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Joe Yorke, The 18th Parallel - End of The Day

Two of the most prominent activists on the current European reggae scene join forces on this brand new song. ‘END OF THE DAY’ is a combination between Bristol singer JOE YORKE and Swiss reggae band THE 18TH PARALLEL.

Written by master storyteller Eeyun Delroy Purkins from The Co-Operators who recently released a highly acclaimed album with Joe Yorke titled ‘A Distant Beat’, ‘End of The Day’ showcases the remarkable talent of both crews: on the one hand enchanting melodies and thought-provoking lyrics provided by Joe’s soulful voice and Eeyun’s brilliant pen, on the other infectious grooves and impeccable musicianship by The 18th Parallel.

This mesmerizing collaboration is highlighted by Westfinga’s perfect early 80’s rub a dub mixing. When these extraordinary forces collide, magic happens. Step into the rhythm and embrace a state of pure musical bliss!

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Last In: 2 years ago
ASH WALKER - ASTRONAUT LP

Four years on from his explorative third full-length ‘Aquamarine,’ Londoner Ash Walker returns with an equally ambitious follow-up, set for release via Night Time Stories on 30th June. Alongside a plethora of award-winning collaborators and combining a dizzy- ing array of sounds, ‘Astronaut’ hears Walker push his astral shower of rhythm and vibes to new heights. If 'Aquamarine’ was the take-off of his audial spaceship, ‘Astronaut’ is the cosmic voyage reaching terminal velocity; a rocket-powered masterclass spanning jazz, blues, soul, funk, and reggae.
An avid record collector, Walker has DJed far and wide... from the infamous Royal Mail squat party to the canals of Venice, spinning vinyl in Brixton with The Specials to scattering dub across San Francisco and LA. His own production output is similarly explor- atory: his journeys have taken him far and wide, from tunnels under the river Thames to recording local percussionists in the Atlas mountains of Morocco. Inspired by a deep dive of sounds from artists includ- ing Duke Ellington, Quincy Jones, King Tubby, Bo Diddley, 4Hero, J Dilla, Pete Rock, Curtis Mayfield, Philip Glass, and Steve Reich; his first two albums, ‘Augmented 7th’ (2015) and ‘Echo Chamber’ (2016) gained attention from the likes of BBC 6 Music DJs Gilles Peterson, Don Letts and Gideon Coe.

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Last In: 2 years ago
Blaiz Fayah - Mad Ting 3 LP

The leader of the European Dancehall/Shatta scene is still as productive as ever after his latest project Mad Ting 2 and a Europe/Latin America tour in 2022. By delivering multiple hits and appearing at major festivals, Blaiz Fayah is starting 2023 the same way he ended the previous year. The hit maker confirms his notoriety through his appearance in mixes played in clubs by the best DJs of the moment. His exponential growth on social networks, especially Tiktok, is also noteworthy.

A few digits: Blaiz Fayah has 850k monthly listeners on Spotify, 36M Spotify listens and 56M views YouTube for his hit "Bad", more than 9 million TikTok videos under the #blaizfayah.

For his upcoming project "Mad Ting 3" scheduled for June 2, 2023, which concludes the "Mad Ting" series, Blaiz Fayah highlights the vast range of his musical references by bringing in Dancehall, Kompa, Moombahton, Reggae, Shatta and Zouk influences.

For the occasion, some of the most renowned artists of their genre have been invited, such as Busy Signal, Jahyanai King and Nesly.

More than a mere sensation, the artist has seduced Dancehall fans all over the world with hits powered by a dancing energy that only he knows the formula. A unique energy that he was able to spread on some of the best European stages in 2022 (Solidays, Garorock) and that he will be able to continue to broadcast during some fifteen European dates in 2023 (Dour Festival, Reggae Sunska, No Logo...).

By collaborating with international DJs for the production of the tracks on his album (Netherlands, United Kingdom, Mauritius, West Indies...), the artist from the Parisian suburbs extends his influence across different international music stages, as shown by the success of his tour in Latin America (Colombia, Costa Rica, Chile...) and in the Indian Ocean (Mauritius, Reunion, Seychelles...).

pré-commande16.06.2023

il devrait être publié sur 16.06.2023

Ahmed Ben Ali - Subhana LP

Ahmed Ben Ali

Subhana LP

12inchHABIBI022-1
HABIBI FUNK RECORDS
16.06.2023

Libyan Reggae at its peak grooves courtesy of Benghazi-born Ahmed Ben Ali. After working with Ahmed in 2020 on the 12” hit “Subhana” (Habibi012) (2.4M Spotify streams), Habibi Funk is back with a fulllength release focusing on Ahmed’s releases from the mid 2000’s.

The tracks on the LP represent a blisteringly deep collection of heavy reggae rhythms and synthesized grooves from a singular creative force, inspired as much from Jamaican sonics as from Libyan folkloric styles, as Ahmed says, “it’s the Libyan style, not some bullshit.” Out everywhere June 16th.

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Last In: 14 months ago
Dirty Heads - Midnight Control
également disponible

Vinyl


Tape

Seit fast zwanzig Jahren mischen die Dirty Heads Hip-Hop, Reggae und Rock zu einem einzigartigen Sound, der sowohl ihre Wurzeln in Huntington Beach, Kalifornien, verkörpert als auch ein Publikum auf der ganzen Welt anspricht. Mit ihrem Hit "Vacation", der auf der Plattform über 6 Milliarden Streams und Views hat, sind die Dirty Heads auf TikTok zum viralen Hit geworden und haben über 5 Millionen monatliche Hörer auf Spotify. Ihr mit Spannung erwartetes neues Album Midnight Control enthält 11 brandneue Songs, darunter ihre Interpretation von Joe Walshs 1978er Hit "Life's Been Good", "Rescue Me" und "Island Glow". Midnight Control - das achte Studioalbum der Band - wird die herausragende Erfolgsbilanz der Band bestätigen, denn alle sieben Alben der Band waren in den Top 10 der Billboard Top Independent Albums Charts und Billboard Top Alternative Albums Charts vertreten.

pré-commande16.06.2023

il devrait être publié sur 16.06.2023

Linval THOMPSON / DUBSETTERS - No Criminal

Nazamba & Dubsetters kicked off this new Finnish Dub & Sound label in a superb style recently and what better way to follow that up than with the reggae master, smoking king and weed aficionado Linval Thompson. This might sound like one of his classic lost cuts from the 70s but it is actually an all new tune from the Jamaican reggae icon. Dubsetters provide the gentle, percussive rhythms which are organic and deep, with Linval's smooth mic work up top adding to the global conversation about the decriminalization of cannabis. Flip it over for an even more mellow and dubbed out sound on the b-side.

