Cerca:sl

Intangible Records and Soundworks presents another classic release in the rebound.
Remastered version of DJ Slym Fas' legendary masterpiece from 1996.

Early support by: Marcel Dettmann, Takaaki Itoh, Gary Beck, DVS1, Adam Beyer, Randomer, Jeroen Search, Speedy J, Jonas Kopp, Tommy Four Seven,Slam, Mosca, Psyk, Paul Mac, NX1, Manni Dee, Progression, Scalameriya, Thomas Hessler, Juho Kusti, Ryuji Takeuchi, Mr Jones, ANFS, Dustin Zahn, Kyle Geiger, Joton, Paul Birken, Hector Oaks, Charlton, Dario Zenker, Kwartz, Dimi Angelis, Drvg Cvltvre, Stranger, Mikael Jonasson, Arnaud le Textier, Dax J, Jerome Hill, 3.14, Pfirter, Echologist, Darko Esser, Tripeo, Endlec, Stenny, Clouds, I/Y, Rivet, Henning Baer, Dave Tarrida, Rolf Mulder, W.I.R.E, SHDW, Pacou, Patrick DSP, Ansome, Sebastian Krenzlin, Rebekah, Gareth Wild, Domenico Crisci, Perc, Setaoc Mass, J.Tijn, Radial, Aiken, The Black Dog, Ness, Developer, Exium, Sawf, Joseph Capriati, Svreca, Shards, Truss, Truncate, Myler, Inigo Kennedy, Advanced Human, Operator

London centric debut album from Floating Points with a host of guest musicians and vocalists.
the label say " Sam Shepherd spent five years putting together Elaenia, juggling the production with his DJ commitments and his now-completed PhD in neuroscience.

The album takes its inspiration from classical, jazz, electronic music, soul and Brazilian music, much of which can be heard in Shepherd's DJ sets. There's a long list of contributors, with Tom Skinner and Leo Taylor (drums), Rahel Debebe-Dessalegne and Layla Rutherford (vocals), Susumu Mukai (bass), Alex Reeve (guitar), Qian Wu and Edward Benton (violins), Matthew Kettle (viola) and Joe Zeitlin (cello) all featuring. Shepherd also provides some of the vocals.

Shepherd's influence on the album extends to the cover art: he built his own harmonograph to create Elaenia's sleeve, using fibre optic cables that were connected to light sources and responded to bass drum hits and other sounds.

Aside from a couple of early excursions on R2 Records and Planet Mu, Shepherd's solo material has come out through Eglo Records, the label he co-runs with Alex Nut. Records like Vacuum, Shepherd's breakthrough release in 2009, and 2011's Shadows, which scored a five-star review on RA, have cemented his reputation as a classy, inventive producer. On top of that he's also released music from his Floating Points Ensemble project, and produced some of Fatima's 2014 album, Yellow Memories. "

An obscure tape release discovery by Red Light Radio founder and close friend of the label, Orpheu de Jong, led to Music From Memory's latest release.This two track 12' highlights the work of electronic music pioneer Joel Graham, a San Francisco based artist who self released two cassettes in 1984/85.
Originally recorded and performed live on pre-MIDI analogue equipment in 1982 as an outline for a live performance, these visionary tracks provoke much of the same sensibilities found in both contemporary dance music as well as in works of more established vanguard artists of the time. Slowly unravelling and deeply hypnotic, Joel Graham's music seems to manifest a doorway to a profound new world and can be seen as a forerunner of what was to come in electronic music.

Here comes the next EP on Cellaa Music, this time from fast-rising Italien producer Dhaze whose previous outings have ben on labels like Moan, Innocent, Yoruba Grooves and Draft.

Dhaze is a producer obsessed with nature and organic sounds. Young, skilled and supremely talented, Dhaze, is an artist set for great things on the international scene. Having been fully immersed in club scene of his home city, it was his love for electronic music that really took hold of him. Taking his lead from the greats, adding his own unique touches and flair and creating masterpieces from within his studio, he is readying himself for take off.

- Rolling Instructions is a track that immediately commands attention with it's rolling, rich bassline surrounded by punchy, organic drums. The effective vocal moves with the track as more drums are added to the mix through intelligent programming and it's druggy groove is set to draw in the unsuspecting. This is the peaktime Cellaa sound at its finest.

- Anubi is a typically deep and sinister affair from the pair. Featuring solid drums and pulsating basslines work together perfectly to create a dancefloor smash that makes the ambience of this track particular and personal!

- Bubble Man builds slowly with rattling percussions and subtle chord, until, it suddenly drops, rocking the dancefloor with its massive bassline. A rolling vocal loop and a jumpy haunting topline combine effortlessly to create a track that is sure to cause mass devastation on dance-floors.

