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Shade Empire - Sunholy LP

Das Imperium kehrt zurück.

Sechs Jahre nach der Veröffentlichung ihrer von der Kritik gefeierten Ode an den Hass, Poetry Of The Ill-Minded, legen die finnischen Symphonic-Black-Metal-Ikonen Shade Empire ihr neuestes anthologisches Meisterwerk in Form von 'Sunholy' vor. 'Sunholy' ist ein Wortspiel aus den beiden Begriffen 'Sonne' und 'unheilig' und macht von Anfang an deutlich, dass Shade Empire die Dualität von Licht und Dunkelheit, Gut und Böse, Heiligem und Ketzerischem aufschlüsseln wollen.

- Ltd. Col. LP: (White With Black Marble Vinyl)

pre-order now15.09.2023

expected to be published on 15.09.2023

SOFA ELSEWHERE - Fake Yourself LP 2x12"

Fake Yourself is an act of revolt as much as it is a celebration of life and an expression of human alienation. As usual in most of his work, soFa here reflects contrasts and contradictions as our existence so often does. It’s about sadness and joy, ups and downs and the fine line which connects them to tell a story. Fake Yourself comes as a spontaneous output of an artist escaping a scene of which the constant superficiality is unavoidable. Mistakes and wrong production with a strong DIY flavor are a conscious choice to not lose the spontaneous feeling which defines these recordings. A pure and direct self, exploring a realm of sound with sharp curiosity, emotion and humour. Where simplicity and complexity marry. This album is a good example on how some of the most authentic musical explorations are the most personal ones. soFa leaves all boundaries behind and let many of his influences confluence. Unconsciously or not, traces of IDM, Disco, New Beat, Dub and mostly Krautrock cross heavenly paths, followed by ironic and confronted vocals and his hypnotic signature basslines. Everything seems to make sense, to fill the chapters of an adventurous short novel. What makes Fake Yourself remarkable is not the deep blend of genres, but the definition of one man shaping and finding his authentic sound. Killing boundaries to create this journey in his very own "style-no-style". All tunes were improvised, recorded and arranged within 10 days in a wooden cabin, isolated in the middle of the nature in Alentejo/Portugal in 2022. This album was not meant to happen and one can strongly feel its spontaneous soul. No overdubs.

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Last In: 2 years ago
Tutu Ta - Lonely Eyes LP

Tutu Ta

Lonely Eyes LP

12inchMMLPXX707
Macadam Mambo
11.09.2023

Here is another mystery from the universe comming straight out from London! Popping up from nowhere, don’t expect any infos about the person behind, it’s a very well kept secret… actually Tutu Ta reached us by telepathy to propose this sensationnal album for Macadam Mambo.

A concentrate of punkish dubby tunes combining ruffness, deepness, darkness, light, humour and serious vocals on very heavy beats and supa loud basslines. It’s raw but so gracefull in the meantime, 12 tracks, 47 min of pure bliss that won’t leave you on your knees, grab it fast it’s high demands style of music 

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Last In: 15 months ago
Woods Of Desolation - Toward The Depths LP

Die australischen WOODS OF DESOLATION haben sich in aller Stille zu einem der weltweit herausragenden Vertreter des atmosphärischen Black Metal entwickelt. Was 2005 als Soloprojekt von Multi-Instrumentalist D. begann, hat sich über fast zwei Jahrzehnte und Dutzende von Aufnahmen zu einem Werk von erhabener Schönheit und Traurigkeit entwickelt
Im Rahmen einer neuen weltweiten Zusammenarbeit mit Season of Mist sind die bahnbrechenden WOODS OF DESOLATION-Alben nun wieder in allen Formaten erhältlich.

pre-order now08.09.2023

expected to be published on 08.09.2023

Woods Of Desolation - Toward The Depths LP

Die australischen WOODS OF DESOLATION haben sich in aller Stille zu einem der weltweit herausragenden Vertreter des atmosphärischen Black Metal entwickelt. Was 2005 als Soloprojekt von Multi-Instrumentalist D. begann, hat sich über fast zwei Jahrzehnte und Dutzende von Aufnahmen zu einem Werk von erhabener Schönheit und Traurigkeit entwickelt
Im Rahmen einer neuen weltweiten Zusammenarbeit mit Season of Mist sind die bahnbrechenden WOODS OF DESOLATION-Alben nun wieder in allen Formaten erhältlich.

pre-order now08.09.2023

expected to be published on 08.09.2023

Woods Of Desolation - Sorh LP

Die australischen WOODS OF DESOLATION haben sich in aller Stille zu einem der weltweit herausragenden Vertreter des atmosphärischen Black Metal entwickelt. Was 2005 als Soloprojekt von Multi-Instrumentalist D. begann, hat sich über fast zwei Jahrzehnte und Dutzende von Aufnahmen zu einem Werk von erhabener Schönheit und Traurigkeit entwickelt.
Im Rahmen einer neuen weltweiten Zusammenarbeit mit Season of Mist sind die bahnbrechenden WOODS OF DESOLATION-Alben nun wieder in allen Formaten erhältlich.

pre-order now08.09.2023

expected to be published on 08.09.2023

Woods Of Desolation - Sorh LP

Woods Of Desolation

Sorh LP

12inchSUA132LPCA
Season Of Mist
08.09.2023

Die australischen WOODS OF DESOLATION haben sich in aller Stille zu einem der weltweit herausragenden Vertreter des atmosphärischen Black Metal entwickelt. Was 2005 als Soloprojekt von Multi-Instrumentalist D. begann, hat sich über fast zwei Jahrzehnte und Dutzende von Aufnahmen zu einem Werk von erhabener Schönheit und Traurigkeit entwickelt.
Im Rahmen einer neuen weltweiten Zusammenarbeit mit Season of Mist sind die bahnbrechenden WOODS OF DESOLATION-Alben nun wieder in allen Formaten erhältlich.

pre-order now08.09.2023

expected to be published on 08.09.2023

Woods Of Desolation - As The Stars LP

Die australischen WOODS OF DESOLATION haben sich in aller Stille zu einem der weltweit herausragenden Vertreter des atmosphärischen Black Metal entwickelt. Was 2005 als Soloprojekt von Multi-Instrumentalist D. begann, hat sich über fast zwei Jahrzehnte und Dutzende von Aufnahmen zu einem Werk von erhabener Schönheit und Traurigkeit entwickelt.
Im Rahmen einer neuen weltweiten Zusammenarbeit mit Season of Mist sind die bahnbrechenden WOODS OF DESOLATION-Alben nun wieder in allen Formaten erhältlich.

