Поиск:quit

Стили
Все
Joaquin Joe Claussell Hidden Revealed - Dark Rebel 7"
 
2
также имеющийся в продаже

Black Vinyl


Extremely Limited Black Screen-Printed Jacket / Glow in the Dark Ink / Red Insert Printed Sleeve 7Inch Black Vinyl
Hidden Revealed is one of Joaquin Joe Claussell Aliases which features a more Experimental Cosmic Jazz Side of Joaquin garnering just as many music supporters as his other aliases.

Sold out on our Bandcamp in only a few days; we are now offering copies of this highly sought-after record to our distribution partners. This is an Extremely Limited Specially Packaged 7" Black Screen-Printed Jacket using Glow in the Dark Ink. The record itself is housed in a special Red Insert Sleeve which is also printed. Musically Speaking this concept showcases the cosmic Jazz side of Joaquin Joe Claussell. All human musicians, no computers. Joaquin has been featuring these compositions in his DJ sets for quite some time now garnering inspiring crowd response.

Сделать предзаказ

Этот продукт еще не вышел. Ты можешь сделать предзаказ, как только он появится на складе, продукт будет подготовлен к пересылке.

The Blassics Experiment - Foraging LP
  • A1: Foraging Fungi
  • A2: Moss Perception
  • A3: Feeling Dawn
  • A4: Riding With Wahid
  • B1: Quite Crispy Vision
  • B2: Limit States
  • B3: Shadows In Motion
  • B4: Foraging Berries
Сделать предзаказ

Этот продукт еще не вышел. Ты можешь сделать предзаказ, как только он появится на складе, продукт будет подготовлен к пересылке.

CRACK CLOUD - PEACE & PURPOSE (2x12")
  • 1: Peace & Purpose
  • 2: Safe Room
  • 3: Not The Same Thing
  • 4: Life On A Farm
  • 5: Pick Apart
  • 6: Marathon Of Hope
  • 7: Stop Cutting Me Down
  • 8: Shut The Fuck Up
  • 9: Reunion
  • 10: Phantom Limb
  • 11: Thoughts On My Faith
  • 12: Eris On The Run
  • 13: Red House
  • 14: Truth In Trauma

Can’t go over it. Can’t go under it. Gotta go through it. And somewhere out there in the Pitch black beyond all darkness lies Peace & Purpose. The horizon you never quite crest until the inevitable end. Breathe deep — this fearful moment is the most alive you’re ever gonna feel. For the last decade, Crack Cloud’s vision has grown ever more expansive, more cinematic. Last go around, they dropped from The Heavens and then performed with their bare backs to an endless darkening desert. Now they’ve crammed all that life into some metallic and strange object called Peace & Purpose. All the terror of living. All the helplessness. All the raw human will. All glued and screwed and locked into this impossible tactile shape of dungeon dub; sour milk vox; Avant-protest music. Music arm wrestling itself to the ground. Far afield of beauty. The discordant symphony of factory farming and grim timber of the meat processing plant. The grinding din of the cogs. And yet, never giving up in spite of all good sense. Even in death, we are a coterie of survivors. Look now: There’s Terry Fox on his one-legged Marathon of Hope across The Great White North while cancer spreads through his lungs. A self-annihilating drive to feel alive. Rage against the dying of the light, they say. Well, how ‘bout it then!??! Peace & Purpose is not in any way some art project meditation on Punk Rock. It is Punk Rock. Terrifying, inspiring, vital, invigorating and most importantly, utterly unexpected. Every goddamn stupid day is a sublime slice of fresh hell. That’s the point. Gotta go through it. Wishing you Peace & Purpose — if only in that last big breath.

Сделать предзаказ

Этот продукт еще не вышел. Ты можешь сделать предзаказ, как только он появится на складе, продукт будет подготовлен к пересылке.

Billy Woods - Today, I Wrote Nothing LP
 
24

When billy woods released Today, I Wrote Nothing ten years ago, it was an unexpected departure from a rapper who was just starting to make waves in the indie rap scene. After spending the earlier part of his career in the wilderness, woods had managed to crawl out of obscurity with the minor success of 2012’s History Will Absolve Me. Dour Candy, 2013’s collaboration with underground legend Blockhead drew accolades, which only increased with Armand Hammer’s debut Race Music.

Then, woods dropped out of sight for two years before returning with Today, I Wrote Nothing, a record that deviated significantly from what had come before. Where Dour Candy had been concise and focused, TIWN was a sprawling 24 tracks. Where History Will Absolve Me was anchored by hard-hitting beats, anthemic songs, and a couple high powered features, TIWN was comprised of short vignettes, quietly eclectic production, and the only guests were his Backwoodz label-mates. Only one video was released; the claustrophobic “Flatlands”, shot on a shoestring budget in a Brooklyn housing project. Reviewers didn’t know quite what to make of the record, and in many cases, neither did fans.

As is often the case for woods’ albums, many perspectives shifted as the years passed. Listeners came to see the sad, quiet beauty of Today, I Wrote Nothing; a road trip album that doubles as a meditation on life’s journeys and death’s hiding places. The album’s power is in it’s intimacy, it’s insistence on holding your hand through the darkness. Now, TIWN is considered one of the more unique and vital records in woods catalogue. The dynamic woods created with TIWN vis-a-vis History Will Absolve Me and Dour Candy is one that would come to define his ouerve; constant experimentation, a refusal to be pigeonholed, and an unwavering search for the emotional heart of his subject. For us at Backwoodz, being able to repress this album on it’s ten year anniversary is especially sweet, because we remember how long it took us to sell that original run of 500. To everyone who copped one of those and helped us keep the lights on, this is for you too, we couldn’t have gotten here otherwise.

В наличии на складе

Есть у нас в наличии и готов к отправке

Alpyren - Musique de Niche Vol. 2

Musique de Niche Vol.1 barked for a Vol.2. The second opus of any relevant trilogy (did I just spoil a Vol.3?) undergoes always the hardest trial by fire: but the bois, Pierre Marty and Admo, once again delivered these flavors you didnt know your collection was missing.

Same city, different district and new inspirations: following the world premiere in Berlin of their Liveset, they hit the home studio, refining the last bits of this new EP and giving it a new twist while still echoing the first volume.

Tech-house yes, but is it really ?

Indecisiveness feels like we could've said maybe yes but no but...
Well: Alpyren did the quite impressive feat of pressing this feeling on a record - that's A1. The haunting voice sample is this sassy inner self trying to tell you whats up. At least, you're not alone: the quirky bleeps and the punchy bassline are there lending you a hand to make that surely bad decision.

By flipping the record or the usb, you get to the two tracks where they let their new inspirations hit the speakers.

B1 is out before GTA VI, but it could've been in the soundtrack if the game was actually happening between Los Santos and Marseille.G-funk with the Alpyren touch: for the floor, a tune that will make you sway. Broken beats, almost broken legs.

B2 is the freaky one of the bunch: starts with the gloomy sound signature of the duo, but we're back with more 80's inspirations.Darker synth pop with a twist: you end up following the kick with the head bobbing in sync, while all the FX sounds bring to the track this extra spice.

It's 5pm here at the Ordinateuf HQ and we've just finished listening to the latest masters of the new E.P by Alpyren 'Musique de Niche vol2'. Before we're back to more phone calls, we'd like to thank all the friends that bought the first volume: the support has been quite amazing so far.

Enjoy this new one - its got our paw of approval.

В наличии на складе

Есть у нас в наличии и готов к отправке

TY SEGALL - MR. FACE

TY SEGALL

MR. FACE

12inchFC031LP
Famous Class
08.08.2025

Mr. Face, a four-song EP that's a terrific showcase for Segall's artfully ragged style. He plays everything on these recordings with the exception of one drum part on one song. - NPR Fresh Air / Segall appears decidedly more at ease, or even at peace, on the four tracks, but while they build upon acoustic foundations, the tracks quickly take different shapes filled with sublime guitar (and piccolo!) solos that are utterly transfixing."- Exclaim / The real testament to Segall's growing maturity as an artist, however, comes with closing track 'The Picture', one of the most subtle and moving songs in his entire catalog. Segall's guitar sounds like it's scoring a dazed carnival ride as he lays out a tale of learning to say goodbye. - Consequence of Sound

LTD SPLIT COLOUR TRANSLUCENT RED/BLUE VINYL W/ 3-D GLASSES** Back in 2015, Ty Segall released Mr. Face EP, the fantastic gatefold 2x7" was not only packed with four killer jams but was also quite possibly the world's first playable pair of 3D glasses. Now Famous Class Records is thrilled to release a 10th anniversary 12” vinyl edition. All copies are pressed on split color translucent red and blue-colored vinyl and come with special Mr. Face 3-D glasses to activate the supercharged 3D artwork.