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Last In: 2 years ago
Stimela - Fire, Passion, Ecstasy

Stimela were a popular and successful South African Afro-fusion outfit led by guitarist, vocalist, songwriter, producer and arranger Ray Phiri. The band was formed under the name ‘The Cannibals’ during the 1970s when Phiri got together with drummer Isaac Mtshali, keyboard player Thabo Lloyd Lelosa and bass player Jabu Sibumbe. They initially started out as instrumentalists, but later evolved to Afro-fusion when they joined forces with vocalist Jacob “Mparanyana” Radebe in 1975. The story of ‘The Cannibals’ ends when Radebe died in 1978 but the ‘Stimela’ story was only just beginning.

In 1979, after a life-changing experience in Mozambique (where they were stranded for three months) the band members had to sell all their belongings to take a train home. This trip was a watershed moment as it was here where they conceived the new name for the band: The Zulu word for “locomotive-train” STIMELA.



Stimela would soon become little short of an institution in their home country of South Africa. With soulful tunes and gripping lyrics, the band has recorded platinum-winning albums such as Fire, Passion and Ecstasy, Shadows, Fear and Pain & Look Listen and Decide. In addition to recording their own material, the group supplied instrumental accompaniment on albums by a lengthy list of legendary artists. Stimela would go on to gain global fame after being featured on Paul Simon’s iconic 1986 ‘Graceland’ album and the mega tour that followed.



Ray Phiri would enter into many successful collaborations with major acts and artists such as Harari, Joan Baez, Willie Nelson and Manu Dibango. In 2017 he was diagnosed with lung cancer and died at the age of 70. Phiri has received many awards in recognition for his contribution in the music industry, one of these is the Order of Ikhamanga awarded to him by the South African president. This was to honor his sterling contribution to the South African music industry and the successful use of arts as an instrument of social transformation.



Stimela is the tale of a South African band who have battled their way through dark days to take their rightful place in the forefront of the South African apartheid-era music invasion. One of their most memorable tracks “Whispers in the Deep” was even restricted from being broadcasted by the old South African Broadcasting Corporation.



On the album we are presenting you today (Fire, Passion and Ecstasy from 1984) the unique sounds of Ray Phiri’s Stimela are fully showcased. Expect infectious hypnotic build-up grooves, cinematic lowdown jazz-funk, Afro-soul, delightful reggae, gospel influences and funky synth-boogie sounds…all with a touch of early eighties new wave and hints of Island disco mixed with sensual bubblegum pop. It comes as no surprise that the album has now become a sought-after item due to its addictive and original-sounding nature, a must-have for any self-respecting record digger!



These recordings completely encapsulate Stimela’s fusion style. They managed to craft a modern South African sound that continues to influence SA musicians to this day. Never in a rush, yet always with a sense of purpose and direction – like the steam train after which they took their name.

Tidal Waves Music now proudly presents the first reissue of this fantastic Afro-fusion classic since 1990 (originally released in 1984 on Gallo Records) & this is also the first time the album is getting a release outside of the African continent. This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition (limited to 500 copies) complete with the original artwork. Also included is a double-sided insert containing rare pictures of the band.

pré-commande13.06.2023

il devrait être publié sur 13.06.2023

Jpye - Bleu My Mind LP 2x12"

Jpye

Bleu My Mind LP 2x12"

2x12inchC56LP025
Claremont 56
12.06.2023

Jean-Philippe Altier’s first full-length excursion as Jpye, 2021’s Samba With You, was heralded a contemporary Balearic pop gem – a superbly summery, sun-kissed set full of atmospheric instrumentation, colourful synth sounds, strong songs and star turns from a wide variety of musical friends and guest performers.

Bleu Your Mind, his hotly anticipated follow-up, takes a similar sonic approach to its predecessor, with Altier being joined in the studio by friends old (vocalist e11e, keyboardist Michael T and fellow Twonk members Leonidas and Renato Tonini all reprise their roles from ‘Samba With You’) and new (Da Roc and Iamrobd) on a set that effortlessly mixes and matches elements of nu-disco, jazz-funk, laidback synth-pop, Italo-disco and Balearic beats.

Those who savoured ‘Samba With You’ will feel at home right away, as e11e sings softly and sweetly atop the gentle Latin infused shuffle, dusk-ready instrumentation and chiming vibraphone solos of ‘Freedom Ain’t Free’. French composer and keyboardist Da Roc make’s his first appearance on the following track, the duelling electric pianos and synths of sun-splashed instrumental Balearic pop gem ‘You Freak Out’, before e11e returns on the throbbing and suspenseful ‘Shiver’– a re-imagined and genuinely glassy-eyed cover of Marie Laure Sachs’ sleazy 1978 Italian disco jam of the same name. So, it continues, with Altier and his collaborators painting scintillating sonic pictures in kaleidoscopic colours.

Impeccable arrangements and pin-sharp instrumentation work in perfect harmony with seductive grooves that pack plenty of subtle swing. Even more impressively, ‘Bleu Your Mind’ is an album that genuinely rewards repeat listens, with each successive spin revealing more musical touches and cannily crafted melodic motifs. As a result, highlights come thick and fast throughout, from the delay-laden jazz-funk-goes-electrofunk fizz of ‘Xcuse My French’ (with Da Roc), and the humid afternoon heat of ‘Va Là-Bas’ – a gorgeous and immersive, sunset-ready affair produced alongside Renato and featuring dazzling kets from Michael T) – to the slow-motion Gallic/Italian reggae-pop of ‘Tutto OK’ (a nod to the tropical-tinged reggae sounds created in France during the 1980s), and the slap-bass sporting, smoothed-out (but low-down) grooves of Renato hook-up ‘Take Off’.

As ‘Bleu Your Mind’ progresses, the musical details become more refined, the grooves drowsier and the mood more horizontal. This subtle shift can be heard in Leonidas co-production ‘Lazyjack’ – all chiming lead lines, languid bass guitar, snappy drum machine beats and glistening guitar motifs – the vocoder-sporting stoner funk of ‘Spinnaker’, and the yearning brilliance of ‘Fingers Crossed’. The album’s most emotive and immersive moment by some distance, ‘Fingers Crossed’ sees Altier and collaborator Iamrobd (also a fellow Twonk member) tease out a slow-motion groove in combination with lilting Spanish guitar solos, ultra-dreamy chords, twinkling pianos and delay-laden drum machine hits. Bittersweet and brilliant, it’s a track guaranteed to send shivers down your spine. By the time it fades out, via a sustained piano chord, you’ll be sat or stood in wide-eyed, open-mouthed wonder.

