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After many releases on labels like Mord, Soma and Nachtstrom Schallplatten, Mist Gasp duo comes back with four tracks of hypnotic and dark techno capturing the essence of their live sets

Silver Tears is the new joint venture by Berlin-based gent Luca Venezia and Damian Shilman, respectively of Curses and Skelesys’ fame.

The duo first debuted in 2023 on Next Wave Acid Punx Deux (Chapter 2) compilation delivering one track rich with deep bass lines, crystal clear guitars and captivating mechanical drums. One somehow classic formula enriched by an universal allure that left you hoping for more. And here we are: these charming men have been working hard for the past two years and their first, self-titled full-length album is now ready.

Eight new cuts of elegant electronic beat-driven coldwave with baritone vocals, sharp arpeggios and no lack of slow passages, recalling 90’s shoegaze or moody grunge. A subtle play of juxtaposition of dancing moments and introspective retreats, dancefloor-oriented grooves and caustic precipices, sometimes crowned by the two dueting at vocals. One wide musical cape to cloak all the angles of the Goth subculture and prove how this can still be relevant some many years after it first bursted out.

limited to 500 copies

Tresor resident DJs LNS and DJ Sotofett have for some years been developing a style at the club‘s Globus floor, and their new EP is a die cut of exactly the classic techno, electro, and house music they play.
Here are no productions drenched in reverb, no hi-fi obsessions or generic algorithmic patterns – this is Globus Trax, the duo's third release on Tresor Records, four tracks consisting of real TR-909 workouts, rude and driving basslines, live runs through the mixing desk, and a Blake Baxter cover version with LNS on vocals.
LNS & DJ Sotofett programmed an EP to perfectly fit their warehouse style of DJing, bringing out colour and variation in a spectrum more similar to a club compilation than a dogmatically reduced concept. With a single repeated vocal sample, Globus Trax opens bombastically with ClickClickClick, a dub -infused UK garage house track anyone in the world can easily describe in the course of a second.
Following this comes Gearbox which is a hefty slab of big room electro featuring a centerpiece arpeggio and the warmest harmonic pads on the EP's four tracks, which not-so-subtly makes reference to the pioneering band that shares a name with Globus and Tresor's home, the Kraftwerk.
The house vibe returns on Destination 909, which is nothing but a manifesto for the TR-909, where the beloved drum machine's jacking beats meet galactic strings and synthetic bass, only to be ripped apart in a slamming break that sees the machine take centre stage as it cuts in-and-out of the mix, again a clear nod to the duo’s sets in the club.
LNS steps up on vocal duties and DJ Sotofett keeps the 909 running for their final cut, taking a deeper dive into the realms of classic techno and paying tribute to “The Prince of Techno” Blake Baxter by covering his Reach Out originally released on Tresor Records in 1995.
The 12” was cut by DJ Sotofett himself at Manmade Mastering, where he resurrects the lost art of late-90s loud cuts with sonic presence and punch, optimal for the club-focused 12” format, and is the first to come in the new Tresor Sleeve, boasting an embossed logo on either side.

YIA, the emerging DJ duo, returns with a release that blends house, deep tech, and minimal influences, creating a refined yet impactful groove, designed to light up the most selective dancefloors.


The vinyl includes two exclusive remixes from two prominent international names:
• Argentine producer Guile, known for his organic and hypnotic sound, delivers a deep and immersive rework.
• From the UK, Duncan Thomas presents an elegant version, full of tension and groove, perfect for the more sophisticated nighttime sets.


Released by Yes I Am Recordings, a label active in both digital and vinyl formats, this EP is made for diggers and those seeking authentic, underground sounds.

Produced by Chez Damier and Ron Trent, the track was born in NYC, inspired by a transformative night at the legendary Sound Factory Club. In the early morning haze, as the echoes of basslines and rhythms lingered, the duo channeled the energy of the dancefloor into their studio. The result captured the raw, soulful essence of Deep House, reflecting the dancefloor communion that transcended time and space. To extend the feeling while honoring the original, Atjazz was invited to bring his jazz-influenced touc

With his deep understanding of groove and texture, he reimagined the track through two distinct remixes, each offering a fresh perspective. While both versions explore different nuances, they remain faithful to the track’s core essence, maintaining its hypnotic flow while adding a renewed vibrancy to the dancefloor. The duo of Chez Damier and Ben Vedren, proudly welcome French producer Fred H, one of the closest members of their extended musical family, to deliver a special remix of their track "Berlin Nights In Paris".

The result is a re-imagination of the track, introducing a percussive soundscape that drives the rhythm forward while offering a space for the listeners' minds to wander, immersing them in an atmospheric journey. This reinterpretation preserves the original’s essence while infusing it with new textures, dynamic movement, and a hypnotic flow that deepens its emotional impact.

This collaboration is more than just a remix. It’s a testament to the creative synergy within their musical circle, reinforcing the timeless spirit of house music while pushing it forward. er. Through his deep connection to what truly ignites the dancefloor, DJ SOURIRES maintains the emotive spirit of the original track, keeping its essence intact, yet injecting fresh dynamics that transforms it into a high-octane dancefloor heat track. His intricate, oscillating drum programming and masterful arrangement drive the rhythm forward, creating a compelling urgency that commands attention and movement. The remix swells with intensity, amplifying the hypnotic elements of the original while layering in driving percussion, rich basslines, and sharp, yet spacious synths that build tension and release in all the right moments. Every twist and turn in this remix is an invitation to lose yourself in the dance.