The Audience is built around solid, straight up percussion, strong bassline with swelling and rushing aquatics, punchy house chords, exquisitely programmed drums and a stompy groove coalite into a rhythm that gets stuck in your veins and sizzles through your body and brain - u can dance!

The digital bonus - Noise Black is a mind-catcher that drives forwards on a prominent kick and powerful bassline and Dhaze keeping things simple and direct. Deep tech house with a funk twist welcomed at any hour on the dance floor.

Enjoy!

Minimal gangsta vibe! Straight from Detroit! DPM is back! 4 analog tracks.
LTD 300 Copies, Full Color Sleeve, 140 Gram

Explores the brutalist machine house vein: Brodanse "Sleep Won't Come" (Audio Soul Project & Awoke remix), By Gordon Gartrelle "Aesthete", ASP & Awoke "We Come Together"

A couple years ago Developer created a Modularz sub label named " Developer Archive " the idea was to slowly release tracks taken from his personal collection and specifically made for his live DJ sets. Through Developer Archive these tracks are now being released in a limited amount and the chosen selection are the ones that Developer felt made the largest impact in clubs and venues around the world.

Midgar is proud to introduce a newcomer for the third release. A great debut for the maltese Cloned, delivering Sapphire 1990 E.P. The record, way more straightforward and groove centered than the previous Midgar outputs, opens with - Sapphire 1990 - , track that sounds like very nostalgic memories from a timeless rave. On the same side, a live out-take from Cloned's repertory, - The Pendulum - swinging synth-lines which dominate pretty direct rhythmics over a costant background noise. - Belgassem - as the first cut on the B side, is an absolutely heavy one for the label's standards, empowered by a really strong and obsessive acid-line. Closing the vinyl, the slow - Submerging - , groovy drums embraced by very brights heavenly pads.

repressed !

RFBCOLOURS 002 bring L'Atelier on board. This pair from Amsterdam bring you a 4 track EP with a digi only bonus. It starts off with Again, which hits that great sample hard and gets the party started on a disco vibe with a house twist. Then theres XTC which carries on where the A1 left off. On the flip we see a serious piano workout on top of a a grooving drum arragement. To finish off the vinyl package we see Times Are Ruff take the remix on a deeper tip with some seriously crunchy basslines and rolling groove. Then if that wasnt enough theres a digital bonus that will warm up any willing club room.

Feedback:

Telonius (Gomma)
'thanks nice one'

Laurin Fedora (Sleazy McQueen (Morris Audio / Paper Recordings))
'I'm looking forward to this vinyl. Nice return to late 90s filter disco!'

kostas tassopoulos (Ekkohaus (2020 vision, morris audio, cargo edition, liebe detail))
'Solid house record, loving it, thanks....'

Harri (Sub Club)
'liking afew of these'

Gameboyz (Clouded Vision / Relish)
'we dont usually play this kind of house music, but this is very nice! will try! thanks!'

Sebastian Wilck (Sebastian Wilck, Watergate)
'times are ruff remix is strong! support'

Jonny Cade (2020 Vision / Leftroom)
'great house ep'

Tensnake
'wow, that's quite a killer, downloading thanks!'

Lauhaus Lanting (Polder / Intacto)
'nice ep guys, also diging the times are ruff mix. thanx!'

Julien Barthe (Plaisir de France, Pro-Zak Trax)
'yeah remmeber 2000'years'

Julien Sandre (Morris Audio)
'nice music'

Doc Martin (none)
'XTC for Me!!!!'

Tom Findlay (Groove Armada)
'great EP, a little bit of everything and in all the right places....'

Andrew Claristidge (Acid Washed (Records makers))
'good stuff...'

Mihai Popoviciu (Highgrade, Fear Of Flying, Hudd Traxx)
'again is cool for me!'

Dorian Paic (Raum Musik)
'xtc times are ruff remix is the one for me ! cheers Dorian.'

Hector Couto (Tribal Sessions)
'full support for this release! good music!!!'

Gianluca Pandullo (I-Robots)
'LAtelier - XTC (Times Are Ruff Remix) ! I-Robots approved!'

2014 markierte die Rückkehr des Aphex Twin nach 13 Jahren kreativer Abstinenz. Sein Album "Syro" überraschte mit glasklarem Sound und einer ausgeglichenen Balance aus Eingängikeit und Komplexität alle Generationen von Liebhabern abstrakter elektronischer Musik und gilt als eine der definitiven Release-Überraschungen des Jahres, die ihm zahlreiche Jahrespoll-Platzierungen und sogar eine Grammy-Nominierung einbrachte. Dermassen von den Reaktionen entzückt, verwirklicht der Aphex Twin seine Ankündigung weiterer Releases und legt nur wenige Monate spaäter diese neue EP nach, die seinen Ausnahmestatus als einer der innovativesten und kreativsten Elektronikproduzenten fernab gängiger Strukturen unterstreicht.

