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Svart Records are proud to present vinyl editions of Reverend Bizarre's two epic, lengthy CD singles, Slave of Satan and Teutonic Witch. These full unedited versions, not available on any album release in this form, are the very first time that these unholy tomes have been committed to vinyl and should have collectors and completists over the moon and back. Both singles come with hot foil stamped deluxe jackets and inserts. With cover art designed and insert expanded by Albert Witchfinder, including the full text of the satanic sermon.

Previously unreleased on vinyl, Emanuelle and the White Slave Trade comes from the series of cult exploitation films based on the Emanuelle character. Similar to it peers in sound, full of disco, funk and library-esque
music. Taken from the original tapes and pressed on translucent Orange vinyl. The Orange Crush edition
will be the retail edition limited to 400 copies or less.

Radio Slave returns to his Rekids imprint this October with the perfectly balanced ‘Acid Dip’ single.

The titular track on ‘Acid Dip’ sees Matt ‘Radio Slave’ Edwards in particularly strident form. Riding a broken, stuttered-kick rhythm, ‘Acid Dip’ is a jabbing, insistent slice of UK techno shot through with hardcore and, whilst not skimping on raw power, still maintains the hypnotic nature that inhabits much of Edwards’ work.

On the flip, ‘Armani’ takes off down a dubbed-out, futuristic Italo-infused house workout that, throughout its eleven minutes 28-second span, shows a more dense, layered side to Radio Slave production.

Another triumph of a single from one of modern electronic music’s most consistent talents, Radio Slave’s ‘Acid Dip’, is released 15th October via Rekids.

British Grindcore pioneers NAPALM DEATH never slow down, but after their much lauded 16th studio album “Throes of Joy in the Jaws of Defeatism” (2020) and a total of by now 4 decades (!) of intense and restless activity, it’s time to look back and re-issue two of the outstanding albums from their ample and valuable back-catalogue: “Time Waits For No Slave” (2009) and “Utilitarian” (2012). Both albums are now finally available again as Jewelcase CD for Midprice and as LP on 180g vinyl. Look out for further NAPALM DEATH re-issues coming soon…

Schranzy hartek-core, psychedekic noise tekno bangher at the hardcore frontier !

The 13th edition of ( djebali ) presents is here, and it features a number of new and forward-thinking artists3 powerfull tracks delivered by the french artist Only Slave Nation ! It comes as usual with a remix of the previous artist on the label : Juliche Hernandez !

PH001 Slave To Society – Path Of Self Destruction EP Incl. Perc Remix.

Berlin’s PURE HATE launches in style with ‘Slave To Society’ aka Andrew Bowen one half of AnD providing the debut ep on this exciting new label by STRISC.

The ‘Path Of Self Destruction EP’ consists of 4 original tracks which provide the perfect blueprint for the labels debut release. Expect industrial, bleeding edge, razor sharp, metallic, experimental, raw, stomping, broken beats and dramatic soundscapes throughout the EP, cementing everything Slave To Society and PURE HATE stand for.

To complete the EP UK Industrial Techno pioneer Ali Wells aka Perc stepped up to remix lead track Path Of Self Destruction in the style that he has become renown for and seen him and his label Perc Trax at the forefront of the UK and worldwide scene for over a decade.



c b1 Path Of Self Destruction Perc Remix

Matt Edwards launches Stranger in The Night with his first solo material since 2017.
The Rekids offshoot will release regular music by four artists, namely Radio Slave, King
Britt, Anthony Rother and Fred P, who will each drop three EPs over the next year.

'With Rekids being 100% focused on releasing music for dance floors I felt the need to
create a new platform to explore a wider musical vision and invite some of my all-time
electronic musical heroes to be a part of the series,' says Matt Edwards.

Both numbers near the 12-minute mark but each track portrays a different aesthetic.
Opening with precision drums and crystalline notes, 'Ground Control' makes a nod
towards the hi-tech soul sound of Detroit and drives forward using a sultry bassline, erratic
chords and the occasional icy stab as an array of contrasting sounds operate in unison.

