Search:sound b

Super Flu has crafted a unique and special track with a fresh reinterpretation of Cher’s legendary Grammy Award winning song “Believe.” Infusing raw electronic beats and atmospheric soundscapes, this track reimagines the classic in a way that resonates with the burgeoning underground dance community, but at the same time retains the essential melodic elements of the tune that gave it such universal appeal. Experience the haunting allure and hypnotic rhythms that only Super Flu can deliver, redefining a timeless anthem for the next generation of listeners.

Early support from Keinemusik, Black Coffee, LP Giobbi, Blondish, Desiree, Adam Ten and more

Zoo Brazil is an artist who needs no introduction. With over 30 years of experience in the music industry, he has
become a well-established name, providing his followers with his signature sound that has stood the test of
time. His extensive discography includes releases on renowned labels such as Anjunadeep, Bedrock, Stil Vor
Talent, SCI+TEC, and many more top international imprints.
This time, the Swedish maestro steps onto the Tenampa stage with a highly anticipated two-track vinyl release,
limited to just 200 copies with no repress.

2nd pressing on 2xLP Black Vinyl with Starlight Sparkle Vinyl 2nd pressing comes with a 2x7" EP on Transparent Yellow & Magenta Vinyl Please Note: "quality of sparkle vinyl comparable to vinyl with metallic effects" Sparkle / Starlight: Large silver particles Carefully designed, beautifully remastered and loaded with new ways to play - "Risk of Rain" is back and better than ever! Dive into the iconic roguelike full of unique loot combinations, enhanced with new Survivors, overhauled multiplayer, fan favourite content from Risk of Rain 2 and more! Ten years after "Risk of Rain" was released into the world to become a true classic, the game was revived in November 2023 as "Risk of Rain Returns" to reconnect with its fans and be discovered by those who didn't realise what they were missing. Time to give the iconic game soundtrack an update as well, isn't it? Creator Chris Christodoulou gives an insight on his work as well as the extensive and luxurious new vinyl release that comes with some remarkable extras: "Can you believe it's been ten years already? It seems like yesterday that I was sitting in my small bedroom/studio in front of an aching computer writing the music for `Risk of Rain'. And here we are, ten years later, returning to it to, adding to its musical compendium. What an unexcepted, magnificent journey! With this very special release we're celebrating both, the 10-year anniversary of `Risk of Rain' and the release of `Risk of Rain Returns'! This modular album contains the entire Risk of Rain soundtrack remastered and the four new tracks written for `Risk of Rain Returns' (with contributions from special guest musicians Damjan Mravunac & Maria Papageorgiou). Daniele (art), Kevin (Black Screen Records) and I worked very hard to make this complex release a reality and we are extremely proud of it! We hope you enjoy every aspect of it as it is a labour of pure love! Finally, a very special thanks to all of you who have carried this music across the past decade! You have my love, Chris

DIA ist das zweite Album der in Kolumbien geborenen und in New York lebenden Elektronik-Pionierin nach ihrem Debüt ACTS OF REBELLION (2020). Wo sich Acts of Rebellion noch bewusst klein anfühlte, wie ein Club mit spätnächtlichen Träumereien, ist DIA sowohl introspektiv als auch expansiv, die Ausdehnung der Songs offenbart mehr von Minus als Person und Produzentin und setzt Elas persönliche Reise in einer Ausdehnung von elektronischem Sound und Gesang fort.




d A4 IDK

DIA ist das zweite Album der in Kolumbien geborenen und in New York lebenden Elektronik-Pionierin nach ihrem Debüt ACTS OF REBELLION (2020). Wo sich Acts of Rebellion noch bewusst klein anfühlte, wie ein Club mit spätnächtlichen Träumereien, ist DIA sowohl introspektiv als auch expansiv, die Ausdehnung der Songs offenbart mehr von Minus als Person und Produzentin und setzt Elas persönliche Reise in einer Ausdehnung von elektronischem Sound und Gesang fort.




d A4 IDK




d A4 IDK

Recorded 1979 at Pathway studios, an eight-track studio in Islington, North London, this is an album of inventive, timeless electro-pop. Mastered from the original analogue tapes, the album still sounds incredible thanks to Foxx’s minimalist approach, which was partly inspired by his experience of watching Lee “Scratch" Perry produce records at Island Records’ studios in the 1970s. Engineer Gareth Jones - who later worked on some of Depeche Mode’s finest recordings - also proved to be a fantastic collaborator and innovator on this record.