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Last In: 19 months ago
Audio Soul Project - Simurgh

Audio Soul Project is back with their latest vinyl-only EP, Simurgh. With a title inspired by the mythical Persian bird, these four tracks fuse elements of house, R&B, dub, and drum & bass to create an ecstatic and hypnotic experience.

The EP kicks off with "Deliver Me," a dreamy house track with warm filtered chords and bouncing synth bass. R&B female vocal ad libs pepper the groove and the refrain "Deliver Me" adds a sense of yearning. The percussion, including morphing 4x4 and breakbeat drums, piano and synth stabs, nod to the cerebral Detroit and Chicago house compositions of the mid 90s.

"Azizam Dub" takes a more stripped-down approach with a subsonic bass line bump and Juno 106 stabs. Frantic percussion and deftly cut vocal samples accent the ebbs and flows of the arrangement, making for a dynamic and engaging dance.

The B-side of the record starts with "Internal Vybrations," a bass-heavy drum & bass track that winds and jumps with multiple layers of deep, fluttering bass and ambient pads and strings. Percussion layers like hi-hats, shakers, and maracas lift and relax the rhythm in parallel to the rest of the composition, making for a hypnotic and trance-inducing vibe.

The B2 track on the EP, "Celebration Dub," is a bass-heavy swinging house track with ecstatic diva "Whooo" samples that punctuate the ups and downs of the groove's energy. Classic reggae and dub-influenced vocal samples and heavy tape delay on certain key instruments add to the joyful and uplifting vibe of the track. The keyboard

and string section can transport a dancer to other realms of consciousness if they let themselves go to the groove.

Simurgh is a masterful fusion of various genres that showcases Audio Soul Project's production prowess and ability to create an entrancing sonic journey.

TL;DR: Audio Soul Project's Simurgh EP features 4 tracks of dub-infused house music. Deliver Me has dreamy chords and female R&B adlibs, Azizam Dub is stripped down with subsonic bass and vocal samples, Internal Vybrations is a bass-heavy drum & bass track, and Celebration Dub is a swinging house track with reggae and dub vocal samples.

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Last In: 2 years ago
Rupie Dan - My Black Race

Rupie Dan

My Black Race

12inch333004
333
12.06.2023

Death Is Not The End's 333 sub-label drops a much needed reissue of Rupie Dan's My Black Race 12" from 1982. A huge Shaka selection featuring one of the heaviest dubs available from this era of UK roots production. Originally written and produced by Rupie for his Flag Records label, with engineering from Tony Addis (later of Addis Posse and the Warriors Dance label).

"The lyrical idea for My Black Race came about during the 1980/81 social/racial revolution that took place in several cities all over England, including London, Liverpool, Birmingham, Leeds etc. I was living in Bradford, West Yorkshire at the time and was a DJ/Sound System operator on Jah Scorcher International Sound. I also co-hosted a Reggae show on an independent radio station Called Pennine Radio 235. In my regular job I was a youth and community leader with the Bradford education council. I was fully connected and in touch the community.

Seeing how the media used the events of the social uprising as a weapon to further discriminate against the African & Caribbean community committed me to say and do something to elevate the minds of especially young people who were already demoralised by the rhetoric that brought about the so called "riots" of the time. It was during this time that the lyrical foundation of "My Black Race" was laid. The rhythm came later after hearing Barry Brown's "No Wicked Shall Enter the Kingdom of Zion". In the summer of 1982 I entered into the Addis Ababa recording studio on Harrow Road, Paddington and recorded the song having moved to London the previous year. Musicians featured included Victor Cross on bass and Mark Wright on drums (both from the Ariwa band), Rizzo on guitar, Tan Tan and Bami on Horns (all 3 from Aswad band), Bubblers on Piano/Organ (Undivided Roots/Ruff Cutt Band). Lead vocals were provided by myself, with backing vocals Jenifah Gad and Niomi who was working with David Bowie at the time. The engineers were Bubblers and Tony Addis (later of Addis Posse & the Warriors Dance label).

Jah Shaka was in the studio during the entire recording session. I was aquatinted with him as I was previously involved in a 3 way soundclash with Shaka, Quaker City and my sound at the time Jah Scorcher. Some years later I was in Terry's Dub studio in North Acton cutting some dubs when King Jammys and Bunny Lee walked in and heard the song. Bunny was responsible for the production of Barry Brown's "No Wicked Shall Enter the Kingdom of Zion". Thankfully they were both impressed by the track which delighted me as a young up-and-coming artist/producer. The rest is history as we know it. Jah Shaka was mystically constant hence his attachment and love for the song. Jah bless and guide him."

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Last In: 2 years ago
The Paragons - Now

The Paragons

Now

12inchLANR024
Lantern Rec.
10.06.2023
 
5

Reissued on vinyl for the very first time, the third Paragons album, originally released in 1982 on the UK reggae label Starlight. All songs are backed by the Aggrovators, the Bunny Lee’s house band, that includes Sly & Robbie, the Barrett brothers - both also with Bob Marley & the Wailers - Jackie Mittoo, Earl “Chinna” Smith, Winston Wright and many others. Produced by Bunny Lee, mixed by Prince Jammy. “Now” marked the Paragons return to the scene, in a big way. Great vibrations, dreamy melodies, a roots reggae masterpiece.

pré-commande10.06.2023

il devrait être publié sur 10.06.2023

Scrimshire - Paroxysm LP

Albert’s Favourites label founder Scrimshire is set to release bold new album 'Paroxysm'. In the last few weeks of October 2022, Scrimshire wrote a new collection of songs with the descriptive working title "Scream". A direct response to the absurdity of the breakdown in the UK government, the horror of the treatment of refugees arriving on our shores and the callous disregard for the trauma being caused to low-income people or anyone considered "other". While self-preserving Conservative MPs fought for their jobs, record profits were announced by energy companies as they were gouging crippling amounts of money from people's pockets. The anger, sadness, mourning, and frustration he felt was poured into these recordings.

Originally named “Scream 8”, ‘Unity Gain’ was one of the early outpourings from those sessions. Piano and drums bubble up until it fully boils over with huge stabbing synthesiser and string sounds in an outburst of frenetic energy. "Division seems to characterise our daily experience”, says Scrimshire. “How does a society stop the callousness and corruption from seeping into its bones?".

