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Unknown - Moxy Edits 005

Unknown

Moxy Edits 005

12inchMYEDITS005
Myedits
02.03.2022
 
1

Back once again with the MYEDITS master. An audacious single sided weapon from the Moxy Edits crew, blending whomping speed garage basslines, a classic vocal of supreme stature and a slick, skipping beat to produce another slice of dancefloor destroying gold.

The track first appeared when Darius Syrossian dropped it at the Brooklyn Timewarp after party b2b with Seth Troxler, and lead to people scrambling for a track I.D when videos emerged. The week after it was one of the standout tunes at the WeAreFstvl Mexico festival.

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Ron Trent / Other Lands - Yellow Jackets Vol. 2

Mother Tongue keeping the pressure high and unleashing straight away the follow up to the deadly YJ Vol.1.
This second Yellow Jackets double A sider feautures Chicago’s royalty Ron Trent and the extra talented multi instrumentalist Other Lands.

Again one track per side and full powerful cutting to maximize the sound impact in pure YJ philosophy. Ron Trent ‘The Medi’ was actully constructed while riding trains and in hotel rooms through Italy, used as a secret weapon in special occasions…and we can hear why: a mind expanding suite that keeps evolving and going in places and spaces while constantly beating you hard! On the Flipside Other Lands brings things down to more abstract realms with the floating almost Kraut inspired jam ‘Matter’.

A very special release and a hint of what Yellow Jackets has in store for us in the near future…

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Mr. Id / Youssef Grirane Featuring Rita Mdn - Language Of Jazz EP

Kerri Chandler’s Kaoz Theory kicks off 2022 with Mr. ID’s Language Of Jazz EP, featuring two remixes from the label boss himself alongside two original cuts.

2021 saw Kerri Chandler’s Kaoz Theory continue to move from strength to strength, unveiling material from the likes of Dutch rising star Chris Stussy and of course Kerri himself, here we see the imprint wrap things up with a new addition to the roster, Casablanca, Morocco-based artist Mr. ID.

Up first on the release is ‘Track ID1’, a collaboration between Mr. ID and Youssef Grirane featuring Rita Mdn. It’s a unique six-minute journey through jazzy pianos and organ licks, intricate organic percussion and mesmeric, textural atmospheres. Kerri gives it the remix treatment in style extracting all of the jazziness of the original and retwisting things with the classic Chandler authentic house feel. Next, Chandler employs his revered 623 alias for the ‘623 Again Mix’ version which strips things back to low-slung drums, bumpy stabs and emotive piano lines.

The flip side houses ‘Track ID1’ in all its original glory before ‘Track ID2’ closes out proceedings seeing Mr. ID join forces with Younes Akhraz, rhythmically shifting to a jazzy 4/4 drum groove while wandering keys and warm subs fuel the mystical vibe.

DJ Feedback:

Sasha – Tasty

Laurent Garnier – Love the whole EP

Jimpster – Jazzed up piano house heaven! Love It!

Lea Lisa – Lovely remix by Kerri

Mr. V – Kerri delivers the goods once again!!!

Anja Schneider – Great. Love It.

Archie Hamilton – Nice

Andrew Treagust - Man that's some crazy production – really like it!

Mike W - absolutely classic release. how on earth could you go wrong? the world needs more piano!

Fish Go Deep - All tracks sounding great here. ID1 is a lovely warm groove and Kerri's remixes inject a little dancefloor bump to proceedings.

Daniel Troberg – incredible music

Kiki Navarro – excellent single, loving all the mixes special ID1 and the Kerri Chandler Main Remix

Ben Lovett – Remix mastery from Chandler – wonderful meeting of piano and drum – fire.

Sergio – Excellent example of classic house with personality

Hector Samper – Amazing EP!!!

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BABY BUDDHA - MUSIC FOR TEENAGE SECTS LP

Baby Buddha is David Javelosa and musical partner Charles Hornaday playing instruments and providing their own whacked-out vocals. Baby Buddha really was less of a band than a project; a side project in fact, for some members of another group, Los Microwaves. Baby Buddha would eventually record and release an album, 1981's provocatively-titled Music for Teenage Sex on Robbie Fields' L.A.-based Posh Boy label.

Happily, the project's guiding creative light, David Javelosa has recently seen to a vinyl reissue of the now-40-year-old record, mystifyingly retitled Music for Teenage Sects. Definitely among the stranger releases of the new wave era, Music for Teenage Sex/Sects could perhaps only have been created when and where it was made. But on the occasion of its 40th anniversary, the music sounds as weirdly wonderful as ever. "We Are Not" sounds like Human League stuck in a car with The Residents. And their cover of "All Shook Up" sounds like a musical kin to those inscrutable eyeball guys too; it wouldn't be out of place on Meet the Residents. "Little Things" is a house-of-mirrors, scary track, with spoken-word vocals by Los Microwaves' Meg Brazill and label head Fields.

The album cover is slightly different as well: it displays a bedroom scene like the original LP, but with the young female model absent. The new release (on Javelosa's own Hyperspace Communications label) is pressed on beautiful translucent blue vinyl and comes in a gatefold sleeve with a lively collage of photos, buttons, gig posters. Limited to 500 copies.This playfully titled release features David Javelosa (on synth and vocals) along with Meg Brazill (on bass and vocals) plus drummer Todd "Rosa" Rosencrans. Side One features five studio tracks, none of which were included on the band's 1981 Posh Boy LP, Life After Breakfast. Three of these tracks were recorded in '82; there's no information regarding the provenance of the other two songs. The records' second side collects five live recordings, capturing Los Microwaves onstage in New York City (The Peppermint Lounge) and Boston as well as at San Francisco's own I-Beam, a venue that often played host to the band. Those tracks date form roughly the same ear, 1980-83. Sonically the songs variously recall Blondie, Flying Lizards, Gang of Four and a far less dour Human League. Importantly, the band rocks, even when it's employing a spare drum kit, solid but elemental bass, and monophonic analog synthesizers. The stripped down aesthetics of the group – necessitated by its minimalist instrumental approach – are nonetheless thrilling. Even if you weren't there in 1980, this'll take you back.