John Foxx:
"I was in retreat from bands, touring, etc, mightily convinced that electronics were the future, and reading too much J.G. Ballard. I lived alone in Finsbury Park, spent my spare time walking the disused train lines, cycled to the studio every day and wobbled back at dawn, imagining I was the Marcel Duchamp of electropop. Metamatic was the result. It was the first British electronic pop album. It was minimal, primitive technopunk. Carcrash music tailored by Burtons.”

Unbelievably killer and super, super heavy brand-new Psyche/Krautrock album coming out of nowhere from Brown Spirits, new on Soul Jazz Records!
Brown Spirits are from Melbourne, Australia. Their stripped down and tight musical unit is a trio (think Cream or Hendrix!) of raw bass, drums and shared guitar/keyboards meets the D-I-Y attitude and punk/post-punk intensity, giving them a unique hi-octane sound.

While music traditions are often defined by established and protected sets of characteristics, popular music in South Africa betrays a willingness to adapt homegrown styles and an enthusiasm to adopt new influences. Musical currents like marabi, goema and mbaqanga help define what makes indigenous jazz unique, but it’s the eclecticism and hybridisation found in South African crates that keeps vinyl archaeologists like Fred “Voom Voom” Spider digging deeper. If we consider jazz to be a global musical dish, it follows that South Africa brings a distinct sonic salsa to the table. Spider calls it “Chakalaka Jazz” after the local tomato, onion and chilli relish that frequently accompanies South African meals. It’s the essential ingredient that unites and spices this diverse selection of tracks spanning the years 1969 through 2003. Featuring locals, exiles and expats with a reverent nod to the golden years of the 1970’s, these rare musical treasures are held together by that magical South African flavour.

Compiled by Fred Spider, Notes by Calum MacNaughton, Executive Producer: Franck Descollonges for Heavenly Sweetness

WRWTFWW Records is overjoyed to present the first ever vinyl release for the outstanding soundtrack of 1999 Japanese action-political-thriller anime Jin-Roh: The Wolf Brigade by Hajime Mizoguchi. The epic full-lenght album is available as a limited-edition LP cut at Emil Berliner Studios and housed in a heavyweight 350gsm sleeve.

Legendary animation film Jin-Roh was penned by Palme d’Or and Leone d’Oro award winning filmmaker, television director and writer Mamoru Oshii whose filmography includes Ghost in the Shell, Patlabor 2: The Movie, and Angel’s Egg – critically acclaimed works praised worldwide, notably by luminaries such as James Cameron, Steven Spielberg and The Wachowskis. The film was directed by leading studio Production I.G. affiliate Hiroyuki Okiura (Record of the Lodoss War, A Letter to Momo…)

The film’s score, courtesy of famed anime and tv score composer, cellist and arranger Hajime Mizoguchi, evokes the dystopian world in which Jin-Roh takes place and captures the Little Red Riding Hood theme that carries the story – a dark, atmospheric, and immensely emotional soundscape that takes you on a grand and immersive journey and stays with you forever. It blends classical, orchestrated ambient, and poignant melodies carried by ominous strings.

This new project by WRWTFWW Records follows previous Japanese soundtracks from the catalogue: Ghost in the Shell, Patlabor 2, Evil Dead Trap, Violent Cop and precedes the upcoming release of Takeshi Kitano’s Sonatine soundtrack by Joe Hisaishi.

Limited edition - 250 copies

Coming from the vaults of one of the label heads 'Golden Ivy'. This single presents a full circle, baleo-industrial experience that makes its mark as a firm revisit to the label after some time spent being harbored by other imprints.

The foundation upon which this release stands originally stems from a sample from the mindfulness record ’Sinnenas dans” by the renowned Scanian folk musician and multi-instrumentalist Ale Möller. With its re-illumination graciously blessed by the original creator, it quickly transcends into flute-laden fourth world grandeur, underpinned by synthesized meanderings and industrial motorik. Flip the record for the version, and you’ll find label friend and artist Philipp Otterbach taking us on a post-punk dub jaunt of sorts, carefully decorated with his signature of deep and enigmatic sounds—often both sculptural and contrasting.