pre-order now08.09.2023

expected to be published on 08.09.2023

Woods Of Desolation - As The Stars LP

Die australischen WOODS OF DESOLATION haben sich in aller Stille zu einem der weltweit herausragenden Vertreter des atmosphärischen Black Metal entwickelt. Was 2005 als Soloprojekt von Multi-Instrumentalist D. begann, hat sich über fast zwei Jahrzehnte und Dutzende von Aufnahmen zu einem Werk von erhabener Schönheit und Traurigkeit entwickelt.
Im Rahmen einer neuen weltweiten Zusammenarbeit mit Season of Mist sind die bahnbrechenden WOODS OF DESOLATION-Alben nun wieder in allen Formaten erhältlich.

pre-order now08.09.2023

expected to be published on 08.09.2023

Tom Browne / Diplomats Of Soul - Brighter Tomorrow

This is extremely special. Expansion have taken a 80s soul classic and released it for the first time as a single together with a brand new version. Its part of an exciting series of 10 singles combining two versions of an established soul and jazz tune.
The Tom Browne version was recorded in 1983, produced by Dave Grusin & Larry Rosen for GRP/Arista Records and features a sensational vocal by Carol Woods.
The never before issued brand new version by Diplomats Of Soul takes the song back to how it may have sounded if first recorded in the 70s with live bass and full rhythm section with horns. Incognito feature as musicians with a special guest vocal performance by the brilliant Imaani

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Last In: 2 years ago
Tarja - Act II LP 3x12"

Tarja

Act II LP 3x12"

3x12inch0212885EMU
Edel Records
08.09.2023

No Other Voice And Artist Influenced And Basically Created The Female Fronted Symphonic Metal Genre As Much As Tarja. A Pioneer In Goth And Symphonic Metal, The Classically Trained Finn Rose To Fame With The Band Nightwish, Whose Face And Voice She Had Been For 9 Years. Tarja, Whose Vocal Range Goes As Far As Three Octaves, Started Her Solo Career After Stepping Out Of Nightwish In 2004.
Releasing Several Very Successful Solo Albums, Awarded Gold And Platinum In Various Countries, Such As Germany, Poland, Czech Republic Or Finland, Tarja Turunen Has Been Touring The World With Her New Band. The Most Successful Finnish Solo Artist Is One Of The Most Versatile And Passionate Musicians Originating From But Not Limited To The Heavy Music Scene: Her Pure Classical Work 'ave Maria - En Plein Air' Charted In The Classical Charts In Germany And Has Led To Sold Out Classical Concerts All Over Europe. Adored By Many Fans As Their 'goddess', The Finnish Soprano Has The Skill To Carry Her Fans Away Just By Her Presence - Probably More Than Any Other Female Artist In This Genre. When Classic Meets Rock And Heavy Metal, It Inevitably Leads To Tarja

Filmed during Tarja's world tour 'The Shadow Shows', during which the influential heavy rock singer circled the world 7 ½ times with over 300.000 km travelled and played over 200 shows in 40 countries in front of 1 million people, 'Act II' consists of the singer's very intimate 75 minute set filmed and recorded live at the Metropolis Studio in London, UK and the breathtaking live performance of one of her shows in Milan, Italy, and previously unreleased interviews and photo galleries. The theatrical rock adventure 'Act II' combines two incredible, yet slightly different live performances on video: The first chapter, 'Metropolis Alive', has been filmed two months prior to the release of Tarja's 2016 success 'The Shadow Self'. 20 winners from all over Europe were lucky to witness Tarja's intimate, yet rocking 75 minute set at renowned Metropolis Studios in London, UK where the singer performed songs from her then unreleased album - for the first time in front of an audience. 'Act II's' second chapter has been recorded on November 29th, 2016 at the magnificent Teatro della Luna Allago in Milan, Italy and includes numerous hits from all four Tarja albums such as 'Innocence', 'Die Alive', 'Until My Last Breath' as well as an incredible cover of Muse's classic 'Supremacy'. That night's set list also enchants the soprano's
long-time fans with a medley consisting of the distinctive Nightwish evergreens 'Ever Dream', 'Slaying The Dreamer' and 'The Riddler'. All topped off with a remarkable acoustic set which presents Tarja classics in a brand new way. Even though the shows deliberately differ in look, sound, approach to the music and adrenalin, both have one thing in common: from the very first to the very last tune, the state of the art production displays Tarja's energetic performance and her graceful, charming presence.
'Act II' is going to be released as 2CD digipak, 3LP Gatefold (180g, black), DVD, Blu-ray, Limited Mediabook 2CD+2BD (incl. two full live shows filmed at Hellfest in France and Woodstock Festival in Poland as bonus) and Digital.
'ACT I', Tarja's first ever live release, charted Top 10 all over Europe as well as almost all over the world, with a sensational #5 in Germany's General Charts. The video version even remained for over two months at the peak of the Finnish music video charts.

pre-order now08.09.2023

expected to be published on 08.09.2023

Mark Kelly's Marathon - Marathon

"Marathon was formed in 2019 by Mark Kelly, the keyboard player with Marillion.

Together with Guy Vickers, Oliver M. Smith (vocalist), Pete “Woody” Wood (guitar,) John Cordy (guitar), Henry Rogers (drums) and his nephew Conal Kelly (bass), Mark Kelly turned his vision into reality. Marillion bandmate Steve Rothery also joined the band and contributed the lead guitar to the song “Puppets”.

The band recorded their debut album in separate locations between March and July 2020 during lockdown. The members of the band came together (some meeting for the first time) at Peter Gabriel's Real World Studios on the 28th & 29th of July to record and film a live version of the album, which will be available as a Bonus DVD together with the album."

pre-order now08.09.2023

expected to be published on 08.09.2023

Godblesscomputers - Faded Views LP

Perth-based artist hub 823, led by the extraordinary producer / creator Ta-ku joins forces with Berlin's Jakarta Records for the release of Godblesscomputers's fourth full-length LP, "Faded Views." The LP melds bright electronic flourishes with laidback synth-driven backdrops, weaving tapestries of mellow folktronica and groovy jazz harmony with continuous sonic intrigue that will keep you grooving into a tropical disposition. Paying homage to his musical moniker, the Bologna-based producer makes timely metallic interjections amidst lush, effortlessly groovy soundscapes. Explore a world of found, recycled, and synthesized sound on "Faded Views" out everywhere September 8.

Bologna-based producer, DJ, and sound collector Godblesscomputers (122k Spotify listeners) has returned with the release of his fourth full-length record, "Faded Views." Godblesscomputers's latest LP "The Island" (2020, La Tempesta Dischi) earned him placement on Spotify playlists like "Brain Flood" and "Coffee Club." Since then, his appearance on Willie Peyote's track "La colpa al vento" landed GBC on "Best of Indie Italia 2022." On "Faded Views," it was Godblesscomputers's creative project to explore the sonic potentials of his direct environment, picking up recordings and threads of inspiration from the most commonplace occurrences. A sonic scavenger, Godblesscomputers explored the expanses of his-both digital and physical-soundscapes. "Faded Views" does the work of crafting a unified, yet complex compilation of the noises that mark the experience of being digital natives in ever-expanding dimensions.