В наличии на складе

Есть у нас в наличии и готов к отправке

North South East West - Anxiety (Medlar Edit) (7")

We’re back in the groove with the next instalment of our 45s, where killer music always wins over oddball cover art. This time we’re serving up a Balearic, under-the-radar sunset jam from obscure Belgian outfit North South East West. Soulful, warm, and effortlessly cool, it’s the kind of track that makes you want to quit your job and move to somewhere hotter.

To stretch out the magic, we called on Peckham’s finest, Medlar, who turns in a dubbed-out, spacey flip that sends the original into orbit. It’s deep, trippy, and built for the mix — you’ll want two copies just to keep it going.

File next to: forgotten private press yacht soul, poolside AOR, and those records that get Shazams pinging when they hit the turntable.

В наличии на складе

Есть у нас в наличии и готов к отправке

Jonathan Uliel Saldanha - Surface Disorder

Multi-instrumentalist, visual artist, and scene creator, Jonathan Uliel Saldanha, has been releasing music under various guises for two decades. With the successes of his moniker HHY (Nyege Nyege Tapes) whether in symbiosis with The Kampala Unit or the syncopationophilic big band of The Macumbas, Jonathan Uliel Saldanha's sonic signature continues to grow more and more singular. Ever synthetic and digital, Uliel Saldanha's work-ethic never eases—having recently started a label of his own, Horror Vector.

Surface Disorder sees the release of the music from Jonathan Uliel Saldanha's large-scale exhibition of the same name that occurred in Porto & Lisbon, (2024-25). As with much of his work, there is a Ballardian sense of a near-future in dystopia. And since we're already living the apocalypse, there's never a hidden moral to veer away from the torment. Instead, Uliel Saldanha dives into it and catalyzes it further.

Information from Angels feels like a cunty John Dee AI (credited as The Mouth) becoming an oracle of information overload, accompanied by an instrumental bidirectionally that splits into a lush harmonic layer of blissful punctuated pads and another that is a speedy but subdued melodic bassline. The Mouth intones a 15-minute fever dream that flows through themes that have occupied Uliel Saldanha for quite some time.

On Swarming the Pit, the intricacy of Jonathan Uliel Saldanha sonic wizardry is on full display. A constantly moving swarm of granulated particulates of sonic material morph into a variety of textures: coins or gunshell casings hit the floor, engines rev their monstrosity, rubber-like pulses are splayed into spectral blurs and pops. This is clearly an update on music conrète's obsessions.

The Mouth on the closing track, Wolf & Virus Dialogues, has a completely different texture from the first, alerting the listener to the uncanny nature of its genesis. Here the instrumental sounds are all triggered by the articulations of the voice: a weird unison, it serves as its own artificial accompaniment. The reiteration of a self-model (a rabid 'my') creates a greater tension between computational self-certainty and the terror of its inevitable actualization.

В наличии на складе

Есть у нас в наличии и готов к отправке

Gil.Barte - Claviceps Purpurea

For this new full-length output, Gil.Barte delivers on Teenage Menopause an 8 tracks LP full of formal strength and psychedelic grandeur. Unlike the vast near-death explorations or trancey adventures he developped on various labels such as Neubau, Big Science Records, Homemade Soundsystem or his own imprint Meth'O'Tapes, the meaningfully-named « Claviceps Purpurea » is a botanist guide to the valleys of the mind.
From the eponym opening to the ending echo, each entry is a glance at magical universal exotica. With an intense emphasis on rhythm, standing quite apart from his former releases, Gil.Barte draws the bouncing steps of a whirlwind dance rooted in western witchcraft.
Raging pieces of club-destroying material (for those who dare) meet sketches of electronic fever-dreams. A full circle that is meant to run on and on, breaking the veil of daylight consciousness.

В наличии на складе

Есть у нас в наличии и готов к отправке

The White Stripes - Get Behind Me Satan (20th Anniversary Edition) 2x12"

With its title a quotation of Jesus from the gospel of Matthew, this is quite possibly the most well-known album with "Satan" in the title, all due respect to the Louvin Brothers.

Recorded on the stairway of Jack White's home in the Indian Village neighborhood of Detroit, this album features marimba, tympani, mandolin and bells, as well as the usual guitar and drums and piano. Described by someone as an "oddball masterpiece," it was not commercially released on vinyl until ten years after its initial release.

В наличии на складе

Есть у нас в наличии и готов к отправке

Guile - Freak EP

Guile

Freak EP

exclFEIERABEND01
System Error
02.07.2025

System Error introduces Immer Feierabend - a strictly afterwork series. Kicking things off is Buenos Aires’ own Guile. Off the back of super slick releases on imprints such as Limousine Dream and Proper Grub, the Freak EP delivers four sophisticated movers built for dancefloor release - good house music, pure and simple, with just the right amount of wiggle to move heads and toes.

It's the end of the workday, and if it isn’t, it’s always quitting time somewhere…

This one’s vinyl only, no digital release.

сбор заказов

Заказать сейчас – как только наберется необходимое количество заказов, продукт будет отштампован.


Последний логин: 11 мес. назад
Mama - Sottopasso

Mama

Sottopasso

12inchXRD029
Exarde
27.06.2025

Mama is here. This producer hailing from Italy has been making waves in the underground music community landing a strong string of releases on the prolific labels for you to check out. Now it is time for him to present to the world of “Sottopasso”, the 4 track EP with quite wide range of sound yet all absolutely in line with vision of the label and with utmost touch of freshness starting from A1 and finishing to B2. All the tracks names are with Italian flavor and is very close to the artist’s heart and resonate with the memories and experiences that personally shaped the man we are witnessing today. The artwork as always executed by the legend of the graffiti art Gkoner, which is showing a spooky entrance that one is about to enter if one dares too. This work has found its home on the label with a sense of proudness of Mama and excitement for it to find homes to its rightful owners brings a lot of positive feelings.

В наличии на складе

Есть у нас в наличии и готов к отправке

Minube - Flip EP

Minube

Flip EP

12inchKKYV07
Kooky Music
20.06.2025

Another release, another artist in our Kooky family. Minube is a DJ and producer from Moldovia, an artist that needs no introduction due to lots of exceptional releases on top interesting labels and hours spent spinning music on the best clubs of Moldovia and Serbia. Through this EP Minube takes us straight to the dance floor. 2 original tracks by the Moldovian are quite raw, yet very dynamic and well-crafted. The other tracks (collabos with Andrey Djackonda and Osvit) show slightly different shades of minimal, but are also intriguing in terms of sound design and structures. The EP is quite diverse musically and it's up to a DJ which track to spin in a club, but it's a definitely release not to be missed in the months to come and more.

В наличии на складе

Есть у нас в наличии и готов к отправке

Lone Capture Library - All Natures Most Mundane Materials (LP, Insert)

A Colourful Storm proudly presents a remastered first-time vinyl editions of Lone Capture Library's modern-day DIY environmental masterpiece, All Natures Most Mundane Materials. "Environmental"? While this certainly wasn't recorded for dinner party ambience nor was it commissioned by Harrods, it does document a haphazard wander through the English countryside, feeling the air and the earth, detaching oneself from confinement and attempting to make sense of it all. Its protagonist is Rory Salter, London's restless improvisor extraordinaire, who has contributed to dozens of solo and collaborative releases in an ecosystem branched from his Infant Tree private press. Under his alias Malvern Brume, he is responsible for some of the most enchanting sides of contemporary concrète that's graced our ears: dérives revealing beauty and curiosity within London's urban banality. And while we'd argue that Lone Capture Library applies this approach but seeks the peculiar within the pastoral, there also lies a certain hermetic recklessness, with its disruptive details and discarded sonic bric-a-brac.

"I'd walked from Swindon to Avebury and back, which is about a 21-mile round trip. I'd been a muppet and did the whole thing down the A4361, which is not a road suitable for walking on - there was a lot of jumping into the hedges to avoid lorries. Turned out, there was a really nice walk across the fields I could have done instead. But maybe that sums it up quite well. Instinctive and very impulsive. The day following, I was at home and recorded it in single takes, improvised and straight to the tape. There was a good deal of significance for me in walking to the stones, passing the Hackpen Horse, being in the landscape and dealing with some brain rot after being stuck in a house, anxious and depressed. There was a sense of freedom and detachment. It was all about the materials of the earth and the body and fucking the brain off for a bit - just wanting to move between places. I dunno, it's all very cliché."