This record serves as a reflection of the label’s long-standing affinity for subtle rhythmicism and is well suited for mindful low-tempo dances in the many years ahead.

This is another vital instalment of Get Physical Music's classic reissue series, which is now scheduled for a vinyl release. It features a track first released in 1994 and was also part of DJ Pierre's Wild Pitch: The Story album back in 2017. It comes with an Emmanuel Satie edit of the Ricardo Villalobos Dub and a stellar remix from South Africa's Jazzuelle, first released in 2017.

DJ Pierre's name is forever synonymous with house music, particularly the acid sound he pioneered in the' 80s. Staying true to the underground since then, he's consistently released vital tracks, innovated with his Wild Pitch style and now his Afro Acid label. Pierre continues to push boundaries with each new outing while this reissue proves that his earliest works are still some of house music's best ever.

'What is House Muzik' is an almost 10-minute masterpiece that's perfectly designed for gritty warehouse spaces and comes complete with an anthemic vocal monologue. It's dark and distorted with monstrous kicks and oversized hi-hats, a frazzled lead synth line and a marching groove that is lit up with strobe-lit details to get hands in the air. The original also comes alongside an acapella version.

Next up, we have an edit from melodic master Emmanuel Satie, who takes Fellow Ricardo Villalobos's epic 36-minute 'What Is Dub' version and splices it into a floor-friendly and perfectly paced 7-and-a-half-minute edit. Originally dropping in 2015, it now sees its way onto vinyl for the first time. Finally, South Africa electronic production don Jazzuelle drops a remix that lives up to its name with a dive into the deeper realms of acid.

Immerse yourself in an electrifying fusion of analog textures and experimental soundscapes. This record is a bold, underground exploration where Electro, Techno, and Experimental collide in an uplifting yet distorted sonic journey. Crafted with an unwavering commitment to authenticity, the tracks embody the raw, unpolished energy of analog gear, delivering a gritty, dynamic experience. The artists--Filmmaker, Hanniball III, DJ Nephil, Mule Driver, Porosty, and DJ Sigils--bring their uncompromising vision to the forefront, creating a soundscape that rejects mainstream conventions. This record isn't shaped by market trends or hype; it's a pure expression of underground artistry, designed to break boundaries and let creativity flow untethered. With each track, the listener is invited into a world where the unexpected thrives, and where the only rule is to push the limits of sound.

Macht Euch bereit, Elwood Stray’s Debütalbum auf einem ganz neuen Level zu erleben: “Gone With The Flow“ ist auf einer brandneuen Vinyl-Pressung erhältlich, jetzt zusätzlich mit den Tracks ihrer “Triality”-EP. Jede Platte ist ein handgefertigtes Kunstwerk in rot-grauem Splatter, was jedes Exemplar zu einem echten Unikat macht.

Limitierte Auflage, immer einzigartig - Sichert Euch ein Stück Elwood Stray-Musikgeschichte!

Die aus Essen-stammende Band liefert eine energiegeladene Mischung aus Post-Hardcore, Rock und Metalcore. Wenn man ihren Sound beschreiben sollte, würde man es wahrscheinlich mit den Worten schlicht, unaufgesetzt und natürlich tun. Kein technischer Schnickschnack, nur das Wesentliche: Handgemachte Musik.

In ihrer kurzen Zeit in der Branche haben Elwood Stray bereits die Bühne mit zahlreichen internationalen Künstlern geteilt, darunter Bad Omens, The Plot In You, The Ghost Inside, Landmvrks und The Word Alive, und haben nennenswerte Festivalauftritte beim Summerbreeze, Full Force und Takedown hinter sich. Nach ihrer gemeinsamen Europa Tour mit Novelists Anfang 2024, sind Elwood Stray bald mit dem US-Metacorel-Powerhouse Stick To Your Guns unterwegs und unterstützen diese auf ihrer Record Release Tour durch Europa.

Brigid Mae Power’s latest release, Songs for You, is a heartfelt collection of cover songs dedicated to her father. This album features her unique interpretations of tracks written by legendary artists like Roy Orbison, Tom Verlaine, Neil Young, and Cass McCombs, among others.

With a minimalist yet emotionally resonant sound, Songs for You offers a fresh take on these timeless songs while remaining deeply personal. Brigid Mae Power’s ethereal vocals and atmospheric arrangements bring a sense of nostalgia, reflection, and heartfelt tribute, making this album a powerful bridge between memory and music.