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Sven Väth - Mystic Voices / Butoh

Single release from the forthcoming album “Catharsis”, produced by Sven Va¨th & Gregor Tresher The second release before the upcoming mighty new Sven Va¨th album “Catharsis” gives you another hint at what´s coming at you! Let us tell you, we couldn´t be more excited for everyone to finally experience Sven´s new masterpiece! But before we unleash the beast, we decided to release a second single. This time containing two absolute highlight tracks. If you have heard Sven playing in the past months, you will recognize both, as they were pivotal moments in almost every set! First up we have “Mystic Voices“, a track that was created during the early stages of the album production with Sven gathering ideas and words to finally record the unmistakable vocals during a hectic tour through India, and Gregor spending days and nights on the other side of the planet in his studio to process the stream of inspiration. When the two finally sat down together in the studio, the track emerged quickly. Some would call the instant vibe that magic that every creative mind is longing to find. “Butoh” is a raw and dark force, influenced by Japanese dance, an art form that deeply touched Sven during his travels on Nippon Island. It´s an otherworldly sounding track, still based in the Techno Realm but heavily twisted by a long break that introduces Japanese percussions that eventually get topped by the haunting vocals of Cana Hatsushiba.

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Vlad Caia - Source of movement EP

Vlad Caia

Source of movement EP

12inchSYNKRO002
SYNKRONIQ
24.01.2022

The second installment of Synkroniq meticulously crafted by Vlad Caia, presents us with two distinct cuts. On the A side we find "Linear Movement", a rolling track with a deep bassline and a tech housey vibe. "Source of Certainty" builds nicely on the B side with its calming introduction and flavorful build-up, completing this well rounded release.

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Various - Sleep Not Found 2x12"

Various

Sleep Not Found 2x12"

2x12inchTRP008
TRIP
17.01.2022

repressed !

Some people are just not destined to have enough sleep.When you don't sleep enough the world appears to be a different place, compared to the way it is when the mind is fully rested. In such cases very different scenarios may occur.
Starting with a dreamy melody of Roma Zuckerman's 'Sleep not found', which inspired the entire 008 album, and ending with a thirteen minute live recording by a_000, the side project of Alex Backdrop, the entire record has a dreamy and tripped out flow. 008 continues the tradition of gatefold double EPs as conceptual album.All tracks are selected around a particular story, a trip, and presented as a continuous sonic landscape.All tracks are structured in a way that they can be mixed one with another an endless amount of times making a continuous loop, a trip, that needs only end when the party stops. Kraviz works without release dates or deadlines, enabling her to achieve a certain sound bank to shape the story, unmasking the thoughts and unravelling like a dream. A1. Roma Zuckerman - Sleep Not found (North Edit) Apart form the fact that he leaves in Krasnoyarsk in the middle of Russia, very little is known about Roma (short version of the name Roman). But listening to his music and engaging in random short conversations late at night makes it clear that there are really a lot of things going on Romas mind... Minimalistic yet emotionally complex, his music always stands out with it's murkiness and signature moodiness that Roma creates like nobody else.
A2. Deniro - G Deniro continues the record's journey with his new live cut that like pretty much everything he did so far is a beautiful sparse atmospheric groover. He says he wanted it to be angry and it its done with triggering synths from the tr909 and tr808.
B1. Maayan Nidam - Infinite Rattle
Maayan was born in Tel-Aviv. She does not like computers and prefers to record her music live using hardware only. In order to do so she built her incredible studio in Berlin where she recorded "Infinite Rattle'.There is much more to come from Maayan on
B2. Bbbbbb - Prins Polo Caramel milkshake.
Side project by Bjarki-bbbbbb. Like any other normal Icelander, Bjarki really likes ice cream. In Iceland they are absolutely crazy about it.They walk the streets, ice cream in hand, even when its freezing cold outside. But even more than that Icelanders like Milkshakes with all sorts of added cookies and candies. Bjarki's favourite is called Prince Polo after the name of a chocolate bar. He always believed Prins Polo was an Icelandic brand but a couple of months ago somebody proved him wrong.
C1. Exos- dub jazz
In Iceland Exos is a legend. Everybody knows him there. He's been playing incredibly powerful and technically advanced techno sets since the late 90s and releasing delicious dub techno on Icelandic label Thule. Nina always appreciated his subtler, dubbier side, and this short recording a the continuation of it.
C2. Maaayn Nidam - Justice for some
This second live recording was a perfect fit for this album. Maayan has managed to create a particular mysterious night time dreamer here. Sound wise it's even more unique. It took a few times to get the master right, because we wanted to keep the original breathing of the machine that has captured a seriously freaky vibe. Maayan has always been one of Nina's favourite DJs as they share a similar attitude towards music. But after this tune she has also reserved a place in Nina's collective of favourite producers. D1. A_000
This is a side project of Italian native Alessio Meneghello (Alan Backdrop) & Enrico Voltan. . A beautiful 13-minute sonic journey.

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VARIOUS - BRAN002 EP

Various

BRAN002 EP

12inchBRAN002
Bran
13.01.2022

A1 East Vision by Milanese’s finest Uabos uncovers an extraordinary musical experience with a lot of twists and twirls that are skilfully crafted. Constructed of mouth-watering synth textures and dusty melodic samples that hover over the rolling bass engine, Uabos surely delivers a dancefloor killer.

Herzel’s Transformation as the A2 track adds deep blue melodic depth on top of icy rhythmic pattern. It tickles the senses as sharp leads and powerful kicking stabs appear above the grinding bass line, providing mesmeric effect.

Flute Power’s Discothalia heats up the B side. Lush breaks and ripples meet a cloud-bursting bass line, intertwining with the ethereal vocal traces that unveil throughout the composition and into infinity.

Metropolitan Soul Museum in the closing B2 track Former Glory introduces a delicately structured musical narrative that has blocks of steady rhythmic percussion accompanied with unforeseeable melodic samples and tender vocal cut-ups.

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M.F.S.B. / The O'Jays - Love Is The Message / Message In Our Music

Fresh off the back of Philadelphia International Records 'Mike Maurro Remixes' digital release, comes a mighty 12" release featuring two never before released remixes from Brookside’s own Mike Maurro.