В наличии на складе

Есть у нас в наличии и готов к отправке

Tomorrow’s Fashions - Library Electronica 1972-1987 LP 2x12"
 
28

Nothing said new or modern or futuristic quite like a synthesiser in the 70s and 80s. If you were shooting an advert and you wanted your product or your company to appear forward-thinking and ahead of the game, then you would want something electronic, something out of the ordinary. When TV producers and advertising directors started searching for music that sounded like “Tubular Bells” – and then Tomita, and later Jean Michel Jarre – music libraries such De Wolfe, Bruton, Parry and Chappell had to have the tracks readily available.

Compiled by Bob Stanley, “Tomorrow’s Fashions” varies from advertising jingles and TV themes to space exploration and gorgeous, beatless ambience. Though it’s 40-to-50 years old there’s a real freshness to this music. Older jazz players Brian Bennett, John Cameron, Alan Hawkshaw and others seized the chance to operate a synth; younger pups including John Saunders and Monica Beale were simply intrigued by the new technology being wheeled into the studios. There’s a tangible sense of adventure.

“Tomorrow’s Fashions’” brand of electronica anticipated new age and ambient music. It also had both a direct and indirect influence on pop – the early Human League and the future sounds of Warp Records are all over this collection. Electronic library tracks have been sampled by everyone from MF Doom to Kendrick Lamar.

One person’s primitive and experimental is another person’s space-age lullaby. This was music made in the shadows – in Soho’s secretive music library studios – that has now become desirable and influential. The chances are chunks of it will be sampled and used on hit records that have yet to be written. If the musicians’ aim was to soundtrack tomorrow’s fashions, they couldn’t have got it more right.

В наличии на складе

Есть у нас в наличии и готов к отправке

James Din A4 - Never Look Back

here may still be electronic music artists in this age of overflow and convenience who follow their own artistic vision regardless of what attention it might bring, if any. With an output that shows individualism, ideas and a signature sound. An ongoing creative process, uncompromising and adventurous, even eccentric, with results of consistent quality and determination. Dennis Busch aka James Din A4 is an archetypical example for this type of artist. He flooded the scene with releases in the 00s with numerous monikers, mostly on his own Esel imprint, and they were all great. On the outside you had his singular artworks (he is also a very accomplished collage artist) and quirkily humorous titles, and on the inside you had his music, also seemingly informed by a collage approach (only with samples), managing to sound focussed and out of focus, often at the same time. If you listen to a James Din A4 track it probably is simultaneously playful and disciplined. Anything can happen, and a lot if it actually does.

For quite some years, music releases by James Din A 4 were scarce. Jan Jelinek, an ardent fan, re-interpreted some of his favourites from the vast back catalogue as an album in 2014, then ten years later the album „Ins Licht“ appeared, and it quite nonchalantly continued what seemed to have stopped, right on the same level of greatness. And now we know that it still continues, as the label Live At Robert Johnson releases the new album „Never Look Back“. Its title should not be taken too literally, as all the trademarks of his musical legacy are perfectly intact. You will find the light and air that seems to seep through the sounds, the frisky structural details, the jolly melodies, the subtle deepness, the minimalistic yet not too strict grooves.

But do not be mistaken, this album is not looking back too much, of course. After all, this is music that is still evolving. Let’s hope for more glimpses of James Din A4‘s special and spacious world, they are ever
needed.

В наличии на складе

Есть у нас в наличии и готов к отправке

Roman Flügel - Geht’s Noch? 21 Year Anniversary Part 2

A noughties classic, an earworming anthem, an eventual schoolyard ringtone favourite; Roman Flügel’s once inescapable ‘Geht’s Noch?’ celebrates turning 21 on Running Back, refreshed and remixed by a scene-spanning set of artists paying keen tribute to its absurdist energy.
Casually released as part of a Cocoon Records compilation in 2004, ‘Geht’s Noch?’ rose from the depths with the support of Sven Väth, becoming an international phenomenon, conquering and uniting the dominant scenes of minimal and electroclash alike. Some have said it laid the foundations for the ‘Dirty Dutch’
house scene, albeit from over the border in Germany.
Well known for injecting much-needed levity into the contemporary club landscape via her Live From Earth parties, DJ Gigola adds additional firepower to ‘Geht’s Noch?’, inducing a planet-shaking kick drum, before sending the track’s signature bleeps into nonsensical Morse code for even greater pleasure. Another rave
culture connoisseur, Luca Lozano, offers two alternate takes; his ‘Technocs’ mix rolls deep with additional cowbells, robotic voice commands and stadium-sized claps. Meanwhile, the ‘Gehts Garage Remix’ draws a savvy connection with the original’s as-yet-untapped UK funky potential.
Peder Mannerfelt, who straddles the line between innovation, functionality, humor and seriousness quite like its original author, takes ‘Geht’s Noch?’ to truly wuthering heights. His remix builds unexpected drama and catharsis around the enduring riff, before a collaboration with studio partner Par Grindvik as Aasthma
spins the club out with a glossy, anime-tinted take, full of whimsy and colour.
And while the digital release of Geht’s Noch? also spans interpretations from Audion, Domnik Eulberg & Moguai, this vinyl release presses Steve Angello vs Who’s Who remix to wax, that which helped take ‘Geht’s Noch?’ out of the underground and into the stratosphere. Twenty years on, and Flügel’s offbeat hit is always ascending. Love it or hate it, ‘Geht’s Noch?' will still get you good.
Words by John Loveless

В наличии на складе

Есть у нас в наличии и готов к отправке

Xin Lie - Xin Lie

Xin Lie

Xin Lie

12inchDDR007
Dance Data
05.06.2025

As most of us now live in a world saturated with information, this album feels like a reflection of how the modern world might sound if it were to process its own chaos through a unified scream. Hailing from the highlands of Bandung, West Java, a city where tradition and modernization intertwine in the rhythm of daily life, Xin Lie unpretentiously translates this cultural fusion into a sonically rich and rhythmically bold debut LP.

The artist’s roots in the hardcore and punk scenes reverberate throughout the album, though they’ve been reshaped and refined for the club. There’s an undeniable pleasure in experiencing the chaos Xin Lie channels—irregular beats, dynamic frequencies, and disjointed grooves collide and expand, each track laced with a sense of unpredictable energy. Yet even in its most chaotic moments, the music feels deliberate, its edges softened by a sense of compositional care.

The album reveals a strange duality: tracks that seem to beckon you to the dance floor but never quite let you settle there. Frequencies flicker and fluctuate in patterns that feel just slightly off-grid, as though resisting traditional structures. Yet, amidst the digital textures, Xin Lie weaves in organic sounds—snippets of native conversations or environmental noise—creating layers that feel both intimate and expansive.It’s fair to say this album extends far beyond the boundaries of today’s club music.

Picture this: you’re moving through your daily routines—mundane, repetitive—and suddenly, the music shifts your perspective. It reframes the ordinary as something surreal, as though it’s deconstructing itself in real-time, breaking into fragments or conjuring entirely new forms. Perhaps it’s best imagined as the soundtrack to a multi-sensory art installation or a performance staged not in a gallery but in an unassuming house down your street. Who’s to say where it might take you?

В наличии на складе

Есть у нас в наличии и готов к отправке

Roby J., O.M.A.R. J. - Nocturnal Elephant Walk

When Omar J Neri sent us the DAT with a white sticker marked with the date “26 January 1996” and some psychedelic drawings, we were quite astonished. Even more so when we listened to the incredible material inside the tape.

In 1996, Roby J was probably at his best, playing constantly in clubs like Insomnia, Imperiale, and Ashram, as well as Alex Piacciafuochi, the mind and owner of one of the studios (Alex Midi Studio) that defined the Tuscan progressive sound.

At that time, Omar J was a young talent building his reputation around the best clubs in the region. It was a fertile period for him, leading to his first release: "Primitive Pulsar".

Roby and Omar’s distinctive leftfield touch can be heard in these two long, slow-evolving, and structure-changing tracks. Truly two steps ahead and forward-thinking!

Unfortunately, Roby left us too soon in 2014. With Omar’s help, we are extremely honored to continue his important legacy and lucky enough to open their archives. More is yet to come… in loving memory of Roby J.