Originally released in 1993, the ‘Brown Album‘ defied expectations and had a significant genre and cultural impact - showcasing the duo's scope and ambition. It was also met with widespread critical acclaim upon release, with NME awarding it 9/10 in their review, and it was chosen as one of Mixmag’s “best albums of all time”. The album's blend of diverse influences and its rejection of conventional norms helped to solidify Orbital's reputation as The Godfathers Of Rave, expanding the horizons of electronic music beyond local DJ nights.

Over 30 years on, London Records re-release this genre defying album – loaded with 23 additional tracks - rarities and previously unreleased material, including ‘Live From the Limelight, New York 1992’. Also includes a hardback book containing unseen photos, a track-by-track by Phil and Paul Hartnoll + interviews and essays on the making of the album by esteemed music journalist Andrew Harrison, a slipmat and flyer recreations from the era.

Vinyl masters cut at half speed, to ensure maximum audio fidelity.

New London-based label Plasticity Records hits the ground running with a hard-hitting, dancefloor-focused VA featuring four varied tracks, connected by a raw, propulsive sound thread running throughout.

Kicking off the A side is established Barcelona-based duo Nulek & Roto with Eternal Space — a stuttering, pitch-black techno/electro piece featuring an ominous vocal that sends shivers down your spine. Rounding out this side is Study Nights by Uruguayan talent Flhez, leaning heavily into the country’s rich musical tradition with plenty of spooky synths and rough analogue textures.

Over on the B side, Barcelona-based Romanian Mar.C delivers Not Normal — a tough-asnails, EBM-tinged techno number that’s sure to get any dancefloor moving. Last up is the broken and decidedly wonky Nuclear Era from Lima-based Venezuelan purveyor of all things percussive and leftfield, Acid Charlie.

Amsterdam natives Maarten Smeets and Lars Dales, aka Dam Swindle, unveil their third long-player with the release of a new track, the first to be shared from the upcoming album, ‘Open’ - out on 30 May 2025 via Heist Recordings.

The new album sees the acclaimed duo dive far beyond the deep sonic waters they’re most known for, exploring lower tempos, synthwave, hip-house, and ambient across fourteen tracks. With a gestation period that traces back several years, ‘Open’ is their most intimate and personal body of work thus far, birthed during a time of self-reflection away from touring and personal transformation as individuals.

“We felt the need to tell a very personal story through our music as a translation of our personal development in the past years. We also wanted to make music without a specific goal in mind; We simply wanted to create. By taking away the grid of dance music and any expectations of what a Dam Swindle song should sound like, the creativity started to flow naturally with songs in many different styles and tempos. The result is an album that feels refreshing and uplifting and still very much true to the heart and soul of our sound.” - Dam Swindle, January 2025.

While the trademark Dam Swindle four-to-the-floor beats are still ever-present on tracks like ‘The Present Is Always Perfect’, ‘I Need You’, and ‘Is This Love?’, it’s the gentle waves of synths on opener ‘Home’, the contemplative piano chords of ‘Bloom’ featuring Joep Beving, and the lo-fi ambience of ‘It’s Okay, I Can Wait’ that showcase a melancholic, ethereal sensibility previously uncharted by the duo. Collaborations with vocalists such as NYC’s Haile Supreme on ‘Not Enough’ and Neo-soul singer Faye Meana on ‘Girl’ expertly find room in between the dancefloor and home listening sessions, and a clear standout on the LP is the title cut where message-heavy rapped vocals from UK artist Samson ebb and flow amongst iridescent grooves.

Under the helm of Maarten and Lars’ adept A&R, their Heist imprint has become a beloved home for house heads of both schools old and new, platforming some of dance music’s biggest names from Cinthie to DJ Sneak as well as the musical dawnings of artists such as Kassian and Makèz. The Dam Swindle alias has achieved house music royalty-like status across a storied 15-year career that includes two critically lauded full-lengths, collaborations with the likes of Tom Misch and Kerri Chandler, and a globetrotting touring schedule. This album stands as their most profoundly personal work of art to date, and they can’t wait to share it with you.

Minority Retort returns with My Kicks, their second EP, following a well-received debut last year. Part of a new wave of Brazilian artists, the duo continues to develop their sound with this release. It also marks the launch of Sinapse Records, a label founded by one of the duo’s members to share their music and support emerging talents.

Large Music is proud to announce the highly anticipated re-release of Jazz Ascension from the legendary artist duo 95 North. Originally released in 1997, Jazz Ascension has long been celebrated as one of the defining tracks in the label’s illustrious catalog. Now, over two decades later, this jazz-infused spoken word house masterpiece returns, remastered and reissued for a new generation of listeners, while retaining all of its original soul and energy.

With its stunning blend of deep, soulful house rhythms and sophisticated jazz elements, Jazz Ascension quickly became a fan favorite upon its first release in clubs across the globe, further cementing 95 North’s place in the pantheon of house music innovators. Its intricate production, smooth piano lines, and poetic spoken vocal from Baba Lukas swells continue to captivate dancers, DJs, and jazz lovers alike.

The re-release on Large Music marks the continuation of the label’s commitment to preserving and expanding its rich musical legacy. As with many of the label’s timeless offerings, Jazz Ascension is a track that transcends time and genre boundaries, a perfect example of Large Music’s dedication to crafting sounds that stand the test of time.

VIL Records continues exploring 2000's sound with new unreleased stuff from duo AUT ZEBEL (A.Vadala' & E.Fatovich) , digging in the archives of unreleased tracks from early 2000's , with executive production from Gianluca Marcelli (Digging Deeper Music , VIL Records , Sounds Better) finally bring to life this new project with old roots , the experienced producers at their top in electro house / tech - house / progressive house sound , give us back to early 2000's scene. Limited copies as always don't sleep!

