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The 15th edition of ( djebali ) presents is here, and it features a number of new and forward-thinking artists 3 perfect dancefloor tracks delivered by Cosenza ! It comes as usual with a remix of the previous artist on the label : Giorgio Maulini

Yellow Vinyl

The charismatic producer "The Plant Worker" landed on Eclectic Limited with 3 intensive and deep techno tracks alongside the fantastic remix of the fast-rising techno pioneer Oliver Rosemann. Groove and energy are the foundations of this powerful EP!

Polish House Music veteran Aphreme is back on vinyl,
this time on his own label Octave Moods. He serves up a heartfelt warm analog vocal house track with a punchy moogish bassline and leads, & soothing chords, with American Vocalist Genevieve performing her engaging and sensual vocals. remixed by Chicago's very own, legendary House Music Composer, Glenn Underground who takes it to the next level with his beautiful interpretation featuring euphoric moog and piano solos, blended together with mysterious atmospheric chords.

RSD 2021 TITLE

Vinyl colourway will be Opaque Galaxy - Tangerine + Aqua

The debut album from Willie Jones, Right Now, features previously released singles “Windows Down,” “Bachelorettes on Broadway”, and his latest, “Down For It” featuring T.I. — an updated rendition of the original, which have accumulated more than 20 million streams across all platforms. The new track was featured on Pandora’s Country Rap, Apple’s New Music Daily, Country Risers and others, and it was the cover of TIDAL’s Rap & Country playlist. Jones has more than one million followers across his socials and recently debuted his own Apple Music show called “The Cross Roads Radio.”

Science Cult presents the Kinetic Series: A limited edition of Picture Discs with kinetic artwork crafted by Chris Dowding. First up are Odd Oswald and Stephan Barnem with their “Horror Haus” EP, an homage to 1980’s Horror movies accompanied by a funky electro remix from Jensen Interceptor. Unique moving artwork is present on both sides, including markers for track start and end points.

7” vinyl imprint Alim Music revisits Osunlade’s distinctive versions of Jazzy Jeff’s classic cut ‘Rock Wit U feat. Erro’, with special ’45 edits of both the ‘Yoruba Soul Mix’ and ‘Yoruba Soul Dub’ created specially by Osunlade himself.

Appearing on Jazzy Jeff’s 2002 BBE debut album ‘The Magnificent’, ‘Rock Wit U’ started life as a smooth and soulful R&B cut, featuring sultry vocals from Erro (Eric Roberson). Back in 2001, production hero Osunlade remixed the track, taking this slow jam into dancefloor territory, where it became an underground hit, championed by the likes of Joe Claussell and Masters at Work.

It’s been just over one year since Michael The Lion x Amy Douglas and John Morales’ life-affirming remix 12" hit the airwaves. Released in March of 2020, the music offered a glimmer of light in the darkest of times, but of course, we had to postpone our celebratory dance.

As Summer approaches and our optimism renews, it feels as if just perhaps there is light at the end of the tunnel - just maybe we’ve found a way. In light of seeing & feeling that light, we’re honored to welcome Ron Basejam of Crazy P, Chicago’s own and B.B.E regular, Jamie 3:26, and the Toronto natives, The Patchouli Brothers to Soul Clap Records for ‘Remixed’ by Michael The Lion x Amy Douglas.

The group Magizter formed in Malmö, Sweden in the early 90s, and mainly consisted of former members of the Hungarian industrial band Das Kapital, of which some managed to flee to Sweden from the communist regime before the fall of the Soviet Union.

Gyula Szilagyi, who was the first to make his escape via train through Berlin in 1987, recalls: “it was a few weeks before mandatory military service would begin, and our passports should have been turned over to the authorities”. Risking deportation and prison, he was granted asylum in Sweden after some months in Stockholm.

Szilagyi and the rest of the band were all part of the underground scene in Budapest, of which some had been under surveillance by the secret police since their teens. It was a tight knit community where anti-communist and illegal literature was distributed, and many bands shared mutual members.

The track “Das Kapital” was produced in Malmö in 1993 by Szilagyi and fellow Magizter member Zoltan Lengyel, in a home studio overlooking the Möllevång Square, were Szilagyi had moved after some years working at the glass factory in Orrefors. He had managed to save a few performances by Das Kapital recorded on cassette, of which one served as sample material for the Magizter track; an homage of sorts to a group involuntarily disbanded.

