine Place is a new duo comprising Frankie Rose (Vivian Girls, Crystal Stilts, Dum Dum Girls) and Matthew Hord (Running, Pop. 1280, Brandy). Based in Brooklyn, NYC together they’ve crafted a crystalline full length of nocturnal, electronic pop music that charts a way out the post-global, cyberpunk dystopian environment it was crafted in. Their debut album This New Heaven drenches minimalist song structures in post-industrial washes of sixstring delay and gothic post-punk synths. Presiding over it is the most evocative, emotive vocal performance Frankie
Rose has committed to tape to date.

Following Hord’s relocation from Chicago, the pair wanted to explore new avenues apart from their respective bands or solo projects. “The sound we were going for was an attempt to capture the dystopian feel of New York during a period of desertion by the wealthy. It was produced in a time-frame saturated in both uncertainty and serenity, and the soundscapes we created felt fitting and almost organic as a response to our surroundings. The title also reflects this in an arguably literal, maybe even satirical way.” Sonically, Fine Place references the pioneering mid-to-late 80s pioneers of icy melodrama The Cure and Cocteau Twins, while reflecting both the individuals’; music trajectories thus far. Modular synthesis triggers rhythm boxes and fluttery arps chirp around clanging 808-patterning as Rose’s reverb-laden vocal layering envelops the remaining headroom. The result is massive; a towering, shadowy music that embraces darkness while offering Rose’s bright vocal as chinks of light in the cracks; the production filling the head space of the beholder with preternatural imagery and emotional resonances that are real but not quite defined.

The title song propels forth out of the fog, scintillating with delayed guitar before the reverb-immersed vocal injects the human drama. The chorus constantly teases a big release but holds back creating a taut, dynamic tension. Cover Blind’s slow march makes full use of Rose’s layered vocal sinking and emerging from Hord’s bank of synths. Stand out It’s Your House is pure honey pouring from the speaker on a bank of of arps and near-hymnal vocal layering, a syrupy light offering in the mist. It’s an emotive highlight that only increases as the album progresses; Impressions Of Me is the Lynchian ballad that glides onward into the sunset. The album finishes on a choice re-interpretation of the 1989 track The Party Is Over by Belgian group Adult Fantasies, one of the great over-looked ballads of the era given an almost ecclesiastical makeover by Matthew Hord and Frankie Rose in 2021.

Says Hord: “This record was an incredibly challenging endeavor to make, as I had just come home from a European tour with another music project and wanted to invest into and focus on this collaboration with Frankie. I essentially reimagined how to approach writing basic sequences with the synthesizers I had been rehearsing and performing with for months prior to make something more accessible and pop- like for Frankie to build upon. Frankie is an unsung hero when it comes to mixing, and she was constantly mixing down and processing elements of the tracks to create different atmospheres as we forged forward with every song.”

This New Heaven is an ecstasy of sorts, a half-dream in the border between sleep and daylight.

pre-ordina ora03.12.2021

dovrebbe essere pubblicato su 03.12.2021

Str4ta - The Invicta Mixtape

Brownswood Recordings are proud to presentan extension of the ever-evolving world ofSTR4TA, the brainchild of long time friends

and collaborators Gilles Peterson and JeanPaul “Bluey” Maunick. ‘The Invicta Mixtape’is a limited edition cassette format mixed

by Gilles Peterson & Sam Bhok (WorldwideFM/Stay Put). Available on pre-order from November 1st, released on December 3rd 2021

‘The Invicta Mixtape’ features an array of illustrious producers and polymaths unleashing their unique interpretations ofSTR4TA’s standout tracks. With a percussives tripped-back rework of ‘Dance Desire’ by Steve Conry & Takashi Nakazato; a funk-laced ‘Rhythm In Your Mind’ by Ashley Beadle plus Glasgow’s Nuovi Fratelli add a cosmic disco flare in the mix. Dave Lee’s rework of ‘After The Rain’. ‘Vision 9’ is reconceived by Melé’s rhythmic inventiveness & Delfonic’s virtuoso. Also iconic reworks by techno pioneer Dave Aju, the spellbinding Demus Dub& DJ veteran Greg Wilson.

