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With this release, I think I'll be the only one to have released something from every single one of Kenny's solo jungle aliases!

A few years back, he started on an album project where he would combine the works of 2 of his aliases for his Amiga productions, DJ Mindhunter for the hardcore tracks & Retr0n One of the jungle tracks.

If I remember right, I think the plan was to originally release it on his label Green Bay Wax, but he was too preoccupied in the work being put into other projects of his at the time. The release was then going to be coming out on Parallax Recordings, a label based in Berlin, run by Vali, who I've worked with many times in the past for releases on his label but then Vali was also focused on other releases he had scheduled for his label. The tracks sat in limbo for quite a while, whilst I had been playing some of them on radio & in club sets and eventually, Kenny offered for me to release the tracks on Future Retro London.

I asked Vali if he would be OK with this, since the tracks are meant to come out on Parallax & I also wanted him to do the artwork for it (he does all the artwork for his label). He was unsure if he could do the artwork as his capacity for design was quite taken up by his own outlet, but he floated the idea of doing this release as a joint label project so that it would be a bit more able to fit in with his workload.

And like that, the project is now finally out, after some of the featured tracks having been sat around for many years! Big up to Kenny for his wicked tunes & to Vali for co-releasing this project with me, as well as handling the design.

Capcom and Laced Records invite you to return to a world of Reploids and cyber-elves, betrayal and Bio-Metals...

Thoughtfully sequenced with a disc covering each of the Mega Man Zero games, and a fifth covering ZX and ZX Advent, this box set will allow fans to fully ensconce themselves in the series.

ultimatemaverickx returns as sleeve artist, producing lore-faithful, vibrantly colorful panels depicting memorable story moments and highlighting major characters in iconic poses.

The Mega Man Zero/ZX soundtracks' glorious mix of urgent acid house, ambient, face-melting metal, and even soaring pop feel downright prophetic in the modern music landscape. Transported from their '00s hardware origins to your turntable come the sounds of our present, broadcast from the past - and it rips.

Some things are just too good to be hidden from view. That's certainly the case with Things To Think About, the first album from Dutch electronic music legend Steve Rachmad's lesser-known Sterac Electronics project.
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Rachmad first rose to prominence in the late 1990s, spearheading a surge in Dutch techno that was heavily inspired by the futurist intent and machine soul of Detroit. Since then, he has continued to successfully explore a wide range of dancefloor-centric electronic styles under a dizzying array of aliases.

It's a while, though, since the public has been treated to a heavy dose of Sterac Electronics material. He first established the alias at the turn of the millennium, primarily as an outlet for hardware-driven electro music shot through with funk and soul.

A handful of highly regarded 12' singles were released on Music Man and Interpersonal XP, before Rachmad began focusing on other projects. When inspiration struck, he returned to the project, jamming out tracks using a mighty collection of vintage synthesizers and drum machines.

Recently, Rachmad and Tom Trago decided to revisit the Sterac Electronics archive, discovering a killer collection of cuts created at different points over the course of the last 15 years.

Now 9 of those spellbinding hardware jams have been gathered together for the first time on Things To Think About, a warm, rich and evocative collection of electro-fuelled workouts that giddily pay tribute to the music of Rachmad's youth.

From the thrusting, synth-driven machine funk of Original Pattern' and mutant electrofunk revivalism of Game Changers', to the baggy West Coast boogie of Metratron' and intergalactic hustle of Archetype' (which sounds like Cybotron covering the 1988 version of The KLF's What Time Is Love'), Things To Think About is an lesson in the emotion-rich, mood enhancing possibilities of spontaneous hardware jams.

The highlights don't stop there, either. Check, for example, the crystalline synthesizer melodies, body popping drum hits and spacey chords of Tuning Into Frequencies' and the breezy humidity of opener Altruistic Endeavor'.

Like the rest of the tracks on the album, they feel timeless, as if they could have been made at any point during the last three decades. From Steve Rachmad, we wouldn't expect anything less.

Things To Think About will be released as a limited-edition double album, preceded by a 12' single featuring another previously unheard gem from the vaults.