Singer Faye Houston features on both ‘Eyes Shut’ as well as, alongside saxophonist, composer, and multi-wind instrumentalist Tamar Osborn, on ‘Flames’. About the latter Scrimshire explains, “One person can breathe fire into your life and the world, leaving an indelible mark. The album was influenced hugely by a friend we sadly have lost. I think of it like the heat you still feel after a fire has gone out”.

London-based poet and emcee The Repeat Beat Poet captures moments of time, thought, and feeling on ‘What Is The State Of Our State’, a furious yet succinct stream-of-consciousness diatribe in two parts. From afrobeat and reggae-influenced London band Soothsayers, clarinetist and saxophonist Idris Rahman features on ‘Your Invasion Is A Lie’, an ever-progressing, cosmic-jazz track.

The elegiac ‘Unforgotten, Unforgiven’ features saxophonist Nat Birchall, on which Scrimshire says "This is dedicated to the politicians who have forced refugees into life-threatening decisions. Pushing people into the hands of traffickers, into small boats and too many beneath the waves of our seas. Who force the lives of men, women, and children into more danger, in the hope of escaping war, poverty and persecution only to meet more cruelty and persecution. It won't be forgotten, and it won't be forgiven".

Scrimshire’s last album, 2021’s 'Nothing Feels Like Everything', received an Album of the Year nomination at the Gilles Peterson Worldwide Awards and last March he was named by the Guardian as one of three producers behind the new wave of UK soul, alongside Inflo (Michael Kiwanuka, Sault, Lil Simz) and Swindle (Joel Culpepper, Greentea Peng, Kojey Radical). Albert’s Favourites was formed by Adam, Dave Koor, and Jonny Drop, who designed the logo and artwork, and has released records by The Expansions, Hector Plimmer, Huw Marc Bennett, Pie Eye Collective, Qwalia, Ronin Arkestra.


Early support from Huey Morgan, Amazing Radio specialist playlist, Gideon Coe. Previous support from Gilles Peterson, Mary Anne Hobbs, Jamz Supernova

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Last In: 2 years ago
Take Three - Can't Get Enough (Of Your Love)

Fronted by former South London lovers rock vocal harmony group, Alpha (sisters Jackie & Jean Heron and Marlene Richardson), Take Three was the brain-child of writer/producer trio "S.H.E." - Steve Sinclair, Peter Hinds & Kevin Ellis.

Meeting each other at The Factory community centre in Paddington (now known as the Yaa Asantewa centre and in the last few years, The Yaa Centre) Steve & Kevin began a partnership writing and directing their own theatre productions as part of The Black Theatre Co-Op, which called the centre home at the time. When a song they had written together for one of their productions received praise and plaudits, the path toward writing and producing records began, bringing in more seasoned hand Peter Hinds - formerly a member of key brit funk groups Light of the World and Beggar & Co, and player with Incognito, Imagination & Loose Ends - to complete the circle.

Following on from Freestyle's reissue of the group's first single around this time last year, in the form of 1983's Tonight's the Night, we decided to drop another killer 12" from the Take Three vaults - this time it's their last single released as Take Three in 1985. Can't Get Enough (of Your Love) was originally licensed out to, and released by Andy Sojka's seminal Elite label. It features two super extended mixes - the A side's "Soul mix" showcases the girls's harmonies pinned down by a big & heavy synth bass groove before moving into boogie-dub territory, while the B side "Reggae mix" introduces an ofbeat skank heightening the vocal stylings' lovers-esque tendancies.

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Last In: 11 months ago
Inna De Yard - Family Affair LP 2x12"
  • A1: Humanity – Cedric Myton
  • A2: Tonight – Keith &Tex
  • A3: Baltimore – Winston Mcanuff & Johnny Osbourne
  • B1: Down The Street – Keith &Tex
  • B2: Truth&Right – Johnny Osbourne
  • B3: Fire Burn – Kiddus I
  • B4: Touch Me – Steve Newland
  • C1: Africa - Derajah
  • C2: Days Chasing Days – Cedric Myton
  • C3: Stop That Train – Keith &Tex
  • D1: Sun Is Setting In The Sea – Winston Mcanuff
  • D2: Come Away Jah Jahchildren - Kush Mcanuff
  • D3: Groovy Situation – Keith Rowe
également disponible

Red Vinyl


Often dubbed reggae's answer to the Buena Vista Social Club, the notorious Jamaican collective prove that they are still on top of their game with a new album, which journalist David Katz already declaring it was "their best one yet".

In addition to the usual cast of Inna de Yard legends, this new album features the pristine vocals of '70s icon Johnny Osbourne and '60s memorable duo Keith & Tex. Thirteen songs of pure emotions, exceptional musicality and authenticity gathered on a riveting album which promises to be a firm favourite amongst reggae lovers and general music fans alike.

pré-commande02.06.2023

il devrait être publié sur 02.06.2023

Inna De Yard - Family Affair LP 2x12"

Often dubbed reggae's answer to the Buena Vista Social Club, the notorious Jamaican collective prove that they are still on top of their game with a new album, which journalist David Katz already declaring it was "their best one yet".

In addition to the usual cast of Inna de Yard legends, this new album features the pristine vocals of '70s icon Johnny Osbourne and '60s memorable duo Keith & Tex. Thirteen songs of pure emotions, exceptional musicality and authenticity gathered on a riveting album which promises to be a firm favourite amongst reggae lovers and general music fans alike.

pré-commande02.06.2023

il devrait être publié sur 02.06.2023

INNA DE YARD - FAMILY AFFAIR 2x12"

Das berühmt-berüchtigte jamaikanische Kollektiv, das oft als die
Antwort des Reggae auf den Buena Vista Social Club bezeichnet
wird, beweist mit seinem neuen Album, das der Journalist David
Katz bereits als "ihr bisher bestes" bezeichnet hat, dass es
immer noch auf der Höhe der Zeit ist. Neben der üblichen
Besetzung von Inna de Yard-Legenden sind auf dem neuen
Album auch die unverfälschten Vocals der 70er-Jahre-Ikone
Johnny Osbourne und des unvergesslichen 60er-Jahre-Duos
Keith & Tex zu hören. Dreizehn Songs voller purer Emotionen,
außergewöhnlicher Musikalität und Authentizität sind auf einem
fesselnden Album versammelt, das sowohl bei ReggaeLiebhabern als auch bei Musikfans im Allgemeinen zu einem
festen Favoriten zu werden verspricht.

