Cerca:serge

Diese neue Gainsbourg-Compilation ist als psychedelische Pop-Reise zwischen London und Paris konzipiert. Schon ab der ersten Studio-Session in London 1963, hat Serge Gainsbourg erkannt, wie wichtig der Sound ist, der hier im Entstehen ist und London in den musikalischen Mittelpunkt der späten 60er-Jahre rückt.

Diese Zusammenstellung enthält 24 Titel, darunter viele seiner großen Hits: Initials B.B., Bonnie and Clyde und selbstverständlich Je t'aime moi non plus, im Duett mit Jane Birkin

There is a new label on the horizon and it's first imprint is all about warm heavy detroit influenced deep techno. Another Earth combines 2 acts together in a Split EP series who compliment each others sound. The A-side hosts the renowned US based producer, Myles Serge (MS - RE(FORM)), who, for these 2 tracks, let his machines run crazy beat patterns in a old school detroit techno vibe. The B-side features Dutch based duo Duijn and Douglas (Esther Duijn and Steady Douglas). Their stripped warm heavy padded deep techno influenced tracks are perfect for creating some heat on the dance floor and the B2, Stray, is driven by Berenice van Leer's lush intense voice.

REMASTERED 2019

after the sold-out of the coloured version we repress it on
black-vinyl!

Camisole Records welcomes you on board for this Business Class Library compilation. During your flight you will be listening to music by Serge Bulot, Alan Shearer, Gérard Gésina and Pascal Wathelet. All these 80's electronic library tracks have been curated by your captain Silver Fox to assure you a pleasant journey. 'To Thwart Soul' by Gérard Gésina will guarantee you an easy take-off while 'Ondulations' by Serge Bulot is perfect to calm down during turbulences. For hours of magnificient dreams try 'Mouvements' by Pascal Wathelet. Landing with'Hollywood' or 'Marathon Life' by Alan Shearer will prepare you for your busy day to come. We thank you for flying on Camisole Records and hope to see you again on our lines. This trip is limited to 500 copies.

Damian Lazarus & The Ancient Moons have released their new track 'Feedback Loop'. This is the latest single to be taken from their forthcoming new album Heart of Sky, out on July 20th through Crosstown Rebels/BMG. Showcasing the warm textures of Jesse Appiah's soulful vocals and the Ancient Moons' top notch production, 'Feedback Loop' already sounds like a classic and is undoubtably one of the album's key moments. The song is about A.I., a conversation between man and machine, and rolls out of the speakers like a 21st Century update of Bristol's Wild Bunch sound system. Remixes for the dancefloor from Bedouin and Serge Devant, plus dubs from the legendary Mad Professor, follow on all formats next month.

Transversales is a French label based in Paris founded by Sebastien Rosat & Jonathan Fitoussi.
Transversales is specialised in the reissues of long lost tapes, rare original soundtracks and library.
Jonathan Fitoussi is a French composer residing in Paris. He works on minimalist and contemporary musical forms. He's also audio restoration engineer at INA & INA GRM. Sebastien
Rosat is a French Music Supervisor working for Films, TV and Advertising. He's also a member of French electronic duo Sommet.
This first release is the original soundtrack of the film Rock, composed in 1982 by Bernard Parmegiani (1927-2013). A major figure of Electro Acoustic music and member of the historic GRM
(Groupe de Recherches Musicales) where he composed an important work of concert, among which is the masterpiece: De Natura Sonorum.
The work of Parmegiani, a virtuoso of the magnetic tape, is widely known to the public even without their knowledge, through the famous title he composed for the TV program Stade 2', for the French radio France Inter and also through the jingle adopted by Roissy-Charles de Gaulle Airport in Paris (1971 - 2005).
Bernard Parmegiani produced a large number of jingles, soundtracks and indicatives but ROCK stands apart in his repertoire. He recorded it without any outside constraints in his own studio. On listening to ROCK, one is reminded of John Carpenter or François de Roubaix: a work which mixes the sounds of the TR-808 drum-machine, Synthi AKS, Farfisa organ and Clavinet.
Limited Edition Remastered from the Original Master Tapes / Exclusive liner notes

2 black LPs in gatefold sleeve with CD included T
A relentless vinyl collector and a fervent connoisseur of Anglo-American culture, the founding painter of the Figuration Libre movement (with Di Rosa, Blanchart and Boisrond) in the early 80's, Robert Combas has always connected his art with rock music. The two are always intertwined and fuel his inspiration. During his exhibition Sans Filet, Robert Combas made an essential encounter: the artist and video maker Lucas Mancione, also from the town of Sete, and decided to make the leap. Together, at the start of the decade, they created the band Les Sans Pattes. Notre Renaissance is a dazzling discharge, a geyser of cold and searing emotions, a conscious search for a unique and extreme experience. The tension in each track is palpable, as constant as it is pregnant. This band is full of character. Sometimes electronic, often a bit punk, always particularly rock'n'roll. Raw and physical tracks, compact and heady. Les Sans Pattes always lean towards psychedelics and repetition.

