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Celebrated artistic director of Louis Vuitton and Off-White, Virgil Abloh remixes ‘Solid Ground’, taken from Michael Kiwanuka’s Mercury Award winning third studio album.

Written by Michael Kiwanuka, Danger Mouse & Inflo

Remix and Additional Production by Virgil Abloh and The Cruciverbalist

Britney Spears’ Deluxe version of “Glory” is now available on opaque white vinyl! The 2 LP set includes all 17 tracks originally featured on “Glory,” two never before released songs and remixes.

Rockets Audio continue the saga with a master piece of Denis Kaznacheev, incl. remixes by Cesar Merveille and Matheiu.

Gabber remixes ! Bangerz !

Over the last two decades, 20syl has crafted a unique, hip-hop infused, electro musical universe. He inherited a rich musical knowledge and a genuine understanding of analog and vintage sounds form years of classic beat making. He first got his start with Hocus Pocus, a band he founded in 1995. As the mastermind behind the band’s five LPs, including their Gold Record Place 54, 20syl has proved himself to be a visionary artist. A member of C2C - a turntablist quartet with whom he has won 4 DMC world titles – he took the genre mainstream with the groundbreaking album Tetra (2012). This successful opus was rewarded with 4 French Grammys and a Double Platinium Record.

In 2014, 20syl launched his solo career while still working with a few hand picked underground artists such as Grems, Raashan Ahmad and Blitz the Ambassador. In the recent years the prolific producer has taken his trademark overseas with popular remixes of ScHoolboy Q, Rihanna, and King Krule – setting up a booming environment for the 2014 release of his anticipated first solo EP, Motifs.

Co-founder of On And On Records, 20Syl has imposed himself as a flagship of the expanding new scene. Passionate about visual arts, 20Syl designs his artwork and direct his music videos.

A free electron, he seduces the public with his sharp identity and his ability to turn his own original creations into major musical trends.

Deathchant LP10 anthem that been never repressed is avaible again with 3 gambling remixes (Hellfish album from 2014 was it 2014 already ?) This kind of tool on Deathchant only a Turntablist can understand... few of the deejays can nowadays... ahaha ^^ and this in an excellent news Mister Hellfish keeps thinking of you girls and boys !

The first release of Eclectic Beats Music is from Portuguese artist and record label owner Fradinho! On ‘A Bright Future’, he blends a syncopated beat structure with an overall jazzy soulful funky groove
with Latin and Brasilian percussion, an engaging bass line and cosmic synth licks. Along with the original there are 5 remixes from the likes of the established Afronaut (Bugz In The Attic) that also features Mark de Clive-Lowe on keys, a wonderful Karmasound House remix, a Born74 Boogie Beat Mix, a Bruk Roller Mix from up and coming Mancunian producer Szajna and a darker, heavier and
dirtier UK Garage approach by Porto based LSK.

By 1995 Kwaito was already a well established and distinguishable sound compared to the International House Remixes that preceded. The tempo was slowed down, Soulful vocal samples were replaced by catchy and repetitive hooks and versus sang in vernacular. The new hit sound had a template and studios worked around the clock to pump fresh releases into the demanding market.

After the successful 1995 release of Import mixes Vol 4, The Groove City team behind the productions now decided to venture into the territory of Mid Tempo. They would craft an album for a young frontman with the help of Kwaito pioneer Oscar Warona, and without much trouble, the team had their first hit on their hands. Filling the boots of their cars with copies of the cassettes and taking the stock to various townships around Johannesburg the tape quickly circulated and sold out every new batch that was printed. Demand was high for the release but as with much of the music at the time, the fast paced demand for the music moved on. Without a follow up release Scotch failed to ride the momentum built by the debut and remained largely unknown although he is still in the music industry to this day.

Even with their first artist release being a success, the following years proved more difficult in reaching such a large audience for the Kaleidosound studio. With popularity for the genre growing, the simple templates for early classics were changing as Kwaito fused with hip hop. Rapping took over as the preferred vocals for the masses. Mysterious production teams and labels that served as guides for music lovers were eclipsed by frontmen and groups that could draw crowds. The fight for fresh sounds continued as the airwaves became the main battleground for artists and the more club oriented music was pushed back underground, eventually evolving into some of the earliest examples of Deep House seen on the continent. The Kaleidosound production team would finally strike gold again in 1997 when reviving Groove City for vol. 5 which acted as the debut for the newly formed group Chiskop. The group would become superstars of the new commercial era that followed, sparking solo careers for the members and creating some of the biggest hits the genre knew.

To this day Scotch remains one of the best albums to come out of the golden era of Kwaito. Although it was outperformed by other groups from the time it has a special place for those who knew it and can still be found as a treasured piece in many collections. The various people involved created a one off fusion of sound that has remained fresh for 25 years. Playful lyrics over floaty grooves resulted in favourites like “Jam Alley” which uses catch phrases from the beloved TV show and “Bafana Bafana” guaranteed to get the boys on the dance floor. Here you have these two tracks taken from the album pressed on a club ready Maxi Single for the Deejays

After a long delay due to his previous powerhouse 'Hypnotised' blowing up the worldwide spot, German maestro Purple Disco Machine finally lets loose the next step in his world dance domination. Every superlative under the sun has been used for this man's talents and he does not disappoint with a return to his updated Italo disco stylings on new single 'Exotica'.

Purple Disco Machine remains at the forefront of world dance music, following a series of remixes for A-list icons Diplo, Dua Lipa, Mark Ronson, Foals, Calvin Harris, Fatboy Slim, Sir Elton John, whilst more recently delivering his stellar cuts of Duke Dumont’s ‘Ocean Drive’, and Lady Gaga and Adriana Grande’s international hit single ‘Rain On Me’.

He now unveils yet another side of his impressive production prowess with new single ‘Exotica’ featuring the Italian electro funk producer Mind Enterprises on vocals, creating an electric club record exploring and playing homage to '80s German and Italian euro disco records that he grew up with.