On the flip, a syncopated rhythm lays the foundation for 'Last Communication' whilst a
tantalising melody joins poignant synths, constructing a profound and hypnotising journey.

Great mixes!

Cheeky booty time! Two of the UKs original and premier house crews team up for this dope slice of heads down, deadly deep house action.

Warehouse Find!

Nikola Gala, Philipp's Federation, Mr Morning and Vincenzo with brand new and exclusive tracks.

2023 Repress

Only released in October 2006, Anders Trentemøller's stunning debut-album - The Last Resort' already evolved into one of the most successful independent albums of the year. Raving reviews all over the place, various elections as - album of the year' and solid playlists at the radios express the huge interest in the fantastic album. While 2006 has been topped of with a tour through Australia, the first Trentemøller highlight in 2007 will be the release of - Moan', the second single from the album. For the a-side Trentemøller himself created a brilliant remix of the - Moan'-Vocal Version, which has been released on the Bonus-CD of the limited edition album only. Trentemøller managed to keep the mystic melancholic vibe of the track featuring the vocals of danish talent Ane Trolle, but adds punshy drums, screaming synths and some more guitars to guarantee serious dancefloor-action. Radioslave aka Matt Edwards aka Rekid aka Quite Village, on of the most in demand remix artists at the moment (Moby, Booka Shade, Justice, Peace Division, Pet Shop Boys, Joakim etc) contributed a great remix on the flipside. Slowly building over reduced drumpatterns their mix culminates into a manic wall of sound. While Poker Flat 81 features the vocal versions of both Trentemøller's and Radioslve's remixes, the instrumental and dub versions will be released simultaneously

Flick Wilson's "School Days" album has long been one of our all-time favorite LP's through it's killer combination of super heavy Roots Radics rhythms, wild Scientist mixing, and the Flick's unique alternating falsetto style. Never widely available and only ever released in NYC, it's now deservedly reissued.

2025 Repress

Terrence Parker presents Real Love EP. This classic release never came out officially! Only some limited white label copies were done thru Serious Grooves in 1994. As a bonus, Terrence also included here an new version of "Real Love". Don't sleep on this!

Totally killer previously unreleased dub companion LP to Flick Wilson's "School Days" LP. Jah Life was no slacker when it came to mixing dubs, and sat in with Scientist at King Tubby's for the mixing of many of the classic Junjo/Radics/Scientist albums. But more importantly, they also mixed a ton load of dubs for Jah Life himself, many of which, like this album, remain unreleased...until now! Nine out of ten tracks from the Flick Wilson album are dubbed here, and one track from the Wayne Jarrett "What's Wrong..." album. Classic Scientist 1980 style mixing, nothing else like it, hard stuff. Cover features a fantastic previously unseen photo from Beth Lesser.

Tappa Zukie (David Sinclair) born 1955 Kingston,Jamaica actually cut his first record in England,after being sent there aged 17.
He was breaking from his troublesome past that found him running with the rough crowd on the streets of Kingston. On his arrival in sunny Ladbroke Grove London, producer Bunny Lee called him up on stage at a local dance to sing a tune. Impressed with the results fellow producer Larry Lawrence got the young Tappa in the studio the very next day and cyt 'Jump and Twist'.
This led to cutting his 'Man I Warrior' album,but somewhat disillusioned and homesick he returned to Jmaica shortly afterwards.
But this venture in the Uk was to pay dividends,seeing his 'I Man Warrior' album receive great reviews on its release.
We have collected together some great lost treasures and some alternative cuts to some of Tappa'sbetter known releases.
Mr Zukie, DJ/Toaster/Producer Roll the tape one more time if you please.......