Der Aphex Twin will es wieder wissen. Nach seinem sensationellen Comebackalbum "Syro" in 2014 (inkl. Grammy-Nominierung!) und der "Computer Controlled" EP Anfang 2015, knüpft der Soundtüftler nun an seine Acid-Zeiten aus der Mitte der 00'er Jahre an, als er als AFX mit der "Analord"-Serie auf seinem eigenen Rephlex-Label den Dancefloor unterminierte. Die Zusammenstellung "Orphaned Deejay Selek" enthält komplett unveröffentlichtes Material aus den Jahren 2006-2008, auf dem das Genie seine Liebe zu weirden Acid-Grooves auslebt.

- CD in Innen- und Außenhülle (ähnlich LP-Cover in CD-Größe, gestanzt)
- schwarzes Vinyl in Innen- und Außenhülle (gestanzt) inkl. Download Card

Nach ihrem Debütalbum ,I" im Jahr 2023, das ihnen nationale Radiopräsenz, Auftritte bei großen Festivals und Europatourneen einbrachte, erweitert das Montrealer Art-Pop-Trio Bye Parula mit seinem zweiten Album ,Something Out of Nothing" seinen ästhetischen Horizont und widmet sich einem eher introspektiven Songwriting. Wie sein Vorgänger wurde ,Something Out of Nothing" von Robbie Kuster von Patrick Watson produziert und von Warren Spicer von Plants and Animals gemischt, aber das neue Album präsentiert auch ein Team von Mitwirkenden - darunter die Inuk-Sängerin und Songwriterin Elisapie, Adèle Trottier-Rivard von Bibi Club, Morgan Moore und Karkwa-Keyboarder François Lafontaine -, das von der wachsenden Bedeutung von Bye Parula in der kanadischen Indie-Szene zeugt. Das Ergebnis ist eine vielseitige Mischung, die sich aus dem orchestralen Funk von Serge Gainsbourg, den melancholischen Melodien von Elliott Smith, den weltlichen Rhythmen von Talking Heads und dem bodenständigen R&B von Dijon speist, allesamt durchdrungen von einer cineastischen Sensibilität der 70er Jahre, die die Grenze zwischen sonnendurchfluteter, weichgezeichneter Fantasie und urbaner Raffinesse verwischt. Doch die vergnügungssüchtigen Klänge von ,Something Out of Nothing" können die unter der Oberfläche lauernde Not nicht verdecken - dies ist ein Album, das Ihre Schultern musikalisch massiert, während es Ihnen textlich in die Magengrube schlägt.

Next in the We’re Going Deep label series, he welcomes 4 tracks of completely fresh material from a relatively unknown Italian producer, Davide Tonini. Hailing from the much fabled Adriatic coastal party town of Rimini in Italy, Davide has been shaping and sculpting Electronic sounds for well over 3 decades now. Having first started releasing music under his ‘Wet Basement’ alias back in 2015, his sonic palette traverses IDM, Techno, Deep House, Acid and Ambient soundscapes.

Having spent decades honing his practice, he has both self-released his music and worked with the long standing Odrex Music in Berlin. And there’s something deeply irresistible about his output that screams class and quiet dedication. In his own words, in around 2005 he got into the world of Eurorack and a few years later, Serge Modular. Since then, he’s been totally hooked...

In more recent times, Davide has recorded and released 2 digital LPs worth of material for ‘Detroit Underground’ under his own name, so it seems fitting that We’re Going Deep are now hosting a debut 12” cut – offering up 4 cuts of trademark sumptuousness. Bringing together the best of influences that touch on the likes of Aril Brikha, David Alvarado, Deepchord, Convextion and Basic Channel, he weaves together their respective magic to a new whole point of inflection that is both of this world and the other. All tinged with a warmth and smile that could only originate in Mediterranean climes.

The aptly named ‘A-1’ kick starts the EP in fine fashion as shimmering chords cut through rays of floatingly filtered synthesis, all beautifully dubbed out to a steady rolling kick and neatly shuffled high-hats, with precision bass notes interjecting to add an additional layer of funk. With bliss set to maximum, this is nothing short of genius. Followed by ‘Bilateral’, Davide offers a touch more space and lets the bottom end lead, whilst neatly filtered chords flicker to and fro - seeping their way into your consciousness as the tight drum work brings you to groove mode.

On the reverse, ‘Drive’ burrows further into emotive depths as Davide bathes you in layers of dub and twinkling melodics, all passed through a hazy film of goodness. Rounding off the EP with the deft touch of Distanze Logaritmiche – a soft roller that steeps you in undulating chords and cavernous effects. This is high class music that deserves patience and your attention to reap the ultimate rewards from a true master of his craft.

Zum allerersten Mal auf Vinyl, präsentiert in einer cardboard single sleeve LP inklusive vierseitigem Einleger
mit einem Text von Hermann Conen.
Im Juli 1995 trafen sich Arvo Pärt und Manfred Eicher in der Frankfurter Festeburgkirche mit vier aufmerksamen Musikern – dem Geiger Vladimir Spivakov, dem Cellisten Dietmar Schwalke sowie den Pianisten
Alexander Malter und Sergej Bezrodny –, um eine Aufnahme zu realisieren, die sich ganz auf die Kompositionen “Für Alina” und “Spiegel im Spiegel” konzentriert. Das Ergebnis, das ECM New Series Album Alina,
nimmt sowohl in der Diskografie des estnischen Komponisten als auch im ECM-Katalog einen besonderen
Platz ein. “Für Alina”, geschrieben 1976, war für Pärt eine bahnbrechende Komposition und zugleich
symbolisch der Ausgangspunkt für die folgenden Werke. „Ich könnte meine Musik mit weißem Licht vergleichen, das alle Farben enthält“, sagte Arvo Pärt damals. „Nur ein Prisma kann die Farben aufteilen und
sichtbar machen; dieses Prisma könnte der Geist des Zuhörers sein.“ Zeitgenössische Rezensenten meinten,
dass das aufmerksame Verfolgen des Flusses von Alina die Wahrnehmung schärfe. Gramophone beschrieb
das Album als „die Stimme eines inneren Exils, in sich gekehrt und zutiefst persönlich, aber für jeden
zugänglich, der bereit ist zuzuhören. Die große Gefahr beim Hören von Alina besteht darin, dass vieles von
dem, was man danach hört, plötzlich wie Lärm wirkt – zu viel Lärm. Aber es ist ein Risiko, das einzugehen
sich lohnt.“