Based around a replayed sample of 80’s Italo disco classic ‘Void Vision’ by Cyber People, Purple Disco Machine creates a high energy dance-floor heater with a lively modulated vocal. ‘Exotica’ shares its name with the forthcoming studio album, which the artist confirms will feature his playful interpretation of the music of the decade that birthed the Purple Disco Machine sound; Synth Pop, Italo Disco, Electro Funk, Soul, R&B and Boogie.

Certified as one of the most prolific electronic artists of our generation, the Dresden born producer ranks #2 on Beatport’s all-time Top Artists, with his 2013 breakthrough hit ‘My House’ remaining as one of the platform’s best-sellers through to today. With an undeniable midas touch, Purple Disco Machine landed himself in the record books once again in 2018, whilst amassing a stunning 100 million streams across his original ‘Dished (Male Stripper)’, and remixes of Weiss’ ‘Feel My Needs’, and most notably his remix of the seminal ‘Praise You’ by industry icon Fatboy Slim. With a slew of varied releases including hit singles ‘In My Arms’, ‘Body Funk’ and ‘Devil In Me’, the producer’s status was propelled by his debut LP ‘Soulmatic’, earning him critical acclaim across the globe.

'Kind of Strange' is taken from Edinburgh super group, Out of the Ordinary's debut album, 'Stranger Things Have Happened'. The original version is an eerily, atmospheric track with a classic film noir vibe, underscored with beats provided by Joseph Malik on the ones and twos, in collaboration with Check Masses members Vic Galloway, Saleem Andrew McGroarty and Philly Collins. Vocal powerhouses, Rosanne Erskine and Philly Collins will have you looking over your shoulder with their edgy, unsettling vocal delivery – was that a ghostly outline or just a curtain blowing in the breeze?

Combine all of these elements with the mighty Steven Christie's keyboard, Paulo ‘Brother’ Riddle’s anchoring percussion and Saleem Andrew McGroarty at the production controls, something rather special comes out of the speakers.

To prepare for their ‘North Street’ remixes, Jo Wallace and Darren Morris immersed themselves in continuous re-runs of iconic TV series, ‘Randall + Hopkirk Deceased’ and ‘Tales of the Unexpected’ enabling them to channel their inner John Barry. Throughout the track, Darren provides swirling, cinematic vamps and lush string arrangements echoing the Warsaw Concerto whilst Chris Greive’s haunting trombone and Vic Galloway, on his electric guitar, beautifully underpin the melody, transporting the listener back to a world of Black and White mystery and suspense.

South African DJ/producer Miz Dee and Zimbabwean house music vocalist Jackie Queens bring music with a message to highlight violence against women in South Africa in their new single ‘Back To Us’. Ignited by the country’s ongoing femicide, and the global #MeToo and #TimesUp movements, the song is a call “to embrace humanity, stand against women's oppression, and fight for the justice that so often eludes us,” explains Queens.
Known and respected for her soulful productions, Miz Dee lays the foundation for a sermon on hard-hitting truths punctuated by hope for a future that is not lost if we act. Enlisting Chymamusique, Mark Francis, and DJ Spinna for remixes, the offering is a mixture of nostalgia and timeliness resounding in a clear voice of musical solidarity, positivity, and protest.

Technically, Syrup are a hip-hop group with unmistakable leanings towards soul and jazz. The group consists of an MC (Turt), a pianist/singer (C.Tappin) and a beatmaker (Twit One).

Their music is rooted in the tradition of collectives like Native Tongues and Soulquarians, and they have come up with a pretty appropriate term to describe their sound, which is "cool bap". But if we put formalities aside and look at the bigger picture, Syrup are also a perfect example of how music can connect people beyond national borders, language and tradition. And furthermore, how Afro-American culture has influenced not only the musical taste but the views and opinion-making of generations of young people worldwide. The sheer existence of Syrup is also a big fat "Fuck Brexit!" which makes the group even more likeable. The story of Syrup begins in 2015 when Twit One is booked to play a dj gig in Bristol. Twit One is a producer, DJ, radio host, record friend and former bass-player from Cologne (where he also co-owns the Groove Attack Record Store). He is a member of a small group of pioneering producers, who during the 2010s laid the foundation for the European beat-scene as we know it today. Inspired by the likes of Dilla and Madlib these guys made it look cool to not be the rapper. And they recorded some pretty dope music, too, which we had the honour to release via Melting Pot Music as the "Hi-Hat Club" series (a title that Twit came up with). During that night in Bristol, Twit got acquainted with two young men by the name of Turt and C.Tappin. Two childhood friends who had moved from London to Bristol for their studies and had been avid fans of Twit's music for some time. "Back in Cologne, Twit told me about these MCs from Bristol with whom he might record some tracks" Olski remembers, "Needless to say that I never heard about them again until summer 2017 when the annual Radio Love Love boat party was about to happen and Turt and Tappin were actually coming over for the first time, to party and to rock the mic. A couple of months later we released "Hay Luv" a new Twit album that featured Turt and Tappin on two songs. On their next visit, the two were accompanied by Turt's brother Slim, a very talented beatmaker and one half of Summers Sons. We spent some quality time while mastering the 'Undertones' EP (including remixes by Twit One, FloFilz and Cap Kendricks) and shooting the album cover at the Groove Attack record store basement. Since then we released two more album by Summers Sons ("Uhuru" - a joint project with Tappin and "The Rain"), C.Tappin's debut EP "Ashes To Ashes" (with remixes by Reginald Omas Mamode IV, Hulk Hodn & Slim) and a KOOP beat tape by Slim. During the same time, Twit recorded two albums: "Dispo To Dispo" as Flatpocket (a project with Lazy Jones) and "Two", the long awaited follow up to the very first Hi-Hat Club album as Testiculo Y Uno (with Hulk Hodn)." In 2018, Turt and Tappin moved back to London (the Lightworks headquarter is now located in Streatham). They toured with Children of Zeus and shared stages with artists like Melodiesinfonie and FloFilz. But it wasn't until Brexit before the long talked about super group finally became a reality. At the final recording sessions in September 2019 we already knew that the next Eurostar ride would be a different one. Now with Covid-19 we have no clue when all three members of the group will be in the same room again – let alone rock a stage together. But fortunately, we were sitting on a big pile of great singles that we released over the summer months. The album "Rosy Lee" will follow in late September.