The mixtape honours the importance of Radio Invicta, London’s very first soul station, which was running from the late-60s to ther mid-80s. The B-side contains the complete STR4TA album.

pre-ordina ora03.12.2021

dovrebbe essere pubblicato su 03.12.2021

Tuxedo - Doin' My Best

Tuxedo

Doin' My Best

7"-VinylFOS702-7
Funk on Sight
03.12.2021

A Pandemic Banger from Tuxedo, the duo formed by Mayer Hawthorne and Jake One. Doin' My Best stand-along single b/w "Doin' My Best Instrumental". Limited edition 45 in a pic sleeve that was originally a Tower Records Japan exclusive. Cover by Jean Andre.

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Last In: 4 years ago
Epica - Omega Alive

Epica

Omega Alive

3x12inchNB6069-1
Nuclear Blast
03.12.2021

For many years now, the comparative of epic has simply been EPICA. Since their formation in 2002 and their quick ascension to stalwarts of symphonic metal noblesse with trailblazing masterpieces “The Divine Conspiracy” (2007) or “Requiem for the Indifferent” (2012), Dutch metal titans only knew one way: Up. Especially with their last three releases “The Quantum Enigma”, “The Holographic Principle” and this years’ “Ωmega”, forming a metaphysical trilogy that’s both alpha and omega of all things symphonic metal, EPICA became rightful monarchs of a genre they themselves helped made become a global phenomenon.

Yet, as every other band, EPICA couldn’t take their latest installment of breathtaking cinematic grandeur to the seven corners of the world as they would have normally done. You know why. Thus, plans have been made and visions fulfilled to produce a once-in-a-lifetime event that couldn’t be further away from yet another streaming show. What EPICA unleashed upon the world on Saturday, June 12th, 2021, was a monument to their music, their career, and their enduring legacy as forebears of a whole genre. Now finally being released on Blu-ray and DVD and various audio formats, “Ωmega Alive” is the EPICA show of your wildest dreams, brought to life by blood, sweat, tears and a healthy dose of megalomania. Think Marvel meeting Cirque de Soleil in a Tim Burton universe.

Celebrating the release of their gargantuan new opus magnum, „Ωmega“, the streaming event saw fans from over a 100 countries flock to the screens to witness a show that has proven to be the defining moment in EPICA‘s concert history. A show that’s nothing short of the band’s most explosive performance to date, brought to life with an enormous production on an ever-evolving stage setting that’s full of visual surprises. For the first time ever, EPICA performed songs like ‘The Skeleton Key’ or the insanely monumental “Kingdom of Heaven Part 3” from “Ωmega”, alongside the band’s most popular songs, rare songs, fan favorites and huge surprises. “What started as a basic idea to do an online release show for “Ωmega” quickly spiraled out of control and became our most ambitious project to date,” creative director and keyboard wizard Coen Janssen says. “As usual, we wanted to push the boundaries, explore the limits, and think outside the box. We found ourselves back in our happy place. This concert film, our ray of light for you in the dark times that we have all been living in.”

For half a year, the band worked tirelessly on a show that’s been setting a new standard for concert films and streaming events. “What we wanted to do was the ultimate EPICA show where we could fulfill every dream we ever had, where there was room for all the ideas, effects and props that are just too big to be taken on tour.” Far from your usual streaming concert, the band developed a trademark feature called a “living backdrop.” Coen explains: “We built another stage right behind our stage where lots of things were going on the whole time. And we meant that very literally,” he laughs. “Every song got something extra, something unique that was fitting its world.”

He can say that again: Elaborate visuals, tailor-made videos and graphic effects, fire, and flames on a Nibelungen level, dancers and actors, artistic performances or fire performers all add to the aura of symbolism and cinematic splendor, setting the stage for a band that can’t be happier to finally bring their new album to life, harmonizing wonderfully and giving their A game for a show to remember. “It was so great finally playing with the band again, actually standing on stage with them. Boy, did we miss this,” Coen emphasizes and adds: “We also built a pretty cool new stage with some fire-breathing snakes and lots of rotating elements. Good thing is, we might also take it on the road when we can finally tour again.”