The A side features a classic remix on MFSB's staple 'Love Is The Message'. Extended in all the right spots with loving care. On the B side the O'Jays classic 'Message In Our Music'….also extended and given the Maurro TLC treament. Pressed on HQ vinyl with vintage art sleeve.

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Alex Kassian - Leave Your Life

For our fifth release, P&f Recordings is pleased to welcome Berlin-based musician, producer, and DJ, Alex Kassian.

Over the past few years, Kassian has made a name for himself in Berlin and beyond as a solo act, as well as with his project Opal Sunn, via a clutch of well received, dancefloor-focused 12s. But on our first release of 2021, Kassian swaps the techy pulse of the German capital for a sound that’s altogether more melodic and atmospheric.

Side A kicks off with 'Leave Your Life (Lonely Hearts Mix)' which began as a way for the producer to realize some of his early—and so far unrequited—dreams of playing in a rock band.

Next up he delivers 'Leave Your Life (Dance Mix)', which ups the energy and echoes some of the production that made the musician’s 'Oolong Trance' (Love on the Rocks) one of 2020’s best club tunes.

On the flip, the gorgeous 'Spirit of Eden' unfurls like a lost Lyle Mays classic, but with a mesmerizing loop that keeps the song’s feet placed firmly on the dancefloor.

Concluding the EP is a bass-heavy remix from none other than U.S. dub legend Bill Laswell. 'Eden’s' melodic focus is underpinned by a propulsive groove and filtered through Laswell's trademark sonic dynamics.

The EP, comes packaged in a full-color jacket from Parisian artist Alexis Jamet with OBI strip.

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Anderson - Jelly Bean EP

Anderson

Jelly Bean EP

12inchDBD005PINK
day by day
01.01.2022

Incoming, a massive EP from Anderson.

After his recent easter eggs EP, this four tracker is a blend of trance, breaks, drum & bass and experimental electronica.

Starting off the A side with the ‘Jelly Bean (Virus Outbreak Mix)’, this monster of tune will rattle your subs (and brain) with his crunchy kicks and trancey sequencing. This track will blast you off into oblivion eventually bringing you right into A2, ‘Level Quest’, a trancey chugging progressive tune building energy from the moment the first kick ignites.

After a much needed break, the B1 puts you in an immediate trancestate lasting just a few minutes and before you know it you will be blasted into drum and bass land with ‘Tasteful Nudes’ closing out the EP.

See you on the other side..

Pink Marbled
Limited 50 copy press

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The Computer Controlled Minds - Line Up Into Horizon Ep

Roadmap through the night!

On side A our travel starts with a driving track, find out for yourself where your travel leads you. The atmosphere is full of energy, that calls out for serious dancing! The second track is a classic track that goes in the direction of Acid. We love Acid – the whole night long!

On side B TCCM proves that robots can be funky! Shaped by the late 70s and Disco-Funk, a totally new corpus has been created. That’s what we expect from TCCM – always something different. The last track of this EP points towards dawn. It’s time to wrap up, to turn night into day and to relax before Afterhours starts again!

“Computer Controlled Minds” show a braid spectrum of electronic beats and an incredibly fantastic roadmap through the night, from dancefloor to dancefloor with different styles!

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Various - Love EP

Various

Love EP

12inchBL002
Breidenbach Label
22.12.2021

For their second release Breidenbach Label once more gathers six artists from their regional circuit. Connected by their floating and sometimes even hypnotic soundscape, pulsating pads and strong grooves, each of the four tracks has its own intimate style.

With Love Entropy Crécy delivers a powerful and emotional ambient introduction to the A-Side. His fellow artist and close friend Ami adds a poetic layer: spoken word which shimmers through the sound, adding to the sentimental vibe. An atmospheric first serve. KliX picks up the love theme and transforms it into a mesmerizing ear catcher called Give Me Love. The somewhat trancy elements accompanied by evolving patterns, vocoder-vocals and classy 909 drums give this track its enticing and unique character.

Spaceloop on the records B-Side marks a debute release for the Mannheim based duo Seeder. They teamed up with Benny Delara to deliver a hip shaking dancefloor weapon that captivates through its strong and pulsating baseline combined with atmospheric elements that carry the records narrative. The EP is accomplished by Tech Report from the promising live-due CVSO. While blending breaky grooves with atmospheric elements the listener may find himself surprised by a jazzy piano melody that is proof of their creative and forward-thinking musical mindset.

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ELIZIO DE BUZIOS - TAMANQUEIRO

Elizio De Buzios

TAMANQUEIRO

7"-VinylND011
NEW DAWN
22.12.2021

Reissue of Elizio De Buzios's "Tamanquiro". Remastered and pressed on 45 RPM!

Sitting a good 90-minute drive away from Rio de Janeiro’s crowded beaches and packed tourist hot-spots, Campo Grande is not a neighbourhood that attracts travellers from around the World. Traditionally it is home to the city’s lower middle-class, whose aspirations of moving up the social ladder were played out in a suburb that has always been solidly working-class.

Campo Grande is home to Elizio De Buzios, a Brazilian musician who started playing music in the late 1970s and early 1980s. De Buzios began as a drummer, before learning to play guitar and starting to compose and sing his own music. When he turned 18, De Buzios joined a local band formed by some of his friends and other like-minded local musicians: Sol da Terra. The band mostly played samba in neighbourhood bars and small venues around Camp Grande, but De Buzios was interested in more than just samba. While he naturally admired great samba composers such as Cartola and Beth Carvalho, his musical pass went far beyond Brazil’s national music. He also loved MPB and bossa-nova and at home he listed to Joäo Bosco, Milton Nascimento, Luis Melodia, Tom Jobim, and many bossa-nova singers.

In 1980 De Buzios was noticed by a local representative of international major label Polygram, who gave him the opportunity to record two songs. He was excited, so started searching for inspiration for the songs he would eventually lay down. He found that inspiration close to home while passing a neighbourhood shop which made and sold clogs. After noticing a display of then fashionable Portuguese clogs outside the store, De Buzios popped inside to talk to the owner. It turned out that he was a tamanqueiro – as clog-makers are traditionally called in his native Portugal – and was as passionate about music as he was about the footwear he made. Thus inspired, De Buzios returned home to work more on the lyrics and music.