While many of the songs are performed solo, Brigid is joined by Ryan Jewell on drums and Shahzad Ismaily on bass, with Brigid herself playing vocals, guitar, electric guitar, organ, and accordion. Tracks 1, 3, 4, 7, and 8 were recorded at Analogue Catalogue by Julie McLarnon, while tracks 2, 5, 6, and 9 were recorded at home. The album was expertly mixed by Sean McErlaine and mastered by Brian Pyle.

With Exile to Beyn Neharot, Wyatt E. created the soundtrack of the people of the city of Jerusalem who were sent in exile to Babylon by King Nebuchadnezzar II after the siege of the city in 587 BC. The album is divided into 2 parts: one devoted to the emperor and his military campaign that led to the exile, the other to an allegiance, real or otherwise, to the goddess Ishtar. The record is the first real album of the band (Mount Sinai/Aswan being an EP) and marks the band's debut on the Doom/Drone scene. It was first released by Jerusalem's label Shalosh Cult.

Yellow vinyl, limited to 300 copies. With Exile to Beyn Neharot, Wyatt E. created the soundtrack of the people of the city of Jerusalem who were sent in exile to Babylon by King Nebuchadnezzar II after the siege of the city in 587 BC. The album is divided into 2 parts: one devoted to the emperor and his military campaign that led to the exile, the other to an allegiance, real or otherwise, to the goddess Ishtar. The record is the first real album of the band (Mount Sinai/Aswan being an EP) and marks the band's debut on the Doom/Drone scene. It was first released by Jerusalem's label Shalosh Cult.

Mount Sinai/Aswan is the first Wyatt E.'s attempt to write the soundscape of a travel in the past which leads to ancient Gods, forgotten cities and lost civilisations. This first record is in a more phantasmagorical vein. It re-imagines an escape to Egypt that stopped at the banks of the Upper Nile. It was released in May 2015 and has only been performed live a handful of times.

Gold vinyl, limited to 300 copies. Mount Sinai/Aswan is the first Wyatt E.'s attempt to write the soundscape of a travel in the past which leads to ancient Gods, forgotten cities and lost civilisations. This first record is in a more phantasmagorical vein. It re-imagines an escape to Egypt that stopped at the banks of the Upper Nile. It was released in May 2015 and has only been performed live a handful of times.

Der dritte Teil der Albumreihe "Trance Legacy" von Armada Music erinnert an die goldene Ära der Trance-Musik und vermittelt gekonnt die anhaltende Anziehungskraft des Genres durch die Produktionen, die den Sound geprägt haben. Diese exzellente 24-Track-Auswahl enthält Klassiker wie "Burned With Desire" von Armin van Buuren feat. Justine Suissa, den legendären Three 'N One Remix von Energy 52s "Café Del Mar", "Strange World" von Push, Tiëstos Remix von Paul Oakenfolds "Southern Sun" und viele, viele andere. Die Melodien von früher werden in Erinnerungen wachgerufen und füllen die Dancefloors von heute.

Another Channel featuring Prince Morella crafting hypnotic soundscapes with their ultra deep dub-infused tracks.