The cassette sampled here was recorded in 1986 during a live concert at the university-affiliated venue Ráday Klub, where Das Kapital performed alongside the British industrial act Left Hand Right Hand (who had formed from the Sheffield band Zahgurim).

On the eve in question, Szilagyi remarks: “we used a guitar that we had made ourselves to resemble a Kalachnikov rifle. During the concert at Ráday Klub the guitar was destroyed using a drill machine. It made a powerful sound effect”

A remix of the remix is offered by Vienna-based Heap, who with his own productions as well as his work with the Neubau label is building a bridge towards the new era of European industrial music.

Back to some of the original roots of the Plastik People label with a new single from Alfredo Norese ft. Aquilla Fearon & Matteo Esposito with remixes from label boss Marc Cotterell, Shaka & Groove Boys Project. Deep Soulful house & Garage on this fantastic release.

Renowned Jazz musician Ulf Kleiner lands on Ian Pooley’s Pooled Music this April with ‘Tubes’Grande’ featuring three remixes from the label boss.

A long term collaborator of Pooley, lending rich keyboard work to the legendary producer’s records over the years, Ulf Kleiner is better known outside of electronic music. Taken from his 2020 LP, ‘Pianoskop’, ’Tubes Grande’ is a light but immersive piece of acoustic modern Jazz that, at just 3.36 minutes, begs repeat listens. Pooley’s interpretations, a ‘Main Version’, ‘Dub’ and ‘Analog Piano Dub Mix’ lead Kleiner’s work to the dancefloor in distinct ways, showing off the producers deft touch and studio experience across the package. From the decidedly organic, mid-paced house of the ‘Analog Piano Dub’ to the dense, electronic melodies of the ‘Main Version’ to the blissed out ‘Ian Pooley Dub’ this Pooley in the form of his career.

Following on from Vince Watson’s sell-out 2020 release, that saw tracks lifted from his 9th studio album ‘Via’ taken to a whole new level with remixes by the mighty Joe Clausell, Steve Bug & Langenberg, Osunlade and Manoo, he unleashes two fresh, new, feel-good cuts on Everysoul Audio!

Defining them as House or Techno would be a mistake, as Vince effortlessly bridges the gap between both worlds in a way that he does so very well. ‘Make A Wish’ was born out of the same studio session as his ‘Teardrops’ track for Sacred Rhythm, taking the initial sketch into a different direction with powerful drums, big basslines and silky synth stabs, adding to the orchestral strings that build. ‘Forever’ was originally a studio jam that made it into his live shows pre-covid, but this gave him the chance to finish it the way he always wanted. It’s an upbeat, jazzy cut with funky 909 drums and acid bassline.

Kscope Re-Issue Of The Classic ‘Radiation’ Featuring 2013 Mixes, 2 x LP 140Gram Vinyl in a Gatefold sleeve. The CD edition will include both the original 1998 version and the 2013 mixes, whilst the LP edition will host the 2013 mixes with an etched D-side
Marillion formed in 1979 and have since sold over 15 million albums worldwide. Rightly regarded as legends of progressive rock, the band have continued to evolve and have been keen to embrace the possibilities of the internet, using innovative ways to interact with listeners resulting in an incredibly loyal legion of fans around the world.
‘Radiation’ was the band’s tenth studio album and debuted in the top 40 in the UK when it was originally released in 1998. The album saw the band abandon the acoustic approach of ‘This Strange Engine’ and instead revisit a heavier sound previously found on ‘Afraid Of Sunlight’. This change in sound as well as the experimentation with different instrument tones and vocal effects and samples led to a more pop sound than that previously heard from the group.
The album was subsequently remixed and remastered by Michael Hunter in 2013. Kscope are now pleased to present a reissue of this highly regarded album on LP.

Music in Exile announce their forthcoming remix EP, featuring reworkings of Music Yared by Melbourne cult hero, Mikey Young (Total Control, Eddy Current Suppression Ring, The Green Child). SINDAYO - MIKEY YOUNG REMIXES features remixes of an original track from Music Yared’s self titled debut EP, released last year through Music in Exile. In addition to today’s announcement, we’re delighted to also share the first single, Sindayo (Mikey Young’s Masinko Remix - Radio Edit), out March 26 via Music in Exile.

