Cerca:remixes

French producer, DJ and Recit De Voyage label owner Molly joins the roster of Philipp Priebe’s Stólar imprint this June with her ‘On The Road Again’ EP, accompanied by remixes from Dial co-founder Lawrence and Dial artist Soela.

If the ideal greatest hits collection captures the fundamental truth about an artist, Eric Kupper’s – “A Lifetime In Dance Music” highlights an envious catalogue, extraordinary production skills and ultimately reveals a passionate maven of house music.

The 24-track compilation celebrates the vast work and revered career of Eric Kupper and is a collectable occasion to re-acknowledge his influence and golden touch as a remixer for over five decades. This second volume of “A Lifetime In Dance Music” highlights another selection of Kupper’s finest productions and remixes of greats such as Whitney Houston, Earth, Wind and Fire, Curtis Mayfield and Moloko.

Emblematic of an iconic nightlife and reflecting on the sheer scale of his work for seminal artists including Diana Ross, Gloria Gaynor and Donna Summer, this ultimate collection serves as a reminder of Kupper’s astounding blend of studio power, control, and agility as a producer and remixer. As the writing and production partner of the late godfather of house music, Frankie Knuckles, Kupper is a true musician and multi-instrumentalist who has played on, remixed, produced or engineered over 2,000 records spanning a wide range of contemporary musical genres.

An eavesdrop to Kupper’s sophisticated, faultless production style that has amassed an unprecedented catalogue captivates the imagination back to bygone musical decades. His work in the mid-to-late 1980s/early 1990s, especially with Def Mix Productions and remixes for the genre’s superstars Alison Limerick, Ce Ce Peniston, Inner City and Frankie Knuckles is considered to be part of the foundation for house music as it exists today.

The fourth release on Denis Horvat's Vokabularium brings you the fresh sounds of none other than Auggië. Having had multiple releases and remixes on the likes of Innervisions, Borders Of Light, Sum Over Histories, Auggië brings us 3 new tracks weaving together groove and emotion. the EP will also feature a remix from Horvat himself. Expect to hear these making the rounds this year.

An Italo Disco rarity from 1989 now available again on coloured 12“ Maxi Single:

Helen - I Love You

Side A contains the rare original version and on side B fans can look forward to two new and exclusive remixes by Flemming Dalum and Victor Ark.

Back in 1993 Alex Neri and Marco Baroni decided to follow the path of experimentation, crossing the bridge between Melodic Italian Deep House and Progressive Music.

This concept is better expressed in the name “Kamasutra” itself, because their music has changed shades, evolving in different “positions” for each version released.

Repressed today including two remixes by Gene on Earth and Mennie.

In the words of Bill Brewster - DJ History

‘At the turn of the 1990s, there were few more successful New York house producers than Victor Simonelli. Under a dizzying array of aliases – Solution, NY’s Finest, Groove Committee, Critical Rhythm and Cloud 9 being amongst the better-known – the Brooklyn-born DJ/producer delivered a string of underground club hits during the city’s early ’90s house boom.’

BTG presents “Victor Simonelli: The Early Years Vol 1” a collectors edition double Vinyl release - 2 X 12’s in each Vol

Launching the first Behind The Groove collectors edition vinyl series is New York’s finest Victor Simonelli with ‘The Early Years Vol 1 & 2’ double Vinyl releases. Featuring seminal house tracks such as Cloud 9’s ‘Do You Want Me’, Solution’s ‘Feel So Right’, Instant Exposure’s ‘Wanna Be With You’ and rare mixes of Raiana Page and EZ-AL, this collection brings together classic and rare Victor Simonelli cuts that reflect the early raw energy and buzz of the New York House scene. With ‘Vol 2” scheduled to follow shortly after, this is the most comprehensive collection of rare Simonelli cuts that firmly establishes his esteemed role in 90s House Music as well as introducing new fans to his inimitable sound.

Victor Simonelli is one of the early kings of NYC sampling In house music. The real deal - Victor danced at the legendary David Mancuso’s Loft sessions and developed a serious appreciation for good music. He interned for Arthur Baker at his renown Shakedown Studios (where Arthur worked with the iconic Afrika Bambatta on the seminal dance floor ’Planet Rock’ track) and went on to release hugely influential releases on seminal NYC labels 4th Floor and Nu Groove. Victor’s music was championed by the hugely celebrated iconic House Music DJ pioneers, Larry Levan and Tony Humphries at Paradise Garage & Zanzibar/WBLS/Kiss FM respectively.

Revered as a New York house heavyweight and prolific producer since the turn of the 1990s, Victor Simonelli grew up in Brooklyn, NYC, nurtured by a music loving family, with an avid record collecting father who also worked as a local party DJ. He took music lessons in piano, drums, guitar and bass, before discovering his first love, tuning into NY’s Radio Mix Shows on WBLS, WKTU and WRKS,98.7 Kiss FM) where he discovered the art of mixing and in his own words, ’I just simply got lost in the music’.