Godblesscomputers's use of musique concrète and found-sound composition melds curiously with his undeniable electronic and techno acumen. Superimposing metallic electronica onto esoteric sound bytes creates the occasion for complex sound collage. "Faded Views" marks a decade since the genesis of the Godblesscomputers project; the entire LP testifies to how time warps perception and sound. Godblesscomputers's music seems to decorate time, both commemorating the moments passed with mind-melting sonic collages and looking forward to the infinitudes of the future with frenetic electronic experimentation.

Themes of impermanence and transience-hence "Faded Views"-pervade the record. Godblesscomputers blurs time as each track seeps into the next in what feels like a seamless transition. He makes these swift passages in genre as well-the record opens on "Colors" with a rich horn section which frictionlessly becomes a lo-fi dance groove. It is this melding of the analog and the electronic that makes sense of his found approach to beat-making: Godblesscomputers marries the found and the synthesized; the creator and the created; the past and the future. The process of sonic dissection and recomposition that drives much of Godblesscomputers's creative process yields not only assertive breakdowns and animated dance tracks, but also complex tapestries of sound that keep the listener ever-intrigued-piano, saxophone, and modular synthesis all find a natural home on tracks like "Hello." In an apt description, the producer's work has been described as "sounding like wood, metal, and microchip."

Godblesscomputers's artistic objective lies in blurring definitive lines, constantly shifting perspectives, genres, and origins of inspiration. On "Faded Views," this design cultivates a folktronica record that truly evades definition.

Feelgood lead single "Mirrors" is out June 30th and features a rich meld of warbling layers, mixing upbeat dance music with complex instrumentation. Stream second single, "Above the Lake," for a mellow summer cut on July 21. Finally, the effortlessly groovy third single "You Feel Me" captures a genre-warping foray into folktronica. Listen to "You Feel Me" on August 11.

All LP artwork and stunning single visualizers were single-handedly put together by multi-disciplinary designer Michael Norman. "Faded Views" will be available everywhere physically and digitally on September 8, 2023. Be sure to listen for focus track "Hello" that captures the vast scope of Godblesscomputers's musical prowess. Find the LP, CD, and digital release on 823's and Jakarta Records's Bandcamp and local record stores.

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Last In: 2 years ago
Various - A SONG FOR LEON (A TRIBUTE TO LEON RUSSELL)

Mango Vinyl. Leon Russell war einer der angesehensten Studiomusiker der Rockgeschichte. Er wirkte an einer überwältigenden Anzahl von Platten von Legenden wie Jerry Lee Lewis, Bobby Darin, Phil Spector, Frank Sinatra, den Byrds und den Beach Boys mit. Russells Solowerke profitierten von seinen erstaunlichen Seilschaften, Koryphäen wie George Harrison, Eric Clapton, Willie Nelson, verschiedene Rolling Stones und andere, verhalfen Russell im Laufe der Jahre seinen Alben den letzten Schliff zu geben. Als "Meister von Raum und Zeit" mischte Russell Südstaaten-Soul, Gospel, Country, Rock und den Piano Singer/Songwriter-Stil. "A Song For Leon" zelebriert Leons Leben und seine Karriere, ikonische Acts wie die Pixies, Orville Peck, Nathaniel Rateliff & the Night Sweats, U.S. Girls featuring Bootsy Collins, Durand Jones & The Indications und andere unglaubliche Künstler sind hier versammelt. "A Song For Leon" zeigt die Wirkung von Leon Russells Liedern in anderen, neuen Versionen seiner Musik.

pre-order now08.09.2023

expected to be published on 08.09.2023

Sarah Bernhardt - Urlaub in Sepia

Sarah Bernhardt

Urlaub in Sepia

12inch12001726774
Sony Music
08.09.2023

SarahBernhardt zelebrieren feinsinnig und unprätentiös mehrstimmige Dialekt-Chansons, voller Leichtigkeit und Sehnsucht. Ihre Texte dekonstruieren Bilder und Begriffe. Einzelne Wörter oder ganze Sätze werden zu Kippbildern, die sowohl eine komische, als auch eine tragische Lesart zulassen. Neben aller Tragik strahlen Bernhard Scheiblauer, Sarah Metzler und Sigrid Horn Optimismus aus - und decken damit ein Grundbedürfnis der Zeit ab. "Dicht verwoben die vielen gezupften Saiten, die sorgfältig gesetzten Stimmen und wie eins das andere braucht, geht ja gar nicht anders" schreibt Klemens Lendl (Die Strottern). "Poetisch zeichnet jedes Lied für sich ein kleines Universum" meint der bockkeller. Das Trio veröffentlichte 2020 ihr Debutalbum "langsam wiads wos". Im Jahr 2022 eröffnete SarahBernhardt das wean hean Festival im Bockkeller des Wiener Volksliedwerks und genau dort präsentieren sie nun ihr zweites Album "Urlaub in Sepia" - lyrische Klangmalerei aus verschiedensten Geschichten, eingetaucht in Sepia, die Schmuckfarbe der Erinnerung.

pre-order now08.09.2023

expected to be published on 08.09.2023

Sydney Spann - Sending Up A Spiral Of LP

The first vinyl release from American artist Sydney Spann, Sending Up A Spiral Of well encapsulates Spann’s body of work thus far. On their music, which reacts to themes of family systems and care work, Sydney writes, “people who have done care work —nannies, sex workers, therapists, nurses— may possess their own musical knowledge, developed over time through particular modes of voicing practiced to achieve a desired outcome in their labor. Attending intimately to these ways of voicing and listening and bringing them into a sound practice could be a way to legitimize a less recognized kind of musical knowledge.”

Sending Up A Spiral Of explores this unarticulated expression through sound and song. The titular piece traces Spann within some quixotic woodland, as if beginning inside of some urban fairy-story. Self-soothing singing quivers under dragging branches, peeling cement and other tactile grit. The work drops into a new proximity half-way through as electronic contours overtake the environment. Sine-tones smolder in a pulsating choreography, perhaps reminiscent of Richard Maxfield’s “Night Music” played at half-speed.

The second section of the record depicts a series of five smaller portraits, expressed (or disguised) as lullabies. An oceanic humming permeates them. “Possession” and “Purposeful Evening” are the most song-like lullabies, with their verse-chorus repetition and melodic simplicity. Innocuous words “baby” and “honey” are encoded with deeper, often painful connotations. Sydney’s voice and vision for this album is ambitious, cloaked in the strains and contradictions of what love means in the nuclear family.