Rising London-based talent Casey Spillman debuts on LOCUS with his latest four-track EP, ‘Bit More Raggo’.

A hotly-tipped name within the UK house and minimal scene, London’s Casey Spillman continues to impress as one of the city’s key emerging DJs, producers and label owners. Founder of his own blossoming imprint Temperature, his releases and remixes via the likes of e1ven records, Sukhumvit and Infuse have gained support from a long list of the scene’s key players - solidifying his growing profile as one of FUSE’s key up-and-coming talents, whilst featuring across a string of their infamous events within the UK capital. Next up, Spillman’s latest outing welcomes a debut on recently launched FUSE imprint LOCUS, delivering four typically impressive cuts in the form of his ‘Bit More Raggo’ EP.

Opening cut ‘What I Say’ delivers a moody, up-front production armed with metallic percussion licks, resonant chords and driving low-ends, whilst the skipping hats and sweeping key leads of the slick ‘Gambling Man’ reveal a classy yet warping journey to close out the A-side. On the flip, ‘Humidity Meter’ introduces a hypnotic combination of shuffling percussion atop of escalating electronics and squelching bass patterns, before closing proceedings via the tripped-out vocals, crisp, raw drum shots and menacing bassline of final track, ‘Commands’.

Mind Control: Making people believe by shaping what they hear; a sonata for the age of acceleration morphosis; a music born under punches. Play at any required speed.

Cristian Vogel is a life-long innovator in the design, composition and performance of electronic sounds. His independent career in music and audio technology has won prizes and awards establishing him as an outstanding influence in the field of composition for studio, club culture and stage. He performs, remixes and produces original music and sound design at an international level. He has lived in Brighton, Barcelona, Berlin and Geneva and is now permanently based in Copenhagen where he continues creating technologically based music, sound and audio technology at his design studios Ekometic and NeverEngineLabs.

We are happy to announce the first in anew series of 12" releases under DJ'S CHOICE, Four Flies Records' division devoted to fresh and cool new music in genres ranging from tropical funk and nu-soul to hip hop.

Created during the global lockdown, this new release is a joyful invitation to move our bodies and dance – something that, alas, has become almost impossible in this pandemic-ridden year.
Quero Ver Você Dançar is a collaboration between Rome-based DJ/producer The Rebel, Portuguese DJ/producer Dedy Dread, and Brazilian jazz singer Keila Abeid. Other musicians playing on the track – including Neney Santos (percussions), Marco Ravallese (keys), and Fab Samperi (flute) – masterly contribute to its soulful favela vibes.

Housed in a single jacket with beautiful artwork by Roman illustrator Federica Fruhwirth, the 12-inch single also features a super groovy remix by Mo'Horizons which, with its powerful combination of bossa and drum'n'bass rhythms, makes this release a must for tropical-music aficionados.

Also available on all major digital outlets, with two additional remixes by young Brazilian producers Afterclapp and Brasila Strut.

The MUSHROOM HOUSE compilation is a collection of balearic, afro and cosmic tracks that have been released on Toy Tonics EPs over the last 5 years. Original tracks and remixes by friends of the label: Auntie Flo, Rebolledo, Hyenah, Daniel Avery, WhoMadeWho & DJ Koze, Munk … and there is also legendary italian cosmic DJ Baldelli featured.
All these tracks are exclusively produced for Toy Tonics. A few had been already released before on Gomma records. The now sleeping indie-electronica label that was the „mother“ of Toy Tonics. It’s fun to see that these tracks seem not to get old. They sound still fresh and ace. Like the DJ Koze remix of WhoMadeWho or Munk’s Nigerian Jam. Now they all come together on double vinyl. Vinyl comes Including the new 60 page TOY TONICS MAGAZINE no 1.

Jamie Clarke is a producer, musician and DJ. His label Either// hosts his recent work. Its first release, ‘Mirror Talk’, features remixes by Pablo Mateo, Casanova, and Philippa with early support from Tensnake, Ame, Piem, Joyce Muniz, Alinka, DJ T, Acid Pauli, Gene Farris bc, Severino… You can find earlier work appearing on diverse labels of favoured artists. “The Gene Krupa of electronic music” an admirer commented of his style: rolling, syncopated, digressive but ultimately melodic. Now, late 80s, a dark Detroit basement, eyes shut, the pound and sweep of that sound - you’re there.

Residencies at home in Dublin include The Pod, Hospital and his own UP!, the renowned rooftop party. He regularly guests across the continent and has projects in development in the US. In recent years the Reykjavik music scene has been a second home where Kaffebarrinn is a favourite haunt.

Having established himself in the UK's contemporary Jazz funk scene with a slew of high calibre releases, Dr Rubberfunk holds a reputation for quality productions surgically delivered by an accomplished multi-instrumentalist and producer.

After being hounded to join the roster in his early career, he signed to Jalapeno Records in 2008, and the years since have seen him release multiple albums, produce label artists, such as Izo FitzRoy, and be regularly called upon to bring his flair to remixes across the roster.

In 2018 he stepped back into the limelight to release a series of limited 7" singles, winning praise from fans throughout the 45s scene. This wide-ranging support led to the release of his LP 'My Life at 45' in early 2020, garnering critical acclaim from the likes of Bandcamp, BBC 6Music, Fatboy Slim and Blues & Soul Magazine, to name a few.

Now, and not a moment too soon, Dr Rubberfunk brings us a pair of outstanding beat treats from his back catalogue, pressed to 7" vinyl for the very first time. Featuring 2 tracks originally written for the 2006 Red Bull Beat Battle at the behest of Rocksteady Crew legend Mr. Wiggles, 'Come Back Breaker' & 'Beats Working' have become firm favourites with breaking crews worldwide.

Drawing on his continued influences from the sample-based collages of early cut and paste pioneers, 'Come Back Breaker' and 'Beats Working' suitably highlight the lessons learnt from that era. Coupled with the good doctor's signature drums and rolling basslines, spoken words snippets and needle-drop samples get the party started and carry it on well past bedtime.