Music From Memory hit it just right yet again- this time it's Richenel from the Netherlands who's lost tracks get the dusting off. 6 tracks of funkified lo fi bliss.. TIP!
MFM is proud to announce the first Dutch artist on Music From Memory and our first release of 2017. MFM017 will be a six track EP from Richenel. Richenel's first album 'La Diferencia' was released on the obscure Dutch cassette label Fetisj in 1982. Recorded amongst the turmoiled punk and squatter scene of Amsterdam by musicians who had all connected through the Rietveld art academy, the 'La Diferencia' sessions reflect a unique mix of punk aesthetics with a synthesized 'bedroom' funkiness. Following on from this obscure release, Richenel would go on to record a number of successful albums and hit singles in the Netherlands and beyond. The six track EP holds a selection of tracks from the original cassette as well as alternative versions and two previously unreleased songs. More Fetisj news to follow.

In the mid-80's, an original form of music was discovered on the midi-capable little planet of Austin, Texas. At the age of 32, Charles Ditto would release his first solo album applying cutting edge computers and synthesizers of the era (Roland DX7, Roland MKS-20, Roland MKS-80, Sequential Circuits Profit 2000 along with a Macintosh SE), creating a unique and detailed world that was inspired by Cluster, Eno & The Residents.

In Human Terms bridges the gab between contemporary classical and minimal pop. Rhythmic but melodically abstract. Microtonal and organic. Often described as experimental electronics, tone poems or Cyber-delic-psychotropic-avante-garde.
In Human Terms, remains very emotion, deep and different. Ditto's music imparts a new listening experience that is still somewhat indescribable today, but remains approachable and relatable.

'What makes Ditto's music so strikingly different is his overt use of emotion, very descriptive melodies and deep atmosphere' Audio Magazine - August 1988 // 'If Erik Satie had midi gear' Keyboard Magazine - April 1988 // 'Brian Eno meets Seastones, but with more melody' Relix Magazine - August, 1988 // 'Ditto's choice of Synthesizer tones are at once both organic and unique' Electronic Musician - June 1988.

30th anniversary pressing limited to 1000 copies. With the 2016 Roots

mini-series such a success, there is new interest in Quincy Jones’ original

soundtrack to the ground-breaking 1977 mini-series.

Highlights include the “Roots Mural Theme,” composed by Gerald Fried, and

the 28 minute, ‘Roots Suite,’ with Letta Mbulu as the featured vocalist. Plus

the stunning “Main Title: Mama Aifambeni” as sampled by Moodymann and Andrés.



Also included are snippets of dialogue from Roots actor Lou Gossett. Featured

players include: Shelly Manne, Victor Feldman, Ernie Watts and Lee Ritenour.

Dub techno, stepper to death... once again a big Tetra Hydro release !! Don't miss !! before it's too late !!

Fortsetzung Der Legendären On-u Sound Compilationreihe Mit Neuen Adrian Sherwood-produktionen, Einzigartigen Mixes Und Unveröffentlichten Tracks Von U.a. Roots Manuva, Lee "scratch" Perry, Coldcut, Gary Lucas (captain Beefheart's Magic Band), Mark Stewart Und Horace Andy. "pay It All Back" Startete 1984, Die Letzte Ausgabe Erschien 1996. Die Tracks Sind Wie Üblich Durch Spezielle Effekte Im Piratensender-style Miteinander Verknüpft. 15 Von 18 Tracks Sind Unveröffentlicht, Ein Track Befindet Sich Exklusiv Auf Den Physischen Formaten, Die Beide Zusätzlich Ein Umfangreiches Booklet Mit Detailierten Illustrationen Und Kommentaren Zum On U Sound-katalog Enthalten.