Big Crown Records freut sich, Glera zu präsentieren, Marco Beneventos Debütalbum auf dem Label. Marco Benevento hat sich schon immer wie jemand bewegt, der das Studio als eigenes Instrument begreift - nicht bloß als Raum, in dem das Spielzeug herumsteht. Lange bevor er auf Bühnen mit Freddie Gibbs und Madlib auftauchte oder in den Liner Notes von Alben von Clairo und Leon Bridges erwähnt wurde, dachte Benevento bereits wie ein Produzent: Er hörte auf Texturen, Spannungen und Negativräume - und auf jene seltsame emotionale Alchemie, die entsteht, wenn Groove und Neugier aufeinandertreffen. Sein neues Album Glera schärft diesen Instinkt und rückt Benevento nicht nur als virtuosen Keyboarder und Bandleader ins Licht, sondern als Komponisten, der aus Rhythmus, Klang und Gefühl ganze Welten formt.Glera ist ein genreübergreifendes Jazzalbum, das Soul und das elastische Low-End des Reggae mit einem offenen Sinn für Möglichkeiten verbindet. Das Projekt begann vor drei Jahren als eine Art privates Experiment: Benevento schrieb intuitiv, inspiriert von italienischen Filmmusiken und Melodien. Mit der Zeit entwickelten sich diese Skizzen zu etwas Größerem und Kraftvollerem - und mündeten schließlich in die hier zu hörende majestätische Ausformung.Entstanden ist Musik mit filmischer Bewegung, ohne dabei kostbar oder überladen zu wirken. Die Stücke fühlen sich mal wie Verfolgungsjagden, mal wie langsame Überblendungen an - manchmal sogar innerhalb desselben Songs. Jazz-Improvisation teilt sich den Raum mit Reggae-Grooves, orchestralen Elementen und einer psychedelischen Pop-Atmosphäre. Explorativ, aber geerdet; komplex, doch stets klar groove-orientiert.Der Album-Opener ,Frizzante" ist eine reine musikalische Feier - ein energiegeladener Feel-Good-Banger, auf Band gebannt, in dem Marco über einem unnachgiebigen Groove Melodien mit sich selbst austauscht. Auf ,Turandot" wird Benevento von Italiens Marianne Mirage am Gesang begleitet; der düstere, cineastische Track bewegt sich mühelos zwischen den Welten von Portishead und Serge Gainsbourg.Mit ,Big Top" erweitert sich die klangliche Palette noch weiter: ausgestattet mit Sprachaufnahmen und Pfauengeräuschen lässt sich der Song am treffendsten als ,Zirkus-Funk" beschreiben. Ein Pfiff - und das Spiel beginnt mit ,Houdini", einem jazz-fusionhaften Dancefloor-Füller, der vom ersten Schlagzeugschlag an die Tür eintritt. Auf ,I Can't Control This Bliss" mischt Benevento Dream Pop unter und bittet Dream Crease ans Mikrofon - für eine Dosis lo-fi-getränkter Schönheit. Elizabeth Steiner steuert ihre renommierte Harfenarbeit zu ,Miss Neptune" bei, getragen von einem tief vibrierenden, reggae-inspirierten Fundament.Mit Vollgas prescht ,Sprezzatura" wie eine Hochgeschwindigkeitsverfolgung durch enge Straßen, während ,Quattro Passi" das Tempo drosselt und zum entspannten Schlendern einlädt - mit Jazzsängerin Chiara Civello als Feature.Marco Benevento agiert hier auf höchstem Niveau, formt Klang mit Zielstrebigkeit und Neugier. Dieses Album kündigt sich laut an - zugleich nach außen gerichtet und zutiefst intim. Es ist Musik in Bewegung: zwischen Genres, Tempi und Registern, stets verankert in der Freude am Entdecken. Ein Album, das Bewegung verkörpert, die Vergangenheit mitnimmt und doch niemals stehen bleibt.