Belgian talent Ilario Liburni looks to the release of his debut LP, 'Travel So Far', forthcoming on his own label, Invade Records. The eight track affair comes on a double vinyl pack as well as digital form which will follow a month later and proves the man behind it to be a superb producer with plenty to say.

Combining elements of house, minimal and intricate sound design, Ilario also heads up the Cardinal label and first emerged back in 2011 on Monique Musique. Since then he has gone on to release on a number of respected imprints (including Riva Starr's Snatch! And Memoria Recordings), has had his tracks licensed to compilations including Noir's In the House album for Defected and has continued to make a big impression as a DJ around Europe.

The album kicks off with 'Travel So Far', a synthetic and stripped back groove with lots of squelchy sounds, scurrying synths and feathery percussive lines all working their way into your brain. 'Sudden' is another Ricardo Villalobos style track that is elongated, intricate and immersive as it unfolds on soft edged drums. Next up, 'Carrie' is a smooth, dubbed out affair that demonstrates plenty of restraint yet really locks you into its hypnotic groove as static hiss and crackles alongside distant synths colour the spaces left behind.

'Steampunked Sewing Machine' ups the ante a little with a hollowed out drum line rocking back and forth on its heels, and 'Can't Fool Data' starts all waify and minimalistic before getting pulled apart to the sound of whirring machines, and then it drops again; you can imagine dancefloors going wild to its hooky rhythms. 'Jenndrum' is all about the pinging drum kicks and globular toms that make for a peppery groove, 'Pherthothal' toys with a sense of abstract funk and closer 'Schwalbe' is a gloopy, gluey, druggy fusion of slurred synths, hiccupping drums and dark textures that make for involving listening.

This is a genuinely inventive album riddled with fascinating sounds,
a real attention to detail and plenty of otherworldly moods that really stick with you.

Having been a fan of Reelow for, well, as long as we care to remember, we are really proud to present you his new outstanding EP on Cellaa Music. Now residing on Ibiza, Reelow has enjoyed yet another successful year. With the talent taking a back seat, its the music hogging the spotlight and rightly so. Two new Tracks and two massive Remixes that look to the past whilst sitting firmly in the present.

- Leave Me Alone' riding on massive percussion and a tough house beat, with this tough Drums and drunken, wubby Sounds it is running right through its core. Plenty of sonic details flesh out the languorous but slightly groove and you'd imagine this Track is to be the sort of many Artits will love.

- Your Crowd' is again about little tiny details and how they evolve with time. This one take you on a voyage of natural rhythms and big Drums. Developing from harmonic FX Sounds and a infectious groove, the track is full of surprises as it twists and turns into different sounds that come and go to take it further than the dancefloor.

The first of the remixes comes from the in form, Massimo Cassini. He team up with a hypnotic rework of - Leave Me Alone' that demonstrates just why he is one to keep a close eye on as he gears up on the production front. Massimo is delivering a muscular house bomb, carefully placed FXs and a nice and catchy line to make this a dancefloor mover.

Next we have Cellaa Music Co Founder Martin Heyder providing a soulful tech house surrogate to the original of - Your Crowd'. His remix has a deeper houseier twist with a smooth 303 pad sound and a concrete percussive arrangement to convey a fantastic production.

We'll meet you on the Dance Floor!!!

Omar S returns to the wax 12" after a slew of heavy-hitting double packs. 3 tracks, raw yet smooth like an uncooked sausage.

Two Irish acts crank up the volume for a healthy dose of sweaty, delirious techno

Starting out in 2001 to tie up some loose ends from our regulars, SPEICHER has since become a guarantee for vanguard dance sounds from all over the planet, allowing KOMPAKT to invite and support electronic artists that comfortably inhabit both the delicate and the more deliberate ends of the electronic music spectrum. For SPEICHER 76, two Irish acts crank up the volume for a healthy dose of sweaty, delirious techno - both acclaimed tracksmith CHYMERA and renowned Speicher favorite NAUM GABO hail from the green island... as is reflected in the color choice of this latest instalment in the series.

finally repressed !