Graduating from NYC’s Centre For Media Arts, Victor got an internship in the legendary producer, Arthur Baker’s Shakedown Studios. Soon graduating to editing, mixing and then producing he worked for artists David Bowie, Quincy Jones, Debbie Harry, Sinead O’Connor and Talking Heads. Teaming up with fellow NYC producer Lenny Dee to become the Brooklyn Funk Essentials, they released records ‘Critical Rhythm’ and ‘Subliminal Aurra’ on 4th Floor before Victor went solo as Groove Committee releasing the classic ‘I Want You To Know’ on the legendary Nu Groove Records. Paradise Garage legend, Larry Levan broke ‘I Want You To Know’ rocking 2 copies on his last tour of Japan whilst King of NY House Music,Tony Humphries broke Victor’s new ‘Feels So Right’ across New York on his WBLS/Kiss FM Mastermix show and at his legendary Zanzibar club sessions. It was only a matter of time before Victor’s name became synonymous with quality House music ensuring a worldwide platform for his productions.

In the early 90s alongside his own productions, Victor Simonelli worked on high profile projects, including James Brown’s album, “Love Overdue” BeBe and CeCe Winans single featuring Mavis Staples “I’ll Take You There” and Quincy Jones’ “I’ll Be Good To You” featuring Chaka Khan and the legendary Ray Charles. Never straying too far from his clubland roots, Victor worked with Danny Tenaglia on his classic “The Harmonica Track”.

DJ gigs across the world started flooding in and Victor found himself recording for a dizzying array of labels including Tribal America, Sub-Urban, Bassline, King Street Sounds and Vibe, under a wide range of aliases. He also produced, wrote and remixed for artists such Nile Rodgers (Chic), Afrika Baambata, Hall & Oates, Frankie Knuckles, Kerri Chandler, Madonna and Michael Jackson. Famed for his own productions “It’s So Good” by Creative Force, “I Know A Place” as Sound Of One - the first release on Roger Sanchez One Records -, “Dirty Games” as well as the “Street Players Vol 1 EP”, Victor went on to set up Suburban Records with Tommy Musto and Bassline Records with two other partners. Notable releases on this label include “Do You Feel Me”, Connie Harvey’s gospel inspired, “Thank You Lord”, Urban Blues Project’s “Deliver Me”, Colonel Abrams “Not Gonna Let”, and Mone’s “Better Way”. Never ceasing to produce, DJ, run his own label and host radio shows like Groove Lift, Victor has worked with virtually every NYC producer and has nurtured a next generation talents including Angel Moraes, Jazz ‘N’ Groove, Urban Blues Project, Harlem Hustlers, Jay Jay and Julius Papp. Victor’s releases have also been used on M&S’s “Salsoul Nuggett” hit and Eddie Amador’s underground smash ‘House Music’.

In the late 90’s Victor launched his new Westside Productions, notable for the “Latin Impressions 1 & 2” releases, opened up a studio in Italy as he found himself increasingly working in Europe and now divides his time between New York and Italy. Suffice to say his unique sound of uplifting and spiritual music has kept him at the forefront of House Music and he is credited as one of its leading exponents with his string of classic releases and remixes.

Behind the Groove, branches out from its digital platform to embark on a programme of releases from the iconic pioneer producers of House Music. Esteemed for their high quality features and mixes that continue to explore, celebrate and venerate the contributions of highly respected, scene-shaping Labels, Artists, DJs and Special Events, BTG seeks to bring these talents and tales to the attention of the wider community. Unlocking the stories surrounding the pivotal roles they played and continue to play today in shaping the underground music scene we have come to know and love.

BTG presents “Victor Simonelli: The Early Years Vol 1” a collectors edition double Vinyl release, released on May 12th 2023. ‘Vol 2” follows on May 26th 2023 . These releases are the most comprehensive collection of rare Victor Simonelli cuts that firmly establish his esteemed role in 90s House Music and introduces new fans to his carefree sound.

Afterhours. latest release, “Dimensions EP“, is the result of the successful collaboration between Optide and Adar Cohen, showcasing their talents in seamlessly blending Electro, Break Beat, and Minimal genres. In the package, two hefty remixes by Christopher Ledger.

Catering to those with a soft spot for Electro and Breakbeat, A-side’s title track ‘Dimension’ and Christopher Ledger’s Remix are all about driving basslines, robotic percussions and captivating soundscapes. Flip-side’s ‘Hypnagogic’ shifts gears to the Break & Minimal House realm where detailed groves, deep tones and swing are key. Ledger’s remix further develops the deepness of the original tune and expands it over a 4by4 groove.

Fourth release of swiss label Mormorio Records.

MOR004 by Lepaya brings you some heavy breakbeats, remixes by Traumer & Giorgio Maulini.

full cover art, 180g, colored vinyl, limited copies.

Underground System return to Razor-N-Tape with the Looking In EP, A 5-track offering of fresh originals and remixes.

Ranging from low-slung Balearic grooves, to driving left-field funk and urgent up-tempo backbeats, the record is a fine-tuning of the US sound, complete with their signature flute and synth soundscapes, driving percussion, and catchy offbeat vocal hooks.

On the B-side, RNT mainstays Nenor and Clive From Accounts take two of the tunes into clubbier territory, with a pair of remixes primed for the dance floor.