The project brings together a stellar cast of musicians. Guitarist and producer Matthis Pascaud who crafts a rich and colourful sonic landscape, along with acclaimed drummer Raphael Chassin, pianist Thibault Gomez, and bassist Simon Tailleu. The record shines further with the participation of special guests: iconic guitarist Bill Frisell and the legendary saxophonist Archie Shepp, whose contributions underscore both the intimacy and the grandeur of Rampal's homage. Through inventive arrangements and deep poetic sensibility, 'Song For Abbey' revisits key pieces from Abbey Lincoln's repertoire, including a luminous, modern rendition of ' And It's Supposed To Be Love' .

Marion Rampal's voice, instantly recognisable and deeply evocative, breathes new life into Lincoln's world, blending tradition and innovation across jazz, blues, and folk influences. With high-profile guest artists, Bill Frisell and Archie Shepp, who elevate the album's international visibility and media value, 'Song For Abbey' is not just an album, but a resonant contemporary statement - a vibrant crossroads of jazz legacy, emotion, and artistry. "One of the most beautiful voices of her generation brings new life to the legacy of the sublime singer and songwriter Abbey Lincoln - chills guaranteed." - Jazz Magazine

New roots & dub from the Swedish Meditative Sounds camp featuring vocalist Ras McBean, mixed by Dougie Conscious.

The Tedeschi Trucks Band is an 11-piece ensemble made up of guitarist-vocalist Susan Tedeschi's and guitarist Derek Trucks' band,
known for their unique mix of rock, blues, gospel, soul, and Americana. Their 2011 debut album won them the 2012 Grammy Award
for Best Blues Album and since then have released four more studio albums and three live albums, of which this is their first.

The songs on this album are compiled from recordings made on three tour dates in October 2011 and feature tunes from their debut
album rearranged, expanded, and extended in true jam band fashion. But, they never seem to resort to clichés; guitar prodigy
Derek Trucks introduces the bands’ hit “Midnight in Harlem” by an Indian raga played as a slide guitar solo, just to give an example.

Stevie Wonder’s “Uptight” furthermore showcases their love for soul and jazz. In short, as one reviewer put it succinctly:
“Everybody's Talkin' is what every live album should be: an accurate, exciting reflection of a hot band playing full-throttle.”
Everybody’s Talkin’ is available as a limited edition of 1500 individually numbered copies on red coloured vinyl.

The French rap group TTC celebrates the 20th anniversary of its legendary album Batards sensibles with a limited vinyl edition.

Tripped teams up with Swiss Hardcore Techno legend Celsius.
This EP features glorious reworks of classic Celsius tracks such as MORG and An1x657,
the latter carefully mutilated by Tripped, while Drokz delivered an early rave gabber remix of Snotcake.
- A guaranteed dancefloor weapon.

All this accompanied by 2 brand new Tripped bangers to finish you off.

Hardcore Techno bliss in all its forms.

MADINCH009 comes in full colour artwork (painted by Tripped himself)

2025 has been the comback year of Borrowed Identity! Nearly a decade ago, this super talented producer and DJ from the German Black Forest was omnipresent. Crafty beats, driving basslines and a deep raw feel was his tradmark then. And still is! After his collab EP with the Mechanical Soul Brother some months ago, it’s now time for a full solo EP called „Reminisce“. 4 tracks of powerful and raw House music, Borrowed Identity style! He’s back to stay!

Only disc two ! Sides C and D !

There’s no mystery to this one, it’s another phat Krash Slaughta 45 remix – in this case of a Wu-Tang Clan classic to follow recent cheeky versions of Guru and MF DOOM on 7″. You may remember the original Da Mystery Of Chessboxin’ as an archetypal RZA production characterised by clashing sword samples and a skeletal piano motif with the grit coming from the ‘Clan’s vox and the crunch of the boom-bap drums. KS’s remix is utterly different – as we’ve come to expect – and sees him provide a beat that matches the energy of the original vocals rather than provide a counterpoint to them. Out go (most of) the swords and keys and in come guitars and furious scratching. Side B’s the radio edit, the A’s the ‘Full Phat’ version, cop it in black or yellow wax and remember – in the front, in the back, Killa Beez on attack!

Sierra Levesque is a 20-year-old, award-winning singer, songwriter, and multi-instrumentalist who is rapidly establishing herself as one of rock’s most
exciting rising stars. Gen Z’s Most Ambitious New Guitarist” and named among “10 Young Shredders Shaping Rock and Metal Today,” Sierra Levesque has also been prominently and in Guitar World Magazine, which declares she “stakes a claim as the future of rock ’n’ roll.” Her sound is a fusion of pop, rock, and metal,
drawing inspiration from legendary artists such as Avril Lavigne, Heart, Joan Jett, and Scorpions.