Kelly Finnigan has teamed up with soul music legend Renaldo Domino for his next 45, out May 23rd via Colemine Records. The A-track 'Keep Me In Mind' is a catchy, straight-down-the-middle soul tune in the classic dual male duo style of Sam & Dave, Eddie & Ernie, and Bob & Gene. Featuring organ and classic horn stabs, Kelly and Renaldo's voices blend harmoniously and make for a killer cut. The B-side, 'Let Me Count The Reasons,' is a track from Kelly's critically acclaimed new LP 'A Lover Was Born.' Slower in tempo and full of love and heart, the tune is a masterclass in romantic soulful sounds.

Limited 2025 Repress
Black Truffle is pleased to announce the release of Ichida, the first release from the duo of two important yet often underappreciated musicians, Eiko Ishibashi and Darin Gray. Ishibashi is a singer-songwriter, keyboardist, drummer, and multi-instrumentalist, known in Japan both for her own elaborately conceptual solo albums and for her frequent collaborations with figures such as Jim O'Rourke, Merzbow, and Phew. Darin Gray is a bassist and multi-instrumentalist known for a multitude of collaborations (with O'Rourke and Loren Connors, among many others), for On Fillmore, his cinematic post-exotica project with Glenn Kotche, and as one half of Chikamorachi with Chris Corsano, one of the finest free-jazz rhythm sections around. Presenting the entirely of a live set performed at Tokyo's Super Deluxe in March 2013, the set begins as a duet for Ishibashi's flute and Gray's upright bass. Calmly melodic yet harmonically inventive, with shades of 'spiritual jazz', the pair's acoustic ruminations are gradually joined by Ishibashi's lush electronics, which randomly flicker between chords in a manner recalling the classic work of David Behrman. As the electronics build into a gloomy fog of slowly cycling loops, Gray lays his bass aside and turns to making strangely mournful interjections on a mouthpiece. Eventually Ishibashi moves to the piano, enveloping the audience in rippling pools of sustained, octave-doubled melody, provided by Gray's bass with a fluid and dynamic foundation. For much of the second side, both Ishibashi and Gray turn to electronics, ultimately arriving in a bizarre space of melancholic arpeggios and random sputter and sizzle, oddly reminiscent of 70s outsider prog acts like Wapassou. An uneasy coda of rich piano chords ends the set. Captured in warm room ambience and beautifully mixed by Jim O'Rourke, Ichida is a rare combination of improvisational acumen and emotional directness, both adventurous and immediately accessible.

2025 Repress

Sonic shamans Feral and Spekki Webu team up for the third release on Aube Rouge. Straddling the boundaries between IDM and Techno, the duo traces their roots back to the forests of the Mo.Dem Festival, where they performed their debut live set in 2022. "Kentaga" is an invitation to embark on a mental journey infused with tribal rites and lysergic visions.

THE REISSUE OF ITALIAN DUO'S SELF-TITLED DEBUT ALBUM – A DELUXE VERSION

OF THE 2015 SOLD OUT RELEASE -180-GR VINYL • 12-PAGE BOOKLET ALUMINIUM FOIL BAG

AND NOW ENTITLED - TEN, (which stands for) Tenth Edition Newness


Drawing inspiration from a wide range of cultures and musical traditions, C'mon Tigre is a dynamic duo that develops its identity into a collective of musicians and artists from all over the world. Along the years, they have collaborated with musicians such as Colin Stetson, Seun Kuti, Arto Lindsay, Xênia França and artists Gianluigi Toccafondo, Harri Peccinotti, Danijel Žeželj and Paolo Pellegrin to name a few. TEN, which stands for Tenth Edition Newness, is an expanded edition of their iconic Self Titled debut album, which was initially published in 2015 through Africantape on a limited vinyl pressing. It sold out quickly, was later repressed by the band and sold out again. Today, it finds its chance to be reissued with the Computer Students™ treatment. Fans will love this remastered version, which sounds substantially better than the original. The album's expansion features a slightly altered record cover in addition to a 12-page booklet with a number of writings and images. TEN will be offered on double black vinyl, audiophile quality pressing 180-gram, inside a gatefold cover. The entire package is housed in a unique heat-sealed aluminum Type-2 foil bag, courtesy of Computer Students™.

One of Europe's most popular alternative / dark wave bands. Lebanon Hanover have over one million monthly listeners on Spotify. Following their first US tour in over a decade, Lebanon Hanover returns with a soul-stirring double A-side single release, marking their first new material since the captivating 2020 album, 'Sci-Fi Sky.' Now, the enigmatic duo of William Maybelline and Larissa Iceglass beckons listeners into unventured sonic domains, intricately weaving folk-driven acoustic dream pop with the vulnerable essence of post-punk in a contemplative exploration of life's ephemeral yet profound nature. Embarking on a Cure-like sonic voyage reminiscent of the 'Head on the Door' and the 'Kiss Me’ era, title track 'Better Than Going Under' manifests as a romantic, sombre daydream. William Maybelline's brooding baritone intertwines with sighing back vocals, narrating an ode to life's fleeting yet boundless vistas. The acoustic strums initiate a folk-driven narrative which, when coupled with a celestial choir, crafts a contemplative soundscape of cautious optimism, reminiscent of Echo and the Bunnymen or The Church.. KYIV: Bearing the name of Ukraine's capital, 'KYIV,' voiced by Larissa Iceglass, delves into a narrative reflective of the sorrow and despair entwined within war-torn regions like Ukraine and beyond. The acoustic guitar and drum machine create a Cocteau Twins' 'Treasure'-esque soundscape, evoking a melancholic yet beautiful auditory journey. Iceglass's voice, transitioning from her husky baritone to a more resigned lament, embodies a poignant reflection on the harsh realities faced by those embroiled in conflict-ridden landscapes.