Omni AM presents the long-awaited reissue of “Can We Get / Keep Doing That.” This timeless record sent dance music in a new direction. Euphoria Record’s vaults are open and finally, for the first time since 1997, this seminal tech-house classic is available to everyone for the very first time in over 25 years. This 1997 indie record was Euphoria Records second release – and their first international record. Whether you agree with it or not, many people consider this one of the pioneering records of American Tech-House. Both sides and several mysterious alternate versions have graced the decks of DJs like Evil Eddie Richards, Terry Francis, Derrick Carter, Tyler Stadius, and Magda. The list goes on.

We were lucky. Curve Pusher lovingly remastered the original four tracks from the 1997 studio masters. Then, he went a step further, and remastered some previously unreleased versions – including a live version in Chicago that encapsulates what Omni AM was back then: ambient house. There’s a bit of Chicago, a bit of London, a bit of New York, and a bit of Tokyo in every second of these classic, genre-defining tracks.

A1.
“Can We Get” happily sits with the finest works of Ron Trent, Chez Damier, and Mood II Swing – and goes further, as Omni AM has never feared genre definitions. It opens with classic deep house chords, floating synth pads, and sparse vocals. The bassline is deep and warm. Marky Star and Adam Collins expertly work the percussive effects but always keep the theme simple and clear. Everyone knows this is a classic house track because it hypnotizes you.

A2.
“Keep Doing That” continues the theme with another classic late-night killer. However, this one is totally different – almost industrial, yet clearly housey and ambient. It drives deep into a tough groove that just builds and builds. The dub-influenced bass line gives way to a more angular synth riff that both offsets and adds to the track's forward thinking sound design. It’s dark and dirty, yet terribly sexxxy at the same time. It was and always will be mesmerizing. Once again, musical magic by Marky Star and Adam Collins.

B-Sides
The flip side features two remixes of “Keep Doing That” by UK tech-house legend Mark Ambrose. His bubbly, psychedelic take on the track pumps up the percussive Chi-town groove while going in a distinctly London afterhours direction. Trippy, for sure. Fun for all, for sure. These remixes are guaranteed to make your afterhours weird.

To many crowds the world over PBR Streetgang are known and loved for their talents behind the turntables, selecting at most major festivals and clubs of note but to others they are producers and remixers whose eclectic taste and evolving style has seen them enjoy longevity and critical acclaim. This album is a rare selection of originals and remixes that shows the breadth of their work.

Featuring early original hits that propelled them into the limelight, like ‘Downstroke’ and ‘J2Thab’, and more recently their stand out disco tinged nugget from their debut album ‘Late Night Party Line’.

Previously un-pressed remixes like the cult classic rework of Romathony’s – 'Bring You Up' and the slow chuggy sleaze of Bryan Ferry – One Night Stand and the teary eyed euphoria of their remix Hot Chip’s - 'Melody Of Love'.

This compilation represents an honest retrospective of the production and remix talents of PBR - always keeping true to their sound and themselves.

Limited Vinyl Press.


DJ Support from a very broad base.. from Paul Woolford and Bicep to Jennifer Cardini and Daniel Baldelli.

On April 7th electronic luminary Nathan Fake presents the new longplayer ‘Crystal Vision’ on his own Cambria Instruments imprint, which features collaborations with Clark and Wizard Apprentice.

This is music for music’s sake – recorded without angles, agendas and themes – so Fake was free to simply continue honing his craft and express himself non-literally. Aptly titled, there’s a clarity of execution and ambition, and a peak effectiveness to the record that just sounds right.

Continuing to set a personal bar higher and topping his own best, the mark of master craftsperson is everywhere, but that doesn’t mean it’s polished; There’s plenty of rawness evident, with spiky sonics keeping ears on high alert – full of endorphin-flooded rave energy.

Following a short, scene-setting ‘Arrival’ – a simple major chord arpeggio played on a Jupiter 6 which sounds like curtains opening at dawn, things begin apace with ‘The Grass’, which hurtles like a precision-tuned bullet train through Arctic tundra. The undulating effect of compression is emphasised by the classic techno trope where 2 rhythms jar yet interlock, creating an exquisitely disorientating strobe-like flutter. On the track’s guest, Fake comments, “I fell in love with Wizard Apprentice's ‘I Am Invisible’ and felt our musical styles were similar. Their vocals are smooth and clear and sharp at the same time. They’re like a calm within the storm.”

Inspired by Italo disco but sounding wholly alien and futuristic, ‘Vimana’’s fizzing buzzsaw arpeggiated bassline, popping snares and bright whirling melody are equally an electro trance melange, with an effervescent major chord Arp that kicks in midway.

Reminiscent of what used to be called ‘funky techno’ but with sparklier sounds, ‘Boss Core’ blinds like sunshine bouncing off ice. Using his trusty Boss DR550 drum machine, and inspired by Autechre's ‘Vose In’, the track peaks by reaching that melancholic/euphoric axis for which he is loved.

With chugging slow breakbeats not a million miles from Board Of Canada or trip hop, ‘Crystal Vision’ rolls along, with the melody opening up, revealing more hidden notes as it progresses, building into a fractal, kaleidoscopic mosaic.