Mikey Young’s legacy is well known throughout the Australian music scene, most notably as part of garage punk band Eddy Current Suppression Ring, and synth-driven outfit, Total Control. However, the talents of Young extend well beyond the performance setting to the world of engineering and mastering with his name appearing in the liner notes of an incredible number of releases, becoming something of a trademark of quality. In this release, Young showcases his skill and nuance, creating a remix where tradition and sonic exploration co-exist.

Anbessa Gebrehiwot and Haftu Reda are masterful players of krar and masinko, traditional string instruments from Eritrea and Ethiopia. Now based in Melbourne, Australia, the pair collaborate with multi-instrumentalist Dale Gorfinkel to create an innovative ensemble sound that celebrates their East African culture. The band's seemingly endless repertoire ranges from modern takes on folk songs to new, original compositions with Anbessa’s strong vocal presence a perfect match to Haftu’s sweet lyrical modesty.

Music Yared’s compositions are inspired by traditional Etheopian and Eritrean folk songs and they sing about love, distance, separation and culture. Their songs also feature virtuosic mastery of traditional instruments - the krar, (a 5 string lyre style instrument), and the masinko (a single string violin-like instrument that is played using a bow.) Although inspired by tradition, Music Yared’s compositions embrace the notion that music is always developing and changing with the times. Taking influence from traditional folk songs, Music Yared finds newness and originality through their personal approach to their lyrics, their treatment of rhythm, and the creation of new beats. This change and openness to new sounds is also apparent in their instrumentation, as they pair their traditional instruments with drums, as well as samples of bass lines and percussion.

Given their openness to new musical approaches and experimentation, it only seems fitting for the songs of Music Yared to be remixed, allowing further exploration of their inherent musical attitudes towards change and development. The first single from the EP, Sindayo (Mikey Young’s Masinko Remix - Radio Edit) traverses new sonic territory, pairing the traditional character of Music Yared with contrasting ideas from different sonic landscapes. Beginning with a musical acknowledgement to the original song, Young’s remix then changes direction into a new sonic world; synth pads and melodies swell and intertwine, samples interject, whilst grooving electronic beats underpin a new approach to texture and song structure.

Recorded by Dale Gorfinkel in Thornbury. Mixed and mastered by John Lee at Phaedra Studios.
Remixed & additional production by Mikey Young in Rye.

‘An immortal voice.’ – NPR

‘Her voice, at once beautiful and unadorned and softened with a veil of smoke, invariably hits the middle of a note and remains there.’ – New York Times

In celebration of Pride Month, Nonesuch Records releases k.d. lang’s makeover, a new collection of classic dance remixes of some of her best-loved songs. The album brings these remixes, made between 1992 and 2000, together for the first time, and includes ‘Sexuality’, ‘Miss Chatelaine’, ‘Theme from the Valley of the Dolls’, ‘Summerfling’, and the #1 dance chart hits ‘Lifted By Love’ and ‘If I Were You’. makeover’s cover art features a previously unseen 1995 portrait of lang by David LaChapelle.

Double red vinyl in standard 5mm spine sleeve with printed inserts
for each vinyl.
“When BO NINGEN decided to re-issue their first album on vinyl for the first time ever. Originally it was only out on CD, they didn’t want to do the usual ‘remastering’ or ‘re-takes’. No. They “re-built” their our own debut album from a decade ago, using exactly the same material/sounds, “re-mixing”” with their new interpretation and perception.. Taigen says
“we simply wanna listen to our 1st album again with fresh ears and mind” and we invite you to do the same. 10 Years on, BO NINGEN’S debut is more fresh and relevant than it ever has been. “

2008 saw fledgling filmmakers RKSS release a faux trailer for NINJA ELIMINATOR. It was a love letter to the kung fu flicks of Godfrey Ho they grew up watching, loaded with over-the-top acting, gory DIY effects & crazy vocal dubs. It was a massive hit with festival crowds. A then-unknown LE MATOS provided the score. Inspired by DAFT PUNK, ED BANGER & the whole French Techno scene, LE MATOS delivered a driving, pulsating & intense melodic score that helped solidify the blueprint for the singular sound they have today. This EP collects tracks from all three NINJA ELIMINATOR shorts and have been extensively reworked, remixed and remastered for this release. Includes download code and insert written by Aaron Veling.

After more than 10 millions of music streams and 2 millions of listeners in 2020, French Touch pioneer Dj Cam is back with a collection of unreleased tracks and remixes. Lost & Found Vol 2 is following the big success of the Vol 1 . Digital and special limited colored vinyl are on the way.