Until then, “Ωmega Alive” will be a more than efficient remedy against no-concerteritis – for bands, fans, and crew alike who all look back on an extra-long dry spell. Divided into five acts as there are letters in EPICA and “Ωmega”, each part gets a different theme, look, and feel, complemented with references to the history of EPICA, the symbolism of the band and the videos they did. It’s, in short, the best show they ever did, a two-hour spectacle spanning their storied career up to their latest endeavors and graced by Simone Simons’ breathtaking a-cappella rendition of ‘Rivers’ from “Ωmega” complete with choir, easily the most emotional and achingly beautiful moment in their entire career. Frankly, you don’t see this on a normal tour.

What EPICA brought to life here with the help of 75 artists and crew members is a testimony to their burning will to take their band ever higher – even now, in the darkest of times we ever had to endure. Let “Ωmega Alive” be your ray of light as it was theirs, a journey into the heart, body and soul of one of the most passionate and visionary metal bands alive today.

pre-ordina ora03.12.2021

dovrebbe essere pubblicato su 03.12.2021

Geese - Low Era / Smoke In Japan

Geese are a band that begins and ends in Brooklyn, as a
project between friends to build a home studio out of a
basement.
 Their debut album, ‘Projector’ (from which this single is
taken), is born from the same ambition: make music by
any means necessary. The songs were recorded with
sneakers as mic stands and blankets draped over the
amps, all within the afternoon following a school day, up
until they ran the risk of noise complaints.
 As a result, ‘Projector’ is as much a moment in time as it is
an album. It represents five teenagers whose love of
music touches every part of their lives: their restless
anxiety about their futures, and their pent-up frustration
with their present - a perspective all too familiar in today’s
uncertain world. Perhaps then it only makes sense that the
figure on the album cover was born from a dream:
curiously alien, yet strangely familiar.
 Creative direction by Matt De Jong and Jamie JamesMedina (Fontaines D.C., Arlo Parks, Mura Masa, FKA
Twigs).
 Two sold out London shows at The Windmill and The
Sebright Arms. First time ever playing in the UK.
 7” features ‘Low Era’ on the A side and a never before
heard bonus track called ‘Smoke In Japan’ on the B side.

pre-ordina ora03.12.2021

dovrebbe essere pubblicato su 03.12.2021

Geese - Projector

Geese

Projector

12inchPTPS05LP
Partisan Records
03.12.2021

Geese are a band that begins and ends in Brooklyn, as a
project between friends to build a home studio out of a
basement.
 Their debut album, ‘Projector’ is born from the same
ambition: make music by any means necessary. The
songs were recorded with sneakers as mic stands and
blankets draped over the amps, all within the afternoon
following a school day, up until they ran the risk of noise
complaints.
 As a result, ‘Projector’ is as much a moment in time as it is
an album. It represents five teenagers whose love of
music touches every part of their lives: their restless
anxiety about their futures, and their pent-up frustration
with their present - a perspective all too familiar in today’s
uncertain world. Perhaps then it only makes sense that the
figure on the album cover was born from a dream:
curiously alien, yet strangely familiar.
 Creative direction by Matt De Jong and Jamie JamesMedina (Fontaines D.C., Arlo Parks, Mura Masa, FKA
Twigs).
 Two sold out London shows at The Windmill and The
Sebright Arms. First time ever playing in the UK