An emotional outpouring with serotonin surging through the circuitry, classic breakbeats and layers of lazers, ‘Bibled’ has all the hallmarks of a classic. This is a bonafide festival-set closing, hugging-your-mates, moment – or, with its guitar solo, “a power ballad” – as Nathan calls it.

A minimalistic moment of calm midway through the album, ‘CMD’’s gently comforting dreamscape is conjured with FM stacked and detuned sine waves which are left to breathe, whilst the chunky Chicagoan house jack of ‘Hawk’ brings to mind classic Relief records, but even more detuned and wibbly, and laden with synths.

As the title suggests, ‘Amen 96’ is in Fake’s own words, “me having a go at jungle. I grew up listening to it, and I remember as a teenager it sounded like the most intense and otherworldly music ever. It still does. This track is an experiment to see how my melodic style works against amen breaks”. Closer to the braindance end of the spectrum than ‘proper’ jungle (and all the more interesting for it), Fake channels the spirit of Squarepusher but makes it his own, brimming with melodious twinkle.

A collaboration with Nathan’s close friend and genuine musical hero Clark. ‘Outsider’ finds this dream team alchemising pure gold that’s bigger than the sum of their parts. Skittering, intense, far-reaching end epic, the pair close proceedings on a grandly dramatic note. In 2020 Nathan released the album ‘Blizzards’, which was described by The Quietus as “his best work”, and “his best LP yet” yet by Resident Advisor. The equally well received ‘Blizzards Remixes’ EP which featured Afrodeutsche and Irene Dresel followed in 2021, as did a nationwide UK tour.

An in-demand remixer, Fake has added his magic to tracks by Radiohead, Clark, Perc, Jon Hopkins, GoGo Penguin, Dominik Eulberg, Christian Löffler and Damian Lazarus, working for labels including Ninja Tune, Domino, Warp, Blue Note and Kompakt.

"Le Disque De l'Art Gué" highlights in a 10-track compilation the avant-garde and dreamlike work of Fizzè, in between medieval ballad, acoustic industrial and psychedelic world music. It includes original tracks from "Kulu Hatha Mamnua" and "Manoeuvres d'Automne" albums released in 1987 + unreleased materials and remixes by Fizzè.

Compilation, concept and production by Fizzé, Orsett & Fischer

Analog mastering by Tim Stollenwerk

Drawings, obi strip and insert layout by Anne-Marie Gratton

The record cover represents the acrylic painting "Till" by Alex Rabus

Talla 2XLC is celebrating his forthcoming birthday with the annual
spectacular Technoclub event along with faithful friends such as DJ
Dag, Woody van Eyden, Andreas_Kraemer, Sven Wittekind, Ulli
Brenner ,LXD and Bluefire amongst others. While during his career
has faced many obstacles and unfortunate situations, he manage to
stay ahead of his game by gaining the respect and admiration of his
fans and DJ colleagues. His career is a bright example of an artist
that fight against all odds and work ultra-hard to be always at the top
of download shops charts with his single releases and at the top of
the physical sales charts with his long lasting Mixed CD compilation
Technoclub that in 2023 celebrates its 25th year anniversary. Well
known for his ability to provide brilliant remakes of huge trance
classics on his label Technoclub Retro while on That’s Trance service
original solo tracks or collaborations with brilliant singers such as
Christina Novelli and fellow DJs like Ronski Speed or Ralphie B. Last
year he established his psy-trance label Dreamscape with remixes
by his psy-trance alter ego Zyrus 7. Talla 2XLC is not just a pioneer
in techno and trance music scene but also a frequently booked DJ
performing on the most iconic festivals and club events such as Nature One, Mayday, Airbeat One and many more as he knows excellently to entertain his crowds with memorable DJ sets . Talla 2XLC embraces social media with active accounts in the most of them with hundreds of followers.

During the pandemic lockdowns he conquered twitch with
his very successful live DJ sets receiving donations and support from
his global fan base. What is more Talla 2XLC is taking part in wide
variety of documentaries narrating his contribution in the development and growth of electronic music culture. He is co-founder of MOMEM - Museum Of Modern Electronic Music in Frankfurt that any electronic music follower should visit to learn about the history of our culture.

For his 2023 Birthday he has a huge surprise to all his vinyl lovers.
He is going to release his BDay Bash EP that will include two massive
tracks already released digitally under his techno moniker RRAW on
Technoclub Pure. The two massive mainstage techno friendly anthems Wonderful Dayz and The Promised Land. Both tracks have been fans favorites and have been road-tested extensively by Talla 2XLC and many other well-known artists worldwide. Banging mainstage techno basslines, slamming kicks, haunting dark moody atmospheres, acid touches and strong euphoric breakdowns followed by massive hands in the air dark climaxes, turn both tracks into must have for any vinyl lover who wishes to embrace Talla 2XLC techno moniker RRAW. Wish Talla 2XLC happy birthday by purchasing his Bday Bash EP with hi latest techno alias RRAW out on ZYX Music.

2023 Repress

Originally given a digital-only, Bandcamp-only release back in the summer of 2016 RVDE's '90s Hammer' has become a sleeper hit, slowly but surely growing through word of mouth, YouTube plays and DJ support. Now Perc Trax has licensed it from its original home T/W/B, added two brand new remixes and given it the vinyl release it always deserved as the label's final release of 2019.

