Buscar:solid

Wenn herausragende Jazzmusiker mit einer gemeinsamen Geschichte im Studio zusammenkommen, ohne zu proben oder vorbereitende Auftritte zu absolvieren, ist das Ergebnis oft eine oberflächliche, nummerierte Session. Das ist bei Solid Jackson ganz und gar nicht der Fall.

Die vier Musiker, die an dem gelungenen Nachweihnachtsalbum Consenting Adults von Criss Cross aus dem Jahr 1994 mitgewirkt haben, gehören zu den »Top Five« eines jeden eingefleischten Jazz-Kenners. Dieses zweite Treffen von M.T.B. (benannt nach den Nachnamen von Brad Mehldau, Mark Turner und Peter Bernstein und in Anlehnung an die »Young Lion«-Band OTB aus den späten 80er Jahren) ist ein intensives, konzentriertes Konzert, das die herausragende Stellung jedes Mitglieds in der Jazzlandschaft von 2024 unterstreicht. Jeder hört zu. Keiner übertreibt es mit dem Spielen oder setzt auf »House«. Die Atmosphäre ist von konzentrierter Exzellenz.

Consenting Adults wurde erst 2000 veröffentlicht, sechs Jahre nach seiner Entstehung. In den Liner Notes werden die Protagonisten (Larry Grenadier, damals wie heute, spielt Bass; Leon Parker, der Schlagzeuger von 1994, weicht Bill Stewart) als »junge Elite-Improvisatoren, die nach Abschluss ihrer Ausbildung zu den Machern des Jazz des 21. Jahrhunderts gehören werden« beschrieben.

Kurz gesagt, so Mehldau in einer E-Mail-Konversation für diesen Text, waren Turner, Bernstein und Grenadier - der in den letzten drei Jahrzehnten in einer Vielzahl von Kontexten immer wieder wunderbare Entscheidungen getroffen hat, nicht zuletzt in Mehldaus Trio mit Jeff Ballard, im kollektiven Trio Fly mit Turner und Ballard, an der Seite von Stewart in Trios unter der Leitung von John Scofield und Pat Metheny und auf 15 früheren Criss-Cross-Alben - 1994 ›voll ausgebildet‹ und ‹haben an der Identität gefeilt, die sie damals schon hatten.‹ Dasselbe gilt für Stewart, der auf Solid Jackson seinen 26. Auftritt mit Criss Cross hat.

By the late 90s the independent music scene in San Diego, CA had become synonymous with noisy, post-hardcore bands that were pushing the boundaries of what it meant to be punk. Camera Obscura were one of those bands. They cut their teeth on the angular and abrasive sounds of Antioch Arrow, Clickatat Ikatowi, and Heroin, and incorporated synths and electronics to create their own dark, jarring, experimental rock sound.

The band’s musical output was sparse. In addition to two 45s, the band released their only LP, To Change the Shape of an Envelope in 2000 on Troubleman Unlimited. The album runs the gamut sonically with dark, high energy songs like “Twenty-Five Diamonds” and “Sarasota”, the early industrial sound of “Something About a Nightmare”, and the shoegaze influenced “Cinematheque”.

In October of 2024, the band announced a partnership with Solid Brass records to begin work on reissuing their long out of print album. To Change the Shape of an Envelope has been completely remastered by Pete Lyman at Infrasonic Mastering with new artwork by Sonny Kay (The VSS, GSL Records).

To Change the Shape of an Envelope will be available digitally for the first time ever as well as on limited edition transparent red or opaque white vinyl on 2/7/25 from Solid Brass Records.

By the late 90s the independent music scene in San Diego, CA had become synonymous with noisy, post-hardcore bands that were pushing the boundaries of what it meant to be punk. Camera Obscura were one of those bands. They cut their teeth on the angular and abrasive sounds of Antioch Arrow, Clickatat Ikatowi, and Heroin, and incorporated synths and electronics to create their own dark, jarring, experimental rock sound.

The band’s musical output was sparse. In addition to two 45s, the band released their only LP, To Change the Shape of an Envelope in 2000 on Troubleman Unlimited. The album runs the gamut sonically with dark, high energy songs like “Twenty-Five Diamonds” and “Sarasota”, the early industrial sound of “Something About a Nightmare”, and the shoegaze influenced “Cinematheque”.

In October of 2024, the band announced a partnership with Solid Brass records to begin work on reissuing their long out of print album. To Change the Shape of an Envelope has been completely remastered by Pete Lyman at Infrasonic Mastering with new artwork by Sonny Kay (The VSS, GSL Records).