A 16-page artist pamphlet of rubbings, photographs and sheet music accompanies the LP, along with a digital PDF of Spann’s thesis “Sending Up A Spiral Of: A Musical Epistemology Made Through Care Work.”

pre-order now08.09.2023

expected to be published on 08.09.2023

DJ Robert Smith - Double Jabbed

Dj Robert Smith

Double Jabbed

12inchWWDJ001
WoodWurk
08.09.2023
also available

Purple


DJ Robert Smith presents his first ever scratch 12” - ‘Double Jabbed’!!
Previously lacing the portablist and 45 spinning community with 2 instant 7” classics,
‘The Kure’ and ‘The Booster’, ‘Double Jabbed’ is ALL that and then some!


Remixed and remastered, Side A contains all 12 of the skip-proof phrases from ‘The Kure’
plus an additional section with these arranged in ultra-pitch. It concludes with a full
phrase containing all of the samples from sides A and B in regular speed, then in
ultra-pitch. Side B contains all 13 of the skip-proof phrases from ‘The Booster’ then again

a section with these as skip-proof ultra-pitch phrases.



Pressed on premium black vinyl, the full colour picture sleeve is again illustrated by skate
industry legend Mark ‘Fos’ Foster (Heroin, Baker, Toy Machine, Santa Cruz, Element and
more).

pre-order now08.09.2023

expected to be published on 08.09.2023

COMITÉ HYPNOTISÉ - DANZA DEL PIRI-PIRI LP

On his third album Comité Hypnotisé let you belly flop into his eleven chambers of the Danza Del Piri-Piri: expanding the feral and contagious universe he started to build a lifetime ago. Levitating and shimmering a glistering way through deep old skool 70's sitar vibes and jitterbug grooves. This boogieman aka the Millionaire-mind and part of the Evil Superstars has carved some hot smoked out bass and organ flared cuts on wax, ready to never leave you again. Whether it is with woodchopped kazou sounds stretching into hazy sunshine desire or dazzling basslines blending with interstellar and stuttering kick drums: the Danza Del Piri-Piri flip-flops and slams into a wiggly relentless sonic future.

FFO Sven Wunder, Ennio Morricone, Khruangbin, Flying Lotus, The Meters, Parliament, Edan, The Gaslamp Killer.

Comité Hypnotisé is the brainchild of Tim Vanhamel, frontman of Millionaire and Evil Superstars, two of Belgium's most famous alternative rock bands. In 2013 Tim started creating solo music that only got released in 2021 on his first solo album through the Belgian eclectic Cortizona label

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Last In: 2 years ago
Titi Bakorta - Molende

Titi Bakorta

Molende

12inchNNT052LP
Nyege Nyege Tapes
03.09.2023

- Panda Bear, Voice of the Seven Woods, Mammane Sanni Abdoulaye. File under: Jazz / Electronic. Titi Bakorta almost didn't make it. Born in and raised in Kinshasa, the Congolese multi-instrumentalist was on his way to Uganda when he fell off the boat as it traversed the mighty Congo River. Unable to swim, Bakorta was saved by a friend who dragged him to the closest city Kisangani, where he was unexpectedly acquainted with local singer Dancer Papalas. Soon they were performing in bands together, traveling across the continents and settling in Tanzania, South Sudan and Dubai - they even appeared in front of General Defao, the beloved Congolese vocalist who fronted legendary soukous bands Grand Zaiko Wawa, Choc Stars and Big Stars. Now based in Kampala, Bakorta offers his own unique take on Congolese pop and folk sounds, weaving traditional elements through a psychedelic lattice of guitar loops, mangled voices and eccentric beatbox rhythms on his debut full-length. He bends woodblock snaps on 'Kop' into stuttered blurs, wailing emotionally over twanging riffs and bizarre, theatrical xylophone twinkles. It's still pop music on some level, but curved around Bakorta's unwieldy personal narrative - there's a sense that everything could unravel at any time but it all hangs together, strengthened by Bakorta's confident, contemporary production smarts. 'Elles Vais' is more airy, with celestial soukous vocals that float above tight, electronic drums. Tangled guitar echoes overlap each other like dense, weaved tapestries, contrasting perfectly with Bakorta's urgent, driving pulse. Occasionally, he transcends completely, like on 'Molende' where his chants and phrases neatly flutter between praise music and contemporary R&B. "Hustling, hustling, hustling, everyday I'm hustling," an angelic voice coos over phased electric guitar plucks and looped, AutoTuned chorals. It makes perfect sense that Bakorta should team up with Metal Preyers' Jesse Hackett on the album's final track, the aptly-titled 'Titis Haunted House'. The two artists share a similar obsession with moonlit, carnivalesque soundscapes, and Hackett's eerie synths provide a suitably eccentric foundation for Bakorta's ghostly wails and fuzzy guitar sounds.

pre-order now03.09.2023

expected to be published on 03.09.2023

Bob Dylan - Bob Dylan LP 2x12"

Made when mono was still king, Bob Dylan's self-titled 1962 debut is as understated of an entrance as any significant musician as ever made. Already well-versed in American roots music, Dylan simultaneously pays homage to tradition and extends it by putting his own stamp on classic material that metaphorically functions as the soil of our contemporary songs and styles. Free of ego, and performed with masterful conviction, Bob Dylan ranks with the debut efforts of similar artistic giants Elvis Presley and the Rolling Stones.

Mastered from the original master tapes, pressed at RTI, and limited to 3,000 copies, Mobile Fidelity's restored 180g mono 45RPM 2LP version brings the contents of this seminal release as closest as they've ever come to master tape-quality in the original mono configuration. Transparent to the source, the simple sounds of Dylan's voice, acoustic guitar, and harmonica take on lifelike perspective and directness – the "husk and bark" to which Robert Shelton referred in his now-legendary New York Times review of a Dylan appearance at Gerde's Folk City. MoFi has made possible an inexpensive time-traveling trip back to the Greenwich Village coffeehouses and folk clubs in which Dylan cut his teeth, albeit in much better fidelity and without any annoying background chatter. Wider grooves mean more information reaches your ears.

As the preferred mix at the time of the recording, the mono version presents Dylan as he and his producers originally intended. Since the separation of the stereo versions isn't as sharp, the mono edition places Dylan's vocals in the heart of the musical action and as one with the accompaniment. It paints listeners an incredibly accurate portrait of the attention-getting, concrete mass of sound that features no artificial panning and straight-ahead immersion into the music. This is how almost everyone first heard this timeless album – making the mono mix all the more historically valuable and truthful.

Much has been made of the commercial indifference that greeted the album upon its low-key release. Yet focusing on sales figures and the reaction of a public not yet hip to Dylan's name or music is to miss the forest for the trees. Distinguished from the era's other folk efforts by way of the determination, brazenness, and lived-through-this worldliness Dylan approaches the material and sings the songs, Dylan lays the groundwork for the path he'd soon trailblaze and everyone else would follow.