pré-commande02.06.2023

il devrait être publié sur 02.06.2023

INNA DE YARD - FAMILY AFFAIR 2x12"

Das berühmt-berüchtigte jamaikanische Kollektiv, das oft als die
Antwort des Reggae auf den Buena Vista Social Club bezeichnet
wird, beweist mit seinem neuen Album, das der Journalist David
Katz bereits als "ihr bisher bestes" bezeichnet hat, dass es
immer noch auf der Höhe der Zeit ist. Neben der üblichen
Besetzung von Inna de Yard-Legenden sind auf dem neuen
Album auch die unverfälschten Vocals der 70er-Jahre-Ikone
Johnny Osbourne und des unvergesslichen 60er-Jahre-Duos
Keith & Tex zu hören. Dreizehn Songs voller purer Emotionen,
außergewöhnlicher Musikalität und Authentizität sind auf einem
fesselnden Album versammelt, das sowohl bei ReggaeLiebhabern als auch bei Musikfans im Allgemeinen zu einem
festen Favoriten zu werden verspricht.

pré-commande02.06.2023

il devrait être publié sur 02.06.2023

ROOTS RADICS MEETS SCIENTIST AND KING TUBBY - IN A DUB EXPLOSION

Deejay Jah Thomas was one of the creative figures making a dramatic impact on the Kingston sound system scene of the late 1970s and early 80s, the rhythms he laid at Channel One studio with the Roots Radics helping to steer reggae towards the emerging dancehall style. Voicing and mixing his work at King Tubby’s studio, typically with the young upstart engineer known as Scientist, Thomas was another champion in the realm of dub, his re-makes of vintage Studio One and Treasure Isle rhythms part of the process. In A Dub Explosion is a thrilling comp of tough dubs, mixed by Scientist & the King. A great listening experience!

pré-commande02.06.2023

il devrait être publié sur 02.06.2023

Sly & Robbie - Dub Session 1978-1985

repress

Sly Dunbar and Robbie Shakespeare are simply known all around the world as Sly and Robbie.
They were the musical drum and bass backbone of Reggae since the early 1970's.
They have played on more records than any other set of musicians and to such a high standard that few could reach.
The third part of the jigsaw is the mighty Bunny'Striker'Lee who brought these legends together.
These rare dubs are taken from the original master tapes..you may have heard the tunes before...but never these versions.
So sit back and enjoy Reggae Musical History in the making...
Respect Jah Floyd........

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Last In: 12 months ago
Earl Sixteen - Natural Roots

* Classic roots / dub from 1992 produced by Nick `Manasseh’ and Jeremy `The Equalizer’ Armstrong, with vocals from reggae legend Earl Sixteen known for his work with the likes of Lee Perry, Augustus Pablo, Mikey Dread and Leftfield.
* Originally released on the Riz label, `Natural Roots’ gained popularity in sound system circles, with play from the likes of Jah Shaka. The original 12” cause distress on the collectors market
* Features one previously unreleased mix: `Natural Dub’.

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Last In: 3 years ago
Detlef Funder & Bernd Sevens - Stumm LP

Detlef Funder&Bernd Sevens

Stumm LP

12inchTAL029LP
TAL
26.05.2023

With this release TAL delves deep into the very beginnings of Düsseldorf's post punk scene of the early 1980s. STUMM was the duo of Detlef Funder and Bernd Sevens who both would become pivotal figures in the tape underground movement of West-Germany, when they launched the SDV label in 1986. Individually they went on to produce boundary defying works as Konrad Kraft and Seventh Day respectively.

The material on this album was recorded by Funder and Sevens quite casually in 1980 in a rehearsal studio in the centre of Düsseldorf. Right from the beginning the two young musicians incorporated the atmosphere of the space in order to document the process of their sound experiments on a 4-track tape machine. For those recording sessions, which are now released for the first time ever on vinyl and download, Funder and Sevens managed to get their hands on a very rudimentary set of equipment consisting of merely a Korg MS 20 synth, a Roland CR 78 drum machine, a few electronic effects and a drum kit. The urgent and rough sound of the recordings imbues their production with a characteristic and era-specific edge that's hard to imitate today. Spontaneity and understatement were key elements in the brief creative period of STUMM. The recordings still have a uniquely dizzying quality and are somewhat of a basic blueprint for a lot of industrial/techno and post punk which was about to loom in all corners of the world. These tracks are also a testament to the vivid spark of a period in time that would soon be radically changed through the rise of digital technology.

Bernd Sevens: “Around 1980 there was a great musical awakening. Punk, New Wave, Industrial and of course Dub Reggae -- the electronic music blew us away. Everything we heard influenced us. Back then, cassette tapes were cheap and easily available. We could record our ideas on the spot and then copy and distribute the tapes. That's how it started. Giving it a go, experimenting, trial and error. The music you hear on the record was spontaneous and had no concept. Our collaboration was also not intended to be a permanent project. You could say we were dilettantes setting out on our journey, making it up as we went along. It felt like a beginning.”

pré-commande26.05.2023

il devrait être publié sur 26.05.2023

NYOS - CELEBRATION

Nyos

CELEBRATION

12inchPELLPC174
Pelagic Records
26.05.2023

Lime green (yellowish?) vinyl LP Finnish noise rock duo NYOS deliver a clairvoyant Celebration of the present, written at a time when that present was shimmering just like the feathers of the cover art courtesy of animal photographer Zac Herr. Combining the danceable grooves of Battles with Sonic Youth - infused noise bursts and the yearning electric melodies of And So I Watch You From Afar, Celebration is a defiantly joyful, loud, and festive affair. A promising cure for the drudgery of the times we live in. Recorded by Brooke in his own Tonehaven Recording Studio, Celebration is the latest testament to the undeniable synergy these musicians have built over the past seven years. With the material largely written before the advent of corona, Celebration is a reflection of life before lockdown, filled to the brim with infectious grooves and glaring melodies. "We tried for something upbeat this time to contrast the times," explains Tom Brooke about the recording process, which in turn did take place during pandemic life. "We always love it when people can move to our music, so a big focus for the record was to embrace the dance vibe and go for it." This collection of eight colourful, jarring tracks is rife with small nods to dance music throughout the world. Take a song like "Light" with its complex syncopated drum pattern that recalls the Amen Break so typical for drum and bass music, but listen closely and the song reveals an off-beat skank that flips over into experimental reggae territory. Similarly, a track like "Tucano" recalls the experimental IDM of Bristol-based producer Vessel, while "Gold Vulcan" offsets a gnarly gyrating guitar riff with Latin- American and oriental melodies. The attention to detail on Celebration is phenomenal. The album contains some of the band's most layered compositions to date, but it is also the first NYOS record to feature improvised live recordings, the aptly named "First Take" as well as the celestial "Cloudberry". These musical sketches show two musicians at the apex of their connectedness. Every time that one of them appears to be taking a somewhat questionable turn, you'll find yourself carefully and respectfully readjusting your own interpretation of the song's intention - and what NYOS are all about.