With a rapidly expanding global fanbase, Sierra has
amassed over 2 million Spotify streams, 450,000+ music video views, and 250,000+ social media followers. Sierra’s growing list of accolades includes winning four MyFM Spirit Awards for “Best Local Musician,” being a finalist for 'Artist of the Year' at the 2024 Ottawa Awards, earning a nomination for 'Song of the Year' at the 2025 Ottawa Awards, and receiving the prestigious King Charles III Coronation Medal for her outstanding contributions to the arts. Sierra Levesque’s debut album NEW GENERATION delivers 13 original, self-recorded tracks that blend powerful guitar riffs, evocative storytelling, and rebellious energy—establishing her as one of the most exciting young artists shaping the future of rock.

FONTINE’s debut full-length Good Buddy arrives October 7, 2025, marking a gritty, heartfelt turn from her folk-leaning EP. Recorded live to tape with her road-tested band, the album captures the loose, unfiltered energy of her live shows, pairing raw instrumentation with FONTINE’s powerhouse vocals and emotionally rich songwriting. It’s a rock record with a sensitive core — scrappy, cathartic, and full of heart. The title track, “Good Buddy,” uses CB radio slang for queer love as a playful, anthemic entry point into a record about identity, connection, and vulnerability. FONTINE, who identifies as Indigenous and queer, brings humour, honesty, and a deep sense of place to her writing. From personal struggle to activist fire, her lyrics are grounded and bold, wrapped in a sound that blurs the lines between alt-rock, Americana, and indie folk. With over a million streams, national CBC radio support, and a growing live presence across Canada, FONTINE is emerging as one of the most vital new voices in Canadian roots music. Her breakout charisma, fearless storytelling, and genre-fluid style make Good Buddy a debut worth turning up loud.

Vinyl only! 2024 Repress

Josh Wink’s ‘Higher State of Consciousness’ gets a respectful touch-up 25 years on courtesy of the Adana Twins.

The German duo come strong with a pair of remixes, fit for two very different dancefloor scenarios. The first a smart, stripped back breakbeat version that switches from a sparse percussive soundscape to the famous acid warbles, before introducing undulating retro trance synths to the composition for a headmelting finish. Remix Two is a driving, four-to-the-floor, rave-focused affair that builds up the 303s with exhilarating intensity, only letting up in the final moments of the track.

The fresh interpretation follows on from Adana Twins’ super re-work of Patrice Baumel’s ‘Roar’ that dropped on Watergate last November and reinforces the duo’s golden touch on the remix front

On “Reflection”, Hooverphonic’s second album with vocalist Noémie Wolfs, they return to a natural analogue sound. Alex Callier and Raymond Geerts didn’t just want to record in a studio, but at fans’ homes to get the specific reverb “Reflection”. Therefore, in early 2013, Hooverphonic launched an appeal to their fans to enrol potentially unique homes in the ambitious concept of “Hooverdomestic”. Ultimately, five locations were selected, four in Belgium and one in France. The result is the most infectious and cheerful album Hooverphonic has ever made. In addition, Noémie Wolfs is assisted on the album by three new vocalists/instrumentalists, who give an extra sense of space to the songs on Reflection.

Available as a limited edition of 1000 individually numbered copies on smoke coloured vinyl.

2025 Repress

The follow up to his 2017 album, Produced With Love II is a collection of brand new songs from one of the UK's most longstanding, respected and fiercely independent artists. In a flash-in-the-pan industry like music, Dave Lee's career is notable for both its longevity and consistency. As a record producer and remixer, DJ and curator, he's now clocked up well over 30 years and, if such things existed, would be nailed on for a carriage clock for long service to add to the numerous hits and landmarks he's enjoyed over a storied career. His latest album, Produced With Love II, continues the work he started with 2017's superb collection. Incorporating aspects of house, soul and disco and crafted with the attention to detail you'd expect from someone of Lee's heritage and calibre, Produced With Love II comprises 12 brand new songs and will arrive in June 2022. The writing process has always remained the same and Dave has always preferred to work face-to-face with artists whenever possible - albeit with a few enforced remote sessions due to the pandemic.