Big with Maya Jane Coles, Round Table Knights, Homework, Claude Von Stroke, Robert Owens, Wildkats, Nhan Solo, Shir Khan,..Berlin-based Robosonic welcome the springtime with their first OFF EP. "Worst Love" uses an anthemic sample to create a groovy dancefloor burner with tight groove. Doctor Dru delivers a contemporary underground pop remix. Fritz Zander from the Suol collective made a "Panorama Bar 9 am"-styled remix for the real house-heads. And with "Thankful", Robosonic give us a 2nd original track, slightly more toolish than Worst Love.

Every record includes a downloadcode to get the whole digital
release for free via Facebook !!
Finally owner Pirupa (Defected, Klimaks, Desolat) comes up with his EP
on D-Floor. Oldschoolish primetime action flavoured with a tribalistic
Remix from the Italoboyz.

For they debut release on Cellaa Music, Bjorn Wolf & Youri Donatz stepping up themself with the fantastic 'Put Your Mind On Zero'EP and demonstrate their love of electronic Music.

"Put Your Mind On Zero" swirls into a heavy upright bass groove seething with woody percussions and plenty of sonic details flesh out the languorous but slightly tribal groove to make this a dancefloor mover.

The Höhenregler head Basti Grub built a Remix on a rolling, almost bouncy groove on the "Put Your Mind On Zero" that keeps gaining momentum with the additon of new percussive elements that gets more and more swinging, this slowly evolving track create a unique atmosphere.

The EP continues with the dub-influenced "Bred" with a broken beat and mild-mannered percussion, before a bouncy bassline kicks in and transforms it to a dancefloor smasher. If this is the most banging track of the EP, then it's been a while since a banger's been so catchy.

"Before Singing We Must Leave The Church" is a rabid beast of a track that contains with an infectious groove and chuggy drums. With its hypnotic vibe, tripped out sounds, It is taking you on an interstellar trip.

The duo have taken care to show huge respect in creating a EP that is intended to leave unforgettable magic on the dancefloors.

GREEN VELVET MAKES HIS CIRCUS RECORDINGS DEBUT WITH BIGGER THAN PRINCE, HIS MOST TALKED ABOUT TRACK IN YEARS...

BIGGER THAN PRINCE WAS BORN OUT OF A CONVERSATION BETWEEN LABEL BOSS YOUSEF AND GREEN VELVET WHEN BOTH PLAYED THE INDONESIAN LEG OF THE ANNUAL CIRCUS TOUR. THE IDEA OF THE CHICAGO LEGEND CONTRIBUTING A BRAND NEW TRACK FOR THE CIRCUS X // PART 1 COMPILATION WAS FLOATED AND SOON HE WAS JOINING NINE OTHER FRIENDS OF CIRCUS WHO WERE ALL TO FEATURE IN CELEBRATION OF TEN YEARS OF EVENTS.

'BIGGER THAN PRINCE' IS A CLASSIC GREEN VELVET VOCAL NUMBER AND SHARPER AND FRESHER THAN ANYTHING WE'VE HEARD THIS SUMMER. QUIRKY AND DRIVING, ITS SET TO BE ONE OF THE TRACKS OF THE SEASON.

TO BACK THE ORIGINAL, YOUSEF HAS DRAFTED IN MORE FRIENDS OF CIRCUS ON REMIX DUTIES, HOT SINCE 82 AND THE MARTINEZ BROTHERS...



DJ FEEDBACK



STEVE MAC - "LOVE THIS RECORD AND THE REMIXES... GREAT RELEASE!!"

TOTALLY ENORMOUS EXTINCT DINOSAURS - "I LOVE THIS RECORD!!! I'LL PLAY THE ORIGINAL!"

MATTHIAS TANZMANN - "BOTH REMIXES REALLY ARE GREAT!! PERFECT FOR ME!"

LEE BURRIDGE - "IT WAS ALWAYS GOING TO BE THE ORIGINAL FOR THIS GREEN VELVET FAN!"

SINDEN - "ORIGINAL WINNING FOR ME!!!! CLASSIC GREENB VELVET... I LOVE IT!"

ZOMBIE DISCO SQUAD - "WOW! I DON'T THINK I NEED TO SAY MORE. THAT COVERS MY ENJOYMENT MARTINEZ BROS. MAYBE MY FAV."

TIEFSCHWARZ (ALI) - "A GREAT GREAT RELEASE FROM GREEN VELVET. SUPPORT!"

AXEL BOMAN - "THIS IS SUCH A COOL TRACK... LOVE THE ORIGINAL FROM GREEN VELVET!"



DANNY HOWELLS - "MEGA PACKAGE... SUPERB ORIGINAL AND STUNNING REMIXES TOO... ALL GOOD!"

DEETRON - "REALLY LIKE THE ORIGINAL AND THE MARTINEZ BROTHERS REMIX AS WELL. I'LL BE PLAYING."