Der unbestrittene König der japanischen Noise-Electronica Masami Akita aka MERZBOW kehrt zurück, denn sein bahnbrechendes Album "Venereology" feiert 25 Jahre Tinnitus-induzierende Jahre mit seiner ersten Vinylpressung! Das Meisterwerk wurde von James Plotkin (ISIS, ELECTRIC WIZARD, FULL OF HELL u.a.) remastered und es bietet auch ein überarbeitetes Artwork an. "Venereology" bleibt eines der härtesten und extremsten Aufnahmen in der elektronischen Industrial-Noise-Szene und die 2LP beinahaltet auch mehr als 20 Minuten von bisher unveröffentlichtem Bonusmaterial!

Following on the heels of her smash success debut album, alto sax sensation Camilla George will be releasing her second album, The People Could Fly, which is based on African folk tales. The music will portray the lives and experiences of African slaves, who created stories in which various animals assumed the personalities of the slaves and the slave owners. The album delivers a fusion of African, Caribbean and American influences, within a distinctly jazz foundation

After a long summer break, Signatune is back strong! SGTLTD06 is another outstanding VA composed of 4 banging tracks. A1 starts off with Lucianno Villarreal's 'A200', a happy and bouncy bass-filled tune, perfect for getting things going, followed by 'Joints' by FRINJ, a steadier and trippy micro house tool. Only Slave Nation's housey and groovy 'Douce Folie', an absolute sexy bomb starts the B-side with style, and Lex & The Longtail's 'Birth Cntr' finalized the EP in beauty. Out soon!

Rich Oddie (Orphx) and Dave Foster (Huren/Teste) return under their punk/industrial/scum electronics moniker O/H. These 5 tracks are an amalgamtion of dense, yet somehow stripped down heavy industrial punk electronic madness.
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Open filter feedback drenched MS-20 and punishing 909 beats crash head-on throughout with Foster's Jello Biafra-esce vocals through a meat-grinder stylings fight with a ranting homeless man as he raids your uncles's 80s porn vhs collection. Controlled chaos written recorded and put to tape as modern society falls apart in front of our eyes. Absolutely what the world needs right now (according to us).

It Was A Musical Cocktail Born In A Marketing Meeting: Two Parts Easy Listening, One Part Jazz, A Healthy Dollop Of Conga Drums, A Sprinkling Of Bird Calls, And A Pinch Of Textless Choir. Serve Garnished With An Alluring Female On The Album Jacket For Best Results. Exotica! The Soundtrack For A Mythical Air Conditioned Eden, Packaged For Mid-century, Tiki Torch-wielding Armchair Safariers. Be It Mosquito-bitten Torch Singers, Landlocked Surf Quartets, Fad-chasing Jazz Combos, Mad Genius Band Leaders, D-list Actors, Or A Middle Aged Loner Programming Bird Calls Into A Hammond, Exotica Was Always More Concerned With What Geography Might Sound Like Over Who Was Conducting. Captured Across Three Albums Are 48 (54 On The Cd) Curious Examples Of The Short-lived Genre's Reach, Each Summoning Their Own Sonic Visions Of Shangri La, Bringing Their Versions Of The Pacific, Africa, And The Orient To The Hinterlands Of America. Technicolor Paradise Is Where One Makes It, After All.

Various Artists - Technicolour Paradise: Rhum Rhapsodies & Others Exotic Delights

For this seconde release, the brotherhood from Marseille wanted to present their personal profiles, this EP is built like a Various, but built with a common touch, the random bass! Hypnotic, trippy and randomised, these tracks are done to push up the dancefloors. The last track is a downtempo vision of the eclectism of this southern crew, hip-hop beat and a bassline played by there friend Mike B4, a real candy to close this EP!

Samosa Records return with De Gama's new 'Funktastic' EP, a disco and funk groove machine of an EP. Ever since his game changing 'Afrika' release back in 2010, De Gama has been turning heads and this new EP shows why he continues to do so. Not only is it filled with fantastic music but it is only the fourth release on his own label, Samosa Records. Continuing his own form, it is also shows a continuing commitment to great music from the new label and is sure to keep everyone watching to see what they do in the future.