В наличии на складе

Есть у нас в наличии и готов к отправке

SHIFTING HEIGO - TO MODEL PHENOMENA LP

“To Model Phenomena” is a scientific concept that describes a computer’s ability to emulate, regardless of whether the emulated phenomenon exists outside its circuits or is purely imaginary.

Modeling communication platforms enables us to interact with each other or with computers. Modeling behavior patterns, nuclear fusion, or, as in the case of scientists from the Human Brain Project, a virtual human brain, allows us to simulate cognitive processes such as perception, memory, and decision-making, providing insight into the nature of human thought.

In this record, the phenomena modeled are those moments when the mind leaps into the void, confronting new paradigms. For instance, when science, art, or mass media introduces new information, propelling us into a transformed reality.

From this starting point, European musician Shifting Heigo maps a path between realities, evolving his narrative as his music unfolds. This work draws inspiration from Curtis Roads (vice chair of Media Arts and Technology at the UCSB) and his studies on granular synthesis and time scales, where each track on To Model Phenomena evokes a sense of movement, where nothing begins or ends in quite the same way.

A musician with strong ties to new technologies, Shifting Heigo has collaborated with the University of Málaga (Spain) in its PH Degree Program in video game design, composing interactive music, while also singing as part of the tenor section in the Qatar Concert Choir, affiliated with the Qatar Philharmonic Orchestra.

Currently based in Abu Dhabi, he is now part of a circle of electronic musicians surrounding the New York University Abu Dhabi, an institution that supports electronic and experimental music across the Middle East.

To Model Phenomena is the result of his search for a unique voice as a musician, where ternary rhythms, noise, and silence shape the narrative. This is a discourse from a musician’s perspective on the changes that science, technology, art, and the rapid flow of information demand of us. A direct gaze into the fear of change.

В наличии на складе

Есть у нас в наличии и готов к отправке

Rayko - Vadillo Vice Vol.3

Rayko

Vadillo Vice Vol.3

12inchRWWAX016
Rare Wiri
14.05.2025
 
4
также имеющийся в продаже

Vol.2


DJ Support: Tim Sweeney, Idjut Boys, Unabombers, PBR Streetgang, Hot Toddy, DJ Dribbler, Leo Zero, Roller Boys, Craig Smith

Rayko is back with this third volume of the highly acclaimed 'Vadillo Vice' series on his long standing and well regarded label Rare Wiri.

Again its a quality collection of timeless discofied productions with the dancefloor in mind but with a firm nod to the leftfield corner of the room, with all three tracks quite frankly having some real 'WTF?' moments in there..

'More I Like It' is a killer euphoric groover with epic Italo/Cosmic touches that build and build.

'Napole' provides the end of night moment, carrying emotional and heartfelt vocals with a sexy Italian twist.

‘Towers’ and ‘Cosmic Boy’ are just two outstanding examples demonstrating the deep love he feels for the underground dance culture of the late 70s and early 80s, from Rock and Sci Fi Electronics to Funk and New Wave, Cosmic Italo and obscure NY Disco…

В наличии на складе

Есть у нас в наличии и готов к отправке

Liquid Silk - FR029 w/ Kloke, Tim Reaper & Dust-e-1 Remixes

In 2020, when I had just started Future Retro London & was messaging producers I wanted to work with on tracks for the Meeting Of The Minds releases, I reached out to Worldwide Epidemic and we made "Losing Control" on Vol. 2 of Meeting Of The Minds, one of my favourites of the series.

I was quite keen on getting him back on the label at some point in the future & I can't remember exactly the chain of events that transpired during then and now (I'm sure I told him at some point to work on some music for me but I honestly can't remember how or when I did this, sorry Dan!) but around the start of 2023, he sent me Bells Of Arptazia & I knew it was perfect for the label.

Without a doubt, it's my favourite tune of his and to be honest, I'm actually a bit jealous of how lush and intricate that intro is and when I was in New Zealand on tour in March this year, he showed me the project file for it and the amount of detail that went into this tune, I'm really glad that he was willing to let me release this tune on Future Retro London.

To accompany his tune, there's remixes from Kloke, me & Dust-e-1, all taking the original into different directions to make for hopefully a well rounded release, representing a variety of styles & flavours.

Thanks to Liquid Silk for his fantastic track, to Kloke & Dust-e-1 for their remix work & to James Lacey (aka Pointless Illustrations) for the artwork.

В наличии на складе

Есть у нас в наличии и готов к отправке

Dj Koze - Pick Up

Dj Koze

Pick Up

12inchPAMPA031
PAMPA
25.04.2025

2025 Repress

DJ Koze might be one of the world's best producers, but above all he's a DJ, and it's his DJ ear that governs. J
ust as in a great set, so with his releases: 'Seeing Aliens' came out of nowhere, a big buzzing beast of a track, to announce that Koze was back on the scene and prime everyone for the coming album, knock knock.
But now that Koze has your attention, it's time to remind everyone what's most important about club music, pull things back, take a turn to the left, and get deep into the groove.

Thus 'Pick Up': the second single from knock knock is 100% pure groove, doubly so in the extended 12' version.

In a sense it's incredibly familiar - it is essentially a filter disco record, very close to something you could imagine coming out of Paris around the turn of the millennium. But of course, this is Koze. Nothing is normal or familiar in his world, and he's taken this most foundational of clubland staples into new territory. Flipping amples of Gladys Knight & the Pips 'Neither One Of Us (Wants to Be the First to Say Goodbye)' and Melba Moore's 'Pick Me Up, I'll Dance', it creates something completely airborne, shot through with emotions such as gods must feel: not quite explicable to the human mind but strong enough to knock you off your feet. In its way it's absolutely as powerful as 'Seeing Aliens', but it comes in like the proverbial iron fist in a glove of velvet.
The flip, a ten-minute new track, 'The Love Truck' is a big contrast again. If 'Pick Up' is giddy flight,
'The Love Truck' is woozy floating. Its sharp, clicking percussion recalls 2000s minimal techno, but this time absolutely nothing is generic. The long, intense, on-and-off bass tones, the flickers of birdsong, the pure voices slipping in backwards as if from the future... it's all like the most blissful dream, and culminates in a coda so subtle yet so beautiful it's like ever time you've ever seen the sun rise and thought 'I never want this to end', all the while understanding deep down that the fleeting nature of the pleasure is also what give it its power. But of course, being created with that consummate DJ's ear, it's also full of the thrill of wondering what Koze has in store next.

В наличии на складе

Есть у нас в наличии и готов к отправке

Medlar - Islands LP 2x12"

South Londons’ indomitable Medlar delivers an ambitious new album

The long-time underground favourite has collaborated with the likes of Dele Sosimi, Rebekah Reid, Deevoenay, Finn Peters, Sam Virdie, Afla Sackey and Arnau Obiols on an album that finds him taking his production to new levels.
From roots playing illegal raves in the South West to building up a cultured catalogue that bounces between house and garage, Medlar has long been part of the underground conversation. He has dropped a previous album and many innovative remixes and edits for the likes of Billy Cobham and Shirley Lites, worked in the studio and on stage with Afro legend Dele Sosimi and most recently released an album under his own name that collected myriad different sonic sketches from the past 15 years.

Islands is an altogether different proposition that comes after establishing himself as a mix engineer and producer of other people's music. In that time, Medlar has honed his skills, learnt new tricks and grown more able to express himself in sound. The result is an album that explores a more electronic palette inspired by '80s fusion sounds whilst maintaining a loose, organic flow through his use of live instrumentation. “The idea for the LP was for a collection of music which could sit alone as club tracks, but would work equally well as part of a whole. The name Islands came from this, as there's some connecting ideas but the tracks sit independently in their own little sonic worlds. I took a lot of inspiration from early 80’s electronic music produced during early years of MIDI technology… proto house, jazz fusion, electronic disco and experimental ambient. I wanted to juxtapose some of these methods with more contemporary production and make something that's ultimately quite fun!” says Medlar of the record which could easily soundtrack a summer road trip.

Across 11 tracks, he blends old-school techniques like a fusion of live instruments, FM synthesis and MIDI triggered vocal samples with more contemporary touches such as punchy, club-friendly drums and dub inspired, speaker-wobbling low end. The result is less reliant on samples than his previous works and makes for a perfect blend of retro authenticity and future freshness.