It all starts with the original mix, a whirlwind of heavy kicks, triplet synths and gangster shout-outs. Heavy music isn't often as hook laden as this and you can see why Perc has been a huge fan of the track since its original release.
Next up Perc Trax welcome's Slovakian legend DJ Boss to the label for the first time. Boss is already a hero to many Perc Trax artists including Sawf and Perc and as usual he doesn't disappoint with a sub-heavy rolling 4/4 mix.

Flip it over and up steps Perc for the second of the new remixes.
The Perc Trax boss pulls no punches as he adds gun shots and his trademark slicing snares to an explosive arrangement that has been a highlight of his sets around the world since summer.

Finally Anthro's excellent remix from the original T/W/B release completes this four track 12". The noisiest and grimiest of all the mixes on show here, it rounds off one of Perc Trax's most solid pieces of vinyl in a long time.

An artist with a rich history within modern house music and longstanding ties to Hot Creations, Ali Love makes his solo debut on the label with collaborator and Brazilian rapper Prince Andre. Ali takes on production duties here, and the result is a pretty unique slice of Brazilian hip house. ‘Da Da On’ brings a driving bassline, samba inspired percussion, whistles, and Prince Andre’s effervescent rhymes. This is an explosion of energy built for Carnaval. The dub highlights the track’s rolling drums and Carnaval atmosphere. Remixes are to follow on Hot Creations.

One of the premier songwriters of contemporary UK dance music, Ali Love has released material via Crosstown Rebels, Keinemusik, and Defected in recent times, and collaborated with The Chemical Brothers, Justice, Camelphat and Róisín Murphy, amongst many others. It was, of course, on Hot Creations, where Ali collaborated with Jamie Jones, Lee Foss and Luca C as Hot Natured, and whose ‘Benediction’ has now become a contemporary dance music classic. This is Ali Love’s long-awaited return to the imprint.

‘Horsepower’ marks the Dutchman’s third credit on Drumcode this year, following a strong collaborative work with Weska ‘Shades of Summer’ and the new remixes of ‘Your Mind’ from Charles D, his classic with Adam Beyer from 2018. Bart’s also been busy throughout the summer season, a fixture at our Off Sonar, Drumcode Miami and the Drumcode Ibiza event

His latest two tracker continues this reach vein of form. The title track is vintage Bart Skils; a searing festival-ready bomb built around a dreamy vocal sequence and long mid-section break that drops back into stomping techno territory. ‘Sunshine in the Dust’ brings the party with lively percussion, flamboyant vocal samples and tough bottom end. A super fun track bursting with Latin flavours.

The first release of 2023 on SHERELLE and NAINA’s Hooversound imprint comes from London based DJ, producer and AV artist, Drumskull.

Drumskull is the moniker of Joel Harrison, started during lockdown in 2020. His debut album, ‘Interlocked’ garnered support from the likes of Addison Groove, Ahadadream, Doc Scott as well as receiving radio support from Tom Ravenscroft on BBC Radio 6 and Avalon Emerson on her BBC Radio 1 Residency.

In joining the Hooversound family, he again showcases his style of meshing jungle, footwork with deep house and breaks across two tracks. 'Muscle Memory’ also features two huge remixes from Nottingham’s Lone and LMajor - both making debuts on the label.

The EP wraps up a busy year for Hooversound who also put out releases by RAVETRX, Prayer, Thugwidow and Bruised Skies as well as remixes from Response and Denham Audio. Since launching in 2020, Hooversound has become a go to label that pushes the bass continuum, being championed globally by Resident Advisor, Crack Magazine, FACT, Groove, Mixmag and more.

For its first release, Caprices Music relies on Brizman, an Israeli based in Berlin. In a competitive market of international DJs and producers, Brizman's distinctive sound consistently delights the hearts of listeners. He has produced a massive collection of minimal house tracks that have already been released on renowned labels. Now he's hitting his notes on Caprices Music with two original tracks "Mama Shelly feat. Linn Stern" and "Berlin Moment" in tribute to the recent death of his mother. If one is a melancholic and haunting ballad, the other is distinguished by a deep but heavy sound. As for the remixes, Tripmastaz and Silat Beksi deliver two dancefloor bomb. The remix of Silat Beksi will appear only on the vinyl version.

James Curd presents the fourth instalment from his already essential PRONTO label, delivering a hyper-infectious original alongside a bumper pack of top-drawer remixes on ‘I Am One, I Am Many’.

First up, Curd’s original version of ‘I Am One, I Am Many’ bursts from the blocks with its lively tempo and feel-good groove. Built around an empowering spoken word vocal and pitched somewhere in the fertile soil between disco and house, the funk-laden jam rolls over thick bass, dramatic strings and jaunty guitar licks, with irresistible horn motifs lifting spirits as the dance-ready arrangement unfolds.

Next, renegade UK collective Adelphi Music Factory maintain the uncompromising approach that has seen them garner universal tastemaker heat thanks to impactful releases on Shall Not Fade, Nervous, and their own Beat Factory label. Adding weight to the drums, they stay true to the intention of the original, retaining the track’s key parts while tastefully reforming them as an unfettered main room banger.