DJ Support: Peggy Gou, Prospa, Special Request, Annie Mac, DJ Seinfeld, Kolsch.

Pink Vinyl Limited Pressing

One of the biggest, breakbeat channelling stompers out there, courtesy of the in-demand duo Borai and Denham Audio, finally gets an official release with three fiery remixes via Room Two Records. A track that’s ripped through airwaves and club dancefloors alike, ‘Make Me’ has all the hallmarks of a future classic. Doused in Amen breaks, rattling subs, rave stabs and an instantly recognizable mid ‘80s Donna Allen sample. Together the track feels like a long forgotten rave anthem from the ‘90s with its mix of high intensity breaks and soulful vocals.

With the original sample cleared, three producers step up to remix this undeniable anthem. First Sheffield’s Big Ang with her Rave To The Grave remix, playing homage to her hometown with a bassline and bleep flavoured rework. Mani Festo then hits hyperspace with his glitched out, jungle warper, before Paul Sirrell closes out proceedings serving up a huge slice of piano house heat

Freddie Gibbs and Madlib release their new album, Bandana, via Keep Cool/RCA Records and MadlibInvazion/ESGN. The album includes previous releases "Flat Tummy Tea," "Crime Pays," and "Giannis" featuring Anderson. Paak. The album is the pair's follow up to their 2014 critically-acclaimed debut Piñata, and includes additional features from Pusha T, Killer Mike, YasiinBey, and Black Thought.

The duo's seamless collaboration juxtaposes two giant talents: Madlib,the prolific producer with a record collection spanning all genres and eras, an adept sampler, peer to the late J Dilla (his collaborator on Champion Sound and his musical soulmate), foil for DOOM, hip hop's Charlie Parker, with whom he created the landmark album Madvillainy. Freddie Gibbs, the gravel-voiced braggadocios rapper, a vocal athlete, a star-on-the-rise knocked off course who refused to give up and has since offered some of the most compelling rap music in the past ten years.



On Piñata, Madlib offered Gibbs, then a gritty street rapper from Gary, Indiana, a chance to expand his captivating storytelling, giving him the dramatic backgrounds for his brutally-honest, soul-scraping lyrics. As a pair, Freddie and Madlib exude a natural chemistry and craft an alchemical music, appealing to everyone on the hip-hop spectrum.



Freddie Gibbs and Madlib are also set to play a string of shows in the U.S. and Europe this summer, which kicked off earlier this week with a sold-out, two-night residency at The Roxy in Los Angeles. They're set to play at MoMa PS1's Warm Up series in New York, Paredes De Coura Festival in Portugal, and Made in America in Philadelphia later this summer before heading off to Europe again in the Fall. Additional dates to follow soon.

Marie-Pierre Rixain and David Fenech form an unexpected and captivating duo, pushing the boundaries of alternative music. Together, they embark on an unclassifiable sonic journey, blending industrial downtempo, steady kicks, cold percussion, field recordings, and electric guitar feedback. Their music, often dark, carries flashes of warmth inspired by British dub—like an imaginary collaboration between The Bug and This Heat. At times, it echoes the world of La Perversita by Hector Zazou & Co.



Their debut album, Insane Ghosts, due out in spring 2025 on the Parisian label Hublotone, was recorded in 2024 in the intimate privacy of the bedroom. Mixed by David Fenech, it also benefits from the participation of Alexandre Berly (La Mverte) on the track ‘Toi en Moi’, adding a sub and experimental touch. The mastering was handled by the legendary Noel Summerville, whose sonic signature graces iconic albums by The Clash, My Bloody Valentine, Kraftwerk, Aphex Twin, and Nick Cave and the Bad Seeds.



The album cover features a striking work by French photographer and filmmaker Antoine d’Agata (Magnum Photos). His poetic and abstract image adds another layer to Insane Ghosts, a project already shaping up to be a must-have for fans of introspective, dark and cold music. Like if Lost in Highway from David Lynch had a new soundtrack.

Prick up your ears everybody: Uluru number 3 is ready to take off!

This time Little Beat More's sub-label Uluru, featuring highly acclaimed remix/mash up series, sees the participation of living legend Jstar.
The west London reggae hero delivered a smoothly bouncing rework of the classic “Eye of the tiger” by the Survivor, that originally gained fame through being the anthem of Rocky III.
The flip sees the debut of an Italian duo called “The Dynamates” (The Rebel and Dibba). They put their hands on another precious song that made history, namely “You got to love” from Candi Staton.
Pull up guaranteed!

Pressed on high quality black and yellow lime vinyl (48 gr.)
Edition of 350, coming with “hand stamped” vintage yellow paper sleeve.

ULURU 2020
“Mind Control, Modern Slavery”

Hands in the air, Uluru is back with another Reggae Hip Hop 7” Vinyl.
For the occasion we're so proud to welcome back legendary producer Jstar, this time in combo with Canadian reggae artist Dubmatix.
The duo deliver a punchy remix of the classic Scenario that will heat up the dancefloors during the upcoming summer.

Pull up guaranteed!

Pressed on high quality black and white vinyl (48 gr.)
Edition of 200, cut it loud and fat, highly recommended for big sound systems.