The next day, he headed into the studio to record the song, with Vale Ribeiro, who later went on to produce tracks for Marcos Valle, behind the desk. With Ribeiro’s assistance, De Buzios managed to record two songs in one day: ‘Tamanqueiro’ and ‘Sou Um Louco’, a ballad with English lyrics blended into the mostly Portuguese text. From the start, it was clear that ‘Tamanqueiro’ would be the single’s A-side. Incredibly catchy and funky, with some subtle disco elements, the song remained distinctively Brazilian thanks to the use of the cuíca. Listening back all these years on, De Buzios’ lyrics seem almost spontaneous, carry the track forward, and make it almost impossible not to sing along. Its infectiousness and funkiness made it an instant hit with the first few people to hear it.

When it was released, responses to the song were enthusiastic, even if it never became the Brazil-wide smash it should have been. It resonated well in the local clubs and on the radio, but unfortunately the marketing was handled by an inexperienced Polygram employee who failed to adequately promote the track. As a result, the record sank without trace and De Buzios’ dreams of stardom evaporated. Having just started a family, he realized he could not live off the uncertainty of being a musician. Instead, he got a job at city hall as a civil servant, a role he continued until his retirement a few years ago. ‘Tamanqueiro’ and ‘Sou Um Louco’ remain the only two songs he ever recorded.

In the early 2000s, with the rise of diggers’ culture, ‘Tamanqueiro’ slowly surfaced again. It became a sought after, hard to find seven-inch single, finding its way onto the airwaves once more and into the ears of a new generation of listeners. Some started appreciating the song so much that it was referred to as the “best-Jorge-Ben-song-Jorge-Ben-never-recorded”. And they are right: ‘Tamanqueiro’ does have that Jorge Ben-straight-forwardness. It’s a completely honest song that’s almost impossible not to fall in love with. Thanks to this remastered reissue on Rush Hour, De Buzios may now get the props his sole record so richly deserves.

Now for the good news: De Buzios is still singing in local bars and clubs in and around Campo Grande. He is surprised, but also incredibly proud, that the record he had almost forgotten about is appreciated so much by a group of music lovers he didn’t even know existed. But above all, he is happy that more than 40 years after the recording session, the record lives on – not only on this re-release, but also in his weekend sets in the bars of Campo Grande.

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Dustin Zahn - Gain Of Function LP 2x12"

Dustin Zahn

Gain Of Function LP 2x12"

2x12inchREKIDS192
Rekids
20.12.2021

The Minneapolis-raised DJ/Producer’s second album following 2014’s ‘Monoliths’ lands on Radio Slave’s Rekids imprint in November.

Although based in Berlin for several years, Dustin Zahn has continued to exert influence over the fertile but steadfastly underground Minneapolis techno scene as part of the Intellephunk collective whilst cultivating a worldwide rep via releases for Blueprint, Token and his own Enemy Records. The ‘Gain of Function’ LP sees Zahn channelling the groove-fuelled techno of the late ’90s and early ’00s and shaping eight powerful but funky contemporary techno tracks that display the decades of experience under his belt.

Forged from a series of live jams with two drum machines and two synths, the album is a refined collection of raw, purist techno brilliance. Across the A-side ‘Tell Me About Paradise’ brings shimmering staccato chops under bright and airy percussion before ‘Tangie Groove’ picks up the pace with floating pads, vocal slices, and a rumbling bassline. On ‘Lucid Dreams’, scattered percussion plays with hypnotic synth licks, while ‘Smoking in Silence’ sees off-kilter leads dancing between emotive vocals and evolving drum loops.

Opening the second disc is the deep and shuffling ‘Crimson Cheeks’, with trance-inducing samples nestled between sharp drum hits and rolling synthesis, and ‘Days Like These’ takes a darker turn as twinkling arps and droning pads carry the track. ‘Shark Rodeo’ featuring Jeremy Black mangles samples into a dense rolling affair, before closing number ‘Next Level Looseness’ drops the 4/4 pattern for a raucous club track, combining oddball sound sources and unruly production techniques for a trippy finish to the album.

Since the late ’90s, Zahn’s hypnotic and driving techno has consistently caught the ears of top DJs and labels worldwide, with anyone catching his marathon sets at the likes of Berghain exposed to expansive sets. In addition to his techno-heavy catalogue and DJing prowess, Zahn has lent production and engineering skills to bands and singers, recently working with Poliça and on Carm’s Pitchfork approved eponymous album. Beyond this, his vital work with Intellephunk includes the nearly two decades long running Communion after-hours events, cementing his invaluable contributions to the scene.

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Alkalino / Various - Make Up The Edits 2x12"

Adeen Records 009 Make-Up... The Edits comes courtesy of producer and edit maestro Alkalino. The Germany based selector dug deep into his vaults of hard and electro to deliver some of the best sleeper and classic gems.The highlight of side one is easily Breakin' Wind, with other notable bangers such as Bang on it, Stardance and Fly with the wind. One thing about Adeen Records and the Make-Up series is they deliver every time.

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Various - Fulltime Factory Vol. 9

The so much anticipated Volume 9 of the fortunate limited edition vinyl series FullTime Factory is finally here! Gems from the FullTime
Production vaults re-edited and remixed with a House, Nu-Disco and Disco Twist!

On Side A Jimmy Ross' Classic "S.O.S. Of Love" got brand new life
through Flowersons' nu-disco attitude and "Tell Me" from the eponymous Rainbow Team album dated back 1981, is re-edited by J.B. Boogie.

On the flipside, italo-disco funk gem "Gosh" by Galaxy band is rematered and repressed for the first time on vinyl, while the neapolitan funky jam "O' Guaglione" by Tony Cicco is re-crafted by the M.B. Edit's fine scalpel.

4 tunes to boogie!