Belt of Orion by Stockholm-based Isak Edberg is the composer's second solo release on XKatedral, and his first to focus solely on instrumental music in the form of two pieces of extended duration for solo piano. Isak Edberg is a composer of electronic and acoustic music as exemplified by Ondulations from 2017 and Lamé written in 2010 and released in 2022, both on XKatedral. Edberg was also a member of Golden Offense Orchestra, active from 2012 to 2014. Edberg writes that his music is informed by an enchantment of being and a search for holiness, rapture and transcendence through stillness, contemplation, dreaming and an attempt to uphold the present. Edberg regards his music to be an adornment of time. The two works presented here were composed in the south of France and in Stockholm during a period spanning the years 2016-2018. The music was inspired by the cold winds, starry nights and desolate, palely bright landscape of the provençal autumn, as well as reflections during a time of escapism and isolation in the life of the composer. More concretely, this music grew out of hours of improvised playing on an old piano while living alone on the countryside, during which harmonic structures and gestures were slowly worked out by means of performing and listening, assessing and balancing sounds and silences. Stylistically, the music draws on a range of sources, such as Feldman's use of space and resonance as projected through both harmonic and temporal distance, the ritualistic gestural repetitions of Satie, as well as Messiaen's resonant harmony, together with some of the harmonic lushness of Scriabin's late work. Belt of Orion is a piece that explores the contrast of two musical textures, the one being fluid, airy and progressive, the other being static, steady and repetitive. The music sequences through a series of harmonic tensions in search of a place of peace, exposing a rift in the weave of time where everything momentarily stands still. In Vestiges repetitive and rhythmic materials form a major part of the musical structure, while sections of sparse, floating harmonies temporarily interrupt with reflective pauses of stillness. The music thus employs two different and contrasting kinds of musical hypnosis, with the aim of cradling the listener into a dark and perhaps unsettling sleep. The music on this recording was performed by the renowned Swedish pianist Mats Persson, who has for many decades been a legend in the art music scene of Stockholm. Through his languid yet distinct interpretations the delicacy and intimacy of these works are elegantly brought to the fore. The recordings heard here were made over the course of two evenings at Fylkingen in Stockholm. Isak Edberg's music moves slowly through the seemingly endless world that is harmonic sound. In his practice he uses heavily reduced and carefully controlled materials to create states of maximum clarity.

Outside his role running the label and playing drums for Human Error Club (releases on Preference in 2020 & 2022), this is an album of experimental electronic music - fusing influences and sounds of juke, broken beat, acid jazz, hip hop and more. It"s complex without being jazz, electronic without being dance music and atmospheric without being ambient.

" The record tells of oases of trust.“ (Viola Klein)

Viola Klein’s records are supremely earthy and astrally inclined. In her DJ sets, she navigates with harmonies through a music selection that combines experimental house from the US Midwest, West African polyrhythms, and music in the tradition of Can from Cologne. Klein was invited to shape the sound of a club night alongside Kampire and Nídia. She has collaborated with Unity Fellowship Church New York, Georgia Anne Muldrow, Ndongo Samba Sylla, the James and Grace Lee Boggs Center in Detroit, Julion De’Angelo, and Whodat. For her own party series, originally called Bring Your Ass and later No Adoration, No Humiliation, she invited artists such as Aaron Carl, K15, and Kyle Hall when he was just 18 years old.

Her latest solo release, Confidant, offers a fresh approach to deepness.

Infinite Fog are delighted to present another piece of the intriguing COIL puzzle. In the mid 1990s the core team of John Balance and Peter Christopherson were continuing their exploration of the outer reaches of electronic sound production as exemplified by the "Born Again Pagans" release, originally an EP only, featuring both the hugely danceable "Protection" smash which had Danny Hyde's influence writ in large letters all over it, as well as the first outings of their intriguing more ambient/glitch-based ElpH material, probably their most haunting and haunted works. This new 3LP anthology re-edition collects all of the ElpH material which didn't appear on their later "Worship the Glitch" album, namely the pHILM #1 10", a host of very rare compilation tracks as well as a number of at the time unreleased pieces in the same vein. The stunningly presented release also features the ElpH entity's last ever appearance originally available as part of raster noton's award winning 20' to 2000 series of releases, the "Zwölf" EP.

All the material has been lovingly remastered by Jessica Thompson with re-imagined design-work by Oleg Galay and including a replica of the original St. Sebastian on acid poster.

Released in 2000, Don't Fear The Reaper: The Best of Blue Öyster Cult is a comprehensive compilation album showcasing the most iconic tracks from Blue Öyster Cult's storied career. Spanning their early 1970s beginnings to their success through the 1980s, the album features hits like the legendary "Don’t Fear The Reaper," the hard-hitting "Godzilla," and the haunting "Burnin' for You." Known for blending hard rock with elements of metal and psychedelia, Blue Öyster Cult’s complex guitar work and enigmatic lyrics shine throughout this collection. The album highlights the band’s innovative sound, which helped shape the rock genre with its unique mix of heavy riffs, intricate harmonies, and dark themes. For both longtime fans and new listeners, Don't Fear The Reaper: The Best of Blue Öyster Cult is a must-have, offering a perfect introduction to the band's most influential and timeless tracks. Don't Fear The Reaper: The Best Of Blue Öyster Cult is a limited edition of 2000 numbered copies on translucent blue coloured vinyl.