By nodding to Woody Guthrie at the same time he completely re-imagines a sobering tune such as Blind Lemon Jefferson's "See That My Grave Is Kept Clean," Dylan straddles the past and future. He also displays, with challenging authority and savant-like expertise, the ability to handle weighty topics such as death, sorrow, and lamentation with the vaudeville flair, bluesy mannerisms, and poignant command of an artist three times his age.



As Dylan scholar and pop-culture critic Greil Marcus observed in 2010, "Everybody knew Joan Baez and the Kingston Trio; if you knew Bob Dylan, you knew something other people didn't, something that soon enough everybody had to know. Within a year, an album could put an adjective in front of the singer's name as if it were already common coin." It all starts here.

Track List

pre-order now01.09.2023

expected to be published on 01.09.2023

Steely Dan - Pretzel Logic LP

teely Dan's gold-selling third studio album Pretzel Logic, charted at No. 8 on the Billboard 200 and restored the group's radio presence with the single "Rikki Don't Lose That Number," which became the biggest pop hit of their career and peaked at No. 4 on the Billboard Hot 100. The 1974 album was produced by Gary Katz and was written primarily by Walter Becker (bass) and bandleader Donald Fagen (vocals, keyboards). The album marked the beginning of Becker and Fagen's roles as Steely Dan's principal members.

They enlisted prominent Los Angeles-based studio musicians to record Pretzel Logic, but used them only for occasional overdubs, except for drums, where founding drummer Jim Hodder was reduced to a backing singer, replaced by Jim Gordon and Jeff Porcaro on the drum kit for all of the songs on the album. Steely Dan's Jeff "Skunk" Baxter played pedal steel guitar and hand drums.

Pretzel Logic has shorter songs and fewer instrumental jams than the group's 1973 album Countdown to Ecstasy. Steely Dan considered it the band's attempt at complete musical statements within the three-minute pop-song format. The album's music is characterized by harmonies, counter-melodies, and bop phrasing. It also relies often on straightforward pop influences. The syncopated piano line that opens "Rikki Don't Lose That Number" develops into a pop melody, and the title track transitions from a blues song to a jazzy chorus.

Other standout tracks include "Any Major Dude Will Tell You," a reflective ballad with lush harmonies, and "Parker's Band," a playful ode to the jazz great Charlie Parker.

Lyrically, the album explores themes of nostalgia, lost love, and the struggles of the creative process. In "Barrytown," the band reflects on their early days as struggling musicians, while in "Through with Buzz," they offer a biting critique of the music industry and the pressure to conform to commercial expectations.

One of the defining characteristics of Pretzel Logic is its use of unusual chord progressions and unexpected musical twists and turns. The band's intricate arrangements and skilled musicianship are on full display throughout the album.

Rolling Stone praised the album, calling Steely Dan the "most improbable hit-singles band to emerge in ages."

"When the band doesn't undulate to samba rhythms (as it did on 'Do It Again,' its first Top Ten single), it pushes itself to a full gallop (as it did on 'Reelin' in the Years,' its second). These two rhythmic preferences persist and sometimes intermingle, as on 'Rikki Don't Lose That Number,' which jumps in mid-chorus from 'Hernando's Hideaway' into 'Honky Tonk Women.' Great transition." — the review said.

AllMusic gave the album 5 stars, with reviewer Stephen Thomas Erlewine noting that "instead of relying on easy hooks, Walter Becker and Donald Fagen assembled their most complex and cynical set of songs to date." Dense with harmonics, countermelodies, and bop phrasing, Pretzel Logic is vibrant with unpredictable musical juxtapositions and snide, but very funny, wordplay.

The album's cover photo featuring a New York pretzel vendor was taken by Raeanne Rubenstein, a photographer of musicians and Hollywood celebrities. She shot the photo on the west side of Fifth Avenue and 79th Street, just above the 79th Street Transverse (the road through Central Park), at the park entrance called "Miners' Gate."

After a brief battle with esophageal cancer, Walter Becker died on September 3, 2017 at the age of 67. Steely Dan has sold more than 40 million albums worldwide and were inducted into the Rock and Roll Hall of Fame in March 2001. VH1 ranked Steely Dan at No. 82 on their list of the 100 Greatest Musical Artists of All Time. Rolling Stone ranked them No. 15 on its list of the 20 Greatest Duos of All Time.

This stereo UHQR reissue will be limited to 20,000 copies, with gold foil individually numbered jackets, housed in a premium slipcase with a wooden dowel spine.

Overall, Pretzel Logic is a standout album in Steely Dan's discography. The album's blend of catchy hooks, complex arrangements, and thoughtful lyrics has made it a favorite among fans of classic rock and pop music.

pre-order now01.09.2023

expected to be published on 01.09.2023

P.G.SIX - MURMURS & WHISPERS LP

Whispers is the first proper P.G. Six album since 2011"s Starry Mind. Time passes slowly, as they"ve been known to say out in the country, and before you know it, there"s a bunch of it behind you. After five releases in the first decade of P.G. Six, it may seem a bit of a surprise to have not heard something new in the past twelve years - but a cursory listen to Murmurs & Whispers will answer why, as the deep acoustic focus of the tracks imply an investment of the type of compassion and understanding that takes time and concentrated effort to conjure. Additionally, Pat Gubler"s always got a few pots going at once in his ever-expanding musical universe. He"s been active since the mid-90s, first with Memphis Luxure and Tower Recordings, then as P.G. Six, and as a member of Metal Mountains, Wet Tuna, Garcia Peoples and Weeping Bong Band. Additionally, some time was spent making collaborative records with Dan Melchior (in 2019) and Louise Bock (in 2021). Pat"s been playing the harp for more years than he"s been in bands, but when he realized that he was writing a set of songs centered around harp compositions, he spent some time in the woodshed with his instrument, a late 80s model Triplett Celtic 34 String Harp (which replaced a lovely Paraguayan harp he"d played for years previously). After the previous P.G. albums of electric band arrangements, he was in a place of writing songs with more silence in them. He ended up playing a lot of the parts himself on Murmurs & Whispers, adding guitar, bass, keyboards, recorder and hurdy gurdy, in addition to his harp and vocals. Clark Griffin and Wednesday Knudson, who Pat plays with in Weeping Bong Band, played and sang a bit themselves, and the record was recorded piece by piece in houses around upstate New York by Mike Fellows. Returning to the quiet acoustic sound of the first couple of P.G. Six albums, Parlor Tricks and Porch Favorites (which has seen a much-needed reissue in the past year after too many years OOP) and The Well of Memory, Murmurs & Whispers is more straightforward in expressing its vision of rural celestial wonder. Bucolic and comfortably lived in, Murmurs & Whispers nonetheless projects the transcendent heart of P.G. Six once again, and as ever, it is magnificent to hear it passing through us.