Following the well received inclusion of Bonus Beats on all of the 'My Life At 45' series 45s, and upholding the noble drum-a-pella tradition, Dr Rubberfunk went back to his original session recordings to bring you 'Drums Working' - grab yourself two copies and keep the beats working for days!

Wah Wah 45s are proud to present a unique collaboration between the U.K.'s very own Afrobeat Ambassador, Dele Sosimi, and a producer who's been at the forefront of the South London electronic music scene for a decade now, Medlar.

The pair first joined forces five years ago, when Medlar was asked by Dele's label to remix the title track from his last album,You No Fit Touch Am. The result was possibly one of the most popular and cherished remixes to appear on the imprint. The producer's respect for the history of Afrobeat shined through in the mix of course, but it was his ability to finely balance that with his house music instincts whilst adding an infectious groove and classic 80s analogue synths that really stood out.

The track was an instant classic, and it soon became clear that the Afrobeat Ambassador and Peckham producer needed to make some music together. Having never actually met during the remix process, the dating began, and luckily the two were clearly a perfect match.

After some weeks of pinging ideas back and forth, and spending time in the studio together, it became obvious that this project was also something they could take out live. As so it has been, from their modest debut performance in East London last spring, to playing festivals across the UK and beyond. Never the same show twice, their shows are based around a bank of rhythms on MPC which come alive when combined with Dele's vocals and improvisational keyboard explorations, all of which are dubbed out live by Medlar. Their musical journey is always unpredictable, vibrant and often quite surprising!

With this in mind, when picking tracks they'd developed on the road over the last year to take into the studio,Full Moonevolved into what might be best described as a bossa nova meets country & western lounge track, suitable for sipping cocktails to on a beach, or perhaps in your back garden in the current situation!

"This is really great this track. Really great!" Gilles Peterson

The original version of the song dropped earlier this summer and has been championed by both Gilles Peterson and Moses Boyd on BBC 6Music. When it came to remix duties, there was only one production outfit who fitted the bill, and one who the label had been trying to coax a remix out of for a couple of years.

Lars Dales and Maarten Smeets, otherwise known as Detroit Swindle, have been turning out musical, soulful, tropical and always party starting house music for almost a decade now. Wah Wah label boss Dom Servini hooked up with the pair at a European festival a couple of years ago, and ever since has been waiting for the right project to come along that would spark their imagination.

"When we heard the original of 'Full Moon' for the first time, we really felt the retro style with the cr78 drum, the dreamy pads and that almost overly simple synth flute. For us, that really defined the direction of the remix and we looked for a hook that could make those elements pop in a more energetic way. The vocal is also super laid back so we chopped it up a bit to give it some more spice. I think it was when we wrote the chords for our remix that the dubbed out 80's synth vibe really started to take form. It turned out to be a really nice remix for this time of year and hopefully it'll warm some hearts when people hear it." Detroit Swindle

The follow up single,Gúdú Gúdú Kan,in turn received support from Tom Ravenscroft and Gideon Coe on BBC 6Music. It's Dele and Medlar's own take on an Afro-disco stomper. The title refers to the role the snare drum plays and its relationship with Ìyá Ìlù kan, or the kick drum. It's a simple but very effective metaphor for this unique musical collaboration where once again the pair forged a sound that's all their own.

Taking things back to The Shrine by way of a little Bugz style bruk magic, Daz-I-Kue's remix ofGúdú Gúdú Kanrestructures the tune more in the style of a Fela classic, albeit with a broken flavour and layers upon layers of keys galore! In doing so, Daz creates what we think is a sure fire future club classic.

For the first time you can enjoy the full length versions of both of these top class remixes on a single slab of gorgeous wax!

The new 7'' on Delights is a vinyl debut for two groove-heavy, retro-futuristic remixes from Markey Funk's vaults: "Magic" by Men of North Country - on the A-side, and "Sparks" by 3421 - on the flip. Both cuts, previously available only on streaming platforms, are a kaleidoscopic homage to the 1960's space age romance, sci-fi psychedelia and cinematic funk.

Limited to 300 copies worldwide.

"...while I like to think that creations are a 'moment in time', this, for me, is much more than just a moment."

Truenoys 2020

"Depression is not just for those with painful traumas but it can lurk in everyone who is willing to live in truth... this album can be a cure or a helping hand...soundwise and lyrically."

Amos 2020

A/T/O/S, pronounced 'A Taste Of Struggle' is a project by Amos & Truenoys.

Introduced by a mutual friend, A/T/O/S started creating music together. Their first creation, 'A Taste Of Struggle' was quickly picked up by dubstep pioneer Mala, who signed them to his label DEEP MEDi. Their debut release received an early spin by BBC 6 Music's Mary Anne Hobbs and impressive remixes by Skream and Commodo.

Their upcoming album 'waterman', is the 3rd on DEEP MEDi, following their self-titled debut 'A/T/O/S' and the follow-up 'Outboxed'.

'waterman' once again sees A/T/O/S exploring new territories with their formula of exciting beats and powerful vocals, accompanied by Michiel De Malsche (@MIDM) on the keys as their 'secret, not so secret' member in the studio & on stage.

Posthuman makes his Food Music debut with the infectious “You’re Mine”.

The Frank DeWulf-esque stabs and swagger from this tune have already had many "ID?” requests from people since airing on Rinse FM and a DJmag social media video over the last few weeks and months. Posthuman has taken his sound to a fresh area which is complimented by remixes by none other than Luke Vibert, with an ice-cool swung-groove, Black Girl/White Girl with a full on pounding Techno workout and on the digital package, newcomers Mac & Ward do the big room House thing to perfection! In addition we’ve included “Find Me On The Edge of Town”.. an acid-kissed piece of Techno which sits the cherry ontop of an awesome release for us on Food.