UNER - "THE MARTINEZ BROTHERS REMIX IS SUPERB!! <3"

DRUMS OF DEATH - "I LOVE THIS WHOLE PACKAGE... WILL PROBABLY PLAY THEM ALL ACTUALLY! "

SOUL CLAP - "PURE FUNK, STRAIGHT UP NASTY!! "

MOXIE - "BIG BIG TUNE!!"

RALPH LAWSON - "THE MARTINEZ BROTHERS REMIX IS BEST OF THE PACKAGE FOR ME. GONNA TRY IT OUT AND LET YOU KNOW."

ALEX WOLFENDEN - "CLASSIC GREEN VELVET TRACK WITH GREAT REMIXS! MARTINEZ BROS' THE ONE FOR ME, FULL SUPPORT."

ANNIE NIGHTINGALE - (BBC RADIO 1) - "HOT SINCE 82 SOUNDS QUITE HOT IN 2013!"

LARSE - (KLUBBING, WDR 1LIVE, GERMANY) - "I LIKE THE MARTINEZ BROTHERS REMIX. WELL DONE GUYS!"

WAIFS & STRAYS (AMOS) - "ALL TRACKS ARE KILLER! THE MARTINEZ BROS REMIX IS AMAZING...FULL SUPPORT."

LUKE SOLOMON - "I HATE TO SAY IT AS I AM SUCH A HUGE GV FAN...BUT MB'S MIX KIND OF TIPS IT FOR ME. SORRY CAJ."

&ME - "I DON'T LIKE IT, I LOVE IT!!!!!!!!!!!!!!!"

GERD - GREEN VELVET = BIGGER THAN PRINCE! LOVIN' THE LINNDRUM WINK... GREAT REMIXES TOO!"



ZDAR - "LOVE THIS TUNE!!! CURTIS IS THE BEST AND ALWAYS BE... VERY GOOD MARTINEZ BROS. MIX TOO! LOVE!"

DJ HELL - "AND ANOTHER BIG TUNE FROM THE NEW PRINCE OF DANCE MUSIC! THIS IS GREAT!"

TOM FINDLAY (GROOVE ARMADA) - "GREAT EP!! MASSIVE, SUPER FRESH! GREAT CHOICE OF REMIXES TOO, BOTH SMASH IT!"

SHADOW CHILD - "YES! THE HOT SINCE 82 REMIX SOUNDS DOPE!!! "

SKREAM - "SICK RECORD!! MARTINEZ BROTHERS REMIX IS MY FAV ON FIRST LISTEN."

JORIS VOORN - "WAHAAHA CLASSIC GREEN VELVET ATTITUDE! GREAT STUFF GUYS!!"

ALIX ALVAREZ - "GREAT PACKAGE. GREAT MIXES, ESP FROM MY GUYS TMB, BEING MY FAVORITE. GONNA TRY IT OUT THIS WEEKEND."

TAYO - "THE COOLEST MOFO OUT THERE. CLASSIC GREEN VELVET. SLEAZY "CONTROVERSY" STYLE BUSINESS. LOVE."

CATZ N DOGZ (VOITEK) - "FUCK!! YES PLEASE!!! THIS IS FANTASTIC... MARTINEZ BROS. MIX MY FAV TO PLAY ON FIRST LISTEN."

IAN POOLEY - "THE HOT SINCE 82 MIX IS WICKED!! I'LL BE PLAYING THIS OUT FOR SURE!"

JD TWITCH (OPTIMO) - "I REALLY LIKE THE ORIGINAL OF THIS!! SUPPORTING."

MARC ROMBOY - "GREAT SELECTION OF VERSIONS AND GREAT TO HAVE A NEW GREEN VELVET IN THE BOX! HS82 IS MY PICK TO PLAY OUT THOUGH!!!"

DIESEL (X-PRESS 2) - "THE ORIGINAL AND THE HOT SINCE 82 MIXES AT ARE THE BEST FOR ME. WE'LL BE PLAYING THESE!!"

COPYRIGHT (DEFECTED RADIO) - "HARD TO CHOOSE A FAV. WHAT A PACKAGE...LOVE THE BEATS ON THE MARTINEZ BROS MIX...KILLER!"

Repress

ARTS is an independent label established in 2013 based on Sonic dimensions. ARTS Label has influenced by Emmanuel. The product, the artwork and the concept are all based on Sonic issues.

Emmanuel - Radice EP is the first Vinyl limited press on the label. Coming out with Carton Cover and Black Sleeve on 3 June 2013.
200 limited - only vinyl

Late Night Tuff Guy returns with TUFF CUTS #2 !! This time he drops 2 classic re-interpretations of Chaka Khan and Soul II Soul !!
Pressed on 12 inch Vinyl with a hand stamped label and in a white card sleeve with paper inner.