The UK remix flavour extends into the third iteration, with notorious party-starters Make A Dance continuing their club-focused manifesto with their brilliantly atmospheric revision. Here, M.A.D. carry on the fine work they’ve been manifesting on their eponymous label, constructing an almost entirely new track around the iconic vocal. A contagious organ hook drives the energy as saucer-eyed sweeps and off-kilter synths meander across the panorama, the sturdy house rhythm expertly powering the kinetically charged groove.

Tel Aviv’s Nenor rounds off the remixes, the esteemed producer and DJ showing the kind of sparkling form that has seen his work appear on benchmark labels including Mahogani, Strictly Rhythm, Heist, and Razor N Tape among many others. Transposing the track into deeper territory, Nenor strips back the instrumentation to serve a mesmerising heads-down roller. The vocal soars over brooding bass and syncopated chords, with loose rhythms and subtle textures combining to hypnotic effect.

As luck would have it, this seventh exclusive Deep Site Vinylized edition sees the pure class of Tojami Sessions (Dessous Recordings/Plastic City) with two stand out original tracks each offering remixes that contrast and compliment the full atmosphere of this release.

Falling (Original Mix) takes you on a late afternoon cruise filled with soft seductive whispers and a surprise percussion during the break. Falling (Manuel Sahagun Remix) adds more of a jazzy element, focus on inspiring words, and the laid back improvisation keep the groove flowing non-stop. Falling (Kessidis Remix) takes on a more mystical and minimal approach amidst modulating synths and the spoken words declaring what is to unfold. What Is Love (Original Mix) The extended intro and groovy bassline start this track off, bathing you in sunlight while the vocal samples splash over and refresh you creating a radiant joy. What Is Love (Deep Spelle Remix) layers some harder beats and an 808 bassline producing that contagious dancing feeling impossible to resist.

What Is Love (Funtom Remix) sends the track to high emotional levels with use of melody and dynamics making it a true anthem bound to leave its touch.

Taken from “What Goes Up Remixed” LP from 2019, licensed exclusively from Future Rootz in Chicago, Dinked Records are pleased to commit two of the standout remixes to 45 with Cut The Infection edited down to fit our favourite format. Guaranteed to rock your dancefloors this festive season – if these bangers don’t get your head nodding then nothing will!

Tutto Bene is the new imprint of the North German vinyl digger Hagel. The plan? Release infectious but versatile grooves reminiscent of the nineties with hefty doses of funk - rich in percussion, rolling sub basses, charismatic rhythms, and light-hearted yet odd synths. The first record, 'Too Easy EP', comes signed by AlleyOP, a collaboration project between Hagel and Berlin-based wonder producer Atree, and features two original tracks and two remixes by Lorenzo Chiabotti and Audio Werner.

A side's 'Die Another Day' opens the record with robotic rhythms under mildly paranoid tones proper for dancefloor hypnotization. Lorenzo Chiabotti brings an unexpected melodic touch to the original, completely re-shaping its groove and determinately swapping its freaky tonalities with hopeful scales. B side's 'Too Easy' follows the same path of minimal arrangements and straight-to-the-point drum programming and sampling but opts for warmer sonic tones - making it appropriate for dusk and dawn dancefloor moments. Audio Werner elevates the warmth in scale and ups the vibe by intensifying the breaks and synth atmosphere of the original and shooting it into a stratosphere where melody and detail are elementary.

After “Refined”, their first release on Thisbe Recordings back in April 2021, Radial Gaze are back on the Berlin-based independent label with “Tetra Seeds”, their brand new EP. It includes 3 original tracks and three remixes by Dominik Marz, Balam, and label owner Pyrame.

The two St-Petersburg-based brothers , Andrey – electronic musician and producer, mixing and mastering engineer – along with Stas – sound designer, guitarist, and theatre director – stay true to their identity : In “Tetra Seeds”, they deliver an irresistible blend of slow techno, ethnic-infused electro, and percussive wonders.

Printed on a yellow vinyl, the 6 tracks 12″ is a limited edition with astonishing artwork by Maksim Cherny.

Black Vinyl Repress!


For the first time, these exclusive extended versions of NJOI's seminal tracks are available as a 3 coloured disc vinyl-only release. Carefully lifted from their original early 90's live sets, these tracks have been re-crafted, extended and mastered to todays sonic standards and we're very proud to present 'Collected' on Food Music.

This project is much more than simply re-issuing the cream of NJOI's catalogue. As we enter 2022, we begin a year long journey with the duo, eventually unveiling 30 year old unreleased sought-after material for the first time ever, together with remixes from some of the todays finest electronic artists. It’s a privilege to complete the circle with NJOI and their timeless music.

clear red vinyl

Stuttgart's David Lohlein has been involved in electronic music for a number of years and launched the Vision Ekstase event in his hometown of Stuttgart together with his friends before providing the inaugural release on the same titled label which picked up support from the likes of Ben Sims, Luke Slater, Efdemin and many more established names within the techno world. David now invites remixes from Mote-Evolver artist Rene Wise, Hayes producer VIL and Vision Ekstase residents Rove Ranger and Fabian Wegmeth.