The 20th anniversary year of Dial Records couldn’t have been more exciting for us so far! After the extraordinary well-received release of Soela’s debut-album Genuine Silk and steady excitement around our ongoing series of digital anniversary compilations, we are more than thrilled to announce the second album release of this our very special year: XDB - Inspiron. As a longtime companion and true inspiration throughout the label’s twenty-year history, Kosta Athanassiadis aka XDB enriched our lives with his brilliant productions in the form of countless 12”s and legendary remixes. His long-overdue full-length debut album Inspiron in hand, we find ourselves unpacking the most beautiful jubilee present we could have ever imagined. For almost three decades now Kosta Athanassiadis aka XDB has been involved in the constantly changing world of dance music. His curiosity and dedication to electronic music spiral deep into the depth of House Music and Techno and where ever he appears he generously shares his unique knowledge in this field with equally dedicated crowds. Whether you follow his bloggish “Tracks I do really LOVE”, a collection of club essentials and a library of taste, or you witness one of his remarkable DJ sets from Panorama Bar to Freerotation Festival - XDB will elevate you to one of those unforgettably magical music moments. In 1993 Kosta Athanassiadis started his DJ career in the medieval hometown of Goettingen. To find what he was really looking for, namely, the newest and most exciting new records he frequently had to leave this picturesque city, that is most popular for inventing the traditional Baumkuchen pastry, but has not been on the maps of music connoisseurs necessarily. Frequent trips to visit records stores and clubs around Germany built a network of likely minded people. Some of his favorite and most thought after record labels of the time like the Chicago imprint Relief, or UK's Mosaic, are still fundamental to his very specific musical taste. By the turn of the century, XDB hosted a series of nights at Goettingen's Eletroosho, where he invited Dial’s own Lawrence and Carsten Jost in 2002- the beginning of a still ongoing friendship. He had established himself as a sought after and internationally active DJ and started his fist endeavors into music production as well. Later on XDB founded his own Label Metrolux and released on iconic labels like Sistrum and Wave to be followed by countless remixes for legends like Aaron Carl, Norm Talley and Patrice Scott. An extraordinary stream of gravity connects both, his productions and DJ sets. Once breaking through a seemingly transparent surface, one get’s lost in the beauty and depth of forms and figures. There’s barely DJs and producers who keep searching for this hidden formula in such a microscopically detailed way to pass a lifetime in House Music and Techno on to the world. XDB's Inspiron embraces this unique approach, filters and develops inspirations in an entirely delicate way, and magically emphasizes the desires of the most dedicated listeners and dancers.

The specially designed game and accompanying music video pertains to the overall theme of the EP, which shows an absurd society obsessed with social media descending into a dystopian world. It is a paranoid graphic vision, set in Brussels, Strapontin’s hometown, that puts you in control of a role playing game as you march round the city collecting social points with scant regard for others.

Besides being a dancer, performer and on-and-off “Madame pipi”, French-born, Brussels-based Strapontin is also a DJ and producer who mixes up slow and rough techno with thrilling soundtracks and groove driven disco. He has released on Nein and I’m Single amongst others and marks this 10th Hard Fist release in fine style.

Opening up the EP is ‘Nervous Days’, a gallivanting techno-disco groove with rugged loops and jumbled percussion that sounds like a rampage through a cityscape, as per the video. Then comes ‘But The Nice One!’, a stomping and rough and ready ride on lumpy drums and bass that is dark but playful. The quality continues on ‘Miss Mickey the Dumbs’, with some brilliantly heavy and reverberating drums making you jerk your body while sci-fi effects float and drift about up top.

Blindetonation label regular and esteemed modern disco man Thomass Jackson remixes ‘But The Nice One!’ In his capable hands it becomes a melon twisting workout with spangled synth lines, psyched-out synths and percolating drums that are finished with a vulnerable and eerie vocal. Last of all is a Damon Jee remix of ‘Miss Mickey the Dumbs’, His music can be heard on the underground’s most sought-after labels including Roam, Hafendisko, Suara and Sincopat to name just a few. His version is a more direct affair, with searching laser synths and a hypnotic space-techno vibe that carries you off to the stars at increasingly high speeds.

This is a fittingly brilliant EP from the vital Strapontin on ever-excellent Hard Fist.

Hell Yeah call upon their merry crew of grown up groove makers to revisit key tracks from Quiroga's widely acclaimed Passages album, with Whodamanny, Jazz N Palms, A Vision of Panorama and My Friend Dario all stepping up.

The original album was noted as Piccadilly Records' Best Balearic Album of 2019 and a year on is still providing solace for us in these strange times. First to add his own spin to it is Periodica associate Whodamanny from Naples, whose magical take on 'Martinica Feelings' made it onto the excellent recent Buena Onda compilation, which is out now. It is a big hearted vocal reinterpretation filled with stomping kicks and twisted synths that bring the funk next to withering sci-fi effects and happy piano chords.

Then, up steps man of the moment Jazz N Palms, a resident at the cult Ibiza venue Pikes and regular at London's Ronnie Scotts. He has recently started his own self titled label and here offers a mad Latin jazz take on 'Africa Addio' that brims with energy and sunshines. The busy percussion will make you move your ass and the whole thing has a sexy 70s vibe.

Saint Petersbourg's very own balearic legend A Vision of Panorama is hailed as the king of the modern balearic sound thanks to EPs on labels like Omena. He takes care of 'The Zoist' with sentimental melodies and sunset grooves to die for. His arching pads speak to the soul and melt the heart.

Last of all, Hell Yeah's very own discovery My Friend Dario (who soon has an EP coming on NuNorthern Soul, recently remixed Calm and Gallo) tackles 'Chiaia Sunset'. The result is a laidback and cathartic track that slowly unfolds on tumbling drums and wooden hits as synths leave vapour trails high up in the clear blue sky above.

These are four more high class remixes that will keep the summer vibes alive long into Autumn.

After the initial release of ENV012 Kloudmen started sending music that was a level beyond what we had previously heard from the duo. Remixes of and Plays by major scene players such as Caspa and Hatcha as well as the fresh blood in the forms of Bukez, Samba, Sepia etc.

Then out of nowhere in a fashion that caught our ears Kloudmen x Rez. We had to know more! The result was this release.