Every record includes a downloadcode to get the whole digital
release for free via Facebook !!
The Fellowship of Deepwithyou is coming right back with their second
release on Deepwithyou Recordings. Label deputies Florian Felsch and
Dynanim are going to grant you straight Originals with supportive
first-class remixes by Gunjah (Moensterbox, Dantze) and Gunnar Stiller
(Upon You). Feel free to listen, feel free to stay in touch! DWY

Late Night Tuff Guy has sprinkled some magic onto Toto's track 'Africa' and given it to you super sized in a near 10 minute take of the original, also includes 'Not In Love Anymore', a solid slo-mo rework of Michael McDonald's 1982 classic 'I Keep Forgettin', last up Janet Jackson's 'Put Your Hands On' gets a classy LNTG rewerk

Ghettomania kicks off 2013 with Dancemania Hero Darien´s,
Labelowner Manatane, a cool electrobass tune by Kaptain Cadillac and Remixes from Jackstar Recordings artists Kamikaze and Paul Langley (Knee Deep, Tonewrecker).

the tale of the mythic pentaki mountain has been engraved on a two-sided circular piece of wax. the north face of the peak is steep, abrasive, and has been the subject of many legends in the region. it is said that whoever would manage to climb it would find a plateau, leading to a place called "the single source of truth". considered as the ultimate goal by both psychedelic gurus and database optimization corporations, and as an ideal retirement destination for a couple of lost souls in search for coherence and objectivity, the source diffuses endless loops of haunted voices, apparently sampled from a discarded call center, running low on power, encouraging listeners to shorten cycles, deliver requests and improve user experience. it is also said that anyone climbing from the south side would never reach the summit or find his way to the plateau, and would always end up on a lower altitude than where he started. this topographical anomaly is probably the reason why the south face of the pentaki has always been favorited by locals, with its sunny weather and its luxurious vegetation flourishing along the soft downward slope, leading to a slow and peaceful end.

Brand new in those deeper days, 'DUB 2 DUST RECORDS' is going to start their vinyl-label, releasing electronic dance music with a special
focus on the various colours of deep Dub-Techno and "Dub" inspired Tech-House.

As artists and remixers Marko Fürstenberg, Gabriel Le Mar, Frank Leicher, Quantec, Luke Hess and youANDme will light a match this year for 'DUB 2 DUST' reflecting their passion and respect for the needs of a Dub head on the floor.

The dub-feeling is clearly the inspiration behind the general flavor of the DUB2DUST-Sound and will demonstrate innovative efforts to offer interesting hybrids of techno/house music. 'DUB 2 DUST RECORDS' is operated from Gabriel Le Mar & Carsten Schorr, and already based in Frankfurt am Main, Germany.

Mentalic's follow-up to "Highway Man" contains 4 tracks ranging from freak out slapstick Techno to more melodious pieces.
Played & supported by Stephan Bodzin, Paco Osuna, Style of Eye, Lexy, Marc DePulse, Max Cooper, Roland M. Dill and many more !!!

ja diese jungs machen heftigsten no future / brighton sound....für kenner und liebhaber

“Spirit Chaser” by DJ Life. Berlin-based, aus producer slips back onto the label through Jupiter’s Depth, landing his first full solo EP with us — almost 7 years on from his first appearance on Neptune Discs.
After a run of VA appearances here, alongside standout releases on X-Kalay and Craigie Knowes — this lands as the third on the sub. Weighty baselines, fleeting vocal fragments, lush chords from elsewhere. All slightly off-centre, in a good way.
4 pattern-led trax, percussion up front — an undulating gem.

Constant Black is one of the many, many labels that Burnski heads up. It's where he focuses on stripped-back minimal and tech house with a moody undercurrent. Kerouac is a mainstay in his orbit and here takes one side of a new 12" that opens with 'This Method,' a rigid thumper with an eerie edge. 'Produce To The Max' has a dark bassline and ghoulish vocal sounds, while 'Talking About' is a more light and bumpy percussive number. Mees Mattern takes care of the flip with the dusty, garage-y loops of 'Sloppy Tekniic,' rubbery bass minimalism of 'Reeses Pieces' and grittier '404 Not Found. Six fresh tools for rewiring a dancefloor.