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Locklead - Square One 2x12"

Locklead

Square One 2x12"

2x12inchUTS07V
Up The Stuss
01.12.2021

One of the Netherlands most exciting rising names, Utrecht’s Locklead is emerging into the spotlight in style. Known for serving up heavy-hitting stabs of dancefloor driven material across SlapFunk, Pleasure Zone and Dungeon Meat, he now takes things deeper and brings his surging momentum to countryman Chris Stussy’s Up The Stuss imprint for the label’s first album release.

Stepping out into fresh territories, his eight-track debut LP ‘Square One’ showcases a previously unseen side to the Dutchman, revealing a collection of lush, deep journeys coupled with crisp house and vibrant, spacey cuts along the way.

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Karotte - XTC / DRIVE

We welcome back our good friend Karotte with his first release on Break New Soil in over a decade! „XTC“ is pure Karotte dancefloor fire - weird, powerful and beautiful! On remix duties, we are psyched to have our good friend Jeroen Verhej aka Secret Cinema, who really needs no introduction to techno heads around the planet, and he delivered exactly what we've been hoping for: A relentless big-room Techno rework - boom! The second original track by Karotte is called „Drive“, and it's on the deeper side of things, yet not less intriguing at all. Welcome back home, Peter!

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Various - THE FUTURE VA

Various

THE FUTURE VA

12inchLENSKE010
LENSKE REC.
17.11.2021

Repress!

In May 2018, Belgium's Amelie Lens launched LENSKE, the fruit of working on new music and collaborating with her peers. The aim was to create a platform to release her own and friend's music that they use to tear apart dance floors around the globe. Less than two years after, LENSKE is putting out their 10th release and it's evolved into something more than just a label, but a family.

During this relatively short time, the prolific crew formed by Amelie Lens, Farrago, Milo Spykers, AIROD and Ahl Iver have released a collection of contemporary anthems, storming techno cuts and acid weapons. The imprint's catalogue illustrates their exploration for a shade of techno particularly focused on the hi-NRG factor. You can usually catch them at the Exhale showcases worldwide - at the likes of fabric London, Off Sonar in Barcelona and Dour in Belgium- testing their new productions that the crowd highly anticipate for their release.

For this fresh record, each artist contributes a track for a mini VA compilation showcasing the label's sound. Belgian producer Milo Spykers opens up with 'Traversing', a heavy-hitting cut with a ravenous sound design. Hot on the heels of her recent compilation for the fabric presents series, Amelie Lens steps up with her brand new tune 'The Future' featuring energetic synth hooks with her signature vocals. AIROD goes ravey with 'Divine Power' introducing jungle elements, while on the other side, Farrago delivers a catchy vocal-led slammer with 'Step Up'. Ahl Iver, the newest addition to the label, brings the final touch with the intoxicating 'Night Creature'. The future is bright!

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LF58 - Live at Brancaleone 3x12"

Following the arrival of their debut album ‘Alterazione’, LF58 (F.Scorcucchi and G.Tillieci) are back on Astral Industries with a special trove of outer-space explorations. Recorded one evening back in April 2019 as a live performance at Rome’s Brancaleone, the eponymously titled album offers a sprawling journey across the pan-dimensional ether. Spread across six sides of vinyl, the performance includes fully improvised material as well as choice selections from Simone Giudice, Jonas Kopp, Nuel, Birds of Prey, Rapoon, Steve Roach and Adham Shaikh. There is no doubt that the unique energy and circumstances of the evening contribute to a certain atmosphere present in the music.

With seemingly no beginning nor end, the session emerges in suspension; an electric ocean of infinite deepness. Gleaming across the patter of galaxies on a wide black backdrop, its myriad vistas are projected like transitioning scenes of an unending story. The gentle tide brings with it specks of cosmic debris and mysterious signals. Soon, quiet drones are overtaken by ripples of solar flare and percussive clamours. Forms melt like liquid, a ball of amorphous plasma pulsating with ecstatic radiance. Prying open universe within universe, ‘Live at Brancaleone’ has a vastness that cannot really be contained.

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Yucca Mü - Femme Symbole EP

Orange Tree Edits build on their rock solid catalogue with this stellar Vinyl EP debut from Ukranian DJ Yucca Mü.

Richly textured A-side ‘Bluebird’ samples a Soviet era Sci-Fi film to assemble a delightfully weird and wonderful, at once ethereal, refreshing and playful dancefloor heater. Church bells, choral hymns and villainous voiceovers layered on top of a rolling, chuggy low-end propel this tune into peak time territory. A tender church choir acapella outro is a joyous highlight - think festival closing time.

The flip side cut ‘Femme Symbole’ offers up organ stabs alongside swirling grand piano and a sensuous vocal to produce a belter of an edit built for the dark and steamy dance zone.

With support from Hunee, Jonny Rock, Lauren Hansom, Bell Towers, Nicola Cruz & Paula Tape you know you need a copy!

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SON OF PEARL - WONDERFUL / THE OTHER SIDE OF NOWHERE

The independent label Six Nine Records Ltd. UK, based in Newcastle upon Tyne, proudly presents the second release from Tedi “Son Of Pearl” Robinson!

Florida native Theodore E. Robinson aka Tedi Robinson aka Son Of Pearl is back with two brand new stunning tunes! His “mellowfunkism” signature sound and brand is all over these two beautiful tracks, with his bass playing skills being right on point. And as the man himself sings: “all we have to be is wonderful”!

Definitely not to be missed as it is a limited UK press with small hole
and full colour printed picture cover!

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DJ Spinna & Kai Alce present: “Foundations” - Classic House 45 Series Part 5: Ralphi Rosario ft Xaviera Gold - You Used To Hold Me

After a two year hiatus, DJ Spinna and Kai Alce return to BBE Music with the 5th instalment of their 7” vinyl series ‘Foundations’, this time showcasing Ralphi Rosario &Xaviera Gold’s undisputed club classic: ‘You Used To Hold Me’. With global interest in ‘45s on the rise, ‘Foundations’ aims to fill those frustrating gaps in all our collections by releasing specially crafted edits of classic house tracks on 7” vinyl for the very first time.