The creative minds behind Handy, merch dons, illustrative geniuses, radio hosts and all-round good guys are now trying their palms at the world of the record label.

No strangers to danger, they hit the ground running with a five-track rodeo from Handy resident Maroki, complete with remixes from two standout talents of their respective scenes, 1800-Girls and Jensen Intercepter.

Kicking things off ‘Taff Trails’ a crunchy, Detroit influenced, synth laden house gem with a dose of dreamy pianos nestled in for good measure. 1800-Girls puts a breakbeat spin on the original with his emotive take. Blissful, climbing synths all tied together with a solid break. Rounding of the A side, ‘Special’ hypnotsises with reverberating vocals, lo-fi organs and acidic arps.

Flip it over to find ‘Hatchi’ a straight up electro mind melter, driving basslines, crazy reeses & infectious rhythms, before Jensen Interceptor offers his signature sound on a plate to close out proceedings. Warp-speed tempo, rapid fire synth lines and crazy percussion result in a guaranteed dancefloor destroyer.

Bosq & Pat Kalla have been traveling parallel paths from across the Atlantic ocean without ever intersecting for too long. They have both been deeply involved in the modern / retro Afro Disco scenes in their respective countries but it wasn’t until the legendary French producer & label head GUTS asked Bosq to remix Pat Kalla & Le Super Mojo “Canette” that they met musically. That remix was received so well by the public as well as the artists themselves that they decided to work on an original track together.

“Mouna Power”, sung in a mix of French, English & the Cameroonian dialect of Pat’s heritage places Pat’s smooth vocals over Bosq’s raw & heavily layered, percussion & horn driven Disco Funk. The Dance Dub strips back some of the vocals, pushes the percussion even further up in the mix, and stretches out the grooves, focusing more on the infectious B-section than the original. This makes for a perfect body moving excursion that will let the dancers delve deeper into the groove while being carried along by the horn blasts and Pat’s chanted vocals.

The record features the renowned horn section of the Bogota Orquesta Afrobeat, and djembe work from “Beto” Salas, a world class percussionist from Turbo on Colombias Caribbean coast. Bosq as usual handles all the rest of the percussion, instrumentation & production.

JPEG is the 4th album from German legends Digitalism, released on their own label “Magnetism". The Hamburg-based electronic music duo formed in Hamburg in 2004, consisting of Jens “Jence” Moelle and ?smail “Isi” Tüfekçi. Digitalism has released records on labels such as Gerd Jansons Running Back Records, Kitsune, Virgin, Dynamic Records, Boys Noize Records, Astralwerks and PIAS and has throughout the years played all over the world at famous venues, clubs and festivals. They are also highly regarded for their remixes for acts such as Daft Punk ,Depeche Mode, Superorganism, Mø and many more. Digitalism have became synonymous with unique electronic productions, a crossover sound with roots in both indie, techno and pop. Digitalisms music also appears in countless video games and syncs (Recent campaigns Nissan Leaf, past campaigns Vodafone, Fifa, Gran Turismo and many more).

Raised in Corsica, Stephanie made a name for herself as a dj in Paris but more recently focused on producing her own sound. The roots of her musical style are deeply entrenched in Pop, House and Ambient music, all genres that to her reflect our human desire to express our feelings. Her heartfelt debut, AUTEL, released on new label Lake Of Confidence, is an invitation to be fully present in the moment and listen to ourselves with awareness. The track "Disarm" is an uplifting tonic for the soul and could not have come at a more fitting time, encouraging the letting go of fear. Stephanie's grounded voice and the tender tones of the music take us on a liberating journey and reminds us of what is important in life - to move beyond ourselves and embrace joy. The captivating "Unchain" and the Superpitcher remix of the track, are both powerful guides for deep contemplation. Each beat is a metaphor of the breath of life, space and the impressive vastness of this extraordinary mystery we live in.

Nearly twenty years on from his last solo sortie, Tommy Gillard reemerges as Curved Needle with “Rain Of Molten Iron” - a new six-tracker scoping out the confines between hi-octane body music and FX-riddled experimentation.

After spending most of the decade working in the studio with Oliver Ho alias Broken English Club as Zov Zov, the West London-based producer reignites the flame of trueschool horror electronics with five cuts heaving us into a furnace of post-apocalyptic machine talk by the scruff of the neck, complimented by a remix from Broken English Club.