В наличии на складе

Есть у нас в наличии и готов к отправке

ADJA - GOLDEN RETRIEVE HER LP

Adja

GOLDEN RETRIEVE HER LP

12inchSDBANULP44
SDBAN ULTRA
10.04.2025

Brussels-based artist Adja Fassa releases her debut album, two years after her well-received EP IRONEYE - and it is promising to be quite a ride.

This contemporary body of work showcases 11 stories, each telling their story of the impact our capitalistic society has on our most intimate moments: from dystopian neo-soul tales of Deliveroo-drivers being stalked by telemarketers (both of them selling/delivering literal 'hope and dreams'), to re-imagined jazz standards and classical songs about conditional friendships, based on time and money. We even get her take on the 'stick-it-to-the-man-sing-along-rock-song', which she called 'Sucking on my Emphatitties'. And then we have the title song 'Golden Retrieve Her' which is as much an accumulation of feelings as of musical curiosities

" 'Golden Retrieve Her' is a wordplay on wanting to retrieve my kindness in a violent social system. Simultaneously, it is criticizing the fact that we, the masses, are often asked to either be naive or pretend we are. All of this accumulated in a visual image of what our social system considers 'the perfect, obedient nuclear family': a kind couple with 2.4 children, a house in the suburbs and... a Golden Retriever." ~ Adja

Serious and concrete topics, wrapped up in a symbolic package, as Adja values both straightforwardness, critical thinking and, paradoxically, a bit of mysticism. For her visual artwork, she created four, self-made tarot cards, that represent the four themes on the album:

'The Wheel Of Fortune', embodies the desire to get the upper hand in a system that doesn't align with your values. 'The Mirror', represents projection and likeness within lost connections (whether with strangers or with friends), 'The Dark Wheel' embodies the turning point of the wheel of fortune, where one is completely surrendered to their own moral demise and 'The Cave' stands for the - sometimes painful, sometimes blissful - return to one's own mind and heart.

Musically, this album contains as much variety as song titles, as Adja continues to explore her own depths as an artist and musician, together with her partner-in-crime, guitarist, composer and jazz-arranger Alexis Nootens. She collaborated with music producer Adam Scrimshire, who was featured in the Guardian as UK's one of three most significant soul music producers alongside Swindle and Inflo, and renowned Belgianproducer, mixer and musician Koen Gisen, who both mentored her into deepening her own productional skills. Last but not least, she gathered 13 musicians to deliver the sound she brings to her album, among them her 5 steady band members and 8 studio musicians from all over Europe. As we said: it promises to be quite a ride.

LIVE:
09/05 : Ancienne Belgique, Brussels
11/05 : Jazz à Liège

More tba.

В наличии на складе

Есть у нас в наличии и готов к отправке

Kloke - MINDGAME 8

Kloke

MINDGAME 8

12inchMINDGAME8
Mindgames
03.04.2025
 
4
также имеющийся в продаже

Liquid Splatter Vinyl


By now an essential part of the Mindgames story, Kloke follows up his LP with Tim Reaper on Hyperdub with 4 tracks of Jungle vitality. As always with Andy's productions, there are fragments of memories that you can't quite identify embedded in the tunes framework, but the Kloke magic is using these familiar elements to build new tunes that enhance and embody this era of sound perfectly albeit with a distinctly recognisable identity. Of course this is the raison d'être of the Jungle revivalist producer set, but very few have mastered it like Kloke.

Slightly more floor-centric than his last Mindgames set, Mindgame 8 has a rugged vibe with punchy b lines and jagged breaks, doubling down on it's embedded authenticity.

В наличии на складе

Есть у нас в наличии и готов к отправке

Mr Sensi & Tim Reaper - FR021

Strictly Ragga is a track that me & Mr Sensi finished together in 2014, but at the time, there was no label interest in it and besides some DJ support from Bailey, Equinox, Double O & a few others at the time, we sort of forgot that it had existed. Recently though, whilst organising my projects folder, I rediscovered the tune and thought it was worth releasing myself now that I'm able to do that on Future Retro London.

FM Dial, I sort of can't really remember the exact process behind it being made. If I remember right, Kid Lib sent me the parts of a tune called Unauthorized around 2013 (I think?), it was quite fully formed but it had no bassline on it. I never made time to work on it, so I think he sent it to Mr Sensi, who did some work on it but also didn't finish it. Then last year, I found a folder that Mr Sensi had sent me years back, which had the parts for a tune that he never finished, which I then finished. I sent the tune to Kid Lib when it was done, having forgotten about Unauthorized and it turned out that I finished a version that Mr Sensi had worked on of Kid Lib's track, without knowing anything about Mr Sensi's involvement in Unauthorized. All a bit confusing I know, but anyway, all that matters was that the tune was finished.

Nice one to Mr Sensi & Kid Lib for their involvement in this release and to Bailey, Equinox, Double O and everyone else that gave Strictly Ragga some support in its initial existenc

В наличии на складе

Есть у нас в наличии и готов к отправке

Pieter Kock - The End ll LP 2x12"

Pieter Kock

The End ll LP 2x12"

2x12inchMMLPXXX101
Macadam Mambo
31.03.2025

It was quite unexpected to see the very prolific and talended Pieter Kock featuring on Macadam Mambo - which is usualy used to new-comers - as he has released a lot in the past 2 years on very nice labels like RIO, Meakusma or Moonwalk X. But, the demos that he sent were so good that there was no question about doing something. And with a lot of possibilities, to prepare a double album that is now composed of 15 quality tracks for 1h20 of music... What vibes are in here! It’s heavy, loudy, loopy, mental, smokey, and always surprising. Pieter has is very own universe, and is without doubt one of the most interesting electronic musician at the moment.

Should we ask you to give chance to this opus, and tell you you won’t regret it ? We don’t think we need to do so... J

В наличии на складе

Есть у нас в наличии и готов к отправке

Unknown - TOPSECRET02 10"

Unknown

TOPSECRET02 10"

exclTOPSECRET02
System Error
27.03.2025

The first TOPSECRET drop caused quite a stir, and we expect no less with the second in this electrifying series. 10 inches of secrets from an unknown Berliner, guaranteed to grab some dancefloor attention…

В наличии на складе

Есть у нас в наличии и готов к отправке

Edictum - A Cosmic Scale

The album’s title deftly gestures to the sheer vastness of astronomical dimensions, while simultaneously capturing the musical breadth within, where the eight planets are imagined as the eight notes of an octave. The work draws inspiration not only from earlier compositions —most notably Gustav Holst’s The Planets—but also from the rich astronomical and cultural contexts surrounding these celestial bodies. Here, the focus transcends direct citation of melodic motifs, instead embracing an intriguing conceptual approach on a meta level, unfolding in a series of vividly contrasting soundscapes. These contrasts shape a sweeping sonic journey, one that fully embraces the album format with both arms, inviting the listener to venture into realms both strange and wondrous, feeling the immensity of the interstellar space that lies between them. Contrast, after all, is the brushstroke that enriches our world.

Embarking on an auditory voyage, "Astral Guide" establishes the sonic framework that propels us into the boundless expanses of the cosmos. Its ethereal tones evoke the vastness of space, crafting a mood ripe for exploration within the realms of sci-fi. The subsequent tracks unfold like constellations, weaving a rich tapestry of sound that seamlessly marries cinematic soundscapes with pulsating, club-oriented rhythms. This album invites listeners to traverse its immersive landscapes, whether nestled in the comfort of home or dancing under the starlit sky, each note a guide through the transcendent experience of a nocturnal journey.

"Solar Flares" draws its inspiration from the awe-inspiring expanse of solar phenomena, capturing the majestic power of the sun as it reaches into the cosmos. This track resonates with the idea that energy, while vital, can also be a force of destruction when unleashed with overwhelming intensity. The composition beautifully mirrors the sun’s duality, where brilliance and devastation coexist, inviting listeners to reflect on the delicate balance between creation and annihilation. Through its rich textures and dynamic shifts, "Solar Flares" serves as both a homage to the celestial and a poignant reminder of nature's formidable power.

"Mercury – The Winged Messenger" embodies a meticulously crafted soundscape where artistry meets astronomy. The tempo of 173.6 BPM, derived from precise astronomical data, propels the composition into a vibrant realm that resonates with cosmic energy. Synthwave sound design intertwines seamlessly with the fluid rhythms of Drum’n’Bass, imbuing the piece with an uplifting dynamism that evokes the ethereal grace of Mercury itself. In this sonic exploration, listeners are invited to ascend on wings of sound, navigating the celestial tapestry of the universe with each invigorating beat.