Grammy nominated & Defected Records signing Michael Gray is a hugely respected and established British DJ and music producer, and is also one half of the dance music production and remixing duo ‘Full Intention’ who have been at the forefront of Dance music since the early 90s. He’s also known for his solo hits ’The Weekend’ & ‘Borderline’ and recently ‘the Sun’. #2 Soul /Funk /Disco Artist by Traxsource in 2019. Currently his latest remixes include Louie Vega produced Anane - ‘Get on the Funk Train’ (Michael Gray & Mark Knight Remix) which has recently gone to No. 1 on the overall traxsource chart, Serious Intention - 'You don’t know’, Raze - Break for Love, Sylvester - You make me feel (mighty real) Records) and his Sultra Remix of his single ’The Weekend’ (First played by Pete Tong on Radio 1) He has played for nights such as Glitterbox at The Ministry of Sound, Hi Ibiza, Fabric, Downtown Disco and recently for The Glitterbox Virtual festival.

Kelli Sae is a New York born and bred Performer, Singer, Songwriter, Actress, Composer, Comedian and Playwright. Born of Puerto Rican and African descent, her music is a masala of sounds, cultures and influences that drive her instincts.

Kelli has worked with Tina Turner, Paul Simon, Seal, Chaka Kahn, Gladys Knight, Lionel Richie and many more. Kelli is also a Principal Vocalist Monday night’s on ABC’s hit Reality Television Show Dancing With The Stars. Other Television shows she’s worked on are I Can See Your Voice, Rising Star and The Singing Bee.

We’re proud to welcome Robert Owens and Queer On Acid to Takeout, who present a ‘double-A side’ release. 2 sublime pieces of vocal-house and techno which will make the hairs stand up on the back of your neck.

Robert’s hypnotic vocals weave between QoA’s beautiful production with both tracks enticing remixes from none other than in demand Fear-E, Polymod and MASC (Mark Archer & Shadow Child).

The music does the talking here, and with a limited vinyl run (which excludes the MASC remix) to support a huge digital package, we’re excited to have such quality on the new label.

Enjoy !

t’s Indian Summer again and it’s like an unwritten rule to please you with another Atelier release at this beautiful time of the year.
So here we are with a collection of superb re-interpretations of a few tracks taken from the duos debut album “Varsam Court”. Delivering the goods we have no one less than Dutch high flyer’s Tunnelvisions, Lisboa’s LuxFrágil resident Switchdance, Heidelberg’s Lopazz & Casio Casino, Lossless co-head Mathias Schober and Alexander Inggs – one half of Atelier.
No doubt that we’re proud about this line-up and couldn’t be happier with the music we’re going to share with you now – enjoy!
Atelier quoting on the remixes:
“After writing the album Varsam Court, it was truly exciting to hear the songs in a different context. Originally, the album was not written for the clubs, but the remixes on the EP transcend that line, bringing the original ideas to a wider audience and into a new space. These reinterpretations by the artists are a great testament to how
everyone really does hear and feel music differently.”

Nasser Baker’s talent precedes him. A handpicked protégé of Dennis Ferrer, the blossoming talent is now carving his own niche in the house space. His ascension continues today with the release of ‘Tribes Of The Metronome,’ marking his DIRTYBIRD debut.

“Tribes Of The Metronome” uses sputtering bass and distorted vocals to make its impact, maintaining a consistent, yet driving pace that keeps energy levels high from start to finish. “About You” sees Baker laying on the heavy grooves, with a reverberated bassline, off-kilter synths, and crisp hi hats joining together with its vocal elements for a tech house piece with a classic flair. Both have been sought-after set weapons for Claude VonStroke, making their release particularly exciting for the DIRTYBIRD flock.

Beyond his work with Dennis Ferrer, Nasser Baker’s keen ear for house has been recognized by plenty of industry greats. His ‘Say Something’ EP on Circus was an instant hit, receiving remixes from the likes of Paul Woolford and Rebūke. Nasser’s work has also appeared numerous times on Objektivity, and recently, he was tapped by Green Velvet for an EP on Relief. It’s clear this young producer is here to stay!

After his acclaimed debut EP « Cotonou » on Alma Negra’s record label, James Stewart comes back with his new EP Atlantic River Drive for Mawimbi Records, featuring two collaborations with Ghanaian kologo musician Ayuune Sule as well as two remixes from Simbad aka SMBD.

James Stewart met Ghanaian kologo musician Ayuune Sule, after booking several shows of kologo music star King Ayisoba in Lyon. Stewart was quick to witness the bluesy tone of Ayuune’s voice and his kindness as a musician, despite his impressive stature. Quite logically, Stewart invited Sule to record vocals on two of his ongoing demos at Bruno Patchworks’ recording studio (Voilaaa, Mr. President, Da Break), with the idea of making a rather unheard crossover between traditional kologo music and contemporary styles that would both appeal to Ghanaian crowds and a Western audience. Stewart then had a number of his arrangement ideas re-recorded by a talented cast of musicians, resulting in a brilliant mix of acoustic and electronic textures, sounding both vintage and modern.

Nodding to Eddie Palmieri’s landmark record “Harlem River Drive”, “Atlantic River Drive” is a stomping dancefloor track, drawing from the 6/8 feel of kologo music and the energy of contemporary club music. The track can be read as a tribute to the musical cross-pollinations between the African continent and its many diasporas, which Stewart has dedicated a long part of his life to, but also as a more intimate story about his life and family. All words were written by Stewart and then translated by Sule in his native Fra fra language from Northern Ghana.

“Where Are We Going?” is a two-part journey that reminds us that we should care about each other, about our communities while we don’t know what the future is made of. An important and much welcome message to navigate through these troubled, uncertain times. Referencing congolese N’dombolo tracks, the track has two parts and rich arrangements, with its first part going deep with syncopated clarinet hooks and playful percussion parts, and its second part moving to a four-on-the-floor pattern and an entrancing baritone saxophone solo.

The EP also features Worldwide FM and Brownswood maestro Simbad, who delivers two dancefloor-ready reworks of the track “Where Are We Going?” under his SMBD moniker, turning it into a spiritual, dubby journey, as well as an emotional house music track.