The Remixes

A stellar duo of techno talent remix Adam Beyer & DJ Rush’s ‘Restore My Soul’.
The original work, released in June 2021, was a highlight on Drumcode and saw Adam Beyer link with the legendary DJ Rush for an inspiring four track EP. Almost a year on and the label has drafted in a triumvirate of top-shelf techno talent to remix the cuts.

ANNA makes her first outing on DC since 2019’s ‘Galactic Highways’ and delivers a searing rework of ‘Control’ that mixes up her patented brand of stadium sized sonics with a fierce acid stomp throughout the second half of the track. HI-LO follows up his debut EP ‘Hypnos’ with a heavy dose of low-end funk as he reworks the title track retaining the original’s hypnotic bassline and building upon it to craft a beefed-up weapon.

If the ideal greatest hits collection captures the fundamental truth about an artist, Eric Kupper’s – 'A Lifetime In Dance Music' highlights an envious catalogue, extraordinary production skills and ultimately reveals a passionate maven of house music.

The 24-track compilation celebrates the vast work and revered career of Eric Kupper and is a collectable occasion to re-acknowledge his influence and golden touch as a remixer for over five decades.

Within this first volume you’ll find signature and standout remixes for all-time greats such as Diana Ross, Depeche Mode and Degrees of Motion alongside Kupper classics both new and old under his own name and the legendary K-Scope alias.

'A Lifetime In Dance Music' will be available across three separate vinyl and digital release packages including a full collectors CD release in 2023.

Emblematic of an iconic nightlife and reflecting on the sheer scale of his work for seminal artists including Curtis Mayfield, Diana Ross, Earth Wind & Fire, Gloria Gaynor and Donna Summer, this ultimate collection serves as a reminder of Kupper’s astounding blend of studio power, control, and agility as a producer and remixer. As the writing and production partner of the late godfather of house music, Frankie Knuckles, Kupper is a true musician and multi-instrumentalist who has played on, remixed, produced or engineered over 2,000 records spanning a wide range of contemporary musical genres.

Having worked on over 100 Billboard #1 ‘Dance’ records and mixed two records that have received the ‘Dance Record of the Year’ Grammy award, it is safe to say Eric Kupper’s hugely successful career underpins house music.

"Delivering his first solo EP in over two years, Blue Hour releases Origins, the 21st release on Blue Hour Music. Following a succession of remixes, V/A contributions and an EP under his Tracing Xircles alias earlier this year, the Berlin-based producer and DJ shares four tracks diving deeper into his UK roots. Channelling breakbeat, techno and trance with the hallmarks of 90’s rave, Origins builds upon the foundations created from his EP ‘Devotion’ in 2020.

In this eclectic EP, Blue Hour explores several sonic palettes. The title track blends celestial chords with urgent drums and acid basslines, while uplifting vocals and subtle melodies wind through the track. ‘True’ dips more heavily into breakbeat territory with evolving and immersive pads, soaring strings and a twinkling synth-line. A dynamic fusion of fast-paced energy and soft touches.

On the flip, ‘Emergence’ dances a delicate line between melancholia and elation, as dystopian chords pool with a squelchy acid sequence and a classic house vocal. ‘Searching’ closes on an ambient tip with spell-binding pads and an angelic melody, conveying a bright side to Blue Hour’s aesthetic, akin to Origins as a whole."

(Late Nite Tuff Guy & Farley 'Jackmaster' Funk Remixes)

An ‘80s dance classic from the legend John Rocca, gets a fresh new take from Aussie edit king Late Nite Tuff Guy alongside a remastered reissue of Chicago house royalty Farley 'Jackmaster' Funk’s 1987 Hot House Piano Remix.

The main man behind jazz funk favourites, Freeez, John Rocca took to the studio in ’84 and whipped up an electro-fied steamer in the form of ‘I Want It To Be Real’. Tantalizing synthwork, beefed up basslines, gated snares and pure ‘80s vocals, it’s a melting pot of influences with a catchiness that caused a serious stir.

This special double header of remixes kicks off with a brand new mix from Late Nite Tuff Guy. He builds up the brilliance with masterful effect, keeping the vocal in the back pocket till the final frontier whilst adding in some buttery new synth magic and deft filtering to the mix.

On the flip, Chicago house don Farley 'Jackmaster' Funk’s 1987 remix homes in on those blissful piano and vocal stabs for a dubbed out ‘Hot House Piano Mix’. Spiritual keys laid down with passion that will be sure to get any dancefloor hot under the collar.

DJ Feedback:

OPTIMO/ JD TWITCH
Nice! The Farley mix is an all time classic. Lovely version from LNTG.

GERD JANSON
I have love for this.

GRAEME PARK/ THE HACIENDA
I vividly remember playing this record the day it was released while working at Selectadisc in Nottingham like it was yesterday. I played it the same night at The Garage club not long after I started DJing there. It brings back some great memories and this superb remix is just wonderful. Its made me get all bleary eyed and tingly. Absolutely tremendous stuff.

AXEL BOMAN
Love this

KAI ALCE / NDATL
This is a HOT EDIT from Late Nite Tuff Guy!

A LOVE FROM OUTER SPACE/ SEAN JOHNSON
Killer - love it

NORM TALLEY
I love this!