To Change the Shape of an Envelope will be available digitally for the first time ever as well as on limited edition transparent red or opaque white vinyl on 2/7/25 from Solid Brass Records.

25th Anniversary Reissue. Remastered With New Artwork.

By the late 90s the independent music scene in San Diego, CA had become synonymous with noisy, post-hardcore bands that were pushing the boundaries of what it meant to be punk. Camera Obscura cut their teeth on the angular and abrasive sounds of Antioch Arrow, Clickatat Ikatowi, and Heroin, and incorporated synths and electronics to create their own dark, jarring, experimental rock sound. ‘To Change the Shape of an Envelope’, released in 2000 on Troubleman Unlimited, was their only LP. The album runs the gamut sonically with dark, high energy songs like “Twenty-Five Diamonds” and “Sarasota”, the early industrial sounds of “Something About a Nightmare”, and the shoegaze influenced “Cinematheque”.

FFO: The Faint, The VSS, and Clickatat Ikatowi.

25th Anniversary Reissue. Remastered With New Artwork.

By the late 90s the independent music scene in San Diego, CA had become synonymous with noisy, post-hardcore bands that were pushing the boundaries of what it meant to be punk. Camera Obscura cut their teeth on the angular and abrasive sounds of Antioch Arrow, Clickatat Ikatowi, and Heroin, and incorporated synths and electronics to create their own dark, jarring, experimental rock sound. ‘To Change the Shape of an Envelope’, released in 2000 on Troubleman Unlimited, was their only LP. The album runs the gamut sonically with dark, high energy songs like “Twenty-Five Diamonds” and “Sarasota”, the early industrial sounds of “Something About a Nightmare”, and the shoegaze influenced “Cinematheque”.

FFO: The Faint, The VSS, and Clickatat Ikatowi.

Originally released in 1997, 'Unfuckwithable' by Kent, Ohio's basement noise art punks was a mid 90s classic. Out of print for over 25 years, this repress has been remixed and remastered from the original tapes and comes with enhanced artwork and a new 12" x 36" insert on colored vinyl.

Originally released in 1997, 'Unfuckwithable' by Kent, Ohio's basement noise art punks was a mid 90s classic. Out of print for over 25 years, this repress has been remixed and remastered from the original tapes and comes with enhanced artwork and a new 12" x 36" insert on colored vinyl.

2024 Repress

Dark Entries is honored to finally present the first ever official vinyl reissue of Space Museum by Solid Space. Solid Space was the British duo of Dan Goldstein (keyboards, vocals) and Matthew 'Maf' Vosburgh (guitar, bass, keyboards, vocals) formed in 1980. Dan and Matthew met at the age of 11 while attending school in north London. In late 1978 at at the age of 14, they formed Exhibit 'A' with Paul Platypus' and Andrew Lunchbox' Bynghall. They recorded two EPs in 1979 and 1980, self-released on Irrelevant Wombat Records and appeared on 'The Thing From The Crypt' compilation. After the dissolution of the group, Mathew started taking his guitar over to Dan's house where he'd play his Casio MT-30 and they would record songs. Eventually a second hand drum machine and Wasp synthesizer were acquired from classified ads in Melody Maker and the Solid Space sound was born. By this time they were just turning 18 and finally found the freedom to make the music they'd had in their heads. Over the course of the next two years the band assembled eleven bedroom recordings that would become one of the most cherished DIY obscurities of its kind. Their debut album 'Space Museum' was released in 1982 on cassette by In Phaze Records. All of the songs were mixed by label boss Pat Bermingham on 8-track tape at The Shed, in Ilford, which was literally a garden shed. The band's music and lyrics were heavily indebted to science fiction, in particular the 1960s television series Doctor Who. 'Space Museum' is an unveiling of atmospheric, minimalist post punk supported by bright melodies. The music combines drum machines and synths with acoustic guitar and toy drums whilst also experimenting with samples between tracks. Lyrics deal with space travel and a general sense of dejection. Representing a bubbling spirit within the underground, they foreshadowed an entire world of independent music which would emerge across the 80's and well into the 90's. For this reissue we've included two bonus tracks from the band's archive, Platform 6' originally released on the B-side of the second single by Exhibit 'A', this song features only Dan and Matthew and is the first Solid Space track ever recorded. Tutti Lo Sanno' is a cover of In Phaze label mates Marine Girls, though the lyrics have been changed to suit the gender of the new singer.Each song has been carefully remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The record is sleeved in a replica of the cassette artwork featuring the Cybermen and Jamie from the Doctor Who episode "The Wheel in Space". Every copy includes a double sided 11x11 insert with lyrics, notes and never before seen photographs of the band taken by Maf as well as a postcard featuring an original advert for the cassette.