The EP opens with 'Son Of A Slave', a deeply grooving and moving throwback to heyday's of funk. The multi-layered groove will call to mind the heights of dirty groove typical of the Ohio disco-funk bands in the second half of the 70's, reimagined in a way thoroughly suited to the modern dancefloor. '1972' follows, a nod to the same era. It opens in a far murkier manner than 'Son Of A Slave' and exudes a far more modern feeling than the opener. Before long, the irresistible Afro-carribean grooves join in and get your head and shoulders swaying and bobbing, the kind of sound which characterized the Cosmic Wave era. Keys join in and plant a firm smile on your face. This is the other side of soul music.


De Gama closes off the EP with 'Star-Buk' and some handheld percussion. Funky guitar follows in before the big synth and kick join in. Where can the groove go next The bassline answers this question by taking it into outer space. 'Funktastic', it does what it says on the tin.

Four years since the release of their last full-length All Pigs Must Die have returned with Hostage Animal, a 10-song album that distills aggressive music to its purest tenets.

The band, now a 5-piece with the addition of Brian Izzi (Trap Them) on guitar, is comprised of some of the most well-seasoned musicians on the eastern seaboard —Kevin Baker (The Hope Conspiracy), Ben Koller (Converge), Matt Woods, and Adam Wentworth (both of Bloodhorse). 

 Hostage Animal is their most dynamic collection of work thus far and the album's first single, 'A Caustic Vision,' is an aural representation of the record as a whole; concise, intense, aggressive and carrying a bleak world view.

APMD unleashed their first full length in 2011 with God Is War, and the 30-minute rip was a nod to primeval disdain and anger. Exploring facets of human conflict one track at a time, God Is War introduced the world to a whole new spectrum of rage.

In 2013, APMD upped the ante with Nothing Violates This Nature. Honing their craft with more speed and filth, APMD pushed their sound closer to the edge of the cliff. Now, in 2017, the band is gearing up for the release of Hostage Animal which, like its predecessors, was recorded at Kurt Ballou's GodCity Studio. But that is where the similarities end; Hostage Animal ushers in 10 new songs that pulverize, gnash, and whirl with the band's most punishing delivery yet.

Hostage Animal showcases that All Pigs Must Die are far more than the sum of their parts, and their fusion of crust punk, hard core and metal is more ferocious than ever before.

Zeb Wayne returns with a majestic and scintillating song titled 'Wulfman', featuring a trio of top tier remixers including Alva Noto, Calibre and Radio Slave.
Following the release of 'Float' on Rekids last year, 'Wulfman' is a beautiful song that demonstrates how musically versed Wayne is as a producer, blending a serene vocal by Ziwi, with intricate sounds to create a truly beautiful song from start to finish.
Alva Noto, who composed the film score for The Revenant alongside Ryuichi Sakamoto, as well as being the co-founder of esteemed minimal imprint Raster Noton, is the first of three heavyweight remixers. The renowned German producer employs his signature elements of grit, static and glitch resulting in an inimitable melancholic cut.
Well respected for traversing numerous electronic music sub-genres, as evident in his recent album on Craig Richards' The Nothing Special, Calibre ups the energy in his remix using sultry synths, syncopated percussion and mesmerising effects.
Concluding the colossal package, Rekids founder Radio Slave creates a club-ready reinterpretation of his own, complete with fine-tuned kicks, looped vocals and a heady bassline.

Repress

Heretik Hardfloor sounds and represses !

With the release of fourth album Crown Posada, Smoove & Turrell cement their position as one of the UK's most exceptional soul acts with their innate ability to deliver hard times social commentary in a dancefloor friendly medium. Proudly working class as a band - this album celebrates love, life, politics and the lows and the highs of growing up and raising families in the North East of England.

Gritty and powerful, the band make no attempt to sound or look like anyone else - not for them the sharp suits and trumpet twirls of some of their peers. Instead you get a wildly talented and vital crew of larger than life Geordie lads taking their rightful place on the international soul scene having already become figureheads within the UK.