pre-order now01.09.2023

expected to be published on 01.09.2023

P.G.SIX - MURMURS & WHISPERS

P.g.six

MURMURS & WHISPERS

12inchDC 883
DRAG CITY
01.09.2023

Whispers is the first proper P.G. Six album since 2011"s Starry Mind. Time passes slowly, as they"ve been known to say out in the country, and before you know it, there"s a bunch of it behind you. After five releases in the first decade of P.G. Six, it may seem a bit of a surprise to have not heard something new in the past twelve years - but a cursory listen to Murmurs & Whispers will answer why, as the deep acoustic focus of the tracks imply an investment of the type of compassion and understanding that takes time and concentrated effort to conjure. Additionally, Pat Gubler"s always got a few pots going at once in his ever-expanding musical universe. He"s been active since the mid-90s, first with Memphis Luxure and Tower Recordings, then as P.G. Six, and as a member of Metal Mountains, Wet Tuna, Garcia Peoples and Weeping Bong Band. Additionally, some time was spent making collaborative records with Dan Melchior (in 2019) and Louise Bock (in 2021). Pat"s been playing the harp for more years than he"s been in bands, but when he realized that he was writing a set of songs centered around harp compositions, he spent some time in the woodshed with his instrument, a late 80s model Triplett Celtic 34 String Harp (which replaced a lovely Paraguayan harp he"d played for years previously). After the previous P.G. albums of electric band arrangements, he was in a place of writing songs with more silence in them. He ended up playing a lot of the parts himself on Murmurs & Whispers, adding guitar, bass, keyboards, recorder and hurdy gurdy, in addition to his harp and vocals. Clark Griffin and Wednesday Knudson, who Pat plays with in Weeping Bong Band, played and sang a bit themselves, and the record was recorded piece by piece in houses around upstate New York by Mike Fellows. Returning to the quiet acoustic sound of the first couple of P.G. Six albums, Parlor Tricks and Porch Favorites (which has seen a much-needed reissue in the past year after too many years OOP) and The Well of Memory, Murmurs & Whispers is more straightforward in expressing its vision of rural celestial wonder. Bucolic and comfortably lived in, Murmurs & Whispers nonetheless projects the transcendent heart of P.G. Six once again, and as ever, it is magnificent to hear it passing through us.

pre-order now01.09.2023

expected to be published on 01.09.2023

Frankie and the Witch Fingers - Data Doom LP

Long festering on the West Coast, Frankie and the Witch Fingers have carved out a niche that’s equal parts molten tar pit teardown and end-stage anxious careen. As they wind out of the stoned-ape psychedelics of their 2020 opus Monsters Eating People Eating Monsters… their sound, over a series of singles, has begun to thicken and throb. It’s coalesced into a darker strain that ingests the explosive impulses of R&B, the rhythmic insistence of 70’s German Progressives, and the elasticity of funk fusionists alike. They weld their arsenal of influences to a chassis of nail-bitten bombast. On the upcoming Data Doom the band hurtles the listener head first into the wood-chipper of technological dystopia, systemic rot, creeping fascism, the military-industrial profit mill, and a near-constant erosion of humanity that peels away the soul bit by bit. With a fuse lit by these modern-day monstrosities the band seeks to find salvation through a thousand watt wake-up of rock n’ roll exfoliation.

pre-order now01.09.2023

expected to be published on 01.09.2023

Michel Legrand - LeGrand Jazz LP 2x12"
also available

33 rpm version


100% Analogue 33RPM 180g 1LP
Remastered from the Original Analogue Stereo Masters for the First Time!

Hear this album as it was meant to be heard! Absolutely Stunning!
The greatest assembly of musical talent ever on one album! Features Performances by John Coltrane, Miles Davis, Bill Evans, Ben Webster & 27 More Jazz Greats!



In 1958, a young, successful French composer-arranger with a major infatuation on American jazz, worked his way to New York and convinced the very best players of the time to record an album of largely jazz standards. Michel Legrand would go on to win numerous prizes and accolades (3 Oscars, 5 Grammies, 2 Palmes D'or, etc.), but little of what followed matched the sheer brilliance of Legrand Jazz.

Miles Davis, John Coltrane, Bill Evans, Ben Webster, Phil Woods and practically every other session man in town signed up for sessions with Legrand to record his idiosyncratic arrangements of standards ("Django", "Don’t Get Around Much Anymore", "Night in Tunisia", etc.). Instead of regurgitating then current bop styles, he reinvented the very nature of orchestral jazz band repertoire to make a unique and forward-looking statement on the genre.

The sound of Impex's all-analogue LP preserves the wide soundstage of late 50’s Columbia recordings while creating intimate spaces between players on the stage for maximum definition. This rare, highly-praised recording has never sounded as good as it does now. Go big with Legrand Jazz.

Legrand Jazz was greeted by an enthusiastic review in the magazine Down Beat. Dom Cerulli awarded it five stars out of a possible five.

The meticulously recreated outer jacket is packaged in a gatefold with an original photo montage inside honoring Michel Legrand's masterpiece of reinvention and sublime fan-boy enthusiasm.

"The music is luscious and this just may be one of the best-sounding records you'll ever hear." - Ken Kessler, Hi Fi News, Rated 95/100 Sound Quality!

pre-order now31.08.2023

expected to be published on 31.08.2023

THELONIOUS MONK - Monk Big Band and Quartet In Concert LP
  • A1: I Mean You
  • A2: Evidence
  • A3: (When It's) Darkness On The Delta
  • B1: Oska T
  • B2: Played Twice
  • B3: Four In One
  • B4: Epistrophy

Thelonious Monk could walk from his flat to New York’s famous Philharmonic Hall on the corner of 64th Street and Broadway when he made his very first appearance there with his Big Band in December 1963. And the other musicians could get there on the underground: Phil Woods, Steve Lacy, Thad Jones – all of them were members of Monk’s closest circle of collaborators.

It is no wonder then that the well-known themes were highly agreeable and harmonious. "I Mean You", "Four In One" and "Epistrophy" resounded through the auditorium, the audience was thrilled, Thelonious laughed and danced and a short while later fans could listen to parts of the concert on a recording released by Columbia Records. In a break for a smoke, Monk sat himself down at the piano and played "Darkness On The Delta" – nocturnal atmosphere pure.