A 2xLP discography from the late 90s post-hardcore/early screamo band, The Red Scare. The band existed during an interesting period when hardcore music was evolving and splintering into various sub-genres. They perfected a blistering hardcore that will appeal to fans of Born Against, Heroin, and Universal Order of Armageddon, as well as fans of later hardcore bands like Saetia, Jerome's Dream, City of Caterpillar, and Ampere. This record comes on high end paper, custom gatefold packaging, and limited edition colored vinyl. "Smoky Mountain High" gathers both of the bands LPs, their singles, as well as 4 live songs from their session at WNYU.

Ryo Fukui is a renowned pianist born in Hokkaido, Japan. His fresh and delicate playing has attracted many listeners, and his first album, "Scenery," has been highly acclaimed worldwide. Fukui, who began playing the piano at the age of 22, recorded this album at the age of 28. The earnest performance of his youthful days shakes the listener's emotions in a pleasant way. It Could Happen To You" swings as if strutting, "Early Summer" is exhilarating and joyful, and "Scenery" seems to contain the night air of late autumn. The "Hokkaido-like emotion" that blends with Fukui's qualities and combines a large scale and subtlety is pleasant to listen to. The green leaves sprouting, the dazzling clear stream, the clear sky, the snow falling without a sound.... Here, the beautiful scenery spun by Ryo Fukui lives on forever.

This is the second album recorded about a year after "Scenery". The delicate yet emotionally rich playing is still there, but this time it has more power, and the world that Fukui has depicted comes to life with clearer contours and a greater sense of depth. The sweet and sad melody of "Mellow Dream" and the dynamic and fast-paced "Horizon" are among the dazzling performances. In addition, the album features three original songs, compared to only one on the previous album, which allows the listener to enjoy Fukui's musicality even more. Considering its maturity and rich content, it is safe to say that this is a masterpiece that surpasses the first album. Regrettably, Ryo Fukui passed away in 2016. His delicate touch, rich tone, and beautiful compositions. We are deeply grateful to him for the "pleasant dream" he showed us.

repressed !

All different alternate versions of songs featured on 1973’s Tanx album. • Many appear on vinyl for the first time. • Limited edition of 400 copies on Pink Vinyl with printed inner bags. All royalties go to Light of Love Foundation for the Marc Bolan School of Music & Film

Die Band "My Solid Ground" war eine deutsche Progressive-Rock-Band, die in den 1970er Jahren aktiv war. Dieses obskure Krautrock-Album mit dem Namen "My Solid Ground" aus dem Jahr 1971 gilt seit langem als Klassiker des Genres. Das erste Stück, das 13-minütige "Dirty Yellow Mist", wird seinem Ruf zweifellos gerecht, die Gruppe begibt sich in einen düsteren Space Rock. Der wie eine Mischung aus psychedelischem Rock und progressivem Rock klingt. Mit vielen langen Keyboard tönen, einem knackigen Gitarrenriff, einigen Acid-Gitarren-Sounds und verzerrtem Sprechgesang sowie einigen wortlosen Gesängen in höheren Tonlagen. "That"s You" hat genug Energie, um als Proto-Punk durchzugehen, und der Refrain von "Do you wanna die" tut diesem Eindruck keinen Abbruch. Der Song "The Executioner", ist ein finsteres Stück, das zwischen einem mit Echo untermaltem Gesang und intensiven Gitarrensoli wechselt. Die Songs auf dem Album sind geprägt von eingängigen Melodien, experimentellen Klängen und lyrischen Texten. Wenn du ein Fan von Progressive-Rock bist oder gerne neue Musik entdeckst, könnte "My Solid Ground" eine interessante Wahl für dich sein.

Convinced Friend is the musical project of singer-songwriter Austin Wilson. Originally from an oilfield town south of New Orleans, he relocated to New England in 2018 which led to a renewed commitment to songwriting. The result is a collection of largehearted indie rock songs. From the motorik pulse of album opener “White Collar’’ dissecting the alienation of modern work and wellness, to the dusky waltz of “Safeway’’ addressing lingering questions of long-term commitment, to the pensive and layered arrangements in “Open Bloom” and “When I Go”, the album incorporates a wide swath of dynamics centered on lush guitar work and a clear lyrical voice and resolve. RIYL: Pedro The Lion, Jose Gonzales, Jason Molina, Red House Painters.