The youngest member chosen for Chicago’s ‘Hot Mix 5’ on WBMX back in 1981, Ralphi Rosario is nothing less than House Music royalty, and 1987 smash ‘You Used To Hold Me’ is surely his most enduring hit. Featuring fellow WBMX DJ and vocalist Xaviera Gold, the song has seen several cover versions, remixes and reissues over the years, but has surprisingly never before appeared on ’45. Spinna and Alce have chosen to create special edits of the ’87 ‘Riviera’ version and the ‘(You Used To Beat Me Black and Blue) Bonus Beats’ for this double-sided slice of Dance Music history.

“This is the blueprint to vocal House music and how it should be delivered” says Kai Alce, “and to have the opportunity to present it on 7" for the first time with Ralphi's blessing is overwhelmingly gratifying!”

“You Used To Hold Me seems like one of those anthemic jams that you pretty much heard everywhere- it was massive” recalls DJ Spinna. “I remember hearing it at the Paradise Garage in 1987, but it may have already been a hit on NY radio by that time. It’s one of those classic vocal tracks that impacted the House world as hard as Ten City ‘Devotion’ and ‘Move Your Body’ by Marshall Jefferson. The Bonus Beats on the 12” was a great tool for the DJ. You often heard it used in blends with other tracks.”

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Mr. K - Edits by Mr. K- Marbles / Shoot You Down

The new batch from the bottomless edit archives of Danny Krivit is an uptempo, guitar-heavy excursion into two cuts of danceable rock from opposite sides of a decade.

“Marbles” originally came out late in 1970, the result of a collaboration between the fiery British guitarist John McLaughlin and drummer Buddy Miles. Miles was hot off his time with Jimi Hendrix, and producer Alan Douglas, who’d been instrumental in putting together the Band of Gypsys group, attempted another crossover combination with a brand new, blazing guitar god. Also on the date was Larry Young, an organ player best known for his expansive jazzy albums on Blue Note, and several veterans of Buddy Miles’ funk-rock combos. The resulting mixture produced in “Marbles” a powerful, driving rhythm anchoring an addictive riff that steamrolls through the cut in a fashion not unlike the motorik sound of Velvet Underground or Can. Mr. K’s edit leans heavily on the drums, naturally, with a long, tailor-made intro and a mesmerizing focus on the main riff, extending things well past the seven-minute mark.

Ten years later, the world of music was in an entirely different place but a good guitar riff coupled with a driving beat was still powerful currency on the dancefloor. This time, the group was Scottish new wave-punk group APB, whose single “Shoot You Down” had garnered unexpected peak time play in cutting edge NYC hotspots Danceteria, the Peppermint Lounge, the Ritz and the Mudd Club. “Shoot You Down” combines the urgency of the Clash with the free for all vibe that characterized the downtown scene (and throws in a chant borrowed from P-Funk for good measure). Mr. K has created a long instrumental opening that leads into the vocals, giving the tightly-wound 7-inch single a proper extended 12-inch treatment it deserved but never had before.

The sound is crisply remastered for club play, and stretched over the breadth of a 12-inch single. Both of these tracks are appearing on the long-format player for the first time.

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Various - Nervous Records 30 Years (Part 2) 4x12"
 
17
auch erhältlich

Black Vinyl


Nervous Records, the iconic label synonymous with the rise of house from the streets of New York City, will mark 30 years in the music industry by releasing the celebratory compilation LP ‘Nervous Records: 30 Years’ on October 1st (Part 1) and October 15th (Part 2).

Featuring original mixes of the label’s biggest tracks, plus remixes by some of its most celebrated acts, ‘Nervous Records: 30 Years’ is both a celebration of the past and of the future. Featuring a who’s who of electronic dance music, the long player sees names including Louie Vega, David Morales Darius Syrossian, Tensnake, Monki, Franky Rizardo, Danny Howard and more take on iconic Nervous cuts: ‘You Make Me Feel Mighty Real’, ‘Treat Me Right’, ‘Future Groove’, ‘Feel Like Singing’, ‘Get Up Everybody’, ‘Break You’, ‘Hot’, ‘End This Hate’, ‘Unspeakable Joy’, ‘Can Ya Tell Me’, ‘Jerk It’, ‘The Anthem’, ‘It Makes A Difference’, ‘Learn 2 Luv’ and ‘Don’t You Ever Give Up’.

The album marks one of the most enduring, extraordinary legacies to grace America’s illustrious music history, not just in electronica but far beyond. Founded in 1991 by Michael and his father Sam Weiss, and recognizable immediately by its distinctive character logo, the label grew rapidly, in no small part due to Michael Weiss’ practically unmatched passion for discovering new music.

“Louie Vega and Kenny Dope woke me at 4am on Tuesday night, Wednesday morning from their studio telling me they had something really different that I needed to hear,” Michael recollects. “I asked if they could play it over the phone. They said if I wanted to hear it I had to come to the studio. So of course I got myself up, got dressed and went there. That “really different track” ended up being ‘The Nervous Track’, a tune that became our signature release and was also highly instrumental in the emergency of London’s ‘Broken Beat’ movement.”

The label’s willingness to take chances on fresh sounds and innovative concepts rising up from the melting pot sidewalks of NYC ensured a body of work that has become a living musical history of the city. House cuts ‘Unspeakable Joy’ and ‘Nitelife’ (Kim English), ‘Get Up (Everybody)’ (Byron Stingily) and ‘Feel Like Singing’ (Sandy B) bump up against hip-hop anthems like ‘Who Got Da Props’ (Black Moon) and “Bucktown” (Smif-n-Wessun) and reggae cut ‘Take It Easy’ (Mad Lion); soulful flows from Mood II Swing (Kim English ‘Learn 2 Luv’, Loni Clark “Rushing”), Armand Van Helden (‘The Anthem’) and Nuyorican Soul (‘Mind Fluid’) sit alongside seminal techno singles like Winx’ ‘Don’t Laugh’. The young artists and producers who joined the Nervous Records’ family have gone on to become some of the most hallowed and celebrated dance acts of all time: Louie Vega, Kenny Dope, David Morales, Tony Humphries, Roger Sanchez, Armand Van Helden, Kerri Chandler, Kim English, Byron Stingily, Josh Wink, to name just a handful.