Produced by Jstar & Dubmatix

Hands in the air, Uluru is back with another Reggae Hip Hop 7” Vinyl.
For the occasion we're so proud to welcome back legendary producer Jstar, this time in combo with Canadian reggae artist Dubmatix.
The duo deliver a punchy remix of the classic Scenario that will heat up the dancefloors during the upcoming summer.

Pull up guaranteed!

Pressed on high quality black and white vinyl (48 gr.)
Edition of 200, cut it loud and fat, highly recommended for big sound systems.

Produced by Jstar & Dubmatix

The label Remedy Music VLC has selected the song What We’ve Lost from the LP Groove Chronicles to release it in the king format of soul disco music: 7" vinyl.

This standout track features Angolan artist Mabreezee, whose powerful vocals are complemented by sweeping strings reminiscent of Morricone’s cinematic scores. It’s a stirring and soulful piece that captures the depth and emotion Freedust brings to their music.

Freedust, the duo of Italian composer Daniele Carmosino and Swedish singer Lisa Widmark, have spent two decades crafting their unique blend of jazz, funk, and hip-hop. Groove Chronicles marks a new level of sophistication in their work, delivering a vibrant, timeless sound filled with soul, sunshine, and unmistakable passion.

As bassist for dance-punk outfit The Rapture, Mattie Safer cut his teeth in the music scene alongside a wave of now-legendary early 2000s NYC acts like the Yeah Yeah Yeahs, LCD Soundsystem and more (a time period recently immortalized in the documentary film ‘Meet Me In The Bathroom.’) Fast-forward nearly 2 decades and Mattie has found the sweeter side of dance music as the current lead vocalist for slo-mo kings Poolside, and now he presents his 2nd solo lovetempo project on Razor-N-Tape.

Championed heavily by Gilles Peterson, lovetempo’s modern soul classic 'But I Do' gets a vinyl release with a trio of remixes. Crackazat delivers in his signature style, weav-ing the organic elements and earworm vocals of the original into a deep and jazzy mix. Lon-doner Daisybelle bumps the BPMs up a few notches and adds pulsing synths to her take, and Brazilian duo From House To Disco turn in a dubby club remix to round out the record.

"First Move" is the debut album from Luna Soul, founded by the German-Spanish duo Lisa Michèle Lietz and Jordi Arnau Rubio.

Lisa Michèle Lietz comes from Schwerin, learned the guitar from Ernst Ulrich Deuker, the bassist of German NDW heroes Ideal, and is a studied musicologist. Jordi Arnau Rubio was born in Barcelona. He left Spain as a teenager to work as a professional dancer throughout Europe. As a composer, Rubio draws inspiration from blues, jazz, soul and funk. They both started Luna Soul in 2019 and have since toured extensively through Germany, Spain and France. The ten songs from "First Move" carry the energy of countless live performances and were composed with sensitivity by Lietz and Rubio. Joel Sarakula, Daniel Fell and Paul Milne co-worked as songwriters on some of the songs. Sarakula also took over the production and gave the album its finishing touches.

The opener "Grow" is a heartfelt ode to resilience and self-discovery, before "No Way Home" paves the way to the dance floor with subtly interwoven funk and celebrates freedom and carefree joie de vivre. The first single "1979" gives the album a Mediterranean touch. The Spanish guitar provides an authentic and refreshing sound. With "Lights Out" and "City Lights," "First Move" delves deeper into the 1970s with a mood of nostalgia, optimism and urban promise: "The nighttime city skyline is a great metaphor for navigating through emotions when composing," Lietz and Rubio explain. "In our loneliness, we don't walk alone" it says in "City Lights": "We firmly believe that in moments of pain and coping with loss there are silent, invisible connections that carry us along, especially in challenging life situations, and provide a grounding. They provide support and hope in our increasingly digitalized world."

"Take yourself higher, you know you gotta do it" – that's the powerful message in "Hold On", the appropriate opener on the second side of the vinyl LP. With "Winterdance" and "Obvious" the album effortlessly glides through the sound aesthetics of the late Seventies and early Eighties.

"Just For Us Tonight" and "One More Night" finally sum up Lietz and Rubio's central credo: "It's about surrendering to the fascination of the moment," explain Luna Soul, "finding comfort in the midst of chaos and to celebrate those fleeting sparks of interpersonal connection that drive us and make us alive."

Under the motto «We become more from what is left, deliver else than just the now, build sound stories for the then», Sediments is the new label and sonic adventure launched by Estrato Aurora and d_o_ppelgaenger, partners in the electronic duo Pajaro Dune.

d_o_ppelgaenger || aka David Ortolà || is a pianist, composer, electronic music producer, teacher and scholar specializing in contemporary music and electroacoustic composition and performance. As a solo artist, he has composed multiple electronic, ambient and techno works, modular scores as Grooves #1 (2017) and Déjà vu (2024), unique musical events such as Efímeras for 20 Pianos (2011), compositions for piano and electronics as well as his latest release Live at Perpendicular (2024).