pre-ordina ora03.12.2021

dovrebbe essere pubblicato su 03.12.2021

Geese - Projector

Geese

Projector

CassettePTPS05CX
Partisan Records
03.12.2021

Geese are a band that begins and ends in Brooklyn, as a
project between friends to build a home studio out of a
basement.
 Their debut album, ‘Projector’ is born from the same
ambition: make music by any means necessary. The
songs were recorded with sneakers as mic stands and
blankets draped over the amps, all within the afternoon
following a school day, up until they ran the risk of noise
complaints.
 As a result, ‘Projector’ is as much a moment in time as it is
an album. It represents five teenagers whose love of
music touches every part of their lives: their restless
anxiety about their futures, and their pent-up frustration
with their present - a perspective all too familiar in today’s
uncertain world. Perhaps then it only makes sense that the
figure on the album cover was born from a dream:
curiously alien, yet strangely familiar.
 Creative direction by Matt De Jong and Jamie JamesMedina (Fontaines D.C., Arlo Parks, Mura Masa, FKA
Twigs).
 Two sold out London shows at The Windmill and The
Sebright Arms. First time ever playing in the UK

pre-ordina ora03.12.2021

dovrebbe essere pubblicato su 03.12.2021

Gerry Mulligan - Night Lights

Gerry Mulligan

Night Lights

12inchNEWLAND001
New Land
03.12.2021

Deluxe LP edition, remastered using transfers from the original
tapes lifted from the Phillips vault by mastering legend Kevin Gray.
 Pressed at Pallas on 180g heavyweight vinyl and housed in a thick
reverse-board sleeve with additional insert featuring photographs
and words by bassist on the session Bill Crow.
 This session, recorded at New York’s Nola Penthouse Studios in
1963, is a little-known masterwork from the incredible Gerry
Mulligan catalogue.
 Baritone saxophonist Gerry Mulligan was a true icon of jazz, being
one of the prominent figures in the West Coast scene through the
1950s until his death in 1996. Voted Number One musician in his
instrument by Downbeat Magazine for 42 years in a row, Mulligan
was one of the key players of his time and a figurehead who
helped shape the sound of jazz to come.
 From periods in the ‘Birth Of The Cool’-era Miles Davis line up, as
well as forming a piano-less quartet with Chet Baker, Gerry was
always on the frontline of what was hip and happening in
America’s one true art form.
 With its striking Oliver Hardimon designed cover, ‘Night Lights’ is
the very definition of refined cool jazz. Shimmering with a latenight beauty that perfectly evokes a sophisticated New York City in
the early 1960s, Gerry and his Sextet fuse slow burning jazz noir
alongside emerging contemporary Brazilian rhythms, with the
interplay between Mulligan and guitarist Jim Hall a particular
standout throughout.
 Title track ‘Night Lights’ is a wonderfully smooth, low light tune,
while the Latin-tinged ‘Morning Of The Carnival’ really finds the
band in their finest and most swinging form. A cover of jazz
standard ‘In The Wee Small Hours Of The Morning’, followed by
Chopin’s ‘Prelude In E Minor’ continues the delightful groove
before we finish out with Mulligan originals ‘Festival Minor’ and
‘Tell Me When’.
 For this version of the release, New Land have also included the
1965 version of ‘Night Lights’, which gives an interesting
comparison, performed by his later day Quintet featuring the
Wrecking Crew’s legendary Hal Blaine on drums, amongst others.