Sounds Over Seas is back with their third release. This time
introducing Leipzig native Jay Magnum, who makes his 12”
debut on wax. Schlappendisko EP comes with 3 original
pieces drenched in funky chord stabs, thumping basslines
and relentless grooves. Label head Julian Bainbridge adds
his own touches with a percussive and melodic remix.
De¦nite Dance Floor Material!

After releasing their outstanding 17th album 'Abolition of The Royal Familia' earlier this year, The Orb are back with further guest appearances on their remix album 'Abolition Of The Royal Familia - Guillotine Mixes' (April 2021). Including mixes from David Harrow, Moody Boyz, Youth, Violeta Vicci, Andy Falconer and more.

Huge classic from Shannon.

Freshly pressed for 2021 in Canada from Unidisc.

PLS PRE ORDER AS WE ARE ORDERING STOCK IN TO ORDER.

Classic electronic disco album from 1978 freshly repressed for 2021.
Pressed by Unidisc, Canada 2021.

INCL. MARCEL DETTMANN INTERPRETATIONS

Adiel's Danza Tribale is set to unleash its ninth release by Tamburi Neri with a double EP featuring four original tracks and four remixes by Berlin techno staple and Berghain resident Marcel Dettmann. Tamburi Neri is comprised of Claudio Brioschi and Andrea Barbieri who previously released together on Optimo Music and Ivan Smagghe's Les Disques De La Mort + a recent album on Worst Records, the latter in collaboration with Japanese vocalist Hiroko.

Greek techno legend Spiros Kaloumenos with his first EP for Noir Music.
Big pack full of techno and emotions.

Let’s celebrate Claudio Coccoluto with a special reprint of the 20th
Anniversary Edition vinyl of the international hit “Belo Horizonti” by The Heartists, aka Claudio Coccoluto & Savino Martinez.
The release includes the remastered original extended version and the
exclusive 20 Anos remix. “Belo Horizonti” was originally released in 1996 on Atlantic Jaxx Records and subsequently licensed to VC Records (Virgin). The Original version, a mix of over 12 minutes, found Claudio struggling at the time to find a record label to sign it for release without cutting the original mix short. It was only thanks to Basement Jaxx and their independent label that it was released with the original 12 minutes intact and further remixes by the likes of Basement Jaxx and DJ David Morales. “Belo Horizonti” has often featured as the choice of soundtrack for celebratory football goals and is often played by the most respected and renowned djs in the world today during their live dj sets at peak time. Over the past 20 years Belo Horizonti has also appeared in numerous compilations around the world. An unforgettable success for all fans!

Every now and then a release comes along which is destined to unite, bring down the walls and basically, be a force for good. Your Kissing by Belcampo does just that, and with a style and panache which defies it’s lo-fi, handstamped limited white label aesthetic. The beauty of Your Kissing is in the way it successfully melds together elements of deep house, disco and the French Touch sound to form a track which will appeal to anyone who simply likes decent music. Belcampo keeps things stripped back just enough to give that beautiful, rolling, hypnotic atmosphere, whilst remaining lush, warm and uplifting, constantly teasing us with the repeated filtering guitar and string hook. Legendary British singer and songwriter Elisabeth Troy provides the cherry on top with her sweet vocal line giving us the hook which will get under your skin in all the right ways.

In addition to the main vocal mix we have a Belcampo Remix going heavier on the filters and pumping groove, calling to mind the glory days of Cassius, Motorbass and Super Discount with that distinctive feel-good French sound of the 90’s.

Closing out the EP we find Delisei which cranks up the jackometer for a peak time slice of looped-up heads down filter madness guaranteed to nice up the dance.

The always affordable Wanted series returns this week with another set of beautifully presented, expertly selected comps covering a variety of genres. Here we have a set of overlooked and under the radar Hip Hop heaters including the lyricism and flow of De La Soul, Bubba Sparxxx and RZA & GZA from Wu Tang Clan and the production talents of Pete Rock, Jazzy Jeff and Timberland. Beats to make your head nod til your neck snaps.