Luis Ripa is already making big waves, with a number of his tracks receiving support from someof the most respected DJs in the underground house music scene. As part of Amsterdam’s Naked collective, he is one of the most promising talents carrying theflag for raw, stripped-back grooves and drum aesthetics. Pisco Slap EP marks his debut on Salty Nuts and showcases his ability to create energy and atmosphere without overproducing. Elegant yet edgy drum programming, combined with innovative sample chops, adds a special essence to his outstanding grooves. The title track, Pisco Slap, is already gaining support from some of the biggest names in the scene and has already caused serious damage on dancefloors worldwide. Accompanied by two more high-end grooves, A10 and Hippie Joint, the release is completed on the flip side by Fabe’s twist on Pisco Slap - a deeper stomper that delivers the well-known signature groove Fabe is known for.

‘Richness of tone; precision of articulation; ingenuity of timbre that, when Akinmusire pursues microtonal avenues, creates the sense that particular sounds are almost hermetically sealed before being slowly squeezed and pinched into the air. In other words there is a high degree of technical mastery, but, tellingly, it underpins a profound and often engrossing sense of narrative.’ - Jazzwise

‘Halvorson has formulated a guitar style with few precedents. One inspiration might be the painter George Seurat, whose Impressionist paintings of a hundred isolated dots cohere into a picture if one steps back from the canvas. Halvorson’s pointillist approach to the guitar works much the same way.’ - JazzTimes

Slo-Mo Neon Luminate Hoverings, the new album by trumpeter/composer Ambrose Akinmusire and guitarist/composer Mary Halvorson, features four new compositions by each musician as well as one collaboration. The duo, long admirers of each other’s musicianship, met at Halvorson’s Brooklyn apartment and began playing together periodically, going back as far as 2009. They rehearsed the music on Slo-Mo Neon Luminate Hoverings in January 2025, just before performing it at the New York City club The Stone; they recorded this album the next day at Sear Sound.

Akinmusire and Halvorson made two previous attempts at recording an album but felt that they got it right with this third session. Halvorson says of their rapport, which developed over those years of friendship and collaboration, “I think it’s partly a shared aesthetic and an ease of communication. I feel comfortable to try whatever.” Akinmusire concurs, “I think it’s rare to find an improviser that all goes and nothing has to go at all. It’s rare to feel like you don’t have to do anything and you can do anything. And that’s what I love about playing with Mary.”

Though Halvorson regularly uses effects pedals on her guitar, Akinmusire’s use of one on Slo-Mo Neon Luminate Hoverings is new. Having recently gotten an updated model of the Line 6, Halvorson was passing her old ones along to friends. “Ambrose was interested in trying a Line Six. I gave him one five minutes before the rehearsal and was amazed how quickly he was able to do incredible shit on it ... in literally five minutes,” she says.

“But I’ve been watching you, I’ve been watching Bill Frisell and other people use it for a long time,” Akinmusire says. “I approached it as if it were its own musician. I played and it would process the sound and then I would choose to react to that or not. The people like Mary that I love to listen to who use delay, I like being able to hear the process of the texture that’s being built. With some people, when they use it, you don’t really hear it. But with Mary, she’ll play a line and then she’ll react to that line and then react to that,” he continues. “It’s really cool to hear how something is being built. So I kind of stole that.”

Halvorson says, “I’ve never seen someone pick up a pedal and then immediately do something with it that felt like, ‘Oh, this is a sound,’ as opposed to just tinkering, you know? It felt like he was making music on it right away, and then also doing things that surprised me, like the vocalizing really surprised me. I wasn’t expecting that, and it was awesome.”

Die ikonische Alternative-Rock-Band Sleeping With Sirens veröffentlicht ihre neue Album *An Ending In
Itself*. Produziert von Will Yip (Turnstile, Circa Survive, Movements), stellt das achte Studioalbum der
Band sowohl eine Heimkehr als auch einen Neuanfang dar: Sie lassen den rastlosen Geist ihres klassischen
Sounds wiederaufleben und verbinden ihn dabei mit der nuancierten Erfahrung der vergangenen Jahre. Das
Album wird als gleichermaßen krönender Abschluss und Fortsetzung beschrieben; es vollendet den jüngsten
emotionalen Themenbogen der Alben *How It Feels To Be Lost* und *Complete Collapse* und knüpft
zugleich wieder an jenen Geist an, der die Band einst vorantrieb. Die Band – bestehend aus Kellin Quinn
(Gesang), Nick Martin (Gitarre), Justin Hills (Bass), Matty Best (Schlagzeug) und dem Neuzugang Tony
Pizzuti (Gitarre) – feilt weiterhin an ihrem unverwechselbaren Signature-Sound, während sie sich mutig auf
die Erkundung neuer kreativer Horizonte begibt. Diese zukunftsorientierte Perspektive, gepaart mit einer
tiefen Verbundenheit zu ihren Hörern, hat Sleeping With Sirens zu einem festen Begriff in der Musikszene
gemacht – und relevanter denn je.