Project Pat, the older brother of Three 6 Mafia’s Juicy J, is a legend in the Memphis rap scene. He began rapping in the 90s with Killa Klan Kaze and released several independent mixtapes. In 1999 he released his debut album Ghetty Green via Hypnotize Minds/Loud Records. In December of 2000, he released a new single and video “Chickenhead” which blew up on the charts and led to the release of his second album Mista Don’t Play: Everythangs Working. Mista Don’t Play produced by Three 6 Mafia’s DJ Paul and Juicy J was certified Gold a mere two months after its release.

Lisbon-based duo Garoa—formed by Brazilian musicians Raphael Soares (drums, percussion) and Henrique Dias (piano, synthesizer, guitar, percussion)—craft an evocative soundscape that merges Afro-Brazilian rhythms with ambient textures. Their latest release, recorded in May 2024 at Estúdio Fetra, presents a free-flowing exploration where harmonies and rhythms unfold organically, avoiding rigid structures and embracing improvisation full time.

The album’s compositions are anchored by the interplay between Soares’ fluid percussion and Dias’ expansive harmonic approach. Tracks like “A Sandália Quadrada de Lampião” and “Xaxado de Chicago” weave percussive patterns reminiscent of Brazil’s Nordeste, blending them seamlessly with atmospheric synthesizers. “Baião de 2” and “Farofa e Cachaça” carry the unmistakable swing of Brazilian traditional forms, reinterpreted through Garoa’s lens of modernity and free flowing spontaneity.

Produced and mixed by Kellzo, the album captures the spirit of a collaboration that thrives on fluidity and openness. Garoa doesn’t aim for definitive statements; instead, they invite the listener into an evolving sonic landscape, where tradition and experimentation walk hand in hand.

Bristol via NYC's DJ Nature makes house and beatdown so raw, dusty and dishevelled it feels like it's been put together in an old shed with rudimentary hand tools and might just collapse at any moment. But it is also brilliantly soulful and real, with synths infusing each loose arrangement with real heat and the drum patterns connecting deeply. Across four cuts here, he layers up those signature low ends with different motifs - funkier drums and watery melodies on 'Shattering Myths,', r&b vocal swirls on 'One' and unusual synth incantations on 'Medusa Weed', while 'Eternal Winter' is a subtle celebration with gentle charm. Another superb EP from a unique producer.

On her fourth full-length album as Shedir, Sardinian sound artist Martina Betti offers a profound meditation on what it means to be human on the threshold of uncertainty.

We Are All Strangers is a series of ambient tapes-tries shaped by duality and introspection, where sound becomes a space to explore the tension between identity and ambiguity, presence and disappearance, connection and solitude. Inspired by the idea that we are all strangers, however, first and foremost to ourselves, Betti crafts seven fluid, slow-burn compositions that inhabit a sociological liminal zone—what she comments as an “inner elsewhere.”

These aren’t songs in the traditional sense, but evolving sonic environments that feel like emotional states made audible. Environmental textures, submerged electronics, and deep low-end pulses coalesce into a dreamlike architecture of sound: immersive, fragile, and quietly transformative.

Rather than offering answers or closure, the album invites us to live in radical openness—to stop trying to define everything we see and feel, and instead bathe in what remains unnamed. In this sense, We Are All Strangers is an invitation: to sit with uncertainty, to embrace the unfinished, and to find resonance even in our collective disconnection.

For listeners drawn to the introspective frequencies of Rafael Anton Irisarri, Félicia Atkinson, or Lawrence English, Betti’s music offers a similarly haunting and immersive experience—one where strangeness is not a flaw, but a starting point. In her hands, ambient music becomes a kind of reflective shelter: a place to brush against each other in the dark and begin to learn, as she puts it, “the difficult art of closeness.”

Zoetrope Picture Disc LP Pressing. Reissue of 2017 debut studio album by rapper XXXTentacion. It was released on August 25, 2017, by Bad Vibes Forever and EMPIRE. It features 11 tracks and was supported by the lead single "Revenge". 17 is X's second solo commercial project, succeeding the compilation mixtape Revenge, also released in 2017. It includes a guest appearance from Trippie Redd and uncredited vocals by Shiloh Dynasty, as well as production from X himself, Nick Mira, Taz Taylor, Dex Duncan, Natra Average, Dub tha Prodigy, and Potsu. The album experiments with a variety of genres, such as emo, indie rock, and lo-fi. The album charted at #2 on the US Billboard 200 & won Favorite Soul/R&B album award at the American Music Awards.