"The Sheila Divine is an American, Boston-based rock group. Critics compare their sound to the band's own heroes, mainly the early 1980s post-punk. The band is most often noted for its loud/soft musical dynamic and Aaron Perrino's soaring vocals, screaming in key one moment and howling a falsetto the next. The band has a large die hard fan base in what is often called ""the three Bs"": Boston, Buffalo, and Belgium. Their first full-length album New Parade was released in 1999. It received critical praise from local press and spawned the college radio hit Hum.

New Parade is available as limited numbered edition of 500 copies on black clouds coloured vinyl"

The band says, We rerecorded our debut EP Grow Up to look back on our progress as musicians and revisit some very nostalgic songs after 5 years of VIAL. It’s like a little love letter to our younger selves. When we first recorded Grow Up, we had very limited resources during the recording process and didn’t even use our own cables. We feel very lucky we’re able to revisit this EP now that we have access to the funds, skills, and equipment we’d always wanted to allocate towards these eight songs. VIAL is a powerhouse trio, red-hot in DIY scenes after breaking out during unconventional times in 2020.

Their sound is a pressure cooker: Indie rock meets punk in soaring melodic hooks ready to sink teeth into all listeners alike. Bite marks burn hotter on the live stage, where they’ve supported acts such as FIDLAR, HUNNY, and Mal Blum. The jury’s in: The insatiable hunger for VIAL’s fresh genre blend will be plentifully satisfied with a steaming-hot sophomore record in 2024.

"Everything's Fine" by Jean Grae and Quelle Chris is an album that blends humor, satire, and biting commentary to explore societal issues and personal struggles. The production, driven by Quelle Chris and Jean Grae, blends diverse sounds with classic boom bap undertones. Critics praise its wit, lyrical dexterity, and innovative production! The album's blend of humor and serious themes makes it a standout in Hip Hop.

It's a bird, it's a plane, no, it's the mystical masked avengers Los Straitjackets! Their album The Further Adventures of Los Straitjackets continues their conquest as the champion luchadores of instrumental rock. With the heroic efforts of Eddie Angel, Daddy-O Grande, Pedro Del Mar and Teen Beat, the world-renowned kings of Chopsville are set to release one of their most remarkable albums to date. This 2009 masterpiece features 15 tracks of future vintage sounds straight from planet Straitjacket. Do not succumb to the evil temptations of mediocrity and check out Los Straitjackets' amazing journey to save the world one riff at a time! This long-out-of-print album is pressed on green vinyl and is limited to 1,000 copies worldwide! This marks the first time The Further Adventures of Los Straitjackets is pressed on color vinyl.

Gerson King Combo's 1977 album is a masterpiece of Brazilian soul, emerged within the Black Rio movement, which was recorded with União Black as the backing band. It features the kind of full-on funky sound you'd only expect to hear from a rare few American groups of the time. Its ten songs mix political statements, which primarily address issues of racial pride, and dancefloor-oriented music. The album has achieved cult status over the years, becoming one of the most sought-after Brazilian funk records of all times. Remastered from the original tapes and pressed on 180g vinyl in a gatefold sleeve. This release is part of a new reissue series that will include many other outstanding Brazilian classics

The 5th-anniversary release of the renowned vinyl label Artreform marks a significant milestone bridging the past and the future. The label's head, JOSS, a DJ and producer based in Kyiv, continues to unearth talented newcomers. The latest release features a track by a promising Ukrainian newcomer, Wonkie, who is relatively unknown in the electronic music scene. Additionally, the release includes a remix by the European house music superstar IO (Mulen). IO first appeared on Artreform in 2013 with the ghetto banger "Criminal Stuff," leading to multiple collaborations with the label. Two years ago, IO revisited Artreform with a remix of JOSS's single "Justify." IO (Mulen) represents the esteemed history of Artreform while offering a glimpse into its vibrant future.

The new EP showcases a blend of past and future influences. The lead track, "I Meet Somebody," features Artreform's signature minimal house sound with a touch of classic progressive elements. On the other hand, the remix by IO (Mulen) incorporates a modern proto-trance style with hints of old-school UK breaks. "Tubular Bells" is reminiscent of JOSS' mixes, combining sophisticated tech house with trendy dream house vibes. Overall, the release adds new colors and nuances to Artreform's latest work and the label's esteemed back catalog, much like the eye-catching cover of their anniversary record.