The vinyl is pressed as a cream disc.

Convinced Friend is the musical project of singer-songwriter Austin Wilson. Originally from an oilfield town south of New Orleans, he relocated to New England in 2018 which led to a renewed commitment to songwriting. The result is a collection of largehearted indie rock songs. From the motorik pulse of album opener “White Collar’’ dissecting the alienation of modern work and wellness, to the dusky waltz of “Safeway’’ addressing lingering questions of long-term commitment, to the pensive and layered arrangements in “Open Bloom” and “When I Go”, the album incorporates a wide swath of dynamics centered on lush guitar work and a clear lyrical voice and resolve. RIYL: Pedro The Lion, Jose Gonzales, Jason Molina, Red House Painters.

After 7 studio albums with both Secretly Canadian and Western Vinyl Records over the last 20+ years, Early Day Miners have returned with their latest offering, and their first with Solid Brass Records, titled Outside Lies Magic. Early Day Miners' surroundings have always been reflected in their sound. Their early compositions, while in Bloomington, IN, mirrored the seemingly inescapable expanse of the Midwest. Now based in New Orleans their sound has yielded a subtle but correlative shift in the band. Outside Lies Magic offers an audible lightness. Most notably Dan Burton’s voice, once hushed and at times hesitant, is now full-bodied and sure; his heart, once tenuously carried on his sleeve, is now firmly in his throat. And though this might be the leanest the lineup has been, they are focused and warm, exuding the maximalism of their new home with nuance and a laissez-faire approach. Early Day Miners sound as unhurried as ever, but never aimless; Early Day Miners have finally arrived.

After 7 studio albums with both Secretly Canadian and Western Vinyl Records over the last 20+ years, Early Day Miners have returned with their latest offering, and their first with Solid Brass Records, titled Outside Lies Magic. Early Day Miners' surroundings have always been reflected in their sound. Their early compositions, while in Bloomington, IN, mirrored the seemingly inescapable expanse of the Midwest. Now based in New Orleans their sound has yielded a subtle but correlative shift in the band. Outside Lies Magic offers an audible lightness. Most notably Dan Burton’s voice, once hushed and at times hesitant, is now full-bodied and sure; his heart, once tenuously carried on his sleeve, is now firmly in his throat. And though this might be the leanest the lineup has been, they are focused and warm, exuding the maximalism of their new home with nuance and a laissez-faire approach. Early Day Miners sound as unhurried as ever, but never aimless; Early Day Miners have finally arrived.

B2 Recordings hits release number 13 with DJ Rocca and Lex combing on a trio of fresh house cuts that blend elements of disco, Latin and soul. Up first is the glorious 'Solid Street' which has loose and percussive disco-house grooves overlaid with big synth energy and steamy vocals. 'Solar System' is slower and deeper, with a more rugged bassline and low slung sense of funk that never lets up. 'Last of all, 'Rose Tree' is a ramshackle house arrangement with whistles, Rhodes keys, tin-pot percussion, florid flutes and plenty of sunny energy all making it a real standout. A timeless EP packed with musicality.

The DANCEFLOOR STOMPERS are back with "PHUTURE SOUL," the new 7" vinyl. Following the success of their debut album "Librerie Musicali" (Solid Music/Four Flies Records/Flipper Music), which featured several tracks synced and used as soundtrack for TV series/films/radio shows, the band will release an Extended Play with four unreleased songs.

The tracks influences cross a wide span of styles, from the P- Funk/90s of the 8tle track, to the pure Memphis Sound of Glass Tears, passing through the Northern-Soul vibes of "Catch this train" and the Blaxploita8on mood of "Not in my name."

NORMANS was born on the dirty streets of LA and baptized in the punk rich waters of Hermosa Beach; the city that gave us Black Flag, Red Kross, Minutemen and more.

Years of exposure and participation in the myriad of genres and sounds that make up the vibrant music scene resulted in a multi-genre-bending, bass and synth fueled cacophony that pays homage to the ghosts of The Jesus Lizard, Suicide, Butthole Surfers and The Birthday Party.

NORMANS was born on the dirty streets of LA and baptized in the punk rich waters of Hermosa Beach; the city that gave us Black Flag, Red Kross, Minutemen and more.

Years of exposure and participation in the myriad of genres and sounds that make up the vibrant music scene resulted in a multi-genre-bending, bass and synth fueled cacophony that pays homage to the ghosts of The Jesus Lizard, Suicide, Butthole Surfers and The Birthday Party.