Hamasaki's fifth album, released on18 December 2002.
Includes hit singles such as "Voyage" "Free & Easy" and "July 1st"
The stark, naked cover art drew attention, and this album breaks new ground with the inclusion of English lyrics for the first time, creating a pop yet profound masterpiece.

This is an entry for Record Day DAY 2. Released on 180g heavyweight vinyl!

Produced at Tambourine Studios in Sweden with Tore Johansen, producer of The Cardigans, a driving force behind the Swedish pop movement.
This is the band's breakthrough sophomore album, released in 1997. Its captivating vocals and creative, homemade sound exude timeless appeal

KEKOA THE ARTIST's second 7" EP features a cover of the 1991 dancehall smash "HOUSECALL" by SHABBA RANKS FT. MAXI PRIEST!

KEKOA THE ARTIST's second 7" EP from Mahalo Unlimited features a ragga hip-hop cover of the 1991 dancehall smash "HOUSECALL" by
SHABBA RANKS FT. MAXI PRIEST!

One of the most famous covers in the history of Hawaiian reggae is DIANE & DA BOYZ's cover of the same song, which has been updated for
2025 by California dub master Josh Cardinali (Stoney Eye Studios)!

Side B features a limited edition double-cider red vinyl version of the smokin' "FEEL GOOD" (Produced by Patrick Hizon)!

You can't fault the quality of the slabs of heavy house that Dungeon Meat puts out. The label headed up by Brawther and Tristan da Cunha is back with more wagyu-quality rhythms, this time from the Berlin-based Tripmastaz. He's a master of crafting the sort of muscular beats that get floors in a sweat and whether solo or next to heavyweights like Ricardo Villalobos and DJ Sneak. Here he shows his dubbed out signature sound with the swinging, garage-inflected 'Off Da Waxxx', raw New York thud of 'Double Trouple', percussive skip of 'NYC x LFO' and rough and ready 'Tres Cabezas'. Tasty stuff, as always.

Limited black vinyl. One pressing only. 700 copies worldwide. NON-RETURNABLE.

Full colour sleeve with unseen pics of Ron Geesin in his studio with Marianne Faithful, who was
supposed to provide the spooky voices but was so (allegedly) smashed out on various drugs she had no voice.

Wow! So you’re telling me Ron Geesin made this kooky electro jazzy score to a really unusual
British folk horror weirdy film that is also sometimes called Madhouse Mansion or Asylum of
Blood?

So what we have here is a unique and unreleased British horror score like no other - because
Ron Geesin made it and also because he used trad ideas and modern sonic developments at the
same time. So it’s bonkers. Half the pressing will go immediately to the Trunk mailing list, the
last 300 for the rest of the world. Be quick…

„A Deeper Shade“, produced by Case Woo in 2001 and originally released only on CD, will soon be reissued as a double 12“ vinyl. It will come with a full-cover print of the original artwork, as well as an insert with photos of young Case in the studio and a list of the equipment that was used to record this album.

Back then, this release was hailed as the definitive and only full-length Deep House / Tech House album to emerge from the tiny island of Singapore, by one of the pioneers of the local electronic music industry.

Case himself states: „I was introduced to the Deep House genre in 1999 and it was love at first listen, pure magic! What began as a spark of inspiration soon led to a month of self-imposed studio isolation - a journey of immersion, expression, and devotion to a newfound sound. The outcome of that creative dive is „A Deeper Shade“.“

The tracks „Polyester Cookies“ and „Subliminal“ were picked up by transport recordings for TSP008 in 2000/2001 and are getting rare & expensive these days. Now you can get the whole album on wax for the first time - 65 minutes of pure deepness that stood the test of time!

goodbye.

TIMEPOINT is the studio album distilled from Stéphane Bissières’ eponymous audiovisual performance, where modular synthesis meets generative real-time visuals. In the live show, sound and image are intertwined: each musical gesture informs a visual response, creating a dynamic, evolving environment where music and visuals interact organically.

Paris-based composer and new media artist Stéphane Bissières works at the intersection of electronic music, generative art, and cybernetics. He develops algorithmic systems that explore timbre, structure, and the interplay of energies, translating data into immersive sensory experiences.