Big Crown Records freut sich, Glera zu präsentieren, Marco Beneventos Debütalbum auf dem Label. Marco Benevento hat sich schon immer wie jemand bewegt, der das Studio als eigenes Instrument begreift - nicht bloß als Raum, in dem das Spielzeug herumsteht. Lange bevor er auf Bühnen mit Freddie Gibbs und Madlib auftauchte oder in den Liner Notes von Alben von Clairo und Leon Bridges erwähnt wurde, dachte Benevento bereits wie ein Produzent: Er hörte auf Texturen, Spannungen und Negativräume - und auf jene seltsame emotionale Alchemie, die entsteht, wenn Groove und Neugier aufeinandertreffen. Sein neues Album Glera schärft diesen Instinkt und rückt Benevento nicht nur als virtuosen Keyboarder und Bandleader ins Licht, sondern als Komponisten, der aus Rhythmus, Klang und Gefühl ganze Welten formt.Glera ist ein genreübergreifendes Jazzalbum, das Soul und das elastische Low-End des Reggae mit einem offenen Sinn für Möglichkeiten verbindet. Das Projekt begann vor drei Jahren als eine Art privates Experiment: Benevento schrieb intuitiv, inspiriert von italienischen Filmmusiken und Melodien. Mit der Zeit entwickelten sich diese Skizzen zu etwas Größerem und Kraftvollerem - und mündeten schließlich in die hier zu hörende majestätische Ausformung.Entstanden ist Musik mit filmischer Bewegung, ohne dabei kostbar oder überladen zu wirken. Die Stücke fühlen sich mal wie Verfolgungsjagden, mal wie langsame Überblendungen an - manchmal sogar innerhalb desselben Songs. Jazz-Improvisation teilt sich den Raum mit Reggae-Grooves, orchestralen Elementen und einer psychedelischen Pop-Atmosphäre. Explorativ, aber geerdet; komplex, doch stets klar groove-orientiert.Der Album-Opener ,Frizzante" ist eine reine musikalische Feier - ein energiegeladener Feel-Good-Banger, auf Band gebannt, in dem Marco über einem unnachgiebigen Groove Melodien mit sich selbst austauscht. Auf ,Turandot" wird Benevento von Italiens Marianne Mirage am Gesang begleitet; der düstere, cineastische Track bewegt sich mühelos zwischen den Welten von Portishead und Serge Gainsbourg.Mit ,Big Top" erweitert sich die klangliche Palette noch weiter: ausgestattet mit Sprachaufnahmen und Pfauengeräuschen lässt sich der Song am treffendsten als ,Zirkus-Funk" beschreiben. Ein Pfiff - und das Spiel beginnt mit ,Houdini", einem jazz-fusionhaften Dancefloor-Füller, der vom ersten Schlagzeugschlag an die Tür eintritt. Auf ,I Can't Control This Bliss" mischt Benevento Dream Pop unter und bittet Dream Crease ans Mikrofon - für eine Dosis lo-fi-getränkter Schönheit. Elizabeth Steiner steuert ihre renommierte Harfenarbeit zu ,Miss Neptune" bei, getragen von einem tief vibrierenden, reggae-inspirierten Fundament.Mit Vollgas prescht ,Sprezzatura" wie eine Hochgeschwindigkeitsverfolgung durch enge Straßen, während ,Quattro Passi" das Tempo drosselt und zum entspannten Schlendern einlädt - mit Jazzsängerin Chiara Civello als Feature.Marco Benevento agiert hier auf höchstem Niveau, formt Klang mit Zielstrebigkeit und Neugier. Dieses Album kündigt sich laut an - zugleich nach außen gerichtet und zutiefst intim. Es ist Musik in Bewegung: zwischen Genres, Tempi und Registern, stets verankert in der Freude am Entdecken. Ein Album, das Bewegung verkörpert, die Vergangenheit mitnimmt und doch niemals stehen bleibt.

Big Crown Records freut sich, Glera zu präsentieren, Marco Beneventos Debütalbum auf dem Label. Marco Benevento hat sich schon immer wie jemand bewegt, der das Studio als eigenes Instrument begreift - nicht bloß als Raum, in dem das Spielzeug herumsteht. Lange bevor er auf Bühnen mit Freddie Gibbs und Madlib auftauchte oder in den Liner Notes von Alben von Clairo und Leon Bridges erwähnt wurde, dachte Benevento bereits wie ein Produzent: Er hörte auf Texturen, Spannungen und Negativräume - und auf jene seltsame emotionale Alchemie, die entsteht, wenn Groove und Neugier aufeinandertreffen. Sein neues Album Glera schärft diesen Instinkt und rückt Benevento nicht nur als virtuosen Keyboarder und Bandleader ins Licht, sondern als Komponisten, der aus Rhythmus, Klang und Gefühl ganze Welten formt.Glera ist ein genreübergreifendes Jazzalbum, das Soul und das elastische Low-End des Reggae mit einem offenen Sinn für Möglichkeiten verbindet. Das Projekt begann vor drei Jahren als eine Art privates Experiment: Benevento schrieb intuitiv, inspiriert von italienischen Filmmusiken und Melodien. Mit der Zeit entwickelten sich diese Skizzen zu etwas Größerem und Kraftvollerem - und mündeten schließlich in die hier zu hörende majestätische Ausformung.Entstanden ist Musik mit filmischer Bewegung, ohne dabei kostbar oder überladen zu wirken. Die Stücke fühlen sich mal wie Verfolgungsjagden, mal wie langsame Überblendungen an - manchmal sogar innerhalb desselben Songs. Jazz-Improvisation teilt sich den Raum mit Reggae-Grooves, orchestralen Elementen und einer psychedelischen Pop-Atmosphäre. Explorativ, aber geerdet; komplex, doch stets klar groove-orientiert.Der Album-Opener ,Frizzante" ist eine reine musikalische Feier - ein energiegeladener Feel-Good-Banger, auf Band gebannt, in dem Marco über einem unnachgiebigen Groove Melodien mit sich selbst austauscht. Auf ,Turandot" wird Benevento von Italiens Marianne Mirage am Gesang begleitet; der düstere, cineastische Track bewegt sich mühelos zwischen den Welten von Portishead und Serge Gainsbourg.Mit ,Big Top" erweitert sich die klangliche Palette noch weiter: ausgestattet mit Sprachaufnahmen und Pfauengeräuschen lässt sich der Song am treffendsten als ,Zirkus-Funk" beschreiben. Ein Pfiff - und das Spiel beginnt mit ,Houdini", einem jazz-fusionhaften Dancefloor-Füller, der vom ersten Schlagzeugschlag an die Tür eintritt. Auf ,I Can't Control This Bliss" mischt Benevento Dream Pop unter und bittet Dream Crease ans Mikrofon - für eine Dosis lo-fi-getränkter Schönheit. Elizabeth Steiner steuert ihre renommierte Harfenarbeit zu ,Miss Neptune" bei, getragen von einem tief vibrierenden, reggae-inspirierten Fundament.Mit Vollgas prescht ,Sprezzatura" wie eine Hochgeschwindigkeitsverfolgung durch enge Straßen, während ,Quattro Passi" das Tempo drosselt und zum entspannten Schlendern einlädt - mit Jazzsängerin Chiara Civello als Feature.Marco Benevento agiert hier auf höchstem Niveau, formt Klang mit Zielstrebigkeit und Neugier. Dieses Album kündigt sich laut an - zugleich nach außen gerichtet und zutiefst intim. Es ist Musik in Bewegung: zwischen Genres, Tempi und Registern, stets verankert in der Freude am Entdecken. Ein Album, das Bewegung verkörpert, die Vergangenheit mitnimmt und doch niemals stehen bleibt.