Does it bear the patina of times long past? Absolutely not! Thelonious Monk is as red-hot as he ever was.

pre-order now31.08.2023

expected to be published on 31.08.2023

NUN ATTAX / FIVE GO DOWN TO THE SEA? / BEETHOVEN - HIDING FROM THE LANDLORD

Next on Allchival is a compilation tracing the musical pursuits of Cork’s (via Belfast) Finbarr Donnelly and his trilogy of bands – Nun Attax, Five Go Down To The Sea? and Beethoven - before his untimely death by drowning in London’s Hyde Park in 1989. From the post punk of the first band via the discordant indie of the second to the chaos of Beethoven’s short lived existence this compilation shines some light on one of Irelands most enigmatic frontmen over a ten year period. Released on 18th April Record Store Day on a 15 track LP and an expanded CD version with 24 tracks. Featuring tracks released on Setanta, Creation, Kabuki & Abstract plus previously unreleased Fanning Sessions, the LP also comes with a fanzine with detailed liner notes and ephemera.

Nun Attax, formed in the late 70s, are synonymous with the Downtown Kampus at Cork’s Arcadia Ballroom, the lynchpin of the city’s post-punk music scene. Their live performances being the stuff of Southern legend - unforgettable, incendiary events, examples of which can be heard on the tracks here White Cortina, Reekus Sunfare. In the early-80s the band changed its name to Five Go Down To the Sea? and recorded the Knot A Fish EP 7’’ for London–Irish label Kabuki Records and soon after the band left recession-ridden Cork for the UK capital.

Squatting south of the River, working on building sites and collecting welfare under several aliases recording and gigs were sporadic but by 1984 they had hooked into the early Creation scene, and played gigs at Alan McGee’s Living Room club. Working with The Mekons Jon Langford they release The Glee Club on Edward Christie’s Abstract Sounds label. Following it up with the last of their three releases as Five..on Creation itself the band’s chaotic existence led to its demise only re-emerging in 1988 as Beethoven. Down to two original members – Donnelly and guitarist Ricky Dineen – plus two new additions their only release – a 12” on the fledgling Setanta records – features a cover of “Day Tripper” backed with original tracks and was NME’s Single of the Week in the summer of ‘89 when such things carried weight. The planned second single doesn’t go ahead after Donnelly’s death.

pre-order now30.08.2023

expected to be published on 30.08.2023

Clark Terry - Clark Terry & his Orchestra featuring Paul Gonsalves

Recorded October 1959, Paris.

Original LP issue: Decca 153.924

Critics often complain that small-group sessions comprised of members of the Duke Ellington Orchestra are somewhat disappointing; this is definitely not the case with this session led by Clark Terry, recorded during a 1959 tour of Europe in the final month of the trumpeter’s almost eight-year tenure with the band. Fellow Ellington sidemen Paul Gonsalves, Jimmy Woode, and Sam Woodyard are present, along with Raymond Fol at the piano. Terry was one of the most gifted trumpeters to grace the Ellington band and he blossoms when he has more opportunities to solo in a small group setting like this one. Gonsalves proves to be the perfect foil for Terry as they trade lines on several of the numbers. Unlike many dates led by Ellington veterans, this one doesn’t rely heavily on songs from the vast Ellington songbook; instead, Terry includes only ‘Satin Doll’, a Monk’s tune, one by Babs Gonzales and three of his own compositions, with ‘Serenade to a Bus Seat’ (a remake of his upbeat instrumental interpretation of the hectic life of a touring musician) proving to be the most memorable.

This studio date was recorded for French Decca label and was almost impossible to find until now.

Clark Terry (Trumpet)
Paul Gonsalves (Tenor saxophone)
Raymond Fol (Piano)
Jimmy Woode (Bass)
G. T. Hogan (Drums)

pre-order now25.08.2023

expected to be published on 25.08.2023

Heliocentrics - Infinity Of Now

The UK’s cosmic, psychedelic-funk ensemble issue their first album on maverick producer Madlib’s label, Madlib Invazion. The Heliocentrics’ albums are all confounding pieces of work. Drawing equally from the funk universe of James Brown, the disorienting asymmetry of Sun Ra, the cinematic scope of Ennio Morricone, the sublime fusion of David Axelrod, Pierre Henry’s turned-on musique concrète, and Can’s beat-heavy Krautrock, they have – regardless of the label on which they’ve released their music - pointed the way towards a brand new kind of psychedelia, one that could only come from a band of accomplished musicians who were also obsessive music fans. Drummer Malcolm Catto and bassist Jake Ferguson are the Heliocentrics’ masterminds and producers, and they are obsessive weirdos in today’s musical climate, searching, progressive humans who are often out-of-time with current trends. They have been playing together for nearly two decades and their collective drive is to find an individual voice. The Heliocentrics search for it in an alternate galaxy where the orbits of funk, jazz, psychedelic, electronic, avant-garde and “ethnic” music all revolve around “The One.” With Madilb’s label Madlib Invazion for Infinity of Now, the Heliocentrics have returned to develop their epic vision of psychedelic funk, while exploring the possibilities created by their myriad influences, Latin, African, and more.

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Last In: 6 years ago
Saccades - Land Of The Hearth LP

Das selbstbetitelte Saccades-Debüt 2017 bedeutete für Nicholas Wood eine Abkehr von der düsteren Atmosphäre und den monumentalen Klanglandschaften von The KVB hin zu einem reduzierten, psychedelischen Gitarrensound. Der Nachfolger 'Flowing Fades' (2021) überzeugte mit Synths und Einflüssen wie J.G. Ballard, Serge Gainsbourg, 80er-Dream-Pop und Yacht-Rock. 'Land Of The Hearth', benannt nach einer Jonathon Meades-Passage, steht für den Übergang von den nächtlichen Klanglandschaften und Industrial-Beats von The KVB hin zu einer balearischen Sensibilität. Das neue Album hat eine sonnenverwöhnte, traumhafte Qualität und erinnert gelegentlich an die erhebende Stimmung der House-Musik.

pre-order now25.08.2023

expected to be published on 25.08.2023

Billy Harper Quintet - Antibes '75

Sam Records and Saga present:

A never-before released Billy Harper 1975 live recordings.

First official release with the full permission and cooperation of the Billy Harper & INA (Institut National de l’Audiovisuel).

Billy Harper Quintet – Antibes ‘75

Two days after recording the first album ever issued on the Black Saint label, Billy Harper and his quintet were onstage at the Antibes Juan-Les-Pins jazz festival. Though Black Saint is a phenomenal album and is rightfully considered as one of the finest jazz releases of the period, Antibes ’75 shows that Billy and his men gathered momentum to push the boundaries of their studio effort even further.

That night, surrounded by stars, pine woods and a captivated audience, the quintet delivered a powerful and inspired performance. Never had Harper’s signature tunes “Cry of Hunger” and “Croquet Ballet” reached such a soulful expression, and we only wish that this moment of truth would have lasted a little longer.

We are honored to present to you this concert for the first time on record, a 180g LP including a 6-page insert with previously unseen photos by Gérard Rouy and Thierry Trombert and an essay by Bernard Loupias.