For TIMEPOINT, Bissières transforms the live, algorithmic energy into a self-contained sonic journey. Using modular synthesis and generative composition, he builds intricate, evolving textures that balance chaos and structure — a sonic ecosystem reflecting movement, pattern, and organic order.

The music explores timbre as a central element, sculpting sounds that resonate with the visual patterns of the performance. Each track functions as a microcosm of the show: algorithmically generated sequences, cybernetic textures, and evolving layers converge to form a lush, immersive soundscape.

TIMEPOINT invites listeners to explore a world where technology, imagination, and organic structure coexist. It’s an intimate translation of a live audiovisual universe, now accessible as a focused listening experience.

In den 90ern hatte Jad Fair fünf Lieblingsbands und Songwriter: Daniel Johnston, The Pastels, Sonic Youth, Teenage Fanclub und Yo La Tengo. Das ist echt eine coole Liste, aber das Besondere daran ist, dass Fair im Laufe von etwa zwölf Jahren mit allen in irgendeiner Form Musik gemacht hat. Jad Fair ist seit einem halben Jahrhundert produktiv, lange bevor das Internet ein simultanes und scheinbar ewiges Archiv von allem schaffen konnte, was jemand mit seinen Vorlieben gemacht hat. Er war an mindestens mehreren hundert Titeln beteiligt, von denen viele bei kleinen Labels erschienen, die es heute nicht mehr gibt, und die vergriffen sind. Tatsächlich ist eine dieser Kollaborationen, die Fair in den 90er Jahren gemacht hat - Strange But True mit Yo La Tengo - schwer zu finden, obwohl sie am 20. Oktober 1998 in den USA bei Matador Records erschienen ist. Jetzt wird das Album zum ersten Mal von Joyful Noise und Bar/None auf Vinyl neu aufgelegt. Als Fair Mitte der 90er Jahre mit Yo La Tengo auf einer Party spielte, waren sie alle Freunde, Fans und Kollaborateure, die gemeinsam an Platten gearbeitet oder diese veröffentlicht hatten. Als Fair vorschlug, gemeinsam ins Studio zu gehen, war das Trio sofort dabei. Das Ergebnis, ,Strange But True", ist so wunderbar, abwechslungsreich und wild wie eine riesige Wiese mit einheimischen Gräsern. Dieses Kollaborationsalbum zeigt die unglaubliche Bandbreite der Künstler und versetzt uns zurück in eine Zeit, in der Indie-Rock noch so seltsam und widerspenstig sein durfte, wie seine Schöpfer es wollten.

Elations Recordings presents "Return of the Airpoets", an exploratory recording from longtime collaborators Reuben Lewis (I Hold The Lion's Paw) & Adam Halliwell (Mildlife, IHTLP), occupying a unique space between contemporary experimental music and avant jazz. Engineered and mixed by Reuben Lewis in 2023, and featuring guest appearances from acclaimed Australian drummer Ronny Ferella.

"Return of the Airpoets" continues a conversation begun with 'Cygon Dance', an extended duo between Lewis and Halliwell from Halliwell's 2023 LP "Freedom Lapse"; a dialogue that stems from a shared love and respect for Jon Hassell's Fourth World music. Sonic pioneer and adventurer, Hassell's futuristic vision advocated possible musics, stressing plurality and multiplicity. Faithful to his vision, Adam and Reuben, as trailblazers rather than imitators, delight in boundless musical possibilities, adopting Hassell's futurism as stock-in-trade, making it their own while augmented with neo noir hues and hints of the tilted electro-funk of Miles Davis' collaborations with Marcus Miller.

These nine tracks flow together as a unified suite, their shadowy presence stitched from fractured narratives: imaginary crimes, murders, dreams, the unspoken. At the same time, you can detect the artists' meticulous attention to sonic detail, feel the undercurrents, the complex layering. This music has been distilled, winnowed, from extended improv sessions, with the artists - as producers - zeroing in on offcuts, shards, and splinters, seamlessly patching together fragments in post-production to construct intricately layered sound collages, taking a leaf out of Tao Macero's book, building from the ground up.