For the hotly anticipated third release on her critically acclaimed new record label Uppers and Downers, Dr. Rubinstein has tapped one of her favorite producers--Yerevan's Dave N.A.--to take the helm and deliver a smart and stunning rave EP pitched at the intersection of acid and jungle. A prolific producer, adventurous DJ, and co-founder of the ABC Community, Yerevan's collective hub for amplifying breakbeat,jungle, and drum & bass sounds in the Armenian rave community, Dave N.A. is no stranger to Uppers and Downers, just having contributed a vivacious, jungle influenced reinterpretation of Rubi's track "Extacid" to the label's second release, Rubi's Acid Spa Remixes. For the past decade, Dave N.A.'s productions have reliably offered a fresh, frenetic yet finely tuned take on classic rave genres and their acid-drenched antics while exploring the cutting edge of international experimental bass and hard rave idioms. 'XLSoundwaves' proves to be no exception, taking listeners on a boisterous yet atmospheric, tight yet sprawling sonic journey that combines acid, jungle, hard trance, breakbeat, and IDM influences amid a striking wash of captivating, high-definition ambient studio sound design.
'XL Soundwaves' kicks off with "BFLY," an expansive track that features tunneling hard trance 303 lines deftly weaving through bouncy jungle breaks at a sprightly 165, all emerging from and ultimately fading back into an ethereal plenitude of ambient pads punctuated by a soulful, resonant vocal refrain. Next up, "Radiance" offers an infectiously groovy, sidewinding jaunt through cheeky acid breaks that evolves into a crescendo of lush, eyes-to-the-sky ecstasy. "XL," the EP's third offering, brings the heat with fat basslines, frequent turntablist rave licks, and a freaky sense of humor, almost cinematically projected onto a vast horizon of sumptuous strings. The EP comes to closewith "A.I.R.," a thoughtful banger with a mischievous IDM sensibility that sets acid jungle adrift on an ocean of shimmering orchestral sampladelia and ambient synth radiance.
To some, Dave N.A.'s acid jungle opus might seem like an unexpected plot twist in thecuratorial trajectory of Uppers and Downers. Much to the contrary however, the 'XL Soundwaves EP' is a perfect early release, helping to establish the mission of Uppersand Downers as continuing the search across diverse international rave genres, traditions, and communities for producers and productions that resonate with Dr.Rubinstein's lifelong pursuit of soundtracking her ideal rave: one that offers ravers access to an ecstatic, joyful, affirmative, and inclusive sense of home, of feeling at homewith both oneself and one another through the music.

M.I.T.A. makes his debut on FJAAK's CROWD label with the highly anticipated Night Owl EP, a fresh offering that sees the producer delving deep into his signature sound, blending intricate rhythms, atmospheric textures and hard-hitting beats to create an immersive journey through the nocturnal world. The Night Owl EP unfolds across four meticulously crafted tracks, opening with the title track listeners are plunged into a brooding soundscape characterized by pulsating basslines and haunting melodies, embodying the enigmatic energy of the night. 'Ego Bash' follows, delivering a high-octane groove infused with relentless percussion and electrifying dynamics, a track destined to ignite the dance floor. On the flip side, 'Broadcast Chatter' takes a more experimental route, weaving intricate sonic details and hypnotic loops into a piece that commands attention with its depth and complexity. Rounding out the EP is 'Venus of Intensity', a visceral and emotive closing track that builds to a crescendo of raw power, leaving listeners in awe of M.I.T.A.'s ability to balance intensity with elegance. With Night Owl, M.I.T.A. cements his place as one of the most exciting names in the Italian contemporary electronic scene. This EP not only highlights his skillful production but also his artistic vision - whether experienced in the dark corners of a club or through headphones on a late-night drive, Night Owl promises to leave a lasting impression.

On their debut album, Manchester’s Delights are stepping into an electrifying new world of sound. Their first full-length record introduces a wider sonic palette that reflects their collective tastes through an appreciation of legacy and their hometown forebears, with vibrant nods to funk, soul, disco, psychedelia, classic rock, and stadium-sized indie-pop. “This is the only moment you have your debut album,” reasons drummer Leo Willis. “So you can step outside your comfort zone and experiment.”