Virgil Jones (Trumpet)
Billy Harper (Tenor saxophone)
Joe Bonner (Piano, arranger)
David Friesen (Double Bass)
Malcolm Pinson (Drums)

pre-order now25.08.2023

expected to be published on 25.08.2023

EMERALDS - DOES IT LOOK LIKE I'M HERE? LP 2x12"

In the late 2000s a sprawling catalog of what is now genre-defining music was emanating from an unlikely place. Cleveland, Ohio has a broad reputation for many things, but in the aughts, psyche-expanding Kosmische wasn’t necessarily Cleveland’s calling card… until Emeralds. The trio of John Elliott, Steve Hauschildt, and Mark McGuire had released a profusion of limited-run cassettes, CD-Rs, and vinyl titles that had been passed around basement shows and then migrated to niche music communities online, creating a unique kind of murmur, even in the height of the DIY blog era. Three kids from the rust belt were crafting a distinctive and truly far-out strain of music on their own terms in the Midwest. They were flipping lids in wood-paneled basements and circulating around the underground with soaring sounds stylistically indebted to deep German electronic music pioneers and released with the ethos and twisted fervor of renegade Midwestern noise freaks. After several releases garnered a die-hard fandom in niche circles of internet/music culture, and then catching the attention of the late Peter Rehberg, the renowned artist and curator of the Editions Mego label, an expectation was set that the next Emeralds record was going to be a big one. And in 2010, Does it Look Like I’m Here? was it.

mp3s of this album; they can finally get a fresh copy on vinyl. Does It Look Like I’m Here? became a hallmark that would carve a path for an entire scene. Ghostly International is thrilled to reissue the album, remastered by Heba Kadry, including 7 bonus tracks exclusive to the digital album and CD. The limited edition 2xLP includes extensive liner notes by Chris Madak (Bee Mask).

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Last In: 2 years ago
Buck Meek - HAUNTED MOUNTAIN LP

Der in Texas aufgewachsene Singer-Songwriter und Big Thief-Gitarrist Buck Meek kündigt sein neues Album "Haunted Mountain" für den 25. August an. Seine erste Solo-Veröffentlichung bei 4AD folgt auf das 2021er Album "Two Saviors" und handelt von der Liebe...und etwas anderem. Etwas Größerem, etwas, dass Liebe nicht wirklich herausfordert, eher im direkten Kontrast dazu steht. Eine völlige Erfüllung der Seele. Meek gesteht ein, dass Liebeslieder für ihn die am schwersten zu schreibenden sind. Vielleicht holte sich Meek auch deshalb beim Schreiben Verstärkung in Form der Freundin und langjährigen Heldin Jolie Holland, die bei fünf von elf Songs des Albums Co-Autoren-Credits hat. Die ersten zwei Verse und der Chorus von "Haunted Mountain" stammen von der Texanerin, die diese als Liebeslied für Mount Shasta in Nord-Kalifornien geschrieben hat. Meek fügte den finalen Vers hinzu, in der gemeinsamen Suche nach dem Austausch mit der Natur. "It"s about being humbled by the thing you"re drawing power from only at which point an actual, fair relationship begins", erklärt er. Seit seinem selbstbetitelten Solo-Debüt sind Meeks Band-Kollegen die gleichen: Adam Brisbin (Gitarre), Austin Vaughn (Schlagzeug) und Mat Davidson (Pedel Steel, Bass). Für "Haunted Mountain" stießen noch Ken Woodward (Bass) und Meeks Bruder Dylan (Klavier, Synths) zu diesem eingeschworenen Haufen dazu. Davidson übernahm die Produktion, während Adrian Olsen, der auch die Sound Manipulation mit einem Modular Synthesizer übernahm, das Album innerhalb von zwei Wochen mixte. Der Ansatz war ein hi-fi-Album als Gegensatz zum lo-fi-Ansatz des Vorgängers zu erschaffen, während die Intimität erhalten bleiben sollte. Meek glaubt selbst daran, dass alle großen Liebeslieder noch nicht geschrieben wurden. Zwischen den Zeilen von "Haunted Mountain" hört man, dass Liebe in jeglicher Form die Erschaffung eines Zuhauses ist, von innen - für immer auf der Suche nach dem anderen.

pre-order now25.08.2023

expected to be published on 25.08.2023

FOLK IMPLOSION - TAKE A LOOK INSIDE

Clear Vinyl. They say there's always something special about the first time and this record is that first time for the Folk Implosion. The band left the acoustic guitars and fragmentary sketch modus operandi of their earlier cassette behind to focus on an eccentric version of home studio craft, held together by a few cheap microphones (including a Radio Shack PZM) and a Tascam cassette 4-track recorder sequestered under the eaves of a 3rd floor, Cambridge Massachusetts double-decker house apartment. Wood floors and Christmas lights were as much a part of the vibe as an Ampeg VT 40 guitar amp and a small chord organ. The duo would wait until the downstairs neighbor went to work in the morning and then would play until the tunes snapped like a high-pitched snare drum. The setup would close down just before the neighbor came home from work, keeping the peace long enough to see the project through to completion.Once tracked, the band snuck into Fort Apache studios with Tim O'Heir (producer of Sebadoh's `Bakesale' LP) early one morning, freeloading off the Sebadoh sessions that were set to get going that afternoon. Tim mixed the songs through a very hi-fi Neve board in a matter of hours with the Tascam sitting right on the giant board like a tugboat keeping time with an oil tanker. The duo hoped that the spirits of ancestors like The Troggs, Devo, Al Green, and The Bee Gees would be pleased with the scent of tribute that arose from the ashes of the pyre. Today, they are pleased to see the Slaps and the Sputniks on view again nearly 30 years later.

pre-order now22.08.2023

expected to be published on 22.08.2023

Mr. Greg and Cass McCombs - Mr. Greg & Cass McCombs Sing and Play New Folk Songs for Children

The tender and curious songs on the first album by songwriter and preschool teacher Mr Greg and acclaimed indie chameleon Cass McCombs
celebrate the joys of learning and discovery
The pair of longtime friends make connections for young children just beginning
to find their own way in the world and for parents regaining their own childlike
sensibilities. Set to tunes straight from the mold of Ella Jenkins and Woody
Guthrie, the duo sings about the importance of friendship, understanding those
different from yourself, and taking care of your body. They also pay musical
tribute to heroic figures of bravery and justice like Ruth Bader Ginsberg and
Harvey Milk. These songs are bridges to many adventures in the making and
include suggested activities for youngsters to supplement their listening and
exploration.
Coverage in Pitchfork, Stereogum, Under the Radar, Brooklyn Vegan, SPIN, Our
Culture

pre-order now22.08.2023

expected to be published on 22.08.2023

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