Who are these airpoets? Their mystifying trial suggests the travails of Joseph K, sentenced for unspecified crimes. But I prefer to see them as fugitives escaped from Robert Bolaño's novel, "Savage Detectives". In Bolaño's book, poet Juan Garcia Madero is granted admission to the shadowy group of poets, the Visceral Realists, whose movement has no clear aims, and whose members "walked backward . . . gazing at a point in the distance, but moving away from it, walking straight toward the unknown." Like the visceral poets, these airpoets, Reuben Lewis and Adam Halliwell, set their sights on a point on the distant horizon, setting off without map or compass, drawing nearer and moving away, towards the unknown.

Nosh releases "Meanwhile feat. Senninsho," featuring rapper Senninsho, physically on a 7-inch record!

Nosh will release "Meanwhile feat. Senninsho," featuring Senninsho, on a 7-inch record.
Nosh is a producer/trackmaker known for producing numerous artists, including KANDYTOWN, KID FRESINO, and JJJ, as well as providing beats for
Red Bull 64Bars and Rapstar 2025.

This track follows singles under his own name featuring rappers C.O.S.A. and ACE COOL, and will be included on an EP currently in production.
SIDE A features a vocal version featuring Senninsho, while SIDE B contains an instrumental version.
Mixed by Atsu Otaki, mastered for vinyl cutting by Ted Turner.
Artwork by Marfa by Kazuhiko Fujita.

The album of the year – and the beginning of a new era at Gigolo Records.

Ten club tracks packed with pure impact, crafted by one of today’s most talented and innovative producers: Aziz Haddad from Tunisia.

His sonic fingerprint breaks all genre boundaries — impossible to categorize — and fits perfectly into the Gigolo Records family and history.

Aziz’s uniqueness lies in his anarchic definition of sound:
4-to-the-floor house, 80s synth pop, techno, and hypnotic beat programming merge into a cinematic, magnetic whole.

Selected Bangers rewrites the rules for 2025 —
every beat counts.

Gold/schwarzes Marble-Vinyl. Die PORT SULPHUR BAND, die im Schlamm des Lawson Delta Bayou gegründet wurde, bewegt sich zwischen Fiktion und Realität. Die PORT SULPHUR BAND ist sowohl ein Meta-Element des Videospiels Hunt: Showdown 1896 als auch eine hauseigene Band der Spieleentwickler von Crytek. Sie wurde gegründet, um Geschichten aus der Welt von Hunt zu erzählen, einem übernatürlichen Shooter, der in den Anfängen des Blues und Jazz im Louisiana der 1890er Jahre spielt. Das neue Album ,Shadows Wake" der Band wird mit 20 neuen düsteren Western-Songs aus der Welt von Hunt: Showdown 1896 alle bisherigen Alben übertreffen. Jeder Song erzählt eine Geschichte aus dieser rauen Westernwelt, in der Verrat, Brutalität, Draufgängertum und Verzweiflung das Leben derer prägen, die es wagen, sich der sich ausbreitenden Korruption zu stellen und gegen die von ihr erschaffenen Monster zu kämpfen.In ,Web of the Empress" hört man die Geschichte einer Frau, die lebendig begraben wurde, nur um von Hunderten von verdorbenen Spinnen wieder zum Leben erweckt zu werden. In ,Beneath the Apple Tree" sinniert ein Mann über seine eigene Verzweiflung, während er seine unschuldigen Träume gegen eine Waffe und ein Grab eintauscht. Und in ,Curtain Call" laden verstörte Zirkusclowns den Zuhörer ein, ihnen in die Dunkelheit ihres eigenen Wahnsinns und ihrer Korruption zu folgen.,Shadows Wake" ist das vierte Album und die dritte Vinyl-Veröffentlichung von PORT SULPHUR BAND.

Longstanding streetpunk resolutes, NOi!SE are set to release On and On, a full length collection of singles, B-sides, split 7" tracks, and a few completely unreleased songs, via Pirates Press Records, with whom the band share a long and productive history. On and On is a companion piece to the band's previous collection record, Pushing On, and like that album, it provides a bookend to a period in the band's career. This collection represents the final release from the band's lineup featuring Nate, Jesse, Kenny, and Matt, clearing the vaults and providing a fresh start for the band's upcoming recordings with their new lineup. Bringing together tracks from several rare or out-of-print releases in one place, this collection is essential to any fan of the band. Even those that have diligently collected every release will be excited by the presence of a few previously unreleased tracks, and the chance to listen to these individual songs as an extraordinarily thoughtful, unified body of work.