pre-ordina ora03.12.2021

dovrebbe essere pubblicato su 03.12.2021

Iro Haarla Electric Ensemble - What Will We Leave Behind

Renowned Finnish jazz innovator and band leader Iro Haarla takes a detour towards progressive rock Iro Haarla Electric Ensemble to release their debut album in October Known for her large number of works in the field of acoustic free jazz, Iro Haarla is a notable Finnish pianist, composer, arranger and band leader. Now, having inked a deal with Finnish cult label Svart Records, Haarla takes an eye-opening sidestep towards progressive rock. Her new band consisting of renowned Finnish musicians, Iro Haarla Electric Ensemble weaves a vastly colourful world of sound around Haarla’s peculiar melodies, and welcomes us to new sonic territory: a vibrant world where black music influenced rhythms, acoustic instruments, analog synthesizers and spacelike, valiant electric guitars converge. In her long career as one of the most distinctive creative powers in modern scandinavian jazz, Haarla’s history includes both the works with her past life partner Edward Vesala (d. 1999) and an extensive repertoire of her own innovative solo works, recorded for the renowned ECM Records. For What Will We Leave Behind - Images from Planet Earth Haarla has put together a band whose musical expression is strong and profound. The rhythm of the music lies in the dynamic hands of bass player Ulf Krokfors and drummer Aniida Vesala, and together with Sami Sippola’s (Hot Heroes) responsive tenor saxophone and Finnish rock legend Jukka Orma’s (Sielun Veljet) imaginative ability to dive into new dimensions with his electric guitar, What Will We Leave Behind grows into an unforgettable experience for both prog rock and jazz enthusiasts. Out on the 29th of October 2021, the Iro Haarla Electric Ensemble debut is a homage to nature - our common planet and home. Inspired by nature, the album is also a cry for help in the age of natural disasters and depletion of natural resources around us. “I admire nature’s grand beauty, which arises from extreme phenomena and the battle for survival. The thread of life is unbroken”, Haarla says. Each album track portrays a place on Earth: between the humane opening track The Song We Loaned From Our Children and the hopeful closing track What Will We Leave Behind? vibrates a variety of soundscapes from lakesides, oceans, glaciers and rainforests, all the way to the winds and rumbles of mountains and man-made cities. Adding even more depth to the musical themes and landscapes, the album’s cover art was picked up from environmental art pioneer Teuri Haarla’s photo collection.

pre-ordina ora03.12.2021

dovrebbe essere pubblicato su 03.12.2021

Sons of the Sun - Sons of the Sun 2x12"

Sons Of The Sun

Sons of the Sun 2x12"

2x12inchBBE607ALP
BBE
03.12.2021

BBE Music is excited to present the long awaited, eponymous debut album from the USA/UK partnership of JTronius and Maverick Quest, aka Sons of the Sun. Delivered remotely following a chance meeting on music-tech networking app ‘Brapp’, the ingenious pair sent files back and forth between Texas and South East London to manifest their shared vision for ‘Sons of the Sun’. Remarkably, the duo are still yet to meet in person. A respected solo artist knighted by Bootsy Collins as an official ‘funkateer,’ Berklee College graduate JTronius is an extravagant entertainer, entrepreneur and lifestyle brand. Self-dubbed The Guvna of the Galaxy, he brings his swaggy, soulful style to all his endeavours. He has shared stages with LL Cool J, The Roots, Talib Kweli, Pharrell, Busta Rhymes and Damian Marley and is an accomplished actor, appearing in a number of successful Hollywood feature films. Genre-blending record producer and multi-instrumentalist Maverick Quest grew up immersed in the aesthetic of hip hop. But in an environment where flipping loops from vinyl was standard, developing his musicianship to create his own sounds was radical, a move that paved the way for his signature sonic. He has previously performed with and produced for Guru, Grandmaster Flash, Ice T, Ibibio Sound Machine, Solo Rosa and Portico Quartet to name but a few, and is firmly rooted in the epicentre of the burgeoning South East London jazz movement. Sons of the Sun’s debut long player features a host of luminary guests and musicians from all over the globe, including guitarist Dai Miyazaki (Bilal, Ms. Lauryn Hill, Tye Tribbett), keyboard player and vocalist Matt Cusson (Christina Aguilera, Brian McKnight), singer Ayesha Brooks (The Voice, Season 6), saxophonist & flautist Jelani M. Brooks (Ghost Note, RC & The Gritz, Erykah Badu), Boston rapper Madame Cruz and Scottish horn collective The Brasscats, among many others. Mixed by Grammy-nominated Clinton “Ubiquity” McCreery and mastered at Grammy-awarded studio The Carvery, this album inks an impressive first chapter in the story of Sons of the Sun.