(die-cut sleeve, 45 RPM) Jef Neve, Belgium’s most-famous jazzpianist, media-personality Kobe Ilsen and topproducer Serge Ramaekers are VALKYRIE.

At the end of Spring 2026 a full album of VALKYRIE will be released and the band will start touring. As a tastemaker of what they are up to, they release a unique version of THE FIRST REBIRTH, originally released by Jones & Stephenson in 1993 on Bonzai Records.

To celebrate the birth of this new supergroup, a release in a very special packaging is due for March 2026.

Besides the original mix, there’s also a ravemix by harddance/hardstyle-hero MI37 and an unplugged version where the original melodies are stripped to the bone.

Adrien d'Elzius delivers a sharp blend of acid, electro, and IDM, driven by energetic rhythms, strong physical drive, and deep, atmospheric soundscapes. Tension-and-release dynamics define the EP.

The release is completed by a powerful remix from Serge Geyzel that pushes the impact even further.

For the ninth installment of his Hardspace series, Len Faki once again dives into his personal vault to present four reworks that bridge the gap between raw funk and modern, high-impact club dynamics. True to the project's ethos, Faki has selected tracks that have been reshaped through his specific sonic signature to maximize their energy on today's dancefloors.
A1. DJ Assault - U Can't See Me (Hardspace Mix) The release opens with a relentless edit of Detroit legend DJ Assault. Faki takes the raw Ghetto-tech energy of the original and embeds it into a massive, modern framework. While the iconic vocal hook retains its street-level grit, the Hardspace update provides a significantly tighter groove and a powerful low-end presence, propelling the track from the warehouse straight into the present.
A2. Myles Sergé - Trans Milenio (Hardspace Mix) With Myles Sergé, Faki explores more hypnotic territory. He extracts the driving, repetitive elements of the original and sharpens the rhythmic angles. The result is a prime example of the Hardspace sound: a deep, almost meditative loop that gains entirely new spatial depth through subtle filter movements and a crystal-clear percussion layer.
B1. Jad & The - Deep Dark Grimey Dancefloor Moment (Hardspace Mix) On the flip side, Faki leans into the brooding atmosphere of Jad & The. As the name suggests, this mix is crafted for the "wee hours". Faki amplifies the "grimey" textures and contrasts them with a stoic, forceful beat. The trippy, almost menacing synth elements are rearranged within the stereo field, creating an immersive pull that is impossible to escape.
B2. Deepchild - Baller (Hardspace Mix) To close out the EP, Faki brings the jacking spirit of Deepchild's "Baller" back into the ring. Through meticulous re-arrangement and quantization, he gives the track the "tightness" essential for a modern DJ set. The playful, bouncing synths remain, but are now grounded by a heavy-duty beat foundation.
H009 is a hand-picked collection that demonstrates how Len Faki unites diverse musical personalities and eras under the Hardspace umbrella. Whether it's raw ghetto vibes or hypnotic deepness, every track has been transformed with technical precision and deep respect for the original to meet the demands of global dancefloors.

The journey continues with Constellations Vol. 3, weaving together a powerful blend of electro and techno. Anthony Rother delivers his signature precision in sound design, while Maelstrom bends the grid with a glitchy, IDM-infused excursion. Credit 00 dives deep into electro's darker corners, joined by a trippy collaboration from Serge Geyzel & Dagga, the rolling energy of TaronX, and The Spy'sindustrial-tinged intensity.