Live at Perpendicular 2024 is Sediment's inaugural offering. Recorded May 25, 2024 by d_o_ppelgaenger at Perpendicular Festival in the woods of Cuenca, Spain, this album is both an ambient live set and a sound journey inspired in the Doppelgänger archetype from the early gothic novel.

d_o_ppelgaenger's signature chiaroscuro medley of styles and ideas relies on narrative sound design, using both electronic production, classical instrumentation, field recording and generative synthesis. His music challenges the boundaries between acoustic and electronic sound calling on a wide range of oft-conflicting aesthetics: from early music to soundtrack atmospheres or disruptive avant-garde trends. This album explores the liminal terrain between divergent languages, trying to create perceptional experiences in search of empathy between the known and the misunderstood or the unheard-from.


|| We
become more from what is left,
deliver else than just the now,
build sound stories for the then. ||

For the second vinyl release of GNC Records we got five tracks meant for a dark night at the club, produced straight out of the Patagonia by argentine heavyweight Saigg. This EP has four Electro Techno cuts and it also includes a killer remix by argentine EBM live duo KRSSV. Throughout the release, playful basslines interact with arpeggiated synthesizers generating a fun climate that becomes more and more tense while reverberant atmospheres bring the night to its climax. On the side A, we can appreciate how sharp drums build up intensity on the dancefloor in order to leave everything on point for side B, where breakbeats and diffused vocals transport the listener to an induced psychedelic state, a dystopic void representative of the producer and his sonic quest.

Roberto Intrallazzi and Dario Piana, two unheralded sons of Italy’s original Afro-cosmic movement of the 1980s, have joined forces in the studio for the first time. The result is the 99% Stories EP, a collaborative debut for Leng inspired by the formative years of the duo’s near 45-year friendship and their shared musical roots.

The duo both started DJing in and around Milan in 1981, drawing inspiration from pioneering contemporary Daniele Baldelli. Intrallazzi found international success following the birth of Italy’s distinctive house scene, collaborating with other like-minded producers as part of FPI Project and Cube Guys, while Piana continues to be a prolific solo artist whilst also working extensively with mentor and friend Baldelli.

The EP begins with ‘Out Of Control’, a dubbed-out cosmic disco chugger with guitar snippets, spoken word samples and sonic textures over a percussive beat and low-slung bass guitar line. Fellow long- serving Italian LTJ Xperience drops a remix that highlights the acid-flecked electronic sounds, rubbery bass and hypnotic beats in his trademark style.

Intrallazzi and Piana explore the middle ground between psychedelic, pitched down acid and cosmic- disco on ‘Lazise’, offering up a blend of percussion-enhanced beats, undulating 303 motifs and intergalactic electronics, before once more reaching for the bass guitar to drive the vibraphone, bleeps, keys and vocal enhanced midtempo shuffle of ‘Saocraffen’.

The digital version of the EP has bonus cut: ‘SP-15’. Named in honour of the Technics turntables used by Daniele Baldelli at the iconic Cosmic Club – where he first showcased his hybrid and decidedly psychedelic ‘Afro-Cosmic’ DJ style – the track is murky, immersive, trippy and picturesque in equal measure, with waves of glistening synth sounds and musical flourishes winding in an out of a charred, midtempo cosmic disco groove. We have no doubt that Baldelli approves!

Slow-moving finger-picked ambient folk straddling the synthetic and organic divide – that is “The Ending Was A Typical Part”, the first album by the Zurich-based duo Gūsū. It combines the tradition of playing the guzheng with electronic instruments, allowing different yet harmonious worlds to collide.

The collaboration between Xueyan Chen and Nicolas Balmer alias Gūsū was born out of their shared musical explorations in 2022 and has evolved into a dialogue of sound. Chen’s guzheng, an instrument deeply linked to Chinese history, resonates with improvised and self-composed melodies, freeing its pentatonic scale from its traditional bounds. Her playing is underscored with the cryptic hum of Balmer’s modular synthesizers, the deep bass and layered textures that combine the organic with the electronic. Together they create a sonorous exploration of identity, displacement and unity.

Xueyan Chen has been playing the Guzheng since her early childhood. With her moving to Zurich, Switzerland she started reimagining its historical identity through improvisation and self-composed melodies. With this approach, Chen emancipates the instrument from its classical heritage, weaving a contemporary and deeply personal narrative. Nicolas Balmer meanwhile brings a contrasting yet complementary dimension with modular synthesizers, bass guitar, and electronic textures. His layered soundscapes amplify and distort the Guzheng’s pentatonic timbres, enveloping them in mysterious tones and expansive harmonics.

Born from psilocybin mushroom-focused retreats, ANOTR’s second album is
a bold exploration of krautrock, disco, alt-soul, and the deeply personal themes of self-discovery and connection. Featuring shimmering disco, hypnotic alt-soul, raw post-punk/krautrock, and uplifting indie dance, the album marks the duo’s most experimental and introspective work to date ahead of their world tour.

The album also features collaborations with GRAMMY-nominated Cuban artist Cimafunk, PAME, Kurtis Wells, Leven Kali, and Erik Bandt. Previously shared singles ‘24 (Turn It Up)’, ‘How You Feel’, and ‘SET IT ON FIRE’ hint at the expansive sonic palette, while the disco-infused ‘Currency’ and alt-soul single ‘Care For You’ further highlight their evolution from their early tech house-orientated sound.

• Album charts No.6 in US Debut Album Chart & No. 3 in UK

• World tour kicking off on 7th Feb in Paris

• Danny Howard's Radio 1 Hottest Record launch last week, with multiple plays since & Triple J mix up happening this week!

Hyldon, Brasiliens hochverehrter Sänger, Musiker und Produzent, hat sich mit Adrian Younge zusammengetan, um ein neues psychedelisches Soul-Album, HYLDON JID023, zu kreieren. Das Duo, das sich von Hyldons bahnbrechenden Arbeiten der 60er und 70er Jahre inspirieren ließ, lässt den Geist dieser Epoche wieder aufleben und schafft gleichzeitig einen modernen Klassiker. Hyldons einzigartige Stimme und lyrische Tiefe, kombiniert mit Younge's innovativer, analoger Produktion, sorgen dafür, dass dieses Album nicht in Vergessenheit geraten wird. JID023 ist eine der letzten Aufnahmen mit Hyldons langjährigem Mitarbeiter und Freund, dem verstorbenen Schlagzeuger Ivan ,Mamao" Conti von Azymuth.