5th studio album *Recently released track “Antimatter” on the album is the fastest streaming track in the band’s history. *Just completed full September tour supporting Dayseeker in the US. Recently completed a European tour in March with ERRA and Invent, Animate and played Heart Support Fest in February with Spiritbox, Underoath, Rise Against, Parkway Drive and more

Im Jahr 1997 läutete "Solid" ein neues Kapitel in der Geschichte von U.D.O. ein. In den darauf folgenden Jahren sollte eine Vielzahl weiterer Heavy Metal-Meilensteine folgen. Nach nun über 25 Jahren werden diese Klassiker endlich neu aufgelegt. Am 24.11.2023 erscheinen die ersten vier Alben der Reihe - teilweise zum ersten Mal - auf Vinyl. "Solid" wird dabei als limitierte Silber-Vinyl erhältlich sein.

Charly Records have done plenty of leg work here thatmeans you can save yourself lots of time and effort and immediately make yourself out to be a font of dub and reggae wisdom. Treasure Isle Solid Gold is a well curated selection of the most vital club hits produced by the legendary Jamaican label owner Arthur ‘Duke’ Reid. You will know plenty of the artists he worked with from the opener John Holt via Rolando Alphonso Baba Brooks Band, Don Drummond & The Skatalites and U-Roy & The Pargons.

The sounds are varied but never less than sensational across both sides of wax.

Shotmaker was formed in 1993 by three friends from the small towns of Tweed and Belleville in Ontario, Canada: Matt Deline (drums, vocals), Tim McKeough (guitar, vocals), and Nick Pye (bass, vocals). The band relocated to Ottawa in 1994 before ending its run in 1996. They are widely recognized for influencing the direction of emo and post-hardcore music. During their relatively short time together Shotmaker harnessed the collective creativity of the Canadian DIY community to make something special happen. They wrote and recorded two 7”s, two LPs, a split LP (with Washington, D.C., based Maximillian Colby) and numerous songs for compilations and other split records.

The band thrived on playing live shows and completed three coast-to-coast North American tours in addition to many smaller tours. They regularly shared the stage with bands like Policy of 3, Los
Crudos, Unwound, Rorschach, Cap’n Jazz, Indian Summer, Rye Coalition, Modest Mouse, Propagandhi, Hoover, Clikatat Ikatowi, Blonde Redhead and Fugazi. "A Moment in Time: 1993-1996"
is a band-curated, 3xLP box set on colored vinyl. Also included is a 12 page booklet with never before seen images from Canadian photographer Shawn Scallen who chronicled much of the band's history.

All the music has been mastered for vinyl by Brad Boatright at Audiosiege in Portland, OR.

Some Sudden Weather” finds Products Band sharpening their focus on presence of mind in a culture of noise. For each pummeling wave of distorted guitars, a tender, melodic vocal floats over its crest.
With every winking, deadpan lyric comes a genuine admission of desire, shame, or hope. These songs faithfully represent the diversity of Products Band’s musical influences.

From high-energy, airtight punk’n’roll to intricate, groove-driven pop, “Some Sudden Weather” refreshes rock vocabularies by sculpting them within the band’s unique perspective. Whether you crave
dancefloor-ready bass hooks, spiderwebbed guitar skronk, or interwoven vocal duets, this is an essential listen for all fans of contemporary post-punk, guitar pop, and thoughtful Midwestern charm. FFO: Ought, Television, The Replacements, R.E.M.

After the demise of Denver emo legends, Christie Front Drive, singer/
guitarist Eric Richter moved to Brooklyn and started Antarctica with other
members from the scene - Despite just a few releases to their name they
gathered a large cult following - Originally released as a 2xCD in 1999 on
File 13 Records, 81:03 is an expansive and textured example of
electronic-infused shoegaze music blending the swooning, syncopated
pop of New Order, the dark chill of Pornography-era Cure, the hypnotic
pulse of Underworld, and the guitar harmonies of Ride and For Against
Almost 25 years later, 81:03 still feels fresh; like a modern soundtrack for those
seeking moments of beauty in an increasingly troubled world. Newly remastered
and finally available on vinyl for the first time, Antarctica will appeal to fans of
early Cure, The Church, Washed Out, Tycho, Christie Front Drive, Mineral, The
Gloria Record, etc.

Incorporating elements from bands like Nick Cave, The VSS, CAN, Cluster, The Doors, Led Zeppelin, The Damned, Scott Walker, and Crime and the City Solution, Pleasure Forever paints a sonic tapestry that is quite unlike anything you've heard.