pré-commande26.05.2023

il devrait être publié sur 26.05.2023

Madlib - Medicine Show Vol.11 - Low Budget Hi-Fi LP 2x12"
 
27

Reissue! In 2010, Madlib launched an ambitious series of releases known as the Madlib Medicine Show, which allowed the prolific producer to release new material on a monthly basis. The series touched on all the genres Madlib digs, and that’s just about any genre you can consider - from Jazz to Rock, Soul to Disco, myriad African musics, Brazilian and Reggae. On the 11th installment in series Madlib returned to his hip hop roots with Low Budget High-Fi Music. Featuring a run-down of regular Madlib collaborators who provide the Beat Konducta’s foil, it also included a hint of what was meant to come on the never-realized second Jaylib album, with a previously unreleased J Dilla collaboration.

pré-commande26.05.2023

il devrait être publié sur 26.05.2023

Vibronics meets Ashanti Selah (feat. Echo Ranks) - Stay Humble 10"

VibronicsmeetsAshanti Selah(feat.Echo Ranks)

Stay Humble 10"

10inchSCOOP078
Scoops
25.05.2023

Fresh vinyl slice of UK Dub Roots Reggae sees veteran producer Vibronics hook up once again with rising star Ashanti Selah for a 4 track outing featuring 3 vocals and one deep dub mix.
Vocals are provided by Nia Songbird, Echo Ranks & Ashanti Selah. Nia is the the young singer from Leicester creating waves right now in the sound system scene, Echo provides the listener with a rare opportunity to hear his legendary tones after a long break from releases and finally Ashanti Selah shows his versatility by dropping a vibrant 70’s style DJ cut - crucial combinations on this 10” vinyl that signed of with a furious Vibronics all-analogue dub mix from the Dub Cupboard Studio.

This release is beautifully presented in a specially printed SCOOPS Records purple label sleeve

Vibronics is one of the most established names in UK Dub/Reggae music. From their base, in the Dub Cupboard Studio in Leicester, their music has achieved millions of views on YouTube, millions of Spotify streams and many tens of thousands of vinyl record sales. Vibronics have collaborated with reggae legends Michael prophet, Macka B, Iration Steppas, Soom T, Aba-Shanti and so many more.

Ashanti Selah is a musician / Dub Producer hailing from the UK, is the eldest son of the world-renowned soundman, Aba Shanti-I. As well as working on his own productions Ashanti makes use of his musical abilities as a performer in various bands as keyboardist and has had the pleasure of working and collaborating with a number of great singers, musicians & producers in the scene- such as; Vivian Jones, Mad Professor & Alpha Steppa, to name but a few.

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Last In: 3 years ago
Winston Reedy - Pirate

Winston Reedy

Pirate

7"-VinylMBX180
Room in the Sky
25.05.2023

Winston Reedy is a renowned Jamaican reggae singer, known for his numerous number one hits as a solo artist and lead singer for top reggae band The Cimarons. Backed with tracks from Barry Issacs - a Jamaican-born, London-based artist, songwriter and producer - and Juliaiasiah - originally from Jamaican but who is now based in Germany.

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Last In: 3 years ago
Marlon Stewart / Conroy Smith - She's Gone / The Girls

Smith was involved in the music business from an early age; at the age of 8, he was a deejay for the local sound Observer. Like many other great reggae musicians, Smith learned his musical skills from a combination of sound system culture and schoolwork. At age 15 he sang in school with Nadine Sutherland, who urged him to move to Kingston to pursue a singing career. It took five years for Smith to follow this advice as he had difficulty leaving his mother, with whom he had a very close and loving relationship.
Arriving in Kingston at the age of 20, Smith was thrown into the digital revolution of reggae music. His first track, "Indian Lady," was released on George Phang's Powerhouse label, Final Mission LP on the extremely popular version the old Heavenless riddim recorded by Sly & Robbie (the riddim from Half Pint's Greetings). Though it didn't become a major hit, producers discovered Smith's unique and convincing singjay talent. During the next five years (from 1985-1990) Smith put out a long line of tunes. His biggest hit was the 1988 tune "Dangerous," released on the progressive Redman label. A cheering audience watched him perform the song live at Sting '88. This song was even adopted by a British boxer called Nigel 'The Dark Destroyer' Benn and used as his entrance music, a tune that sounded out his intentions in any forthcoming fight.

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Last In: 3 years ago
Various - Afro Exotique 2 - Further Adventures In The Leftfield, Africa 1975-87

After "Afro Exotique - Adventures In The Leftfield, Africa 1972-88" was enthusiastically embraced by heads, collectors and core Africa Seven enthusiasts alike, we dived back down into the vaults, and hope we've come up with another volume of listenable esoterica from roughly the same period.

"The Quest", courtesy of fleeting 1978 leftfield supergroup Afro Cult Foundation (featuring Joni Haastrup, Remi Kabaka and friends) sets the tone-bar high and sideways, with 4.50 mins of atmospheric, effected solo piano drift to get things started.

Congolese ensemble band "Orchestre Lipua Lipua" introduces gently lilting Soukous with 1977's, "Distingue", before BG and Fibre's "Thanks and Praises" introduces some wobbly, Moog tinged Lagos reggae shuffle to proceedings.

Akwassa's 1974 funker "I Don't Want Nobody" peels off into a Hammond / wah wah / moog mini odyssey half way through, before Tongolese chanteuse Akofa Akoussah's stirring "Ramer San Rame" introduces emotional charge into proceedings.

Francis Bebey's "La Condition Masculine" (1976) is a centre piece of the album, with it's skippy drum machine rhythm and spoken world vocal, but we'll admit, we probably wouldn't have used it if we'd read a translation of that vocal first.

Benis Cletin's "Jungle Magic" (1979) acid funk intro then gives way to a blatant, and at times slightly unhinged homage to the all conquering (at the time) "I Feel Love", Sorry Bamba's "M'Bife Je T'Aime" keeps the leftfield funk groove rolling, before the mournful, immersive croon of Gregoire Lawani's "Elle M'a Mordu La Langue" brings proceedings to a reflective close.