'AUS Music ready a double vinyl remix package from Cassy's debut album,'Donna' which came out in June 2016. With 'Donna' we hear a more personal side of Cassy. Co-produced by her soul brother' King Britt, Cassy reconnects with her vocal talentwriting lyrics and singing on all tracks but one, making the album an intimate journey from the soul. Cassy has en-listed some of her most respected peers, all of whom have put their own stamp on the original tracks. This makes the remix package the perfect contrast to the album, and also proves that Cassy's original music has the seal of approval from some of the finest house and techno heavyweights on the circuit today. Marcel Dettmann adds an endearing edge to move 'Move', whilst Ron Bacardi picks up an undeniable pace on 'All I do'. 'Feel' is taken on a cosmic journey with Onsulade's Yoruba, and Radio Slave gives 'Keep Trying' the remix treatment twice. Finally 'Keep Trying' is reworked on by friend & collaborator, D'Julz, Julz takes takes things down a subtle, dubbier route with his edit, keeping Cassy's vocals a staple throughout'

Rise, Seun Anikulapo Kuti picks up the mantle as undisputed champion and true prince of the Afrobeat movement.

Incl. Trus'Me Remix! Early supported by Loco Dice, Ame, Marcell Dettmann, Ben Sims, Ben Ufo, Fred P, Dj Tennis, Reboot, DVS1, Kevin Saunderson, Marco Carola, Truncate, Osunlade & many more..
Abstract Theory is back with a great new EP from Italian bangers Dirty Channels in team with the talented Eternal Entropy, who built up two ghetto house inspired bombs. The package includes a solid techno-dub Remix from Prime Numbers boss TRUS'ME and a lovely deep version from Francesco Bonora & Marcello Arletti.
After music from Terrence Parker, Boo Williams, John Tejada, Tony Lionni, Mike Shannon and Vince Watson, with this new release Abstract Theory confirms to be one of the finest italian labels to watch this year.

This time around we will be celebrating the third release on Arpa Records from label owner DJ SODEYAMA entitled "LIFE". This release sees the ever enterprising DJ return to his roots with an uplifting house track with a deep rooted acid bass and a booty shaking groove that can explode on any dance floor. For the remixes Arpa Records have been lucky enough to invite the talents of the one and only RADIOSLAVE who has provided the lucky listeners with over 12 minutes of pure unadulterated minimal bash.

This is the last ever album from legendary German rock quartet Scorpions. This new x12 trk album will be supported by a three year world tour, including UK dates. Strong press support across specialist mags including Classic Rock & Metal Hammer, with ads, features, interviews & reviews. Database & Ecard mailout. Specialist radio plays across ILR, Kerrang. Student & rock club promo. MTV vid plays across MTV2. National poster & flyer campaigns. Ltd vinyl format (500).

For the first time on LP vinyl, Come Ahead: The Remixes Vol.2 (Dubs) brings Primal Scream’s club-ready reinventions into full analog glory. Originally released in FLAC format in 2025, this second volume dives deep into dub territory, reimagining tracks from Come Ahead with hypnotic grooves and spacious textures. Featuring reinterpretations by Lovefi ngers, Black Science Orchestra, Radio Slave, and Pet Shop Boys (in dub mode), each track pulses with low-end warmth and rhythmic experimentation. From the acid-drenched swirl of “The Centre Cannot Hold” to the narcotic haze of “Innocent Money,” this is Primal Scream at their most psychedelic and dancefl oor-minded. Specially mastered for vinyl, the sound is immersive and tactile — perfect for DJs, collectors, and audiophiles alike.

Eight tracks, nearly an hour of music, and a sleeve that nods to rave-era design make this a must-have for fans of dubwise house and experimental club culture. Limited pressing. Maximum impact. Come Ahead: The Remixes Vol.2 (Dubs) is available as 2LP Black Vinyl.