"Venus, The Bringer of Peace" strikes a decidedly cozy note, presenting a poignant contrast to the more tempestuous themes often found in cosmic narratives. This composition evokes a nostalgic vision of an optimistic era, one in which humanity transcended borders and embraced the infinite possibilities of space exploration, where no destination felt too distant. The dense, languid atmosphere envelops the listener, creating a tangible sense of serenity that unfolds gradually, allowing for a meditative journey through sound. Each note serves as an invitation to linger in this tranquil embrace, reflecting on the harmonious potential of our collective aspirations and the beauty of connection in a vast universe.

The central theme of „Gaia, The Bringer of Life“ —originally not part of the planetary cycle— is the profound enabler of life on Earth. The arrangement delicately mirrors the slow, tentative unfolding of this potential, marked by an initially sparse orchestration that gradually builds in momentum. This progression crescendos, embodying the explosive dynamism of the Cambrian burst of life, ultimately culminating in a euphoric fanfare—a triumphant, celebratory flourish echoing life’s victorious emergence.

"Blue Moon" unfolds as a contemplative reverie on the tranquil clarity of a night sky, now seldom glimpsed in its natural purity, unclouded by the relentless haze of urban light. The listener is drawn into the vast embrace of the star-strewn firmament, a journey that sways between euphoric awe at nature’s sublime beauty and a profound melancholy for its fragile and imperiled state. Musically, this duality finds expression in the delicate interplay of modal mixtures, while an ever-shifting triplet groove, poised at the intersection of Outrun and melodic house, lends a pulse that is both nostalgic and forward-looking—echoing the beauty and transience of a world on the brink.

Rather than replicating the original composition of „Mars, The Bringer of War“, this interpretation seeks to evoke its profound, foreboding atmosphere. Cyberpunk emerges here as an ideal genre, channeling the dark, relentless march synonymous with Mars, the ancient god of war. The piece reverberates with intensity, as distorted vocalizations rise, embodying the anguish and visceral torment that shadow war’s violent crescendo. This auditory descent into conflict captures the relentless pulse of warfare, where sound itself becomes an embodiment of suffering and fury.

Majestically, "Jupiter, the Bringer of Jollity" emerges on the celestial stage, sweeping away the somber tones with its radiant vigor. Drawing inspiration from the triumphant strains of the original, and borrowing a melodic motif in the refrain, the piece expresses joy and buoyancy through a shift to a major key and the lilting sway of a danceable 12/8 meter. Spirited and exuberant, it leaps boldly from major to minor and back again, playfully shifting time signatures to capture a mood of unbridled festivity and jollity.

Here, a more conciliatory concept is chosen than in the original inspiration. „Saturn“ aligns with the number six, being the sixth planet from the Sun and bearing the iconic hexagonal pattern at its northern pole. What, then, could be more fitting than to render this piece in a 6/8 time signature? The arrangement unfolds with a multifaceted richness, mirroring the countless stones and ice fragments that form the foundations of Saturn’s majestic rings.

„Uranus“ adopts the theme of a light-footed, dancing instrumentation, giving the impression of perpetual motion, never quite settling. This musical choice harmonizes with the planet’s own orbit, as it spins with breathtaking velocity, teetering and swaying, seemingly unable to attain rest or stability.

The chill and vastness of the cosmos find expression in „Neptune, The Mystic“. At its core, an electronic soundscape envelops a classical arrangement, its unreachability intensified by an ethereal, otherworldly choir. Hovering at the outermost boundaries of the solar system, where warmth is but a distant memory, the composition lingers in a slow, contemplative tempo, evoking a realm where space for speculation stretches wide and silence reigns supreme.

Though Pluto may have lost its planetary status, and its companion Charon never achieved one, this shift in classification subtly aligns with the cosmic scale invoked here—one that mirrors the musical tradition of an eight-note sequence. Fittingly, the album closes with „Kuiper Belt“, a composition emblematic of the turbulence and vitality of countless smaller

celestial bodies that, though diminutive, find their rightful place within the vast architecture of the solar system.

They say nature is the greatest composer, shaping the universe with a symphony of chaos and order, beauty and danger. It is this duality that fuels the artistic vision of Edictum—a producer who, armed with a doctorate in chemistry, delves as deeply into the mysteries of molecules as he does into the depths of sound. In the tension between the vastness of the cosmos and the microscopic processes that dictate life’s rhythm, Edictum creates sonic landscapes that dissolve the boundaries between science and art.

His music is a story of contrasts—a sonic tale where the raw forces of nature clash with the intricate structures of human culture. Opposites intertwine to form a harmonious whole: the primal rhythms of the earth meet the celestial melodies of the cosmos, the rigid laws of physics blend with the boundless freedom of art. Edictum explores these polarities with meticulous devotion, each composition an expedition into uncharted soundscapes—a quest to give voice to the unfathomable.

With over 20 years immersed in the realms of electronic music, Edictum has honed a keen sense for rhythm and movement. His driving beats compel both body and mind into a hypnotic flow. Yet beyond the pulse of dance lies a complex framework of conceptual thought. Today, his creative focus revolves around holistic album projects—self-contained worlds with overarching narratives that embrace contrast and complexity. Each track stands alone as a fragment of the whole, but together, they weave a cohesive tapestry, much like the chapters of a novel that guide the listener on an emotional and sonic journey.

Edictum’s distinctive musical signature has earned him international recognition. With over 150 releases, many on prestigious platforms like the iconic *NewRetroWave* label, and collaborations with artists such as Jan Johnston, Azumi Inoue, Powernerd, and Turbo Knight, he has solidified his place in the global electronic music scene. His latest work, *A Cosmic Scale*, marks his seventh vinyl album and is released under his own label, *Echoes of Expanse*. The label’s name is no coincidence—it captures the essence of his art: echoes of infinity, the vibrations of the universe distilled into a singular sonic experience that carries the listener ever further into the boundless expanse of sound and space.

В наличии на складе

Есть у нас в наличии и готов к отправке

Namur - Inner Pulse EP

Namur

Inner Pulse EP

12inchSPINDESIRE004
Spin Desire Records
26.02.2025

Spin Desire Records is proud to present its first release of the year, a stunning EP by Namur, key member of the renowned Parisian collective :

Beau Mot Plage

Equally talented as a producer and DJ, Namur delivers a new EP featuring four captivating tracks that skilfully blend house, proggy hints and touches of breakbeat. With deep grooves, mesmerizing textures and finely crafted soundscapes which make for a perfectly balanced energy.

This release is sure to connect with both dance floor regulars and those seeking refined electronic music. We could not be more excited to unveil this one as it’s been in the pipeline for quite a while now. A hot take on modern days tech house and timeless addition to any record collection.

В наличии на складе

Есть у нас в наличии и готов к отправке

USEIN BEKIROV - SATO LP 2x12"

Usein Bekirov

SATO LP 2x12"

2x12inchUPC197189749667
Tlsg Digital
25.02.2025

The album SATO was made by the Ukrainian Crimean Tatar pianist and composer Usein Bekirov.
SATO was created during the difficult wartime for Usein’s motherland Ukraine and for the author himself.
Despite circumstances, the compositions of SATO express the ideas of the beauty and revival of Ukrainian music, a part of which is Crimean Tatar folklore.
The uniqueness of the release is caused both by the concept of the album and by the performers' star crew.

The jazz sound of the compositions of SATO is directed to the stylistic course of ethno-jazz and world music.
Rhythms and melodies of colorful Crimean Tatar folk music became the main source of inspiration in the creation of the album.
We can find both Usein's original author's themes, skillfully stylized to the oriental sound,
and referenced to the classic jazz vocabulary in its juicy riffs and grooves with features of fusion and funk music.

The name of the album reflected the inheritance of generations through music.
Sato is not only a folk instrument but also the name of the first Crimean Tatar jazz band, which made the first jazz arrangements of Crimean Tatar songs.
The music of this band became the basic musical experience of Usein Bekirov, because one of the members of the group was his father Riza Bekirov, to whom the album is dedicated.

The author and producer of the album is Usein Bekirov - Ukrainian pianist, composer, arranger, sound producer, and author of music for a number of films and theater performances.
Usein Bekirov cooperates with both foreign and Ukrainian musicians of the highest rank.
This is evidenced by the participants of the album Sato: Dennis Chambers, Randy Brecker, James Genus, Mike Stern, Ada Rovatti (USA), Hadrien Feraud (France), and Cenk Erdogan (Turkey).
Each performer reinterprets the author's material of Usein Bekirov through the prism of his own experience, character, and manner of performance, which was expressed in the daring stylistic combinations within a jazz style.