“We did a release with Josh Wink under his Winx alias entitled ‘Nervous Build-Up’,” Michael said. “It did well and it was obvious how talented Josh was. Subsequent to that release I was pretty persistent in asking him to continue to play me his new demos. During one phone conversation he said, “Mike I’m gonna play you something over the phone but don’t laugh when you hear it.” That demo ended up being ‘Don’t Laugh’, which became one of our biggest international hits and still to this day is one of America’s earliest and most impactful techno hits.”

As much a celebration of the label’s future as it is of their past, Nervous Records: 30 Years is but a marker in the imprints’ history, a clear sign of where they’ve been and also where they’re going. With 30 years behind them, the label’s determination to unearth new raw diamonds in the rough is as unwavering as ever.

“I’ve always been one to look at what others are doing (the industry at large) and think, “ok, are they doing this specific thing for a reason, or doing it because everyone else is doing the same thing” and make my decision based on that,” says Nervous Records’ General Manager Andrew Salsano. “In an age where data metrics and analytics reign supreme, I remain steadfast that they should be complementary to your decision and not the sole indicator to make one. So many songs today are written with 15 second hooks in mind for social media, and while there’s nothing wrong with that business model you will always be chasing the wave instead of carving out your own path and identity.

“My primary focus for the sound of the label has and will continue to revolve around signing good songs and music that has the ability to react at the street level first. The best results come from artists that are firstly given a bit of local love that grows into a global impact. Fresh ideas that express child-like curiosity and artists showing vulnerability in their music are also something I look for, artists and producers that are not making music with certain markets in mind, but rather their own style and signature that is unique but able to straddle the fine line of underground and overground.”

Still as raw, as underground and as finely tuned to the dance floor as they ever have been, perhaps the secret to the success - and the longevity - of Nervous Records has something to do with that hard, dogged, no-holds-barred NYC edge that runs through the veins of the label. With the next generation of producers rising from the clubs of New York, one thing is certain; Nervous Records will be there to find them, nurture them and bring them to the world at large, over the next decade and beyond.

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Fitlhy Rich - The Kraken

This is the 3rd release on Zimp Recordings, an independent techno label based in Scotland.

Edinburgh based DJ and producer Filthy Rich, label boss at Zimp Recordings, is a deliciously slippery artist with an engorged techno sack who’s always at the ready to spurt his computer generated juicy tit bits all over your proverbial techno flaps.

There’s five techno bangers on this EP that definitely do not disappoint. Kraken, a sullen and atmospheric deep underwater masterpiece, Stinky Funk, does exactly what it says on the tin, a wonky banger. Next up, an oven ready techno commentary on Brexshite from Boris himself with Wiff Waff. 2 tonne bass on the flip side pierces your brain with electro noise which Randolph Glahs remixes with his signature industrial hammer to break your mind open on the final track! It’s no coincidence this titan of techno has landed just in time for the clubs reopening!

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Tripmastaz - Partying With Illusions

Tripmastaz is back, this time drenched in Summery, laid-back Sunday vibes. The main title, appropriately named 'Sunday Mix 1,' is steeped in rich organ arrangements, deep vocals, and funky bass stabs, the kind of combination one wishes on a laid-back Sunday afternoon. The subtle percussive variations and the thorough but discreet synth work fill up the sonic space with an infectious swag - which is even more evident on 'Mix # 3.1.'

And whereas the main title, "Sunday," relies on a more laid-back approach, the flip-side 'Puppi Luv' literally flips the gears to a scenario where the groove is the focal point, and everything is playful - but strangely hypnotic. "Partying With Illusions" is a lush, uplifting record that finds Tripmastaz once again showcasing his skills as an outstanding music producer.

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Bart Skils - New Era EP

Bart Skils

New Era EP

12inchDC246
Drumcode
29.09.2021

Bart Skils returns to Drumcode with a trio of dancefloor weapons. The artist has been one of the most consistent label contributors over the last 18 months, with two Truesoul EPs, a cut on A-Sides Vol.10 and now ‘New Era’, his second Drumcode EP in a year.

‘All Over My Body’ features a collaboration with well-regarded US producer/DJ/vocalist Superchumbo and is a ready-made festival track, propelled by a memorable vox hook, driving groove and thrilling effects. ‘Golden Temple’ is trademark Skils and builds to a hypnotic laser-kissed climax. ‘Dub Killer’ is punchy techno at its finest, capped off by a woozy vocal drop.

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4 M INTERNATIONAL - Space Operator

Here's a brand new EP for the italo lovers. Released for the first time
in 1982 on Full Time Production off-shoot Good Vibes, 4 M
International's "Space Operator" is repressed on hand-numbered limited edition vinyl on Mr Disc Organization!

This special EP includes the Techno producer Donato Dozzy cadillac
rhythms reshape and the vocal and instrumental versions of the record.

Spaced out disco electro. The mysteriously named 4M International was a side project of the production team behind the Italo group Trilogy ("Not Love", "Black Devil" etc). "Space Operator" is the only record the outfit recorded and is an ultra spacey, pitched down, cosmic anthem with a wealth of killer sound FX, synth washes and sinister vocoded voices inviting us to join them in some intergalactic space travel!

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Cleanfield - Sunshy EP

Cleanfield

Sunshy EP

12inchHOD030
HOUSE OF DISCO
13.09.2021

A new lick of paint for the House of Disco, serving you slick, sophisticated and just as stylish. Taking the keys for the thirtieth release, Dutch dynamo Cleanfield, who lays down a four track EP dripping in summer sun.

The A side opens with ‘Sunshy’ a disco house banger, complete with bumping bass, sun-kissed toplines and warped Kool & The Gang synth warbles, before ‘Oregano’, takes you on a Mediterranean flavoured, supercharged dream house journey spliced with tripped out arppegiated wanderings.

On the flip, ‘Krispy’ a tropical, synth-heavy party starter with sandy beaches and crystal-clear oceans in mind and ‘Caught In The Act’ an underwater sea sensation, drenched in drunken arps and a cocktail of chants, guitar licks and good vibes.

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Unknown - Hello You Yeah / Just Be Yourself

There’s been a refurb at The Gallery, a fresh new look for the onlookers. This brand-new exhibition follows in the prestigious footsteps of its predecessors, two jaw-droppingly stunning works of art on display, re-touched, re-loved and ready to be snapped up by the highest bidder.