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Last In: 3 years ago
Kabaka Pyramid - The Kalling 2x12"

Mit seinem frischen Blend aus Reggae und Hip-Hop gelang dem Jamaikaner Kabaka Pyramid mit seinem Debütalbum 'Kontraband' (2018) ein Überraschungserfolg, an den der Nachfolger 'The Kalling' nun ansetzt. Das Meisterwerk, produziert von Damian und Stephen Marley, Young Pow und Kabaka Pyramid, gewann dieses Jahr den Grammy für 'Best Reggae Album'. Diese Symphonie von 15 Songs hebt den Reichtum der Reggae-Musik hervor, von der scharfen Perfektion von Percussion und Bass bis zu ikonischen Tunes von Junior Byles ('Faded Away' ft. Buju Banton), Peter Tosh ('Mystic Man') und Eddie Fitzroy ('EZ Ride'). Features kommen u.a. von Protoje, Jemere Morgan, Black-Am-I, Jesse Royal und den Marley-Brüdern.















[o] D3. Kontraband, Pt. 2 (feat. Damian Marley) [Bonus Track]

pré-commande19.05.2023

il devrait être publié sur 19.05.2023

Om Unit - The Canopy (Armageddon Style) / Mystic 808

It’s always a joy to release music from friends, and ZamZam 91 is our first collab with a dear one, Jim Coles AKA Om Unit. It’s impossible to frame the breadth and depth of such a storied career in bass music in just a couple lines- so suffice to say that releases over decades on a who’s-who of seminal labels including Exit, Fabric, Planet Mu and of course his own Cosmic Bridge have cemented his rep as an absolute force in production and DJing across any number of genres and sub genres.

Coles’ roots in Bristol and deep love of dub and reggae - made beautifully explicit on his recent Acid Dub Studies LPs - come through strong on both sides. “The Canopy (Armageddon Style)” opens with ravey, arpeggiated synths worthy of Vangelis, punctuated by a brooding piano chord, building steadily into a dark and utterly apocalyptic steppers guaranteed to storm & batter down Babylon walls inside and out.

“Mystic 808” is a deep meditation, a slow stepper that ices down the furious energy of the A side and drops the tempo to suit. Recalling the heady days of original late 90s/early 2000s UK Dub - as well as early dub techno - stabs and melody caress, restrained percussion swims and multiplies in reverb and echo, orbits locked to the gravitational force of the massive and truly timeless bassline. Proper sound system material that will satisfy the heart and soul long after the dance is done.

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Last In: 11 months ago
AMBIENT WARRIOR - II LP

180 Gram Vinyl Following the success of the 2021 reissue of Ambient Warrior’s cult classic Dub Journey's (1995), Isle of Jura is pleased to present their unreleased second album, II. Born from the same oceanside fusion of instrumental dub, reggae, bossa nova and tango music that made Dub Journey's so distinctive and memorable, II is an equally sublime collection of eleven unheard tracks from the brilliant minds of Ronnie Lion and Andrea Terrano.

Evoking the delights of white sands, palm trees and sunsets, all set against clear waters and endless blue skies, Dub Journey’s and II document the golden moment when Ambient Warrior came together during the mid-90s to create some of the most Balearic Dub ever made. “Music is the greatest traveler, isn’t it?” says Ronnie. “It gets to places the actual artists can’t even get to really.”

The son of an orphaned Jamaican jazz trumpet player and professional boxer who enlisted in the military after stowing away on a boat to London, Ronnie grew up between Germany, Singapore and the UK before becoming a working musician in his mid-teens. A bass player by trade, he honed his skills playing in a series of soul, jazz-funk, blues, rock and reggae bands that performed throughout the UK.

By the time Ambient Warrior released Dub Journey’s, Ronnie and his business partner Ras Joseph were running the Lion Inc. recording studio and record label in Brixton, London. Having set up distribution arrangements with Roots Records (UK) and Semaphore (DEU/NL), they recorded and released a series of singles, compilations and solo albums from a who’s who of roots reggae artists, including Twinkle Brothers, Delroy Washington, Michael Prophet, Alton Ellis, Little Roy, and Ronnie’s own band The Amharic. “Lion was a regular port of call for visiting Jamaican artists,” reflects Ronnie. “When you were in London, it was on the route.”

An accomplished guitarist, producer and recording engineer from Trieste, Italy, Andrea grew up listening to Russian folk, Klezmer and the Italian harmony tradition in a Sicilian-Ukrainian family. After completing compulsory Italian military service, he moved to London to continue studying music. One night, he turned up at Lion Inc. and approached them about running audio engineering classes from the studio.

In Andrea, Ronnie found a collaborator who shared his desire to create borderless music that reflected the diversity of their backgrounds. “I wanted to do something that had no boundaries,” Ronnie explains. “If you’re working on a roots album, it has to sound a certain way, but with Ambient, especially in the nineties, it was just a license to let off. You could do whatever you wanted to do.” “It was a melting pot of influences like London itself,” adds Andrea.

Although they wrote most of II at the same time as they were recording Dub Journey’s, it took them several years to finish off the album. “Things never got done quickly,” Ronnie remembers. By the time it was complete, Roots Records had gone out of business, leaving Lion Inc. without UK distribution. Not long after, their Brixton studio flooded, bringing the label to a close.

These days, Andrea continues to work as a session guitarist, recording engineer and producer in London. Over the last two decades, he has collaborated regularly with Basement Jaxx and released several solo albums. Ronnie, on the other hand, lives on a boat equipped with an onboard studio, where he has recorded a series of oceanic dub albums off the British coast. Twenty-eight years after the release of Dub Journey’s, he recently started working on demos for a third Ambient Warrior album he hopes to record with Andrea in the not-so-distant future.

Artwork By Bradley Pinkerton.

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Last In: 12 months ago
Jacob Miller - Jacob Miller Lives On LP

LP from 1980 re-release in the Reggae Rewind/17th North Parade series - the one and only album for producer Joe Gibbs that Jacob Miller (r.i.p. 23.03.1980) did.

He got known in 1974 as the main Augustus Pablo protegee, and became the lead singer for Inner Circle in their best times, he is also starring in the Reggae cult movie 'Rockers'.