CROSSTOWN REBELS
Nice one!!

JACQUES RENAULT / LETS PLAY HOUSE
LOVE the classic Farley piano mix and the LNTG version is a fun take too!

OSUNLADE/ YORUBA
LOVE THIS!!

DANIELE BALDELLI
Love this classic, and now more love for both new remixes

DANNY TENNAGLIA
I really like this remix

DANNY KRIVIT/ BODY & SOUL
Nice

DJ KEMIT/ ARRESTED DEVELOPMENT
An incredible beefed up edit of an international dance floor classic. 10/10

HELENA STAR / NTS
Amazing record, those chords!!

LOUISE CHEN/ NTS
I’d love to play this.

ERIC DUNCAN/ RUB N TUG
This ones cool.

MAKE A DANCE / BEN
Yes yes yes pease love the original so much.

HOT TODDY/ CRAZY P
The Farley mix is a total winner which is a new one on me, LNTG mix is pretty tasty also

TERRY FARLEY
Yes please. A big early House lesson for me BITD

SUB CLUB HARRI
Realy diigin this.

GROOVE ARMADA / TOM FINDLAY
Love this, production is so good!

Force Placement's AEROBICIDE EP is a killer workout of afterhours acid and galaxian breakbeat.

Four hypnotic bangers from Los Angeles with remix support from DJ Manny, D.I.E., and Martyn Bootyspoon

Los Angeles – Following releases on 100% Silk, Clave House, BANK NYC and Lost Soul Enterprises, FORCE PLACEMENT arrives on EVAR Records with four tracks of naughty squelching acid and breakbeat techno hypnotically calling you to the afterhours, backed by a trio of remixes from Martyn Bootyspoon, Detroit In Effect, and DJ Manny, representing North American excellence in techno, electro, and footwork, respectively.

A longtime friend of the EVAR crew from renegade breakcore parties in Santa Barbara to underground experimental electronics happenings in Los Angeles, Into the Woods and The Black Lodge resident Jason "Force Placement" James taps into his love of weird trippy atmospherics, rhythmic complexity and DIY punk/noise aesthetics to create this quartet of mystic, mysterious bangers, crafted with the MPC1000, Elektron's Octatrack sampler, the Korg minilogue, and Ableton.

The AEROBICIDE EP begins its killer workout with "Yeeks," a cabalistic ass-mover driven by a haunted female vocal sample floating atop locomotive bass and shakers – a factory's worth of industrial sounds and eerie accents move in and out of the mix, adding intrigue and interest.

Moving to the main room of the rave, "Balloon Animal" shoots you through an inflatable tube of squelchy acid techno as knives cut the air around you, while "Upsetter" adds a shuffling breakbeat rave bounce into the acid mix. "Quartered" chops it up with Clone-style dark analog electro that gets increasingly deconstructed by dirty, stretched percussion and rivulets of synth reverb raining down the walls.

Rounding out this occult aerobics class, some of North America's most compelling forces in dance music are called in for remix duty. Unsung electro hero Detroit In Effect aka D.I.E. – the man behind such classics as "RU Married" and "Get Up" – leans deep into the classic Motor City palette, pairing lush, spacey pads with that hard-swung Detroit bounce to create a mellow groover that will keep you going all night. Montreal's world-class party starter M. Bootyspoon recalls Substance Abuse-era Hawtin and mid-'90s Midwest techno on his "Balloon Animals" remix, with nasty claps and concentric loops of hard acid bleeps and squelches. And who better to tackle "Upsetter" than Southside Chicago's footwork futurist DJ Manny? The Teklife king eschews the romantic R&B tones of his recent Planet Mu album for a tough-as-nails rework that ups the tension and the tempo to create an otherworldly saga for the dance circle.

Opaz celebrates 30 years in urban music with a compilation featuring some of their most sought after tracks. Featuring Martine Girault, Mica Paris, Maysa Leak, Cartier Fraser, Imaani, Natasha Campbel, Patrick Jean-Paul-Denis, George Howard, Mary Jane and Ray Hayden.

The compilation will be supported with a month advertising on Solar radio, as well as a two hour show featuring Ray's Productions, remixes and songwriting for the likes of Will Smith, Marvin Gaye, Omar, Mary J Blige, Incognito, Tyrese, Sade, Swing Out Sister, Guru and artists from the label. We expect some support from online magazines and soul music sites. Opaz has a FB promo page with 294 DJ's and taste makers from around the world who support the label and have contributed to the 1.2 million streams on average a year.

Re-introducing Uk producer Jay Strata, a Glasgow Scotland based Dj/Producer/Graphic Artist Since 1990; with releases & remixes on Soiree Records Detroit, Ozone Records, Jack Trax, Crayon... Previously called Jace Syntax.This is Jaces new pseudonym & a chance to reinvent Himself. This Selection reflects Jason's Unique Mystical take on Electronic Music with tracks compiled from a musical period of 15 years plus. Each track has their own Quirk, varying from Haunting Electro, Acid House, Hip House & Detroit Style Techno with live recorded vocals by Siouxla Le Sommer.

Reissue of this italo disco classic from 1983 with Flemming Dalum and Victor Ark remixes!