A special role in the creation of the album was taken by the participants of the recordings, especially, legendary jazzmen Dennis Chambers, Randy Brecker, James Genus, Mike Stern.
Their ideological and creative support became an important part of the creativity process.
Musicians expressed their impressions in small addresses for the audience.
One of the reviews of the musicians:
"The process of recording compositions was really exciting! This music reflects Usein's national origin and sense of his native culture.
It is full of real emotions. Actually, this music is quite difficult, but it is very well written and produced!
I sincerely hope you will notice this album, which also took part in Dennis Chambers, James Genus, Mike Stern, Ada Rovatti, and others.
I think it's going to be a really special album, can't wait to hear the final version.
When you hear about the premiere, I highly recommend listening to this new album created by Usein Bekirov.
It will be great!" Randy Brecker

В наличии на складе

Есть у нас в наличии и готов к отправке

Jackson Mathod - Studio Natives, Vol. 1

1. Watermelon Man
This track version actually came from an improvisation that Allesandro IIona (Keys) made on a live show at RonnieScott's at the start of the year. I think we were were having some issues with one of the monitors on stage and it juststarted making this beeping sound. Then I remember Alleh just came in with that piano riffat the start and the rest was history. This one of thefirst tracks we recorded for the EP and I'm super pleased with how this one turned out. Afterseeing Herbie Hancock live for thefirst time the year before, this felt like the perfect tribute to him!

2. Mandible
The majority of the writing on this album was done at my studio space in Hither Green, where I am every tuesday! I usethis space to record but mainly a space to develop my art. So this EP all came from a few sessions there. We all haveour own creative things going on so it was really great to collaborate as a band and trash out some ideas we had.Mandible is one of my favourite tracks on the EP. It's very simple but leaves us a lot of space to explore some more freeimprovisation. I think in some of my previous recorded music I was more focused on creating well crafted music withgreat melodies and harmony. Whereas here there's a bit more focus on playing as a group and being more explorative inimprovisation. We also didn't have a melody for this track until a week before the recording! Sometimes it just takes awhile tofind that melody or it might just pop into your head one day.

3. Slum
This is a tune that was actually written by myself in 2017/18. Round about that time, I had been playing at a jam night ata warehouse unit in Limehouse called Unit 31. The night was ran by Pianist Raffy Bushman and Drummer Sam Michnikand was focused on hiphop and Jazz fusion. We would usually play a set of instrumental music before it opened up forvocalists and other instrumentalists to come and jam. It was a great place to try out new ideas, so I wrote this tune for itbut we never recorded it. It was really nice to revisit this tune and get it recorded properly at 'That SoundStudios' (Seven Sisters). This track is all about dynamics and a slow build throughout. Descending to more chaos at theend!

4. Red Pistachio
For thefirst two sessions we wrote with a different bass player to Edmondo Cicchetti who is on the recordings. A greatbass player and friend of mine Tom Driessler. This track started kinda exactly how it starts on the record, with that basshook. I'm very influenced by Christian Scott Atunde Adjuah and his melodic writing. Particularly on his album 'StretchMusic'. So this felt really inspired by that album. The chords don't really move around too much until the solo sectionwhere it becomes more like a blues. Then Allesandro get's a bit more loose at the end with the descending sequence.

5. Jerome arrived Late
Quite simply we started writing this tune before Jerome (Drums) arrived late. In the recording session we were a bitundecided about what to do in the solo section. We tried out a few different options before we eventually landed onfeaturing Gabriele Pribetti on Sax. I'm really into his solo on this as it's rhythmically and dynamically really exciting. As Imixed the record it was also a great solo to mess with and run through lots of different plug-ins. There's some weirddelays and phasing going on that and I added some octaves too in places.

В наличии на складе

Есть у нас в наличии и готов к отправке

Mary Halvorson - Cloudward LP

Mary Halvorson

Cloudward LP

12inch0075597902334
Nonesuch
28.01.2025

‘One of the finest jazz guitarists of her generation, Halvorson is possessed of a questing, restless spirit.’ – Jazzwise

‘With an album of string quartet music as strong as this one, she is worthy of as much renown in the classical field as she holds in the jazz community.’ – New York Times

‘One of America’s finest guitarists. Halvorson’s musicianship is open-minded, demanding and richly engaging.’ – Uncut

Nonesuch Records releases Cloudward by Brooklyn-based guitarist, composer, and MacArthur fellow Mary Halvorson on January 19. The album features eight new compositions by Halvorson, performed with her sextet Amaryllis, the improvisatory band that performed on her critically praised 2022 albums Amaryllis and Belladonna comprising Halvorson, Patricia Brennan (vibraphone), Nick Dunston (bass), Tomas Fujiwara (drums), Jacob Garchik (trombone), and Adam O’Farrill (trumpet). Labelmate Laurie Anderson also is featured on the album track ‘Incarnadine’. Halvorson and Amaryllis will tour internationally following the release of the new album, including January dates in Europe, as well as at the Big Ears Festival as part of Nonesuch’s 60th anniversary celebration.

Halvorson says, “All of the music on Amaryllis was written in 2020, during the thick of the pandemic, in one of the more bizarre time periods I’ve experienced in my life. While composing for Amaryllis, I expanded upon certain musical concepts I’d developed in my life up until that point—the ones that felt fruitful—and left others behind, hitting the reset button and attempting to build from scratch. Two years later, after the release of the first album, I was still writing music for Amaryllis.

“All the music on Cloudward was written in 2022, mostly in the fall and winter, when things started moving forward. Life felt like a creaky machine starting up again,” she continues. “Air travel, however chaotic, had resumed, and we were once again cloudward. Performances and tours and recordings were happening after a long hiatus and with a renewed sense of gratitude. This band, for me, was quite simply working, both musically and personally, and the main thing I felt while writing the music was optimism.”

The Guardian said Halvorson’s 2022 double release “shows how far this single-minded original has come, and affords a glimpse of how far she may go. Both sessions confirm how years of jaggedly lyrical solo and ensemble improvising and a quirkily subversive affection for mainstream music have now nurtured a composer of unpredictable but warmly expressive character… These are new landmarks in Halvorson’s already inimitable discography.” Pitchfork said, “Amaryllis and Belladonna are distinct statements; one could hear either album on its own without a sense that something is missing. But they are most powerful when taken together, like a landscape and its reflection in rippling water.”

Halvorson has released a series of critically acclaimed albums, from Dragon’s Head (2008), her trio debut featuring bassist John Hébert and drummer Ches Smith, expanding to a quintet with trumpeter Jonathan Finlayson and alto saxophonist Jon Irabagon on Saturn Sings (2010) and Bending Bridges (2012), a septet with tenor saxophonist Ingrid Laubrock and trombonist Jacob Garchik on Illusionary Sea (2014), and finally an octet with pedal steel guitarist Susan Alcorn on Away With You (2016). She also released the solo recording Meltframe (2015), and most recently debuted Code Girl (2018, 2020), a new ensemble featuring vocalist Amirtha Kidambi (singing Halvorson’s own lyrics), trumpeter Adam O’Farrill, saxophonist and vocalist María Grand, bassist Michael Formanek, and drummer Tomas Fujiwara.

One of New York City’s most in-demand guitarists, over the past decade Halvorson has worked with such diverse musicians as Tim Berne, Anthony Braxton, Taylor Ho Bynum, John Dieterich, Trevor Dunn, Bill Frisell, Ingrid Laubrock, Jason Moran, Joe Morris, Tom Rainey, Jessica Pavone, Tomeka Reid, Marc Ribot, and John Zorn. She is also part of several collaborative projects, most notably the longstanding trio Thumbscrew with Michael Formanek on bass and Tomas Fujiwara on drums.