Award-winning International DJ and Producers The Prototypes release their third album ‘Ten Thousand Feet & Rising’. The Brighton based Drum & Bass duo were previously signed to tastemaker label ‘Viper Recordings,’ home to Matrix and Futurebound.

The Prototypes’ potent, hard-hitting production and broadsword body of work on seminal labels such as UKF, Viper Recordings, Shogun Audio, Ram Records, Technique Recordings and Formation. Anthems that have been supported across the entire D’N’B scene such as ‘Pale Blue Dot’, ‘Pop It Off’ and ‘Kill The Silence’.

Their expansive and versatile remixes of acts ranging from Ed Sheeran to Avicii to Friction by way of their sought-after bootlegs of Fisher and Knife Party and unreleased dubplate remixes of Bad Company and Pendulum. Not to mention their extraordinary debut album ‘City Of Gold’ that exploded in 2015, took them around the world several times over and elevated them to headline status.

‘Shadows’ is the first single from the new album, which they explain as ”a throwback to the Hardcore scene from the late 90s, with a piano line influenced by pivotal names through the history of the UK’s rave scene such as Vibes & Wishdokta, DJ Dougal, Slipmatt, and Nookie, to which we added a straight up banger of a bassline”.

Featuring Ulta Music’s singer Lily McKenzie, known for her collaborations with industry heavyweights including Giggs, Conducta and Wiley, as well as featuring on Crazy Cousinz’s 2017 smash hit, ‘No Way’, alongside Yxng Bane and Mr Eazi signed to Ultra Music.

Previously supported by the likes of Zane Lowe, Annie Mac, Andy C, Roni Size, Friction, J Majik & Wickaman, Pendulum, DJ Fresh plus many more.

Between Christmas 2000 and New Year 2001 producers Ekkehard Ehlers and Stephan Mathieu recorded an album of warm, soft, delicately crackling electronic music in the space of that week. It was christened with the ambivalent title "Heroin" and was released on CD via the label Brombron in 2001 and later in 2003 re-issued on Kit Clayton's Orthlorng Musork on double-LP with remixes the pair had commissioned as expansions.

17 years later Heroin sees its first vinyl release to include all 13 tracks from the original CD track-list on this LP + 12“ set. The centerpiece "Herz" finally receives its long deserved vinyl treatment (side C, at 45rpm) and on the flip side Thomas Brinkmann contributes a mirror in a magnificent remix of that very piece on side D.

Ehlers and Mathieu were both highly prolific solo artists during the period 2000-2004, and in just two years after the initial release of "Heroin" each had produced over half a dozen new solo recordings: among them the serial masterpiece Ehlers' "Plays" (Cornelius Cardew, Hurbert Fichte, John Cassavetes, Albert Ayler, Robert Johnson) released as 5 stunning LPs in a series on Staubgold, while Mathieu's 'Full Swing Edits' spread over five 10" records plus his album 'FrequencyLib' on Mille Plateaux, 'Die Entdeckung des Wetters' on Lucky Kitchen and ‘The Sad Mac’ on Atsushi Sasaki’s Headz label were greeted to critical acclaim.

Both artists were expanding their conceptual sonic approaches in the glow of developing laptop technologies which would to these times in 2020 seem quite primitive, but these two in that period used the state-of-the-art to aid and abet their conceptual visions, while at times the duo used unorthodox experimentation - yet always had a distinctively melodic and musical form at its heart and soul.

Ehlers can be seen as a conceptualist, as a meta-musician who interrogates the mediums and methods of sound production - reflecting on the conditions and possibilities of improvisation (e.g. "Plays Albert Ayler") and exploits ideas of mutation and distortion of popular aesthetics played out within a ghostly form of divine pop beauty in his project März.

Mathieu, originally a drummer and co-founder of what has come to be known as the Berlin 'Echtzeitmusik' scene. His approach could be similarly described as working a critical analyst and researcher: Subtly and precisely working in the realm of processing as a method of intervening in melodious/harmonic analog sound sources.

Ehlers and Mathieu may not think too much about their singular productions and publications outcomes, but instead concentrate on the process and musical personality that characterizes their gesture- style itself stays in the background - and they usher a music from small minimal sound sources coaching a patient music of slow intervention - much like a refraction of light than a concrete painting or a blurred photograph - beatus accident.

And indeed, "Heroin" is an album that embraces the happy accident being made up of reduced, often very catchy and very direct micro hooks which seem laser-guided into a space accepting obvious melodic beauty in what feels like an observation of musics unfolding and revealing it's DNA, embed with for a kind of yearning for innocence and naiveté - as if Satie were on the jukebox in "The Crying of Lot 49". Not to say the music is "reduced", but rather: 'restricted' and born from acceptance of limitations, and the artists allowing the sounds to just "be.." with some incremental degrees of coercion.

The album not only sounds like that of 2 producers who are both dreamers and scientists, but that Ehlers and Mathieu chose to work with these means in a dialogue together to reduce pop music to its musical/tonal core, it is not Pop music anymore, rather a ghostly pointilistic itteration of song. "Heroin" is located at this transition, around that point at which tracks, that were or could have become pop compositions, irrevocably slip into a static harmonic nirvana. We are invited to follow the arch of Heroin in a slow-motion morphine musical haze.

Heroin sounded timeless when originally released and proof is that it remains so, one wishes that Ehlers and Mathieu would convene again for a week, a month or an entire year to continue this process of slow rumination, picking affectionately over the sounds they both love - and then maybe when everything is condensed, evaporated they would write more songs with those sonic refractive elements that remain.

180g black vinyl Star Birth and downloadcode for "Star Birth" and "Star Death". Gatefold.