Walter Bassani is back once again, alongside Andrea Bassani and Dafne Valla, in a new good ol 80’s flavor filled production and arrangement of one his 1983’s songs, “Mister game”

This new iteration mixes a modern style and approach with the original 80’s sounds for you to dance with all night long.

Vinyl numbered in limited edition in fluo green color.

Power pop legends 20/20 return with their first album for the 21st Century, demonstrating why they belong in the top tier of guitar pop bands and bringing their classic hooks and harmonies sound to a whole new generation.

The music industry, once revered as a realm of artistic expression and creativity, has gradually transformed into a breeding ground for commercial nonsense. The rampant commercialization of music has resulted in an environment where genuine talent often takes a backseat to profit-driven motives. It’s high time we unmask and challenge the prevailing commercial bullshit that plagues the music scene today.

In the midst of all this commercial nonsense, it’s essential to recognize that there is a thriving underground and independent music scene where authenticity and creativity still flourish. Listeners can play a vital role in reshaping the music industry by supporting independent artists, seeking out diverse sounds, and rejecting the homogenized offerings of major labels.

To combat the commercial bullshit in the music scene, we must prioritize artistry over profit, diversity over uniformity, and creativity over conformity. Only by championing these values can we hope to revive the music industry as a bastion of authentic expression and genuine talent, free from the shackles of commercial exploitation.

Flashcore opera sound taken from the Knet 25 !

This is the third release by Trevor Dunn (Mr Bungle, Fantomas, Trio Convulsant, various with John Zorn) and Kevin Rutmanis (Tomahawk, Melvins, Cows, Hepa/Titus) On this outing Trevor joins Lords and Lady Kevin (duo of Kevin Rutmanis and drummer/artist Gina Skwoz) for a full length LP "Last Days at Hot Slit"

Songs are loosely based on assorted gospel, blues and jazz songs, some original, some covers. Included is a re-working of Mingus "Devil Woman". The trio based the pieces on improvisations that were then arranged and used to build free standing songs. A multitude of instruments were exploited by all those involved, to create a sizzling blend of aural delicacies. The album title is from a collection by writer Andrea Dworkin, often sited as the Celine of feminism. Less outre perhaps than their previous recordings, these songs hover somewhere between soundtrack- like excursions, to jazz/ blues mutations to a demented "rock" sounding affair. Something for everybody, or perhaps, nobody! Uniting former and current members of Tomahawk, Last Days At Hot Slit marks a powerful reunion between Rutmanis and Dunn. The record took shape gradually, born from Rutmanis's raw, unconventional bass recordings. "I sent Trevor a phone recording of some hideous bass racket and asked if he wanted to add anything," Rutmanis shares. "What he sent back was something like delicious fresh cherries with ice and banana slices." The pair's combined creativity gave rise to a new, immersive soundscape, while their collaborative piece, Crackpot Whorehead, set the tone for the current formation of Lords and Lady Kevin."

Do names such as EyeHateGod, Crowbar, Hellgasm, Hellkontroll, Goatwhore, Saint Vitus or Down sound familiar?

Then there's one more for you to remember - GASMIASMA - a band which consist of active or past members of all those legends mentioned. 783 label is proud to present a new release of GASMIASMA - NOLA based punk monolith. Get yourself ready for intense and filthy hardcore punk noise.

As all true classics, GASMIASMA recorded an EP that collected dust for ages before getting full-blown official release it deserves. "At War With Punk" and "Krvs Kadavers" (live recording from KRVS Radio in Louisiana), has been only released on limited cassette tape in USA.

Now, both materials are compiled into 28-minute-long blast-punk source of moshpit!

Still not convinced? Let's also add the fact, that Poffen of mighty Totalitar sharing his vocals one of the songs!

GASMIASMA is one of New Orleans best kept secret!

It doesn't matter, if you're into hardcore / punk, metal, crust or even grindcore - this release is not something you would like to miss!

Available as jewel case CD, MC tape with mini-poster and (black or limited, monochrome A-Side/B-Side) LP.

PEACE THROUGH SWIFT DEATH!

Hype sticker on the shrink-wrapping
Service to relevant key metal media
Stream features, interviews, and social media campaigns around the release date
Former and active members of EyeHateGod, Crowbar, Hellgasm, Hellkontroll, Goatwhore, Saint Vitus or Down playing raw and fast hardcore / punk.
Video for title track "At War With Punk" premiered via Decibel Magazine