A bold and atmospheric continuation of the Constellations saga - built for exploration beyond the dancefloor.

DJ Support: Danny Krivit, Michael Gray, Dr Packer, The Shapeshifters, Tedd Patterson, Seamus Haji, Terry Hunter, Brian Tappert, Hector Romero, Danny Rampling and many others

Groove Culture's ongoing 'Jams' series continues to deliver disco-house excellence with its fifth edition. This high-quality compilation features standout tracks from Micky More & Andy Tee, Reverendos Of Soul, Soulista and Serge Funk.

Highlights include: Reverendos Of Soul Feat Sheree Hicks - ‘Wasted Time'(Micky More & Andy Tee mix): An all-night disco spirit track verging on Hi-NRG style, bringing big energy and a lively atmosphere to any dance floor. Another great one is Soulista, Micky More & Andy Tee ‘Like I want You" (feat.Anduze): A perfect blend of disco and house, featuring a heavy beat and great guitar sounds that create an infectious groove. Closing things out on a classic leeven is Serge Funk's heater ‘Just Disco’ and Micky More & Andy Tee’s “Soul Education”. These fantastic edits of the classic disco tracks are a filtered gems that is sure to knock the roof off the discotech. Groove Culture once again proves its reliability as a source of top- tier disco-house with this stellar collection.

On their last trip to Silberland, Bureau B hurtled along the chrome highways and glass skyways of the kosmische landscape, powered ever onwards in perpetual motorik motion. This time, however, the Hamburg imprint opt for an unhurried itinerary, coasting far beyond the familiar rhythmic terrain to explore crystal caverns and emerald pastures, immersing listeners in the ambient side of this alternative Allemagne. Building on the tape loops, tone poems, and minimalist compositions of the 60"s avant-garde, these musicians utilised the sweeping scope of the synthesiser to create expansive meditations on outer-planetary escapism, human connection, and the natural world. This compilation offers a survey of this singular era, blending pioneering voices with lesser-known artists for an immersive sonic experience.

Jon Murphy marks the 4th release on the Barcelona-based label Adepta Editions with ''Modular Overture'', a 12" vinyl EP that explores the depths and textures of modular sound. Modular Overture is a meticulously crafted work built with a Eurorack system, where Murphy creates immersive atmospheres, delving into the experimental realm of raw, analogue synthesis, unafraid to explore abrasive sonic territories. In addition, the EP features three remixes by prominent artists in the electronic scene: Serge Geyzel, Cignol, and PERA STA ORI, who bring their own perspectives and styles to Murphy's work, further enriching the sonic experience. Comes with printed sleeve and is a strictly limited pressing of 200 copies!

Funkyjaws is the Belarusian DJ and producer Sergey Abramov, who has been dropping his funky disco heat on the likes of Kolour LTD and Shadeleaf Music before now, as well as his own fledgling self-titled imprint. This one kicks off with 'WME' which has some big horn action and stomping disco drums to liven up any party. 'Snapshot' has a raw vocal and atmospheric energy that is sure to uplift and 'Dancin' then brings some sweet hip-swinging claps. It's a string-laced disco affair to close with the majestic 'You'.

Imagine a nocturnal rendezvous between the lyrical playfulness of Serge Gainsbourg and the infectious yet smooth danceability of Daft Punk. Tormento is a sexy soft disco odyssey that weaves a contemporary fantasy where dilemmas and desires—torments of the heart and flesh—are bathed in the sultry glow of classic erotic cinema.

Recorded in Los Angeles and Paris, the song is a collaborative effort between composer and multi-instrumentalist Louis Fontaine, DJ and music supervisor Alix Brown, and lyricist and writer Margo Fortuny. This sonic tale of longing and uncertainty, ignited by the trio's shared love for 1970s sounds, cinema, and style, draws inspiration from the cinematic soundscapes of François de Roubaix and from French and Italian chanson.

Tormento pairs a haunting, nostalgic melody with a late-70s disco arrangement featuring a mix of vintage synthesizers, driving basslines, and rhythmic percussion. Alix Brown's ethereal vocals convey the electrifying thrill of an immediate, magnetic attraction.There's seduction, mystery, the poetry of a moment, the allure of transgression, indecision, and all the things that happen late at night. When faced with temptation, what do you do? Perhaps, yousurrender to the sweet, intoxicating rhythm of the forbidden.

Adance song for night owls, loners, and romantics, Tormento is out on 7" and digital on February 14th, 2025, courtesy of Four Flies.

Following the success of Dance Classics Volume 1, Music On Vinyl, in collaboration with Warner Music Benelux, presents Dance Classics Volume 2.
Once again, all tracks have been newly selected and remastered, offering a broad selection of dance classics and hit songs.
This collection features hidden gems, rare tracks, and deeper cuts, including full-length 12”/album versions. All tracks are un-mixed and DJ-friendly.
Dance Classics Vol. 2 includes floor-fillers from The Trammps, Chic, Rufus & Chaka Khan, Womack & Womack, Michael McDonald, and nine other tracks.
Dance Classics Vol. 2 is available as limited edition on silver coloured vinyl and includes an insert.