Jazzanova released their 3rd album “The Pool” on Sonar Kollektiv in 2018. It evolved from various loose jam sessions, mixing up synthesised sounds, samples and real instrumentation. Many singers where involved incl. Edward Vanzet from Australia, who was also asked to provide lyrics. Which he did creating the song “I’m Still Here” giving the tune a Yacht-rock west coast feeling. I always felt the song was one of the strongest of the whole album so I asked some peeps to do remixes for my label Best’s Friends. German A-List remixer Larse gives the whole thing a pop feeling with an Italo-disco touch in his both versions. While Winnie & Somow from Berlin go for a more organic approach looking for that sun-rise House tune on a beach-rave or wherever. I think this remix package has something for every one in it -

Ferreck Dawn & GUZ team up to unleash this party-time banger on Sydney-based Club Sweat. Considered as two of dance music's biggest names, both Ferreck Dawn and GUZ have seen releases on Defected, Relief, and Toolroom to name a few.

Boasting sunshine-inspired disco flavours throughout, with a pumping bassline and lush vocals, this one has us dreaming of parties in the sun with our hands in the air. Remixes from Flashmob, Redondo & Malarkey and Kyle Walker.

Global electronic sound specialist - Producer and DJ Oliver Williams aka "The Busy Twist" is at it again. Among his numerous projects as a producer, this double-sider, dancefloor-focused EP is one of his seldom seen, more personal works in the vein of what he does best: an uptempo, bass-heavy madness, influenced by his regular trips to Africa, Latin America and the West-Indies, packed with undeniable British club music culture and production technique. Highly infectious energy, pure sunshine, 100% good vibes. Following up on The Busy Twist previous collaborations with Congolese singer Tres. "Nanko" is another joyful, sun-soaked, highly danceable Electro-Soukous party joint, loaded with captivating guitar grooves and soulful vocals. On the flip, "Rwendo Rweupenyu (The Journey Of Life) Remix" is an outstanding take on Zimbabwean Sungura Music (one of the country's most popular genres), originally performed by street band Daniel & Gonora Sounds, led by singer-guitarist Daniel Gonora and his drummer son Isaac. Respectfully using Daniel's mind bending guitar riffs and highpitched, uplifting vocals, The Busy Twist and his collaborator delivers an inspiring and remarkably effective version of the original song. Vinyl contains exclusive extended and instrumental Dj-friendly versions of both tracks that won't be available for download anywhere.

Lux' is what we use to measure the intensity of light as we perceive it, when it's hitting or passing through a surface.

The first track, that gives the EP its name, embodies exactly that - the fluctuating, ever-changing nature of light; from fragile and fleeting to overwhelming and powerful. 'Lux' kicks off with warm synths creeping in, like rays of sunlight breaking through the clouds. Dreamy crescendos take you for a ride and build up until they melt into a comforting blanket of piano chords, accompanied by a propelling hi-hat pattern that will make you want to move. The track is hopeful, the start of a journey, with compelling break downs, industrial rhythm elements and powerful build-ups such as the one to the final section, dominated entirely by its fusion between techno-beat and dance-feel.

Next up is 'Odyssee'. An unapologetic track that picks up the pace. Kicking off boldly with harmonic tension and enticing drum sounds, it's hard not to surrender to the rich and fast-moving soundscape. Proud drums meet steel sounds and tentative piano figures, all glued together by the driving beat, determined to get to the next stop of this lifelong voyage. Striking accents, in the form of short-lived breaths or staccato bass lines take you through a labyrinth of growing gritty synths. A track that easily leads you through space and time and makes it feel like the most natural thing in the world. We're greeted with standalone bright and sparkly synth movements as 'Phoenix' rises and wraps us in warmth. Gently, like raindrops, a rhythmic pattern starts dripping in. Definition, like in many of his other works, blends rhythmical sounds that couldn't be more different into one, making them sound like they were never meant to exist unless next to each other. The track is a symbiosis of modern and classical sounds, lets us bathe in analogue warmth but always rolls along with digital precision.

'Phoenix' starts softly and ends in roaring flames: in a repetitively enchanting party, fabricated out of dark, pumping beats and gritty synths. 'Raven', the final of the four tracks and the lead single (released alongside the Jonas Ratshman remix just 1 week ago), intrigues with chants and empowerment just as much as with its determination and fragility. Falling from the highest heights, Raven lets you rediscover who you are when you hit the ground. Carried by a throbbing four-on-the-floor kick drum and covered in a synth-haze that is hard to resist, you'll float along, fall and rise with the everlasting wave-like movement of human existence.

What NxT is back with their latest release on vinyl, introducing 2 new artists into the fold. Agus Garcia brings his swinging live jam electro-tinged sound and Nicola Brusegan some true deep house goodness. Label Head Rich NxT supplies the remix for both artists, with his first musical appearance on the label.