В наличии на складе

Есть у нас в наличии и готов к отправке

Trentemöller - Into The Great Wide Yonder 2x12"

2025 Repress

Wide Yonder’ is a truly remarkable album, offering as much depth and soul as it’s predecessor, yet sounding ultimately fresh and different. Above all, the ten tracks show an artist that’s willing to take risks, find in- spiration in new places and move beyond the sound of his previous album. Trentemøller: ‘Of course I didn’t want to make the same record twice. So the album is for me a logic development from ’The Last Resort’’. Instead he just started to collect new ideas, without thinking too much about the direction the music would take him: ‘The only thing I knew was that I’d want the music to sound more organic and analog.’ Compared to the intimate electronic mood pieces of ‘The Last Resort’, the ten tracks on the new album indeed have a more strange, mystic and dramatic vibe, with a lot of dynamics, distorted, driving twang- guitars, real and electronic drums mixed with haunting synths. With ‚Into The Great Wide Yonder‘ Trentemøller is not only exploring new moody and atmospheric universes, but combines his sense for glorious soundscapes with a firm melodic and tonal touch. The original chord progressions and feel for melodies is fundamental to him, and that‘s also the reason why most of the instruments are played by Trentemøller himself on this album. ‚I like the possibility to be surprised that chords and melodies change into something new. The music that I like most lets the themes and sounds come back in different disguises‘. The Danish multi instrumentalist and producer shows an unexpected talent for finding vocalists that fit the mood of his songs. The first single of the album, the beautifully tender ‘Sycamore Feeling’, featuring Marie Fisker, is a typical highlight. In fact, all the vocal tracks are stunning. Trentemøller chose to collaborate with the English artist Fyfe Dangerfield from UK based Guillemots and Danish singers Solveig Sandnes and Josephine Philip from the debuting Danish indie girlduo Darkness Falls. They all manage to add their own sound and flavour to the album, while their voices blend perfectly with Trentemøller’s atmospheric songs. This is an album that keeps growing for a long time, as every track works its way stealthily under your skin. The sound of ‘Into The Great Wide Yonder’ might be one step ahead of his previous work, but we still easily recognize the hand of Trentemøller, in this inspired collection of songs and atmospheres. The sonic richness, sharp contrasts and daring musical colours are vintage Trentemøller. Into The Great Wide Yonder’ might demand more from the listener than ‘The Last Resort’, as it ended up being quite a dramatic album. This album is more noisy, there’s more happening.‘ But getting to know the tracks definitely is a rewarding experience, as the album will keep growing and growing for a long time to come and its safe to say that Anders Trentemøller has managed to create

В наличии на складе

Есть у нас в наличии и готов к отправке

Joe Brown and the Soul Elderados - Vibration

Downtempo lo-fi soul ballad 'Vibration Part Two' from Joe Brown and the Soul Elderados, a favourite amongst collectors that continues to gain traction with a growing new wave of listeners absorbed in oldies playlists. Roc Marciano fans will recognise the source for 'Dolph Lundgren'.

From the late ‘60s to mid-‘70s, Atlanta’s Joe Brown sang on several singles for various local labels and studio-owned imprints, like Master “W” Records which was run by Bobby Whitley Music Supply, Inc., in Lawrenceville, GA. Both a musician and engineer, Whitley released a number of recordings by Brown as well as The Soul Elderados. “I played Fender Rhodes or piano tracks to some of Joe’s recordings”, recalls Whitley’s daughter and pianist, Cindy. “Dad hired studio musicians to play and Joe had some musicians himself. He was very talented. My dad enjoyed recording him.” In 1972, back in Atlanta, Dr. W. J. Stafford, a prominent pastor and founder of the Free For All Baptist Church, owned and operated two downtown nightclubs, including the Soul Expedition, where Freddie Terrell led the house band every Saturday night before church on Sunday. “He did things different but no one had ever done anything quite that different”, noted Terrell. Reverend Stafford, who sung baritone with the Five Trumpets as a young man, started F.F.A. Records and released Joe Brown’s ‘Vibration’ in two parts featured here.

В наличии на складе

Есть у нас в наличии и готов к отправке

Apples - Mind Twister LP

Apples

Mind Twister LP

12inchODILIV003LP
Odion livingstone
15.01.2025

70s Nigerian psychedelic soul rock to be filed next to Shuggie Otis’ Inspiration Information. Some albums are more than the sum of their parts. This is one of them. Nothing quite explains the luscious layers of sounds. The wholesome feeling that exudes from the first note to the last. Shuggie Otis meets Grotto/Ofege is what comes to mind.

The band was a ragtag band of teenage musicians who hung around Federal Palace Hotel in classy Victoria Island, listening to the resident band, led by the incomparable Yom Yem with Papa Doe and Gboyega Adelaja on keys. Frank who had some experience stringing around studios in Lagos, approached the George Veira (Vocals, Guitar), Nadi brothers (Clifford and Gerrard) with the idea of making a record. Odion Iruoje had enjoyed massive success with Ofege and Frank knew he might be open to the idea of producing the band. “It happened very fast, as Georges had songs already written or half completed. We started jamming with a few gigs at Surulere Night Club, which was run by Tee Mac at the time. Odion heard the material and did not need any convincing. We Then we went into the studio to lay the vocals, drums and guitars. The keys and further production was done in London.

“My routine at the time was to finish records in London, at Abbey Road Studios. It was the best way to get the sound I wanted and allowed my use London based musicians which brought a special flavour. I liked to lay the rhythm tracks and vocals at our Wharf road studio in Lagos. That was the core of the work”. Mr Odion Iruoje

(Resident A&R exec/Producer, EMI Nigeria)

В наличии на складе

Есть у нас в наличии и готов к отправке

Johannes Heil - From Within

Recut and repressed

Every now and then, there are tracks that stand the test of time. Tracks that are more than just another DJ-tool. Tracks to remember. When „Fom Within“ was released 13 years ago. the track found its way into almost every DJ-Case that summer, and to this day, people playit out at special moments. When Gregor Tresher started to mix Celeda´s „Music Is the Answer“ Acapella over it, inofficial remixes popped up everywhere. We decided to actually never release that version, as we believe some things should be in the DJ´s hands, as there´s nothing quite magic as if a DJ-Mix creates something new. We are happy to give to you an official repress of one of the strongest tracks from our label´s history. Play it out and let it work it´s magic.

сбор заказов

Заказать сейчас – как только наберется необходимое количество заказов, продукт будет отштампован.


Последний логин: 16 мес. назад
PURPURNIY DYA DYA - LA HO

Born out of a summer (and time) most sadly lost forever - this new release on Souvenirs From Imaginary Cities will break your skull open most tenderly, so it's fine particles of audio-dust can mingle with the last rays of sunshine and the bitter storm of this autumn. Track after track, this LP draws you in with a natural flow and a deep-felt pulse - reminiscent of classic slices of raw and sample- based ambient like Susumu Yakota's 'Sakura' and 'Everyone Alive Wants Answers' by Colleen. These tunes are heartfelt and channelling tons of real emotions and other melancholia.

It's a very personal and unique blend of almost nineties chill out zoning with a dubby undertone, rich textured loops, mixing a whole range of crazy acoustic and electronic flavours - stuff that shouldn't work together but are dancing all the way to heaven anyways - with slow burning dusty slabs of melody and yes those deep choral pads ( some Rachmaninov vesper magic in the air ), everything rough around the edges and low slung but so damn precise. A subtle mélange between abstract and more concrete sonic territories, but delivered in an upfront, improvised manner with great intuition and a quite ruff but poetic touch.

Name of this piece of swampy, chopped up but most nicely selected ambient work is La Ho, by Purpurny Dyadya aka Purple Uncle aka Sergey Demitriev, originally residing in St-Petersburg but living now for obvious reasons in Armenia. Sergey has been busy on labels like Echotourist, Hair Del, Nazlo and most recently with fellow traveler Nikita Chepurnoi as Amkarahoi on Patience/Impatience. Using a bunch of old tapes from his childhood times, filled with all kinds of sonic memories and Russian underground hip-hop as sample ground, he loaded up his MPC with magic dust and jammed out the basis of this LP during a summer fest near St-Petersburg before current hell broke loose.

It's the kind of a record that needs some time to really let loose his inherent power, give it some air, let it hop along a bit and those sounds will bloom wide open.

В наличии на складе

Есть у нас в наличии и готов к отправке

Amalgama - No Pretensions EP

System Error’s ERROR300 Series welcomes Amalgama, a musician from Quito, Ecuador, who delivers for us something deep and special for the dancefloor.

No Pretensions is an EP crafted with the intent of creating something different for the dancefloor. Deep basslines and chords are decorated with lush synths and touching arpeggios for a soulful journey. A record full of feeling…

В наличии на складе

Есть у нас в наличии и готов к отправке

Продуктов на странице:
N/ABPM
Vinyl