Obsessed With You The Early Years' is an official release of the early X-Ray Spex demo recordings which would evolve into the celebrated pioneering 'Germ Free Adolescents' album. Also includes early versions of classic Punk pioneering debut single tracks 'Oh Bondage, Up Yours!' and 'I Am A Cliché’.

Recorded in 1977, the majority of these recordings feature original saxophonist Lora Logic and capture the raw instinctive power of the band who seemed to arrive fully formed despite their youth. The iconic vocal stylings of Poly Styrene immortalised here are even more visceral than what was recorded for the final product and further indicate just how much inspiration they lent Bikini Kill's Kathleen Hanna and the Riot Grrrls that followed. Elsewhere, an early take on 'Germ Free Adolescence' has subtle electronic influences that hint at a potential future the band didn't hang around long enough to fulfil.

This fascinating document is released in various limited edition vinyl formats. 'Day-Glo' orange or 'Day-Glo' pink vinyl with laser die-cut outer sleeve and 'Day-Glo' inserts. The sleeve design is based on original Poly Styrene artwork and brand new sleeve notes from Paul Dean and Lora Logic also feature. Also available on Compact Disc and Digital.

Erstpressung des Soundtracks zum Netflix-Originalfilm mit Cillian Murphy, Tracey Ullman und Jay Lycurgo. Die Originalmusik wurde von Ben Salisbury und Geoff Barrow komponiert und enthält außerdem ,Don't Leave Too Soon" von Little Simz (die auch in dem Film mitspielt), den sie exklusiv für die Figur Shy geschrieben hat. Der Soundtrack enthält auch Beiträge des renommierten Elektro-Produzenten und DJs Slipmatt. Ben Salisbury und Geoff Barrow haben unter anderem die Soundtracks und Filmmusik für Annihilation, Ex-Machina, Civil War, Black Mirror und Devs geschrieben und produziert.

Mr. B is the album recorded in 1983 by Chet Baker and is considered one of the best from that period. Baker plays compositions by Herbie Hancock (Dolphin Dance), Horace Silver (Strollin') and Dave Brubeck (In Your Own Sweet Way).

The sadness of the songs is felt throughout, in a lazy sometimes slow and sluggish tempo. The album includes two bonus tracks “White Blues” and “Father X-mas” and band members include Michel Graillier (piano) and Ricardo Del Fra (bass).

Mr. B is available as a limited edition on silver vinyl. The album sleeve contains liner notes by Wim van Eyle and affixed on the protective sleeve is the 50th Anniversary Timeless Jazz sticker.

“Nimm die rosa Brille … sag was Du siehst … alles viel besser”

44 years after its original release, one of the most idiosyncratic DIY minimal electronics / synth / new wave records of the early ’80s returns: the legendary 7” by German group DEUTSCHE SCHÄFERHUNDE (engl. German shepherds)—now remastered and reissued for the first time as a one-sided 12” on Anna Logue Records. Recorded in the winter of 1981/82 between rehearsal space, provincial disco and bar nights, and a humble four-track setup, these tracks capture the raw spirit of a generation that simply started creating—no formal training, but plenty of attitude. Minimalist, uncompromising, and inspired by krautrock, punk, new wave, electronic music and dub, the songs move between raw electronics, percussive noise, new wave experimentation, and sharp social commentary. „Rosa Brille“ (rose coloured glasses) in particular feels as urgent today as it did back then—a track that has lost none of its relevance, „Gasmasken“ tells of gas masks dancing in the woods to the sound of sirens, and a timeless Holger Czukay/Jah Wobble inspired „Mein Herz“ (my heart).

Originally pressed in a small run of just 500 copies and later becoming a sought-after collector’s item now worth 200€, the record now returns in a carefully crafted edition featuring a laser-printed reverse side and additional materials such as original lyric sheets and articles, postcard and poster. DEUTSCHE SCHÄFERHUNDE thrived on paradox—a provocative name paired with a clear stance, and lyrics that still resonate today. Shaped by Cold War tension, political unease, and youthful rebellion, their sound refused to fit into any neat category. Only few other bands, such as Der Musikant, Im Namen des Volkes, Thorax Wach, Klinisch Sauber oder Stephan Eicher spielt Noise Boys come to mind.

This release is more than a reissue—it’s a document of its time that still hits with full force.

12″ features: limited to 400 copies, hand-numbered, one-sided 180g black vinyl, laser-etched B-side, outer sleeve printed on reverse side of the board, printed inner sleeve with original lyrics sheets and original articles, DIN A3 poster, double-sided postcard