Over the last ten years, Brazil’s Millos Kaiser has cultivated a reputation as a top-ranking selector passionate about bringing his home country’s underappreciated music to the world. After starting as a punk and indie musician in Niterói, Rio de Janeiro, he turned his hand to DJing in the late 2000s and relocated to Sāo Paulo. There, he spent the 2010s rocking city squares, warehouse parties and street parties with DJ Trepanado in the Selvagem duo before cofounding the celebrated Selva Discos label in 2017.

Since 2019, Millos’s focus has shifted to his solo DJ career and ventures as an edit maker, reissue compilation curator, audiophile bar co-owner, and now producer. Planet Trip Records has been very good friends with Millos for a long time and is very pleased to present his first original release, the Te Quero Perto (I Want You Close) EP, available in vinyl and digital formats.

Assembled like a DJ-friendly 12” for late 20th-century nightclub specialists, Te Quero Perto kicks off with Millos’ original ‘club mix’ and an accompanying ‘instrumental’ version (digital.only). Driven by an uptempo machine beat straight out of the mid-'80s, rave pianos, 303 acid bass, and an explosive Brazilian pop vocal sung by Juju Bonjour, it’s an absolute belter of a tune and a masterclass in in-period styling.

Elsewhere on the EP, Millos’s European friends Lipelis & Orion Agassi turn in an equally belting Latin Freestyle remix in vocal, dub and instrumental mixes (instrumental is digital only). Rounding things out, fellow Rio de Janeiro producer Paco Cabana throws the tune into a cocktail shaker before pouring a sunkissed, percussion-heavy reimagining for us to sip on. Front to back, it’s an all-killer, no-filler debut from a generational talent.

'Intertwined', the first collaborative EP by Paraiso founders Maria Amor & Shcuro, is up next on the decade-old Lisbon label. This pair of syncopated, energized, immersive techno tracks comes with remixes by Tresor residents Fireground and DC's own Black Rave Culture, a trio composed of James Bangura, Amal, and Nativesun. 'Waves of Hope' opens the record in full force with a relentless beat that combines early 90s euphoric energy and jacked-up snares over a fat bassline, soulful pad progressions, technoid bleeps, dubby washes, and Maria Amor's own soothing cut-up vocals, elegantly touching several foundational club music sounds through an inspired lens. On the A2, 'Hotspring Love' brings levitating, airy textures and mixes them with subtle acid arpeggios, pure-hearted vocal melodies, and bouncy percussive accents. The rolling subwoofers of a proper techno party can practically be seen, the fast-paced kick perfectly perforating the bassline. Two remixes can be found on the B-side: first up is Berlin-based duo Fireground, who flip the original 'Waves of Hope' into a more concise take, exploring its dub influences and adding in cinematic, ravey chord progressions to a hypnotizing, ecstatic effect. The italian duo add a distinct dose of Neapolitan techno, carrying the textured intensity of that unmistakable sound. Black Rave Culture pick up 'Hotspring Love' and turn it into an ode to junglism, reappropriating the original pads in a classic DnB workframe with crisp breakbeats and an absolutely nasty bassline that no words can do justice to.

Laurin Rinder & W. Michael Lewis's Seven Deadly Sins is a hugely influential, synth-powered, atmospheric space-disco masterpiece. It's arguably the best American Disco LP ever made. It's certainly one of the most important albums in the history of dance music. And, like its innovative producers, it's absolute genius.

During the mid to late seventies the production team of Laurin Rinder and W. Michael Lewis helped to define the Disco sound that was coming out of Los Angeles with studio projects such as El Coco, Saint Tropez, Le Pamplemousse (with vocals from The Jones Girls), In Search Of Orchestra and many others.

Like all of their work, Seven Deadly Sins comprises beautifully arranged and incredibly well produced deep disco that is revered by aficionados. A seven track, largely instrumental concept album covering each of the sins, it was recorded for AVI in 1977. It's a brilliantly conceived, groove-fuelled album that layers moogy keys and druggy synths over club-ready rhythms. The idea that this record is celebrating rather than condemning the sins is said to be another factor that made the record a big one in the underground clubs.

Opening sin “Lust” is an intense, swelling, seven minute blockbuster synth journey. An ethereal Loft/Garage classic, it's a sprawling, brooding slice of epic dancefloor dynamite that remains a firm favourite of discerning disco heads like Harvey. So ahead of its time, it still sounds ridiculously fresh today, drifting through a multitude of melodies over a smooth, lightly percussive mid-tempo beat. A slow-mo sexy killer.

Up next, the sprightly-manic “Sloth” is nothing like its title. A driving, swaggering instrumental incorporating the same Euro-disco elements as our Daft Parisian friends did a few decades on, it's certainly not for the faint-hearted.

A clear highlight, the cosmic, throbbing proto-techno of “Gluttony” gets things firmly back on track. Pure industrial vibes with dark synth bass punctuated by uplifting melodic sequences that brilliantly utilise guitar and horns, is this the sound of Wax! Trax being born? You won't be able to get enough of this.

Opening up the B-Side, “Pride” is a breezy slice of classic late seventies jazz/funk with deft Hammond and clavinet grooves and expansive horn sections. It's absolutely fantastic. The wicked leftfield vocal cut “Envy” provides more disco pump with squelchy acid synth flourishes, funky guitar and neck-snapping percussive breaks.