Born out of a summer (and time) most sadly lost forever - this new release on Souvenirs From Imaginary Cities will break your skull open most tenderly, so it's fine particles of audio-dust can mingle with the last rays of sunshine and the bitter storm of this autumn. Track after track, this LP draws you in with a natural flow and a deep-felt pulse - reminiscent of classic slices of raw and sample- based ambient like Susumu Yakota's 'Sakura' and 'Everyone Alive Wants Answers' by Colleen. These tunes are heartfelt and channelling tons of real emotions and other melancholia.

It's a very personal and unique blend of almost nineties chill out zoning with a dubby undertone, rich textured loops, mixing a whole range of crazy acoustic and electronic flavours - stuff that shouldn't work together but are dancing all the way to heaven anyways - with slow burning dusty slabs of melody and yes those deep choral pads ( some Rachmaninov vesper magic in the air ), everything rough around the edges and low slung but so damn precise. A subtle mélange between abstract and more concrete sonic territories, but delivered in an upfront, improvised manner with great intuition and a quite ruff but poetic touch.

Name of this piece of swampy, chopped up but most nicely selected ambient work is La Ho, by Purpurny Dyadya aka Purple Uncle aka Sergey Demitriev, originally residing in St-Petersburg but living now for obvious reasons in Armenia. Sergey has been busy on labels like Echotourist, Hair Del, Nazlo and most recently with fellow traveler Nikita Chepurnoi as Amkarahoi on Patience/Impatience. Using a bunch of old tapes from his childhood times, filled with all kinds of sonic memories and Russian underground hip-hop as sample ground, he loaded up his MPC with magic dust and jammed out the basis of this LP during a summer fest near St-Petersburg before current hell broke loose.

It's the kind of a record that needs some time to really let loose his inherent power, give it some air, let it hop along a bit and those sounds will bloom wide open.

Introducing entry number 3 in Analog Concept Records dynamic Various Artists Series. The fast track to long lasting electronic prowess begins with Fasme “Crying Robots” a fusion of atmosphere, permeating pad emotions, electro and even some breaks layers all serenaded by choice bits of dialogue and analogue phone dials and full of stimulating style. Navigation continues with CCO “Solar Sail” where ominous waves of percussion driven House prevail, beneath moody analogue acid basslines heavier than whales, while its chords leave the listener in a hypnotic groove spell.

We continue to fill your cup of tea on side B adding the nutritious ingredients from the mysterious duo UNWONTED with “Frontier”; it's an all out electrofunk affair, punchy and layered with sharp claps, dark dialogues, and an ice cold acid marinated bassline that will heat up the dance floors when it attacks.

The Ep concludes with Serge Geyzel “Flash” a photographic listening experience into relentless electrobass full of atmosphere, fine highs in sonic experimentation, and a doomsday bassline that bangs the speakers and your mind.

Curated carefully for plenty of encores, Analog Concept's Various Artists 3 is here to captivate the souls and floors.

Die Musik ist tief in der DNA der Buddha-Bar verwurzelt und hat schon immer eine Schlüsselrolle in unserem Universum gespielt. Unsere musikalische Handschrift, die 1996 in Paris entstand, spiegelt die traumhafte Atmosphäre unserer Restaurants perfekt wider. Subtile und hypnotisierende Mixe, eine perfekte Mischung aus mystischen House- und elektronischen Rhythmen mit afrikanischen, asiatischen, indischen, lateinamerikanischen oder orientalischen Klängen... Buddha-Bar Music verbreitet seit 1996 seine guten Vibes in der ganzen Welt. Dieses dreifache Best Of zeichnet unsere Geschichte von 2014 bis 2024 nach und versammelt von Ravin sorgfältig ausgewählte Titel und Künstler, darunter Buscemi, Sahalé, Desert Dwellers, Kenneth Bager, Ali Kuru, Santi & Tugçe, El Bùho, Troels Hammer, ...

Official re-issue of Andy Vaz's 2012 “Imaginary Beings” EP originally released on Chiwax + Bonus track. Serge from Clone called this the best authentic Chicago Acid House heard in a long time – sounding like something Jack Frost (aka Adonis) would had made.

We don't have much to add to this. If you are looking for some real Chi-Style rough and raw acid house. THIS IS THE CLOSEST IT CAN GET. Comes as strictly 150 copies limited HANDSTAMPED EP.

Through the medium of a distinctly synthesised, sustained ambience, seasoned artist and composer Jasmine Guffond arrives on OOH to explore the tension between technology and human creativity in an increasingly ambiguous playing field.

Alien Intelligence came into being during Guffond's residency at fabled Parisian institution GRM in 2021. While learning how to generate sound and make music with the in-house Serge modular synthesiser, the Australian artist noticed the typical role of human input for machine output was being subverted by the behaviour of certain electronic elements, which came to exercise their own influences on the direction of the music.

Taking this idea one step further, Guffond proceeded to explore the programming environment MaxMSP, a customisable interface which allowed her to blur the lines between human input and machine directives even further. Across the three extended pieces which make up Alien Intelligence you can hear the results of Guffond's inquisitive approach as she coaxed the machines into bringing their own ideas to bear on the music.

The tension inherent in this thematic duality is mirrored by the contrast between glacial ambience and chaotic interference across the album. On 'Serge & Maxine Variation One' the presiding mood is a slow and patient one, as undulating waveforms rich with harmonic overtones spill out over one another across 10 minutes. The track's latter passage, driven by steadily intensifying oscillations, is then interrupted with an unexpected flurry of pitch shifting. This kind of complex technical movement features more prominently at the start of 'Serge & Maxine Variation Three', which then gradually shifts into a gentler ebb and flow of rising and falling frequencies.