One side sees the mysterious mastermind take on some tropical boogie heat via ‘Hello You Yeah’ with the flip a cosmic disco warper in the form of ‘Just Be Yourself’. Two irresistible cuts that will be whipping crowds into a frenzy the world over.

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Colin Potter - It Was

Colin Potter

It Was

12inchPLA042
Platform 23
06.09.2021

Platform 23 is delighted to present music from Colin Potter with It Was, a collection of tracks chosen from his 1989 cassettes Recent History Volumes 1 & 2.

After a burst of activity, mainly on his ICR label, from 1980 - 82, the tapes were the first released music in seven years and highlighted the intervening period.

While much of his earlier recordings have now been reissued by Dark Entries, Deep Distance and Sacred Summits, It Was covers the period where Potter recordings were limited while working as an engineer at his IC Studio, and pre-date his work with Nurse With Wound.

The ambience and guitar of The French Polisher leads to Diary Of A Nobody, an embodiment of Potter, sequencers and guitar against submerged, metallic percussion rising. Dense, claustrophobia follows in Solidarity At Wujeck Colliery towards the guitar refrains of Persistence.

Side two starts with Green Fields, where plucked guitars are surrounded and consumed by arpeggios. Propulsion without percussion, the layers of arps shift and redefine before the scatter of Saw with reversed synths and guitar acting as counterbalance. Nine Months, a possible centerpiece, has an autumnal atmosphere; crashing cymbals and ambulant guitar, leading to the closing Ships That Pass In The Night, a hazy drift of slowly sequenced synths & primitive voice samples.

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M&H - Always Love Vol.3

M&H

Always Love Vol.3

12inchALWAYSLOVE03
ALLWAYS LOVE
26.08.2021
 
2

For their next edit M&H put Udo Jürgens, Jam & Spoon and
Daft Punk together into a ¦ctional studio on Italy's south
coast. That might sound strange, but the result is rather
fantastic. Grab your copy! A side: smooth discoish house
mix - B side: raw ghetto style mix

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Unknown - Moxy Edits 003

Unknown

Moxy Edits 003

12inchMYEDITS003
Myedits
09.08.2021
 
2

Round three of the hotly tipped, Moxy Edits limited series.

This one is a bass heavy jackin ‘90s hip hop inspired house groover. Think Sneak, Derrick Carter vibes.

One side is on a west coast infused vocal tip, with the other straight dubbin, pure clubbing. Perfect combination, check it.

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Richard Plasko - California Big Hunks

Total oddball production that has left a terrifying wake of mystery throughout many online digger circles which eventually even led to a mini documentary explaining the origin of the crown jewel “Dirty Cowboy” sound which is featured in this release along with another one of Richard Plasko’s tripped out involuntary lo-fi excursions on the B-side. Ron Hardy and the Village People walk into a bedroom studio...Thoroughly remastered from master tapes and brought back to life on vinyl for the first time.

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Baba Ayoola - Carry Me Home

KOKOROKO return with this exclusive Double A Side vinyl of 'Baba Ayoola' and 'Carry Me Home' released via Brownswood Recordings on 25th June 2021. Both singles achieved huge support upon digital release by BBC Radio, BBC 6 Music, 1Xtra, Afropunk, Clash, Rolling Stone France & NPR. 'Baba Ayoola' was written as a tribute to the grandfather of the band's alto saxophonist Cassie Kinoshi and is 'an invitation to celebrate life'. Whilst 'Carry Me Home' was inspired by conversations with the masterful Dele Sosimi, whose technical ability in bridging the gap between the West African afrobeat sound of his roots, and the London energy of his upbringing, has directly informed the ever-impressive capabilities demonstrated by London's eight-piece collective, KOKOROKO.

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Mato - Summer Madness / Use Me

Mato

Summer Madness / Use Me

7"-Vinyl33
STIX
28.06.2021

Stix Records, a sub-label of Favorite Recordings, is back with some heavy dub cuts from label regular Mato with its usual special skills as a tailor of reggae music.

On Side A, Mato focuses on the infamous "Summer Madness", originally composed by Kool & The Gang. Providing a fresh dub rework, the song will make you dream of hot wet summer nights, gently rocked by beautiful guitar melodies and sweet Fender Rhodes chords. Just a perfect match for all forthcoming summers of love!

On Side B, Mato takes care of "Use Me", originally composed by Bill Withers on his Still Bill album. Expect funky and bouncy clavinets and a nice melodica line for this rework of a timeless classic. As Mato once said, "Play it loud and burn a chalice!"

Starting his reggae production career in 2006, Thomas Blanchot (aka Mato) has released music through various projects on EDR Records, Big Singles or Makasound ... In the meantime he developed a real trademark, taking over classics French, Hip-Hop, or Pop song, into roots reggae-dub new versions. Besides, since 2010, Mato has built a solid reputation thanks to his hot remixes of Hip-Hop classics on Stix Records.

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Raxon - Speicher 107

Raxon

Speicher 107

12inchKOMEX107
Kompakt Extra
25.06.2021

2024 Repress
Born in Egypt, bred in Dubai and now situated in the electronic music hub of Barcelona, RAXON makes his SPEICHER debut with this double header that falls into line just past his breakthrough 'Destiny EP' on DIYNAMIC.

THE ANCIENT could be taken as a twisted modern version of YAZOO's 'Superstition' - subtle and bold this track bridges on the sexier side of electro-strasse with a gleaming dagger of nu-wave sophistication. His roots as one of the Middle East's biggest DJs shines through the 'Dark Light'. Mysterious minimal rhythms propelled with a sinister synth hook drives this track to a nowhere that makes you feel that you are somewhere that is right.

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Daniele Temperilli - Damsko Scene EP

Damskooo is the new house label from Amsterdam. An expression of dancefloor music and house culture. The first release is composed by Daniele Temperilli with the dancelfoor in his mind. On the A-side you will find next to the music the fresh illustrated logo by Julie van Straaten. On the B-side you will find a tribute to the scene of the Amsterdam house culture, also made by Julie

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