The dark proto-techno/house cut “Anger” is a fully on top tour de force of drums. With heavy African percussion throughout and a short Afrobeat section towards the end, it was sampled by Carl Craig and Laurent Garnier for their Tres Demented project and was also a massive Ron Hardy / Music Box favourite. The album is rounded out by the hard-grooving “Covetousness”, another driving jazz-funk workout par excellence with liberal use of the syndrum.

As Laurin Rinder recalled in an interview with Dream Chimney, the duo essentially lived in the studio: “we really had cots, beds and the whole thing, we were just pumpin’ them out. 7 days a week, 3 different projects at the same time. I played drums on everything but had to play a little differently. I had to ask the engineer ‘What’s the name of this group?‘”.

Evidently, their prolific output was the result of a crazy cocaine-fuelled production schedule: “The amount of coke we did, to do all this, you can’t even imagine. $300 a day. I had to have plastic inserts in my nose so I could do more.” Looking at the frankly terrifying cover, you'd have never known!

Be With is beyond delighted to present the first ever legit vinyl reissue of Seven Deadly Sins, carefully remastered by Be With's engineer Simon Francisco to ensure it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The unforgettable cover artwork has been reproduced here at Be With - dare you stare back at it for too long?

2025 Repress

Searchlight Moonbeam is the new narrative compilation from Time Is Away (Jack Rollo and Elaine Tierney) whose eponymous monthly NTS Radio shows, tinctured fusions of fugitive sounds and reverie-inducing archival speech, have won them an ardent following. It follows from the London-based duo’s Ballads, a remarkable driftwerk released on A Colourful Storm in 2022.


Searchlight Moonbeam is an autumnal dreamscape, intimate and vespertine, pensive and irresolute. An imagined community where differences drop off and resonances emerge – between Maher Shalal Hash Baz affiliates Kasumi Trio, Taiwanese score composer Chen Ming Chang whose ‘Rainwater’ (written for Hou Hsiao-Hsien’s 1986 film Dust In The Wind) is exquisitely heartbroken, and the plangent improvisations of self-taught French pianist Delphine Dora.


Revelations are frequent: the bedsit isolationism of Bo Harwood and John Cassavetes’ ‘No One Around to Hear It’ (from The Killing of a Chinese Bookie); the narked minimalism of Klang (an early 2000s band formed by ex-Elastica guitarist and featuring prize-winning experimental novelist Isabel Waidner on bass); the etude-grooves and echoic wobble of below-the-radar French avant-gardists Omertà ; the beautiful, plaintively dubby ‘Is It You?’ by Slapp Happy; a psych-tinged reimagining of PiL’s ‘Poptones’ by Simon Fisher Turner (one half of Deux Filles, and here, recording for él as The King of Luxembourg) that's as perverse as the cover of Throbbing Gristle’s 20 Jazz Funk Greats.


Searchlight Moonbeam is the musical analog of an Italo Calvino novel or a medieval fable. Associative, intuitive, borderless. Emotional and mysterious. Endowed with the tactility of Braille. A private language that is both unknowable and understood. It is a record of the seasons, for the seasons.

2023 marks the tenth anniversary of Time Is Away’s first broadcast. Featuring an evocative essay by writer Jeremy Atherton Lin and disarming cover art by Penny Davenport, Searchlight Moonbeam showcases Rollo and Tierney’s still-unrivalled talent for gloaming melodies, disques du crépuscule, ensorcelled storytelling.

The Diyeis is the brainchild of Concret and Inigo Vontier, a DJ duo united by their love for edgy, psychedelic music and the pursuit of raw, pure sounds that transcend emotional layers. Their mission? To harness the primal, tribal effect of ecstasy on the dancefloor, creating a space where connection thrives through rhythm alone.

For the first time ever, the highly regarded Anything Goes release series is curated by a single act – or rather, a duo: The Diyeis. Known for their raw, edgy sound and boundless creativity, the duo presents a unique selection of reworked tracks. These edits, crafted as playful DJ tools, are designed to create those cheeky dancefloor moments where nostalgia blends seamlessly with the thrill of a sunrise rave.

BMP Crew introduces a new opus cooked by Luke Seager, a young and promising newcomer hailing from Paris.
We have the honor to host his first vinyl release, after a dope digi pack released on Mari.Te's Tresydos.

On the menu: 4 energy-fueled tracks that we fell in love with instantly and heavily played!
Catchy grooves, square wave B-lines, sizzling hi-hats, haunting chords, wholesome ambiances... Everything necessary to mesmerize sunny dancefloors is in there.

If you're more into dark basements and gritty sounds then the remix by mysterious duo Techline ™ is made for you. Mental!

After a long wait, we are happy to anounce the first release of our record label side project : Suave Sounds.

This first release is a V.A tailored for the club, made by some of the « Friends of the pavillon » .

A1 is a electro house groover with a gritty bass and a vocal love duo between a woman and a robot, made by none other by our man Welwert Aka Man/ipulate.

A2 is a cosmic discoide house journey manufactured by Merov, our new electronician. A wonderful combination of emotions and a « sacrée balle » capable of bringing arms in the air & love to the floor.

B1 is Pierre Marty’s special blend of tech-house, funk & shimmering synths, perfect to energize a crowd after a break or calm things down during peak time, a little toy you keep in the pocket just in case.

B2 is a sexy tech house roller by Gab Jr featuring Lourène. A introspective club track with a massive bass line built for the middle of the night, asking the audience an important question.