Angled slightly differently and residing on the B side of the album, 15-minute quiet epic 'Serge & Maxine Variation Two' bookends a louder passage of synth work with serene, sustained notes that ring out a sort of hymnal melody. Throughout, the movement in the music evolves in subtly modulating, hypnotic, ways, but there are also unexpected turns or melodic diversions which feel much more incongruous. In its closing stretch, the notes dart around more freely as though played by hand, but it's hard to be sure whether these shifts in the otherwise delicate tonal music were a human conceit or a programming by-product. In the end, the two inputs logically become one.

As Guffond says herself, "More-than-human logics emerge, a kind of alien intelligence that questions an assumed central position of human subjectivity in socio-technical assemblages and considers the philosophical, socio-political and cultural implications beyond music practice in an increasingly technologically mediated world."

As AI creeps into art as much as other aspects of modern life, Guffond applies her playful instinct to the theme of these works by re-considering machine intelligence as 'alien', crediting its contributions with a more robust yet enigmatic identity in the creative process, leading to an end result which is far from artificial.

►Mastered by Giuseppe Ielasi, cover art by Ilan Katin, layout by incepBOY, photo by Camille Blake, words by Oli Warwick

Transversales Disques proudly presents Alain Goraguer Rare Soundtracks & Lost Tapes.
French composer Alain Goraguer who first made a name for himself as a sideman and arranger for Serge Gainsbourg wrote very few soundtracks, but amongst them, the legendary La Planète Sauvage (1973) is an absolute staple of France’s essential music.

During that same period of time, Goraguer wrote two rare and beautiful scores using the same masterclass arrangements. On L’Affaire Dominici (1975), Alain Goraguer creates a theme of great melodic clarity from a palette of breathy flutes, clavinet D6 baroque textures, wah-wah guitars and slow-paced drums that clearly reminds La Planete Sauvage’s atmosphere. The same can be said about the score of Au delà de la peur (1975) with its descending clavinet melody, twanging bass riff, funky drums and flashes of bended electric guitars. This record also includes never before released tracks found in the vaults of French national radio: beautiful and timeless orchestral compositions recorded at Studio 105, Maison de la radio.

REMASTERED FROM THE ORIGINAL MASTER TAPES

Hannah Nicholson and David Page are London based boat dwellers who have cruised the river Thames whilst writing, playing and self-producing their debut album. Named after their boat Ederlezi it became their muse, refuge and recording studio during 2023.

Ederlezi have taken inspiration from the classic songwriting of the 1960s. Hannah is influenced by songwriters such as Scott Walker, Jackson Browne, Joni Mitchell and is always looking for a story. David is influenced by the guitar based Rock'n'roll of the 50s, the psychedelic 60s and the bass styles of Serge Gainsbourg with some prog rock mixed in.

David is the bass player in The Pretenders and has worked with Jonathan Jeremiah, Young Gun Silver Fox, Rio 18, His Lordship, Nell Bryden, Edwyn Collins, The Black Pumas as a guitarist, bass player, singer and collaborator touring extensively around the world. Hannah is a solo artist in her own right, a prominent troubadour and songwriter on the London Folk scene. She has also worked with Hannah Williams & The Affirmations, Ellie Goulding, Gary Barlow, Jonathan Jeremiah and Nell Bryden as a backing singer and instrumentalist.

10th year anniversary reissue of Iggy Pop's Après cover album with a bonus track, Sacha Distel's La Belle Vie and new artwork, and an exclusive poster. Originally released only in France in 2012, Après is being reissued for the first time and is now finally available outside of France.

The Udacha label might have been away for a while but is now back with a vengeance. First up for this return is a new long player by the mighty fine Kurvenschreiber quarter, which is made up of Sergey Komarov, Vlad Dobrovolski, Ilya Sadovski and Alexey Grachev. These sound artists have been excelling in their field for some 10 years now and use synths as well as found sound objects to create their work. Magnetic tape loops, various instruments, pre-recorded loops, shortwave radios, transformers and much more give rise to this unique record which mixes up Boolean jazz, kurventronika and post-rock.

Shine Grooves: "This story began in 2008, at that time I dreamed of launching my own music label and was searching for something unique. I was looking for music in different sources and came across the Frunk29's tracks, this is how I met Marat Shainsky, his release was the first on the Biotronic Records (the label I owned in the mid-00s). Later Marat introduced me to his friend - Sergey Lazarev, aka Lazzich and we immediately put together the next release for the label. It was wonderful and hypnotizing music I had never heard before. After some time we prepared the material for the first Biotronic Vinyl, which was authored by Lazzich, but the release did not happen, due to certain circumstances. And now, 15 years later, the idea comes true, we release the Lazzich mini-album on the Hanagasumi 04. Although Sergey is no longer with us, but his music will live forever. Thanks to everyone who took a part in the search for materials, archives, projects, sketches. Special thanks to Shipulina Yana for providing information and cooperation, Marat Shainsky for the advice and tracks searching, Matvey Andreenko for giving me the large media archive of Lazzich's works, Denis Rooter for designing the cover, Semen Pupyshev for mixing the found Sergey's Reason-projects".