'Star Birth' is a flung fisherman's net, mighty in scope, irrevocable as looking up from the stone floor of a cathedral – there is space, yet there is profound intimacy from the immediacy of the lyrics, our thoughts rattling around like panicky goldfish. Race has taken aspects of areas
previously explored, and made a quantum leap into the unknowable. With opening track Can't Make This Up, the gauntlet is flung down – 'what is need, what is greed / it's a new crush, the brain trust/ hive mind rewrite rewind/ falsehood streaming'

'Star Birth' is international maverick and music icon Hugo Race's 15th album with his band of True Spirits. It's a double album and the twin album's name is 'Star Death'. Star Birth was recorded during Australia's bushfire summer apocalypse of 2019 and mixed as the 2020 covid-19 pandemic hit. When the stars align it all makes sense, Hugo explains, adding that one oceanic evening while writing the album a bright star exploded right before his eyes, the sign of a sudden end and a new beginning...

Hugo's writes of trials, tribulations, hopes, fears, heartaches, loves, losses, highs and lows – 'everyday I die a little bit more, in a thousand ways I fight my little wars – and he sings with exquisite pathos and depth, like he's singing just for you about the times in which we live –
political disasters, our planet, the absence and the presence of spiritual values, broken promises, cracked hearts and if any of it really matters anyway. With hell raising lyrics like,Expendable, you'd have to wonder if anyone of us will make it through alive – 'hey sister, are
we all expendable? nobody wins, but so many of you think they do / don't try to fool yourself people, deep down you know the truth - everybody gets their one hot shot but no one's bullet proof'. But then The Rapture reminds us that there will always be stars dying in the glory of
new life – 'give us this day comfort and bread / implant in us the living word / empower us with divine love and deliver us from evil / for you are the one true light / the power and the glory / forever /amen'

Hugo's True Spirit deliver a lush, sonic love letter of rock, electronica and dramatic orchestration, based in blues, hypnotic repetition and sonic exhilaration. Michelangelo Russo is a huge part of this atmosphere; his approach to music is that of an artist with a palette of
mysterious implements and machinery, but the entire band and production is incredible from start to finish. Star Birth is 48 minutes of mind expanding, mind blowing, heel tapping tunes, with its sister album 'Star Death', a dub version of remixes that will send you searching for
your own exploding star somewhere in the sky…

Maurizio one of the founding members of Concrete Records drops 2 original tracks that bring us into hypnotic landscapes full of deep groove and abstraction.

Ethereal and strong at the same time, this tracks are made for being played in the most disparate dj sets both as regular "dj tools" and as real killer tracks.

To confirm this, the two Tensal remixes lead the release to even more extreme territories, without however deforming the "mood" of the tracks.

A perfect match for a release that has a well-defined and very powerful sound.

Limited edition of 150 copies

After a prolific year 2019 with two OSTs and a side project with Anton Newcombe and Emmanuelle Seigner (L’Épée), The Liminañas are back with a new single exuding the summer heat and the beach sun, ‘Calentita’, which features Nuria, a Spanish friend on the band, on vocal.
This sole vinyl edition is limited and includes 2 remixes as well as an alternative version.

Limited

From their early days hosting parties in Oxford through to the huge success of their two-part ‘Everything Not Saved Will Be Lost’ album, Foals have consistently explored their interest in dance and electronica. Now the band chart the most essential remixes from their career so far as they share the new remix package ‘Collected Reworks Vol 1’.

The tracks featured on ‘Collected Reworks’, are a compilation from an eclectic range of artists who have uncovered new angles to Foals’ discography. It includes one of their earliest remixes, from Ewan Pearson who blends Balearic bliss into ‘Olympic Airways’, as well as Solumun’s huge version of ‘Late Night’, which has been viewed over 50 million times at YouTube. Another standout moment is Hot Chip’s inventive interpretation of ‘My Number’.

‘Collected Reworks Vol. 1’ has been launched with Hot Since 82’s brand new remix of ‘Into The Surf’. The tech house producer / DJ behind ‘Buggin’’ and ‘Restless’ subverts the track from its original desolate beauty into something fresh and invigorating. The relentless driving beat maximises its energy throughout its eight minute duration, while its progressive leanings are given some unexpected throwback flavour with ‘80s style sax.

Trad Vibe records started in Paris in 2005 when two friends and open minded musicians decided to set up a label that would mainly focus on vinyl releases. In times when Serato and other midi controllers dominated the dj booths and when vinyl record sales were experiencing a major downturn, this endevour did not look like an easy bet . "Moar's Remixes", the label's first release allowed Trad Vibe to set foot in the business and to meet people like Grandmaster Dee Nasty, Cortex (Alain Mion), Raashan Ahmad, The Audible Doctor (NYC) amongst many others which resulted in fruitful collaborations."
Ten years and over thirty vinyl releases later we are poud to present you with this compilation that includes unreleased tracks and remixes by Dj Cam, 20syl (C2C/Hocus Pocus), Venice Beach, Lord Funk, Blanka (La fine Equipe / Juke Box Champions) as well as brand new tracks by artists we like among which LS Brigandes (NYC) feat Insight, Moar & Elodie Rama, Dj Suspect & Doc TMK, King Most (San Francisco) and Madjir."

Evolution is our main target and we hope that you will enjoy our new projects as much as we do."

Moods & Grooves proudly introduces another new face, this time from the Detroit scene. DJ Eternal Student (aka Marvin Prather) steps up to the plate with his melodic track Hear Me Though and a deep groove entitled Transpose Deep.

Hear Me Though combines a funktastic bass line with some heavy breathing drums, strumming synths, xylophone like keys, and a sexy vox to create a wonderful head bobbing groove all on its own. Hot remixes of Here Me Though come courtesy of Domenique Xander (Berlin) and Deepset. Domenique puts a nice wash over it with panned and echo'd claps, drums, and very dreamy pads to create a stellar remix. Deepset ( a partnership between Brian Neal and Avalon Kalin) provide an up-tempo deep groove with a banging kick and swinging vocal chops to accompany the original vox of the track. A new bass line and funky congas produce a warm and lush version of the original. The synergy these producers had is incredible, all vibing from Marvin’s original version.

Transpose Deep is a climber. It starts off very unassuming with a solid 4 on the floor kick that morphs into solid synthy pads, and a funky bass line before it breaks into a full sprint of these elements, a bass that growls at you, and hats that swing hard.