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Cathy Jain - Artificial

Cathy Jain

Artificial

12inchYALA17
Yala
03.12.2021

Hot on the heels of her standout debut single ‘Cool Kid’, hotly tipped 17-year-old YALA! Records signee Cathy Jain has today shared the title track from her highly anticipated forthcoming debut E.P ‘Artificial’

Echoing the modernist pop of Billie Eilish, the production flair of Frank Ocean’s more soothing moments, and Lana Del Rey’s nostalgia for the recent past; ‘Artificial’ is a hazy, sun-kissed, R&B-tinged alt-pop track that stands Cathy out as a unique new voice.

Cool Kid immediately made an impact at Radio 1 with the track added to their coveted Introducing playlist; garnering big on-air talk ups from Annie Mac, Clara Amfo and Greg James, while Jack Saunders subsequently named it as his Next Wave pick. Further radio support came from Lauren Laverne and Steve Lamacq at 6music. Whilst glowing write-up’s from NME, Clash, and Line Of Best Fit added to the groundswell of support from leading industry tastemakers.

pre-ordina ora03.12.2021

dovrebbe essere pubblicato su 03.12.2021

DR LONNIE SMITH - BREATHE

Dr Lonnie Smith

BREATHE

2x12inch3816249
Blue Note
03.12.2021

Breathe captures the Hammond B-3 organ legend Dr. Lonnie Smith during his 75th birthday run at the Jazz Standard in NYC in 2017, the same week he recorded his acclaimed trio album All In My Mind. On this night the good doctor took the stage with an expanded line-up featuring Jonathan Kreisberg on guitar, Johnathan Blake on drums, John Ellis on tenor saxophone, Jason Marshall on baritone saxophone, Sean Jones on trumpet, and Robin Eubanks on trombone. Two additional studio tracks that open and close the album present the unique collaboration between Doc and Iggy Pop including a sublime cover of Donovan’s 1966 hit “Sunshine Superman.”

pre-ordina ora03.12.2021

dovrebbe essere pubblicato su 03.12.2021

Lundgren & Parisien & Danielsson - Into the Night

Lundgren&Parisien&Danielsson

Into the Night

12inchACTLP9932-1
ACT
03.12.2021

 A fascinating thing about jazz is what can arise through force of
circumstance rather than the result of planning. The drummer
scheduled to appear in a trio with Jan Lundgren at the Ystad
Sweden Jazz Festival had to cancel because of the pandemic,
which forced Lundgren to rethink the gig. The pianist - who is
also artistic director of the festival - quickly realised that things
could also work without a drummer. Serendipitously, the name
of Emile Parisien came to his mind... and a new trio was born.
The three musicians had never played together in this
configuration before; so, after a single day of rehearsals, the
band took to the festival’s main stage on 1 August 2020.
 Jan Lundgren is one of those pioneers who gave European jazz
its distinct identity and freed it from American jazz. The Ystadbased pianist combines virtuosity, an acute sense of tonal
colour, awareness of form from European classical music and
his own folk music tradition. For him, to make music where
many different genres coalesce is both inevitable and natural.
 Lars Danielsson’s bass playing is unmistakably melodic and
lyrical. He is one of just a handful of bassists who stand out
both as creative composers and as distinguished band leaders.
Technical brilliance, outstanding musical imagination and an
almost telepathic understanding of his fellow musicians - his
presence is ideal in this trio.
 Soprano saxophonist Emile Parisien found his way into this
band practically out of nowhere. The vivacious Frenchman lives
jazz with body and soul and his honesty and authenticity ring
true in every note he plays. Parisien is a visionary of jazz,
aware of its legacy but always looking forward in an innovative
way.
 This unique performance leaves the listener begging for more.
Having started this new venture so auspiciously, Jan, Lars and
Emile are surely going to want to aim even higher.
 Recorded live in concert by Mattias Dalin (Eurosound AB) at
Ystad Sweden Jazz Festival, August 1, 2020. Mixed by Bo
Savik, Jan Lundgren and Lars Danielsson at Tia Dia Studios,
Mölnlycke, Sweden. Mastered by Bo Savik.

pre-ordina ora03.12.2021

dovrebbe essere pubblicato su 03.12.2021

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