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Last In: 3 years ago
Culture - Two Sevens Clash LP

ESSENTIAL laut The Rough Guide To Reggae! Das berühmteste Album der Band von 1977 wird jetzt offiziel als LP im Original-Coverartwork wiederveröffentlicht! Hier handelt es sich um einen echten Klassiker der in keiner Vinyl-Abteilung fehlen darf.

pré-commande12.05.2023

il devrait être publié sur 12.05.2023

Levin Goes Lightly / The Members - Nightclubbing / The Model

Zwei klassische Balladen-Coverversionen aus den 80ern auf 7". Levin Goes Lightly aus Stuttgart covern das Iggy/Bowie-Juwel mit Chuzpe und Empfindsamkeit. Und die britische Punkrockband The Members (aktiv zwischen 1976 und 1983 und 2007 wiedervereint) ist am besten bekannt für ihren Song "The Sound Of The Suburbs" mit ihrer großartigen Reggae-gefärbten Ehrerbietung an Kraftwerk.

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Last In: 2 years ago
Joe Gibbs & The Professionals - African Dub Chapter Two (40th Anniversary Edition) LP

Wieder lieferbar ist ein Klassiker des Dub-Reggae, von Kevin Metcalfe re-mastered und auf dem VP Records Sublabel 17 North Parade wiederveröffentlicht. Im Original erschien der Longplayer erstmalig 1977 auf Joe Gibbs' Record Globe Label und wurde mit seiner Studioband The Professionals eingespielt. Laut Originalcover waren das George "Fully" Fulwood, Carlton "Santa" Davis, Tony Chin, Richard "Dirty Harry" Hall, Tommy McCook, Bobby Ellis und Leroy "Horsemouth" Wallace. Am Mischpult saß Errol Thompson. Hier finden sich 12 exzellente Dubversionen von Riddims aus der Treasure Isle und Studio One Rocksteady-Ära, und zu "Hypocrites" von Bob Marley & The Wailers sowie zu"Uptown Top Ranking" von Althea & Donna!

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Last In: 21 months ago
Night Owls - I Only Have Eyes For You

Limited one time pressing of 1000. Raising the bar yet again, Night Owls' first single of 2023 lays yet another set of classic soul songs on you, flipped into the band's signature style. On Side A we find The Flamingo's beloved Doo-Wop/soul hit from 1959, "I Only Have Eyes For You," re-imagined to wind your waistline with Night Owls' longtime friend and collaborator - the one-and-only Chris Dowd from Los Angeles' legendary Fishbone on vocals. Known for tunes like "Pouring Rain" and "Everyday Sunshine" Dowd brings his signature soul drenched delivery with a hint of rude boy grit to match the rhythmic and tonal stylings of the group. Wanting to take things to the next level, producer Dan Ubick called in veteran underground Jamaican legend Tippa Lee (Stones Throw, Dub Club, Jammy's, Greensleeves, etc.) to sprinkle his magic rasta dust on top and deejay/toast on the track and the results are burning hot.
But wait, that's not all!! On Side B we find the beloved beat diggers classic "Live And Let Live," originally performed by Jimmy Jones in 1970 on Deke Records out of Chicago. For the Fender Rhodes-driven reggaefied version here, Night Owls roped in another longtime friend - Los Angeles kingpin and mover ’n' shaker, "Music Man" Miles Tackett to add his soulful vocals to the track and it's as buttery as cornbread from Cracker Barrel! Tackett is the mastermind behind globe-trotting funk/soul collective Breakestra (of which Night Owl Dan Ubick was a member) and legendary weekly L.A. dance parties like Funky Sole, Root Down and The Breaks. This side also includes Destani Wolf, who many will remember was featured on Night Owls’ version of “Let’s Stay Together”, providing the beautiful ‘verbed out backing vocals

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Last In: 2 years ago
Jr. Cat/Tipper Ranks - Bring My Gun/Ten & Twenty Girls

There are only 130 copies in stock

Junior Cat is one of reggae music's most prolific artists. An icon, Junior Cat"The Wild Indian," is known by reggae and hip hop fans across the globe for his dapper Bad Azz style that made the fellas crave and adoring ladies rave over his delivery of edgy lyrics that ricocheted through dancehalls and stages in the 90s with hit classics like “Iron Gloves”; “Top Dog”; “Anorexal Body”; and as featured in the mega-hit movie “Shottas”, “woulda let you go”. Junior Cat is the Don that lesser deejays imitate but never duplicate.

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Last In: 3 years ago
CONGO NATTY - ANCESTORZ (ROOTZ OF JUNGLE) 2x12"

Mikail Tafari aka Congo Natty aka Conquering Lion aka X Project aka Rebel MC is back.
After releasing his acclaimed 31 track album last October on digital platforms, he comes with a 9 track double LP featuring the more uptempo tracks & Mixed Double CD Mixtape.
He created the tracks with his ‘Resistance Band’, featuring a rich talent of the established & new global artists from Brazil, Japan, Jamaica via Deptford & Tottenham. It crosses genres of Drum & Bass, Reggae, Jazz & shows the Rootz of Jungle. The Resistance Band include The cream of reggae: Courtney Melody, Reggie Stepper, Junior Delgado, Daddy Freddie & Carroll Thompson. The new school of uk vocal talent: Maverick Sabre, Eva Lazarus, Akala, Klashnekoff & Logic & the new jazz school : Shabaka Hutchins, Nubya Garcia on sax & Amrit Kaur on sarangi. Plus international artists: from Brazil – Monkey Jhayam, Japan : Junglists Youths, Fikir Amlak & Krar Collective from Ethiopia, but all have their rootz in Jungle.

Set to represent the global diaspora and giving a voice to the people on the upcoming album, Congo tells the most important story jungle music can tell whilst documenting the uprising and reflecting on where mankind, culture and the journey is at in 2023.

With a five decade deep discography spanning seminal and timeless releases like Street Tuff, Tribal Bass & Wickedest Sound (as Rebel MC), Junglist, Get Ready, Code Red, Under Mi Sensei, Get Wild, Kunta Kinte and more, Congo has played a founding and hugely influential role in one of the most phenomenal, boundary breaking music movements the UK has ever known.

Remaining on the front line of the musical rebellion to this day, Mikail understands jungle’s power to unite and break barriers. Weaving positive affirmations of his spiritual life as a Rastafarian into his song writing, he has been an consistent protagonist in the jungle uprising since the early 90s. Forever humble, he seeks to spread more positivity and encourage unity, whilst focusing on the new generation who will carry his torch into the next five decades.

Continuing to spread the Congo Natty message as a performer, musician, label owner, pioneer, revolutionary, humanitarian and father, Ancestorz (Rootz Of Jungle) is set to be his most personal, ambitious, timeless and expert album to date and his finest chapter yet.

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Last In: 7 months ago
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